Marta y Fina (Mafin) Parte 16-30

Kiin Media

2 months ago

Transcript

00:00:00♪♪

00:00:05Marta.

00:00:07I've been looking for you.

00:00:09I needed to move.

00:00:12In the office, he won't stop going around.

00:00:14It's horrible.

00:00:15Oh, yeah?

00:00:17I can't believe our cousin Valentín did something like that.

00:00:20And poor Clotilde.

00:00:22I haven't slept a wink thinking about them.

00:00:25Oh.

00:00:55Oh.

00:01:25Oh.

00:01:55I don't want to be left alone.

00:02:00Me neither.

00:02:02My father spent the night in the pantry.

00:02:06Yesterday he had a stroke, but everything was left in a shock.

00:02:12I'm sorry.

00:02:14If I can do something, please ask me.

00:02:18Don't look at me like that, Marta, don't do this to me.

00:02:22Yesterday you told me that we could only be boss and employee.

00:02:26And I asked you to distance yourself.

00:02:28Well, that I can't offer you what you want doesn't mean we're not friends.

00:02:33No, Marta, I don't want to be your consolation or your pity only when you're interested.

00:02:41I'm sorry.

00:02:42It's okay.

00:02:43I just... I just wanted to help.

00:02:46I'm sorry it's so direct, Marta, really.

00:02:49I know you don't do it on purpose, but you confuse me.

00:02:55And you hurt me.

00:03:09I'll talk to him.

00:03:11Okay, tell me.

00:03:16What a face you have.

00:03:18Nothing, my father is in shock.

00:03:21Is it something serious?

00:03:23No, no, small bruises.

00:03:26The good old Isidro.

00:03:28I don't want anything to happen to him.

00:03:30What a nice father you have.

00:03:32You don't know how much I appreciate him.

00:03:34He also appreciates you a lot.

00:03:40You know, I'd be happy to see you with someone.

00:03:43That you can enjoy as I enjoyed with your mother for so many years.

00:03:47And that I can see it.

00:03:50Gaspar, you'd do me a huge favor.

00:03:53You don't have anything else to ask for?

00:03:58I don't feel like it.

00:03:59Come on, ask for that mouth.

00:04:02Would you go out with me?

00:04:04Are you asking me out?

00:04:05Yes, but without commitment.

00:04:07Like friends?

00:04:08Yes, but let's look like something else.

00:04:10More than friends?

00:04:11Yes.

00:04:12But without becoming a couple?

00:04:13But let's look like it.

00:04:14I'm lost.

00:04:15Let's see.

00:04:17As I told you, my father is not very well.

00:04:20And he would like to see me with a good boy.

00:04:22And you are a very good boy.

00:04:24Oh, so you'd go out with anyone?

00:04:26No, no.

00:04:27You like him very much.

00:04:28Let me get this straight.

00:04:30You want us to pretend to be a couple so your father can see you with someone?

00:04:33That's it.

00:04:34And it has to look like we're very serious.

00:04:36But if it wasn't serious?

00:04:37Just face the gallery.

00:04:38But who do you think I am?

00:04:40Hey, Gaspar, if it doesn't look good to you, tell me and that's it.

00:04:43So I had you for a sensible girl and you get me with this?

00:04:45But in what head does such a proposition fit?

00:04:47Gaspar, please, calm down.

00:04:49I don't think it's that bad.

00:04:51Yes, of course.

00:04:52That maybe you think no girl is going to look at me again, right?

00:04:56No, no.

00:04:57Poor Gaspar.

00:04:58Gaspar, no, I didn't say that.

00:04:59Look, I'm telling you, don't count on me for that crazy idea.

00:05:02And I thought twice before proposing to someone because they're going to think you're crazy.

00:05:15Oh, what a shock, Mrs. Marta.

00:05:33I thought they were coming in to rob.

00:05:35What are you doing here?

00:05:37I knew you were escorts and I took the opportunity to bring coins.

00:05:41And you?

00:05:42Half an hour to the opening.

00:05:44I wanted to fill up the soap basket, the balance basket.

00:05:49Remember to put them under the inventory.

00:05:52Be careful.

00:05:53I'm really happy that you decided to stay and work with us.

00:05:57You've had a lot to do with that decision.

00:06:01Then I deduce that there was a reason to ask for the transfer.

00:06:04That it had nothing to do with changing airs or personal growth.

00:06:09Well, you already knew that.

00:06:11Me? No way.

00:06:12I know what you told me.

00:06:14That, about growth.

00:06:17Yeah, that's why Otasio mysteriously passed the night shift the next day.

00:06:22I'm not subtle, am I?

00:06:24Not at all.

00:06:25But I appreciate it.

00:06:28As I told you, sometimes you have to put the workers in their place.

00:06:32Now you don't have to worry about Tasia, you have to worry about yourself.

00:06:36Thank you very much, Mrs. Marta.

00:06:42Mrs. Marta.

00:06:45Do you know everything about Tasia?

00:06:51Something came to me.

00:06:53Although I don't like gossip, this place is small, as you said.

00:06:57And the other thing you know?

00:07:00Well, you don't know that actually when I went to the hospital ...

00:07:04I don't want you to give me explanations.

00:07:06No one should go through that and much less feel ashamed or uncomfortable.

00:07:10You have all my support.

00:07:12Thank you very much.

00:07:14So Tasia has been part of the night shift as punishment for what she did to me?

00:07:20Let's say they are measures for the well-being of my employees.

00:07:25I don't want you to come to work uncomfortable.

00:07:28It's not fair.

00:07:30Mrs. Marta is behaving very well with me, I thank her.

00:07:34You're welcome.

00:07:36But for my part, Tasio can recover his usual shift.

00:07:41Did he ask you?

00:07:42No, no, no.

00:07:44This is my thing.

00:07:46I think he really regrets what he has done.

00:07:51Do you believe it or do you know it?

00:07:53Well, I don't really care.

00:07:55I do this for me.

00:07:57I don't want to be a resentment.

00:07:59What you are is too good.

00:08:01You say it a lot.

00:08:03If I were you, I would be taking shifts in the moonlight for a few more weeks.

00:08:07Well, do what you want, Mrs. Marta.

00:08:09I'll think about it.

00:08:11The truth is that despite everything, she does a lot of work and is very useful in her usual shift.

00:08:17And as for you, you are worthy of admiration.

00:08:20There are many people who hold on to resentment to get strength from weakness.

00:08:23Well, it's a matter of education.

00:08:25My mother always tells me that resentment makes me look like vinegar.

00:08:29Then nothing.

00:08:31Well, I'm going to continue, Mrs. Marta.

00:08:37Good morning.

00:08:39Marcos.

00:08:41Did we meet?

00:08:43I was in Portoledo and well, after your father showed up the other day at the office,

00:08:48I was worried about how he could have taken it.

00:08:51No, everything is fine.

00:08:53But hey, you could have called, you didn't have to come.

00:08:57Well, we were also looking to complete the new job.

00:09:01You told me you wanted to select more photos.

00:09:03Well, that's not going to be necessary in the end.

00:09:06You're not making it easy for me.

00:09:10The truth is that I wanted to see you again and invite you out one of these days.

00:09:16Well, you're not making it easy for me either.

00:09:20I'm also going to be honest.

00:09:24I'm a married woman and it's not going to happen.

00:09:27When you called me the other day, it gave me the feeling that there was something more than work.

00:09:32True.

00:09:33I let myself go.

00:09:35I'm sorry, I'm sorry if I confused you.

00:09:38You let yourself go.

00:09:41Is this really because you're married?

00:09:44What are you insinuating?

00:09:46Your interest may go in another direction.

00:09:49Why do you insist on the same thing?

00:09:52Does it bother you so much that a woman rejects you?

00:09:54Don't get me wrong, I have no problem with that.

00:09:57So?

00:09:58They had never rejected me in this way.

00:10:02I'm sorry.

00:10:04I just hope it's clear that my heart is already occupied.

00:10:10By a husband you see a few times a year.

00:10:14Marta, I think you deserve to be loved full time.

00:10:18Look, I'm tired of dealing with suppliers who try to sell me things.

00:10:23And when I'm tough with them, it's because I know what I want.

00:10:45Are you putting on soap again?

00:10:48Well, the offers have flown.

00:10:50Well, go on, take a break.

00:10:52You've earned it, very good job.

00:10:54But I don't expect Carmen or Fina to come.

00:10:56No, I'll stay.

00:10:57Besides, Fina will be about to return from her break.

00:11:00Well, if Gaspar doesn't entertain her.

00:11:03Because what about Gaspar?

00:11:05Oh, I'm sorry, Mrs. Marta, I don't want you to think I'm a snob.

00:11:09It's just that, as it is said by the factory, I thought you had already found out.

00:11:12Sorry.

00:11:13Well, if it's a public domain, I can also find out, right?

00:11:17Of course.

00:11:20Well, Gaspar and Fina have started dating.

00:11:23Yes?

00:11:24Yes, yes, yes.

00:11:25Come on, it's something very recent.

00:11:28But, well, they make a couple.

00:11:31Gaspar is very good.

00:11:32And Fina deserves all the good things that happen to her.

00:11:35But well, I'll shut up now.

00:11:37She talks a lot.

00:11:38She talks a lot.

00:11:39As my mother says, in a closed mouth against a fly.

00:11:43Well, Mrs. Marta.

00:11:52Hi.

00:11:54Am I late?

00:11:56I thought Claudia would cover for me until she arrived.

00:11:58She left earlier, as I indicated.

00:12:02Is something wrong?

00:12:04Does the break bring any news?

00:12:06No.

00:12:07But if you tell me why you are so serious, we will finish earlier.

00:12:10You ask me for sincerity.

00:12:12This is the last straw.

00:12:14Look, Marta, I don't know what's wrong with you today.

00:12:21I found out that you are dating Gaspar.

00:12:24Who told you?

00:12:25Claudia.

00:12:26She is so happy about how happy that good man is going to make you,

00:12:29that she couldn't stand the secret.

00:12:31Let me explain it to you.

00:12:33Explain what to me?

00:12:34What?

00:12:35That you are going to use that poor man to keep your secret safe?

00:12:37No, no, no.

00:12:38It's not that.

00:12:39Oh, so what is it?

00:12:40That you like men now?

00:12:41Marta, don't get sarcastic.

00:12:42You know I don't.

00:12:43No, I don't know anything anymore.

00:12:44Why one day you tell me that I don't have the courage to be together,

00:12:47and the next day you dump your boyfriend?

00:12:49Hey, Marta, you are married.

00:12:50It's not the same, don't be hypocritical.

00:12:52Why?

00:12:53Why is it not the same?

00:12:54Because your last name is De la Reina.

00:12:55Oh, so now the class complex comes to light.

00:12:57Are you really going to attack me here?

00:12:58No, you have taken the whole issue.

00:12:59Look, enough.

00:13:00You have your private life and I have mine.

00:13:02That's clear.

00:13:03Like water.

00:13:04Then why are you so interested in not knowing who I go out with or stop going out with?

00:13:16Answer this to your question.

00:13:33What are you doing to me?

00:13:43Come in.

00:13:51Come in and close the door.

00:14:03Better sit down.

00:14:05Yes.

00:14:06We better keep our distance.

00:14:13I wanted to explain to you about Gaspar.

00:14:14I have no right to get into your life.

00:14:16I love that you kiss me.

00:14:22And I want you to know that I have nothing with him.

00:14:25And I feel nothing for him.

00:14:28So you're with him just to keep appearances?

00:14:31No.

00:14:32No, I would never do that to him.

00:14:35But my father will leave this world much calmer if he thinks he leaves me alone.

00:14:39And accompanied by a good man.

00:14:42I'm doing it for him.

00:14:44For my father.

00:14:45And all this that you tell me, does Gaspar know?

00:14:48Yes, yes, yes.

00:14:49Of course.

00:14:50I asked him to follow the farce without giving him explanations of ...

00:14:55Of everything else.

00:14:56Wow.

00:14:57Wow.

00:14:59But it seems that every day he is taking me more at face value and ...

00:15:03I can't believe it.

00:15:05Poor.

00:15:06He doesn't deserve it.

00:15:07He's not good.

00:15:08And your father doesn't deserve it either and you're cheating on him too.

00:15:12And ...

00:15:13How did you do it with your husband when you got married?

00:15:17I got married in love.

00:15:18Or believing that I was in love.

00:15:23I couldn't think that ...

00:15:24I could feel something like that.

00:15:28And much less for a woman.

00:15:30I don't believe that.

00:15:32I couldn't understand or even imagine that it wasn't my nature.

00:15:37I guess everyone discovers it when ...

00:15:39I've always been clear about it.

00:15:41Yes.

00:15:42Yes.

00:15:43I knew it since I was a child.

00:15:45I've known you since then and I never would have said that ...

00:15:49Well, they don't teach us that there are other options either.

00:15:54What do we do now, Fina?

00:15:57Let's go far from here.

00:15:59Far from everyone.

00:16:03I'm going to Madrid tomorrow.

00:16:05If you stop ...

00:16:06Because we're leaving right now.

00:16:09But ...

00:16:10We have to watch out that they don't discover us because ...

00:16:12We'll watch out.

00:16:13Don't worry.

00:16:15I hope you can fix it with Gaspar as soon as possible.

00:16:18And I hope your husband doesn't show up at your brother's wedding,

00:16:21which is in two days.

00:16:22He neglects you.

00:16:23I don't know.

00:16:25I haven't even written him to tell him to get married.

00:16:29What a disaster!

00:16:33And do you still have doubts?

00:16:38No.

00:16:53No.

00:17:24Good afternoon, Fina.

00:17:26Good afternoon, ma'am.

00:17:43It was a very nice dinner.

00:17:46And your rice pudding was delicious.

00:17:49It really is my favorite dessert.

00:17:51What a score!

00:17:53It was nice to see your father believing that we are a couple in love.

00:17:56That illusion is better than any medicine.

00:18:02Look, Gaspar.

00:18:05I thank you very much for everything you have helped me so far,

00:18:08because really my father is much calmer.

00:18:12But we both know that this is a party.

00:18:15And the sooner we finish the joke, the better.

00:18:18And if I tell you that I would prefer to continue,

00:18:20a little more time, nothing more.

00:18:22Through the canteen?

00:18:24I see myself living in the little flat that my father is looking for.

00:18:26How can we continue like this?

00:18:27Well, it would be very nice.

00:18:28Imagine it, full of light, of plants.

00:18:30No, Gaspar, don't make it more difficult for me, please.

00:18:33It may be that over time you look at me with different eyes.

00:18:36That is not possible.

00:18:37But why not?

00:18:38Well, because it is clear that I don't feel the same, Gaspar.

00:18:41For now?

00:18:43Things don't work that way.

00:18:44Your father and you make me feel very uncomfortable.

00:18:46Can you stop getting my father involved in this conversation?

00:18:48Yes, yes.

00:18:49We need more things to have a serious relationship.

00:18:52We need to be in love, at least.

00:18:55Believe it or not,

00:18:57I've started to feel something in my stomach

00:18:59every time I see you enter the canteen,

00:19:01or I see you in the final colony.

00:19:02No, no, no, Gaspar, listen to me.

00:19:03What you want is to grab a burning nail after what happened to Sonsoles.

00:19:07But I, frankly, want to be with you.

00:19:10Well, tell me what it is, and I'll give it to you.

00:19:13You're getting confused.

00:19:15Can we do something?

00:19:17You have been honest with me, and I thank you for it.

00:19:20And it has become clear to me that for now you don't feel anything at all.

00:19:23No, I'm not going to feel it.

00:19:25Well, we don't have to decide on that either.

00:19:28But we can improve your father's health

00:19:30by continuing with the game a little finer.

00:19:33The truth is that it is better than what happened to Sonsoles.

00:19:36A little finer.

00:19:39The truth is that it is better than ever since we spent time with him.

00:19:42You see?

00:19:43You do it for him.

00:19:44And then God will tell you.

00:19:47Look, if I have to make you rice with milk every day to make you,

00:19:50I'll do it for you.

00:19:52Oh my God, Gaspar, what am I going to do with you?

00:19:54Well, if I told you.

00:19:56Come on.

00:20:07Thank you very much.

00:20:11Is everything ready?

00:20:12There's something left over here.

00:20:25That basket is too small.

00:20:27It's going to be stuck together. You need something bigger.

00:20:30And it won't be a little poor.

00:20:32No.

00:20:33If you put paper on it.

00:20:43So that the products support.

00:20:46That way it looks better.

00:20:48You have very good taste.

00:20:52Also, if you resist any composition,

00:20:55ask for it here.

00:20:58Also, if you resist any composition,

00:21:01ask for it here.

00:21:03It has golden hands for these things.

00:21:05I'll call you so you can go to the rescue again.

00:21:10I won't be able to rescue you this afternoon.

00:21:12I was just coming to tell you.

00:21:15I'm going to Madrid to supervise the change of sandpaper.

00:21:18To Madrid?

00:21:19I'm going with Carmen.

00:21:20So you'll be alone.

00:21:23Don't worry, we'll get along.

00:21:26Okay?

00:21:30Marta.

00:21:32Is something wrong with me?

00:21:35No, why?

00:21:37Because you already told me about Madrid and I thought that maybe ...

00:21:43Last night I saw you with Gaspar and ...

00:21:45and I thought it would be better to put a little distance.

00:21:47No, no.

00:21:48I was just going to tell him not to keep seeing us.

00:21:51But my father came and asked us to have dinner together.

00:21:53Yes, of course.

00:21:54I was so excited ...

00:21:55What's wrong, don't you believe me?

00:21:56No, no, you'll know.

00:21:58But ...

00:21:59But it is that for according to what things you never find the moment.

00:22:01Marta, I just wanted to save a disgust for Gaspar,

00:22:04but especially for my father and things as they are.

00:22:06You won't be able to save the disgust for either of them.

00:22:10I know.

00:22:12But there are steps that are difficult to take.

00:22:14Even if you are convinced that it is what you have to do.

00:22:17And you think about the consequences,

00:22:19and what they will say and ...

00:22:21And then you go on and on.

00:22:23And you think that one day you will have the courage to do it.

00:22:27That day never comes, Fina.

00:22:29And you go on and on.

00:22:31And then you think, well, now what for?

00:22:33And you keep going until one day ...

00:22:37One day, all you can do is stay in the cage.

00:22:41That's how you feel.

00:22:44Like in a cage.

00:22:46Don't delay it any longer.

00:22:49Don't get to a point where there is no going back.

00:22:52Listen to me.

00:23:07Hello.

00:23:10I wanted to invite you to a coffee.

00:23:11My body has been bad after the conversation before.

00:23:14Sure.

00:23:15A coffee, Gaspar.

00:23:17Of course, Mrs. Marta.

00:23:19I'll take the table.

00:23:26You have to repeat dinner with your father.

00:23:30But next time at my house.

00:23:32At your house?

00:23:33My mother is going to love you.

00:23:35You have a lot in common.

00:23:37Thank you.

00:23:46Just in time, Mrs. Marta.

00:23:47Here is your coffee.

00:23:49Thank you, Gaspar.

00:23:50No, tomorrow is Don Andrés' wedding.

00:23:53Are you going with your husband?

00:23:55No, he's on a cruise.

00:23:57Oh, my God.

00:23:58I'm so sorry.

00:23:59No, because at these events,

00:24:01it seems that you still don't like to go accompanied, right?

00:24:04I've gotten used to it.

00:24:06The day I had to live,

00:24:08I live it.

00:24:10Have your coffee.

00:24:11Thank you very much.

00:24:13Thank you, Mrs. Marta.

00:24:14I'll be right there.

00:24:19You have to see how sad this woman always seems to me.

00:24:22It's true that she doesn't miss me.

00:24:24She must lead a very unfortunate life,

00:24:26always alone, the poor.

00:24:27Gaspar, I'm not going to your house.

00:24:29Oh, well.

00:24:30Well, it's okay.

00:24:31Later.

00:24:32No, neither.

00:24:34I just don't feel good about what's going on.

00:24:36Well, Fini, we've talked, right?

00:24:38We can handle it.

00:24:39Gaspar, this game is not doing us any good.

00:24:41Neither of us.

00:24:42Well, it does your father.

00:24:44Well, okay, okay, okay.

00:24:46I'm not getting your father in this conversation.

00:24:48No, because we're not going to be like this forever

00:24:50just to please my father.

00:24:51And besides, it's not fair for him.

00:24:55I just don't want to stop, Fini.

00:24:58No, Gaspar, don't do this to me, please.

00:25:00Don't do this to me.

00:25:01There are things that you can't avoid even if you want to.

00:25:04And you're such a wonderful woman.

00:25:07Listen to me.

00:25:09Maybe you don't feel the same now,

00:25:11but over time...

00:25:12No, no, Gaspar.

00:25:13We can't live in a lie.

00:25:15We can't.

00:25:16This is not good for us.

00:25:18And for my father, neither.

00:25:20A life full of expectations that are not fulfilled

00:25:22is not life.

00:25:23It's a cage.

00:25:25Do you understand what I mean?

00:25:28I can't forget you, can I?

00:25:30Please, Gaspar, don't get mad at me.

00:25:32I beg you.

00:25:33No, no, no.

00:25:34Don't get mad at me.

00:25:35If you don't get mad at me...

00:25:37But it hurts.

00:25:39A little bit.

00:25:40Oh.

00:25:41I'm sorry.

00:25:42It's just that...

00:25:44I haven't been able to avoid having my hopes up

00:25:46these days with you.

00:25:47I know.

00:25:49That's why I have to end this now.

00:25:52I don't know if Isidro's good guy

00:25:54is going to take it as well as I do.

00:25:57I don't know.

00:25:59I'm going to have to try to make him understand.

00:26:04Maybe I can help you with that.

00:26:07Yes?

00:26:27Come on.

00:26:28I think he's going to understand, right?

00:26:30I don't know.

00:26:35What's up, partner?

00:26:36Hello, Isidro.

00:26:37Hello.

00:26:38What's up, Gaspar?

00:26:39Tired?

00:26:40Because last night was a long night.

00:26:41Oh, shut up, shut up.

00:26:42It took me a lot to get up this morning.

00:26:44But well, I think it was worth it, right?

00:26:46Well, let's move on from the movie.

00:26:48We'll have to repeat this one day.

00:26:49Don't you think?

00:26:50No, Father.

00:26:51It won't be necessary for Gaspar to come by more often.

00:26:54Well, I know

00:26:56that you want your privacy,

00:26:58but I'm looking forward to seeing him from time to time.

00:27:01Especially to get to know your boyfriend better.

00:27:03It's just that...

00:27:06I'm not his boyfriend, Isidro.

00:27:08What?

00:27:10But...

00:27:11Okay, okay.

00:27:12That's it.

00:27:13Have you quarreled again?

00:27:14No, Father.

00:27:15No, we haven't quarreled.

00:27:16Not now, not the next day.

00:27:18Because we can't quarrel

00:27:20if there's nothing between us.

00:27:24What do you mean?

00:27:27Let's see.

00:27:28Come with me. Sit down.

00:27:37Father,

00:27:38I'm very sorry.

00:27:40But I made him believe that he had a relationship with Gaspar

00:27:42so that he would stay calm.

00:27:44And so that he would stop thinking

00:27:45that I was going to be alone for the rest of my life.

00:27:53And you say you did it for me.

00:27:55Father, I really didn't want to lie to him.

00:28:02A glass of water, please.

00:28:04Okay.

00:28:13Here, Isidro.

00:28:14Thank you.

00:28:21Breathe.

00:28:22There, there.

00:28:25What is it that worries you, Isidro?

00:28:27What worries me

00:28:29is that one day I'll leave

00:28:32and my daughter won't have a husband

00:28:34or a family to rely on.

00:28:38But all her friends will be by her side,

00:28:41who love her and respect her

00:28:43and who won't leave her helpless

00:28:45if she ever has a problem.

00:28:47I'll be the first, Isidro.

00:28:49There, there.

00:28:50But her friends will have their lives, their families.

00:28:54And my daughter will come home and be alone.

00:28:59In any case,

00:29:00we're getting ahead of ourselves

00:29:02and we're assuming

00:29:03that Fina will stay to dress as a saint.

00:29:06One day she will find someone who will suit her.

00:29:10Yes.

00:29:11What happens, Gaspar,

00:29:13is that my daughter is very demanding

00:29:15and not worth anyone.

00:29:17Father, please.

00:29:18Okay, okay, okay.

00:29:19I won't insist anymore.

00:29:21I'll leave you alone.

00:29:25Let it be what it has to be.

00:29:28And let it be whenever you want.

00:29:32I appreciate it.

00:29:35I'll pay you back later.

00:29:38What an actor you two are.

00:29:40I don't know if you'll forgive me,

00:29:42but you've done a good job.

00:29:45Yes, especially you.

00:29:47Why did you look at her like a lamb

00:29:49every time you looked at her?

00:29:53In any case,

00:29:54although everything has been a mess,

00:29:56you have to admit

00:29:57that you have left the bar very high

00:29:59for him to come after you.

00:30:01He has left it, yes.

00:30:03Yes.

00:30:05Good.

00:30:07I'm going for a walk.

00:30:12I have to digest all this.

00:30:15Of course.

00:30:16Of course.

00:30:21Oh, Gaspar.

00:30:25Thank you, thank you, thank you.

00:30:28All that you've said about me has been beautiful.

00:30:32Shut up.

00:30:34This has been almost worse than my breakup with Sonsol.

00:30:37No.

00:30:39Gaspar.

00:30:46Gaspar.

00:30:52It's done.

00:30:55What's done?

00:30:56I've already told my father

00:30:57that my relationship with Gaspar was a lie.

00:31:00Wow.

00:31:01And how did he take it?

00:31:03Well, at first it was terrible.

00:31:05In fact, he was short of breath and everything.

00:31:07But when things started to get ugly,

00:31:09Gaspar arrived.

00:31:10And?

00:31:11And he started throwing flowers at me

00:31:12and at one point he deactivated my father.

00:31:14It was incredible.

00:31:15Let's see if in the end you're going to end up really falling in love, huh?

00:31:20No, Marta, no.

00:31:22I know perfectly well what I feel.

00:31:27Are you okay?

00:31:29You've been very brave.

00:31:33And it's a shame that we're not free

00:31:35to scream the whole truth to the four winds,

00:31:37with how good it is that one remains when I face it.

00:31:41But of course,

00:31:43there are steps that are difficult to take.

00:31:46I'm really glad you were able to clear it up with your father.

00:31:49I'm glad too.

00:31:52And now, Marta, I want to clear things up with you.

00:31:58Marta, listen to me.

00:32:01But hey, who changed the tape box?

00:32:04Well, I don't know, Carmen, but don't blame me.

00:32:06I haven't used it in a long time.

00:32:08Look at them.

00:32:09What a job to find it.

00:32:11I'm sorry, Mrs. Marta,

00:32:12but I have to wrap a lot of soap

00:32:14and I'm seeing that in the end I'm late today.

00:32:17Then it will be better if you accompany me, Fina.

00:32:20Accompany you where?

00:32:22To Madrid.

00:32:23They have called me from the sand store

00:32:24and they want me to talk to the new escapee, so ...

00:32:26Yes, yes, better.

00:32:27Let's do it like this

00:32:28and you have time to finish what you are doing.

00:32:31Do you mind?

00:32:32No, of course not.

00:32:36Then I'll confirm the time.

00:32:44Well.

00:32:46And what have we done to her?

00:32:47Well, I don't know, Carmen,

00:32:49but I'm sorry because I know that you are the one

00:32:51who usually accompanies her to these things.

00:32:53No, don't worry about me.

00:32:54The truth is that today I felt very bad.

00:32:56But really, because if I don't talk to her

00:32:57and tell her that I'll come another day ...

00:32:59No, no, calm down.

00:33:01Yes.

00:33:02Come on, I already have my plans made and everything,

00:33:04for tonight.

00:33:05But don't go to Madrid

00:33:06without bringing me some purple candies.

00:33:09No, I'll try.

00:33:14Come on.

00:33:33Hello.

00:33:34Hello.

00:33:36We could have stayed in Madrid, but ...

00:33:39But tomorrow by tomorrow we wouldn't have made it in time to the store.

00:33:45What?

00:33:47Do you like the hotel?

00:33:49What hotel?

00:33:50Yes, I'm in a cloud right now.

00:33:59Wait, I'll help you.

00:34:01Thank you.

00:34:05I'm on a break.

00:34:07I know.

00:34:09It's normal, it's all very new.

00:34:11I can tell.

00:34:12Marta.

00:34:14You haven't stopped shaking since we got into the room.

00:34:16And that's because of the heat.

00:34:19I'm sorry.

00:34:20Don't worry.

00:34:22Marta, and if nothing happens tonight,

00:34:26we can blame Carmen again

00:34:28that we have to go to Madrid

00:34:29and then we go back to this beautiful hotel in Illescas.

00:34:33We can wait for whatever it takes.

00:34:36I'm where I want to be and with whom I want to be.

00:34:43It's just that ...

00:34:46this is ...

00:34:48very new to me.

00:34:50I know.

00:34:53Come on, let's make it easy.

00:34:59You're right, I think ...

00:35:02I need space.

00:35:04Sure.

00:35:05Whatever you need.

00:35:09I don't think I'm good at these things.

00:35:13With Jaime, relationships aren't that ...

00:35:16that flow too much, let's say.

00:35:19And I'm not just saying it because of the few nights of intimacy.

00:35:21Marta, don't get overwhelmed.

00:35:23Of course I'm overwhelmed.

00:35:26I disappointed him completely.

00:35:30I don't want that to happen to me with you.

00:35:31Shh.

00:35:32That's it.

00:35:34No husbands today.

00:35:36Nor fake boyfriends.

00:35:39Because you know what?

00:35:41Fear is fought with a lot of affection.

00:35:47And many kisses.

00:35:56I'm giving you the night.

00:35:57Calm down, really.

00:35:59If I just look you in the eye, I already have enough.

00:36:03I finally have Mrs. Marta in my arms.

00:36:05Don't you dare call me that again.

00:36:07Really?

00:36:09Whatever you say, Marta.

00:36:13And when did you look at me for the first time?

00:36:18Guess.

00:36:20No, seriously.

00:36:21Tell me.

00:36:23Since always.

00:36:25I've admired you since I was a child.

00:36:29Always so independent, so ...

00:36:32so sophisticated, so elegant.

00:36:35So distant.

00:36:36Distant.

00:36:37Yes, yes.

00:36:38Remember that at first you scared me.

00:36:40I'm not a man either.

00:36:42No, but when you get angry ...

00:36:45When you get angry, it's better to stay away.

00:36:48Not like now, I hope.

00:36:51No.

00:36:52Not like now.

00:36:56Well, what about you?

00:36:57What did you like about me?

00:37:01That you are very happy.

00:37:02That you are very happy.

00:37:04Your mouth.

00:37:06The contagious smile when you laugh at Carmen's nonsense.

00:37:09You see?

00:37:10You split your hair like that, above your shoulders.

00:37:14When you try to control that fighty character you have.

00:37:17Stop, stop, stop.

00:37:19No, I'm not going to stop.

00:37:20I'm never going to stop.

00:37:24I want to know everything about you.

00:37:26Every detail.

00:37:29Every corner.

00:37:32Everything.

00:37:40Is it really okay if we just hug?

00:37:43Yes, Marisa.

00:37:45We have our whole lives ahead of us.

00:38:02I love you.

00:38:12We left the hotel too soon.

00:38:16Next time don't think about getting up so early.

00:38:20Next time?

00:38:23As you wish.

00:38:32It's been the best night of my life.

00:38:40Mrs. Marta.

00:38:41What are you doing working on your brother's wedding day?

00:38:43Come on, we don't have to do it anymore.

00:38:45Well, it will only be a moment.

00:38:47I left some things to check before going to Madrid.

00:38:50How did it go for the beauty of Cortes?

00:38:52How beautiful the city is on this date, huh?

00:38:54We could hardly enjoy it because, pff, how much work.

00:38:57No, and Arrenal's escaparatistas are doing an incredible job.

00:39:00A lot of talent.

00:39:01Yes.

00:39:03Wow.

00:39:04In this trip you've seen a lot more than work.

00:39:07It's not out of disrespect, but it's been a long time.

00:39:10Carmen, I don't know what you mean.

00:39:13What am I going to mean?

00:39:15That you left because of wine?

00:39:17Come on, don't worry, I'm not going to say anything

00:39:19because I would have been the first one to leave.

00:39:21What are you laughing at?

00:39:22Come on, in a million years,

00:39:24I wouldn't even think about drinking at work hours.

00:39:27Sorry, Mrs. Marta, if you don't mind.

00:39:29Well, be careful with that tongue.

00:39:33I'll go get the fans of the ceremony.

00:39:35Very well. Have a good time.

00:39:38Mrs. Marta.

00:39:42And now you're going to tell me the truth.

00:39:44Why did you leave because of wine?

00:39:46Well, yes, Carmen, we drank a little.

00:39:47But I'm not going to tell you in front of her.

00:39:49Yeah.

00:39:50No, I know it's a stretch.

00:39:51It's hard for me to imagine Piripi.

00:39:54The only thing is that she has never left because of wine.

00:39:57But the truth is, what luck, huh?

00:39:59She can travel to Madrid,

00:40:00spend the afternoon, spend the night.

00:40:03And why do you have to work now?

00:40:05But she's leaving for a wedding.

00:40:07It's good that some live.

00:40:09You know what, Carmen?

00:40:10That you and I don't need to go anywhere

00:40:12to have a good time.

00:40:14In fact, we have the herbs and the wine

00:40:16that Mr. Damián has given us.

00:40:17Did you go for him?

00:40:19No.

00:40:20No, and Tassio didn't go either,

00:40:22because he suffered, I don't know what important thing.

00:40:24What important thing?

00:40:26Well, that's not the worst thing, Fina.

00:40:29Oh, Carmen.

00:40:30What has that bastard done now?

00:40:33I'll take him to the Civil Guard.

00:40:36What?

00:40:39Hi, Rosa.

00:40:40I wanted to talk to Mrs. Marta.

00:40:42Fina, come in.

00:40:48Rosa, with the ceremony there won't be much work.

00:40:50Take the afternoon off.

00:40:54Thank you.

00:41:00I was waiting for you.

00:41:02How did you know I was coming?

00:41:04I didn't know.

00:41:06But I was looking forward to it.

00:41:18You're not dressed yet.

00:41:20You have to comb your hair.

00:41:22This is for the old ladies.

00:41:25Are you nervous about the wedding?

00:41:27It's an important day for Andrés

00:41:29and I want everything to go well.

00:41:31But I know it won't be perfect.

00:41:34Why?

00:41:35Because for it to be perfect,

00:41:37you would have to come.

00:41:39We would have to be able to go together.

00:41:42That's a lot of paperwork.

00:41:43Can you imagine?

00:41:44I've been imagining it several times

00:41:46and with different endings.

00:41:48And you always win the most fun.

00:41:52Rosa.

00:41:55Who are we going to fool?

00:41:59We'll never be able to have a relationship like the others.

00:42:04As long as we're together, what do we care?

00:42:06Of course it matters, Marta.

00:42:09We'll never be able to walk hand in hand

00:42:11or kiss in public

00:42:13or even have dinner with our families at Christmas.

00:42:15Don't talk about that now.

00:42:18All I want to think about

00:42:20is that you'll be our next escape.

00:42:23I know.

00:42:25And I'm dying to do it.

00:42:27As much as you are.

00:42:29But I know what it's like to hide.

00:42:32And, Marta, I want you to be aware

00:42:35that it's going to be very hard.

00:42:38You think I don't know?

00:42:41I'm a married woman.

00:42:43We're two women and all of this is crazy.

00:42:47I don't want to stop feeling happy.

00:42:50Not today, Fina.

00:42:53I think we have to focus on that.

00:42:56On the now.

00:42:59I've never felt so alive or so strong in my life.

00:43:03I think I've never been in love before.

00:43:07It was something else, yes.

00:43:09But nothing like this.

00:43:12And I don't want to give it up.

00:43:15Do you think I'm crazy?

00:43:17Totally crazy.

00:43:19As much as I am.

00:43:23This is going to test us both, Marta.

00:43:27And we have to be prepared.

00:43:29I'm willing to face it.

00:43:33You?

00:43:45Andres?

00:43:46Your wife is looking for you.

00:43:47Are you about to take out the cake?

00:43:49Yes, I am.

00:43:50But I'm not going to cut it if you're not here.

00:43:52No?

00:43:58Sister-in-law, I've told you already that you look gorgeous.

00:44:02Another compliment to compensate for my husband's absence.

00:44:05No, please.

00:44:06No?

00:44:07Are you wrong?

00:44:08I was telling you the truth.

00:44:10Besides, I wasn't going to ask you about him.

00:44:12Thank you.

00:44:13Thank you.

00:44:14Well, he must be the only person.

00:44:16A while ago, an aunt, my aunt...

00:44:19I don't know, a distant aunt, I don't remember the name.

00:44:22I asked him and he did it with a sad face.

00:44:26Well, Jaime is crossing the Mediterranean, the way to Cyprus, or...

00:44:31It seems that I'm the only one who got used to his absence.

00:44:35It's hard.

00:44:36Kiss, kiss, kiss.

00:44:42Gross.

00:44:43All weddings are the same.

00:44:45They seem written by the same author.

00:44:47It's true.

00:44:48Always the same.

00:44:50The nerves, the ceremony, the guests, the celebration.

00:44:53And they kiss, they kiss.

00:44:57But then no one tells you.

00:45:00Do you mean the wedding night?

00:45:02Or not, the idealization of marriage.

00:45:04But yes.

00:45:05Since you say it, the wedding night deserves a separate chapter.

00:45:10Especially for us.

00:45:13Well, for them it's also important, isn't it?

00:45:15I guess.

00:45:17No one asks them to be virgins at the wedding.

00:45:22So most of them, at least, already know where they're going.

00:45:27With so much idealization, disappointments are inevitable.

00:45:31Disappointments are inevitable.

00:45:33It doesn't matter if it's the wedding night or days later.

00:45:38You're right.

00:45:39No one explains to us that marriage is not a path of roses.

00:45:42Precisely.

00:45:44Although I have no complaints about mine with Jesus.

00:45:48Although you complain a little, it wouldn't be serious either.

00:45:53We should tell the wedding author to put a rule.

00:45:56Please, one day.

00:45:57One day we can choose our companion.

00:46:00Right? One day.

00:46:04What we should do is start writing our own story.

00:46:08Without caring what others think.

00:46:12I toast to that.

00:46:17Let's go.

00:46:19Your brother is able to wait for us to cut the cake.

00:46:22For how little you've treated him, you know him well.

00:46:25Well, Andres is like an open book.

00:46:28Not like Jesus.

00:46:32Let's go.

00:46:34I'm going now.

00:46:35I want to make a call to the store before they close to see how it is.

00:46:39It's fine.

00:46:40Oh, by the way.

00:46:42Excuse me, the doctor has called me to tell you to call her as soon as you can.

00:46:46Okay.

00:46:47Thank you.

00:46:58Good morning.

00:47:24Marta, you look gorgeous.

00:47:27Thank you very much.

00:47:29You too.

00:47:31Now I understand why you took so long.

00:47:33I loved that you called me, but I was caught by surprise.

00:47:36I made you so happy at the wedding.

00:47:38I don't think anyone has realized that I've left there.

00:47:40Has all this given you time to eat something?

00:47:42No.

00:47:43I had to run to catch the bus.

00:47:45And Yescas is a long way away.

00:47:47We would have to look for a closer place.

00:47:50No, no, no.

00:47:52I haven't said anything.

00:47:53No near places.

00:47:57Look.

00:47:58And that?

00:47:59The gift your family gave us for the wedding.

00:48:03Cheese.

00:48:04Cheese.

00:48:05And bread.

00:48:06Well, it's going to be perfect with the champagne I asked for at the ceremony.

00:48:11Champagne and cheese.

00:48:13Good combination, yes, ma'am.

00:48:17I'm just missing the bones.

00:48:20Let's toast.

00:48:22To the scandal.

00:48:23To the scandal.

00:48:50With you everything is new and different.

00:48:53I know.

00:48:57With you I'm learning to feel alive again.

00:49:01To love.

00:49:19To love.

00:49:36Marta.

00:49:37Are you sure?

00:49:39I'm sure.

00:49:49To love.

00:49:50To love.

00:50:20Mmm.

00:50:27Good morning.

00:50:28Hi.

00:50:29Oh, don't look at me, please, I must be horrible.

00:50:32You are beautiful.

00:50:33No.

00:50:34I hate that you wake up before me and see me with this sleepy face.

00:50:39And I hate that we have to go to work.

00:50:42But what time is it?

00:50:44Oh.

00:50:47Well, if we skip breakfast, we can eat a little more.

00:50:52I would stay here forever.

00:50:56I've booked another week at the hotel.

00:51:00Another week?

00:51:01If you feel like it, we can come tonight.

00:51:03But with what it costs a week here, you can pay a whole flat in Madrid.

00:51:08Well, there are more expensive hotels.

00:51:11But it's not a bad idea.

00:51:13What? Rent a little flat?

00:51:15A garçonnier.

00:51:16That's what they call it in France.

00:51:18Yes?

00:51:19That's what they call the small apartments they rent for...

00:51:23for love meetings.

00:51:25Like the French, my goodness.

00:51:29Right now you could be in Paris with Esther.

00:51:32And lose this?

00:51:34Mmm.

00:51:35Sometimes I feel a little sorry that the reason you stay is for your father's health.

00:51:40Even if we can be together like this.

00:51:42Well, I also stayed for you, silly.

00:51:45Although Esther would say that you wouldn't dare to take the step.

00:51:49Well, you can tell Esther that she's very wrong.

00:51:53I'm willing to rent that little flat so that...

00:51:55so that we can meet whenever we want.

00:51:58No, Marta.

00:51:59Marta, you're crazy.

00:52:01They could put us in jail, right?

00:52:03If they find out.

00:52:04Precisely.

00:52:05They wouldn't find us in a flat.

00:52:08Sigh.

00:52:09Can you imagine how well we would be...

00:52:12without having to pretend that we are cousins?

00:52:14No, Marta, I can't imagine it.

00:52:16I don't like to have illusions of things that are impossible.

00:52:19Maybe it's not that impossible.

00:52:20I know it's impossible, yes.

00:52:22They could report us.

00:52:24And you're a married woman.

00:52:25With a marriage that hasn't worked for years and...

00:52:28I've never felt this way for you.

00:52:31What do you want me to do?

00:52:32Oh, my love.

00:52:35Sigh.

00:52:41I'd like to be able to live this love...

00:52:43without having to hide.

00:52:47Sigh.

00:52:48I'd run away with you to the end of the world.

00:52:50But you know that's not the solution, right?

00:52:54We have no choice but to accept what we have.

00:52:58And I don't want you to suffer.

00:53:04Sigh.

00:53:16Open up.

00:53:17Just in time.

00:53:18Open up.

00:53:19I'm coming.

00:53:20We're the first ones.

00:53:21Carmen hasn't even arrived yet.

00:53:22Sigh.

00:53:25Done.

00:53:27I bring you back to reality.

00:53:28That's right, Mrs. Marta.

00:53:30Sigh.

00:53:31Sigh.

00:53:33If you think how little I like to pretend...

00:53:36I know.

00:53:37But here you're my boss.

00:53:39And that's it.

00:53:40I don't have any problems.

00:53:41The hours go by very quickly.

00:53:46Good morning.

00:53:47Good morning, Carmen.

00:53:48I was going to place the poster right now.

00:53:50We just arrived.

00:53:51Yes, we have to reposition it.

00:53:52I'll bring it here, Mrs. Marta.

00:53:54Last night I left it ready to be placed today at the first hour.

00:53:57Perfect.

00:53:58I'll be in the office.

00:54:02Sigh.

00:54:06Look, Carmen.

00:54:07I couldn't go get your violets, but I brought you cat tongues.

00:54:11I know you love them.

00:54:12Thank you very much for the detail.

00:54:15Carmen, what's the matter with you?

00:54:17Sigh.

00:54:18I don't understand, Fina.

00:54:20I don't know when Mrs. Marta decided

00:54:22that she didn't pay for the representation.

00:54:25Oh, Carmen.

00:54:26I don't decide whether to go or not.

00:54:29Well, but you don't say anything to her either.

00:54:31Woman.

00:54:32And I don't have a grudge against you, Fina.

00:54:34For God's sake, you know that.

00:54:35But she's leaving me aside.

00:54:39Better deal, Fina.

00:54:41I've been here longer than any other and it's not for nothing,

00:54:43but I do more sales than anyone else.

00:54:45Well, look, that's precisely why she wants you here.

00:54:48For how well you sell.

00:54:49Well, so she can make me sales manager of the whole company.

00:54:51But no.

00:54:52She leaves me here, repositioning, disgusted.

00:54:55I'm sure she thinks that with Tassio I already have enough.

00:54:58What does Tassio have to do with this?

00:55:00Well, I'm sure Mrs. Marta has already found out

00:55:01that I'm back with Tassio.

00:55:03And she will think that one day we are going to get married

00:55:05and that goodbye is very good.

00:55:06Well, no.

00:55:07Carmen, Carmen.

00:55:08Don't go crazy either.

00:55:10Anyway, you are going to get married someday.

00:55:12Which is what you have always wanted, right?

00:55:14What worries me right now is to prosper.

00:55:16It's my profession.

00:55:18And for that, I have to make a career here in the company.

00:55:20Because the actress and model was the flower of a day.

00:55:23Carmen, listen to me.

00:55:24You are worth a lot.

00:55:26You will get what you want in life.

00:55:28It will depend on Mrs. Marta.

00:55:29If I get it or not.

00:55:31So, I'm going to talk to her.

00:55:33Let her tell me what's wrong with me.

00:55:35No.

00:55:36No.

00:55:37Well, Carmen, what are you going to tell her?

00:55:39You calm down.

00:55:40Let nothing hurt you.

00:55:41I just want to know why.

00:55:43Why have you stopped trusting me?

00:55:45Because if I have no future here, turn it off and let's go.

00:55:47You won't think about leaving here for this nonsense, right?

00:55:52Fina, for me it is a very serious thing, huh?

00:55:55If Mrs. Marta thinks that because of this contagion

00:55:57I already have a life to solve, she is very wrong.

00:55:59And give her a contagion that has nothing to do with it, Carmen.

00:56:01Well, she will tell me when I stand in front of her.

00:56:04Think about it.

00:56:05Really.

00:56:06Look, you shouldn't face the boss.

00:56:08Well, you calm down.

00:56:09That I also know how to be very fine

00:56:11when it comes to asking for something fair.

00:56:13And as my mother said, who does not cry, does not mother.

00:56:19You tell me what you wanted.

00:56:21I wanted to talk to her about my future in the company, Mrs. Marta.

00:56:26Your future?

00:56:27Yes.

00:56:28I need to know if you have any problems with me.

00:56:31Why would I have a problem with you, Carmen?

00:56:33Well, because you have stopped treating me like before.

00:56:35I have gone from being the image of the company

00:56:37and your trusted person to being the last monkey.

00:56:39I didn't think you were interested in working as a model anymore.

00:56:41And you hadn't told me in advance.

00:56:44Sit down.

00:56:45No.

00:56:46But that doesn't mean that I can continue to perform

00:56:48the work of representing the perfume.

00:56:51And travel.

00:56:52Even if it's alone, I don't care if you don't want to accompany me.

00:56:55Or don't you trust me anymore?

00:56:57Not at all.

00:56:58Quite the opposite.

00:57:00Well then, recognize my work, Mrs. Marta.

00:57:04Take me on a trip, as you do with Fina.

00:57:06And I don't want to harm my partner at all.

00:57:09Because besides, Fina works very well.

00:57:12But it seems that you only trust her.

00:57:15It's not just a matter of trust.

00:57:18Well then.

00:57:19Then I have no choice but to think

00:57:21that you think that I have other interests.

00:57:25What do you mean?

00:57:26And be clear, please.

00:57:28About my relationship with Tassio.

00:57:30Carmen, you are very free to get married or stay single.

00:57:33I don't make business decisions

00:57:35based on the civil status of my employees.

00:57:38Very well.

00:57:40Then there is nothing to do.

00:57:42Keep working as before.

00:57:45And since you bring up the subject ...

00:57:47Forgive me, but ...

00:57:50Think if you are interested in that relationship with Tassio.

00:57:54Ah.

00:57:55So that's it.

00:57:56No.

00:57:57Tassio has never been a saint of his devotion

00:57:59and he doesn't see with good eyes that I'm with him.

00:58:01I'm just worried that he will hurt you.

00:58:04He already did it with you and ...

00:58:07And with Claudia.

00:58:08Mrs. Marta, don't change the subject.

00:58:10What really bothers me is your comparative aggravation.

00:58:12What comparative aggravation?

00:58:13Well, you know that I am not the only one

00:58:15who can be upset by your favoritism towards Fina.

00:58:17We can all be demotivated if we are not recognized for our work.

00:58:21Well, you will see what you do.

00:58:23If your dedication decays,

00:58:25then yes, I will have to be forced to take measures that ...

00:58:28that I don't want to take.

00:58:32Anything else?

00:58:34No, Mrs. Marta, that was all.

00:58:37Have a nice day.

00:58:45Bye.

00:58:54Carmen.

00:58:55I'm here.

00:58:59Uy.

00:59:01All good?

00:59:02You haven't spoken to Claudia, have you?

00:59:04I haven't seen her since this morning. What happened?

00:59:07Tassio, he asked me to marry him.

00:59:11Very good.

00:59:12Well, and that you have wanted for so long,

00:59:14now it makes you sad.

00:59:15Why?

00:59:16Because your face doesn't look very happy.

00:59:18I told him no, Fina.

00:59:20What?

00:59:21We've only been dating for a week.

00:59:24Well, that's technically a lie,

00:59:26you've been together for about two years.

00:59:28Well, but where are we going to live?

00:59:33Because I have something saved from Modena's job,

00:59:36but not much less, it gives us to pay for a house, come on.

00:59:38But then it's an economic issue.

00:59:40You didn't have a problem with that before.

00:59:42Well, because Tassio had a salary.

00:59:44But now, you know how hard it is in the store.

00:59:47Why do you say that?

00:59:50Do you remember that you warned me not to talk to Mrs. Marta, right?

00:59:53Because of how I felt in the company.

00:59:56Well, she doesn't even listen to you.

00:59:58Well, very good.

00:59:59Well, great.

01:00:00It has been a pleasure to give you advice, Carmen.

01:00:02Fina, I thought it was very unfair

01:00:03that she was so angry with me

01:00:04and that she didn't realize my age.

01:00:06What do you want me to tell you?

01:00:07No, I couldn't help it.

01:00:08Well, what did she say to you?

01:00:11Well, she took it badly.

01:00:12Badly, but badly.

01:00:13And I, the truth is that I didn't express myself very well either, let's say.

01:00:16Right, Carmen?

01:00:17Well, look, I'm sorry.

01:00:19I'm more sorry because she let me fall

01:00:21that I was going to get on my knees in the street.

01:00:23Marta wouldn't do that.

01:00:25What are you talking about?

01:00:26I wouldn't do it with you.

01:00:27That, for whatever reason, they have a thing for you.

01:00:29But with me?

01:00:30She has a thing for me, Fina.

01:00:31But how is she going to have a thing for you, Carmen?

01:00:33If you are the best shop assistant.

01:00:35Well, if she has to take someone on a trip, she takes you.

01:00:37If she has to do a tedious task in the warehouse, I do it.

01:00:40That you speak is all heard.

01:00:41That I speak as if I were listening, you see.

01:00:43Fina, I feel it, I feel it.

01:00:45Carmen, but it's not because she doesn't like you.

01:00:47She even has legs in the street.

01:00:49No, of course she likes you more, it's clear.

01:00:51Yes, I like her more.

01:00:52Don't you see? Even you yourself say it.

01:00:54No.

01:00:55Carmen, you haven't understood me.

01:00:57Fina, really, what do I have to understand?

01:01:01Tell me.

01:01:02What do I have to understand?

01:01:04Well, that we have fallen in love.

01:01:08How?

01:01:13But let's see.

01:01:15Mrs. Marta is getting married?

01:01:17How is it going to be?

01:01:18Well, it is.

01:01:20And please, I ask you for absolute discretion.

01:01:22No one can know about this.

01:01:24If my father finds out, he will die instantly.

01:01:27I can't imagine the consequences it can have, really.

01:01:31Oh my God.

01:01:33But Fina, what do you think will happen if his family finds out?

01:01:36It would be the end.

01:01:37That's why you have to swear to me for your whole life that this is not going to get out of here.

01:01:42Fina, really, I thought you were smarter, huh?

01:01:44Hey, don't talk to me like that, I'm your friend.

01:01:46But let's see, since when has a romantic relationship with a boss gone well?

01:01:50Do you know many or what?

01:01:51I don't need to know.

01:01:53Fina, your lover is called Marta de la Reina.

01:01:57The owner of the store, the boss's daughter, a married woman.

01:02:01How long is this diversity going to last you?

01:02:02I really shouldn't have told you, huh?

01:02:04No, I shouldn't have gotten you into this mess.

01:02:06It's just that we haven't decided.

01:02:07Don't you see?

01:02:09We've fallen in love.

01:02:11I thought you could understand it, that you're my friend.

01:02:14Well, no.

01:02:15No, Fina, I can't understand it.

01:02:17And now I'm the one who warns you.

01:02:19You're getting into the lion's den.

01:02:34Come in.

01:02:41Come in.

01:02:47May I?

01:02:48And close the door.

01:02:59Last night I really wanted to be with you.

01:03:01And me.

01:03:05Do you forgive me?

01:03:07I don't have to forgive you.

01:03:09You had a family commitment.

01:03:10It's understandable.

01:03:12And you don't know how boring it was to be listening to my sister-in-law talk about her honeymoon.

01:03:17While I could only imagine us walking around Venice.

01:03:20We'll go some day, right?

01:03:23Would you like that?

01:03:24Of course.

01:03:27We're going to the hotel tonight.

01:03:29Tonight, yes.

01:03:30See you at the exit, as usual.

01:03:38Marta, I have to tell you something.

01:03:41I've been thinking about it, but I think it's better if you know.

01:03:44Tell me.

01:03:45I don't know how you're going to take it.

01:03:47What?

01:03:49I had to tell Carmen about us.

01:03:53What?

01:03:55What?

01:03:56You...

01:03:57Are you crazy?

01:03:58You...

01:03:59Are you crazy?

01:04:00No.

01:04:01How dare you tell Carmen?

01:04:02No, Marta, Marta.

01:04:03Before you panic, I'll tell you that Carmen is the best friend I have.

01:04:06And I assure you that she won't say anything.

01:04:08But I had no choice.

01:04:09How dare you?

01:04:10She told me that she had come to the office

01:04:12and that she was worried about a conversation you had.

01:04:15The poor thing didn't understand anything.

01:04:17Of course, and what did you want me to tell her?

01:04:19I practically made it up to explain to her

01:04:21why I'm taking you to Madrid and not her.

01:04:23Well, because she feels that you don't value her work

01:04:25and that you have something against her.

01:04:27That's nonsense.

01:04:29No, now I do have reasons to be tense with her.

01:04:33What if she blackmails us?

01:04:35No, no.

01:04:37Fino, you can't expose me like this in front of an employee.

01:04:39Marta, no.

01:04:40I put my hand in the fire for her.

01:04:43She was convinced that our trips to Madrid

01:04:45were a professional reward.

01:04:47That's why I had to explain it to her.

01:04:49And you couldn't make up anything else?

01:04:50No, no.

01:04:51I had to tell her the truth.

01:04:53I couldn't justify it any other way.

01:04:56Marta, really.

01:04:58Really, trust me.

01:05:00Carmen is the best friend I have.

01:05:02And she would never hurt us.

01:05:06She's like a sister to me.

01:05:14Thank you very much for your purchase.

01:05:15You'll see how your husband will love it.

01:05:18See you later.

01:05:19Goodbye.

01:05:20Bye.

01:05:25Well, Carmen.

01:05:26What a surprise.

01:05:28Oh, Fina.

01:05:29What?

01:05:30That I'm getting married.

01:05:32What are you saying?

01:05:33That I'm marrying Tassio.

01:05:34I said yes.

01:05:36Well, I'm very happy for you, Carmen.

01:05:38Well, I know it's not funny to you because Tassio...

01:05:41No, no.

01:05:42Let's see, Carmen.

01:05:43Tassio is what he is.

01:05:44But it looks like he's focused, doesn't he?

01:05:46And I want to trust that he has changed.

01:05:48You see, Claudia.

01:05:49And you.

01:05:50Oh, Carmen.

01:05:53If what I want is the best for you.

01:05:55Thank you very much for your sincerity, Fina.

01:05:57But I really know that this time it will go well.

01:06:00Let's see.

01:06:02I don't want to be the one to spoil this moment of happiness.

01:06:05But I have to talk to you about something else.

01:06:07What's wrong?

01:06:08Come with me.

01:06:09Come on.

01:06:15I told Mrs. Marta that you are aware of what is ours.

01:06:20Of your...

01:06:21Silence.

01:06:22Yes.

01:06:23Fina, how do you do that?

01:06:25You know in a hurry, now that I see her.

01:06:27Oh, Carmen, I couldn't help it.

01:06:29I felt like I was betraying her.

01:06:31How was I going to hide it from her that you knew?

01:06:33Hey, you're in love there.

01:06:36Well, what did he tell you?

01:06:37Well, he's worried.

01:06:39But in the end I made him see that you are confident and that you are not going to say anything.

01:06:42André, of course.

01:06:43And please, I'm asking you, Carmen, please.

01:06:45You, when you are with her, you have to do as always.

01:06:49Don't show yourself weird or different or anything.

01:06:52You as always, so that she doesn't feel uncomfortable.

01:06:54Okay.

01:06:58Hello, Mrs. Marta.

01:06:59Good afternoon.

01:07:00We have to reposition.

01:07:01Where are the new remittances of the queen's essences?

01:07:04The store can't seem out of stock or out of service.

01:07:07Don't worry, I'll go.

01:07:20Well, they said it was going to be cold today.

01:07:23In the end, look what a good weather we have.

01:07:28It's been a good day.

01:07:31The weather doesn't give a shit.

01:07:34Of course, I also say that it has to be very complicated to do so, right?

01:07:37Because between the anticyclones, the storm, the clouds ...

01:07:41I guess.

01:07:44Oh, look, Mrs. Marta.

01:07:46I have to tell you.

01:07:48I want you to be very calm.

01:07:50And I speak to you as a good friend of the end that I am.

01:07:53That you don't have to worry about anything.

01:07:56I don't know what you're talking about.

01:07:58What are you talking about?

01:08:01About his situation.

01:08:04I say that for me Fina is like a sister.

01:08:07And I have never judged her.

01:08:08Come on, you can be so calm that no one will know about me.

01:08:12I have no idea what you're talking about and I have a lot of work in the office.

01:08:15When Fina comes, you reposition.

01:08:17Let's go.

01:08:27And Mrs. Marta?

01:08:29Oh, Fina.

01:08:31No.

01:08:32Yes.

01:08:33I've got my foot in the bottom.

01:08:35Carmen, it hasn't even been a minute.

01:08:48Marta, are you still angry?

01:08:50Marta.

01:08:54It's not that I'm angry.

01:08:56It's just that I still don't believe what you've done.

01:08:58How could you tell her everything and ruin it?

01:09:01Marta, really, I just wanted to get rid of a problem for you.

01:09:04You left me naked in front of her, do you understand?

01:09:06I just wanted to get rid of a real problem.

01:09:08Well, you've created a bigger one for me.

01:09:11I can't even look her in the face.

01:09:13I feel uncomfortable, helpless.

01:09:15But don't take it so seriously.

01:09:17Carmen took it very naturally.

01:09:19Really, it's okay.

01:09:20Are you crazy? She's your friend, not mine.

01:09:22She's my employee.

01:09:23She even dared to tell me to keep the secret.

01:09:26Do you know the power that comes from that?

01:09:28But she would never use it. She's not like that.

01:09:30That's what I'm telling you.

01:09:32And now she's back with Tassio.

01:09:34Do you know about secrets that are told in bed?

01:09:38Fina, you have to understand that I'm also your boss.

01:09:42And that you can't expose me like that in front of my employees.

01:09:46Unfortunately, I can't go back anymore.

01:09:50But I can.

01:09:52What do you mean?

01:09:55That it would be best if we left this madness here and now before it goes any further.

01:09:59No, Marta.

01:10:02No.

01:10:03Marta, listen to me.

01:10:05What we have here is worth it.

01:10:07Really.

01:10:08I can't. I'm not capable.

01:10:09Yes, you are. What are you going to do?

01:10:11Are you going to give up now that you know what you really want in life?

01:10:13Maybe I've let myself go and...

01:10:14No, no. What you feel is real and it makes you happy.

01:10:19Then why have you ruined everything?

01:10:24Are you going to tell Carmen that you made it up?

01:10:28That you and I are not together, we've never been together.

01:10:30I'll tell her what she needs. Really, if it's what you want, I'll do it.

01:10:33But please, I'm asking you to see us alone one more time.

01:10:36No.

01:10:37Just once. Marta, just once. I'm asking you.

01:10:39Let's try to fix this together.

01:10:44Good afternoon.

01:10:45Good afternoon.

01:10:50Mrs. Marta.

01:10:58This afternoon, when the shift is over, we'll meet as usual.

01:11:13Good afternoon.

01:11:29Come on, Marta, please.

01:11:39My God, my father's game.

01:11:43I'm sorry.

01:12:03I wasn't going to come.

01:12:04You were in your right.

01:12:14I'm alone here to do things right.

01:12:17I didn't want to end up like this after everything we've been through.

01:12:21Can I talk?

01:12:23Of course.

01:12:25Marta, I need to apologize.

01:12:28You really don't know how bad I feel for you.

01:12:30I thought it was normal for you to expose me in front of Carmen.

01:12:33No, no, of course not.

01:12:35I told her to avoid...

01:12:36To avoid a problem like this. Leave it.

01:12:39And if I confess it to you, Marta, it's because I don't want there to be a single secret between us.

01:12:42Not a single one.

01:12:44Because I wanted this relationship to be...

01:12:46Honest.

01:12:47Trustworthy.

01:12:49And me too.

01:12:51But between you and me.

01:12:53No one else.

01:12:54I know. You're right.

01:12:57Very good. Very good, partner. That's it.

01:12:59I want to see it.

01:13:01It's okay, man.

01:13:03This is done.

01:13:05And let's see how it ends.

01:13:11Come on, Isidro.

01:13:12The play is coming.

01:13:14I told you at the end that it was coming.

01:13:16No, no, no. No idea.

01:13:19Do you think I wouldn't like people to take our relationship for granted?

01:13:27It's not like that, you know that.

01:13:29I know.

01:13:31I've been suffering all my life.

01:13:34But you, on the other hand, had a happy and settled life.

01:13:37With your job, with your husband...

01:13:39My husband.

01:13:41Well, maybe not with your husband.

01:13:43But you had a life made.

01:13:45And I've had to come to put my feet up.

01:13:48Absolutely feet up.

01:13:51And that's why I feel guilty, Marta.

01:13:54Because I see you suffering.

01:13:56Is Isidro playing or not?

01:14:01Nothing, Isidro happens, I'm telling you.

01:14:05Congratulations.

01:14:09Congratulations, huh?

01:14:11You deserve it.

01:14:14I feel exposed, waiting for everyone to judge me and despise me.

01:14:21I've been having nightmares with my father and my brothers.

01:14:24They point at me and yell at me.

01:14:27My God, Marta.

01:14:29Since I've known you, I've never seen so much fear in your eyes.

01:14:32I'm a coward, Irina.

01:14:34No, you're not a coward, Marta.

01:14:36You haven't been since the moment you decided to take the step and start something with me.

01:14:41Because I thought it was worth it.

01:14:43That we could create a small, exclusive world for both of us.

01:14:47And we will continue to have that world within our reach.

01:14:50Of course we will.

01:14:54But I will understand it perfectly if you decide to close the door.

01:14:58And end this.

01:15:01I even prefer it so as not to see you suffer.

01:15:07Marta, I love you too much.

01:15:09I love you very much and I feel very selfish.

01:15:12Forgive me.

01:15:14I am where I am by my own decision.

01:15:18If I have learned something, it is that no one will ever force me to do something again.

01:15:22Neither my family nor my father.

01:15:24No one.

01:15:25My life before I looked at you and you at me was normal.

01:15:30It was very empty.

01:15:33What a disaster. I guess that...

01:15:37I guess that fear, hope and uncertainty are emotions of life.

01:15:43Especially of love.

01:15:47Who would want to go through this life without...

01:15:50Without love?

01:15:52Who would want to go through this life without...

01:15:55Without loving and being loved?

01:16:01That's what I think.

01:16:08Does this mean that...

01:16:11That you will continue to bet for what is ours?

01:16:15It means that despite everything, I don't want to live without you.

01:16:17I don't want to live without you.

01:16:20There will be many lies in front of others.

01:16:23But I will never lie to myself again.

01:16:37Carmen.

01:16:39Herbal soaps.

01:16:41I had to go to the packaging office because there was not even one left.

01:16:43I know. Since yesterday they have been prioritizing shipments to perfumeries.

01:16:47I don't understand how they do things here.

01:16:49But well, how much do you spend, right?

01:16:51If you should be happy like a chestnut,

01:16:53they have already told me the number of your fiancé in the canteen.

01:16:56If I had the face I had when I saw that man crying that we were getting married.

01:17:00Oh my God.

01:17:02You don't know how happy it makes me to see you happy.

01:17:05And for me that you see it that way too.

01:17:07Because look, you've been given another one.

01:17:09I'm not going to get into that.

01:17:11Let's see if you're going to catch me after everything I've said about being...

01:17:13Liar, shameless, cool, whatever you want.

01:17:15If I'm the first one who has said it.

01:17:17What do I tell you?

01:17:19Well, nothing, friend.

01:17:21That the past is this.

01:17:23It's the past.

01:17:25And now what you have to do is focus on our life in common.

01:17:27That gives me a little respect, really.

01:17:30But why?

01:17:32If you already know Tassio from the right and from the wrong.

01:17:34No, Tassio yes.

01:17:36But his mother...

01:17:38Oh.

01:17:40We have talked about not living with her until we have some savings to buy our house.

01:17:44And I think I said yes very quickly, Fina.

01:17:47Why?

01:17:49Well, because she came to the canteen as a surprise.

01:17:51And...

01:17:53I don't know, I don't know, I don't know.

01:17:55There, Carmen.

01:17:57She must want to congratulate you, right?

01:18:00That she has finally managed to get over her son's pearl.

01:18:03Fina!

01:18:05Not now, seriously.

01:18:07I don't know, give the lady a chance.

01:18:09I'm sure she's a beautiful person.

01:18:11No, you're right.

01:18:13Look, all I want is for everything to go well,

01:18:15for that lady to love me, to accept me.

01:18:17And?

01:18:19If you are the most beautiful thing in this world?

01:18:21Oh, you are beautiful.

01:18:23On the inside, it's more than on the outside.

01:18:25By the way,

01:18:27thank you very much for coming with Mrs. Marta.

01:18:29Oh, are you still with that?

01:18:31Man, I didn't take it out of my head.

01:18:33The truth is, it has to be very uncomfortable for her

01:18:35that I know what I know.

01:18:37Well, we've had a little bump because of that.

01:18:39Oh, don't tell me that, Fina.

01:18:41No, don't worry, everything is more than solved.

01:18:43Now only you are overwhelmed.

01:18:45It's not easy to assimilate all that.

01:18:47First, I never in my life imagined

01:18:49that the boss was ...

01:18:51And second, that with you, Fina,

01:18:53I, what do you want me to tell you?

01:18:55I'm worried.

01:18:57Oh, Carmen, I don't understand you.

01:18:59Because I'm from two very different worlds.

01:19:01And she's from a very different social class than yours.

01:19:03If something goes wrong,

01:19:05the one who loses is you.

01:19:07Yeah, yeah.

01:19:09And it's true that she'll never be able to shout in the canteen

01:19:11that she loves me or that she wants to marry me, but ...

01:19:12It's just that ours is always going to have to be clandestine.

01:19:15I'm so happy, Carmen.

01:19:17It's true, I'm so happy.

01:19:19And don't miss, I don't know,

01:19:21showing yourself as a normal couple.

01:19:23You're going to have to see each other every other day.

01:19:26Yeah, but I'm okay with that.

01:19:28But until when?

01:19:30Because a marriage is for life,

01:19:32and I don't think you're going to break it for you.

01:19:39Father!

01:19:40Father!

01:19:42Sorry.

01:19:44Are you okay? What happened?

01:19:46Yes, no, nothing happens, I'm sorry.

01:19:48I came to bring you the dessert,

01:19:50to see if you like it.

01:19:52We'll talk later.

01:19:54Thank you.

01:19:57Double coffee at this time?

01:19:59Then you won't be able to sleep.

01:20:01We'll see about that.

01:20:03I'm exhausted.

01:20:10Father?

01:20:12What are you doing here at this time?

01:20:14Are you okay?

01:20:16Yes, yes, yes, I'm fine. And you?

01:20:19Of course, why wouldn't I be?

01:20:21I don't know, you'll know.

01:20:24Father, what's wrong? I feel very strange.

01:20:26It's just that I'm worried about you.

01:20:30Lately you've been giving me a lot of beatings.

01:20:33One day you're very happy,

01:20:35and the next day you're as if you were ending the world.

01:20:37Do you want me to tell him the truth?

01:20:41I felt terrible losing your game, Domino.

01:20:44I felt very guilty.

01:20:46Well, we've already talked about that.

01:20:48You're forgiven.

01:20:50Besides, you were working in Madrid,

01:20:52weren't you?

01:20:54Yes.

01:20:56But you're always above work.

01:20:58You know that perfectly well.

01:21:00And how can you trust me?

01:21:02You can tell me anything that happens to you.

01:21:04You know that too.

01:21:06Father, sometimes it gets so intense

01:21:08that it scares me.

01:21:10You don't have to worry about me, really.

01:21:13Well, I'm leaving.

01:21:15I've left Carmen alone in the bathroom.

01:21:18Gaspar, will you write it down for me?

01:21:20Of course.

01:21:41Hey, watch it!

01:21:48Father?

01:21:50What are you doing here? You shouldn't come in.

01:21:52This is a private area.

01:21:54We need to talk.

01:21:57Come in.

01:22:10Daughter,

01:22:12I'm very worried about you.

01:22:14And that's why Gaspar sent me to spy on you.

01:22:17Well,

01:22:19it hasn't even been two hours since I stepped in.

01:22:21It's not Gaspar's fault.

01:22:23It's your fault

01:22:25for talking about me behind my back.

01:22:27And on top of that, you were out there

01:22:29listening to other people's conversations.

01:22:31Hey, I...

01:22:33I overheard Carmen and you talking by accident.

01:22:35And I told Gaspar

01:22:37because I was so worried

01:22:38that you were going to get rid of me.

01:22:40Get rid of you?

01:22:42Father, tell me now

01:22:44because I'm going crazy.

01:22:47You have to end that absurd relationship right now.

01:22:51If you don't open up

01:22:53to someone you already know,

01:22:55you're going to be a disgrace for the rest of your life.

01:22:58Father,

01:23:00I'm sorry.

01:23:02I didn't want him to find out this way.

01:23:04It's shameful

01:23:05to be treated like two vulgar criminals.

01:23:07Father, please understand.

01:23:09It's impossible for me to have a normal relationship

01:23:11like the rest of the girls.

01:23:13No, it's not true, Fina.

01:23:15You've had many opportunities,

01:23:17but you've rejected them all.

01:23:19No.

01:23:21And now you're stuck with the worst,

01:23:23the most hateful, the most disgusting.

01:23:25No, Father, because we love each other.

01:23:27And even if it's hard for you to understand

01:23:29where there's love,

01:23:31there's nothing disgusting.

01:23:33Please, daughter.

01:23:35We're a family.

01:23:37You'll never be happy

01:23:39living there in a hidden way,

01:23:41that kind of love.

01:23:43An adult man is not the best option

01:23:45for a deceptive girl.

01:23:49Who do you think I'm seeing?

01:23:51Well, I don't know his name.

01:23:54I do know he's a married man.

01:24:00You're making a mistake again.

01:24:02I'm making a mistake?

01:24:03What mistake?

01:24:05That he's not married?

01:24:07Tell me, or I won't understand the mystery.

01:24:09Father, leave him alone.

01:24:11I know better now than ever

01:24:13that I would never understand him.

01:24:15But you wouldn't understand what?

01:24:17Leave him alone, I'm telling you.

01:24:19No, I won't leave him alone.

01:24:21And stop playing the cat and mouse with me.

01:24:23Come on, let's see who he is.

01:24:25Is he from here, from La Colonia?

01:24:27Is he a foreigner?

01:24:29No, no.

01:24:31Fina,

01:24:33you're my daughter, really.

01:24:39Are you going to tell me who that man is?

01:24:41Father, leave him alone, will you?

01:24:43We'll talk about this another day at home.

01:24:45No, I won't leave him alone.

01:24:47And I won't stop until you tell me.

01:24:49Tell him what, father?

01:24:51If there's no man.

01:24:53Come on, you're denying it, obviously.

01:24:55Don't tell me it's not the truth.

01:24:57I'm telling you there's no man.

01:24:59What don't you understand?

01:25:01Then what? I don't understand.

01:25:04I'm in love with a woman, father.

01:25:12No, no, no.

01:25:14You're not one of those.

01:25:17Please, tell me it's not true.

01:25:19Tell me you're saying it just to hurt me.

01:25:23I would never hurt you.

01:25:26But I am what I am.

01:25:29And I can't help it.

01:25:31And I can't help it.

01:25:40For once in your life,

01:25:43you've made me happy

01:25:45that your mother is dead.

01:26:01Look, Fina's coming this way.

01:26:03I'll pretend she's mad at me

01:26:05for conspiring with you.

01:26:07The manzanilla is delicious,

01:26:09Mr. Isidro.

01:26:11Hi, Fina.

01:26:13Hi.

01:26:15Good morning, father.

01:26:19Well, if you need anything, let me know.

01:26:25How are you?

01:26:27How is she?

01:26:31Why are you doing this to me?

01:26:34What I told you doesn't change anything.

01:26:36What I feel for you doesn't change anything.

01:26:38And I hope what you feel for me doesn't change either.

01:26:43What?

01:26:45You're not going to say anything?

01:26:51You don't know how I regret telling you the truth.

01:26:54I should have kept quiet,

01:26:56like I've been doing for so long.

01:27:01I'm sorry to see you like this.

01:27:04I've grown fond of both of you.

01:27:07So do me a favor and fix this once and for all.

01:27:10I'm going to see how much he wants to fix things.

01:27:13Don't you think you could put a little more on your side?

01:27:16I have to put on my side.

01:27:18He's the one with the problem, not me.

01:27:20Don't burden him too much, just him.

01:27:22And do it for the best. Don't talk about what you don't know.

01:27:24I don't know what you're talking about.

01:27:26I don't know what you're talking about.

01:27:27Don't burden him too much, just him.

01:27:29And do it for the best. Don't talk about what you don't know.

01:27:32I wasn't born yesterday.

01:27:34And I'm old and filthy enough to know that a married man

01:27:36offers you gold and moro,

01:27:38but then, if I've seen you, I don't remember.

01:27:40But that man only exists in my father's imagination,

01:27:42I've already told you.

01:27:44And now, if you don't mind, stop meddling in my life,

01:27:46especially when you have no idea what's going on with me.

01:27:53The cardamom soap is very good for the skin.

01:27:55It has many properties.

01:27:57They're very good properties, very...

01:27:59very healing.

01:28:01Do you want to try it?

01:28:09Healing?

01:28:11What's wrong with you?

01:28:13Nothing.

01:28:15No, Fina, you're not fooling me.

01:28:17That client came in, decided to buy a soap,

01:28:19and left with nothing.

01:28:21And that's not your fault.

01:28:23It's my father's fault.

01:28:26What's going on with Isidro?

01:28:28He's worse.

01:28:30No, no, that's not it.

01:28:32Fina, then?

01:28:34Well, I went to the canteen before.

01:28:36I tried to talk to him,

01:28:38but he didn't even look me in the face.

01:28:40He ran away in a bad way.

01:28:42Why did he run away?

01:28:44I don't understand.

01:28:46What...

01:28:48What happened?

01:28:50What did I tell you, Marta?

01:28:52No.

01:28:53What?

01:28:55What did you tell him?

01:28:57That I've fallen in love with a woman.

01:29:00For God's sake!

01:29:02Fina!

01:29:04Come here.

01:29:06Come.

01:29:08You did the same with Carmen,

01:29:10and we almost broke up.

01:29:12No, Marta, it's not the same.

01:29:14Because I didn't tell him who,

01:29:16so it only concerns me.

01:29:18My father thought it was worse.

01:29:20Worse?

01:29:21My father thinks you're...

01:29:23a pervert.

01:29:25I don't know what you're thinking.

01:29:27You look like a fool.

01:29:29Don't insult me.

01:29:31I'm sorry, but I don't understand.

01:29:33First Carmen, now your father,

01:29:35and then who?

01:29:37Do you realize that anyone could ruin our lives?

01:29:40My father is not just anyone, is that clear?

01:29:42My father is the person I trust the most in the world.

01:29:45I know he's your father,

01:29:47but a man his age,

01:29:48who you talk to about a woman

01:29:50who loves another woman,

01:29:52he thinks it's a mortal sin

01:29:54or something worse,

01:29:56not to say vulgarity.

01:29:58Don't talk about my father because you don't know him.

01:30:00And you do.

01:30:02Fina, does he talk to you now?

01:30:04Does he look at you now?

01:30:06Our parents will never understand.

01:30:10For God's sake.

01:30:12Why?

01:30:14Tell me why!

01:30:16Because I'm tired of living like this, Marta.

01:30:18Of having to lie to the people I love.

01:30:20But those lies are also to protect you.

01:30:23You and the people you love.

01:30:25I'm sorry, Marta.

01:30:27I'm really sorry,

01:30:29but now at least my father knows who I am.

01:30:31You know people are arrested for this, right?

01:30:33Of course I know.

01:30:35Do you think I'm naive?

01:30:37Of course I know.

01:30:39But I hope my father will eventually understand.

01:30:41My father won't report me.

01:30:43Don't you see?

01:30:45I'm all he has.

01:30:46I don't know how many families have been arrested for something like this.

01:30:49Sometimes it's the social network that discovers people,

01:30:51but other times it's the family itself that sets the alarm.

01:30:53We're talking about prison, Fina.

01:30:56We live in the time we live in,

01:30:58and we can't change that.

01:31:00Of course we can't change it.

01:31:02But my father loves me, and he will eventually understand.

01:31:04I'm telling you.

01:31:06Not all parents are the same, I mean.

01:31:08Your father will be whatever you want, but mine...

01:31:14Your father what?

01:31:16My father knows sin, but not the sinner.

01:31:19So your perfect life

01:31:21and your indelible reputation will be safe.

01:31:24Don't worry.

01:31:46Don't worry.

01:32:03What a happy time, right?

01:32:07I came here when I was about six.

01:32:09And you, well, you were a kid.

01:32:12And life was so easy that everything seemed possible.

01:32:16Until...

01:32:18Until what happened, happened.

01:32:21You're a little older,

01:32:23but I...

01:32:25It was so hard to say goodbye.

01:32:28We had a good time there, huh?

01:32:31The farm is a very special place for everyone.

01:32:34I wouldn't like to lose it either.

01:32:36No one could forgive us for losing the farm.

01:32:39Even though it was the only thing that was put to an end, the loan.

01:32:43But is it because you don't trust that the operation will go well,

01:32:46or just because it was Jesus' idea?

01:32:48You too, really?

01:32:50Don't get mad, it wouldn't be so strange.

01:32:52It's just that you're always the same.

01:32:54Well, I think it has many points to be successful.

01:32:56If I had the money, I would put it without hesitation.

01:32:58But I don't want to take risks.

01:33:00Well, in this case, the risk is minimal.

01:33:02Think about it.

01:33:04I don't want to influence you anymore.

01:33:06I don't even know if I'm partying or not, it's just that the plan is annoying.

01:33:08For me, we are much more than the good times we spent there.

01:33:10I know.

01:33:12Mom spent a lot more time with you there.

01:33:15She was always so busy here.

01:33:18It almost seemed like part of the service.

01:33:21I never forgot where I came from.

01:33:24They grew up in the Alps without knowing that those lands would someday be worth what they are today.

01:33:28They have been in their family for many generations.

01:33:31Even if it was just for that, Jesus and I would not risk losing the farm.

01:33:35I know you wouldn't play it if you had doubts.

01:33:37What I'm not so sure about is that we deserve to succeed with this new plan, Marta.

01:33:41Come on, don't be more papist than the Pope.

01:33:43The way the information has been obtained is floral.

01:33:46I don't think it's good.

01:33:48And it shouldn't be here either.

01:33:50It's the competition.

01:33:52It's business, Andres.

01:33:54The war.

01:33:56I hear Jesus, Marta.

01:33:58The end does not justify the means.

01:34:00The market laws are tougher than we would like.

01:34:03And I guess more for someone like you.

01:34:05Are you calling me soft?

01:34:07You are one of the strongest people I know.

01:34:10But you are also sentimental.

01:34:13And feelings in business don't work.

01:34:16Well, they should.

01:34:18Growing up or dying is the only thing that matters.

01:34:22If you're not in your place, others take the place, without contemplation.

01:34:27Look, I'm not trying to convince you.

01:34:31If you want to dedicate yourself to this,

01:34:34sometimes you have to leave your heart aside to think with a cold head.

01:34:37But things are like that.

01:34:39I don't question them.

01:34:56We have already talked about everything we had to talk about.

01:34:59Father, please.

01:35:01I came straight from work, rushing to rest to eat.

01:35:05Is he not going to address me again in his life?

01:35:10Father, I'm still the same as always.

01:35:13That's what hurts me the most.

01:35:16How deceived you have made me.

01:35:18No, Father, I have not deceived you.

01:35:20I have only hidden a part of me that I assure you has hurt me more than anyone else.

01:35:24No, no one has forced you to be like that.

01:35:26I have not chosen him either.

01:35:28My mistake has been to tell him.

01:35:31I thought I could understand myself.

01:35:34That he could support me.

01:35:37And Father, I still need him as always.

01:35:40I don't need you.

01:35:42It doesn't do me any good to have you by my side.

01:35:47I would have liked to disappear from the map.

01:35:49I can't understand you anymore.

01:35:51I can't support you anymore.

01:35:53I can't see you as my daughter anymore.

01:35:55But I'm still the same as always, Father.

01:35:57I have always been.

01:35:59Nothing has changed, I assure you.

01:36:01What I feel has accompanied me since I have reason.

01:36:02Shut up, please.

01:36:04If your mother heard you, she would die of shame.

01:36:06My mother would have understood me anyway.

01:36:08Of course not.

01:36:10Your mother was a straight, devout woman.

01:36:12From the beginning.

01:36:14You would have killed her in disgust, like you are killing me.

01:36:16Enough, Father, enough.

01:36:18I have come here to fix things and I am already regretting it.

01:36:20I don't deserve to be spoken to like that.

01:36:22And me?

01:36:24Do I deserve what you are doing to me?

01:36:26I have given you such a bad life.

01:36:28Well, of course I haven't given you the best life I could have given myself.

01:36:30Well, then?

01:36:32What do you want me to see?

01:36:34If I have two children left, I'm going to have such a relationship.

01:36:36Let's leave it.

01:36:38It will be impossible for him to understand.

01:36:40Yes.

01:36:42I don't want him to get worse because of me.

01:36:44Yes, let's leave it.

01:36:46Mine has no remedy.

01:36:48But yours does.

01:36:50If you wanted to.

01:36:52But the view is that you don't want to, since you have told me.

01:36:56I wish I had died before hearing you say it.

01:37:00Because I'm going to die.

01:37:02Yes.

01:37:04And you have ruined the days I have left of life.

01:37:23Well, Mrs. Berta.

01:37:25Thank you.

01:37:30Thank you.

01:37:33The notary fell today, Pater.

01:37:35Worried, rather.

01:37:37Cheer me up a little, Café Gaspar.

01:37:40I keep thinking about something I talked about with Isidro.

01:37:43Well, maybe it's crazy, but ...

01:37:45Tell me.

01:37:47Maybe from my humble position I can help you.

01:37:50Come on, you have your parish and I have mine.

01:37:53It's true, you have to see everything in this cellar,

01:37:55that sometimes when people drink, they get their true being.

01:37:58If I told him, Pater.

01:38:01Hey, you ...

01:38:03Do you have any evidence that there is ...

01:38:06some deviation around here?

01:38:10Some deviation here in the colony?

01:38:13Do you want to lower your voice?

01:38:15It's not about generating a collective hysteria now.

01:38:18But what does that have to do with it, Pater?

01:38:20Do you know someone?

01:38:22No, no, I don't, but talking to Isidro gave me the feeling

01:38:24that I suspected something strange.

01:38:25I just wanted to find out and get out of my mistake.

01:38:28Well, I'm telling you, I have a sixth sense to face people

01:38:31that here in the colony there is no inversion, Pater.

01:38:36I hope you're right, Gaspar.

01:38:39Those people are like cancer, you know?

01:38:41If you don't take it in time, it can spread throughout the body.

01:38:45Are you saying that homosexuality is contagious?

01:38:49And ...

01:38:51Well ...

01:38:52Well ...

01:38:55Someone like that is a bad example for the whole community.

01:38:59It can cause confusion and you will know.

01:39:02That is the biggest stupidity I have heard in my life, if you allow me, Pater.

01:39:05No, I knew it was true science, but I would like to know who it is

01:39:08to try to cut the trend. I don't know if I explain myself.

01:39:11And put the sinner in a belt?

01:39:13It's not like that.

01:39:15Do you think it's wrong? I do it for the good of the factory.

01:39:18There are behaviors that we must correct

01:39:20before it's too late.

01:39:22Mrs. Marta, Mr. Agustín means ...

01:39:24Yes, I know exactly what he means.

01:39:26It's not that I think it's wrong to correct the behavior of those people.

01:39:31But I deny the greatest.

01:39:33There are no homosexuals in this colony.

01:39:36And the last thing we want is for a rumor to spread like that.

01:39:40I understand your concern.

01:39:42We don't want the colony to be associated with a nest of ...

01:39:45Sarasas? Violetas?

01:39:47Let's call it what it is.

01:39:49But it's not my intention to judge anyone,

01:39:51but to cut the root problem before it ends up rotting the earth.

01:39:55And for that I must know who it is.

01:39:58Why are you so sure of the existence of that person?

01:40:01It's an intuition.

01:40:03We all lack intuition.

01:40:05It is not believed.

01:40:07For these issues, instinct does not fail me.

01:40:10Well, they're going to leave it here,

01:40:12because my family has more important things to deal with.

01:40:13More important than having a black sheep running around here,

01:40:16doing nothing, you know what?

01:40:18I'm going to be clear.

01:40:20In no way do I want a rumor to spread

01:40:23that compromises the honor of my family and this company.

01:40:29Is it clear to you?

01:40:32I can't hear you. I don't know if it's clear to you.

01:40:34It's clear, Mrs. Marta.

01:40:36I'm sorry to have worried you.

01:40:38I just wanted to do things right.

01:40:40Well, to do things right,

01:40:41so we can have a conversation

01:40:43and the issue won't be brought up again.

01:40:45Do you agree?

01:40:47Of course, Mrs. Marta, of course.

01:40:49I'm glad.

01:40:51Good morning.

01:41:08We work in the same space.

01:41:09It's inevitable that we're close at some point.

01:41:12I'd rather we don't talk about this here.

01:41:14I don't know what's going on with me.

01:41:16I feel like I have leprosy.

01:41:18No one wants to be close to me.

01:41:20Don't say that.

01:41:22You know it has nothing to do with it.

01:41:29Today is my mother's death anniversary.

01:41:31I know.

01:41:33You know?

01:41:35I kept the date the last time you told me.

01:41:37You didn't tell me anything.

01:41:39I know, I'm sorry.

01:41:41I'm sorry.

01:41:43I'm very worried, Fina.

01:41:45I'm afraid your father has spoken too much.

01:41:48About me?

01:41:50Not exactly, but...

01:41:52Good morning.

01:41:54We'll take care of you right away.

01:41:56Fina, come with me.

01:41:58Apparently, your father spoke to Mr. Agustin.

01:42:01He didn't give him any details, but the priest isn't stupid.

01:42:04And he found out that there's a sick person among us.

01:42:07I had to cut off the conversation in the canteen.

01:42:09Oh my God, why does this have to happen to us?

01:42:12We'd be doing so badly.

01:42:14Don't punish yourself.

01:42:16Right now, what we have to do is...

01:42:19We have to find a way out.

01:42:21We have to find a way out.

01:42:23We have to find a way out.

01:42:24Right now, what we have to do is...

01:42:26We have to find a way out.

01:42:28Do you agree?

01:42:32Even outside the colony?

01:42:35Anywhere.

01:42:37They could see us, Fina.

01:42:39Do you realize how dangerous this is?

01:42:44I was going to ask you to come with me to my mother's grave.

01:42:48To bring her flowers.

01:42:50To the cemetery.

01:42:52Are you crazy?

01:42:54What are you doing there? How is she going to react?

01:42:56My father doesn't want to go with me.

01:42:58It can't be.

01:43:00He doesn't want to show up in front of my mother's grave with a whore like me.

01:43:08I'm sorry.

01:43:11Right now, I'd give you the tenderest hug in the world.

01:43:19I know he doesn't want her to suffer.

01:43:22The thing is, I didn't know how to do it better.

01:43:25I shouldn't have told Marta.

01:43:28It's too late to think about that.

01:43:32Right now, the only thing we can do is...

01:43:35Keep our distance.

01:43:42What does that mean?

01:43:45For the moment, it's best if we don't see each other.

01:43:48Until when?

01:43:51Until when?

01:43:55Cina, please.

01:44:05Isidro.

01:44:07Mrs. Marta.

01:44:09How are you? And how is Mateo?

01:44:12Fine. I left him upstairs with Dina. He's in good hands.

01:44:15I'm glad.

01:44:17Can I go now?

01:44:19Come with me.

01:44:21We haven't seen each other in a long time.

01:44:24I've always enjoyed our little chats.

01:44:26That's mutual.

01:44:28You've always been for me and for my family.

01:44:31I could say the same.

01:44:33It's been many years holding on to us and our whims.

01:44:37Well, I've always been very happy working here.

01:44:41And the truth is, I've never felt like a burden.

01:44:44What's that?

01:44:46I remember when I was a kid,

01:44:48listening to you tell my father about his trips to Madrid and Barcelona.

01:44:52Yes, I remember that too.

01:44:54You were kids.

01:44:56You, Don Jesús, Don Andrés.

01:44:58Things you did to entertain him.

01:45:00He was so good at it.

01:45:02He had so much art.

01:45:04From a simple trip, he made an adventure.

01:45:06I'm sure Afina liked listening to him too.

01:45:08Yes.

01:45:10Yes, she liked him too.

01:45:11I've given him his grace and his kindness.

01:45:14We just need to see them together

01:45:16to understand the love they have for each other.

01:45:19Well, you know, Mrs. Marta,

01:45:21how can you not love a daughter?

01:45:23Girls are so pure, so innocent.

01:45:26But it's much more than that.

01:45:28What they've always shared

01:45:30is an understanding,

01:45:32respect,

01:45:34and a huge love

01:45:36that I've envied a lot.

01:45:38I wish my father had given me one of those hugs.

01:45:41What about you?

01:45:43Well, Mrs. Marta,

01:45:45love isn't just about giving hugs.

01:45:47I'm sure Damián loves you.

01:45:49And above all, he's given you a good education,

01:45:51a good discipline.

01:45:53My God, Isidro, it's like you're talking to me about the army.

01:45:56Discipline is very important

01:45:58because it helps our children understand the right thing

01:46:00and achieve it.

01:46:02It's the path to virtue.

01:46:04Damián has made you straight people

01:46:07with principles.

01:46:09Sometimes I wonder

01:46:11if I've been able to do it, if I've done enough.

01:46:13You really doubt it.

01:46:16When I see Afina, I see an excellent girl,

01:46:19hard-working, kind, with many virtues.

01:46:23In the end, the result has been just as good.

01:46:26I could even tell you that I think it's better.

01:46:29Maybe you're exaggerating a little.

01:46:31No, when I hired her at the store, I had my doubts.

01:46:33But seeing her work every day,

01:46:35the only thing I do is reaffirm

01:46:38that I was right with my decision.

01:46:39You have to be very proud of her, Isidro.

01:46:42Very proud.

01:46:44She's been given an excellent education.

01:46:48Afina is an extraordinary woman.

01:46:51Thank you, Mrs. Marta.

01:46:59Thank you, Tere.

01:47:06You're not going to leave me alone.

01:47:07Why didn't you go to the cemetery?

01:47:09How do you know?

01:47:11Because Petunia's bouquet

01:47:13that she leaves every year on her mother's grave wasn't there.

01:47:15I see.

01:47:17She knew she didn't want to go with me,

01:47:19but she thought she would go on her own.

01:47:21Why?

01:47:23Out of disrespect?

01:47:25I don't understand that.

01:47:27How can I honor your mother's memory

01:47:29knowing what I know about you and not tell you about it?

01:47:31But how can you be saying that?

01:47:33And we couldn't go after...

01:47:34Enough, Father, enough.

01:47:36Don't you see the terrible damage you're doing to me?

01:47:40I'm still Afina, her daughter,

01:47:42not a whore.

01:47:44And you've also destroyed me, daughter.

01:47:46You've broken my heart in two.

01:47:48Father, please.

01:47:50I don't know if you could at least tell me

01:47:52that it happened to you or that you were confused.

01:47:54That it happened to me?

01:47:56Yes, that you really regret it.

01:47:58Maybe we could go back to where we were before.

01:48:00We weren't happy.

01:48:02How do you want me to regret something that's inevitable?

01:48:04No, not someone else.

01:48:06My daughter, the one from before.

01:48:08But your daughter, the one from before,

01:48:10has always been like that.

01:48:12That's what I'm trying to make you understand

01:48:14for the last time.

01:48:16If you didn't know, you wouldn't change who I am.

01:48:18Very well, if you don't come to your senses,

01:48:20there's nothing to do.

01:48:22No, Father,

01:48:24because I'm not going to deny myself.

01:48:26As much as I love him

01:48:28or as much as I miss him,

01:48:30I'm not going to do it.

01:48:32How dare you come into this house, Afina?

01:48:34I've told you everything.

01:48:36You don't deserve it.

01:48:38And much less that a queen speaks well of you.

01:48:40Who has spoken well of me?

01:48:42Obviously your boss,

01:48:44the one you have so deceived.

01:48:46Doña Marta?

01:48:48Doña Marta, yes,

01:48:50who has filled her mouth

01:48:52by telling her how professional

01:48:54and wonderful you are.

01:48:56And I didn't even know where to look

01:48:58if I really knew.

01:49:05What a cutie Maribi has lent you

01:49:07her wedding dress.

01:49:09Yes, it's a love.

01:49:11And it's practically new.

01:49:13Oh, I'm so happy, really.

01:49:15And my Tassio, when he sees me

01:49:17with the wedding dress,

01:49:19he's going to look at me

01:49:21because he thinks I'm going to marry

01:49:23your jacket suit, Afina.

01:49:25Well, it's pretty.

01:49:27Yes, but it has nothing to do with it.

01:49:29Come on, let's go.

01:49:31Come on, let's go.

01:49:32Yes, but it has nothing to do with it.

01:49:34Come on, let's toast,

01:49:36I know you want to celebrate.

01:49:38Carmen, but I don't drink alcohol

01:49:40and that Aní, that's very strong.

01:49:42Come on, but this Anisete,

01:49:44this is lowered.

01:49:46Well, pour me a little bit, huh?

01:49:48Come on.

01:49:50Carmen, don't pour me,

01:49:52I don't feel like drinking.

01:49:54But where are the parties?

01:49:56Forgive me, you're right,

01:49:58you're right, come on.

01:50:00Come on.

01:50:03Come on.

01:50:05Long live the bride, right?

01:50:07Long live, long live.

01:50:09Our Carmen is getting married.

01:50:14A little stronger.

01:50:17You're going to be beautiful, Carmen.

01:50:19And I'm not just saying it because of the dress.

01:50:25Take it.

01:50:27Oh, no.

01:50:29Wait.

01:50:30But what's this?

01:50:35We wanted to give you back the one you lost.

01:50:38It's from Eurol.

01:50:40We wanted to give you something special

01:50:42and that it was good.

01:50:44It's beautiful.

01:50:47Oh, thank you very much, my daughter.

01:50:51I'm coming.

01:50:56Good evening.

01:50:58Good evening, Mrs. Marta.

01:51:00I know it's a little late

01:51:02and I don't want to interrupt your celebration,

01:51:04but I wanted to see Carmen for a moment.

01:51:06Don't interrupt anything, Mrs. Marta.

01:51:08Come in, please.

01:51:10You look stunning.

01:51:12Thank you very much.

01:51:14I came to give you a wedding gift.

01:51:18Thank you very much, Mrs. Marta.

01:51:20I really didn't need it.

01:51:22I hope you like it.

01:51:23Thank you.

01:51:30What...

01:51:32What a beautiful necklace.

01:51:36I'm glad you like it.

01:51:38Thank you very much, Mrs. Marta.

01:51:43Carmen, I really wish you to be very happy with Tassio.

01:51:46He appreciates you.

01:51:48Thank you very much.

01:51:50Would you like to have a drink with us?

01:51:53Thank you very much,

01:51:55but I don't want to interrupt your celebration.

01:51:57No, no, no, Mrs. Marta, don't interrupt.

01:51:59On the contrary, with all the trouble you've taken to come,

01:52:01have a drink.

01:52:03Of course.

01:52:05Thank you very much.

01:52:07It's late for me.

01:52:09Have a good time tomorrow.

01:52:11Congratulations.

01:52:13Thank you very much.

01:52:15Good night.

01:52:17Good night.

01:52:19Carmen, how beautiful you are going to be

01:52:21with Mrs. Marta's medal.

01:52:23It's a wedding that doesn't deserve you less.

01:52:25Of course.

01:52:27It's bad luck that you gave me the same thing.

01:52:29Don't worry.

01:52:31We'll give it back and that's it.

01:52:33Of course.

01:52:35We can't give it back, it's recorded.

01:52:37We're stupid.

01:52:39But you can bring something else to our wedding.

01:52:41Of course.

01:52:43I can lend you some earrings that my aunt gave me from Salamanca.

01:52:47They're beautiful.

01:52:49They're turquoise blue and you'll look great with the dress.

01:52:51You'll see.

01:52:53How beautiful.

01:52:55They're very beautiful.

01:52:57Carmen, I can leave you some shoes

01:52:59that you'll look great with the dress.

01:53:01I'll go to the service and I'll look for them.

01:53:03We'll leave everything ready for tomorrow.

01:53:05Here, Carmen.

01:53:14You look beautiful.

01:53:16What a face of pancilas we had yesterday

01:53:18when Mrs. Marta showed up with the cardigan.

01:53:20I can't forget it.

01:53:21It's beautiful.

01:53:23A detail of very good taste.

01:53:25And a lot of power, right?

01:53:27It's not to be ostentatious, Claudia.

01:53:29Well, she who has it possible.

01:53:31Yes.

01:53:33The important thing is that Carmen

01:53:35is going to take my earrings and your shoes

01:53:37and she's going to have us present throughout the wedding.

01:53:39Yes, that's the most important thing.

01:53:47Claudia, are you okay?

01:53:49The truth is that I'm very upset.

01:53:51I don't know if it was the anisette

01:53:53that Carmen gave us or what,

01:53:55but I had thought of going for a strip

01:53:57before opening the store.

01:53:59Of course, go.

01:54:01If we open in ten minutes, go.

01:54:03Sure?

01:54:04Of course.

01:54:06Good morning.

01:54:08Good morning, Mrs. Marta.

01:54:10Does it matter that I'm absent for a moment?

01:54:12It's just that I don't feel very well

01:54:14and I wanted to have an infusion before I opened.

01:54:16Of course, leave.

01:54:17If when you open the store you still feel bad,

01:54:19let me know and I'll make up for the hours.

01:54:22Well, I don't think it's necessary,

01:54:24but thank you very much, Mrs. Marta.

01:54:26Claudia.

01:54:28The rag?

01:54:30Yes.

01:54:39Do you have a lot left?

01:54:41With these two bottles, I'm done.

01:54:43Good.

01:54:48Mmm.

01:54:51Can I come closer now that Claudia has left

01:54:54or is it better that we keep our distance?

01:54:57I don't like you to joke about that.

01:55:00Marta.

01:55:02What?

01:55:05I wanted to thank you for helping me with my father.

01:55:09In the end, you went to the cemetery together.

01:55:12No.

01:55:14The truth is that lately you have been quite indiscreet

01:55:18and you kick me in something.

01:55:20As if you didn't know the consequences

01:55:22of going with the truth ahead.

01:55:24Why don't you tell that poor man anything?

01:55:26Are you crazy?

01:55:28I know.

01:55:30No, but ...

01:55:32I'm sorry, I'm not going to throw it in your face again,

01:55:34that in the end you're going to get me and I don't want that either.

01:55:36No, no, I don't want it either.

01:55:38I don't like to see your father and you angry.

01:55:40I'm very sorry that my talk with him was useless,

01:55:43not even to go to the cemetery together.

01:55:45No.

01:55:47I went alone to the cemetery.

01:55:49He didn't even pass for the first time

01:55:51since my mother died.

01:55:53And do you know why?

01:55:55Why?

01:55:57Because he is ashamed to appear in front of his wife's grave

01:56:00knowing what he knows about his son.

01:56:02Did he tell you that?

01:56:04Look, for me,

01:56:06to be judged or rejected,

01:56:07who does not know me,

01:56:09it seems absurd and inhuman to me.

01:56:11But my own father,

01:56:13he says he doesn't know me,

01:56:15but I'm the one who doesn't know him.

01:56:17You're right.

01:56:19It's very unfair and it doesn't make any sense.

01:56:21But you're not the first

01:56:23and we're not going to be the last to suffer because of this.

01:56:26Things are like that.

01:56:28You know it.

01:56:30We have to settle.

01:56:32If we want to live this,

01:56:34it's going to have to be in secret.

01:56:35No, in real secret.

01:56:37But if I can't share

01:56:39the most beautiful thing

01:56:41that has happened to me in life with him,

01:56:43Marta, I feel very alone.

01:56:45But you are not alone.

01:56:48You will never be alone.

01:57:02Do you need help?

01:57:03Yes, thank you.

01:57:05The truth is that I'm getting a little messy.

01:57:07Go singing me the quantities.

01:57:11This is a tedious day.

01:57:14Between the two, it is the most bearable.

01:57:19Marta,

01:57:21before it gave me the feeling

01:57:23that you are no longer so angry with me.

01:57:25It is that it is impossible for me.

01:57:27Come on, superior to my strength.

01:57:30In fact, you are the one who should be hurt with me

01:57:33for not having accompanied you to the cemetery.

01:57:35No, Marta, no.

01:57:37I shouldn't have asked you.

01:57:39But I insist that our relationship is normal

01:57:41because it is what I would like most in this life,

01:57:43but it is not.

01:57:45But I have failed you.

01:57:47And I have strained the rope too much.

01:57:49The truth is that I don't know what's happening to me.

01:57:51I'm losing the sense of reality now.

01:57:53Come on, neither of us

01:57:55have done things too well.

01:57:57No, but it is very difficult to do things well.

01:58:00We can't act as we get inside.

01:58:01It is very difficult.

01:58:03Well, yes.

01:58:05To feel the corset, the lack of freedom,

01:58:07the pressure from outside.

01:58:09That's why, Marta, between us,

01:58:11between you and me,

01:58:13we should make things easy for ourselves.

01:58:15And that means being honest with each other,

01:58:17forgiving each other,

01:58:19supporting each other, covering each other.

01:58:21We agree.

01:58:23We agree.

01:58:25I have something for you.

01:58:27Yes?

01:58:31Take it.

01:58:39And this?

01:58:41The keys to the apartment I rented in Madrid.

01:58:43Madrid, a big city where no one knows us.

01:58:45What?

01:58:47Marta.

01:58:49Yes.

01:58:51Really?

01:58:53I made the arrangements a few days ago,

01:58:55but with being angry with your father...

01:58:57Yes, there is nothing more to say in the world than this.

01:58:58A place where we can love freely.

01:59:00A secret place.

01:59:02For God's sake, Fina, a secret place.

01:59:04Yes, yes.

01:59:06I beg you.

01:59:08We won't have to pretend to be cousins anymore

01:59:10when we go to the hotels.

01:59:12We can go whenever we want

01:59:14and let go of our love

01:59:16and whatever arises.

01:59:19Marta, please tell me I'm not dreaming.

01:59:21No.

01:59:25What?

01:59:26Yes, yes, yes.

01:59:28I love you. I love you.

01:59:30I love you. I love you.

01:59:32I'm going.

01:59:36Perfumerías de la Reina, tell me.

01:59:39Mr. Damián, do you need anything?

01:59:41Yes?

01:59:43Yes, yes, yes, it's around here.

01:59:47Mrs. Marta, it's for you.

01:59:48It's for you.

01:59:54Yes, Father?

01:59:57Now?

01:59:59Did something happen?

02:00:03Okay.

02:00:05Yes, yes, I'm on my way.

02:00:11Father,

02:00:13you scared me when you said you wanted to see me urgently.

02:00:15I'm sorry, I didn't want to worry you.

02:00:17I wanted to see you at home

02:00:19to tell you about something

02:00:21that I found in the account a while ago.

02:00:23Sit down, please.

02:00:27Tell me.

02:00:30Well,

02:00:32those two guys are getting married today, right?

02:00:34Yes, Carmen and Tarsio.

02:00:36The workers are very excited about the wedding.

02:00:38We should give them a gift from the company,

02:00:40don't you think?

02:00:42I've already given Carmen a gold chain

02:00:44that's beautiful.

02:00:46I think she'll wear it at the ceremony.

02:00:48But as a personal gift.

02:00:50Yes, but I can tell her it's for everyone.

02:00:52And Tarsio?

02:00:54Tarsio.

02:00:56I can look for something for him

02:00:58and with that,

02:01:00we'll all be satisfied.

02:01:02And would you have time today

02:01:04to buy him something?

02:01:06Yes, I'm going to Toledo right now.

02:01:08No, no, wait, wait.

02:01:10There's no hurry.

02:01:11Better.

02:01:13I'm going to Madrid tomorrow

02:01:15and I'll think about what to give him.

02:01:17What are you going to Madrid for?

02:01:19By the way,

02:01:21I wanted to tell you

02:01:23that I've rented an apartment in Madrid

02:01:25for my work trips.

02:01:27What have you done?

02:01:29I've been doing accounts

02:01:31and with all the times I travel in the week,

02:01:33well, it pays off.

02:01:35It doesn't pay off at all.

02:01:37We're not for expenses, Marta.

02:01:39The cost is the same as the hotel.

02:01:41The cost is fixed at the moment.

02:01:43Well, I'll pay it with my money.

02:01:45If the offer had come from Andrés or Jesús,

02:01:48it would already be approved.

02:01:50Where are you going?

02:01:52To Toledo, to get Tarsio's gift.

02:01:54No, wait.

02:01:56What do you want me to wait for?

02:01:58Father, he makes me come to,

02:02:00excuse me, to talk about skis.

02:02:02He knows I'm busy,

02:02:04I can't walk all day going and coming.

02:02:06Have you finished?

02:02:08I don't know, I've finished.

02:02:09Then turn around, come on.

02:02:18Jaime!

02:02:20You didn't expect me, did you?

02:02:24Jaime wanted to surprise you

02:02:26and I was his accomplice.

02:02:28That's why I called you.

02:02:30Of course, I didn't understand anything.

02:02:32Thank you, Damián.

02:02:34You did it as if you were a great actor.

02:02:36Marta didn't suspect anything.

02:02:38My life, you are...

02:02:40You are beautiful.

02:02:42Thank you.

02:02:45You look good.

02:02:47He's a sea wolf,

02:02:49fed by those seas of God.

02:02:51And how long are you going to be with us?

02:02:53I just got here

02:02:55and you already ask me when I'm leaving.

02:02:57It's a surprise, I didn't expect you.

02:03:08Where is that old sea wolf?

02:03:10Andrés.

02:03:12What a surprise.

02:03:14Right, sister?

02:03:16Of course.

02:03:18Your surprise, that you got married.

02:03:20The free soul of the family.

02:03:22Maria, this is Jaime, my brother-in-law.

02:03:24How I wanted to meet him.

02:03:26To meet you, please,

02:03:28teach me that we are family.

02:03:30Now you have made him a gentleman,

02:03:32but when he arrived a while ago,

02:03:34what a beard,

02:03:35and now that I have you together,

02:03:37I would like to apologize

02:03:39for not being able to go to your wedding.

02:03:41It was completely impossible for me,

02:03:43I was on a boat on my way to Cyprus.

02:03:45There is nothing to apologize for.

02:03:47It was very difficult for you to come for a day.

02:03:49I felt bad for Marta.

02:03:51For me?

02:03:53Yes, everyone was in a relationship

02:03:55and you alone, I assure you,

02:03:57it was difficult to hide your sadness.

02:03:59Did you miss me?

02:04:01Of course.

02:04:02So elegant as always.

02:04:04Of course.

02:04:06Begoña, you are beautiful.

02:04:08Welcome home.

02:04:10Are you going to stay a long time?

02:04:12Well, I don't know,

02:04:14it depends on how long it takes to fix the boat.

02:04:16I guess three or four days,

02:04:18I don't think I can scratch much more.

02:04:20We will have to take advantage of the time.

02:04:22We will take advantage.

02:04:24I'm going to get a bottle of wine.

02:04:26We have things to celebrate.

02:04:28Yes, I'm going to ask Digna to serve us.

02:04:30I will accompany you, Maria.

02:04:32Thank you.

02:04:39I was thinking that

02:04:41maybe we can skip this meal

02:04:43and take a walk you and me alone.

02:04:45We have to get up to date on so many things.

02:04:49We can't make the family look bad.

02:04:52They are looking forward to enjoying you.

02:04:55Will we have time?

02:04:57Yes, yes, of course.

02:04:59Sit next to Father, you are the guest.

02:05:00As you wish.

02:05:02Thank you.

02:05:14A few days ago I thought ...

02:05:16I'm so sorry to see you like this.

02:05:18The truth is that your father

02:05:20has a harder head than a pedernal.

02:05:22But in this world you are not forever.

02:05:24And sometimes you have to give up.

02:05:26Maybe I'm not the one who has to give up this time.

02:05:28Daughter.

02:05:30I'll think about it.

02:05:32Hello.

02:05:34Man, have you come to teach in the store?

02:05:36Of course.

02:05:38Well, I'll see you at home, I'm late.

02:05:40Goodbye.

02:05:42Good afternoon, Mrs. Marta and company.

02:05:44Jaime, do you remember Fina?

02:05:46Yes, of course I remember.

02:05:48I see you very well.

02:05:50And from what I see now, independent.

02:05:52I hope my wife is behaving.

02:05:54Your wife is an excellent boss.

02:05:55And if she doesn't, tell me.

02:05:57I'm sure I can do something.

02:05:59I think I still have some influence left.

02:06:01He's going to stay here for a long time, Mr. Jaime.

02:06:03As long as they take to repair his bow.

02:06:05I hope it's as late as possible.

02:06:07I must admit that the sea is starting to tire me a little.

02:06:10But if it's your life, you've always said it.

02:06:12Yes, yes, yes, it is, it is.

02:06:14But, well, loneliness weighs.

02:06:16And feeling that you see your loved ones

02:06:18two or three times a year is not enough.

02:06:21Of course.

02:06:22Fina, go get dressed for Carmen's wedding.

02:06:25So you'll have time. I'll close.

02:06:30Do you remember Carmen?

02:06:32Yes, I think so.

02:06:34The girl from the campaign you told me about at home.

02:06:36Yes.

02:06:37And she's getting married, right?

02:06:39With Tassio, another employee.

02:06:41Good afternoon, Mr. Jaime and Mrs. Marta.

02:06:43Congratulate the grooms on our behalf.

02:06:45Of course, sir.

02:06:47Well, I'll close and show you the old area of the factory.

02:06:50My sister has done a magnificent job with the rehabilitation.

02:06:53You see, Marta, I have no doubt about your brother's expertise.

02:06:56But I think I'd still prefer you to show me

02:06:59how much the mushrooms have grown along the river.

02:07:02As if you were going to notice the difference.

02:07:04No, no, I'm sure not.

02:07:06I'll only have eyes for you.

02:07:08Come on.

02:07:10After you.

02:07:16It's just that...

02:07:22The bank has already granted us the credit.

02:07:24We just have to close some gaps

02:07:26and start producing women's longings.

02:07:31Why are you looking at me like that?

02:07:33Women's longings.

02:07:36I like the way it sounds when you say it.

02:07:39And I like the way you talk about your work.

02:07:41Look who's talking.

02:07:43You haven't stopped doing it all afternoon.

02:07:44It's true, I'm passionate about it.

02:07:47Although I must tell you that what I said before is true.

02:07:51Solitude weighs on me.

02:07:54I can't help but remember those first years

02:07:58when we traveled together.

02:08:02We had a good time, didn't we?

02:08:05We had a good time.

02:08:08Do you remember that cruise across the Greek islands?

02:08:10Yes.

02:08:12I couldn't stop vomiting the eight days that the cruise lasted.

02:08:15You didn't stay behind either.

02:08:17Yes.

02:08:19It was our first trip together,

02:08:21just after we got married,

02:08:23when we didn't stop repeating how much we loved each other.

02:08:27But now...

02:08:30Now we barely see each other, Jaime.

02:08:32And we didn't text each other either.

02:08:34Weeks ago.

02:08:37You can text me too.

02:08:40Marta, I don't blame you for anything.

02:08:43I'm just expressing the pain that the situation we're in is causing me.

02:08:47But I don't want to be like this.

02:08:50I want us to go back to how we were.

02:08:53Our jobs are what they are.

02:08:55I know, I know, I know.

02:08:58That's why I thought you could come with me,

02:09:00like we used to.

02:09:06Jaime, you know, you can't ask me that.

02:09:10You know that.

02:09:11Yes, you're right.

02:09:12I'm sorry.

02:09:14I had to try.

02:09:19You haven't ruined everything, have you?

02:09:24Of course not.

02:09:31Well,

02:09:33it's best if we go to bed.

02:09:37Jaime.

02:09:39Yes?

02:09:41I should go over some business with the company before I go up.

02:09:45What time is it?

02:09:47I know, it's important.

02:09:49The launch had us all up in arms.

02:09:52Of course. As you wish.

02:09:54Thank you.

02:09:55No, please.

02:09:57Get some rest.

02:09:59Don't wait for me to wake up.

02:10:09What's up, miss?

02:10:10Aren't you going to give your uncle a kiss?

02:10:14Well, then what?

02:10:15What's the couple going to do today?

02:10:18To be honest, no.

02:10:19I hadn't thought of doing big things.

02:10:21I'm just going to stop by the store for a while

02:10:23to bother Marta a little.

02:10:25You could go to Madrid.

02:10:27I've read that there's a very interesting cartography exhibition

02:10:29at the Naval Museum.

02:10:31Look, you'll have a lot more fun

02:10:33than just going around the factory

02:10:35and looking at the paintings.

02:10:36Well, you could bring me closer, yes.

02:10:38I'm sure our father would like to go with you.

02:10:40Well, if you give him a hand.

02:10:42He went out for a walk a while ago

02:10:44and I think he was going to go

02:10:46to the Palo Roto waterfall.

02:10:48Is that far away?

02:10:49Well, about ten kilometers.

02:10:51If you're up for it, we can go one day.

02:10:53Oh, yes, please.

02:10:55It might be good if we did something similar.

02:10:57And we take that old camera

02:10:59that we bought, you know.

02:11:01I have a lot of work to do now.

02:11:03I'm going to go to Madrid.

02:11:04Now I have a lot of work to do.

02:11:06Are you going down to have breakfast?

02:11:09Daddy.

02:11:13Good morning, Julia.

02:11:17Sit with us.

02:11:19Come on.

02:11:21Of course, of course.

02:11:34What are you doing with that?

02:11:36Looking for the most suitable color

02:11:38for the boxes of the new launch.

02:11:40In an art book.

02:11:42Well, you have to have as a reference

02:11:44the best.

02:11:46Let's see what you think

02:11:48of this gold that Klimt uses.

02:11:51And you?

02:11:53I think it's the right one.

02:11:55I would like women's longings

02:11:57to be a jewel.

02:11:59From his envelope.

02:12:01I don't know.

02:12:02A jewel.

02:12:04From his envelope.

02:12:06Of course, you are in everything, my daughter.

02:12:08Well, I like to take care of the little details,

02:12:10you know,

02:12:12and that each thing has a meaning.

02:12:14You are tremendously detail-oriented.

02:12:16I already told you that I have had good references.

02:12:18And you have been one.

02:12:20Yes, but you have not learned the best from me.

02:12:23What do you mean?

02:12:25For me, the company has always been very important,

02:12:28but my family has always been ahead.

02:12:31Do you have any complaints?

02:12:34I thought we had overcome that stage.

02:12:36I have no complaints, daughter,

02:12:38but I think you are neglecting your husband

02:12:40since his arrival.

02:12:42And why do you say that?

02:12:44Today he asked me to accompany him

02:12:46to visit the Naval Museum

02:12:48instead of going to the store

02:12:50to make plans with you.

02:12:52Well, it's not that you neglect him,

02:12:54it's that he understands that I am very busy.

02:12:56And last night I saw him go to sleep alone.

02:12:58He told me that you were going to stay

02:13:00to clarify all this.

02:13:02And don't tell me that you have a lot of work

02:13:04because that is no more than an excuse.

02:13:09I've been a little detached,

02:13:11it's true.

02:13:13Father, it's been many months since we've seen each other.

02:13:16With more reason, you should be in the bedroom

02:13:18recovering time, right?

02:13:20Please, father.

02:13:22We are adults,

02:13:24or are we going to walk around with remorse at this point?

02:13:26He's asking me for a conversation that ...

02:13:28No, that style is not going to work.

02:13:30What are you saying?

02:13:33What do you want me to tell him?

02:13:36That I'm not born to hug him for no reason

02:13:39or steal a kiss from him,

02:13:41not even to hold his hand.

02:13:43What's more, I feel uncomfortable when he does it.

02:13:45But why?

02:13:47Things have changed a lot.

02:13:49I understand, you've fallen in love.

02:13:51What?

02:13:53With that photographer,

02:13:55the one who made us the queen's essence campaign.

02:13:57The other day I caught you in a more than suspicious attitude

02:13:58and yesterday, to top it off, you tell me

02:14:00that you have rented that little flat in Madrid.

02:14:02I already told him at the time, father,

02:14:04that with the photographer there had been nothing

02:14:06and that the flat is to save costs in hotels.

02:14:08Ah, or to have a discreet place

02:14:10where to meet your lover.

02:14:12He doesn't know what he's talking about and offends me.

02:14:14Well, clarify it for me.

02:14:16Help me understand what's going on with you.

02:14:18With all due respect,

02:14:20if you want to help me,

02:14:22don't meddle in my life.

02:14:24It's very funny that you tell me that

02:14:25because you accused me of not paying attention to you,

02:14:28of not being understanding with you.

02:14:30Ah, you think you're being understanding with me?

02:14:32I get the impression that you're judging me.

02:14:34Do you think it's so strange that I'm worried

02:14:36because you're looking for comfort in the arms of another person?

02:14:38No!

02:14:40Marta, you have to stop fantasizing

02:14:42with stories that don't give you anything

02:14:44and give your marriage a chance.

02:14:46Jaime loves you.

02:14:48And what about what I want?

02:14:50And what do you want, daughter?

02:14:52What the hell do you want?

02:14:53Because sometimes you leave us alone with your coldness

02:14:56and your husband is about to freeze to death.

02:14:59Very encouraging.

02:15:01Very understanding, without a doubt.

02:15:03Maybe that's why I need to protect myself

02:15:05behind a shield.

02:15:07You created that shield yourself.

02:15:09Don't blame others for being the way you are.

02:15:11Listen to me, Marta.

02:15:13Jaime and you need to regain the complicity you had.

02:15:15It was nice to see you

02:15:17always joking,

02:15:19so accomplices, so friends.

02:15:21Maybe it was always just that.

02:15:23Best friends.

02:15:25Whatever you want, but he's your husband

02:15:27and he will be until the end of your days.

02:15:29It's in your hands to have a pleasant relationship with him

02:15:31or to live a calvary.

02:15:54Again here?

02:15:56Don't give up.

02:15:58Never.

02:16:02Yesterday she was worthy in the store.

02:16:04Don't worry.

02:16:06I haven't told her anything about the reason for our argument.

02:16:09There's no argument if they don't want to.

02:16:12You're the one who's disgusted with yourself

02:16:14for judging your daughter so harshly.

02:16:18I have a very calm conscience.

02:16:20I don't want to hurt her.

02:16:21I have a very calm conscience.

02:16:23I'm sure I didn't educate you

02:16:25to become someone like that.

02:16:27No, she educated me to be a free woman

02:16:29with the right and the ability

02:16:31to decide what I like and what I don't like.

02:16:33And this is what I'm doing.

02:16:35Yes, yes, yes, offending me with your actions.

02:16:37Father, I can't control my nature.

02:16:39She can't see it.

02:16:41Yes, if you want to.

02:16:43I understand what society dictates to her.

02:16:45I really do.

02:16:47I understand what Don Agustin dictates to her.

02:16:49It's a crime, daughter.

02:16:51You can't change it.

02:16:53You can't change me either.

02:16:55You expect me to do it?

02:16:57Because you have to go down the wrong path.

02:16:59You just lack a little willpower.

02:17:01Willpower?

02:17:03Father, it's not about being honest with yourself.

02:17:05Whether it's harmful to you.

02:17:07More harmful is a life full of lies, isn't it?

02:17:10I'm not hurting anyone.

02:17:12Your father, yes.

02:17:14You're selfish.

02:17:16Father, look at me.

02:17:21This person in front of you is the same as always.

02:17:24The one who was with you when the appendix was operated on.

02:17:27The one who accompanied you to Cáceres to meet your cousin.

02:17:31The one who knitted you a scarf so you wouldn't catch a cold.

02:17:33The one who didn't go to Paris to not leave you alone.

02:17:35And I promise I'll do it again and again.

02:17:37What do you want? For me to thank you?

02:17:39No, for you to realize that nothing has changed.

02:17:41Everything has changed.

02:17:43Look how stupid he is.

02:17:45And he doesn't reason.

02:17:47And you know what?

02:17:48That I'm tired of holding your hand and only receiving bites.

02:17:53You can't put doors in the field or stop the fury of a storm, that's what he says.

02:17:58What does he say? What does he say?

02:18:00That he can't repair what he's done to Ñicos.

02:18:04And where's the willpower I was talking about a moment ago?

02:18:07On top of that, it's impertinent.

02:18:09Well, that's it. I've done everything I can.

02:18:11I'm not going to back down anymore.

02:18:14Then we'll waste more time.

02:18:19Goodbye, father.

02:18:22And this time, forever.

02:18:26Close the door and leave.

02:18:48Fina.

02:18:50What do you want?

02:18:52To know how you are.

02:18:54You've talked to your father, haven't you?

02:18:59I just made the last attempt to fix things with him.

02:19:02Because he doesn't accept me as I am.

02:19:05So value him.

02:19:07You don't know how I feel.

02:19:10But I'm sure you'll soon make things right.

02:19:13Your father and you love each other madly.

02:19:19Do you know what...

02:19:22what I would have needed from you?

02:19:26What?

02:19:29That you hug me tight.

02:19:31There's nothing I want more in the world.

02:19:35People coming and going, and my husband in the factory.

02:19:38Your husband. Of course.

02:19:40Your husband.

02:19:42Yes, my husband.

02:19:45I know what you're thinking.

02:19:49But I'm asking you to be patient.

02:19:51It'll only be a few days until the ship returns.

02:19:54I feel so ridiculous, Marta.

02:20:07Ridiculous because of what, love?

02:20:09And you're still asking me.

02:20:12Because I have to pretend that I don't care that he's back.

02:20:15That he holds your hand, that he caresses you, that he kisses you.

02:20:19That he seeks intimacy.

02:20:21That's not...

02:20:23I swear that hasn't happened.

02:20:25But it will happen, Marta.

02:20:27Well, I'll keep flirting with him.

02:20:29Then he'll wonder what's happening to you.

02:20:31He already does that.

02:20:33But I'll give him another excuse.

02:20:35Excuses end.

02:20:37He's your husband, Marta.

02:20:39Whatever happens,

02:20:42I love that woman.

02:20:44And it's with him that you'll spend the night.

02:20:46Do you think it's easy for me?

02:20:49That I like him or that I don't care?

02:20:52I'm the one who's going to be with him,

02:20:55holding on to something I wish wouldn't happen.

02:20:57Then do something, Marta.

02:21:00Forgive me.

02:21:03Forgive me, Marta.

02:21:05I'm behaving like a capricious girl.

02:21:07I don't have the right to...

02:21:10to stop you in something you can't.

02:21:12I don't have your red, Fina.

02:21:13I feel the looks, I have a position.

02:21:15And a scandal like that in my family,

02:21:17with everything that would mean...

02:21:19Of course.

02:21:22Look at me.

02:21:25Look at me.

02:21:29You're the love of my life.

02:21:32And there's nothing I want more in this world

02:21:34than to be with you.

02:21:37I just ask you to hold on a little longer.

02:21:40But I need you now, Marta.

02:21:42I know.

02:21:45And I need you to be strong.

02:21:48Soon we'll be together,

02:21:50you and me,

02:21:52without anyone else.

02:22:10What are you doing?

02:22:12Checking out the new merchandise.

02:22:14I've just robbed your father's library.

02:22:19Which one do you think I'll like more?

02:22:25Morel's invention.

02:22:27It's the best.

02:22:29It's the best.

02:22:31It's the best.

02:22:33It's the best.

02:22:35It's the best.

02:22:37It's the best.

02:22:39It's the best.

02:22:41Will you marry me before Flaubert?

02:22:43They're both great, but...

02:22:45Madame Bovary...

02:22:47She's very romantic.

02:22:49She'll make you sad.

02:22:52You know me so well.

02:22:54Well, we've been together for many years.

02:22:56One doesn't change that much in a few months.

02:22:58Well, I don't know if I agree with that.

02:23:00You've changed a lot.

02:23:02Yes, you've already told me that.

02:23:04It's true, you're...

02:23:06You're more and more beautiful every day.

02:23:07You're the one who looks at me with good eyes.

02:23:10That too.

02:23:12Although I'm not the only one who's in love with you.

02:23:15What?

02:23:17Your father adores you.

02:23:19They're all compliments for the...

02:23:22businesswoman, entrepreneur, and self-confident she has become.

02:23:27It's easy.

02:23:29With him by your side, you have to learn fast.

02:23:31Well, don't take away your merits.

02:23:33I know that the Queen's Essences campaign was a success thanks to you.

02:23:37All I did was not spoil the magic that my cousin created with that perfume.

02:23:41No, no, no, no, no.

02:23:43That's alchemy.

02:23:45Yours is magic.

02:23:47Look, you're exaggerating.

02:23:49I've also been told about the wonderful campaign you created with the faces of the company

02:23:53and the magnificent work that photographer...

02:23:56Marcos Carvajal.

02:23:58Carvajal.

02:24:00An artist.

02:24:02Yes, the truth is that everything was filmed.

02:24:04Don't lie to me.

02:24:05The people like Jesus had certain reservations about the campaign

02:24:08and in the end you came up with yours.

02:24:10Yes.

02:24:12As entrepreneurial as always.

02:24:15And to think that now you could be the gem of pastry.

02:24:19What do you mean?

02:24:21Don't you remember your plans to set up a pastry shop in Nice?

02:24:24I hadn't thought about it for a long time.

02:24:27What times, huh?

02:24:29Yes, far away, but not so bad.

02:24:32No.

02:24:33Although, the truth is, I can't imagine you surrounded by croissants

02:24:37and tarte tatin, waiting for my boat to arrive in Puerto, like Penelope.

02:24:41I guess you were expecting something more from me.

02:24:44No, no, no. I always knew how you were.

02:24:47And I've always been clear that the future I offered you was much narrower

02:24:51than the one you've created here with your family and your company.

02:24:56But hey, those were good times.

02:24:59Yes.

02:25:00And what about the couple?

02:25:02What, enjoying the day?

02:25:04Yes, yes, yes. The truth is that I don't see the time.

02:25:07Why don't you take advantage of it and go to Madrid this afternoon?

02:25:10The two of you together, alone. It would be a splendid day.

02:25:14I can't think of a better plan.

02:25:16You could go to the theater.

02:25:18They say that Aurora Bautista is proud of Enrique for a woman.

02:25:21Well, that would be great, wouldn't it?

02:25:23And we could have dinner at the Palace of Tares. Do you like it a lot?

02:25:26But we'd be back very late at night.

02:25:28You can't stay in the new apartment.

02:25:31That's what it's for, isn't it?

02:25:33What apartment?

02:25:35He rented an apartment not long ago in Madrid.

02:25:37There wasn't a week that he didn't spend two days there for work.

02:25:40Well, that would be perfect if we don't have to drive at night.

02:25:43Well, we'll talk about it later. I have business at the factory.

02:25:46And we're going there.

02:25:48Padre is coming with me.

02:25:58Good morning, Mrs. Guzmán.

02:26:00How can I help you?

02:26:02Excuse me, Mrs. Marta.

02:26:04It's a pleasure to see you, Pilar.

02:26:08Tell me.

02:26:10Look, we have a doubt in the warehouse.

02:26:12We don't know if Alicante's order is for today or if we have to prepare it for tomorrow.

02:26:15Did you check it?

02:26:17No.

02:26:19I don't think so.

02:26:21I don't think so.

02:26:23I don't think so.

02:26:25I don't think so.

02:26:26I don't think so.

02:26:32Alicante.

02:26:34Yes.

02:26:36They are products for a first communion.

02:26:38They should be there tomorrow for tomorrow.

02:26:40So it's better to have them ready this afternoon.

02:26:42Well, I'll let you know in the warehouse right now.

02:26:44Thank you very much, Mrs. Marta.

02:26:46Look, come with me.

02:26:48Look, we have this baby water.

02:26:50But we also have the talcum powder that mothers and children like a lot.

02:26:53And if you need anything else, I'm here and I'll help you right away.

02:27:04Is something wrong with Mrs. Guzmán?

02:27:06No, no, no.

02:27:08On the contrary.

02:27:10It's pure admiration.

02:27:12Admiration?

02:27:14Yes.

02:27:16I wonder where she will get the courage and strength to take care of that baby alone.

02:27:20Don't think that precisely for her it has been a road of roses.

02:27:24Really?

02:27:26Mrs. Guzmán and I coincided a lot in the social club.

02:27:29And since she had the little one, she hasn't been there.

02:27:32Well, I imagine that the first few months were the most difficult.

02:27:36Well, in her case it has been discomfort for a long time.

02:27:39Really?

02:27:42Let's see, Pilar has always been a very capable woman and with a very intelligent sense of humor.

02:27:47But since she had the little one, something has gone wrong with her.

02:27:52She entered a depression from which she is now just coming out.

02:27:56And if I tell you this, it's not for real gossip, you already know me.

02:27:59But it seems to me that women talk little about these things.

02:28:03And I assure you that it is not the first case I hear.

02:28:05Yes, yes, well ...

02:28:07How strange, with how much she is seen.

02:28:10Now yes.

02:28:12But she has had the support of her husband and an assistant, day and night.

02:28:14Otherwise, we don't know how long it would have taken her to get out of that melancholy.

02:28:18I wonder how the mothers who take care of their children will do.

02:28:22With a lot of effort, I imagine.

02:28:24I myself have wanted to have children.

02:28:27But well, with my husband so far away, me working all day, in the end ...

02:28:32I suppose that life is a little different from what we imagined when we got married.

02:28:37Yes.

02:28:39It is clear that to take care of a child alone you have to be very strong.

02:28:42And above all, have a lot of support.

02:28:45Someone to help you get that life ahead.

02:28:48Having children is a matter of two.

02:28:57Has the messenger arrived?

02:28:59Well, if you receive your customers like that, I'm leaving right now, where I came in.

02:29:04I guess he's not coming for glycerin soaps.

02:29:07Well, look, yes.

02:29:08Give me a couple.

02:29:10I'll take them to the big house.

02:29:12And I also want you to tell me at once what is happening to you.

02:29:17I already knew it.

02:29:19Well, look, Digna, the same thing happens to us as yesterday and the same thing as before yesterday.

02:29:23And I'm exhausted already.

02:29:25Daughter, but you told me you were going to fix it soon.

02:29:28I don't see the fix anywhere.

02:29:31Fina, your father needs you more than ever.

02:29:34Your father needs you more than ever.

02:29:37You can't be angry for another day.

02:29:40It's too late. We have broken our relationship.

02:29:43Well, it's over, huh?

02:29:45You don't bother me anymore, neither of you.

02:29:48Your father needs you and period.

02:29:50Do you know what he did to me today?

02:29:53I had to be in the consultation with him right now.

02:29:56Well, he arrived this morning and told me that he had already been there because they had postponed the appointment.

02:30:00Lie, of course.

02:30:02How do you know?

02:30:04I went to the consultation and they told me that your father had not gone there at any time.

02:30:08I can't believe it.

02:30:10I can't believe what's happening to you either.

02:30:13Daughter, for God's sake, don't drop your soul on the floor seeing your father like that.

02:30:17And what do I do?

02:30:19What do I do, Digna?

02:30:21If every time I approach him, he despises me.

02:30:23That hurts me too, you know?

02:30:25You don't have to stop being proud of anything.

02:30:27It's not pride, Digna, it's not pride.

02:30:29It's impotence.

02:30:31My father doesn't want to know anything about me.

02:30:33What do I do?

02:30:35How can I avoid it?

02:30:37Daughter, I'm going to get in where they don't call me.

02:30:42But I have to ask you.

02:30:46How much does that relationship bring you?

02:30:49The one you have with the married man.

02:30:55Digna, please, forget about the reasons.

02:30:58Forget it, if in the end this is something that concerns me and my father, that's it.

02:31:02What do you mean?

02:31:04We also care about the people we love.

02:31:06I care.

02:31:08Well, I'm really sorry.

02:31:10But I've already done everything I can.

02:31:12I can't do anything else.

02:31:14It's so hard and so sad.

02:31:16Well, I don't understand it.

02:31:18I don't understand it.

02:31:20It escapes me.

02:31:22Daughter, I will always take care of your father.

02:31:24That's why you don't have to worry.

02:31:26But only if he lets himself be taken care of.

02:31:33Is that all?

02:31:35Goodbye.

02:31:37Goodbye.

02:31:41Let me try that again.

02:31:43Okay.

02:31:45What?

02:31:47What do you say?

02:31:50This is sweeter.

02:31:52Sweeter?

02:31:54Try it.

02:31:56Sweeter? I don't think so.

02:31:58No, maybe more aromatic.

02:31:59It doesn't matter which one you choose.

02:32:01One is for you, the other is for your father.

02:32:03And with so many letters, we won't leave a single drop for the poor man.

02:32:05With the dry one.

02:32:07It's clear, I don't know why I'm asking.

02:32:10Only you would think of giving a bottle of cognac to your wife.

02:32:14And what did you expect?

02:32:16That she would bring you a lavender soap from Marseille?

02:32:18No.

02:32:20Hey, I remind you that when we were on the boat, you gave her a few drinks.

02:32:24Because we died of cold in those cabins.

02:32:27Yes, of course.

02:32:29Day by day.

02:32:31To forget me.

02:32:33Those days were much more bearable with you there.

02:32:35It was cognac nights.

02:32:37And human warmth.

02:32:41Are you really going to give my father an open bottle?

02:32:44Yes, I don't know.

02:32:46Is it bad or what?

02:32:48I had planned to fill this with a little water and that's it.

02:32:51Like when we emptied Captain Asensio's bottle.

02:32:54Remember?

02:32:56Do it, please.

02:32:57He deserved it for being stingy.

02:32:59For being stingy with the crew.

02:33:01Are those men still active?

02:33:03No, no, no.

02:33:05I think he retired two or three years ago.

02:33:08Can you believe that I miss him?

02:33:10It's normal, you spent many years together.

02:33:14But the one I miss the most, really,

02:33:17is the woman I left on the ground.

02:33:20I couldn't care less.

02:33:24Marta, thank you for this time.

02:33:27You made me remember what it was like to laugh together

02:33:30and have a good time.

02:33:34I don't know if it's appropriate to tell you this now,

02:33:38but when you welcomed me with such coldness,

02:33:41I dreamed of finding a moment when you were

02:33:44minimally relaxed.

02:33:48You caught me off guard.

02:33:50And you know I don't like surprises.

02:33:52I see.

02:33:53I shouldn't have come to your husband

02:33:55after so many months of absence.

02:34:00I'm sorry you felt that way.

02:34:04The last thing I want

02:34:06is to hurt you.

02:34:08I know, I know.

02:34:10You've shown it to me with your complicity tonight.

02:34:15But understand me,

02:34:17I'm going to be here for a few days

02:34:20and I'd like to share with you

02:34:21something more than a glass of cognac.

02:34:26I see.

02:34:49Are you okay?

02:34:52Yes.

02:35:00Let's go upstairs.

Marta y Fina (Mafin) Parte 16-30

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