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00:00Hi, Assalamualaikum. We meet again on a new week for Borak Celebrity with me, Faliq.
00:19My name is Dina Nazir. I want to see if the numbers come out because I've lost track of how many episodes we've done.
00:25I'm okay. This is an episode that we've done a lot.
00:33Okay, today I'm very happy because this time we're going to be together with an icon that I've known since I was a kid.
00:44I've known him since I was a teenager. He's one of the people that I consider a genius.
00:49He's very humble, very supportive, and very loving.
00:53That's right. And we need to thank him because if we say his name out loud, you'll probably get tongue-tied.
01:00That's why he uses a short name. So that people will remember.
01:04I also try to memorize his name. His name is so long.
01:08Let's continue. We're here with Dato' Aci.
01:11Waalaikumsalam.
01:12Waalaikumsalam.
01:13But it's true, Tok An. If you say his name out loud, you'll probably get tongue-tied.
01:20My brother-in-law, when I was about to get married, he had to give up his marriage to Sheila.
01:25Oh, he had to get married.
01:26He was so stressed.
01:31That's a lot of R's.
01:33You have to ask my mother why she gave him that name.
01:36I've never been asked that. How did you get that name?
01:40I've been asked before. It has a meaning, actually.
01:43The closest is Hashriq. I don't know if it's Hashriq.
01:47It has a meaning, but I've forgotten.
01:49But the correct pronunciation is Hashriq Murshim bin Hasim.
01:54Try to say it out loud.
01:55It's okay, Tok. I'm afraid I'll get tongue-tied.
01:58I'm afraid I'll get tongue-tied even if I say it out loud.
02:00We call him Aciz.
02:03But what does Aciz mean, Tok?
02:06Aciz is because of this problem.
02:08Oh, you want to get tongue-tied.
02:10So, all my brothers can't say my name.
02:13So, they call me Aciz. Hashriq.
02:15Aciz.
02:16It's just a name, right?
02:17It's just a name. I've known him since I was a kid.
02:19I understand.
02:20Is it hard to pronounce other brothers' names?
02:22They're all H's.
02:24Haidi, Hashnal, Hashnol, Hashriq, Hashidi.
02:30It looks like it's hard for him, too.
02:32Yes, he's a little breathless.
02:34Because of the letters R and D.
02:37It's okay, Tok.
02:38We don't have to try.
02:40We're grateful. His name is Dato' Aciz.
02:42And Dato', if you remember,
02:45when did you start in the music industry?
02:49Did you really want to be a professional?
02:52I was really professional when I was waiting for SPM.
02:56You were waiting for SPM?
02:57I was waiting for SPM.
02:58Does that mean you knew Gresang?
03:00Or before that, people said you were serious?
03:03At that time, I was just playing.
03:05I started playing when I was 8 years old.
03:10Okay.
03:11I took a formal lesson because I was forced to.
03:14Why?
03:15Because my mother got a bonus.
03:20So, she didn't know what to do.
03:21She bought a piano.
03:23That's a lot of money.
03:25If you bought a guitar, you'd have to pay a lot more.
03:28So, she didn't know what to do.
03:29She wanted to buy a piano.
03:30So, she forced everyone to take lessons.
03:34Now, you have a piano.
03:36Who else would want to play?
03:37Wait a minute.
03:38Does that mean you're a musician?
03:40No.
03:41My parents are police officers.
03:43Oh, you're a police officer?
03:44Yes.
03:45Oh, you're a police officer?
03:46Yes.
03:47So, how did you become a pianist?
03:50I don't know.
03:51But my family...
03:56What do you call it?
03:59We're musically inclined.
04:01My father was in a radio station.
04:08He was a singer.
04:11Yes, he was a singer.
04:12But he never gave us anything.
04:15So, my mother got a bonus.
04:18So, she wanted to buy a piano.
04:20She said she was interested.
04:22But she never held a piano.
04:25But other children had to play.
04:27Who else would want to play?
04:28So, my father had to go.
04:30He had to go.
04:31He had to go.
04:32Your mother told you to go.
04:33Correct.
04:34But during that time,
04:35did your interest grow slowly?
04:37But at that time,
04:40it looked like everyone else was not interested.
04:43Because it's like...
04:45You have to learn it properly.
04:47I was the one who was interested.
04:50I was the only one who was interested.
04:51So, at that time,
04:53my mother asked the piano teacher...
04:56When can my son take a grading?
05:00Take a grading means to take a test, right?
05:03Yes, take a test.
05:04Grade 1, grade 2, grade 3.
05:05It was in the first week.
05:07So, I told my mother...
05:11It's been a long time since I took a grading.
05:13But the week after that,
05:16she called my mother and said,
05:19Your son...
05:22I think he can catch up quickly.
05:26At that time, I heard my neighbor...
05:29My neighbor played the piano.
05:31Oh my God.
05:32At that time, I think he was 18 or 19 years old.
05:36He was a blues, jazz pianist.
05:40So, every afternoon, I heard him play.
05:43I just heard it.
05:44The piano is strong.
05:45Just explain it.
05:46So, I heard it.
05:47I was interested.
05:49How can he play like this?
05:51So, I tried it at home.
05:53The piano was already there.
05:55But I was embarrassed to ask him.
05:57Because I was 8 years old at that time.
05:58He was 18 years old.
06:00He was playing rock and roll.
06:02Suddenly, he wanted to play with a kid.
06:04So, that's why I was interested.
06:08So, after school, you went straight to the profession.
06:12After school, yes.
06:13At that time, I was determined.
06:15I was determined.
06:16After school, I got an SPM.
06:19I wanted to go to Berklee.
06:20Okay.
06:21I knew that I wanted to do this...
06:23...since I was 10 years old.
06:24Yes, he was interested in studying at the age of 8.
06:26He knew that he was interested at the age of 10.
06:28He knew that it was a music university.
06:31Yes.
06:32So, I wanted to go.
06:34But at that time, I had a friend.
06:36We played soccer in the evening.
06:38I lived in Damansara Heights.
06:40Okay.
06:41The kids were excited.
06:42At that time, the first album was released.
06:44The first album.
06:45Yes, the first album.
06:46So, they lived in Srihatamas.
06:47Okay.
06:48But, we were from Damansara Heights.
06:50We lived in Merimpat.
06:51We didn't have a padang.
06:54So, we had to go somewhere else.
06:55Yes.
06:56We had to go here and there.
06:58We saw a park in Srihatamas.
07:00So, we went in.
07:01Okay.
07:02So, we played.
07:03Suddenly, I met them.
07:04I met Mambai.
07:05Okay.
07:06I met Kid.
07:08I didn't play soccer.
07:11So, I met them.
07:12We talked.
07:13We got to know each other.
07:15Then, they got to know.
07:16At that time, they just came out.
07:18They didn't have a keyboard player.
07:19Okay.
07:20So, they got to know that I played the keyboard.
07:22Okay.
07:24So, they asked me to audition.
07:25Okay.
07:26But, wait a minute.
07:27Did you know that they were all from Keresang?
07:29Did you know Mambai?
07:30I knew that they were a band.
07:31Okay.
07:32That's what they said.
07:33Musicians meet at the soccer field, right?
07:35Yes.
07:36How can a musician meet someone
07:39who doesn't play soccer?
07:40We've heard this story before.
07:41They meet at the club.
07:42At the studio.
07:43At the soccer field.
07:44At the soccer field.
07:45It's my hobby.
07:46I play soccer in the evening.
07:47In the evening, if you don't play soccer,
07:49it's like...
07:50If you don't play, it's like...
07:51It's painful.
07:52It's painful at night.
07:53You can get a fever.
07:54It's painful.
07:55Yes.
07:56It's true, Dina.
07:57Yes, you can get a fever.
07:58I don't play in the park.
07:59In the evening, I play soccer.
08:00I'm like Dato' too.
08:02It's painful at night.
08:03It's true.
08:04I want to sleep.
08:05I'm not tired.
08:06It's like thinking.
08:07Because the kids play soccer at my house,
08:09at JB,
08:10right next to the soccer field.
08:11Because the kids play soccer in the evening,
08:12I don't go to the tree.
08:13Why?
08:14Why?
08:15Because I'm distracted.
08:17Oh, she tried, Dina.
08:18She tried, Dina.
08:19No, I tried.
08:20Don't be a kid, Dina.
08:24Oh, I see.
08:25Oh, I see.
08:26That's true.
08:27That's true.
08:28That's true.
08:29That's true.
08:30That's true.
08:31That's true.
08:32That's true.
08:33That's true.
08:34That's true.
08:35That's true.
08:36Okay.
08:37So, they said,
08:38okay, go to the audition.
08:40We auditioned at...
08:44If I'm not mistaken,
08:45the studio was called
08:47Sound Dimension in Kapung Baru.
08:49Okay.
08:50It's not there anymore.
08:51It's gone.
08:52So, we auditioned.
08:55They didn't give me an album.
08:58I didn't even know what they were playing.
09:00Rock, I said.
09:01Rock because of the long hair.
09:04David Sir rarely talks like that.
09:06So, I auditioned for a band for the first time.
09:11I said, what song should I play?
09:13So, I knew a pop song.
09:15Then, a R&B song.
09:16Okay.
09:17So, I said,
09:18okay, play whatever song you know.
09:21I said, okay.
09:22I'll play a James Ingram song.
09:24Oh, I see.
09:25An old school song.
09:27It's really far from Gersang.
09:29So, they looked at me like,
09:31what's wrong with this guy?
09:32He wants to be funny.
09:33He's in a rock band.
09:35He's in a rock band.
09:36That's why he auditioned for R&B,
09:37pop songs.
09:38That's right.
09:39Ji Wang.
09:40I said, what should I do?
09:41So, I said, okay.
09:43After the audition, I thought I failed.
09:45Okay.
09:46So, I said,
09:47I don't belong to this band.
09:48Ji Wang.
09:50It's a different channel.
09:52So, after that,
09:54in a week or something like that,
09:58they called me back.
10:00Okay.
10:01I said, we want to go to Singapore.
10:02Okay.
10:03Let's go.
10:04Did you get it?
10:05Yes, I got it.
10:06I said, did you get it?
10:07He said, okay.
10:08I was waiting for the results.
10:09I didn't do anything for three months.
10:11He said, okay.
10:13So, I went to Singapore.
10:14So, my first gig with Gersang
10:16was in Singapore.
10:17We played for the radio.
10:19Over there.
10:21We played with left-handed.
10:23Wow.
10:24Babe, he dropped first
10:26with Gersang in Singapore
10:28with left-handed.
10:29Yes.
10:30One-time.
10:31Great, but not great.
10:33Do you remember
10:34how you felt during the show?
10:36This is your first time performing
10:38as a professional.
10:40I was nervous.
10:42What can I offer to this band?
10:44So,
10:46I got to meet
10:47Man Kidal.
10:48Oh.
10:49Live.
10:50I was like,
10:51this is all a legend.
10:52I can just...
10:54We followed from...
10:55Not follow.
10:56I always heard
10:57my classmates
10:58playing their songs
11:00in Form 4 or Form 5.
11:02Then, I met them in real life.
11:04I was like, wow.
11:05This is amazing.
11:06It's a smash.
11:08This is original.
11:09Mandayak.
11:10Yes.
11:11I was like, wow.
11:12And then,
11:13of course,
11:14we played as usual.
11:15Summertime was good
11:16and all that.
11:18So, after that,
11:19three years became...
11:20Three months became
11:21four years.
11:24Infected.
11:25Yes.
11:26It's contagious.
11:27It's contagious.
11:28But, was there a time
11:29when you were nervous
11:30and pressed the wrong chord?
11:32No.
11:33No?
11:34Everything was fine?
11:35You said
11:36these questions are weird.
11:37No.
11:38Because it's my first time.
11:39It's normal.
11:40I was nervous.
11:41When I was on stage,
11:42from the beginning to now,
11:43I was nervous.
11:44Which is a good thing.
11:46It means I'm alert.
11:48Nervous is always good.
11:49But, after I pressed
11:51a couple of bars,
11:52I'm okay.
11:53I'm okay.
11:54He had to start first.
11:55He had to start first.
11:56He had to start first.
11:57If I'm too relaxed,
11:58I'll say something's wrong.
12:00But, if you want to know,
12:01when Adina performed
12:02with Dato' Aciz,
12:03when we said we were nervous,
12:04what's the point of being nervous?
12:07He's our troll.
12:08He said,
12:09what's the point of being nervous?
12:10You've done this so many times.
12:11What's the point of being nervous?
12:12But,
12:13today we know
12:14he's nervous too.
12:17I have to be cool for everybody.
12:19You have to calm down.
12:20I have to calm down.
12:21I have to calm down
12:22for the artists.
12:23I have to calm down
12:24for the musicians.
12:25I have to absorb all the pressure.
12:27They have to perform.
12:28I have to be happy and enjoy.
12:30That's right.
12:31But, for the other instruments,
12:32aside from the piano,
12:33because Dato' can play the piano,
12:34for the guitar,
12:35drum,
12:36can Dato' play too?
12:38I can't play.
12:40I can write for everything.
12:42Because I'm an arranger.
12:44So, I know the range,
12:46what's the best sound
12:48to get for this kind of
12:50particular passage.
12:52So, I can write for everything.
12:54Okay.
12:55You can't play.
12:56You can just order.
12:57Order.
12:58Just order.
12:59The order is written differently.
13:00The order is written differently.
13:02That means it's specific.
13:04That's right.
13:05In Mamak's shop,
13:06the order is specific.
13:08But, Dato'
13:09has told me
13:10there's a story
13:11behind the song
13:12Kau Ilhamku.
13:14Dato' told me about the song.
13:15He recorded it once.
13:16Dato' can do anything
13:17with the song.
13:18Oh, really?
13:20That means
13:21it's perfect.
13:22He recorded it once
13:23with the guitar.
13:25But, he can't do anything
13:26with the song.
13:27He can't do anything
13:28because the guitar
13:29is out of tune.
13:34The guitar is out of tune.
13:35So, the guitar is out of tune.
13:37So, they wrote it down
13:38for the strings and everything.
13:39For Kau Ilhamku.
13:40Yes.
13:41It's out of tune.
13:43Because it can't go in.
13:45The strings can't go in
13:46because it's out of tune.
13:48That's why the guitar
13:49is out of tune.
13:51It's that simple.
13:53Yes.
13:58That one,
13:59I don't know.
14:00You have to ask Manbai.
14:02It's okay, Tok.
14:03I'll ask him.
14:04He's my neighbor.
14:05Oh, really?
14:06Okay.
14:08Really?
14:09We want to try
14:10and support the arrangement.
14:11But, we can't.
14:12We can't.
14:13Because it's out of tune.
14:14I thought
14:15they made it
14:16for no reason.
14:17Because,
14:18Kau Ilhamku is easy.
14:20It's easy.
14:21It's not easy.
14:22It's like,
14:23this is the story.
14:25The song
14:26was supposed to be
14:27a duet.
14:28Oh.
14:29Okay.
14:30A duet.
14:31The song was for Sheila.
14:32Okay.
14:33With?
14:34With Julie Sudero.
14:35If I'm not mistaken.
14:36Oh.
14:37A girl-girl duet.
14:38A girl-girl duet.
14:39Oh.
14:40But,
14:41they recorded it
14:42and then,
14:43it didn't go in
14:44or out of tune.
14:45So, I gave it to Manbai.
14:47And then,
14:48it's magic.
14:49It's Manbai's blessing.
14:50Even though
14:51the guitar isn't in tune,
14:52the song is still
14:53magic until now.
14:54It's relevant.
14:55Yes.
14:56No.
14:57When I made it,
14:58if the guitar isn't in tune,
14:59I didn't want to change it
15:00at that time.
15:01Or,
15:02this is the best.
15:03I wasn't there.
15:04Yes.
15:05I wasn't there.
15:06I heard this story.
15:07I wasn't there at that time.
15:08But,
15:09they told me.
15:10Oh, really?
15:11Oh.
15:12It's like that too.
15:13Because,
15:14the first thing you do,
15:15especially if it's a guitar,
15:16is tuning.
15:17Yes, that's right.
15:18Music is tuning.
15:19You want to play with everyone, right?
15:20Yes.
15:21That's why there's no bass.
15:22There's nothing.
15:23There's nothing.
15:24It's just a guitar.
15:25Yes.
15:26It's like sitting at the edge of the village.
15:27At the end of the village.
15:28That's right.
15:29But, you can imagine, right?
15:30Because,
15:31the song is from the movie,
15:32Layalara.
15:331992 or 1994.
15:34Something like that.
15:35You can imagine the story
15:36with a relaxed feeling.
15:37It's relevant.
15:38Yes.
15:39It's relevant.
15:40Yes.
15:41That's the song
15:42that people learn
15:43when they play guitar for the first time.
15:44That's the song.
15:45Okay.
15:46So,
15:47from the point of view,
15:48you're an arranger.
15:49Arranger, producer.
15:50Music director.
15:51That's what he asked earlier.
15:52So,
15:53from the line-up,
15:54do you always choose
15:55for a concert,
15:56for example,
15:57a concert,
15:58or a TV show?
15:59Do you choose everything yourself?
16:00Do you play guitar?
16:01Do you play bass?
16:02Do you play drums?
16:03Or,
16:04are you prepared?
16:05No.
16:06I follow the availability.
16:07Because,
16:08I have
16:09a list.
16:10A list of songs.
16:11A list of songs, right?
16:12A list of songs.
16:13A list of musicians.
16:14A list of musicians.
16:15My A list is
16:16this.
16:17Then,
16:18I go through
16:19who's available.
16:20Who's available,
16:21basically.
16:22Because,
16:23our pool is small.
16:24That's right.
16:25The good ones are small.
16:26The artists.
16:27Right?
16:28So,
16:29after
16:30I didn't get
16:31the top five,
16:32then I have to go to
16:33the B ones.
16:34Not to say
16:35the B ones are not good,
16:36but they are young.
16:37I understand.
16:38Experience.
16:39The A ones are
16:40like
16:41Arwah Aji,
16:42Arwah Kelly,
16:43all of them.
16:44Those are my first
16:45call musicians.
16:46Right?
16:47The one on the right.
16:48The one on the right,
16:49in front and behind.
16:50But,
16:51they are
16:52known as
16:53great musicians.
16:55Everyone calls them
16:57like Arwah Kelly.
16:58That's the national basis.
17:00Everyone calls them that.
17:01That's right.
17:02That's the national basis.
17:03That's right.
17:04Everyone calls them that.
17:05But,
17:06from
17:07a person
17:08who joined
17:09Gresang at the last minute,
17:10to a producer,
17:12an arranger,
17:13how did the transition
17:14happen?
17:15Who was the first artist
17:16that you arranged?
17:17If you can remember.
17:18Or produced.
17:20I can't remember.
17:22I'm getting mad.
17:24First, first, first.
17:25That's why I said
17:26favorite.
17:27That's right.
17:28I'm afraid to ask.
17:30If you can remember.
17:31The first one that I
17:33produced,
17:34not produced,
17:35I arranged,
17:36I think
17:37there was an artist
17:38named Dan.
17:39D-E-N.
17:40Okay.
17:41I don't know.
17:42I mean,
17:43he was from Sabah,
17:44Sarawak.
17:45Okay.
17:46He was an arranger.
17:47When I first came back
17:48from
17:49Berklee.
17:50Berklee.
17:51Oh.
17:52Dan.
17:53He was a friend of Camelia.
17:54Oh, I understand.
17:55In Borneo.
17:56In Borneo.
17:57In Borneo, yes.
17:58Oh.
17:59But, before that,
18:00he made arrangements
18:01for
18:02RTM,
18:03and all that.
18:04That was when
18:06in Gresang,
18:07I already did it.
18:08Okay.
18:09But, officially,
18:10when I came back
18:11from Berklee,
18:12this artist,
18:13Dan.
18:14Okay.
18:15If it's produced?
18:16If it's produced,
18:17oh my God.
18:19Just now,
18:20just now,
18:21when I entered,
18:22what?
18:23At the guardhouse,
18:24to get a pass, right?
18:25He said,
18:26he gave me
18:27his license.
18:28He said,
18:29I can't do this.
18:30I have to give
18:31IC.
18:32Because
18:33it's not in the system anymore.
18:34He said,
18:35every 7 years,
18:36he reset it.
18:37He said,
18:38oh,
18:39I'm from 1997,
18:40I've reset it many times.
18:42I'm old,
18:43I said,
18:44hmm,
18:45that's it.
18:46So, I want to remember.
18:47What was the question?
18:48Produce.
18:49Produce.
18:50Produce.
18:51First artist.
18:52Who do you want to remember
18:53among the first artists?
18:54Among them.
18:55Azmin Mudin.
18:56Azmin Mudin.
18:57Azmin Mudin.
18:58He has,
18:59he has,
19:00what is it?
19:01Album.
19:02Okay.
19:03Azmin Mudin, yeah.
19:04So, we did an album with him.
19:05I co-produced,
19:06I think.
19:07I think I also co-produced
19:08Ning's album.
19:09What?
19:10Kesayuk Bintang.
19:11Kesayuk Bintang.
19:12Dengan Hari.
19:13Oh.
19:14Yeah.
19:15That's one of the first, yeah.
19:16Awal tahun 2000 lah.
19:19Ke 19,
19:2090 something.
19:211996.
19:22Kesayuk Bintang ke 1996, eh?
19:2396, 97 macam tu.
19:25Hmm.
19:26Jangan tanya tahun, Nina.
19:27Ini Dato dah ingat,
19:28ni pun dah bersyukur lah.
19:29Tanya tahun pulang.
19:30Betul.
19:31Hah.
19:32Dah ingat, ni dah bersyukur dah ni tau.
19:33Betul.
19:34Tadi nak keluar pun,
19:35macam-macam,
19:36macam-macam tertinggal.
19:37Handphone lah.
19:39Wallet lah apa semua kan.
19:42Ada tak tu?
19:43Maksudnya,
19:44masa Dato dengan record orang,
19:45produce ke,
19:46buat arrangement ke,
19:47hati-hati ni macam,
19:48cerewet ke,
19:49ataupun,
19:50eh tak nak lah, tak best lah bunyi ni.
19:51Penat tu,
19:52berrapat dengan situasi tu, tu.
19:53Oh.
19:55Selalunya tak ada,
19:56sebab I bagi demo apa semua,
19:58kasih orang suka apa semua.
19:59Okay.
20:02Cerewet tu,
20:03tak adalah juga.
20:05So far,
20:06it has been,
20:08smooth lah kan.
20:09Ya lah.
20:10Sebab,
20:11sebab orang segan sebenarnya dengan I.
20:12Kan, hashtag takut.
20:13Hah, takut.
20:14Hashtag takut.
20:15Dia orang macam ada assumption lah,
20:17I ni,
20:18oh, okay,
20:19nombor satu,
20:20mahal.
20:21Eh, takpe, takpe, takpe.
20:22Takpe, takpe.
20:23Nombor satu, mahal.
20:24Nombor satu,
20:25nombor dua,
20:26apa,
20:27macam garang.
20:28Okay.
20:29Straight.
20:30Muka je garang.
20:31Kan.
20:32I ni pemalu sebenarnya.
20:33Oh.
20:34Very introvert.
20:35Ya.
20:36Dia dah kenal abang,
20:37maksudnya takde lah introvert.
20:38Maksudnya dia gelak,
20:39gelak, gelak, gelak lah.
20:40Gelak, ya.
20:41But, ya,
20:42I'm basically introvert.
20:43Hmm.
20:44Tapi biasanya kalau saya dipanggil,
20:46oleh Dato' Aciz,
20:47ataupun saya tahu show itu,
20:48dengan Dato' Aciz,
20:49saya akan berbunga-bunga nak pergi.
20:50Eh, kenapa pula?
20:52Eh, kita sambil-sambil nak menyanyi,
20:54kita di cuci mata.
20:55Haa.
20:57Kita boleh cakap sebab abang sendiri kan.
20:59Sekarang boleh cuci mata banyak,
21:01sebab tengok daya dia pun,
21:02dia pancar balik kan.
21:03Pukilat tu kan.
21:04Pukilat habis.
21:05Pukilat habis.
21:06Kan.
21:07Apa, ok.
21:08Tapi ada tak macam,
21:09ramai-ramai yang Dato' dah produce,
21:12the one that impress you the most?
21:14Hmm.
21:15Yang langsung masuk studio tu,
21:16takdelah kata macam ada expectation sekali,
21:19bila dia masuk studio tu macam,
21:21wow, luar daripada jangkaan,
21:23and impress you the most lah.
21:25Hmm.
21:27Sorry lah,
21:28I kena bias lah,
21:29my wife.
21:30Hahaha.
21:31Saya tahan.
21:32Tak lah, saya pun nak sebut tadi.
21:33Tak ada.
21:34Ok, bini saya ni, ok, ok.
21:36Hahaha.
21:37I'm not jacking you up, you know,
21:39or whatsoever, ok.
21:40Serius.
21:41Ni, dia consumer professional.
21:44Oh.
21:45Dia kalau datang rehearsal tu,
21:47dia dah tahu lagu macam mana nak nyanyi,
21:49apa semua kan.
21:50Dia dah prepare.
21:51Homework dia buat.
21:52Oh.
21:53Faham.
21:54Kan, so nak cari orang macam tu,
21:55susah.
21:56Betul, betul.
21:57Yang betul-betul,
21:58disiplin lah basically kan,
22:00buat homework kan.
22:01Sebab,
22:02orang selalu lupa,
22:03dia ingat kat show tu,
22:04oh,
22:05you dah apa,
22:06dah kira macam,
22:08oh,
22:09nak kena improvise ke apa,
22:10dekat atas stage tu.
22:11No.
22:12You buat semua tu,
22:13masa dekat studio,
22:14dekat rehearsal.
22:15Haa.
22:16Kan,
22:17bila dekat,
22:18dekat stage tu,
22:19show,
22:20it's show time.
22:21Hmm.
22:22You just,
22:23buat apa yang you dah buat,
22:24dekat,
22:25dekat studio,
22:26you prepare.
22:27Hmm.
22:28You tak ada,
22:29eh bang, kita berlasa je lah,
22:30ada macam tu,
22:31ada.
22:32Kan.
22:33Bang, kita berlasa lah bang.
22:34Eh, mana boleh kan.
22:35Tak boleh.
22:36So, kita kena prepare semua,
22:37apa semua.
22:38My wife.
22:39Hmm.
22:40Dia memang,
22:41memang,
22:42that's why she,
22:43she is where she is.
22:44Yes.
22:45Sebab tu dia dihormati.
22:47Bukan saja di negara kita.
22:48Iya.
22:49Di negara seluruh juga.
22:50Sila majid,
22:51ada birthday dekat ke,
22:52apa bang,
22:53puji-puji.
22:54Haa.
22:55Haa.
22:56Haa.
22:57Saya masih nak tidur,
22:58dalam bilik sekejap.
22:59Haa.
23:00Haa.
23:01Haa.
23:02Haa.
23:03Haa.
23:04Tapi masa,
23:05oke, kita,
23:06kita tengok masa PKP hari itu,
23:07Dina tengok,
23:08macam dekat,
23:09Dato' Syilam Majid punya Instagram,
23:10apa ni Dato' punya Instagram,
23:12aktif juga buat music waktu PKP,
23:14dekat studio rumah.
23:15Macam tu.
23:16Kita ada,
23:17kita ada dungeon kat bawah tu.
23:19Dungeon tu tempat,
23:20dulu tempat lepak,
23:21the kids.
23:22Oke.
23:23Syilam punya family.
23:24Haa.
23:25Sebab dia orang dulu tanya,
23:27you nak swimming pool ke,
23:29you nak tempat lepak?
23:30Haa.
23:31So, dia orang pilih tempat lepak.
23:32Oke.
23:33Kan swimming pool tu,
23:34kejap lagi nanti kan ada katak lah.
23:35Haa.
23:36Bersihkan lagi.
23:37Nak bersihkan,
23:38maintenance tinggi kan.
23:39Haa.
23:40So, tempat tu,
23:41jadi,
23:42sekarang,
23:43semua orang dah tak ada lah,
23:44of course.
23:45So,
23:46the benda tu jadi,
23:47kita punya home office.
23:48Oke.
23:49So,
23:50I ada my set up kat situ,
23:51apa semua.
23:52So,
23:53masa PKP itu,
23:54I rasa macam,
23:55eh,
23:56semua orang terperangkap kat rumah,
23:57tak tahu apa nak buat kan,
23:58apa semua kan.
23:59Kita punya wellbeing,
24:00kalau siapa yang sudi nak dengar.
24:01Hmm.
24:02So, malam-malam,
24:03I start dengan piano je.
24:04Hmm.
24:05Lepas tu,
24:06kadang-kadang ada guest lah kan,
24:07malam-malam,
24:08Sheila cakap,
24:09ah,
24:10you buat dululah.
24:11Dia cakap oke.
24:12Haa.
24:13Macam garang ke?
24:14You buat dululah,
24:15macam garang ke?
24:16You buat dululah guest.
24:17Aku ajak dia buat sekali.
24:18Tadi dia dah angkat.
24:19Haa.
24:20Haa.
24:21Dia,
24:22dia kan macam,
24:23pasang surut kan?
24:24Haa.
24:25Tunggu,
24:26bukan,
24:27bukan kita takut,
24:28bukan takut sayang.
24:29Haa.
24:30Yang ini yang last sekali jawabannya aku.
24:31Haa.
24:32So,
24:33anyways,
24:34dia cakap,
24:35you buat dululah.
24:36Okay,
24:37I buat dulu.
24:38So,
24:39I main 2-3 malam,
24:40lepas tu,
24:41tiba-tiba dia datang,
24:42nyanyi sekali,
24:43apa semua kan?
24:44So,
24:45bila dia datang,
24:46of course,
24:47the viewers come in.
24:48Yes.
24:49Haa.
24:50And then,
24:51and then kita selalu pikir,
24:52cakap you know what,
24:53we need to do something.
24:54Ya.
24:55Because,
24:56you know,
24:57kita dengan alami sekarang ni,
24:58kat luar ni,
24:59macam mana kita nak keluar pun susah.
25:00Ya.
25:01Takut terjangkit,
25:02masa tu kita tak ada vaksin,
25:03tak ada apa-apa kan?
25:04Betul, betul.
25:05Dia kata,
25:06we have to do something juga,
25:07kan?
25:08So,
25:09after that,
25:10then,
25:11dia decide to masuk sekali,
25:12and then,
25:13of course,
25:14dia punya reach lagi banyak,
25:15sebab kat dia main Instagram lah.
25:16Haa.
25:17Saya,
25:18saya main Instagram,
25:19ikut nama betul saya.
25:20Haa.
25:21Ya lah,
25:22betul.
25:23Sebab,
25:24sebab saya tak nak,
25:25kalau,
25:27Betul, betul.
25:28Confirm orang akan tahu.
25:29Yes, orang kenal.
25:30Ni orang tak tahu.
25:31Betul.
25:32Siapa yang tahu, tahu.
25:33Betul.
25:34Masa nak tag Dato' tu macam,
25:35kejap, macam mana agen nama dia lagi?
25:36Haa, ya.
25:37Macam mana agen nama dia lagi?
25:38Apa caranya?
25:39Haa.
25:40So,
25:41kita buat dekat Instagram dia,
25:42so,
25:43ya,
25:44we,
25:45we played for,
25:4639 nights,
25:47straight.
25:48Wow.
25:49Okay,
25:50macam free concert lah.
25:51Ya.
25:52Satu,
25:53satu benda yang macam,
25:54orang setiap malam,
25:55setiap malam macam,
25:56okay,
25:57buka Instagram Dato' Sheila,
25:58buka Instagram Dato' Sheila.
25:59Ya lah,
26:00senang.
26:01Suami main muzik,
26:02isteri menyanyi.
26:03Ya, betul.
26:04Haa,
26:05orang kata,
26:06tak payah susah-susah,
26:07tak payah pening,
26:08nak check guest,
26:09tak payah,
26:10dah ada lah cukup.
26:11Buat je,
26:12buat je.
26:13Tapi,
26:14masa tu memang ramai,
26:15even Brian McKnight,
26:16kan,
26:17Brian McKnight buat,
26:18nightly,
26:19semua.
26:20Jadi,
26:21seronok lah juga.
26:22Kita dalam masa yang sama,
26:23Dina rasa macam,
26:24keadaan,
26:25dan juga yang tengah,
26:26ya lah,
26:27dahagakan hiburan.
26:28Ya.
26:29So,
26:30Dato' tolong juga.
26:31Itulah,
26:32tu yang macam,
26:33kita orang kadang-kadang,
26:34naik panas juga,
26:35kan,
26:36bila diorang,
26:37diorang anggap kita ni,
26:38as non-essential.
26:39Hmm.
26:40Hai,
26:41non-essential.
26:42Bila kau terperangkap macam tu,
26:43apa kau buat?
26:44Tengok Netflix.
26:45Betul.
26:46Dengar muzik.
26:47Betul.
26:48Kan,
26:49baca buku ni,
26:50semua kreatif.
26:51Betul.
26:52How can you say we are non-essential?
26:53Pertama ditutup,
26:54dan terakhir dibuka.
26:55Correct.
26:56Kita yang paling suffer.
26:58Suffer, suffer, suffer.
26:59Setuju?
27:00Habis,
27:01semua tabung,
27:02semua dah pecah.
27:03Kena start balik.
27:04Betul.
27:05Ya lah.
27:06Dato',
27:07Dato' sendiri melalui,
27:08orang kata,
27:09ya lah,
27:10maknya,
27:11beli piano,
27:12paksa main piano.
27:13Ya.
27:14Macam Dato' sendiri,
27:15buat tak ke anak-anak,
27:16benda tu?
27:17Oh, tak.
27:18Tak ada, ya?
27:19Tak.
27:20Ada yang kearah muzik?
27:21Ada anak saya yang paling,
27:23and then,
27:24saya pun sekarang ni,
27:25dengar banyak lagu-lagu yang dia pilih.
27:28Bukan maksudnya lagu-lagu karya dia,
27:30tapi what she listens to.
27:32K-pop lah?
27:33Eh, bukan.
27:34Tapi K-pop dia pun,
27:35K-pop dia sedapnya K-pop.
27:36Dia bukan yang macam,
27:38ya,
27:39of course dia dengar Blackpink,
27:40semua-semua kan?
27:41Tapi dia dengar,
27:42yang lain-lain.
27:43Yang lain-lain,
27:44cakap,
27:45wish, sedapnya kan?
27:46K-pop ni,
27:47bukannya just the commercial side kan?
27:49Ada yang sedap,
27:50betul?
27:51So, I follow dia punya,
27:53playlist.
27:54So, I'm very current.
27:55Okay.
27:56Disebabkan oleh anak bongsung dia.
27:58So, dia memang,
28:00apa ni,
28:02very,
28:03she's got a very good voice.
28:05Tapi,
28:06I tak nak encourage dia.
28:07I nak dia habiskan dia punya IGCSE ni.
28:10After that,
28:11dia decide lah kan?
28:12Tapi, Dato' bagilah kalau,
28:14tak melarang lah.
28:15Tak melarang.
28:16Macam mak bapak saya juga.
28:17Dia orang tak,
28:18dia orang paksa main piano.
28:19Right?
28:20Tapi,
28:21dia orang cakap,
28:22you nak buat apa-apa dalam hidup you,
28:23you buat.
28:24Tapi, you buat,
28:25you make sure you be the best.
28:28Itu dia orang punya ni.
28:29Faham, faham.
28:30Ya lah, senang lah.
28:31So, buat all the way.
28:32Kan?
28:33Tak ada second,
28:34tak ada shortcut ke apa kan?
28:37Lepas ni,
28:38mungkin ada duet lah kot.
28:39Apa?
28:40Sheila Majid dengan anaknya,
28:41bersama dengan Dato' Aciz,
28:42main music di belakangan.
28:43Huyuh.
28:44Band anak-beranak.
28:45Wow.
28:46Tapi,
28:47macam,
28:48dah pernah buat apa?
28:49Dato' Sheila dengan Kedar,
28:50Kedar dah pernah buat,
28:51buat bersama.
28:52Betul.
28:53Tapi, sebelum kita start shoot tadi,
28:54Dato' ada cakap,
28:55Dato' tak ambil,
28:56no, no,
28:57Dato' tak kacau dengan jurni
28:59anak-anak macam Kedar.
29:00Tak kacau langsung.
29:01Dia ada kebebasan untuk pilih
29:03apa genre dia nak pergi,
29:04direction dia nak pergi.
29:05Correct.
29:06Apa ni,
29:07macam,
29:08macam dia orang pun,
29:09like I said,
29:10saya tak nak kacau dia orang,
29:12and then saya nak dia orang lalui benda ni.
29:14Because,
29:15it's not easy ya.
29:16Iya, betul lah.
29:17Industry ni.
29:18Macam mana senang, babe?
29:20Aku dah tak,
29:21anak Dato' Sheila Majid ni,
29:23expectation orang,
29:24benda tu tinggi.
29:25Sebab nama first kali,
29:26Kedar.
29:27Ini anak Dato' Sheila Majid.
29:28Semua orang akan,
29:30orang akan compare.
29:31Yes.
29:32Ya.
29:33Tapi, she paved her own way lah,
29:34pasal dia buat music yang lain.
29:36Correct.
29:37Dia kalau dia ada problem ke apa ke,
29:39dia ada masalah,
29:40dia nak minta advice,
29:41kita boleh kasih advice.
29:42Tapi, kita tak ada campur langsung.
29:44Kan.
29:45Ya, because we want her,
29:46and Megat also,
29:47dia kan,
29:48Megat pun ada incline tu,
29:49dia buat beat seperti semua kan.
29:50Ya.
29:51Biar dia orang lalu sendiri.
29:52Kan.
29:53Tapi kalau dia minta tolong,
29:54tak ada masalah Dato' eh.
29:55Tak ada masalah.
29:56Pernah je lah,
29:57dia minta advice semua.
29:58Advice seperti semua lah kan,
29:59macam Megat kadang-kadang,
30:00Dad!
30:01Boleh tak Dad main macam ni,
30:02macam ni?
30:03Boleh tak fill in ke apa kan?
30:04Saya, ok boleh.
30:05How much do you want to pay?
30:06Baru dia cakap.
30:07My fee is like this ok,
30:08my fee is like this.
30:09If voice want to send to who?
30:11Mummy, mummy.
30:12Ok lah,
30:13free lah,
30:14free lah.
30:16Abot,
30:17tapi itulah,
30:18Dina rasa macam satu,
30:19cara didikan yang,
30:21Dina hormati sangat.
30:22Sebab kadang-kadang,
30:23bila parent ni,
30:24dia bila anak nak,
30:25macam beri bidang mereka,
30:26dia macam dia tolong,
30:27dia pay the way untuk dorang,
30:29dia sediakan jalan.
30:30Tapi,
30:31cara Dato' Sheila je tak,
30:32you do it on your own.
30:34Sebab you know,
30:35saya dengan Sheila percaya bahwa,
30:37kita kena cari kekuatan anak-anak.
30:41Kita tak boleh paksa benda ni.
30:42Kalau you know,
30:43dia dah memang tak,
30:44academically inclined,
30:46dia kena cari benda lain,
30:48untuk kasih dia minat.
30:49Sebab dia kena,
30:50number one,
30:51dia kena earn a living.
30:52So,
30:53dia kena,
30:54dia kena tahu,
30:55how to have skills,
30:57to earn such a living,
31:00or whatever kan.
31:01So,
31:02apa ni,
31:03apa nak cakap ni?
31:05Sebenarnya,
31:08sebenarnya,
31:09dia kena tahu dia punya,
31:11nak survive,
31:12satu,
31:13kekuatan dia,
31:14kita kena pupuk kekuatan dia.
31:16Kan.
31:17Kalau monyet tu,
31:18you suruh berenang,
31:19mana boleh kan.
31:20Ikan tu teror,
31:21ikan tu teror,
31:22berenang,
31:23kau suruh dia panjat pokok,
31:24mana boleh.
31:25Jadi,
31:26kita kena tahu dia punya strength lah.
31:28Ya.
31:29Yang,
31:30okey lah,
31:31Kedah,
31:32Gad,
31:33yang bongsu tu pun,
31:34karam musik juga.
31:35Yang seorang lagi itu,
31:36Dato'?
31:37Dia memang kreatif,
31:38dia sekarang dekat,
31:39The One Academy.
31:40Dia buat digital animation.
31:42Visual?
31:43Dia visual,
31:44dia memang kreatif sangat.
31:46Memang dahsyat lah,
31:47dia punya animation,
31:48apa semua kan.
31:49Dia daripada kecil,
31:50daripada umur 11-12 tahun,
31:52dia dah buat animation sendiri,
31:54dia draw,
31:55dia buat kartun dia sendiri.
31:57Wow.
31:58Seni lah kan semua.
31:59Seni lah,
32:00very kreatif lah.
32:01Kreatif person lah.
32:02Tapi kalau,
32:03satu keluarga yang kreatif,
32:04kecoh waktu raya.
32:06Kenapa lah?
32:08Kebiasaannya,
32:09sebab bila orang kreatif ni,
32:10orang yang artistik ni,
32:11dia very vocal.
32:12Tapi Dato',
32:13Dato' introvert,
32:14Dato' kata,
32:15Dato' introvert.
32:16Memang kena lah,
32:17saya dengan Sheila kan.
32:19Saya tak payah cakap,
32:20dia yang cakap.
32:22Opposite sidetrack kan.
32:23Tadi,
32:24tadi,
32:25tadi lain.
32:26Banyak,
32:27banyak,
32:28banyak naik turun lah ya.
32:29Dato', Dato' minta maaf,
32:30Dato' dan Sheila.
32:31Aku ujur-ujur tidur luar juga kan.
32:34Okay,
32:35dia antara semua,
32:38musisi,
32:39sebagai seorang producer,
32:40sebagai seorang arranger,
32:41dan sebagai seorang music director
32:43di atas pentas live.
32:45Which one,
32:46yang favourite?
32:48Actually,
32:49I suka perform.
32:50Oh.
32:51I suka perform.
32:52Saya suka kalau orang lain panggil saya,
32:54saya jaga saya punya part je.
32:56Paham.
32:57Kau main keyboard,
32:58okay kau main keyboard je.
32:59Ini kau punya parts,
33:00kau main.
33:01Main.
33:02That's my favourite.
33:03Tapi saya tak dapat,
33:04saya tak dapat jemputan macam itu banyak.
33:07Sebab dia orang takut.
33:09Eh,
33:10macam mana nak panggil Abang Aciz?
33:11Dia kan musical director,
33:12dia producer,
33:13dia arranger,
33:14dia apa semua kan.
33:15Status dia di situ.
33:17Aku nak main aja.
33:19Tak try,
33:20mana tahu.
33:21Saya rasa,
33:22antara banyak-banyak orang,
33:23Shah Slam.
33:25Dia yang seorang yang,
33:26berani.
33:27Bukan berani.
33:28Dia panggil saya.
33:29Kan Shah,
33:30Alhamdulillah Shah,
33:31thank you Shah.
33:32Aku nak main je.
33:33Kan.
33:34So,
33:35saya,
33:36saya suka perform.
33:37Saya suka kat atas stage.
33:38Okay.
33:39Aku suka the energy.
33:41Okay.
33:42I dapat,
33:43I suka the satisfaction,
33:44bila saya main.
33:45Bila saya dapat,
33:46apa,
33:48applause daripada crowd,
33:49apa semua kan.
33:50Aku bagi energy,
33:51dia pun bagi energy.
33:52Aku suka.
33:53Aku suka sangat kat atas stage tu.
33:55Tapi macam itu,
33:56macam mana Dato?
33:57Kalau macam Shah Slam,
33:58Abang Shah panggil tu,
33:59Dato ikut je lah cakap dia.
34:00Dia sebagai MD.
34:01Dato gear-nya,
34:02membayangkan dia Dato,
34:03play as a sessionist lah kan.
34:04Correct.
34:05Tak ada lah,
34:06membayangin memang dia.
34:07Yalah,
34:08maksudnya tak ada.
34:09Shah, tak boleh lah,
34:10macam ini sedap sikit.
34:11Tak ada lah,
34:12ikut je lah.
34:13Tapi,
34:14macam musician saya pun,
34:15saya bagi mereka parts,
34:16saya bagi mereka parts.
34:17Saya nak mereka input.
34:18Ya.
34:19Saya tak nak robot.
34:20Kan.
34:21So,
34:22bila mereka cakap,
34:23Bang,
34:24kalau saya main macam ini,
34:25boleh tak?
34:26Eh,
34:27best.
34:28Best.
34:29Aku suka.
34:30Kan.
34:31So,
34:32macam dengan Shah pun,
34:33saya pun macam itu juga.
34:34Kan.
34:35Macam,
34:36steady.
34:37Berani,
34:38tak cakap.
34:39Kan.
34:40Berani.
34:41So, yang lain-lain ni,
34:42dia orang punya takut nak panggil.
34:43Yalah.
34:44Especially,
34:45the younger ones kan.
34:46So,
34:47tu yang macam,
34:48saya ada buat program,
34:49apa,
34:50The Hardest Singing Show ni.
34:51Yes, yes, yes.
34:52Kakak panggil saya jadi arranger.
34:53Dia buat.
34:54Seronok.
34:55Saya seronok.
34:56Cakap,
34:57oh,
34:58you call me to do this?
34:59Dia kata,
35:00ya,
35:01I want your touch.
35:02Dia kata,
35:03okay.
35:05That's why lah,
35:06masa saya tengok,
35:07Datuk buat,
35:08apa,
35:09konser Ella.
35:10Datuk,
35:11perform,
35:12energy.
35:13Energy,
35:14saya MC dekat Penang,
35:15Spice Arena.
35:16Oh,
35:17okay.
35:18Saya memang duduk,
35:19stage tu 360 tau.
35:20Tapi,
35:21saya duduk kat tempat Datuk,
35:22kat situ,
35:23saya macam nak tengok Datuk punya,
35:24macam,
35:25but,
35:26toilet sekali dah hilang.
35:27Yalah,
35:28stage 360,
35:29dah balik dia pergi.
35:30Pergi sana balik,
35:31eh,
35:32dia pergi sana balik.
35:33So,
35:34you kena perform.
35:35Yes.
35:36Kau orang bayar duit.
35:37Kan?
35:38Takkan nak tengok,
35:39you duduk tegak je.
35:40Kan?
35:41Dia nak kena tengok,
35:42you punya showmanship,
35:43apa semua kan?
35:44You punya contribution,
35:45kan?
35:46Betul,
35:47betul.
35:48So,
35:49dekat atas stage,
35:50you are showman,
35:51you are part of the whole thing.
35:52Bukan seorang je.
35:53Takkan,
35:54you nak depend kat Ella,
35:55nak hiburkan penonton.
35:56Ya,
35:57ya.
35:58That's not fair,
35:59right?
36:00So,
36:01we are part of a band.
36:02Oh,
36:03macam mana nak pergi depan,
36:04nak main belakang,
36:05apa semua kan?
36:06Showmanship dia.
36:07Showmanship,
36:08apa semua kan?
36:09Tu kena ada,
36:10actually,
36:11kan?
36:12Okay,
36:13Datuk Aciz,
36:14dia,
36:15dia sinonim dengan dua artis.
36:16Okay.
36:17Macam mana kerja dengan Ella?
36:18Yang satu tu,
36:19nanti sekejap lagi nak tanya.
36:20Macam mana kerja dengan Ella?
36:21Kerja dengan Ella,
36:22best.
36:23I suka.
36:24Dari segi,
36:25Ella rasa,
36:26yang mana,
36:27yang suka?
36:28Ella ikut je.
36:29Ella okay je.
36:30Dia,
36:31dia suka dia manja,
36:32kan?
36:33Dia manja,
36:34tapi dia tahu apa dia nak.
36:35Okay.
36:36Dia tahu dia nak.
36:37Dia,
36:38dia cakap pada saya,
36:39cakap,
36:40apa salah dia pilih saya jadi musical director?
36:43Sebab,
36:44you know,
36:45for rock,
36:46saya dah lama tak berkecimpung
36:47in that area,
36:48kan?
36:49Tapi,
36:50saya punya basis is rock as well,
36:51kan?
36:52Zaman-zaman dulu.
36:53So,
36:54dia cakap,
36:55saya nak modern-nya sound,
36:56kan?
36:57Saya nak bunyi international,
36:58cakap,
36:59okay,
37:00but,
37:01I bagi dia demo apa semua,
37:02dia suka,
37:03kan?
37:04Dia suka and then,
37:05I,
37:06I tahu,
37:07how to,
37:10color and to,
37:11shape the sound of the concert.
37:14Okay.
37:15Sebab,
37:16saya ada banyak pengalaman in that sense,
37:17kan?
37:18Macam mana,
37:19kepak ini akan,
37:20nak buat,
37:21crowd sing along,
37:22ke apa itu,
37:23macam mana,
37:24kan?
37:25So,
37:26dia panggil saya,
37:27saya pun alhamdulillah,
37:28dia bila nyanyi,
37:29dia pun sama juga,
37:30kalau dekat,
37:33rehearsal pun,
37:34dia go all out.
37:35All out.
37:36Kita orang kena cakap ke dia,
37:37eh,
37:38relax.
37:39Simpan untuk esok.
37:40Simpan.
37:41Sebab suara kan,
37:42dia rock,
37:43kan?
37:44So,
37:45dia give 100%,
37:46itu yang saya cakap,
37:47eh,
37:48tapi relax,
37:49relax.
37:50Simpan untuk show.
37:51Simpan untuk show.
37:52Kadang-kadang,
37:53kita suruh,
37:54kita punya backing vocals,
37:55D,
37:56dia akan nyanyikan untuk Ella.
37:57Relax.
37:58Di rumah,
37:59you nak kena pegang dia.
38:00Nah,
38:01pegang dia,
38:02kan?
38:03Bila show time,
38:04ah,
38:05lepas.
38:06Tapi betul-betul,
38:07show real,
38:08apa,
38:09live itu,
38:10bu,
38:11tak tahu mana datang tenaga dia.
38:12Betul.
38:13Dia usia begitu,
38:14tau kan?
38:15Oh,
38:16mana,
38:17dan saya ini fahamkan juga,
38:18masa Ella buat,
38:19apa orang kata,
38:20konsert jilid akhir,
38:21dekat Penang,
38:22hari itu,
38:23masa rehearsal dia tak ada,
38:24tau kan,
38:25dia tak sihat.
38:26Dia tak sihat.
38:27Besoknya,
38:28Ella buat masa live,
38:29eh,
38:30kenapa Cikgu Deli penat,
38:31dia tak penat.
38:32Masa itu pula,
38:33Cikgu Deli nyanyi,
38:34beri aja.
38:35Yang Ella,
38:36yang Ella,
38:37Cikgu saya juga.
38:38Yang Ella,
38:39biasalah Ella,
38:40kan?
38:41Macam,
38:42mana datang tenaga dia,
38:43kan?
38:44Ya,
38:45ya,
38:46ya.
38:47Power lah,
38:48dia power.
38:49So,
38:50you notice,
38:51you cakap dua,
38:52dua,
38:53dua nama ini kan,
38:54Sheila Majid dan Ella,
38:55kan?
38:56So,
38:57dia kena handle all the situation.
38:58Dia dah biasa handle.
38:59Tiap-tiap malam,
39:00dia kena,
39:01dia kena handle crowd,
39:02dia kena handle,
39:03kelab kan dulu,
39:04orang mabuk lah,
39:05apa semua kan?
39:06Macam mana nak entertain orang mabuk?
39:07Betul,
39:08betul.
39:09Kan?
39:10So,
39:11kalau dia dapat capture,
39:12dia sekejap aja pun dah oke kan?
39:13Oh,
39:14dia,
39:15oh,
39:16best lah,
39:17you know.
39:18You know what I mean?
39:19So,
39:20sama macam Sheila.
39:21They had to play clubs last time.
39:22Yes,
39:23yes,
39:24yes.
39:25So,
39:26dia tahu macam mana nak,
39:27nak capture orang tu,
39:28punya attention.
39:29Okay.
39:30Baru kita pergi yang kedua.
39:31Baru kita pergi yang kedua.
39:32Macam Sheila Majid tu,
39:33kita dah tahulah kan?
39:34Tadi,
39:35Ella kemaren,
39:36Ella best.
39:37Dato' Sheila Majid,
39:38macam mana Dato?
39:39Jawab betul-betul Dato.
39:40Pikir-pikir dulu.
39:41Nanti,
39:42artinya tiga lah,
39:43tiga lah.
39:44Dato' Sheila Majid,
39:45yang kedua.
39:46Okay,
39:47Dato' Sheila Majid dulu.
39:48Ada satu lagi,
39:49satu lagi band,
39:50yang Dato' selalu iringin.
39:51Oke,
39:52tak apa.
39:53Dato' Sheila Majid dulu.
39:54Dia dah tahu,
39:55apa dia nak buat.
39:56Ataupun,
39:57kat rehearsal,
39:58dia akan try,
39:59apa dia nak buat.
40:00Masa show,
40:01eh,
40:02tak ada nak try-try,
40:03ke apa ke?
40:04Dia jalan macam tu je,
40:05dia lock.
40:06Tapi,
40:07dia ada special punya skills,
40:08in interaction.
40:09Ya.
40:10Betul.
40:11Dia memang pandai,
40:12bercelote.
40:13Betul.
40:14Orang nak,
40:15kadang-kadang orang nak dengar,
40:16dia bercakap je.
40:17Ya,
40:18betul.
40:19But,
40:20she's a very funny person.
40:21Ya,
40:22betul.
40:23Ada tak waktu masak-masak tu,
40:24macam,
40:25eh,
40:26nak buat lagu ni macam ni.
40:27Masak tu.
40:29Apa ni,
40:30sampai ke dapur.
40:31Order,
40:32order.
40:34Alah,
40:35Dina ni.
40:36Recipe kat rumah tu,
40:37semua mak,
40:38arwah mak,
40:39mak matur saya punya.
40:40Oke.
40:41And of course,
40:42she will know.
40:43Dia,
40:44dia ada sense of taste.
40:45Oke.
40:46Dia akan tahu,
40:47kalau garam dia tak cukup ke,
40:48ketumbar dia tak cukup ke,
40:49apa ke,
40:50macam mana kan.
40:51Dia,
40:52dia akan tahu benda tu.
40:53Oke.
40:54Tapi,
40:55dia boleh masak.
40:56Dia boleh masak.
40:57Cuma,
40:58apa dia nak masak,
40:59ada maid kan.
41:00Dia delegate je lah.
41:01Sama lah tu,
41:02saya pun,
41:03saya cover lah tu.
41:04Sama,
41:05saya pun sama.
41:06Wife saya,
41:07apa nak masak.
41:08Kedai banyak.
41:09Support local tu.
41:10Aduh.
41:11Ya,
41:12support local.
41:13Mahal tu.
41:14Tiap-tiap malam keluar,
41:15kaya dia ni kan.
41:16Dua-dua,
41:17oke lagi tu.
41:18Lagipun,
41:19wife saya jangan makan malam,
41:20oke lah.
41:22Oh,
41:23betul lah.
41:24Oke.
41:30Betul.
41:31Oke.
41:32Saya kenal dia orang daripada,
41:34daripada dia first album kan.
41:36Ya.
41:37Rafetch,
41:38Raffera.
41:39I rasa,
41:40I am,
41:41dia punya first musical director.
41:42Masa tu,
41:43kita ada series dekat Planet Hollywood.
41:45Dulu ada,
41:46ada restaurant or whatever,
41:48called Planet Hollywood.
41:51Tiap-tiap malam,
41:52kalau you nak tengok good acts,
41:53local acts,
41:54you pergi sana.
41:55Ya.
41:56And kebetulan,
41:57saya memang musical director for that series lah kan.
42:01Jacqueline Victor lah,
42:02Rafetch lah,
42:03VE lah,
42:06Innuendo lah,
42:07Dayang lah,
42:08apa semua kan.
42:09So,
42:10siapa yang kat sana,
42:11memang,
42:12I tak tahu kenapa,
42:13dia orang panggil I.
42:14Kan,
42:15dia orang suka lah,
42:16InsyaAllah,
42:17Alhamdulillah.
42:18So,
42:19dia orang,
42:20So,
42:21I am the,
42:22the original musical director,
42:23daripada dulu,
42:24sampai sekarang.
42:25So,
42:26I guess,
42:27dia orang suka lah,
42:28cara kerja I,
42:29I pun paham apa dia orang nak.
42:30Kan,
42:31kalau macam R&B tu,
42:32memang makanan saya juga lah kan.
42:34So,
42:35dia orang suka,
42:36I punya arrangements,
42:37and,
42:38dia orang suka,
42:39macam mana I highlight kan,
42:40dia orang punya vocals.
42:42But I guess,
42:43you know,
42:44daripada 2000,
42:45sampai sekarang,
42:46I guess,
42:47dia orang suka I lah.
42:49Yelah,
42:50dah pakai sampai sekarang,
42:51mesti suka tu.
42:52Kalau tak,
42:53mesti orang lain.
42:54Tak lah,
42:55maksudnya gitu lah.
42:56Yelah, betul.
42:57Tapi,
42:58macam,
42:59kita,
43:00kita tengah deal,
43:01kita cakap tentang 3 genre yang berbeza tau.
43:03Itulah,
43:04rock,
43:05Dato' Celia Majid is like,
43:06jazz pop,
43:07then,
43:08R&B.
43:09Dato' punya versatility macam,
43:10macam lagu tu.
43:11Kejap lagi,
43:12kalau buat 1 show,
43:133-3 ada,
43:14macam mana tu?
43:15Boleh.
43:16Boleh.
43:18To play any song.
43:20To play any song,
43:21and the most important thing,
43:22you,
43:23you buat arrangement,
43:24untuk lagu tu.
43:25Apa lagu tu perlu.
43:26Okay.
43:27Kalau lagu tu perlukan 1 gitar kapok,
43:30macam mambai,
43:31itu saja dia perlu.
43:32Cukup.
43:33Cukup.
43:34Kan,
43:35you tak boleh buat over.
43:36Macam,
43:37saya,
43:38saya dapat nasihat daripada,
43:39Man Kidal.
43:40Okay.
43:41Masa tu kita main apa eh,
43:43kita main untuk feel harmonik ke apa.
43:45Okay.
43:46Dia,
43:47dia,
43:48dia ada tanya,
43:49dia cakap,
43:50masa tu,
43:51arrangement tu tukar-tukar.
43:52Dia dah bising kat saya kan,
43:54masa,
43:55masa kat backstage tu.
43:56Masa tu,
43:57ada orang panggil saya perform.
43:58Saya happy saya.
43:59Happy,
44:00happy.
44:01Perform saja.
44:02Happy,
44:03happy.
44:04So,
44:05dia pergi backstage,
44:06masa tu kita nak tukar,
44:07dressing room lah.
44:08Di dressing room nak tukar baju,
44:09apa semua kan.
44:10Cakap,
44:11cheese,
44:12abang ni,
44:13abang tak suka lah.
44:14Cakap,
44:15tak arrange semua ni.
44:16Cakap,
44:18apa salah?
44:19Ni nasi lemak tau.
44:20Ni nasi lemak tau,
44:21Jis.
44:22Hah?
44:23Nasi lemak?
44:24Nasi lemak,
44:25nasi lemak kau boleh letak apa?
44:26Kau boleh letak sambal,
44:27ikan bilis,
44:28kacang,
44:29timun,
44:30telur lah.
44:31Kalau lain extra special,
44:33mungkin ayam.
44:34Okay.
44:35Kan,
44:36tak ada kau nak letak foie gras kat situ.
44:37Okay.
44:38Takkan kau nak letak lobster kat situ kan.
44:39Okay,
44:40faham.
44:41Ini kita nasi lemak.
44:42Nasi lemak tu kena sedap,
44:43tu je.
44:44Kan,
44:45nasi lemak tu tak boleh jadi special sangat kan.
44:48So,
44:49oh,
44:50so that means the rock,
44:51kalau rock punya lagu tu memang macam tu,
44:54you kena buat macam tu je.
44:56This the most,
44:57the most important thing is the,
44:59element tu.
45:00The essence of the song.
45:01Sedapkan tu.
45:02Nak sedapkan tu.
45:03Kan,
45:04so saya bawa benda tu,
45:05untuk Ella juga.
45:07Ella tu nasi lemak,
45:08kita kena buat nasi lemak sedap.
45:10Kan,
45:11takkan you nak letak tiba-tiba,
45:12letak tiba-tiba nak letak,
45:13oh,
45:14jambu,
45:15biasrim ke apa.
45:16Ketam.
45:17Dia lari lah.
45:18Lari.
45:19So,
45:20I punya filosofi pun sama.
45:22Macam,
45:23untuk,
45:24semua genre.
45:26You perlu apa.
45:27Lagu ni perlu apa.
45:29Kan,
45:30kalau lagu ni perlu tiba-tiba,
45:31ada choir 30 orang,
45:32okay.
45:33Choir 30 orang.
45:34Okay.
45:35Kalau lagu tu perlu piano saja,
45:37okay.
45:38That's it.
45:39Kan,
45:40sometimes,
45:41some,
45:42simple tu,
45:43is good enough.
45:44Ya.
45:45Less is more.
45:46Less is more.
45:47Kan.
45:48Kalau,
45:49kadang tengok kalau macam ada,
45:50macam program,
45:51ujung tahun tu,
45:53wish,
45:54lebih over,
45:55over,
45:56over,
45:57over,
45:58kan,
45:59OTT,
46:00OTT,
46:01OTT,
46:02kadang-kadang sampai,
46:03arrangement tu tak kenal lagu.
46:04Tak sama macam original.
46:05Okay.
46:06Kan,
46:07padahal lagu tu dah dapat banyak mark sih.
46:08Ya.
46:09Dah sepatutnya menang.
46:10Tapi,
46:11because arrangement dia jadi lain,
46:12dia ubah.
46:13Kita terpaksa potong lah.
46:14Faham.
46:15Ya.
46:16Bukan di TV sini lah.
46:17Bukan, bukan, bukan.
46:18Faham lah tu.
46:19Faham.
46:20Ya lah,
46:21kadang-kadang orang nak try benda,
46:22something mungkin nak impress kan juri ke,
46:24kan,
46:25tapi diorang silap tu.
46:26Itu tak boleh.
46:27Muzik tu bukan untuk impress.
46:28Yes.
46:29Kalau you nak impress satu orang je,
46:30tapi yang 10 ribu orang lagi tak faham,
46:32buat apa?
46:33Betul?
46:34Betul.
46:35Muzik is not to impress people,
46:36muzik is for you to feel,
46:38to touch you.
46:39Kan,
46:40you rasa ke tak?
46:41Hmm.
46:42Can I touch your soul or not?
46:43Kan.
46:44Can,
46:45got touch already.
46:46Don't simplify,
46:47eh,
46:48don't simplify like that lah you.
46:49Tak boleh.
46:50Aduh.
46:51You tanya tu direct sangat,
46:52direct sangat.
46:53Aduh,
46:54jujur dia ni.
46:55Kalau you boleh dah buat orang tu menangis lagi lah,
46:56you teror.
46:57Ya,
46:58betul.
46:59Kan,
47:00with just a simple guitar and singing.
47:01Betul.
47:02Kan,
47:03you kena sentuh.
47:04Ini rasa.
47:05Hmm.
47:06Bukan nak impress.
47:07Betul.
47:08It's all about impressing people.
47:09Hmm.
47:10Kan,
47:11tu kadang-kadang orang tengok I main,
47:12alah,
47:13simple je dia main.
47:14But,
47:15sampai,
47:16sampai.
47:17But,
47:18ya,
47:19but,
47:20itu yang utama.
47:21Betul,
47:22betul.
47:23Dato' pengakuan berani.
47:24Ha.
47:25Okay.
47:26Ada tak satu musician,
47:27ataupun genre,
47:28yang tak pernah Dato' mengaku,
47:29yang Dato' suka,
47:30tapi sebenarnya Dato' suka?
47:31Hmm.
47:32Pernah tak?
47:33Yang tak pernah?
47:34Tak pernah mengaku suka genre tu,
47:35tapi sebenarnya,
47:36actually boleh layan lah genre ni.
47:37Ha.
47:38Ha.
47:39Dandut.
47:40Eh, Dandut saya suka.
47:41Oh, Dandut suka eh.
47:42Oh, Dandut saya suka.
47:43Ha.
47:44Saya suka tengok juga Dato'.
47:45Ha.
47:46Ha.
47:47Ha.
47:48Ha.
47:49Minggu ni tidur luar.
47:50Ha.
47:51Ha.
47:52Eh, tak,
47:53Dandut memang saya suka.
47:54Saya kalau pergi,
47:55kalau,
47:56saya tengok yang Indonesian-nya,
47:57yang betul-betul,
47:58kalau you tengok live kan,
47:59wah,
48:00ada orang dengan dua gitar.
48:01Ya.
48:02Tabla,
48:03set ada tiga orang.
48:04Lekap lah Dato' eh.
48:05Oh my God,
48:06best kan,
48:07you memang tak boleh duduk.
48:08Oh.
48:09Kan,
48:10ah,
48:11you kena bangun lah kan,
48:12wah.
48:13Pahamaon.
48:14Pahamaon sudah keluar.
48:15Ya,
48:16seriously,
48:17dia orang punya music so good man.
48:18Ya.
48:19Kan,
48:20and for me,
48:21there's nothing,
48:22like,
48:23bad music.
48:24Ya.
48:25Probably bad musician,
48:26or how you interpret it kan.
48:27Ok, ok.
48:28Tapi there's,
48:29everything is good music to me.
48:30Ok.
48:31Kan,
48:32Dandut memang saya suka.
48:33Ok.
48:34Saya suka.
48:35Saya suka juga,
48:36yang menyanyi lah.
48:37Dato' ini nak tengah-tengahkan saya,
48:39saya ini jujur.
48:40Dandut ok.
48:41Ok.
48:42Ok buddy,
48:43last question.
48:44Aduh,
48:45teringat Bibi Shima.
48:46Apa dia?
48:47Eh,
48:48bukan.
48:49Tak.
48:50Ini edit lah nanti.
48:51Apa dia,
48:52nak tanya apa?
48:53Last question.
48:54Last question.
48:55Ok Dato',
48:56nanti yang kedepan ni pun,
48:57Ella,
48:58akan buat konsert di Primary Hall,
48:59itu Dato' terlibat juga tu eh.
49:00Ya.
49:01Itu kalau boleh diceritakan Dato',
49:02akan pakai berapa ramai musician tu,
49:03untuk di,
49:04ya lah,
49:05secara orkestra tu eh.
49:06Ya betul.
49:07Jilid Orkestra,
49:08Ella,
49:09Rockers Juga Manusia.
49:10Sembilan dan sebelas,
49:11tak saya-saya.
49:12Sembilan dan sebelas.
49:13Sebab sepuluh tu,
49:14Dato' M. Nasir punya konsert,
49:15Ella pergi sana,
49:16cari makan kat sana pula.
49:17Saya cakap tentu tau tu.
49:18Sembilan,
49:19first date.
49:20Sepuluh,
49:21konsert Dato' M. Nasir.
49:22So,
49:23Dato' M. Nasir invite,
49:24Ella untuk nyanyi sama.
49:25So,
49:26dia skip kan?
49:27Tak payah cerita kat sini kot.
49:28Itu saya tak tahulah,
49:29dia invite ke tak kan?
49:30Tak payah cerita kat sini kot.
49:34Yes.
49:35Sebab dia dah,
49:36dia dah announce dah.
49:37Sepuluh Ibu Lan kan?
49:38Takkan tiba-tiba,
49:39because macam Ella,
49:40kita buat kat plenary hall,
49:41memang kecil.
49:42Tiga ribu orang je kan?
49:43Confirm memang,
49:44dia punya rezeki,
49:45memang sold out,
49:46and then kalau kita buat on the 10th,
49:48terkacau lah kan?
49:49Ya,
49:50memang bergaduh lah.
49:51Tak best lah kan?
49:52Because that's our seafood kan?
49:53Ya.
49:54Tapi saya dengar yang,
49:55Sepuluh Ibu Lan tu,
49:56Dato' M. Nasir invite,
49:57Ella untuk nyanyi sekali.
49:58Ah, ok.
49:59Akan nyanyi sekali dengan Dato' M. Nasir,
50:00sebab tu dia pilih,
50:01selang sehari.
50:02Tapi memang kita nak bagi laluan pun.
50:04So, 9 and then 11.
50:05Ya.
50:06Kan?
50:07So, promoter kena tanggung lah,
50:08work out some cost ke apa lah.
50:10Ya lah,
50:11satu hari tu.
50:12But, ya,
50:13apa ni,
50:14ya, I'm involved.
50:15Saya rasa all together,
50:17ada dalam,
50:2125 of us all together,
50:22on stage.
50:23Ooh,
50:24musician atapentas.
50:25I wish it was more,
50:26but you know,
50:28tempat tu kecil kan?
50:29So, nak buat,
50:30there's some,
50:31some constraints lah.
50:32Ok.
50:33Dato', wish more tu,
50:34berapa ramai tu?
50:3580? 90?
50:36Eh, tak kena lah,
50:3740 piece.
50:3840 piece je satu orkestra.
50:39Kan?
50:40Falik punya tu,
50:41macam dia faham je tau.
50:42Tak,
50:43maksudnya kan,
50:4425 tu pun saya rasa ramai,
50:4540,
50:46apa bunyi yang keluar nanti?
50:47Mana satu nak tengoknya ni?
50:48Mungkin kena ada lah,
50:49dia punya brass,
50:50and little winds,
50:51apa semua kan?
50:52But,
50:53such,
50:54kita ada constraints dengan stage pun,
50:56apa semua so,
50:57kita kena compromise lah.
50:58Faham.
50:59Tapi,
51:00memang best lah,
51:01I'm looking forward to it.
51:02Itulah,
51:03konsep orkestra tu,
51:04dia dapat tau,
51:05adalah cadangan daripada
51:06Dato' Aci sendiri.
51:07Ya.
51:08Untuk nak buat something,
51:09Combine kan?
51:10Nak combine kan rock
51:11dengan orkestra tu.
51:12Ya.
51:13It's always a dream for me as well.
51:14Hari tu kita udah buat dah
51:15dengan MPO.
51:17Boleh sebut ke?
51:18Boleh, boleh, boleh.
51:19Dengan Malaysian Philharmonic kan?
51:21Udah buat dah.
51:22So, bunyi dia memang best lah.
51:24Cuma,
51:26iyalah,
51:27dekat,
51:28dekat hall tu,
51:29kita nak mic sikit,
51:30pun susah kan?
51:31Kadang-kadang,
51:32sebab,
51:33kita main pun kuat,
51:34kadang-kadang,
51:35dia orang boleh,
51:36dia orang,
51:38MPO players ni,
51:39kadang-kadang,
51:40dia orang tak tahan,
51:41dia orang boleh keluar.
51:42Oh.
51:43Cau gitu je tu?
51:44Cau gitu je.
51:45Tapi, bukan on stage lah.
51:46Masa rehearsal ke apa kan?
51:48Dia tak nak main.
51:49Dia tak nak main.
51:50Dia suka kuat sangat.
51:51So, kita nak kena,
51:54kita nak kena,
51:55dapatkan,
51:56apa ni,
51:57Middle ground tu.
51:58Middle ground tu lah,
51:59basically.
52:00Tapi, pasal kena faham,
52:01MPO pun,
52:02dia classically trained kan?
52:03Dia punya,
52:04jenis music lain.
52:05Ya.
52:06Dia classical.
52:07So, dia orang macam terkejut.
52:08Dia orang pun,
52:10classical players ni,
52:12antara,
52:13bukan nak kata snobbish,
52:14tapi,
52:15ada dia orang tu,
52:16dia orang paling tinggi sekali.
52:17Okay.
52:18Rank dia tinggi lah.
52:19Rank dia memang tinggi,
52:20sebab memang dia orang teror.
52:21Ya.
52:22Memang dia orang teror.
52:23Letak aja apa kat situ kan?
52:25Siap dengan feel lagi.
52:26Dengan dia punya expression,
52:27soft,
52:28loud,
52:29semua kan?
52:30Very loud.
52:31Semua dia orang akan main,
52:32macam tu juga.
52:33Ya.
52:34You main tiga kali pun,
52:35tiga kali bunyi macam tu juga.
52:37So, bila dia orang kena,
52:38benda-benda remeh macam ni,
52:39cakap,
52:40ala.
52:42Ala,
52:43budak rock ni kan?
52:44Tak nak main lah.
52:45Apa-apa kan?
52:47Begitu je.
52:49Tapi tu,
52:50untuk yang,
52:51orchestra ni,
52:52yang main gitar,
52:53bass,
52:54main drum semua,
52:55yang lain-lain sama,
52:56masa jelit akhir ke tu?
52:57Player-playernya?
52:58Yes.
52:59Sebab kita pun dah terserasi kan?
53:01Kenapa terserasi?
53:02Riz main gitar.
53:03Riz main gitar,
53:04Nafi main gitar juga.
53:06So, ada two gitarist,
53:08and then Abang Sotong,
53:10Fly on bass,
53:13siapa lagi?
53:16Keyboard?
53:17Keyboard saya soalnya.
53:18Awak ni,
53:19takkan lah pula,
53:20Dato Acik jadi penonton.
53:21Keyboard saya soalnya.
53:22Saya tamak.
53:23Tak nak share.
53:26Sebab,
53:27saya memang ada apa,
53:29ada idola saya,
53:30nama dia Rick Wigman,
53:31daripada group itu,
53:32yes, yes.
53:34Dia memang kalau main keyboard itu kan,
53:37sebelas.
53:38Keliling.
53:39Saya tamak.
53:40Saya nak jadi macam dia.
53:43Aduh.
53:44Tok, selain daripada Ella punya,
53:46concert upcoming ni,
53:47ada orang kata?
53:48Ella ada banyak dates.
53:49Ella sudah tiga tahun.
53:51Sudah tiga tahun,
53:52and then I have,
53:54ada Sheila pun ada,
53:55some festival studio,
53:56apa semua.
53:59But, penuh lah dia.
54:01Alhamdulillah.
54:03Jadi, kita looking forward to,
54:05more pasal,
54:06Ella pun ada,
54:07ada macam-macam lagi,
54:08yang masih disimpan,
54:09belum dikeluarkan lagi.
54:10Jadi, kita tunggu bersama lah, eh.
54:12Ni last,
54:13ni betul-betul last tu.
54:14Tengok, tiga kali last.
54:15Tiga kali last.
54:16Eh, lama ke kita?
54:17Kita duk borak lama.
54:18Kita memang macam ni.
54:19Biasa last ni tu,
54:20memang Dato kena buat,
54:21pilihan yang tepat tu.
54:22Betul tak budi?
54:23Kita dah kata tiga kali last kan?
54:24Tiga kali last kan?
54:25Satu je tu.
54:26Satu,
54:28lagu Dato Sheila Majid,
54:29yang Dato suka,
54:31isteri dia nyanyi.
54:32Lagu apa tu?
54:33Eh, banyak lah.
54:34Tak boleh.
54:35Kalau suka tu,
54:36kalau suka,
54:37saya paham,
54:38memang semua sedap lah,
54:39suka lah.
54:40Ni memang betul,
54:41you nyanyi lagu ni,
54:42ayo,
54:43I nak tidur lah.
54:44Contoh lah, contoh.
54:45Kalau dengar lagu ni,
54:46I boleh tidur.
54:47Lagu nyanyi,
54:48contoh.
54:49Contohnya begitu.
54:50Bagi dua boleh tak?
54:51Satu,
54:52Sebabnya apa tu sekali?
54:53Satu,
54:56dia punya,
54:57title dia,
54:58Grimis Semalam.
54:59Grimis Semalam ni,
55:00pasal kematian.
55:01So,
55:02that's why,
55:03saya minta dua.
55:05Sebabnya,
55:07dia punya lyrics,
55:08ialah pasal orang pergi,
55:09tak akan jumpa kembali,
55:10apa semua kan.
55:12Tapi,
55:13cara dia nyanyi,
55:14ini versi Jepun.
55:16Dia dengan string,
55:17apa semua kan.
55:19Saya cakap,
55:20teranya.
55:21My God.
55:22Kan,
55:23saya rasa macam like,
55:24wow.
55:25And,
55:26I ni memang fan dia pun,
55:27daripada dulu kan.
55:28Saya tak sangka jadi macam ni.
55:31Tak sangka jadi macam ni.
55:34Woi,
55:35berlakon jujur.
55:36Tak sangka jadi macam ni.
55:37Iyalah kan.
55:39Saya yang malu dengar.
55:42Kan,
55:43betul lah,
55:44kita jujur kan.
55:45Iyalah,
55:46datang dari Asia tu,
55:47tak sangka pula.
55:48Tak payahlah tu.
55:49Betul.
55:50Malu saya.
55:51Saya ni budak lagi.
55:53So,
55:54saya fan.
55:55So, saya dengar,
55:56bila dia nyanyi macam tu,
55:57wow.
55:58My goodness kan.
55:59And then,
56:00the other song,
56:02is
56:03Percayalah,
56:04from Ratu.
56:06That song,
56:07I suka dia punya piano arrangement,
56:09very simple.
56:11Banyak orang suka lagi,
56:12yang sophisticated,
56:13tapi,
56:14pada saya,
56:15simple tu dah,
56:16efektif.
56:17That song,
56:18the song itself,
56:19melody dia memang cantik lah.
56:21Coba check it out.
56:22Percayalah,
56:23from Ratu.
56:24Tapi, Datuk tak ada masalah kan,
56:25kalau macam contoh,
56:26Datuk Cilla Majid,
56:27saya tak nak pakai you lah,
56:28MD,
56:29saya nak pakai orang lain.
56:30Eh, memang tak okey,
56:31saya ada masalah.
56:32Sekarang,
56:33saya dah kena demoted dah.
56:34Selalu,
56:35kalau pergi,
56:36kalau pergi Indonesia,
56:37saya,
56:38saya bawa band,
56:39kita orang bawa band sendiri kan.
56:40Ya.
56:41Tapi, sekarang dah tutup parti.
56:42Dah tutup parti kan.
56:43Dah tutup parti.
56:44So, saya pergi sana,
56:45jadi PA.
56:46Tak,
56:47dia ingat-ingat masa muda-muda,
56:48Datuk Aziz cerita,
56:49few years back lah,
56:50aku dah tak main dekat Indonesia,
56:51dia asyik pakai tutup parti.
56:53Aku dah jadi macam,
56:54PA dia pun ada kan.
56:56Tak adalah,
56:57saya pergi melawat,
56:58kalau,
56:59itu pun kalau saya free,
57:01saya ikutlah sekali kan,
57:02company kan.
57:03Because,
57:04saya banyak,
57:06friends kat sana kan,
57:07aku macam family kan.
57:08Ya, betul.
57:09So, saya dah memang kena demoted,
57:10apa pun.
57:11So,
57:12don't worry about it.
57:13Kecewa tu bunyi itu,
57:14dah dua kali semput tu.
57:16Kita doakan tu,
57:17kesihatannya pun kita tahu,
57:18Datuk baru orang kata pulih,
57:19daripada orang kata,
57:20ada sakit saja kan.
57:21Alhamdulillah.
57:22Sehat selalu tu.
57:23Sehat selalu,
57:24supaya orang kata,
57:25boleh orang kata,
57:267 tahun tu,
57:27yang penuh-penuh tu nanti,
57:28dapat payment boleh belanja.
57:29Itu.
57:30Di situ eh.
57:31Dia punya twist di situ eh.
57:33Ya Allah.
57:34Saya kena ini,
57:35ini,
57:36telah ini,
57:37saya berlari sebab,
57:38saya punya condition.
57:39Okay.
57:40Sebab memang,
57:41keluarga saya memang,
57:43apa?
57:44Ada.
57:45Problem lah.
57:46Okay.
57:47My grandfather passed away at 40.
57:49First heart attack.
57:50My father at 40,
57:51had his first heart attack.
57:52Dia masih alive,
57:53Alhamdulillah.
57:54Alhamdulillah.
57:55My,
57:56eldest,
57:57heart attack,
57:58at 30.
57:5935.
58:00Okay.
58:01Meninggal.
58:02Heart attack.
58:03Okay.
58:04And my two brothers above me,
58:05diorang dah ada empat heart attack.
58:06Oh.
58:07So, memang,
58:08I next.
58:09Sebab tu,
58:10saya berlari.
58:11Kan.
58:12So, bila,
58:13what do you call it?
58:14Masa,
58:15I training lah.
58:16Saya tengah training untuk London Marathon,
58:17masa tu.
58:18Okay.
58:19Tapi,
58:20I punya nutrition tak,
58:21tak,
58:22tak tally dengan I punya training.
58:23Okay,
58:24anda,
58:25anda.
58:26Tak seimbang.
58:27Lepas,
58:28lepas buka puasa,
58:29kan,
58:30you makan sikit.
58:31Yalah,
58:32betul lah.
58:33Terus lari.
58:34So,
58:35malam nak kena lari,
58:36kan.
58:37So,
58:38malam bila I lari,
58:39I lari kuat,
58:40kan.
58:41Because,
58:42I buat speed session lah.
58:43So,
58:44I punya,
58:45I nak bangun pun susah.
58:46The next day tu,
58:47I nak bangun,
58:48I,
58:49bukan nak bernafas susah.
58:50I rasa letih.
58:51Tak bermaya.
58:52Tak bermaya.
58:53Bangun,
58:54jalan dua,
58:55tiga langkah,
58:56kena pegang.
58:57The whole day.
58:58So,
58:59the next day,
59:00kita pergi tengok-tengok,
59:01I punya hemoglobin,
59:02I punya sel darah merah,
59:03kurang.
59:04Rendah sangat.
59:05Rendah sangat.
59:06So,
59:07Oksigen tak sampai lah.
59:08Oksigen tak sampai lah.
59:09So,
59:10diorang cakap,
59:11diorang suspek,
59:13black tinnitus juga,
59:14because I got a stent last October kan.
59:16So,
59:17apa ni,
59:18so now dia dah tukar out black tinnitus,
59:20so alhamdulillah ok,
59:21but,
59:22you know,
59:23I still run,
59:24my wife doesn't like it.
59:25Dia kata,
59:26slow down.
59:27Tapi,
59:28I like running.
59:29Berani juga datuk ni.
59:30Wife tak suka,
59:31dia buat jugak.
59:32Berani lah.
59:33Dia adalah baba dia,
59:34dia boleh.
59:37Terima kasih semua,
59:38Assalamualaikum,
59:39bye bye.
59:40Walaikumussalam,