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00:00:00Hi, Assalamualaikum! We meet again in Borat Celebrity, a new episode with me, Faliq.
00:00:19My name is Dina Nazer.
00:00:21Finally, finally.
00:00:24This week, I'm here with a person who started his career when I was born.
00:00:37He wants to talk about it, right?
00:00:40No, Dina. I mean, it's been a long journey.
00:00:43True, true. But you don't have to say that you're younger than me.
00:00:46No, I'm not.
00:00:49But this is the first time I've met this person.
00:00:54I feel like the room is on fire.
00:00:58Because his aura is very bright.
00:01:00And he's very cheerful.
00:01:02I was just a year old when I met him.
00:01:05And he's the one who met me.
00:01:06That's why he's so friendly.
00:01:10And recently, his house was attacked by monkeys.
00:01:14Why?
00:01:16There are many other houses.
00:01:20We're with Azhar Sulaiman, everybody!
00:01:23Hi, Assalamualaikum. How are you all?
00:01:25Thank you, Dina. Thank you, Faliq.
00:01:27With the queue.
00:01:28Because you guys invited me to this session.
00:01:31I'm very happy to be here.
00:01:33How are you?
00:01:35I'm fine, Alhamdulillah.
00:01:37It's an interesting and special experience for me.
00:01:41This year's sacrifice.
00:01:43Like other participants, I was a part of the program.
00:01:51So, when we were doing the program...
00:01:54...we already knew our number.
00:01:58And our rank.
00:02:01But on the day of the sacrifice, I was in a different mosque.
00:02:04While the sacrifice for me was in a different mosque.
00:02:08So, around 1.30 p.m., I thought...
00:02:13...if my lung had been sacrificed.
00:02:15So, I went to the other mosque.
00:02:17By the time I got there, I saw a lung that had fallen.
00:02:20I went to the person next to the mosque.
00:02:23He mentioned my name, Azhar Sulaiman.
00:02:25You're over-timing.
00:02:27That's why I looked up.
00:02:29So, you know, being an actor...
00:02:31...you always work with coordination and timing.
00:02:35Perfect timing is very difficult to get.
00:02:38So, what happened on Eid this year...
00:02:40...I think Allah wanted me to feel it.
00:02:44When you arrived, He mentioned your name.
00:02:47Perfect timing.
00:02:48So, I think there's a signal.
00:02:51Or...
00:02:53...you know...
00:02:55...the opposite meaning.
00:02:57Yes, His mercy.
00:02:59Alhamdulillah.
00:03:01That's true.
00:03:03Magic is a blessing that Allah wants to give.
00:03:06You arrived just in time.
00:03:09Some people waited from the beginning.
00:03:12Some people came, but His name was already mentioned.
00:03:15But, for the incident that happened on Eid...
00:03:20...I felt something.
00:03:22When it happened, I looked up.
00:03:24I looked up.
00:03:26Alhamdulillah.
00:03:28You want me to know.
00:03:30You want me to hear.
00:03:31To be here.
00:03:32Hopefully, my sacrifice will be accepted.
00:03:35Ameen.
00:03:37Dina, the truth is...
00:03:39...Hal Sulaiman...
00:03:41...was mentioned in the last three episodes.
00:03:45One of them was...
00:03:47...Ahmad Idhab.
00:03:49Ahmad Idhab.
00:03:50Rizman Kuzaimi.
00:03:51Rizman Kuzaimi.
00:03:52Yes.
00:03:53It was mentioned a little bit.
00:03:54Yes.
00:03:55That's right.
00:03:56It's all the same.
00:03:59So, today...
00:04:00...we will talk about...
00:04:02...why this name...
00:04:04...was mentioned by them.
00:04:06Why...
00:04:08...what is it...
00:04:10...what did Abang Idhan call it?
00:04:11The devil.
00:04:12Why did he call it like that?
00:04:15Why, Abang?
00:04:16Okay.
00:04:18I am a very choosy person...
00:04:20...in selecting friends.
00:04:22I don't have many friends in my life.
00:04:24In primary school, you have one set.
00:04:26In secondary school, you have one set.
00:04:28After you finish school...
00:04:29...you progress to another set of friends.
00:04:31Yes.
00:04:32But, maybe there is one person...
00:04:34...from the time of secondary school...
00:04:35...who still followed me...
00:04:36...until I grew up.
00:04:38So...
00:04:40I am...
00:04:42I am a famous person...
00:04:44...since I was a kid.
00:04:45Since I was a baby.
00:04:46Because my family...
00:04:48...is a famous family in the village.
00:04:51Okay.
00:04:52My father-in-law...
00:04:54...is a guide.
00:04:56His name is Haji Sulaiman Ismail.
00:04:59So, he is famous in this village.
00:05:01So, his family...
00:05:02...and his children...
00:05:04...are also famous.
00:05:05So, the stardom...
00:05:07...of being...
00:05:08...getting attention...
00:05:10...going to weddings...
00:05:11...and events in the village...
00:05:12...you are used to it.
00:05:13So, when you go to school...
00:05:15...you progress to another stage.
00:05:17Your teacher treats you nicely...
00:05:19...everybody knows...
00:05:20...that you are Mr. Sulaiman's son.
00:05:22You don't know...
00:05:23...but you know that...
00:05:24...you are somebody already.
00:05:25Okay.
00:05:26So, I...
00:05:28...became famous in sports.
00:05:30I excelled in sports.
00:05:31So, my stardom...
00:05:34...increased.
00:05:35Okay.
00:05:36So, you have people...
00:05:37...who want to be with you.
00:05:39They want to be your friends.
00:05:41So, you start to choose...
00:05:44...who will be with you.
00:05:47I regard myself as the king.
00:05:50King.
00:05:51The highest.
00:05:52Okay.
00:05:53So, the king...
00:05:55...will choose the good people...
00:05:57...around him...
00:05:58...to look after him.
00:05:59Correct.
00:06:00I don't choose people...
00:06:01...who are equal to me.
00:06:02Oh.
00:06:03You must be...
00:06:04...a nice person.
00:06:06To be my friend...
00:06:07...you have to be a very nice person.
00:06:09Likeable by everybody.
00:06:11And you have a very nice personality.
00:06:13The bad people...
00:06:15...are me.
00:06:16Okay.
00:06:17But my friend...
00:06:18Must be good.
00:06:19Must be good.
00:06:20Can't be bad people.
00:06:21Because...
00:06:22...these are the protectors.
00:06:23Okay.
00:06:24So, it's the same...
00:06:25...why I choose Idham...
00:06:27...why I choose Rizman...
00:06:29...why I choose Isma Danial.
00:06:31It's not because...
00:06:32...they talk to me.
00:06:34They want to be my friend.
00:06:36They are handpicked.
00:06:37Because you understand...
00:06:39...their personality.
00:06:40You like it.
00:06:41So, this kind of behaviour...
00:06:42...I carry on.
00:06:43When I act...
00:06:44...I meet new actors.
00:06:46I see their discipline...
00:06:47...how they manage...
00:06:48...their self-onset.
00:06:49So, when I meet the producer...
00:06:51...like Jalena Rejab...
00:06:53...I'm nice to her.
00:06:54Kak Jai.
00:06:55I met this actor, Kak Jai.
00:06:56He's like this.
00:06:57Or this actress, Kak Jai.
00:06:59So, I...
00:07:00So, the actress or actor...
00:07:01...will be called by Kak Jai.
00:07:03So, I...
00:07:05...the producer trusts me...
00:07:06...not because...
00:07:08...I judge people from...
00:07:10...I judge people from...
00:07:11...their discipline...
00:07:12...their personality.
00:07:14Discipline, personality...
00:07:16...can be carried.
00:07:17If you're not good at acting...
00:07:18...it's okay.
00:07:19There's potential.
00:07:20There's potential.
00:07:21But this kid is good.
00:07:22For us to nurture.
00:07:24So, it's the same with Idham.
00:07:26He's a good kid.
00:07:27Rizman, Isma Daniel...
00:07:29...all of them.
00:07:30So, when...
00:07:31...during those days...
00:07:32...those are the clubbing...
00:07:33...and disco days.
00:07:34When you go out...
00:07:35...I don't go out with women.
00:07:37I don't come back with women.
00:07:38I go out with my posses.
00:07:40These are my posses...
00:07:41...that look after me at the club.
00:07:43I don't get involved in fights.
00:07:44Women...
00:07:45...can't easily come to us...
00:07:47...because we're very protective.
00:07:48Because we know...
00:07:49...if a woman comes to us...
00:07:50...her boyfriend will be angry...
00:07:51...or jealous.
00:07:52No, no, no.
00:07:53I don't go.
00:07:54Stay away.
00:07:55If you're with your male friends...
00:07:57...don't come to us.
00:07:58Because...
00:07:59...we know how to avoid fights.
00:08:01So, throughout my life...
00:08:02...my gang and I...
00:08:03...never get involved in fights.
00:08:05In fights...
00:08:06...we're smart.
00:08:07We don't get involved in that kind of...
00:08:09...things like that.
00:08:12So...
00:08:13...it's true that they say...
00:08:15...I'm evil.
00:08:16I'm mean.
00:08:17Because...
00:08:18...at the end of the day...
00:08:20...these are the friends...
00:08:21...that will...
00:08:22...protect and take care of you.
00:08:24Let the bad guys be me...
00:08:26...but not the people around me.
00:08:28It's the same with my concept.
00:08:29Let the bad guys be me...
00:08:31...but not my leader.
00:08:33I understand.
00:08:34But, bro...
00:08:35...we want to...
00:08:36...go back a little bit...
00:08:37...to what Abang Har said earlier.
00:08:38When you were in school...
00:08:39...you were a sportsman...
00:08:41...in a low and middle school...
00:08:42...multiple times.
00:08:44What did you do...
00:08:45...in school?
00:08:46I started with...
00:08:47...100-200 meter running events.
00:08:50Then I progressed to...
00:08:51...road cycling.
00:08:52So...
00:08:53...I represented my area.
00:08:55Bicycle.
00:08:56National level.
00:08:57Running...
00:08:58...athletics.
00:08:59I joined Javelin.
00:09:01Then I joined a marathon.
00:09:02400, 4x4, 4x1.
00:09:05So, basically...
00:09:06Track and field?
00:09:07Yes, track and field.
00:09:08So...
00:09:09...I was a sportsman...
00:09:10...in a low and middle school...
00:09:12...multiple times.
00:09:14So...
00:09:15...I think...
00:09:16...when I was a kid...
00:09:17...I lived with my father's family.
00:09:20Basically...
00:09:21...actually...
00:09:22...if you want to show off...
00:09:23...it's okay.
00:09:24If you want to be somebody else...
00:09:25...you don't want to study...
00:09:26...you don't want to do anything...
00:09:27...you want to live your life...
00:09:29...it's okay.
00:09:30But...
00:09:31...maybe when I was a kid...
00:09:32...in my village...
00:09:33...there was always a funfair.
00:09:34Okay.
00:09:35There were events.
00:09:36So, I like...
00:09:37...the people who came...
00:09:39...there was...
00:09:40...I like that kind of lifestyle of...
00:09:43...VIPs.
00:09:44But...
00:09:45...so I told myself...
00:09:46...I want to be somebody one day.
00:09:47But I don't know...
00:09:48...who I wanted to be.
00:09:49Or what was your field?
00:09:50My field...
00:09:51...but when I was a kid...
00:09:52...I'm a loner...
00:09:53...I always stay in my room.
00:09:55In my room...
00:09:56...I have a lot of things...
00:09:58...that I picked up from...
00:09:59...the trash dump...
00:10:00...like...
00:10:01...electronics.
00:10:02I built my own toys.
00:10:04I built...
00:10:05...an alarm system...
00:10:06...I built...
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00:18:31So he said, where did you go?
00:18:34It's only now that you're back, right?
00:18:36You didn't pray Maghrib, you didn't pray Isya' with me, where did you go?
00:18:41I went to Kompot, Pak.
00:18:42Why did you go to Kompot to follow Cikgu?
00:18:44It's not your job.
00:18:45Oh, how am I supposed to tell him that I got a role, right?
00:18:47So, I said, sorry Pak, I just prayed.
00:18:50Okay, I also prayed.
00:18:51After that, he was watching wrestling at around 10 o'clock, I went to him.
00:18:55Pak, earlier you followed Cikgu to KL.
00:18:58After that, he took me to a shooting company.
00:19:03Then, they offered me to act, Pak.
00:19:06Ah, you don't want to act.
00:19:07You don't want to do things that are not related to wrestling.
00:19:13You just concentrate on studying.
00:19:15Then, I was silent, I didn't say anything.
00:19:17So, I went to the phone and called Cikgu.
00:19:19Cikgu, my father didn't give it to me.
00:19:22Huh? My father didn't give it to me.
00:19:24How?
00:19:26Cikgu, you can't do that.
00:19:28So, the next day, it was Saturday.
00:19:30So, the next day, when I woke up, I heard a noise outside my house.
00:19:35What's happening?
00:19:36Then, I saw Cikgu and the producer and the director.
00:19:38They arrived at your house and were talking?
00:19:39They arrived at my house and were talking.
00:19:41My late father, my late father, was like this.
00:19:44He didn't want to.
00:19:46I felt like I was a girl.
00:19:51No, he would not let me go.
00:19:53So, we discussed.
00:19:55I had to call them and get angry.
00:19:57Because I troubled them.
00:19:59Why did I agree with them?
00:20:02Because the shoot was in Rembau.
00:20:03Okay.
00:20:04I studied, right?
00:20:06It was ridiculous that my late father didn't want to go.
00:20:08He studied, right?
00:20:09He went to school.
00:20:10You went to school, right?
00:20:11You promised that you would go to shoot there.
00:20:13Then, what about your school?
00:20:15I was silent.
00:20:16I knew I was wrong.
00:20:17I shouldn't have thought about that.
00:20:19Yes.
00:20:19How could I take a break?
00:20:22Finally, they discussed and decided to shoot in Bentong.
00:20:27Azhar would stay here and we would shoot in Bentong.
00:20:32So, when we shot in Bentong,
00:20:34they actually shot my life in Bentong.
00:20:38I felt like, wow.
00:20:40There were always photos in the album.
00:20:41This time, there was a drama that recorded my life.
00:20:45Riding a bicycle.
00:20:46Because whatever that you see in my first drama,
00:20:49that is my life in Bentong.
00:20:51It just included the element of Mr. Gu that I was in love with him.
00:20:56Form 6 students were in love with Mr. Gu.
00:20:58That's it.
00:20:59But the rest of it...
00:21:00It was real life.
00:21:01Real life.
00:21:03So,
00:21:04after that,
00:21:06I got to know Kak Yong Rahimah,
00:21:09Kak Connie, Kairi Anwar.
00:21:12Everybody sort of embraced me.
00:21:14I was a quiet person.
00:21:17I was silent and sad.
00:21:19But,
00:21:20I think,
00:21:22many people asked me,
00:21:23how to start and how to be like you?
00:21:29Then I look at them, I'm sorry.
00:21:31The reason,
00:21:32I cannot share you the journey.
00:21:36I cannot share you how.
00:21:38Because what happened to me,
00:21:41I cannot tell to other people.
00:21:42Because,
00:21:43he was like a red carpet for you.
00:21:46That's right.
00:21:47You didn't have to open your mouth.
00:21:48That's right.
00:21:49The job that came to this day,
00:21:51it's not by calling.
00:21:52By incoming calls.
00:21:54So, from the past,
00:21:56word of mouth.
00:21:57Eh, there's a new kid in town.
00:21:59There's a new kid, Azhar Sulaiman.
00:22:00So, everybody called.
00:22:03So,
00:22:051989
00:22:06until 1994,
00:22:08within space of like how many years only.
00:22:10But the actual,
00:22:12in the limelight,
00:22:141990 to 1994,
00:22:161995 I got married.
00:22:18So, when I went through this journey
00:22:21that was very fast,
00:22:24after 3 years,
00:22:26it started slowing down.
00:22:28Then,
00:22:29the calls didn't come in.
00:22:31There was no drama or film.
00:22:33So, I spoke to many reporters.
00:22:37Like Arwah Hus,
00:22:39Mama Jui,
00:22:40Kak Intan,
00:22:40and Kak Emma Minah Ibu.
00:22:42Those are the legendary reporters.
00:22:44Their conclusion was,
00:22:45Huh?
00:22:47Quit while you're still at the top.
00:22:50You want people to remember you when you're having a hard time?
00:22:52Let people remember you when you're thriving
00:22:55and you leave this industry.
00:22:57So,
00:22:58left.
00:22:59Married,
00:23:00with Chewbacca.
00:23:02Applied,
00:23:03did an architecture degree in Newcastle.
00:23:05Then, both of us left.
00:23:07So, we stayed there for
00:23:10from 1995 until 2000.
00:23:13So,
00:23:14life
00:23:15changed after that.
00:23:16So, when I came back to Malaysia,
00:23:18there were many productions that I had never worked on.
00:23:20So, it continued.
00:23:22Until today.
00:23:24So,
00:23:25how do I
00:23:27what
00:23:28how do I manage to still get a job until today?
00:23:31I play social media.
00:23:33So,
00:23:34the reason why I play social media is
00:23:36to
00:23:37to show my existence.
00:23:39I'm still alive.
00:23:40I'm doing.
00:23:41So, if people don't remember me,
00:23:43they don't call me.
00:23:44So, maybe if they remember me,
00:23:46they will always
00:23:47see me.
00:23:48Then, they will see my posts on social media for this character.
00:23:51So,
00:23:51Alhamdulillah,
00:23:52every month, I get a job.
00:23:54Alhamdulillah.
00:23:55And Alhamdulillah,
00:23:58the production team still
00:24:00respects me and gives
00:24:02you know,
00:24:03my
00:24:04my fees, my rate.
00:24:06They still take care of me.
00:24:07So,
00:24:08I'm grateful because
00:24:11I'm still accepted in this industry.
00:24:14Alhamdulillah.
00:24:15Let's talk for a while about
00:24:17Abang Samo Belajar
00:24:19at
00:24:19Newcastle.
00:24:21But that's also the information that we get
00:24:23when
00:24:24the story of interplanetary love.
00:24:26Because I'm one of those people who
00:24:27at 6 o'clock
00:24:28sit in front of the TV and watch the story of interplanetary love.
00:24:31Right.
00:24:31Abaideham,
00:24:32Abaideham said
00:24:33the character should be given to
00:24:35Azhar Sulaiman.
00:24:36Okay.
00:24:39The story is when
00:24:40the late
00:24:41Makno Kadeh
00:24:43told me that they will shoot in the UK
00:24:46and will involve the university.
00:24:48So,
00:24:49I was worried about that.
00:24:50Because
00:24:51at that time,
00:24:53I didn't want to take a leave.
00:24:54Because I had just started a new life in the UK.
00:24:57Okay.
00:24:57If I took a leave, I would make
00:24:59the same mistake when I studied at ITM.
00:25:02I failed 4 semesters at ITM Syah Alam
00:25:06because
00:25:07I didn't finish my coursework.
00:25:08I skipped classes.
00:25:11The lecturer who loved me,
00:25:12my friends who loved me,
00:25:13lost their respect for me.
00:25:15Yes, because you lost it.
00:25:16It was my own fault.
00:25:17So, when I was in the UK,
00:25:19I didn't want to repeat the mistake that I did in Syah Alam.
00:25:24So, I rather
00:25:25sacrifice, I told Mr. Mano,
00:25:27to give Idaham.
00:25:28I love Idaham.
00:25:30He also likes Idaham.
00:25:31Idaham is somebody that
00:25:33everybody loves.
00:25:34So, it is a safe bet.
00:25:36Okay.
00:25:37I passed.
00:25:38I did push Idaham, Rizman,
00:25:41Isma as far as I can to the front.
00:25:44Because I'm going to leave the scene.
00:25:46So, I'm leaving my friends behind.
00:25:48So, I make sure they are
00:25:51well-protected, well-guarded, well-helped.
00:25:54And I pre-empt Mr. Mano.
00:25:56Mr. Mano, Idaham is my substitute.
00:25:58Take good care of him.
00:25:59Then, I'm sure he will
00:26:01will behave the way I do with you.
00:26:05So, true enough, Mr. Mano takes care of him.
00:26:08Okay.
00:26:08So, when...
00:26:10So, I had to decline the offer.
00:26:14Then, I told Idaham.
00:26:15Then, I will take the supporting role
00:26:18that I only shoot whenever I can.
00:26:21So, even a small role like that
00:26:24gave a problem to them.
00:26:26Because the scene should be...
00:26:30Because there are a lot of restrictions and limitations.
00:26:33And sometimes, we had to shoot
00:26:35during that certain period of time.
00:26:36During that certain period of days,
00:26:40I had a class.
00:26:42So, how should I run?
00:26:44Should I consider their problems
00:26:46or should I skip the class?
00:26:48So, I had to sacrifice them.
00:26:52Sorry, guys. You have to shoot tomorrow
00:26:54or other days.
00:26:56I can't sacrifice this class.
00:26:59So, that's what happened in the UK.
00:27:01There were challenges.
00:27:03These challenges will come non-stop.
00:27:08I didn't shoot for 3 months.
00:27:10Suddenly, I got a job.
00:27:12Doing architecture job, right?
00:27:14The moment I signed up,
00:27:16a producer called Abaha.
00:27:17I had a main character for Abaha.
00:27:1948 episodes.
00:27:21Okay, Abaha leading.
00:27:23Bro, I just signed with a company.
00:27:28How many times did that happen in my life?
00:27:31Sometimes, when that happens,
00:27:32I look up.
00:27:35I hope things like this will not happen to me
00:27:39when I want to go for Hajj in the future.
00:27:41God willing.
00:27:42Some people said they want to go for Hajj.
00:27:44The moment they agreed to go for Hajj,
00:27:46all sorts of offers came.
00:27:48All sorts of contracts came.
00:27:50So, which one do you want to take?
00:27:52I was scared.
00:27:53And then, in my life as an actor,
00:27:55how many birthdays I missed.
00:27:57How many family events I had.
00:28:00I sacrificed.
00:28:02For the sake of shooting,
00:28:04sometimes, it's my birthday,
00:28:07my wife, children,
00:28:09in-laws, and sisters.
00:28:11Sometimes, I was late.
00:28:13I didn't even attend.
00:28:15I was supposed to shoot at 2 pm.
00:28:17I was dragged until the evening.
00:28:18So, I wanted to run away.
00:28:20How can I take care of someone's heart?
00:28:22That's it.
00:28:23I think, based on what I've said,
00:28:26I think I was more focused on work
00:28:28than family.
00:28:29Actually, I'm sorry to all my family,
00:28:31to all the person that I love out there.
00:28:33I'm sorry if I have hurt your feelings.
00:28:36It's hard to drive.
00:28:38The timing is not right.
00:28:39It's not the same.
00:28:41The problem is the child inside.
00:28:43Yes, yes, yes.
00:28:45Oh, sorry.
00:28:47Okay.
00:28:48Maybe a lot of people will ask.
00:28:50Yes.
00:28:50Why?
00:28:51Abang Ha took a little more
00:28:54architecture.
00:28:58It's hard to be a partner like this.
00:29:01Architecture.
00:29:04Yes, architecture.
00:29:05But, why?
00:29:07If Abang Ha didn't focus too much,
00:29:09he would still be an actor.
00:29:10He would still be an actor.
00:29:11But, Abang Ha still does architecture.
00:29:15If I do something,
00:29:17I do it with all my heart.
00:29:19150 percent.
00:29:20I give commitment.
00:29:21But, maybe my attention span is short.
00:29:26Okay.
00:29:27It's easy to lose focus.
00:29:28It's easy to lose focus.
00:29:29If I do architecture,
00:29:31all right, I do architecture.
00:29:32So, as an architect,
00:29:35I'm famous.
00:29:36A lot of people know me.
00:29:38But, I don't have a lot of jobs.
00:29:42Okay.
00:29:44My friend has a firm.
00:29:45It's the same.
00:29:46It's not that everybody wants to do a house.
00:29:49Make a building.
00:29:50Make a building.
00:29:52It's not something that people do all the time.
00:29:55In a year,
00:29:56you get 1, 2, 3 projects.
00:29:58So, until now,
00:29:59I only get design projects.
00:30:01I don't get involved in 100 percent of the projects.
00:30:04Okay.
00:30:05I'm involved in the early stage of a project.
00:30:07Designing is my forte.
00:30:09Okay.
00:30:10Normally, sometimes,
00:30:11I make a design and sell it to a firm.
00:30:13Because, sometimes,
00:30:15the firm wants to go on a fast track.
00:30:20They don't want to deal with clients in the early stage.
00:30:24When the project is locked,
00:30:25then I pass it to an architect firm
00:30:27for them to finish up the project.
00:30:30So,
00:30:33in acting,
00:30:34I'm still acting until today.
00:30:36Why don't I want to be a producer?
00:30:38Why don't I want to be a director?
00:30:40I guess,
00:30:42I'm a jack of all trades.
00:30:44I like to get involved in everything.
00:30:46But, I see that
00:30:49it's very lucrative and easy to get in.
00:30:52Being a famous architect like me,
00:30:54it's not as easy to get a job.
00:30:56Being a senior actor like me,
00:30:58the jobs I have are limited.
00:31:00I have bad people,
00:31:02my father.
00:31:03Now, people are surprised.
00:31:04When a producer calls me to act as a father,
00:31:07who's the wife?
00:31:08Oh, my wife is dead.
00:31:10I'm divorced.
00:31:12So,
00:31:13it's easy.
00:31:14Line your wife.
00:31:16You combine it.
00:31:19So, if you look at my acting,
00:31:21since recently,
00:31:23it's all as a widow.
00:31:24So, I think they're short-cutting
00:31:26to save budget.
00:31:28So, they remove the wife role.
00:31:31So, we combine
00:31:34the wife line to Abahar.
00:31:37Abahar will also say,
00:31:38if you watch my latest drama,
00:31:40Aku Bukan Ustazah,
00:31:41I have a wife.
00:31:42But,
00:31:43there are other dramas
00:31:44like Astro,
00:31:46I don't have a wife.
00:31:47Yes, I watched it.
00:31:48Two days ago, it was a robbery.
00:31:50So, I don't have a wife.
00:31:51Pak Ghasim is alone.
00:31:52Pak Ghasim is alone.
00:31:53Maybe, Abahar,
00:31:54Abahar,
00:31:55we give all the budget to Abahar.
00:31:57You don't have a wife.
00:31:58I don't have a wife.
00:31:59We give all the budget to Abahar.
00:32:01So, Abahar is the one-man show.
00:32:03But,
00:32:04so far, they don't give me
00:32:05a soft character.
00:32:06I got a soft character
00:32:07only once with RTM
00:32:09as a reporter.
00:32:10I wish to
00:32:11carry a soft character
00:32:13one day.
00:32:14I haven't got a character like that.
00:32:16Isn't there?
00:32:17Imami?
00:32:18No.
00:32:19Imami is a personality
00:32:20on social media.
00:32:21Yes, Imami.
00:32:22That was the old era.
00:32:23Now, it's Behar.
00:32:24No, there is.
00:32:25What?
00:32:26Don't argue.
00:32:27My name is Kaha.
00:32:28High Council.
00:32:29Oh, High Council.
00:32:30He is a soft dad.
00:32:33But, he is not a...
00:32:34He is soft.
00:32:35He is soft.
00:32:36He is a soft dad.
00:32:37He is a dad who changes flowers.
00:32:39Okay.
00:32:40He plants flowers
00:32:41just like that.
00:32:42He is soft.
00:32:43So,
00:32:44I haven't got a character like that.
00:32:47So, probably.
00:32:48Probably,
00:32:49I will get something like that.
00:32:51But,
00:32:52there is a desire
00:32:53to bring it.
00:32:54Because,
00:32:55you have done
00:32:56almost everything.
00:32:57Many things.
00:32:58Many things.
00:32:59I have done almost everything.
00:33:01So,
00:33:02every character
00:33:03has its own challenge.
00:33:04Comedy is hard.
00:33:06I like heavy characters.
00:33:08Sick,
00:33:09and heavy,
00:33:10and confrontational.
00:33:11I don't like fighting.
00:33:13Everything that involves
00:33:14technical,
00:33:15I don't like it.
00:33:16Because,
00:33:17it requires high coordination.
00:33:19Like I said,
00:33:20it's difficult to get
00:33:21a perfect timing.
00:33:22Yes.
00:33:23That's right.
00:33:24Fighting scenes,
00:33:25bumping scenes,
00:33:26accident scenes,
00:33:27stunts,
00:33:28those kind of scenes,
00:33:29I'm a bit edgy.
00:33:31I'm a bit scared.
00:33:32Okay.
00:33:33There is a moment,
00:33:34if I'm not mistaken,
00:33:35I'm sorry,
00:33:36where you are often compared
00:33:38to Emmit Mastura.
00:33:40Okay.
00:33:41How is it?
00:33:42Is it easier to act
00:33:43with Emmit Mastura?
00:33:44Or,
00:33:45at that time,
00:33:46did Azam Sulaiman
00:33:47and Emmit Mastura
00:33:48ask for it?
00:33:49Emmit Mastura.
00:33:50Double A.
00:33:51At first,
00:33:54the actor
00:33:55was determined
00:33:56by the producer.
00:33:59As you go along,
00:34:00once you get to know
00:34:01the cast,
00:34:02the industry,
00:34:03you start being
00:34:04a seasonal player.
00:34:06Then,
00:34:07you start suggesting names.
00:34:09And then,
00:34:10who is suitable.
00:34:11And then,
00:34:12me and Nasha,
00:34:13Aziz,
00:34:14Aziz is not suitable
00:34:15because of height.
00:34:16Okay.
00:34:17When we make a love story,
00:34:19if it's a love story,
00:34:20the man and the woman
00:34:21must be like this.
00:34:22Stand side by side.
00:34:23A bit taller.
00:34:24Like this.
00:34:25Nasha and I
00:34:26are more like this.
00:34:27So, when we make a scene
00:34:28with Nasha,
00:34:29I always have to sit
00:34:30on an apple box
00:34:31or on a wedge
00:34:32to get this
00:34:33height,
00:34:34to make it look
00:34:35romantic.
00:34:36Yes.
00:34:37But when she is the same height,
00:34:38she becomes
00:34:39unattractive.
00:34:40Not pretty.
00:34:41Not pretty.
00:34:42But,
00:34:43it's a disclaimer.
00:34:44It's not that
00:34:45men are shorter
00:34:46than women.
00:34:47It's not that
00:34:48women are unattractive.
00:34:49It's just
00:34:50a display
00:34:51on TV.
00:34:52What's pretty.
00:34:53What's pretty
00:34:54in that frame.
00:34:55It's ideal
00:34:56for that frame.
00:34:57But now,
00:34:58if we look at
00:34:59many actresses,
00:35:00our younger sisters,
00:35:01many of them
00:35:02are
00:35:03short.
00:35:04Yes,
00:35:05they are short.
00:35:06So, it's easier.
00:35:07Our star,
00:35:08our leading man,
00:35:09many of them
00:35:10are tall.
00:35:11So,
00:35:12they become awkward.
00:35:13They become awkward.
00:35:14They become like this.
00:35:15Too far.
00:35:16They become too far.
00:35:17Like this.
00:35:18So,
00:35:19we want to get
00:35:20a few inches
00:35:21from the drop
00:35:22from the leading guy.
00:35:24If he is too drop,
00:35:26I will tell him
00:35:27to look down.
00:35:29Yes, dear.
00:35:31This is all
00:35:32film composition.
00:35:33This is all
00:35:34cinematography composition.
00:35:36But in real love,
00:35:37in real situation,
00:35:38it doesn't matter.
00:35:40Like this.
00:35:42Like this.
00:35:43It's like
00:35:44Syekhi Sfida and her husband.
00:35:45They are really tall.
00:35:46Adam.
00:35:47That's true love.
00:35:48It's okay.
00:35:51How about Emma Stura?
00:35:53Did she come back?
00:35:54Emma Stura,
00:35:55I think chemistry.
00:35:56It's easy.
00:35:57It's easy to work.
00:35:58I can't work
00:35:59with someone
00:36:00who doesn't want to play.
00:36:02Okay.
00:36:03I understand.
00:36:04When you come to the set,
00:36:05Dato' Rahim Razali
00:36:06always
00:36:07told me,
00:36:08Azhar,
00:36:09when you enter
00:36:10the set,
00:36:11everyone is empty.
00:36:12Even though
00:36:13you have won
00:36:145 awards,
00:36:15but for this
00:36:16particular title,
00:36:17you are
00:36:18doing it, Azhar.
00:36:19Forget about
00:36:20whatever titles
00:36:21that you need.
00:36:22Leave it behind.
00:36:23Here,
00:36:24if you are
00:36:25a driver,
00:36:26then behave
00:36:27like one.
00:36:28Despite you
00:36:29have won
00:36:305 awards,
00:36:31be the
00:36:32best
00:36:33driver.
00:36:35If the driver
00:36:36is treated
00:36:37badly,
00:36:38don't show
00:36:39your credit.
00:36:40Because
00:36:41sometimes,
00:36:42there are people
00:36:43who feel
00:36:44they are high,
00:36:45but when they
00:36:46are low,
00:36:47they still
00:36:48don't play
00:36:49the character.
00:36:50Selection of words.
00:36:51If you are not
00:36:52that smart,
00:36:53it's impossible
00:36:54to add lip
00:36:55to your words.
00:36:56You are more
00:36:57intellectual.
00:36:58Intellectual.
00:36:59So, you have
00:37:00to play the part.
00:37:01Live for the moment.
00:37:02Yes, that's right.
00:37:03If the director
00:37:04says,
00:37:05live for the moment.
00:37:06If someone
00:37:07offers me a job,
00:37:08I'll say,
00:37:09it's weird
00:37:10to ask this question.
00:37:11What does he do?
00:37:12What kind of car
00:37:13does he drive?
00:37:14What's his salary?
00:37:15So, it
00:37:16controls
00:37:17the mindset.
00:37:18Did he finish
00:37:19his studies?
00:37:20Even though
00:37:21he didn't finish,
00:37:22but he's smart.
00:37:23Ah, okay.
00:37:24I understand.
00:37:25So,
00:37:26when people
00:37:27offer me a job,
00:37:28I always ask
00:37:29that question
00:37:30because it
00:37:31will hold the
00:37:32character.
00:37:33You want to know
00:37:34the backstory.
00:37:35What does he do?
00:37:36Sometimes,
00:37:37when he's acting,
00:37:38he can't
00:37:39talk about
00:37:40those things.
00:37:41How can he
00:37:42talk about
00:37:43those things?
00:37:44That's right.
00:37:45I understand.
00:37:46So, as a senior
00:37:47who has a lot of
00:37:48experience,
00:37:49when I get
00:37:50a job,
00:37:51my question
00:37:52will go
00:37:53straight to
00:37:54that question.
00:37:55The backstory
00:37:56of the character.
00:37:57What does he do?
00:37:58How much
00:37:59did he study?
00:38:00How much money
00:38:01does he have?
00:38:02What's his car?
00:38:03If that's the case,
00:38:04that's how
00:38:05he'll go.
00:38:06He can't go
00:38:07to work.
00:38:08I understand.
00:38:09So, with Amy,
00:38:10she plays.
00:38:12There are some
00:38:13casts
00:38:14who don't want
00:38:15to play.
00:38:16You do yours,
00:38:17I do mine.
00:38:18The director
00:38:19will join.
00:38:20And sometimes,
00:38:21we want
00:38:22chemistry,
00:38:23we want to play.
00:38:24When I say that,
00:38:25you're a little
00:38:26confused.
00:38:27There are some
00:38:28casts who don't
00:38:29want to play.
00:38:30Even with me.
00:38:31You're amazing.
00:38:32But there are
00:38:33some
00:38:34casts who
00:38:35were rude
00:38:36I killed them on the set
00:38:38Who told you to do that?
00:38:40He started it
00:38:42If you're rude to me on the set, you don't want to do it to me for real
00:38:45So when I give back to you
00:38:47When I'm reacting to you
00:38:49Camera on you
00:38:51When the moment you speak, I walk off
00:38:53I walk off, you act alone in front of the camera
00:38:56I will stand in front of you
00:38:58Sometimes I don't throw lines, I just look at you like this
00:39:00You're dead
00:39:02Everyone knows I'm angry
00:39:04Maybe I don't scream
00:39:06Sometimes I scream
00:39:08But what happens on the set stays in the set
00:39:11I'm just telling you
00:39:13I don't mean to embarrass anyone
00:39:16It's just that
00:39:18Things happen
00:39:20But there are things we can share
00:39:23And there are things we can't
00:39:25If I want to share what happens on the set
00:39:28I can share a lot of things
00:39:30But there's one thing I don't want to share
00:39:33Because
00:39:35The mistakes people make
00:39:37What happens on the set
00:39:39Every dog has its days
00:39:41Next time will be my day
00:39:43But I'm very resistant
00:39:45When I'm quiet
00:39:47When I don't scream
00:39:49When you do anything
00:39:51Once I make a mistake
00:39:53You make a big fuss out of it
00:39:55I will turn the set upside down
00:39:57Because
00:39:59I will go back
00:40:01Until I never say anything
00:40:03But the moment I sleep a little
00:40:06You make a big fuss out of it
00:40:08I spell it out for you
00:40:10I spell it out
00:40:12I spell it out
00:40:14So now, let's put it in perspective
00:40:16My small mistake with you
00:40:18Why I don't talk much
00:40:20Why this
00:40:22I keep a lot of people's secrets
00:40:24I will keep all people's secrets
00:40:26Until I die
00:40:28It's okay, we can hang out at the cinema
00:40:30We can film there
00:40:32We have a pot
00:40:34We can hang out
00:40:36Amy is a team player
00:40:38If you're not a team player
00:40:40It's not fun to play with people like this
00:40:42I understand
00:40:44Who do you like to play with?
00:40:46Actors?
00:40:48Jasmine Hamid
00:40:50All the male actors
00:40:52Almost all male actors
00:40:54But there are some
00:40:56Top actors
00:40:58They don't want to play with me
00:41:00I'm weird too
00:41:02Act with me
00:41:04No need
00:41:06But these kind of people
00:41:08They're no longer number one
00:41:10I understand
00:41:12At the rate that they're going right now
00:41:14Do you think
00:41:16Will they sustain?
00:41:18Remember, be nice to people today
00:41:22Because you never know
00:41:24If you get a job tomorrow
00:41:26That's right
00:41:28I got a job until today
00:41:30There was a producer
00:41:32Now he's a producer
00:41:34But remember
00:41:36The way I treated him
00:41:38When he was a dispatcher
00:41:40He still loves me
00:41:42So if you
00:41:44Don't remember
00:41:46A lot of people
00:41:48Change when they get a stardom
00:41:50Get a position
00:41:52When I first met him
00:41:54I was speechless
00:41:56My advice to all the young talents
00:41:58That I met
00:42:00Never comment
00:42:02Anything
00:42:04Keep quiet
00:42:06Only comment about
00:42:08Related matters
00:42:10Involving your acting
00:42:12Never comment about current situation
00:42:14Don't give opinion
00:42:16Keep your opinion to yourself
00:42:18Once you're old
00:42:20You can share
00:42:22Your opinion
00:42:24You won't burn your ship
00:42:26At this moment
00:42:28You have to tread carefully
00:42:30You cannot simply say
00:42:32Things that you're not supposed to say
00:42:34Artists, producers
00:42:36If they're playing a game
00:42:38Don't comment
00:42:40It's better
00:42:42If people don't know
00:42:44When people know
00:42:46Some people may like, some people may not
00:42:48Why not, if they don't know
00:42:50Everyone will keep quiet
00:42:52And support you
00:42:54Because they don't know you
00:42:56But
00:42:58When I'm old
00:43:00I dare to speak my opinion
00:43:02As you know
00:43:04I will be hated by people
00:43:06On social media
00:43:08That's why I want to ask
00:43:10You have to
00:43:12Dare to speak
00:43:14My daughter, Kasih
00:43:16Daddy, it's common
00:43:18If you say something against the wave
00:43:20And the current, you're gonna get it
00:43:22But make sure
00:43:24That you're on a solid ground
00:43:26I try to make sure
00:43:28Whatever I voice out or share
00:43:30I'm standing on a solid ground
00:43:32Yes, I understand
00:43:34Gen Z people say
00:43:36There's a receipt
00:43:38Gen Z, right?
00:43:40I want to talk about
00:43:42Popularity
00:43:44Or popularity
00:43:46That was built by your daughter
00:43:48To become a phenomenon
00:43:50We're talking about
00:43:52Sabah Beh
00:43:54By Azhar Sulaiman
00:43:56No, no
00:43:58Your own daughter
00:44:00We want to know about Leona
00:44:02Leona
00:44:04Did you
00:44:06Encourage her
00:44:08Or
00:44:10Did you stop her?
00:44:12My daughter didn't watch TV
00:44:14What did she watch?
00:44:16Kindergarten, iPhone
00:44:18iPad, cartoons
00:44:20So when I said she didn't watch TV
00:44:22She didn't watch Astro
00:44:24She only watched cartoons
00:44:26Their lives were in a cocoon
00:44:28So when we were friends
00:44:30Your daughter watched
00:44:32We were friends since kindergarten
00:44:34Even middle school
00:44:36Because we're
00:44:38The family
00:44:40So
00:44:42They went to the same university
00:44:44And we're still
00:44:46Friends until today
00:44:48So their lifestyle
00:44:50Was built by
00:44:52Not the environment
00:44:54When we look at these three kids
00:44:56Who will follow me?
00:44:58None of them
00:45:00Because other people's kids
00:45:02When we go home, we know
00:45:04Your daughter will follow you
00:45:06There's a trait
00:45:08Like Sheila Hamzah
00:45:10When she was little
00:45:12She used to sing
00:45:14Abang Andy
00:45:16Teror
00:45:18There you go
00:45:20So my kids
00:45:22You don't know
00:45:24Until they started my social media
00:45:26They started posting all sorts of things
00:45:28Then
00:45:30All sorts of comments
00:45:32Then you start monitoring
00:45:34What kind of comments
00:45:36My daughter made
00:45:38So you know
00:45:40Your daughter
00:45:42Plays games like
00:45:44Youngsters play
00:45:46Gen Z
00:45:48Showing lifestyle
00:45:50Girls
00:45:52What's going on?
00:45:54The boys, no
00:45:56They're busy with their sports
00:45:58The sister is busy with other things
00:46:00So the one who's busy playing with the camera
00:46:02Leona
00:46:04Playing with the camera
00:46:06You have to be natural
00:46:08With the camera
00:46:10As time goes by
00:46:12She's good at editing
00:46:14She's good at making her own sketches
00:46:16Her content
00:46:18Whatever you see is a sketch
00:46:203-minute sketch
00:46:22Whatever you saw
00:46:24Those are what we call sketches
00:46:26But when people say
00:46:28You should be in Maharajah Lawak
00:46:30No
00:46:32You shouldn't be like that
00:46:34Don't try to be a comedian
00:46:36I talked to Zizan
00:46:38And Johan
00:46:40But with Zizan
00:46:42Zizan said, Abahar is crying
00:46:44Sometimes until 5 or 6 in the morning
00:46:46They're stuck asking for scripts
00:46:48We can't come up with the lines
00:46:50We don't know what to do
00:46:52Pressure every week
00:46:54So when I watch
00:46:56Maharajah Lawak
00:46:58You watch every week
00:47:00How can I come up with an idea
00:47:02There's a very simple idea
00:47:04From there you can develop
00:47:06You see
00:47:08It's not easy
00:47:10To find the seed of an idea
00:47:12We only live in the world of
00:47:14Social media
00:47:16So Leona built her own
00:47:18Reputation
00:47:20From controversy
00:47:22Now she's become
00:47:24From controversy
00:47:26She's become bubbly chubby
00:47:28So
00:47:30It's easy
00:47:34Bubbly chubby
00:47:36If it's like that
00:47:38I can join her club
00:47:40Bubbly chubby
00:47:42Hit me up
00:47:44I think
00:47:46Leona is there
00:47:48I think now
00:47:50I've become
00:47:52A contact person
00:47:54Her PA
00:47:56It's been a week
00:47:58Everyone's been looking for her
00:48:00So I just pass her number
00:48:02Please deal directly with her
00:48:04I'm not her PA
00:48:06I'm sorry
00:48:08But you may
00:48:10Liaise with Leona directly
00:48:12Thank you
00:48:22With Pak Mat
00:48:24So it was fun
00:48:26Leona said, Daddy, Pak Mat wants you and me
00:48:28To be on their
00:48:30Platform
00:48:32Okay
00:48:34So I flew to Penang
00:48:36It was tiring
00:48:38At first I wanted to go by car
00:48:40A week before that
00:48:42I wanted to drive
00:48:44But I thought, I'm driving alone
00:48:46Flying to Penang
00:48:48I got a fever
00:48:50I was tired
00:48:52Age
00:48:54I think this is purely age
00:48:56But from your side
00:48:58What about Leona's mom?
00:49:02She's very quiet
00:49:04Very serious
00:49:06If you look at my son
00:49:08He doesn't talk much
00:49:10Leona is actually
00:49:12But there's my battery
00:49:14In her
00:49:16She's mixed
00:49:18She's mixed
00:49:20If you take away her battery
00:49:22Her CPU
00:49:24She'll become like Chewbacca
00:49:26Yes
00:49:28I don't want that
00:49:30But because my battery
00:49:32And my CPU
00:49:34She'll become
00:49:36Chewbacca is lost
00:49:38Chewbacca is not supposed to behave like that
00:49:40Why is that?
00:49:42But that's Chewbacca
00:49:44Chewbacca sings like Leona
00:49:46Singing
00:49:48If you take away her battery
00:49:50Her slow
00:49:52She'll be slow
00:49:54If you take away her battery
00:49:56She'll be different
00:49:58But that's Chewbacca
00:50:00Relax
00:50:06Chewbacca
00:50:08When she got married
00:50:10We got married
00:50:12We went to New Zealand
00:50:14To shoot
00:50:16So
00:50:18When we shoot there
00:50:20They said
00:50:22Chewbacca, you act
00:50:24You'll be Azhar Bahar's girlfriend
00:50:26Later you tell her
00:50:28Pungkok Hang
00:50:30That's all
00:50:32That's all
00:50:34What does that mean?
00:50:36I don't know
00:50:38No impression
00:50:40You know your wife's level
00:50:42She's married to me
00:50:44But she doesn't know
00:50:46So being a kid
00:50:48In KL
00:50:52But that means
00:50:54Chewbacca and Azhar
00:50:56Are not
00:50:58Obstructing
00:51:00Chewbacca and I
00:51:02Totally opposite character
00:51:04One is serious
00:51:06One is jovial
00:51:08I think that's the key
00:51:10For us
00:51:12Together until today
00:51:14She tolerated my nonsense
00:51:16And I tolerated her screaming
00:51:20She doesn't have nonsense
00:51:22She'll scream
00:51:24It's from you
00:51:26She tolerated so many nonsense
00:51:28So I thought
00:51:30Since you can bear
00:51:32So many downsides
00:51:34It's okay
00:51:38I'm sure
00:51:40If there's something
00:51:42I don't agree with
00:51:44I'll send a message
00:51:46I'll tell Chewbacca
00:51:48I'm not supposed to do this
00:51:50My kids
00:51:52It's easy
00:51:54Girls
00:51:56You're my daughter
00:51:58Accordingly
00:52:00What else do I want to say?
00:52:02You want me to spell it out?
00:52:04Don't force me
00:52:06To spell it out
00:52:08I'll try to spell it out
00:52:10So just act accordingly
00:52:12Smart people
00:52:14We'll just say a little
00:52:16If I have to explain
00:52:18Then you're not in my league
00:52:20Because the one who's in charge
00:52:22Is the father
00:52:24If there's anything
00:52:26It's Azhar's son
00:52:28But Aba Azhar once said
00:52:30You treat your children like your friends
00:52:32Relationship
00:52:34Your children
00:52:36You treat them like your friends
00:52:38Okay
00:52:40That's true
00:52:42They're open to me
00:52:44Especially my eldest
00:52:46My son sometimes
00:52:48Leona is not
00:52:50Because I think she's still living in the barbie world
00:52:52Leona
00:52:54I think she's still in the barbie world
00:52:56She still doesn't know if it's fiction
00:52:58She knows
00:53:00But I think half of her brain
00:53:02Is still in the barbie world
00:53:04I understand
00:53:06So
00:53:08With Kasih
00:53:10It's easy
00:53:12To communicate
00:53:14Sometimes they share with me their problems
00:53:16I have to act as a mentor
00:53:18Not as a father
00:53:20But a mentor
00:53:22Who will guide
00:53:24The law
00:53:26Religion
00:53:28And what is the right thing to do
00:53:30Having a relationship with your children as a friend
00:53:32The downsides
00:53:34The pros and cons
00:53:38The pros
00:53:40They always be with you
00:53:42They trust you
00:53:44They share everything
00:53:46Sometimes we have fun together
00:53:48But the downside to being friends
00:53:50Have you ever lived with a housemate?
00:53:52I've never lived with a housemate
00:53:54So I
00:53:56All my life
00:53:58When I was single
00:54:00The morning
00:54:02Before I got married to Cepaka
00:54:04At 6am
00:54:06I thought of
00:54:08Canceling my wedding
00:54:10Because I don't want to leave my friends
00:54:12Because I live in a barbie house
00:54:14Idham, Rizwan
00:54:16These are all my friends
00:54:18When I get married
00:54:20I will have to leave the world
00:54:22So what stopped me
00:54:24Whether I want to proceed
00:54:26To the marriage life
00:54:28I want to live with all my friends
00:54:30So finally
00:54:32I don't care if I get married now
00:54:34I have to get married
00:54:36I started now
00:54:38So that I can go through all the troubles now
00:54:40Rather than go through the troubles later
00:54:42So
00:54:44That's what made me decide
00:54:46To get married
00:54:48But staying with your friends
00:54:50You have to know
00:54:52When your kids start treating you like a friend
00:54:54They don't want to take your water
00:54:56They don't want to massage your legs
00:54:58They don't want to
00:55:00But when you come back from shooting
00:55:02They will hang out in my master bedroom
00:55:04Or hang out in my office
00:55:06Making a mess
00:55:08You come back, you're stressed
00:55:10You see the table is a mess
00:55:12You can't lift your food
00:55:14And then you end up fighting with them
00:55:16Guys, come on
00:55:18I just got back from shooting
00:55:20I want my space
00:55:22What happened?
00:55:24Ready
00:55:26Later
00:55:28Then I end up
00:55:30I had to leave
00:55:32So now, is it good
00:55:34Having your daughter and your son as friends
00:55:36But when
00:55:38They're leaving
00:55:40The definition of friends
00:55:42This is how you treat your friends
00:55:44That's right
00:55:46The table is a mess
00:55:48So when you tell them to leave
00:55:50They end up running away
00:55:52So I use my full power
00:55:54Kasih, take this
00:55:56Kasih, pick it up
00:55:58Kasih, can you go and take water
00:56:00Later
00:56:04Can you please take my pasta
00:56:06Later
00:56:08Daddy take
00:56:12Daddy, I just sit
00:56:14I just sit down, right?
00:56:18Is that right, Kasih?
00:56:20Is that right, Kasih?
00:56:24Before we end
00:56:26I want to ask
00:56:28To our previous guest
00:56:30In your son's school
00:56:32What was your job?
00:56:34An architect or an actor?
00:56:36An architect
00:56:38But do you know Azhar Sulaiman?
00:56:40Sometimes I don't notice
00:56:42I don't notice
00:56:44I don't notice
00:56:46But
00:56:48I think
00:56:50The kids
00:56:52They deal with
00:56:54Everyone
00:56:56Whether in school or not
00:56:58They know who are their parents
00:57:00Who is this kid
00:57:02Even though you're an architect
00:57:04Just by looking at the name
00:57:06Kasih or Kasih Airis Leona
00:57:08Andika Rizwanama
00:57:10Who is this kid?
00:57:12They already started asking
00:57:14They already know
00:57:16Who is this kid
00:57:18Maybe you should update
00:57:20Between the drama
00:57:22The latest project
00:57:24Alhamdulillah
00:57:26I just finished the drama
00:57:28Cinta Disbalik Mata
00:57:30By Michael Ang for Astro
00:57:32So next month
00:57:34I will start with Astro again
00:57:36Thank you Astro for loving me
00:57:38Alhamdulillah
00:57:40Michael Ang
00:57:42So
00:57:44Alhamdulillah, job every month
00:57:46At this age, 50 plus
00:57:48I'm so blessed
00:57:50I'm so happy that I'm still
00:57:52Accepted by the stations
00:57:54And the fans of the drama
00:57:56So Alhamdulillah
00:57:58I will start a new episode
00:58:00A horror drama
00:58:02Where I will be
00:58:04A villain
00:58:06A villain who will use
00:58:08Black magic to achieve wealth
00:58:10And also destroy people
00:58:12Don't use weapons
00:58:14But use black magic
00:58:16To destroy people
00:58:18The story will start
00:58:20In Pulau Keri
00:58:22I'm scared
00:58:24When I heard Pulau Keri
00:58:26I'm ready to pack my stuff
00:58:28For the beach
00:58:30My underwater scooter
00:58:32Then I googled
00:58:34Then I watched Youtube
00:58:36Then I did
00:58:38Tiktok, I'm sad because
00:58:40There's no beach
00:58:42There's only Pulau Keri
00:58:44There's no beach
00:58:46There's only Pulau
00:58:48Other than Azam Sulaiman, who else?
00:58:50In the drama
00:58:52Who can be told
00:58:54Who will act with me
00:58:56Who will be my villain friend
00:58:58Adam Khoury
00:59:00And my old girlfriend
00:59:02Maria Farida
00:59:04Who's your idol?
00:59:06When the producer
00:59:08When the PM
00:59:10Asked, who will be
00:59:12My sidekick
00:59:14Free hair or bra?
00:59:16Free hair, Maria Farida
00:59:20My forever partner
00:59:22With Maria
00:59:24She's been with me
00:59:26She can't stand me
00:59:28If I sit next to her, she will reject
00:59:30Enough
00:59:32I like to
00:59:34Disturb her
00:59:36Marry me
00:59:38Enough
00:59:40She can't stand me
00:59:42I like Maria because I like to
00:59:44Disturb her
00:59:46If I'm with her, I will
00:59:48Disturb her
00:59:50I'm so happy she will be on board
00:59:52And then we have Fikri Ibrahim
00:59:54Who will be acting as my son
00:59:58I don't have a wife
01:00:00I don't have a wife
01:00:04Maria Farida as my sidekick
01:00:06And Adam Khoury as a sidekick
01:00:08But as Fikri's father
01:00:10So I don't have a wife
01:00:12That's what will be
01:00:14In the movie
01:00:16Which will be released
01:00:18Which is ready
01:00:20I think there's a lot more
01:00:22Which hasn't been shown
01:00:24I think maybe I have another
01:00:264 or 5 titles
01:00:28So
01:00:30Some people ask
01:00:32I rarely see you on TV
01:00:34That's it
01:00:36Wait for it
01:00:38Some people said
01:00:40You're acting
01:00:42Because you're handsome
01:00:44So at that time you thought
01:00:46Maybe they're right
01:00:48But sometimes when I wear a smart smile
01:00:50I go to the store
01:00:52I meet Indonesian women
01:00:54I smile
01:00:56But they don't smile at me
01:00:58So I think
01:01:00It's all a myth
01:01:02If I'm really handsome
01:01:04Indonesian women
01:01:06Will smile at me
01:01:10You know, waiters
01:01:12When they see me
01:01:14They'll think I'm handsome
01:01:16Sometimes when we're shooting
01:01:18I just want to show my face
01:01:20To the Indonesian workers
01:01:22They don't even care
01:01:24So it doesn't mean I'm handsome
01:01:26I went to Jakarta
01:01:28Indonesia when I was young
01:01:30People said
01:01:32You're handsome, that's why you're an actor
01:01:34But when I'm there, people don't even care
01:01:36But how do you know if that woman
01:01:38I tried
01:01:40I went to a restaurant
01:01:42I gave my chart
01:01:44Assalamualaikum
01:01:46She looked at me
01:01:48But maybe
01:01:50The girl is like me
01:01:52When she's really pretty
01:01:54When she's in a relationship
01:01:56She'll make fun of me
01:01:58She wants everything
01:02:00We have to know if we have it or not
01:02:02I know why
01:02:04Because those women are married
01:02:06No
01:02:08Even nowadays
01:02:10Indonesian workers
01:02:12In Malaysia
01:02:14Young people, 20 plus
01:02:16I'm already handsome
01:02:18I go to the store
01:02:20They just look at me
01:02:22They don't care
01:02:24You guys are lucky
01:02:26This life is not a movie
01:02:28What do you mean
01:02:30This life is not a movie
01:02:32If people say you're pretty
01:02:34You're handsome
01:02:36Try it
01:02:38Like you
01:02:40You think you're cute
01:02:42I think so
01:02:44You look at them and smile
01:02:46Give them the sweetest smile
01:02:48That's my wife's response
01:02:50She doesn't care
01:02:52That's my wife's response
01:02:56So
01:02:58Sometimes
01:03:00Beauty lies in the eye of the beholder
01:03:02Sometimes being an actor
01:03:04Is not about a perfect look
01:03:06Sometimes the right look
01:03:08That's right
01:03:10That's the truth
01:03:12Thank you so much for today
01:03:14Thank you
01:03:16Be So Babe
01:03:18Azam Suleiman
01:03:20I'm sure you can do it
01:03:22Of course
01:03:32You're crazy
01:03:34Thank you so much
01:03:36So bye
01:03:38Peace out
01:03:46you