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00:00I didn't mean to offend you.
00:01♪♪
00:11♪♪
00:21♪♪
00:25Virgencita Santa.
00:30You're a mother. Enlighten me.
00:35Help me handle the situation with my son.
00:39I beg you.
00:43Grandma, can I come in?
00:44Yes, yes, yes. Come in.
00:49What are you doing?
00:51Why didn't you want to come down for breakfast?
00:55Because I wasn't hungry and I wanted to fix my clothes.
00:59Were you crying?
01:01No.
01:03A little trash got in my eye.
01:05I don't believe you.
01:07Are you like this because you fought with my dad?
01:08Is that it?
01:10I've realized he's not doing well.
01:12Why is he mad at you?
01:15For silly things.
01:18Don't worry, son.
01:19My dad gets mad for anything,
01:21but he gets over it quickly. Don't listen to him.
01:24Instead of getting so mad at you,
01:26you should be happy you're here.
01:29I miss my mom a lot.
01:32I wish I could go back, but that's impossible
01:34because she died when I was five years old.
01:37What did she die of?
01:40A heart attack.
01:42It's a good thing you have Carmen.
01:43She's a very nice person.
01:45You're like a son to her.
01:47Yes, but she's not my mom.
01:50On the other hand, you are my grandma
01:52and I'm happy you live with us.
01:55Do you want me to talk to my dad?
01:57I appreciate it,
01:59but it's something we have to sort out between us.
02:02I'm also delighted to be with you.
02:05You're a gift from God to me.
02:08I came to see you so we could play a game I downloaded.
02:10It's a cooking game.
02:11Why aren't you at school?
02:13I didn't have classes.
02:14There's a teacher's meeting.
02:16Let's play.
02:17What's that about it being a cooking game?
02:20It's ingredients. You'll like it.
02:22Okay, fine. Let's go.
02:25Are you sure you want that?
02:26If it's a cooking game, I'm going to beat you.
02:30We'll see.
02:31Let's go.
02:34We should've gotten this out a long time ago.
02:37Yes, but who would've thought
02:39you'd get a call from Juan Pablo's phone?
02:42What I don't understand
02:43is why you had yours on.
02:46I had it in the office.
02:48Sometimes, I turn it on to read his messages.
02:52Somehow, it makes me feel better
02:54and makes me forget he's dead.
02:58I even had the illusion
02:59that he was going to come in through the door at some point.
03:03Even if it hurts, you have to get rid of that phone.
03:07Juan Pablo is no longer with us and he'll never come back.
03:11I should've never answered that call.
03:13But I was so surprised
03:15that I didn't know how to react
03:16when I saw his number on the screen.
03:19I got so excited.
03:21You have to find out who made that call.
03:24Couldn't you ask the phone company?
03:27I don't know. I guess I could.
03:30But I might as well not do it.
03:31If I get investigated, I'll raise suspicions
03:33and leave more clues.
03:38Sweetie, what are you doing here?
03:41Why didn't you go to the office?
03:42Charo called to tell me he wasn't feeling well last night.
03:47I came to pick her up at the doctor's.
03:49What's wrong?
03:50What do you mean what's wrong?
03:53His blood pressure dropped,
03:54but the doctor gave him some medication.
03:57Are you feeling better now?
03:58Yes. Yes, I am.
03:59Thank you, sir.
04:00You should've told me.
04:01I would've taken you to the doctor.
04:03I didn't mean to bother you.
04:05When you need something, at least let me know.
04:08Health isn't a game.
04:10Yes. Fortunately, it wasn't serious.
04:13Thank you very much for your concern.
04:14Don't mention it.
04:16What did you make for lunch?
04:18I'm sorry, but I didn't make anything
04:20since we went to the doctor's.
04:22If you don't mind, I made yesterday's picadillo.
04:25And I can quickly make you
04:27the spaghetti alla bolognese you like so much.
04:29That's fine. Don't worry.
04:31Take your time.
04:32Thank you.
04:33Let's have a snack while the food is ready.
04:40Do you want a glass of water?
04:42Yes, thank you.
04:45What did Charo take in that suitcase?
04:48Obviously, something that compromises his lover.
04:52That's why he had him pick up whatever he took.
04:56The mistake we made was to have made that call.
05:00We put it on notice.
05:01We should've gone yesterday.
05:02Why didn't I listen to you?
05:04Don't complain.
05:05We'll figure something out.
05:07Yes, but we're at the beginning.
05:09We still don't know who it is.
05:11But we have to find out.
05:14Do you know if there was a guest list
05:16of that night when he was murdered?
05:18Yes, I made it. Florencia asked me to.
05:21Please tell me you have it at home.
05:23I can go see Gabriela and ask her to give it to me.
05:26I left it on the desk at the construction site.
05:29I brought a copy of it.
05:30I don't know where it is.
05:32I don't know where it is.
05:35Try to remember the names on that list.
05:38I only remember a few names.
05:41Mrs. Requena,
05:44Los Cano,
05:46the Patiño sisters, Enrique Pacheco,
05:49Daniel Vega,
05:51Ángel Bolaños and his wife.
05:53I don't remember the rest.
05:55I don't remember the rest.
05:57I don't remember the rest.
05:59I don't remember the rest.
06:01I don't remember the rest.
06:03Ángel Bolaños and his wife.
06:07Víctor Trejo and...
06:09No, those are all I remember.
06:11There were a lot of women that night.
06:13It could have been any of them.
06:15What?
06:17Juan Pablo was gay and only used Verónica as a screen?
06:20I hadn't thought about it until now.
06:22But there is a possibility.
06:25Maybe that was the reason why he deposited
06:27those $15,000 a month to Charo.
06:29It was his cover.
06:31I don't know what to think.
06:33I saw him with a woman once
06:35and she asked me to be very discreet
06:37so that Verónica wouldn't start a scandal.
06:39You never know.
06:41It could have been bisexual.
06:43The only way to find out
06:45is to find out who Charo was talking to.
06:47How are we going to find out?
06:49I'm going to ask Sofia to intervene
06:51on Charo's cell phone.
06:53It's a long process,
06:55so we have to be patient.
06:57If we had followed Charo, we wouldn't have to wait.
06:59I remind you that you are a fugitive.
07:01Your attitude is not helping at all.
07:03You were about to confront Charo.
07:05If I don't stop you, who knows what you would have done?
07:07That woman knows you
07:09and for her you are Juan Pablo's killer.
07:11So if you want me to keep helping you,
07:13everything we do from now on will be my way.
07:15Okay?
07:17Yes.
07:19Okay.
07:21I'm leaving.
07:23Keep me informed of what Sofia tells you, okay?
07:25Sure.
07:28Thank you.
07:34How did it go with Vicente yesterday?
07:36Good, very good.
07:38We were able to talk calmly.
07:40He didn't take the bait?
07:42Not at all.
07:44Apparently, the relationship with Gabriela is good for him.
07:46He looks very balanced.
07:48I apologized for my behavior at the bar
07:50and that made him lower his guard.
07:52Are you going back to live with me?
07:54No, Dad.
07:56I think for now it's better not to insist.
07:58Give him time.
08:00Let him live what he has to live.
08:02We'll see later.
08:04For now, he looks very happy.
08:06How can he not be happy?
08:08He has his whole life ahead of him.
08:10He's a kept man.
08:12What he should do is cancel the credit cards.
08:14Let's see if he realizes how important it is
08:16to have a family that supports him.
08:18I don't think that's the solution.
08:20He told me he can't live with you
08:22because you don't get along.
08:24You impose your rules on him
08:26and if you cancel the cards,
08:28you're giving him the reason.
08:30We have to be smarter.
08:32Let's see.
08:34What do you suggest?
08:36We have to keep the enemy close.
08:38Join them instead of rejecting them.
08:40I don't understand you.
08:42What do you mean?
08:44Win over Gabriela.
08:46Make her feel that you also think
08:48that she has nothing to do
08:50with Lorena being a murderer.
08:53How dare you?
08:55I don't want her sister close to my family.
08:57Do you understand?
08:59You want to get my brother back, don't you?
09:03It's a strategy, Dad.
09:05It's not about feelings.
09:07We should have Gabriela on our side.
09:16I went to the bank.
09:18I deposited the money.
09:20What do you have?
09:22You look sad.
09:24What are you thinking?
09:26I can't stand that woman living in the house.
09:28I know it's hard for you,
09:30but she's your mother.
09:32The more I think about what she did,
09:34the more I hate her.
09:36Make an effort to forgive her.
09:38Like she said, she already paid her sentence.
09:40That doesn't get me my father back.
09:42I want her to leave.
09:44You can't fire her because it's her house.
09:46We can buy it.
09:48With what money?
09:50What are you talking about?
09:52With what we make at the bar
09:54and how little we have saved,
09:56we can't afford it.
09:58Then we leave.
10:00Of course not.
10:02With all the work we've had to do,
10:04now that it's a profitable business,
10:06I'm not leaving.
10:08I'm not leaving, Dario.
10:10Find another solution.
10:12Or learn to put up with your mother.
10:16What do you want me to do with the things in the suitcase?
10:19We have to get rid of everything.
10:21In the meantime, hide it
10:23and let you know when I can pick it up.
10:25As you wish.
10:27Thank you.
10:29Believe it or not,
10:31it affected me a lot to see the things I had with Juan Pablo.
10:33Yes, we'll talk about it later.
10:37Who were you talking to about Juan Pablo?
10:39With Charo.
10:41He got it in his head
10:43that we should put up an altar where he died
10:45to remember him.
10:47You're right.
10:49How could he think of something like that?
10:51The only thing that would cause
10:53is that we all remember his body in the water.
10:55That's right.
10:57I understand that Charo appreciated it a lot,
10:59but I'll have to find another way to convince her
11:01that it's not a good idea.
11:03There are other ways to remember Juan Pablo.
11:05Do you need anything?
11:07Yes, I need you to give a good look
11:09at this bid.
11:17Here you go.
11:19Thank you.
11:31I want to talk to you.
11:33Yes, of course.
11:35What do you want to talk to me about?
11:37The situation between us is unsustainable.
11:39It's getting harder and harder for me to be here.
11:41I would like to tell you
11:43that I'm leaving your house,
11:45but it's been very hard for me to start this business.
11:47I don't want you to leave it either.
11:49I wouldn't allow it,
11:51but...
11:53Son, I don't have a place to live.
11:55I want to buy it for you.
11:57I have some savings
11:59that I would immediately give you
12:01with a loan,
12:03mortgaging the house.
12:05With that money, you can buy a property
12:07and you would have enough to live comfortably.
12:09You'll never forgive me
12:11no matter how many times I explain to you
12:13what I did to you.
12:15I don't believe you.
12:17So don't tell me again that my father mistreated you.
12:19You killed him
12:21and ruined my life.
12:23How can you say that?
12:27Accept my offer.
12:29You and I can't live
12:31under the same roof.
12:33Ready, Dad?
12:35Yes, I'm ready.
12:37Let's go play soccer in the park, Grandma.
12:39Do you want to come with us?
12:42No, son. You go.
12:44Have fun.
12:46Let's go, Dad.
12:48Let's go.
12:50I'm here.
12:52That's great.
12:54How did it go?
12:56Good, Azex.
12:58We found out that Charo
13:00was the one
13:02who killed my father.
13:04I'm so happy.
13:06I'm so happy.
13:08I'm so happy.
13:10I'm so happy.
13:12I'm so happy.
13:14I'm so happy.
13:16I'm so happy.
13:18We found out that Charo,
13:20the woman who works at Mr. Arturo Marquez's house,
13:22knows who Juan Pablo's lover is.
13:24That's great news.
13:26Alejandro will finally be able to prove
13:28that he's innocent.
13:30I hope so, but no.
13:32For that to happen,
13:34we have to find out who it is.
13:36I don't understand.
13:38You just told me that Charo
13:40knows who the lover is.
13:42She does, but we don't.
13:44Now we have to wait for Sofia,
13:47listen to their conversations,
13:49and find out who they're covering up.
13:51So they didn't find out?
13:53Then how did they do it?
13:55We went to the house where Juan Pablo
13:57had his meetings with his lover.
13:59When we were there, Charo came with a suitcase
14:01to take everything he had.
14:03They're crazy.
14:05They could've found out.
14:07We never imagined Charo would come.
14:09We had to hide so he wouldn't see us.
14:11When she left, I wanted to follow her,
14:13but Alejandro stopped me.
14:15If she had realized you were following her,
14:17she would've called the police
14:19and you'd be in jail.
14:21Alejandro would be in big trouble.
14:23I know. He told me the same thing.
14:25I understand he's doing this to protect me,
14:27but I can't wait for Sofia
14:29to see Charo's cell phone.
14:31I have to do something.
14:33What's on your mind?
14:35I'm going to the Marques' house
14:37to get that suitcase.
14:39No, please don't.
14:41You'll get into trouble.
14:43You're probably right,
14:45but how are you going to get into that house
14:47without anyone noticing?
14:49When I get there,
14:51I'll figure out a way to get out.
14:53What you want to do is very risky.
14:55I know,
14:57but I'm determined to take the risk
14:59to prove I didn't kill Juan Pablo.
15:09What's wrong with you?
15:12What's wrong with you?
15:20That's not what we agreed on.
15:22I don't know where you're going
15:24to get the money to pay him.
15:26I'm going to mortgage the house.
15:28But if what we get at the bar
15:30isn't enough to pay the monthly rent,
15:32you'll end up losing the house.
15:34That means ruin for us,
15:36after all the effort we've made to start the business.
15:38No, don't worry.
15:40What I want is to hurt my son,
15:42but we can't keep living together.
15:44It's not healthy for either of us.
15:46He can't stand me.
15:48And it hurts me every time I think about it.
15:50Well, given the circumstances,
15:52it's best if you leave the house.
15:54Excuse me.
16:10But it was his freedom.
16:12He couldn't take it anymore.
16:14He only saw time pass.
16:16Thinking about how you deceived him,
16:18you left his heart ready to fight.
16:20Because it's too late.
16:22Subjectives looking for the same way out.
16:24Having the same sentence
16:26that prevents life from taking a risk.
16:28And now we had to lose.
16:30Subjectives looking for the same way out.
16:32We had a very bad start.
16:34But this is a new bet.
16:36Because the freedom
16:38Because the freedom is yours
16:43The freedom is yours
16:49Live one day at a time
16:52There's no time to lose
16:54Because in this prison
16:56You can't hear the wind
16:58You'll never trust
17:00Or surrender
17:02What you feel, you always have to take it inside
17:04There's no weakness
17:06There's nothing to show
17:08Here I say it and here I deny it
17:14Subjectives looking for the same way out.
17:16Having the same sentence
17:18that prevents life from taking a risk.
17:20And now we had to lose.
17:22Subjectives looking for the same way out.
17:24We had a very bad start.
17:26But this is a new bet.
17:28Subjectives
17:30Subjectives
17:32Subjectives
17:34Subjectives
18:05It can't be, but this is your house.
18:07Do you want to live with your family?
18:09You can't run it like this.
18:11It's not superior, don't leave.
18:13And what do you want me to do?
18:15My son doesn't want me to live here anymore.
18:17He even proposed to mortgage the house to buy it.
18:19But Carmen just told me
18:21that they can't pay me the rent.
18:25And then Carmen is going to help you stay?
18:27No.
18:29She wants me to leave the house just like that
18:31so they can live in peace.
18:33You have no shame.
18:35How could you?
18:37So you'll stay on the street and they'll live in peace here?
18:39No, superior.
18:41She can't accept that.
18:43If she doesn't want me here, it's best if I leave.
18:45She said she hoped I would never come back.
18:47Well, I don't think it's fair.
18:49This is your house.
18:51Only on paper.
18:53Who has lived here
18:55and set up a business that has taken a lot of work
18:57to build has been Dario.
18:59What is not fair
19:01is that I come here to ruin his life.
19:03And where is Dario now?
19:05He went to the park with Matias.
19:07I'm going to talk to him.
19:09No, no, no, please.
19:11Don't get involved.
19:13If Dario finds out that I told him, he's going to be upset.
19:15And I don't want any more conflicts.
19:17Don't worry, superior.
19:19I'm not going to tell him anything.
19:21I'm just going to try to make him think, okay?
19:31Hola, flag.
19:35¿Qué pasó? ¿Qué pasó?
19:37¿Por qué lloras?
19:39Me quedé sin trabajo.
19:41Mi puesto se lo van a dar
19:43a una hijada de la dueña.
19:45Mi amor, no te preocupes.
19:47¿Cómo no me voy a preocupar?
19:49¿Dónde voy a encontrar otro trabajo
19:51que me permita ir a la escuela en la mañana?
19:53Algo aparecerá.
19:55Por el dinero, no te preocupes.
19:57Yo me hago cargo de los gastos de la casa.
20:00¿Y con lo que te pago del cuarto
20:02vas a tener dinero para tus cosas?
20:04No, es que no es justo para ti.
20:06Solo te toca pagar la mitad
20:08de los gastos de la casa.
20:10Sería temporal.
20:12Ya, ya, flaquita.
20:14Deja de preocuparte.
20:16Tú eres muy lista y responsable.
20:18En menos de lo que piensas, vas a encontrar algo.
20:20No, es que desde que mi hermana
20:22fue a dar a la cárcel, mi vida son puros problemas.
20:24Si no fuera por ti.
20:36¿Vino a trabajar, Vicente?
20:38No.
20:42Necesito que me dé la dirección
20:44de la casa de Gabriela.
20:46¿Para qué? ¿Qué piensas hacer?
20:48Me voy a unir a mi amigo.
20:50Exactamente como tú me lo dijiste.
20:52Pero lo voy a hacer en grande.
20:54Vive en la colonia Escandón.
20:56En la calle
20:58Comercio
21:00Número 12
21:02Departamento...
21:06No se vale, pa.
21:08Van ocho hueles que te meto y te dio en la luna.
21:10Disculpame, ando muy distraído.
21:12¿Por qué?
21:14¿Porque te peleaste con la abuela?
21:16¿De dónde sacas eso?
21:18¿A poco crees que no me he dado dinero?
21:21¿A poco crees que no me he dado cuenta
21:23que no se llevan tan bien?
21:25Tranquilo, hijo.
21:27Es muy complicado, pero no es asunto tuyo.
21:29Me choca que a veces me trates como un niño
21:31y luego me exiges como un adulto.
21:33¿Cuándo te he exigido que te comportes como un adulto?
21:35¡Claro que sí!
21:37Me ves sacar la basura, meter la ropa en la lavadora,
21:39ayudarte a limpiar el bar.
21:41Eso no es comportarte como un adulto.
21:43Son tareas de la casa que hay que cumplir.
21:45Pues yo me considero suficientemente adulto
21:47para entender lo que está pasando entre la abuela y tú.
21:49Quiero que me digas por qué no te cae tan bien
21:51si es tan buena onda.
21:53No le he perdonado que me abandonara dejándome con mis abuelos.
21:55Pero papá,
21:57se tuvo que ir a La Paz para trabajar,
21:59para tener dinero, para mantenerte.
22:01Pero ahora lo único que quiere es estar contigo.
22:03No es tan fácil.
22:05Mejor juguemos.
22:07¿A eso venimos?
22:09No voy a dejar que me metas ni un gol más.
22:11Ni uno.
22:13A ver si es cierto.
22:15Tírale.
22:17Ok.
22:19Ahí va, ¿eh?
22:33Tíralo.
22:35Tíralo.
22:37Tíralo, tíralo.
22:39Aquí.
22:41Aquí, buena.
22:47No queda tanto.
22:49Esto.
22:59Está aquí.
23:01Ya queda.
23:13Ya di la orden
23:15y trasladen a la detenida al reclusorio de Santiago.
23:17¿Cuando la interrogaste,
23:19¿te dijo algo de las otras prófugas?
23:21No, nada.
23:23Según ella, desde que se fugó siempre anduvo sola
23:25y a salto de mata.
23:27¿Le creíste?
23:29Da igual si le creí o no.
23:31Si me mintió, no hay manera de comprobarlo.
23:33¿Cómo se te ocurre mandar un mensaje al grupo
23:35para avisarme que ven a agarrar otra prófuga?
23:37No entiendo qué le molesta.
23:39Usted fue el que dio la orden de que todo lo relacionado
23:41con las prófugas lo enviáramos a ese grupo.
23:44Sí, efectivamente.
23:46Pero las cosas importantes me las comunicas a mí primero.
23:50¿Cómo la atraparon?
23:52Seguramente fuera esa línea telefónica
23:54de denuncias anónimas que implementé, ¿verdad?
23:56Pues se equivoca.
23:58A esa línea solo han marcado
24:00para hacer bromas.
24:02Se le detuvo porque Laura Rodríguez
24:04asaltó una pollería en Tlahuac
24:06y unos vecinos dieron aviso.
24:08Los patrulleros de la zona
24:10que la detuvieron le identificaron
24:12como una de las prófugas
24:14y la trajeron para acá.
24:16Si fue así, seguro fue por los elementos
24:18que pedí como apoyo extra para el caso.
24:20Por eso llegaron tan rápido.
24:22¿Qué, no escuchó?
24:24El comandante Rojas le acaba de decir
24:26que fueron unos patrulleros de la zona
24:28los que la detuvieron.
24:30Hasta el momento, los elementos que usted pidió de apoyo
24:32no han logrado capturar a ninguna prófuga.
24:34Bueno, como haya sido, es igual.
24:36Lo que importa es que atrapamos a otra prófuga
24:38estando yo a cargo del caso.
24:40¡Vaya cinismo el suyo, papá!
24:42¡Como si le hubiera movido un dedo!
24:52¿Sigues triste por lo del trabajo?
24:54No estoy triste, estoy preocupada.
24:56Ya te dije que por ahora
24:58no debemos preocuparnos.
25:00Ya saldrá algo.
25:02¡Hambre no vamos a pasar!
25:04Te lo prometo.
25:06Y ya que no tienes que ir,
25:09estoy pensando
25:11en invitar a unos amigos a jugar cartas.
25:13¿Te late?
25:15¿Para que te anime?
25:17Está bien.
25:19Preparamos unas botanas, cerveza y listo.
25:21Va a estar divertido, vas a ver.
25:25¿Esperas a alguien?
25:27No.
25:35Buenas tardes.
25:37Buenas tardes.
25:39Estoy buscando a Vicente.
25:41Sí, claro, pase.
25:43Gracias.
25:47¿Qué se te ofrece?
25:49Vengo en son de paz.
25:51¿Podemos hablar?
25:53Los dejo para que hablen tranquilos.
25:55No, no, no, flaca, quédate.
25:57No es necesario que te vayas.
25:59Gracias.
26:01Ah...
26:03Quiero saber
26:05por qué te fuiste de la casa y dejaste la empresa.
26:07Papá, ¿qué caso tiene?
26:09Tenemos muy mala relación.
26:11No me gusta cómo me tratas ni a la casa ni a la empresa.
26:13¿Qué es lo que te molesta?
26:15Quieres que haga todo a tu modo,
26:17como cuando tú lo dispones, no me respetas
26:19y me tratas como un tonto.
26:21Por eso es mejor que estemos alejados.
26:23¿Ya acabaste?
26:25Sí.
26:27Bueno, ahora escúchame a mí.
26:30Si estoy equivocado, podemos hablar
26:32y créeme que voy a hacer lo posible por cambiar.
26:34Han habido muchos malos entendidos
26:36entre nosotros desde que regresaste de Buenos Aires,
26:38pero todo tiene remedio.
26:42Llevamos mucho tiempo separados
26:44y quiero recuperar el tiempo perdido.
26:46Créeme, estoy dispuesto a poner
26:48todo de mi parte para lograrlo.
26:50Si no quieres vivir conmigo,
26:52sabía, lo entiendo,
26:54pero no tienes por qué dejar de ir a la empresa.
26:56Finalmente será tu patrimonio
26:58y tienes que entender
27:00todo su funcionamiento, hijo.
27:04Discúlpame por haberte juzgado.
27:06No debí hacerlo.
27:08Ya no me voy a oponer a que sigan juntos.
27:10¿En serio?
27:12Claro.
27:14Quiero que nos olvidemos del pasado
27:16y empecemos de nuevo.
27:18Como dicen, hechos son amores
27:20y no buenas palabras.
27:22Los invito mañana a desayunar a mi casa.
27:24Anímense.
27:26Vamos a pasar un buen rato.
27:28¿Tú qué piensas?
27:30Lo que tú decidas está bien.
27:32Es tu familia.
27:34Ándale, hijo.
27:36Pon de tu parte.
27:38Estoy haciendo un esfuerzo por llevarnos bien.
27:40Espero que tú también.
27:42Está bien.
27:44Mañana nos vemos para desayunar.
27:46No se diga más.
27:48Me da gusto que hayas aceptado.
27:50¿Qué llevamos?
27:52Absolutamente nada.
27:54Con su presencia será más que suficiente.
27:56Nos vemos mañana.
28:00Hijo.
28:02Allá estaremos.
28:04Lo acompaño.
28:06Gracias.
28:14¿Puedo jugar con ustedes?
28:16¿Sabes jugar?
28:18Of course.
28:21Era delantera.
28:23A ver quién mete más goles.
28:25¿Va?
28:27¡Gol!
28:29¡Gol!
28:31¡Gol, gol, gol!
28:33¡Gol, Víctor!
28:35¡Gol!
28:37Me encanta el fútbol.
28:41¡Mati, ven!
28:43¡Eso, eso!
28:45¡Casi!
28:47¿Va, Mati?
28:49¿Listo?
28:51Ahí se va, ahí se va.
28:53¡Golazo!
28:57Oye.
29:01¿De verdad te parece bien ir a desayunar mañana con mi papá?
29:03Pues sí.
29:05Quiero que estés segura.
29:07No importa que hayamos aceptado.
29:09Puedo decirle que lo pensamos bien y no vamos.
29:13Por ningún motivo quiero que te sientas incómoda.
29:15No, no, no. Está bien.
29:17Vamos.
29:19Me pareció que tu papá fue sincero.
29:21Pues sí. Aunque hay que irse con cuidado.
29:23Con él nunca se sabe.
29:25¿Estás dudando de haber aceptado?
29:27No. Lo digo por ti.
29:29Yo no tengo problema con tu familia.
29:31Son ellos los que tienen problema conmigo.
29:33Por ser hermana de Lorena.
29:35Para eso que eso ya no les importa.
29:37Entonces no hay ningún problema.
29:41Es bueno que convivamos con tu familia.
29:43Finalmente vivimos juntos y somos novios.
29:47¿O no?
29:49Claro que sí. Más que novios.
29:53Eres mi vida.
29:55Tampoco exageres.
29:57Voy a llamar a Kiko.
29:59Es bueno para jugar cartas.
30:01Pero a tus amigas del antro no. Por favor.
30:03No te preocupes.
30:05Solo a Kiko, a Octavio y a Adela.
30:07Te va a quedar bien. Ustedes como tú.
30:09¿Y cómo soy yo?
30:11Linda y sencilla. Nada frívola.
30:13Y eso me encanta de ti.
30:17Hola, Kiko.
30:19¡Gol!
30:21¡Gol!
30:23Muy bien, Mate.
30:25Confirmado, papá.
30:27Eres malísimo.
30:29No, lo mío no es la portería.
30:31Ya.
30:33Ya no puedo más.
30:35Ay, Dios mío.
30:37¿Qué energía, Mate?
30:39No me diste ni un respiro.
30:41No aguanta nada.
30:43¿Vamos por un helado?
30:46¿Vamos por un helado?
30:48Al rato. Dame chance.
30:50Entonces voy solo.
30:52Sí, pero ve a la heladería que está aquí en la esquina.
30:54No te tardes. Ven.
30:58Qué buen ejercicio.
31:00Me quedé exhausta.
31:02Matías es imparable.
31:04Si fuera por él, jugaríamos todo el día.
31:06Ay, bueno, está muy joven. No compares.
31:08Me estás diciendo viejo.
31:10¿Comparado con él?
31:12Sí.
31:16Vi a tu mamá muy triste hace rato.
31:18Se me hizo muy raro. Ella siempre es muy alegre.
31:20Sí, van muy bien con ella, ¿verdad?
31:22Ay, pues, ¿cómo no?
31:24Sí se ha portado de lo mejor.
31:26A ver, no cualquiera comparte su cuarto
31:28con unas desconocidas.
31:30Es una mujer muy generosa.
31:32Por eso es que me pesa tanto verla triste.
31:34¿Pasó algo entre tú y ella?
31:36Prefiero no hablar de eso.
31:38Eso no es un asunto familiar.
31:40Te entiendo.
31:42Pero si te sirve de algo saberlo,
31:44lo más importante del mundo para la señora Marta
31:46es tener una buena relación contigo.
31:48¿Te contó lo que hizo?
31:50¿El motivo real por el que no nos llevamos bien?
31:52No.
31:54¿No? ¿Qué hizo?
31:56Algo muy grave.
31:58Así que, con todo respeto, te pido que mejor
32:00no te inmiscuyas.
32:02Lo siento.
32:04Yo solo quería...
32:06Entiendo que tus intenciones son buenas.
32:08Sí.
32:10Pero no quiero hablar de los problemas que tengo con mi mamá.
32:12Está bien.
32:14Y discúlpame.
32:16Yo solo quería ayudar.
32:18La mejor forma de ayudar
32:20es no metiéndote.
32:28Adelante.
32:32Vengo a decirte que cayó otra prófuga.
32:34Se llama Laura Rodríguez.
32:36Qué bien.
32:38Te felicito.
32:41Gracias por dejarme a cargo del caso.
32:43Apenas lleva unos días y ya cayó la primera prófuga.
32:45Y van a seguir cayendo más.
32:47Todo lo que he implementado
32:49está dando resultados.
32:51Me da gusto que no se estén malgastando los recursos.
32:53¿Le digo a la prensa que venga
32:55para darle la noticia?
32:57No, no. Si les avisas, no te la vas a poder sacar de encima.
32:59No estaría mal.
33:01A mí no me importaría.
33:03Al contrario, que se sepa lo bien que hacemos el trabajo.
33:05Haz lo que quieras, pero a mí no me involucres.
33:11Dígate que quiero aclarar algo,
33:13porque por redes me están preguntando mucho el tema.
33:23Buenas noches.
33:25No te esperaba.
33:27Andaba cerca de aquí y se me ocurrió
33:29venir a ver al abogado más guapo de la ciudad.
33:31Gracias por el piropo.
33:33Pero quedamos que me ibas a llamar antes de venir.
33:35Te recuerdo que mi casa
33:37también es mi lugar de trabajo.
33:39Puede que esté ocupado.
33:41¿Esperas a alguien?
33:43No, en esta ocasión no.
33:45Pero me gustaría que respetemos nuestros acuerdos.
33:47Está bien.
33:49Para la próxima prometo llamar
33:51antes de tocar el timbre.
33:53Pásale.
33:55Estaba por ver una película
33:57e iba a pedir algo de cenar.
33:59Ay, sí. Me agrada la idea.
34:03¿Qué te parece un...
34:05sushi?
34:07Sí, qué rico.
34:09No he dejado de pensar en lo que me dijiste.
34:11¿Qué tanto has pensado?
34:13Pues no sé, si haces bien en arriesgarte.
34:15Esa familia te hizo mucho daño.
34:17Si te llegan a cachar
34:19dentro de su casa, te vas derechito al reclusorio.
34:21Mejor piensa cosas positivas, ¿sí?
34:23No me eches la sal.
34:27¿De qué hablan?
34:29Pues de lo que piensa hacer Lorena.
34:31Perdón,
34:33pero quedamos que nada de secretos entre nosotras.
34:37Está bien.
34:39La única que no se puede enterar es Marta.
34:41Se preocupa mucho cuando salimos.
34:43Ya, no le hagas de emoción. Desembucha.
34:45Alejandro y yo descubrimos una casa
34:47en donde se veía Juan Pablo con su amante.
34:49Decidimos ir a investigar,
34:51nos saltamos, entramos, comenzamos a buscar...
35:07¡Lorencia, ya llegué!
35:23Llegaste temprano.
35:25Sí, desde que dejé el caso de las prófugas,
35:27la carga de trabajo ha despegado.
35:29¿Qué ha pasado?
35:31¿Qué ha pasado?
35:33¿Qué ha pasado?
35:35Desde que dejé el caso de las prófugas,
35:37la carga de trabajo ha disminuido mucho.
35:39Me da gusto.
35:41Y a mí más.
35:43¿Preparamos algo de cenar?
35:45Sí, sí.
35:47¿Qué se te antoja?
35:49No sé, hay que ver qué hay en el refri.
35:55Frida tiene razón,
35:57te vas a meter en la boca de Lobo.
35:59Olvídate de esa maleta.
36:01No, estoy segura que entre las cosas que guardó Charo
36:04es que era la amante de Juan Pablo.
36:06Ay, yo no seas necia, te van a descubrir.
36:08Para meterse en una casa sin que nadie te vea,
36:10hay que saber cómo moverse.
36:12Y a ti te falta malicia.
36:14Tráteno.
36:16No.
36:18No, no, a mí ni me vean.
36:20Sí, sí, por favor.
36:22Sí, ya, no te hagas el rugar y echarle la mano.
36:24Mira, si alguien puede hacerlo, eres tú.
36:26No, ¿de qué puedo? Puedo y con los ojos cerrados,
36:28pero no lo voy a hacer.
36:30¿Por qué?
36:32Ay, pero esto es diferente.
36:34Ayúdame, ándale, ¿sí?
36:36Ay, ¿quién lo iba a decir yo
36:38haciéndole favores a la Martillo, no?
36:44Hoy por ti, mañana por mí.
36:58Me dijo tu mamá que le propusiste comprarle la casa.
37:00No quedamos en eso, Darío.
37:02No nos podemos endeudar.
37:04Creo que no has entendido que no puedo seguir
37:06bajo el mismo techo con esa señora.
37:08Prefiero endeudarme de por vida.
37:10Pues sí, pero yo no.
37:12Entonces vámonos a vivir a otro lado y empezamos de nuevo.
37:14¿Y perder todo lo que hemos logrado?
37:16No, no, no, no, y no.
37:18No lo voy a permitir.
37:20La que se tiene que ir de aquí es ella,
37:22y ya se lo dije.
37:24¿Quieres sacarla de su casa y dejarla en la calle?
37:26Ay, no tiene por qué ser así.
37:29Tiene que vivir en un cuarto de huéspedes
37:31o donde ella se acomode.
37:33A ver,
37:35lo que queremos es que esté lejos, ¿no?
37:37Es la única manera que se vaya
37:39y pues haga su vida en otro lado.
37:43Se lo digo yo, prefieres hacerlo tú.
37:47Ay, no sabes cómo extrañaba estar en la casa esta hora.
37:49La verdad es que
37:51me la he pasado mucho tiempo en el trabajo.
37:53Ajá.
37:55Ahora estoy mucho más relajado.
37:57Y fíjate,
37:59he estado pensando que
38:01creo que es un buen momento
38:03para que la familia crezca.
38:05¿Estás hablando en serio?
38:07Sí.
38:09Tengo muchas ganas
38:11de tener un hijo contigo.
38:13No.
38:17Nada me hará más feliz.
38:19Ya había perdido las ilusiones
38:21de tantos problemas que hemos tenido.
38:23Pero ya estamos bien.
38:25Y creo que es un buen momento
38:27para intentarlo.
38:33Invité a Vicente y a Gabriela
38:35a desayunar mañana.
38:37Quiero que vengas.
38:39Ah, es mi papá.
38:41Nos está invitando mañana a un desayuno
38:43en su casa.
38:45No, mañana tengo una junta importante.
38:47Vamos.
38:49Está bien.
38:55¿Qué tal?
38:57¿Te gustó la película?
38:59Sí, mucho.
39:01Sobre todo cuando Jerry dio la vida por Emi.
39:03Así es el amor.
39:07Hablando de amor,
39:11¿qué significó para ti?
39:15Contéstame.
39:17Para mí es importante saberlo.
39:19Pero si la estamos pasando bien.
39:21¿Para qué hablar de eso?
39:24¿Por qué no?
39:26Porque...
39:28tal vez me gustaría hablar de otras cosas.
39:30¿Por ejemplo?
39:32Por ejemplo...
39:34de lo bien que se te ve esta camisa.
39:44Pensándolo bien,
39:46creo que te verías mejor sin ella.
39:54Ven acá.
40:06Me voy a dar un baño.
40:12Ya nos tenemos que ir.
40:14Estoy lista.
40:16Por favor, tengan mucho cuidado.
40:18Ay, no te preocupes.
40:20Conmigo al mando de la operación,
40:22nada puede salir mal.
40:24Eres muy confiada.
40:26En esto sí lo soy.
40:28Vámonos.
40:46Gracias por el aventón.
40:48Si ya decía yo
40:50que no podía fiarme de ti.
40:52¿Qué demonios haces con el abogado
40:54de las prófugas?
40:56¿Duermes con el enemigo o qué?
40:58No tengo por qué darle explicaciones
41:00de mi vida privada.
41:02Eso es lo que tú crees.
41:04Seguramente tienes información
41:06que no estás compartiendo.
41:08Los voy a interrogar a los dos.
41:10Entren.
41:12No vamos a entrar.
41:14No tienen ningún derecho a interrogarnos.
41:16Por supuesto que sí.
41:18Sería bueno que leyeras
41:20el artículo 400 numeral 2 del código penal
41:22para que te des cuenta
41:24que no nos puedes denunciar sin una prueba.
41:26Voy a tener que prescindir
41:28de tus servicios.
41:30Está más que claro que no puedo confiar en ti.
41:32Se va a quedar con las ganas
41:34porque esa decisión no le corresponde.
41:36Eso está por verse.
41:48¿Y ese idiota es tu nuevo jefe?
41:50Lamentablemente, sí.
41:54Lo siento por ti.
41:56Qué solidario.
42:06Vaya casita la de los Marques.
42:08A lo que vinimos,
42:10busquemos por dónde puedo saltarme.
42:12Sí, vamos a la parte trasera de la casa.
42:14Por allá va a ser más fácil saltarte la barba.
42:17Vamos a llegar al jardín.
42:19Es muy grande y ahí no te van a ver.
42:21Eso es todo, Martillo.
42:23Vamos.
42:29Es aquí.
42:33A ver.
42:39Con cuidado.
42:47Te quiero mucho pero lo primero
42:49siempre será mi libertad,
42:51mi juego.
42:53Amo el peligro y enfrento mis miedos.
42:55La adrenalina que me enciende el fuego.
42:57Te quiero mucho
42:59pero no me muero.
43:01No soy perfecta,
43:03no soy leyenda.
43:05Tampoco soy lo que la gente inventa.