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00:00You
00:30You
00:44Get out of my cerveza
00:46Mientras vamos pagamos me encantarÃa pero me acaba de llegar un mensaje pidiéndome que me presente de inmediato. No
00:53No
00:56Mi modo trabajo es trabajo lo dejamos para la próxima
01:02Estamos en contacto
01:07Gracias
01:23Y
01:51Bueno
01:52SofÃa Quintana
01:56Soy la detective Amanda Rojas necesito que hablemos
02:12El baño
02:14Y
02:21Voy por ti mañana temprano para deshacernos de las cosas
02:36Cuando apagar la luz
02:44Y
02:49Que descanses
03:14Por el momento no te puedo contestar déjame tu mensaje y me reportó
03:44Misimo bailando
03:47También oye o que pasa me siguen el paso y tú lo hiciste bastante bien estamos hechos el uno para el otro
03:54sà sà sà sà como pareja de baile
03:57pero podrÃamos probar algo más
04:01pues ya iremos viendo
04:03me la pasé muy bien tú
04:07también que descanses
04:14Igualmente
04:44Como
04:47Dormiste
04:48Pues bastante incómoda me estuvo durmiendo el pie toda la noche
04:52Haber es despertado para darte una pastilla pues pensé que se me iba a pasar pero no
04:58Ahorita te traigo algo de desayunar para que no te caigan el estómago vacÃo gracias
05:02No
05:11No es superior a como la extraño
05:15Apenas puedo creer que se haya ido este su casa que le pasa darÃo no se midió
05:20Pues espero que se dé cuenta de lo que hizo y reconsidere
05:24Hecho a su madre la calle por dios la despojo para que más que la verdad no nunca la valoró
05:30Y más le vale que lo reconsidere porque si no va a cargar con eso toda su vida
05:35voy a bajar a hacer el desayuno unos huevitos a la mexicana espero que me queden bien
05:40jamás como los que hacÃa la superior pero le voy a hacer la lucha
05:45yo te ayudo
05:48Te traje lo que encontré
05:51Para que te tomes la pastilla
05:54En cuanto esté el desayuno te lo traigo
05:57Oigan muchas gracias por preocuparse por mÃ
06:00faltaba más si la verdad es que me siento bien culpable si no hubiera sido por ayudarme no te hubiera pasado nada
06:06allá cálmate yo me ofrecÃa son gajes del oficio
06:11A ver
06:24Buenos dÃas
06:25donde fuiste anoche no te puedo decir vicente la verdad se siente feo no asà me dijiste tú ayer
06:32prefiero que hablemos de lo que sucedió que te comportes como un niño y que crees que soy de palo
06:36Pensé que nos tenÃamos confianza me decepcionaste algo me ocultas
06:41No es que te quiero ocultar algo es que no puedo decÃrtelo lo ves
06:44te das cuenta cómo me pones la cabeza a volar me pregunto con quién estabas hablando
06:48aquà le dices que lo quieres y por qué no me lo puedes decir
06:51tienes toda la razón
06:53debà haberte explicado en el momento entonces me vas a decir con quién hablabas
06:58sÃ
06:59con mi hermana lorena
07:01porque no me lo dijiste
07:03Cuál es el problema tú crees que te hubiera juzgado como te he dicho que no tengo contacto con ella
07:08me dio miedo que descubrieras que no era cierto además lorena me ha pedido que no le diga a nadie
07:13es muy riesgoso para ella y no quiero que por una indiscreción mÃa la vayan a descubrir
07:19cuántas veces quieres que te diga que yo no me voy a meter en el tema de tu hermana tampoco la voy a juzgar
07:25pues sà pero no quiero traicionar a lorena contándote que estamos en contacto
07:30más que le son martes le teme a tu familia
07:33Cuántas veces te he dicho que yo no tengo los mismos prejuicios que mi familia pero lo quieras o no eres un marqués
07:38y tú eres feliz con ellos y yo es contigo
07:41ayer me lo demostraron y por ningún motivo quiero que pierdas a tu familia por mi culpa
07:47No te olvides que para ellos yo sigo siendo la hermana de un asesino
07:50has visto cómo he defendido lo nuestro frente a ellos y no me da miedo perderlo si no te aceptan
07:56flaquita
07:57entiéndeme por favor me la paso mucho mejor contigo que con mi familia
08:02y me importa un comino lo que piensen los demás
08:05perdóname por favor no vuelvas a dudar de mà me dolió mucho
08:10como crees que va a tener otro novio que querÃas que pensara siendo tan bonita debe haber un montón de
08:16cuates que quieran todo contigo
08:20Vamos a tener que luchar mucho en contra de todos los que se oponen a que estemos juntos
08:25siempre va a haber alguien o algo te lo aseguro
08:29Pero para mà eso no importa para mà tampoco
08:36Qué quieres a desayunar dos analgésicos unos chilaquiles y dos litros de agua para ver si se me quita esta cruda que me está matando
08:51Listo yo se lo llevo tú siéntate a desayunar
08:55espera
08:57Lleva unas tortillas bueno ya voy a decir que tú se las mandas
09:04Te gustaron los huevos sà gracias pero sin que te ofendas los que hacÃa mi abuela son mejores claro que no me ofenda
09:12yo pienso lo mismo igual a tu abuela es misión imposible si ya terminaste me por tu mochila para que nos vayamos a la escuela
09:19Dejo a matÃas y regreso
09:21Yo voy al mercado a comprar algunas cosas que me faltan
09:24gracias por el desayuno
09:28La clÃnica dental gavito solicita recepcionista
09:33ay que bien requisitos
09:35ay entre de 20 y 30 años no pues aquà no
09:41despacho de contadores
09:51Buenos dÃas
09:53Buenos dÃas
09:56Anoche que me llamaste yo no tenÃa idea que eras tú
09:59¿Te acuerdas que nos conocimos el otro dÃa en casa de Alejandro?
10:02Asà es
10:04¿Qué se te ofrece?
10:06Hablar contigo sobre esto
10:09SofÃa Andrea Quintanar Jiménez alias margarita arroba 23
10:15Azucena arroba 10
10:17Begoña guión bajo 18
10:19Lili arroba 00
10:23Por lo que veo te gustan los nombres de flores
10:26Yo no tengo idea de lo que me estás hablando
10:28¿No?
10:29No
10:30Rosa triple X
10:32Alcatraz arroba guión medio
10:34Azalea arroba 33
10:37Es que qué buena imaginación la tuya
10:40DeberÃas de poner un invernadero
10:42Ay que graciosa
10:43Mira yo ya te dije que no tengo idea de que hablas
10:45Es inútil que mientas
10:47Eres una pirata cibernética
10:49¿Pirata cibernética?
10:52No de verdad parece que estoy hablando con mi abuela
10:55Si te vas a poner en ese plan
10:57Lo mejor es que dejemos la conversación aquÃ
10:59Y la retomamos en la fiscalÃa
11:01Frente a mis compañeros de la policÃa
11:03Estás perdiendo tu tiempo
11:05Porque tus amenazas a mà no me atemorizan
11:07Yo no he hecho absolutamente nada
11:09Trabajas para un hombre que está ayudando
11:11A una de las prófugas del penal de Santiago
11:13¿Alguna vez te ha funcionado
11:15Esa técnica tan burda de implicar a alguien
11:17En un delito asegurando que sea verdad?
11:20Yo trabajo para varias personas
11:22Consiguiéndoles información
11:24Y una de mis reglas
11:25Es no preguntar detalles de lo que me piden
11:27Y por supuesto tampoco los doy
11:29¿Por qué te pidió Alejandro
11:31Que investigase a Juan Pablo Correa?
11:33¿Eres sorda o qué?
11:35Te acabo de decir que no hablo
11:37De los encargos de mis clientes
11:38Pero esa información es importante
11:40¿Para quién?
11:42Mira
11:44Te voy a dar un consejo
11:46Si tú quieres que tu relación
11:48Con Alejandro prospere
11:50Deja de meterse en sus asuntos
11:53Con tu actitud lo único que vas a lograr
11:56Es alejarlo de ti
11:59Tengo muchas cosas que hacer
12:01Me voy
12:03Con permiso
12:05¿Estás segura de que aquà nadie nos va a ver?
12:07Es un despoblado, tranquila
12:25¿Estás segura de que aquà nadie nos va a ver?
12:27Es un despoblado, tranquila
12:35¿Estás segura de que aquà nadie nos va a ver?
12:37Es un despoblado, tranquila
12:43Ay, niña, son tus recuerdos
12:45¿Cómo te vas a deshacer de ellos?
12:47Tengo que hacerlo, no puedo dejar ni una evidencia
12:49De que yo tuve una relación con Juan Pablo
12:51Ay, mira
12:53¿Quieres verlas por última vez?
12:57SÃ
13:05SÃ
13:35Siento horrible, Charo
13:37Siento horrible
14:05Llegas tarde
14:07Ya sé
14:15Tu dinero
14:23¿Qué pasó, muñeca?
14:25No está completo
14:27Pues después te doy lo que falta
14:29No va a ser con lo que tú quieras
14:35No te muevas de aquÃ
14:37¿Qué pasó?
14:43A ver, ¿quién es ese tipo?
14:45¿Por qué le diste dinero?
14:47¿A ti qué te importa? Vete
14:49No me voy a ir hasta que me contestes
14:51No tengo por qué darte explicaciones de nada
14:53A mà se me hace que sÃ
14:55Sobre todo porque ayer te escuché hablando con alguien
14:57Y no te creÃa el cuento de la lavadora
14:59Y ahora te sorprendo dándole dinero a ese hombre
15:01¿Qué hubo?
15:03¿Y esta chulada quién es?
15:05Cecilia Ramos, mucho gusto
15:07El gusto es mÃo
15:09Soy Sergio, el marido de Perla
15:33La libertad
15:35La libertad
15:37La libertad
15:39La libertad
15:41La libertad
15:43La libertad
15:45La libertad
15:47La libertad
15:49La libertad
15:51La libertad
15:53La libertad
15:55La libertad
15:57La libertad
15:59La libertad
16:01Vive un dÃa a la vez
16:03Hay tiempo que perder
16:05Porque en esta prisión
16:07No se oye el viento
16:09Ya nunca más
16:11Confiarás ni te entregarás
16:13Lo que sientes siempre tienes que llevártelo dentro
16:15No hay debilidad
16:17No hay nada que mostrar
16:19Aquà lo digo y aquà lo niego
16:25Fugitivas
16:27Buscando la misma salida
16:29Teniendo la misma condena
16:31Pero en la vida se arriesga
16:33Y ahora nos tocó perder
16:35Fugitivas
16:37Buscando la misma salida
16:39Nos tocó llevar a la vida
16:41Pero esta es una nueva apuesta
16:45Fugitivas
16:51Me tengo que ir
16:53Te llamo más tarde para ponernos de acuerdo con lo que falta
16:59Fugitivas
17:01Fugitivas
17:03Fugitivas
17:05Fugitivas
17:07Fugitivas
17:09Fugitivas
17:11Fugitivas
17:13Fugitivas
17:15Fugitivas
17:17Fugitivas
17:19Fugitivas
17:21Fugitivas
17:23Fugitivas
17:25Fugitivas
17:27It's called Frida, isn't it?
17:29I'm not surprised. I already knew that.
17:31Why did you change the name? What are you hiding?
17:34Nothing. He likes to be called that.
17:36But don't try to fool me.
17:38Why are you giving money to your husband?
17:40Don't tell me you're giving him a pension.
17:43What I do or stop doing is not your business.
17:45Well, yes it is.
17:47And you know what?
17:49Since you're not going to tell me,
17:51I'm going to investigate it on my own.
17:53No, no, no. Wait, wait, wait.
17:55I'm begging you. No one can find out what you saw.
17:57Especially not Dario.
17:59Well, look. I'm going to keep the secret.
18:01But you will understand that this has a cost.
18:04Yes, yes, yes. We can reach an agreement.
18:10Well, I'm leaving.
18:11Where are you going?
18:12I'm going to see Gabriela.
18:14Oh, Lorena.
18:15I understand that you want to see her for your sister,
18:17but I think it's very imprudent that you pass her on the street.
18:20Talk to her on the phone. Why are you exposing yourself?
18:22What I need to tell her has to be in person.
18:25Yesterday, when they went to break into the Marquez house,
18:27it's crazy.
18:29Don't keep putting yourself at risk, please.
18:31If they had caught you,
18:32not only would you go to jail for theft of a murder,
18:35but they would also have accused you of theft of a house,
18:38a room, and how many more years they would have charged you.
18:41And so many more to you.
18:42But it didn't happen.
18:43Why so much bad vibes?
18:45Because until now Lorena has been very lucky.
18:47But that can change at any time.
18:49Please understand me.
18:51I know what I'm doing is not right,
18:53but I have to prove my innocence.
18:55It's not the same as going to jail.
18:57When you are guilty, you are innocent.
18:59I need to prove that I was unfairly judged.
19:03I understand.
19:04Me too.
19:06But there are friends who don't want to disappoint you.
19:09It seems to me that it will be impossible for you to get what you want.
19:12I'm going to keep fighting so it doesn't happen.
19:14What we have to do is leave the country
19:16as soon as Eric gets our new identities.
19:19And start a new life somewhere else.
19:21I agree.
19:31Good afternoon. What can I do for you?
19:33I came for the ad in which they request a receptionist.
19:36Are you interested?
19:37Yes. Marta Pineda to serve you.
19:40I'm very sorry to have brought you here.
19:42You have a good presentation,
19:43but we are looking for someone younger for the position.
19:46I understand.
19:48Thank you for receiving me.
19:55Hello.
19:58Why did you invite me here?
20:00We would have met at my house, as always.
20:02Because they can be watching us at your house.
20:04Who?
20:05Your girlfriend, Detective Rojas.
20:08Why would she be watching us?
20:11Last night she called me to ask me to meet her
20:13this morning at a cafeteria.
20:15She discovered several of the names I use on the network.
20:19And with that information she pressured you
20:21to tell her we were investigating?
20:24And it was straight to the point.
20:26She asked me what I wanted to know about Juan Pablo Correa.
20:30How does she know?
20:32Well, I asked her that same question.
20:36Of course.
20:37What?
20:39The other day, when we were at my house,
20:41I went in to put away some T-shirts
20:43and she probably started looking through the folder
20:45I left on the desk.
20:47Alejandro, what was in that folder?
20:49The phone records of Juan Pablo that you took me to.
20:54And she dared to look me in the face
20:56saying that she got a message and that she had to go back to the office.
21:00I'm an idiot.
21:01Well, with that you already have more than clear
21:03that you can not trust her.
21:07Thank you for helping us yesterday at the Marquez house.
21:13Only you dare to go into that house like a thief.
21:17What were you looking for?
21:19Something that Charo has of Juan Pablo's lover.
21:22I'm sure that girl was the one who killed him.
21:25And she is also someone who has something to do with the Marquez.
21:28I'm sorry, but you're obsessed with that.
21:30It's not an obsession.
21:32Gaby, I'm not obsessed.
21:34It's not an obsession.
21:36Gaby, the Marquez are bad people.
21:39Among them, they decided to blame me for the murder of Juan Pablo
21:42to cover someone who clearly cares a lot about them.
21:49I heard everything Florencia told you.
21:52Don't you realize that they are manipulating you
21:54by treating you so kindly?
21:56That's what they did to me.
21:58And look at me.
21:59For them, I went to jail.
22:01For whatever you want, get away from them.
22:03No, I'm not going to do it.
22:05Vicente is my boyfriend and his family has been very good to me.
22:08Gabriela, please.
22:10Open your eyes.
22:11They are covering the real murderer Juan Pablo.
22:14You are so determined to say that it was one of them.
22:17When it could have been anyone who was at that party.
22:20I'm sorry, but they have treated me very well.
22:22And I prefer to stay with that
22:24than to be thinking that they are covering the murderer.
22:27Do you think I killed him?
22:29No.
22:30But everyone believes it.
22:32I have to deal with being the sister of a murderer
22:34and worse, that she is a fugitive.
22:36Imagine how I feel.
22:39If I ask you to stay away from the Marquesas
22:41it's because I don't want the same thing to happen to you as to me.
22:43Don't worry.
22:45Don't worry anymore.
22:47I'm not a girl anymore.
22:48Since they put you in jail, I've had to do everything alone.
22:52Worry about your life.
22:54And stop doing nonsense like getting into the house of the Marquesas.
22:57Gabriela, you know I'm going to do that
22:59and more if necessary to prove my innocence.
23:01Don't tell me anymore.
23:02I don't want to know anymore.
23:04I beg you to leave me alone.
23:06Don't look for me anymore.
23:08No.
23:31I love you.
24:01Look, the first thing we have to do
24:03is verify the size of the box that we are going to use.
24:06It is important that there is not much empty space.
24:09In case there is, we are going to fill it like this, with this.
24:12Is it so that what is going to be sent does not move?
24:14Exactly.
24:16Then we are going to close the box,
24:18we seal it with cinnamon tape
24:20and finally we are going to paste the labels.
24:23Here it is important to verify that the data
24:25from both the recipient and the sender come.
24:28And that's it.
24:29Practically, that's all I would have to do.
24:32So the job is mine.
24:34That's right.
24:35If you are interested, the job is yours.
24:37Well, as long as it meets the requirements
24:39that they are going to ask you in Human Resources.
24:41What are those requirements?
24:43Oh, they are the usual ones.
24:44Birth certificate, proof of address,
24:47copy of official identification
24:49and letter of no criminal record.
24:59It's over.
25:09Good afternoon.
25:10Good afternoon.
25:11Could I use your phone to make a couple of calls?
25:14Yes, of course.
25:18Here you go.
25:19And if it's not a lot of trouble,
25:21can you give me the phone number
25:23so I can give it to my family?
25:25Yes, of course.
25:28Look, here's the phone number and the address.
25:31Yes, thank you very much.
25:41Hello?
25:42Hi, Frida. It's me.
25:44Superior!
25:46Where are you? Are you okay?
25:48Yes, yes, I'm fine.
25:50I'm at the hospital.
25:52Where are you? Are you okay?
25:53Yes, yes, I'm fine.
25:55I found a room in a pension in the Juárez neighborhood.
25:59Write down the address and the phone number, please.
26:01Wait a minute. I'm going to get some paper and pencil.
26:08I have it. I'm ready.
26:10Denmark, number 20.
26:12Phone number 5555659921.
26:19I have it.
26:20How are you?
26:21Fine?
26:22Yes, yes, everything is fine.
26:23We just miss you a lot.
26:24I miss you too.
26:26And MatÃas?
26:28Very well. He misses you.
26:30He says I don't get along with a Mexican like you.
26:33Send my regards to everyone.
26:36I'll call you later so you can tell me more about my grandson, okay?
26:39Okay.
26:40But before I hang up, tell me,
26:42do you have a job?
26:43No, not yet.
26:44But I'll find one.
26:46See you soon.
26:52Patricio Rojas, police chief.
26:54At your service.
26:56It's me, commander.
26:58Marta Pineda.
27:00Marta.
27:01Nice to meet you.
27:03Since you asked me to tell you where I was going to live,
27:06I wanted to tell you that I already found a pension in the Juárez neighborhood.
27:10That's great. I'm very happy.
27:12And did you find a job?
27:14Yes, I found a job.
27:17That's great. I'm very happy.
27:19And did you find a job?
27:21No, unfortunately not.
27:23I've been to several places that require people.
27:26And they all tell me they need younger people.
27:29And in the only place where they didn't put that objection,
27:32they asked me for letters of non-criminal record.
27:35I understand.
27:37But I'll find one.
27:38Although it's going to be hard for me.
27:40You know, I'm a vacancy in the prosecution.
27:42I could recommend it, but it's out of trend.
27:46Oh, no, I don't have any problem with that.
27:50Cleaning is a job as worthy as any other.
27:53Well, don't say more.
27:55Come to the police station right now.
27:57Yes, yes, I'm going there.
27:59Thank you.
28:03Elodia.
28:05Here's the phone.
28:07And thank you very much.
28:08Yes, you're welcome.
28:13Come in.
28:15What's wrong? Why are you crying?
28:17Gabriela doesn't want to know anything about me.
28:19She asked me not to look for her again.
28:21Did she tell you why?
28:22The Marques are manipulating her.
28:24Yesterday we went to her house.
28:25Lizette and I saw her.
28:26What?
28:27What do you mean you saw her at the Marques' house?
28:29Lizette accompanied me to look for the suitcase that Charo took.
28:32We thought everyone was going to be working on the construction.
28:34Do you realize what you did?
28:36I'm going to tell everyone.
28:38We thought everyone was going to be working on the construction.
28:40Do you realize what you did?
28:42Someone could have seen her.
28:44Did you check if there were security cameras?
28:47No.
28:48Then pray to God that there aren't.
28:51The day we went to Juan Pablo's lioness,
28:53we agreed that things were going to be done my way,
28:55but apparently you didn't care.
28:57I'm sorry, but I had to do it.
29:00For God's sake, Lorena.
29:01It's just that your behavior is unacceptable.
29:03I can't stand this.
29:05I'm sorry.
29:07It breaks my heart, but we've come this far.
29:09No.
29:10Please don't leave me alone.
29:11Enough.
29:12I have to go with Gabriela.
29:13She doesn't want to know anything about me.
29:15What am I going to do without you?
29:16Whatever you want.
29:17Like you've always done.
29:20I don't want to see you again.
29:26Okay.
29:27I won't bother you again.
29:38Come in.
29:43Welcome.
29:44I've already spoken to the HR manager.
29:47Let's have her introduce herself.
29:49You don't know how grateful I am for your help.
29:51You don't have to thank me.
29:53I do it with great pleasure.
29:56Seeing her around here every day will make me very grateful.
30:01Shall we?
30:02Let's go.
30:03Please.
30:08To the right.
30:13Where were you all morning?
30:15I need to tell you something urgent.
30:18What is it?
30:19What's so urgent?
30:21Last night, Nicolás and I kissed.
30:24What?
30:25Have you been seeing each other?
30:26Yes.
30:27Zucca invited him.
30:28Well, before that, I saw him on Easybook.
30:31He loves that place.
30:32So it was a plan with Maña.
30:35But it went really well.
30:37We had a great time.
30:39We danced like crazy.
30:40And when he took me home, we gave each other the best kiss of my life.
30:46I couldn't stop thinking about him all day.
30:53Don't you like it?
30:54You were the one who insisted that I have to start over.
30:58No, of course.
31:00Of course.
31:01I'm glad to see you so happy.
31:03It's important that you stopped hurting for Juan Pablo.
31:07I just hope Nicolás is just as excited as I am.
31:10I can't wait to see him again.
31:23Attorney Castillo?
31:25If I don't take the initiative to look for you,
31:27you won't be able to do it.
31:31What's wrong?
31:32Do you still have the nerve to ask?
31:34The last time you were here,
31:35you took advantage of the fact that I went into my room
31:37to keep my shirts so I could spit out all my papers.
31:40I've asked you many times to respect my work.
31:43What you did exceeded all limits.
31:45Why are you investigating Juan Pablo Correa?
31:47You're helping Lorena Martinez.
31:49Enough!
31:50What I do or stop doing is my business.
31:53Besides, what right do you have to threaten Sofia?
31:55Do you know that I can sue you for that?
31:57If there was something between us, it's over.
31:59I don't want to have anything to do with someone
32:01I have to take care of all the time.
32:04You better leave.
32:19Good morning.
32:21Good morning, Commander.
32:22Good morning.
32:28Do you need anything?
32:29No.
32:31I stopped because your face looks familiar,
32:33but I don't remember where.
32:35She interrogated me at the Santiago prison
32:37about the fugitives.
32:38I was the cook.
32:41What is this woman doing here?
32:43Can't you see?
32:45She's the new maid.
32:47Why was she hired?
32:49She fulfilled her sentence and needs to work.
32:52I don't see what the problem is.
32:55How dare she hire an ex-convict?
32:58What crime did she commit?
32:59Imprudent homicide.
33:01The function of the prison is to make the inmates reform.
33:05It also helps her learn a lot of tricks.
33:08I don't think it's a good idea to have her here.
33:10A lot of things are going to disappear.
33:12Good morning.
33:13I'm glad you're here.
33:15Do you see that woman?
33:17Yes. What's wrong with her?
33:19She's the new maid.
33:23What's so special about her?
33:24She's an ex-convict.
33:26You have to call Human Resources
33:28and order them to hire decent people.
33:32I don't think it's a bad idea to have her hired.
33:35It's hard for people who were in prison
33:37and fulfilled their sentence to rejoin society.
33:41I think it's a good way to set an example.
33:44Excuse me.
33:47I'm going to have to erase everything.
33:55Excuse me.
33:57That guy is the idiot I told you about.
34:00Don't worry, sir.
34:02I'll let her work. Excuse me.
34:04Have a good day.
34:17FAKE IDENTITY
34:48FAKE IDENTITY
34:56The number you have dialed is turned off.
35:01I don't want to be a party pooper,
35:02but if your sister hasn't turned on her cell phone,
35:05I doubt she's doing it.
35:07Is she doing it because she doesn't want to know anything about you?
35:17FAKE IDENTITY
35:30Not here.
35:32You look so sexy with that bra on.
35:34What do you think you're doing?
35:35FAKE IDENTITY
35:47FAKE IDENTITY
35:54Who is it?
35:56It's me, Ines.
35:57What are you doing here so early?
35:59I have a surprise for you.
36:01What is it?
36:05Passports and ID cards.
36:08Thank you. You're the best.
36:11FAKE IDENTITY
36:16Why did you name me Cecilia Diana Ramos del Campo?
36:21Did you just hit me?
36:22Doesn't that sound like a show-off?
36:25No.
36:26Hey, Angelina Jolie Padilla Soto?
36:28Don't make that up, Erick. No one's going to believe me.
36:30Yeah, isn't that fancy?
36:32Angelina Jolie.
36:34With that name, everyone will fall at your feet.
36:37You went too far with me.
36:39Why? What's your name?
36:41Julissa Constantina Montes del Pinar.
36:44Constantina? What a scary name.
36:47Hey, what's up?
36:48More respect. That's my mom's name.
36:50What do you think of mine?
36:52Estrella Anis Maldonado Gaucho.
36:55Anis Gaucho is a Brazilian poet.
36:57You're so cool.
36:59With this, we can go to Brazil.
37:01And become the girls of Ipanema.
37:03What a beautiful gem.
37:06Don't get too excited.
37:07We still have to save.
37:08Yeah, but we won't lose our dreams.
37:11Someday we'll be sunbathing in Copacabana.
37:14Drinking caipirinhas and dancing samba.
37:20Fugitiva.
37:38Fugitiva.
37:56What are you doing?
37:57I managed to get into my email.
37:59I was able to download the list of guests
38:01for the construction company's anniversary.
38:03I've discarded several, but...
38:05I still have a lot of names left.
38:07And what's that for?
38:08I want to know what relationship each of the guests had
38:10with Juan Pablo.
38:12Why do you worry about that?
38:14It's clear that the murderer is one of the Marques
38:16or someone very close to them.
38:18Yes, but I haven't found anything that proves who it was.
38:22Knowing what relationship each of the guests had
38:24with the Marques can help me discover many things.
38:27I wouldn't waste my time.
38:28And I would take revenge on all the Marques anyway.
38:31Oh, look.
38:33Look what I bought.
38:35Oh, no.
38:37Arturo Marques.
38:39Just looking at his face makes me nauseous.
38:41Here.
38:42When you read what the report says, you'll get worse.
38:54Can we talk?
38:55Come in.
38:59What can I do for you?
39:01I read the report you were made in the magazine Caras.
39:05You must be very proud to be recognized for your work.
39:08Of course.
39:09A little recognition isn't bad for anyone.
39:13And why did you talk so well about Gabriela Martinez?
39:16If you can't with the enemy, join him.
39:21Poor girl.
39:23Her only fault is being the sister of a murderer.
39:27Ah.
39:29So it's a strategy.
39:31That's right.
39:32Very good.
39:34Now I understand.
39:35I congratulate you.
39:37What a good idea.
39:38And I'm going to ask you to have the same attitude.
39:41I mean, if this girl is going to keep dating Vicente,
39:44the safest thing is that we have to live with her very often.
39:47My stomach is going to be upset.
39:49But count on me.
39:53Well, I'll let you work.
39:54Thank you.
39:55It was just that.
39:57Thank you.
40:02You can't blame someone for someone else's crimes.
40:05If my youngest son loves Gabriela Martinez, it's for a reason.
40:08She's not to blame for her sister being a murderer.
40:11As a father, all I want is the happiness of my children.
40:15This guy is a fraud.
40:17A manipulator.
40:19You see? You have to take revenge.
40:21Stop saying nonsense.
40:23Don't get involved, Lore.
40:24From what that man says, we know he's an idiot.
40:29Hey, let's go see the boss before DarÃo gets here.
40:33MatÃas is coming with us.
40:34He wants to see his grandmother.
40:36No, you guys go, please.
40:37Say hello to her for me.
40:39Tell her I love her very much, but I'm going through a very bad time and I don't want to go out.
40:45Come on, Lore.
40:46Don't keep torturing yourself with this.
40:49Things are as they are.
40:51We have to move on.
40:57Let's go.
41:06The water and electricity bills have gone up.
41:09And I still don't have a job.
41:11Thanks to what you pay me for the room, I can survive.
41:14But I've been counting the pesos at the end of the month.
41:18I feel very pressured.
41:20Let's do one thing.
41:21This month I pay everything.
41:23No, but...
41:24It's nothing.
41:25It's just while you find a job.
41:27What I least want is for you to live tense and pressured when I can relieve you.
41:32Thank you.
41:34Be patient and don't despair.
41:36You'll find a job.
41:38I hope so.
41:42And what does he tell me about his son?
41:44Have you talked to him lately?
41:46I haven't seen him.
41:47I'm letting him spend a little more time.
41:50I don't want to pressure him.
41:51Although there is not a single day that I don't think about him.
41:55Oh, I understand.
41:57When one becomes a father, everything revolves around their children.
42:01And she has my daughter.
42:03Although I see her every day, there is no time that I don't worry about her.
42:08She doesn't mind taking risks in order to get what she wants.
42:13You should talk to her.
42:14I've done it countless times and she doesn't listen.
42:18Children always end up doing what they want.
42:21What are we going to do to her? That's life.
42:41Start.
42:43Lorena, what are you doing?
42:44Start.