Sueños de Libertad - Capítulo 109
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00:00I
00:06Know I'm going to visit my mother. I'm going to take a look at you
00:10She can give me her phone number and I can talk to her directly.
00:14Are you taking me for a fool?
00:16Look, I trust my doctor and he's the one I'm going to talk to, not a...
00:20These are just some courtesy questions, I don't want to offend you.
00:23I have the honor to introduce you to Mrs. Patricia Lambert.
00:27I'm Jesús de la Reina.
00:29Nice to meet you.
00:32No, no, no, no, no, no, no, no, no, no, no, don't be so tense.
00:38You're burning!
00:40Nurse!
00:40Well, in that case, my wife and I will be delighted to accompany you and show you the jewels of our city.
00:47I had thought of something a little bit more...
00:50Petit comité? What's it called in Spanish?
00:52Intimate?
00:54Yes.
00:56What is that?
00:59I specify that the citizen of Spanish nationality, Mr. Valentín Merino Vázquez, passed away on March 26 in the city of...
01:05Help me, help me!
01:28The heart does not wait, it is asking for another chance.
01:34Dreams of freedom, although the past hurts.
01:38Start again, love whoever I want.
01:43Screaming is my truth, living without fear and without looking back.
01:58Dreams of freedom.
02:05Dreams of freedom.
02:20Really?
02:22Great.
02:24I'll send it to your office so you can examine the exon.
02:27Thank you, Urquijo, thank you.
02:29I owe you one.
02:34I just hung up on Dr. Urquijo.
02:36After half an hour on the phone.
02:38It seems that tomorrow he will be able to attend to Leonor.
02:40How nice. Let's see if he manages to give the diagnosis.
02:43Yes, I'm sure so.
02:45By the way, how did it go with Maria?
02:48Well, I wouldn't know how to tell you.
02:51Is there a problem with her pregnancy?
02:53It's just that it's hard to know.
02:55It's as if I don't want anyone to help her find out.
02:58Are you also ashamed?
02:59Ashamed? It's not the right word.
03:02She doesn't even want me to ask her four routine questions
03:05and she's completely defensive.
03:08Has she told you at least who takes her to Madrid?
03:10Or has she given you her phone number?
03:11No, I've only asked her, but she's very nervous.
03:14That if she wasn't a girl, that if she wasn't a fool ...
03:17Did she tell you that?
03:18Yes, and then she practically kicked me out of the house.
03:22Really?
03:23Yes.
03:24It's not normal for a first-timer to have that attitude.
03:28It's as if she wasn't excited about it.
03:31Do you think Andrés may have something to do with this?
03:34Andrés?
03:36Why?
03:38Well, I didn't tell you anything, but ...
03:40A few days ago he told me that he was in a bit of a hurry
03:43to have intimate relationships, being in his state.
03:46Well, those doubts are completely normal.
03:50Yes, but as much as to pretend to have the flu,
03:53so as not to sleep with him.
03:54Did he do that?
03:55Yes.
03:57Well, I don't think Andrés has any problem
03:59respecting his times or his desires.
04:01No, neither do I.
04:02In fact, that's what I told him.
04:03Talk to him and stop making things up.
04:05And how did he take it?
04:07I'd say fine, but ...
04:09I think he's still so upset about his pregnancy.
04:11I don't think he'll listen to me, I don't know.
04:13How strange everything is.
04:14Anyway, what a woman.
04:16Sorry, I was communicating.
04:19What's wrong?
04:20My mother has received bad news and she has fainted.
04:23Do you know if she has a pulse?
04:25Yes, but she doesn't react.
04:27Is she at home?
04:29I'm going there.
04:35Let's go.
04:36Jaime, do you mind if I go to see her?
04:39I'm practically her neighbor, she picks me up on the way.
04:41Yes, but ...
04:43Would you rather she do it?
04:45If you don't mind.
04:47I've had it before.
04:49Let me.
04:50Yes, yes, of course.
04:51Go ahead.
04:52Let's go.
05:14Thank you very much, Mrs. Fermin.
05:16I would like you to bring the chest and reconquer your husband in a Santiago.
05:19I hope you're right, daughter.
05:21I'm sure your husband is one of those who deserves the effort.
05:23Because there are every little gem out there.
05:26Don't even say it.
05:28Well, goodbye, Carmen.
05:29See you later, thank you very much.
05:37Can I ask you why that has come?
05:40This is what it comes to.
05:42What are you doing with the savings card in your hand?
05:44Did you leave it in the kitchen?
05:46Well, woman, because I forgot to keep it in the closet.
05:48Whatever it is, I'm going to tell you in quiet that you spent the money.
05:53Look, Carmencita, calm down, because all this has an explanation.
05:55Stop being Carmencita.
05:57And tell me that it was for the entrance of my dream apartment.
05:59Because if it's not like that, I'll tell you that you're going to run out on the street.
06:02Carmen, I'm not a nobody.
06:04I'm not a nobody.
06:06I'm not a nobody.
06:08I'm not a nobody.
06:10But who said you're not ...
06:12Oh my God, this is not because of the conversation we had the other day,
06:15of comparing you to your brothers.
06:17It's just that none of them is more than me.
06:19Let's see, who am I to get your head warm?
06:21Carmen, I have the same right as them to want to be ambitious
06:24and buy me new and beautiful things.
06:26Nice favor that Don Damián has done to you.
06:28You are fed up with life.
06:30Carmen, at least now I know where I come from and who I am.
06:36My life, that man has taken you hunting
06:39and you have shot four times does not make you one of the queens.
06:42Well, you'll say that.
06:43I say it and you said it two parts of the radio.
06:46Look, Carmen, the only reality here is that the four of us are children of the same father.
06:50My life, listen to me well.
06:52You have not had the same education or the same life that your brothers have had.
06:56Nor are you going to have it no matter how hard you try to spend everything we have on things.
07:01You don't see me at their level either, do you?
07:03Don't be silly, I don't need it.
07:05I love you as you are.
07:06Yes, poor as a rat.
07:07Well, you will be poor, but you are also good, affectionate, intelligent, handsome
07:14and a lot of other things that are not bought with money.
07:18How do I have to tell you?
07:20We don't need to feel rich because we already are.
07:24We love each other and that is our greatest treasure.
07:28Look, Carmen, leave it because you don't understand anything.
07:30Well, explain it to me, my life, explain it to me.
07:32Well, no one is going to make me feel like a bastard.
07:34Low!
07:36And you think that by spending all our savings on I-don't-know-what-you're-going-to-feel-better?
07:40Well, yes, because worse than I feel, I don't think I'm going to be, Carmen.
07:45Let's see, what have you spent the money on?
07:48Do you really want to know?
07:58The blood pressure has dropped a bit.
08:00Your brother and Gemma have gone for the medicine, right?
08:02They must be about to arrive.
08:04They have gone to two pharmacies just in case.
08:06What happened?
08:08Life, that hits us in the heart, daughter.
08:11When they come back with the medicine,
08:13he takes two pills and feels that pain in his neck again.
08:16I don't like pills.
08:18I can take a pill or any other infusion.
08:21Dina, if the tachycardia is strong, the medicine is better.
08:25Then ask the person closest to you for help
08:27and lie down in the most comfortable place you can find.
08:30I say this because the worst of these faintings
08:32are the falls it causes.
08:34We have to avoid at all costs hitting our head.
08:37Thank you, doctor. I'll keep that in mind.
08:40When I notice a symptom,
08:42I'll take the pill and look for a chair.
08:46And the best thing is to rest for the next few days
08:49to avoid a new episode.
08:51I can't.
08:53I have a lot to do.
08:55There's an important meal at the big house.
08:57No, no, nothing like that, mother.
08:59Tere and Gema will take care of everything.
09:01And I'm going to call Uncle Damian right now
09:03to explain the situation.
09:04It's the most reasonable thing.
09:05I can't.
09:06Mother.
09:07I can't stand still.
09:08I have to keep my head busy.
09:10I have to forget.
09:11Dina, the most important thing now is to relax.
09:14I know it's hard, but your health is asking for it.
09:18You have to take care of your health.
09:21What do you think if I walk you to the room
09:24and you take a break?
09:29Very well.
09:31Thank you, Doctor.
09:33You're welcome.
09:35If you need me, you know where I am.
09:50Andres.
09:51Son.
09:53Has Mrs. Lambert arrived yet?
09:55Not yet.
09:56They were expecting her on Tuesday, Jesus.
09:58And what do you think?
10:00Do you think she'll agree?
10:03She seems very intelligent and easy to make contacts with.
10:06Especially contacts that are very productive.
10:09That's exactly what we need.
10:11And have you thought about how you're going to approach the negotiation?
10:14Yes, Marta is the one who has contacted her.
10:17She should be the one who leads the singing voice.
10:19Sounds good.
10:20Two women ahead of their time.
10:23I suppose it will be understood perfectly.
10:25Yes, let's hope that the one ahead of us is Jesus.
10:28As he always does when he thinks he can get a medal.
10:31Andres, let's have the party in peace.
10:33I don't want problems with your brother.
10:35Don't worry, Father.
10:36You don't fight if you don't want to.
10:37And I'm not looking for problems.
10:38You'd better.
10:39Either the three of you go at once,
10:41or all the efforts Marta has made to win that woman
10:43will have been in vain.
10:45And what about you?
10:47Me?
10:48I have to say a little.
10:50Your time has come.
10:51I hope you enjoy it.
10:53Patricia, come in, please.
10:55What a wonderful house, how welcoming.
10:58Thank you.
10:59Well, do you already know my brother Andres?
11:01Welcome to our humble home.
11:03Thank you for the invitation.
11:05And he is my father, Don Damián de la Reina,
11:07the architect of all this.
11:08A pleasure to meet you.
11:10The pleasure is mine.
11:11Call me Patricia, please.
11:13As you wish, Patricia.
11:15I have been informed that you have been visiting our facilities.
11:18That's right.
11:19Your children and your nephew have been wonderful hosts.
11:23I have to tell you that I am very impressed with everything I have seen.
11:27You don't know how happy I am.
11:29I am very happy.
11:31Ah, I see you defend yourself in French.
11:33A little bit, nothing more.
11:34When I was young, if I read French poetry,
11:37the long blood of the violent NATO
11:40hurt my heart of a monotonous language.
11:43Paul Verlaine?
11:44Yes.
11:45Bravo, very good.
11:46Well, I messed it up a little bit, but now I hope,
11:49if God wants, to make a visit there
11:52and refresh my knowledge a little.
11:55If he does, don't hesitate to return the visit.
11:58Avec plaisir.
12:00Sorry.
12:03I was putting things in the garage.
12:05Well, we are not all there, but those who are missing will not take long to come,
12:08so we can go to the living room.
12:10Thank you.
12:12Teresa, if you do me a favor, bring us the canapés,
12:15so we can go pick something.
12:17Well, what a fabulous house you have.
12:20It is impressive, not to mention the garden.
12:23It is an absolute delight.
12:25It is even more beautiful in nature
12:28than the photos I saw in a report from Spain today.
12:31Wow, I see that you have done your homework before coming to visit us.
12:35But think that flowers are the raw material of our fragrances,
12:38so we take care of them as much as our products.
12:43I have no doubt.
12:45Well, I would like to propose a toast.
12:49To the health of our collaboration.
12:53Bravo.
12:54My father.
13:09Are you sure it is not serious?
13:11No.
13:12You just have to pay more attention to check that it is not high,
13:16and control those nerves.
13:18That will not be easy.
13:20I understand that it is because of the bad news you have received, right?
13:25You have received a letter with the death certificate of my brother Valentín.
13:29No.
13:31Poor woman.
13:33I am very sorry.
13:35I am very sorry.
13:37I accompany you in the feeling.
13:39Thank you.
13:41We are very shocked.
13:44Especially my mother,
13:46with what it cost her to turn the page and now this.
13:49I am surprised that it has become like this.
13:52At least I hope that all this will serve to ...
13:56to close this sad story for my family forever.
14:05And how are you?
14:07Well, if I tell you the truth, I have not had time to assimilate it.
14:11I am aware of my mother, especially because she is the one who suffers the most.
14:15But she is not the only one.
14:17No, it will also be hard for me, Luz.
14:19Of course.
14:20What happens is that ...
14:23I came to fantasize even with the possibility of meeting my brother again.
14:28And now I have to assimilate that that will never happen.
14:32You don't know how sorry I am.
14:56I have to go back to the pantry.
14:58I have ...
15:00I have patients waiting.
15:01Of course.
15:21Hello.
15:22Hello.
15:25I told Tere that you asked for an infusion.
15:27Aren't you going down? We are waiting for you to eat.
15:31I'm not hungry. I just came from my mother's sanatorium and ...
15:35I just want to rest.
15:37I see.
15:39Well, let's do one thing.
15:40If you like, you take that cloth, quietly,
15:43and as soon as you finish, you go down and join us, okay?
15:46I'm not in the mood, Jesus. I'm not going down.
15:53I already told you this morning.
15:55I told you it was an important lunch.
15:57Besides, we all need it. The whole family.
16:00Well, excuse me about them, please.
16:03And what do you want me to tell them?
16:05Well, I don't know, that I don't want to infect them with the Asian flu, for example.
16:09Stop with those pamplins now.
16:11Those pamplins worried you a lot when I proposed to bring my mother home.
16:15Begoña, don't start.
16:16You yourself told me this morning that you would take all the possible precautions not to infect yourself.
16:21Yes, that's what I've done, Jesus, but I don't want to see anyone.
16:24Please respect my decision.
16:25Are you going to tell me once what's wrong with me?
16:27What's wrong with me is that since you came in through the door,
16:29you've only told me about that important meal.
16:31And you've been unable to ask me even once about my mother.
16:38You're right.
16:39Forgive me.
16:52How is Mercedes?
16:54Bad.
16:55Bad, she's very bad.
16:57Because the fever doesn't stop going up.
16:59And I can't help but feel guilty because she's so sick.
17:02Well, stop torturing yourself over that.
17:04Because you did what you had to do, which was to watch over her well-being.
17:09Besides, you don't have a crystal ball to foresee that outbreak, do you?
17:13Maybe you're right, but...
17:16I still feel guilty.
17:18But...
17:20I still feel like such a bad daughter.
17:24Don't say that.
17:26Don't say it, not even as a joke.
17:29Come here, come on.
17:30Don't blame yourself too much, Jesus.
17:32I've taken precautions, but...
17:35it's better to avoid risks.
17:39Well, don't think about that now.
17:41Look...
17:43Take that pill and then, if you feel better,
17:46just if you feel better,
17:48go to the dining room so that Mrs. Lambert can meet you.
17:52Jesus, don't give up.
17:54I wouldn't insist so much if it wasn't really important for the business.
17:58The business, the business, the business.
18:00I'm starting to get tired of that word.
18:02I think I've done enough for the damn business.
18:04I'm posing as a puppet for that happy report, don't you think?
18:06Yes, so that you don't get too embarrassed, let's say.
18:08What?
18:09Well, I'm starting to get tired of you punishing me.
18:11I think that's enough, don't you?
18:12Look, Jesus.
18:13This.
18:14This is my punishment.
18:16Having to look at the face of the person who did this to me every morning.
18:19The person who would have to love me to death.
18:21Do you really think I have to forgive you?
18:24Come in.
18:28Thank you, Estere. Leave it there, please.
18:38Get out if you want to.
18:41Get out.
18:58The famous Guajala de Gaspar.
19:00With honey from Toledo.
19:01Delicious.
19:02As you like it.
19:03Thank you very much, Gaspar.
19:04Have you eaten well?
19:06Much better than the omelette from the other day.
19:08Mom, please.
19:10Thank you for the service. May God reward you.
19:13If you don't mind, I'd rather you reward me.
19:17It's a joke, woman.
19:18It's the joke I always tell Mr. Agustín.
19:21I'm starting to laugh.
19:23And don't make Mr. Agustín mad.
19:26Tomorrow is the mass with Felipe and I want him to wear the sermon.
19:29Mom, leave him alone, Gaspar. He doesn't have to see it.
19:31Besides, I'm sure he knows everything perfectly.
19:34I'll believe it when I see it.
19:35And I want to see you there.
19:36I'll try to escape to accompany you, yes.
19:39Yes, but you'll change, won't you?
19:40You've made a mess.
19:42At least put on the Sunday suit.
19:44The only one I have, yes.
19:45Look, Gaspar, we'll be delighted to see you there.
19:47Come as you come.
19:49Delighted.
19:52You've already prepared the reading, haven't you?
19:54Yes.
19:55As soon as I finish this, I'm going to the store.
19:57No, no, wait a moment, I have to tell you something.
20:00What's up now?
20:01Your uncle Pepe.
20:02This weekend he's going to dance.
20:04And I want you to accompany me.
20:05And I want you to accompany me.
20:07But what are you saying, Mom?
20:08I haven't been going for a long time.
20:10Besides, I don't like massacres.
20:12I feel very sorry when they kill the poor pig.
20:15Well, look the other way.
20:16I just want you to accompany me and let me see the town.
20:19No, Mom.
20:22Wait a minute.
20:25Uncle Pepe's massacre.
20:26Where are Joselito and Joselito's family going?
20:30Come on.
20:31Well, look, that's good, isn't it?
20:32So, between morcon and morcon, you resume contact.
20:35Let's see, how do I explain it to you, Mom?
20:37There's nothing to explain.
20:38You go there, you see him, he makes you laugh.
20:41And then on Sunday night he comes back to the neighborhood
20:43with your suitcase full of morcones and potato chips
20:46for all your classmates.
20:47No, Mom, I'm not going to the massacre.
20:49I don't like so much meat and so much viscera together.
20:51No.
20:52Much less in the state I'm in.
20:55I'm going to tell you where you are.
20:56You are alone.
20:57Alone?
20:58Alone as one.
20:59Mom, but from that massacre
21:01you come out with your life arranged
21:02like my name is Ramona Romero.
21:04Good afternoon.
21:05Good afternoon, Father.
21:06Hello.
21:08Are you okay?
21:09Here, Mrs. Remilco,
21:11who organized a great plan
21:13for this weekend in Don Benito.
21:14And look, with Caraseta.
21:16Come on, look, I'm looking for you.
21:18Me?
21:19Yes, because your classmates told me to let you know
21:21because a car from Madrid has arrived
21:23and the store is full.
21:25Well, you didn't have the day off today.
21:27Come on, Mom, this is an emergency.
21:29Thank you very much for letting me know, Mateo.
21:31You're welcome.
21:32I'll call your uncle later and tell him we're two.
21:38Don't tell him we're three.
21:40Joselito is not even close.
21:49Thank you.
21:50You're welcome.
21:51Excuse my father.
21:52He's answering a call
21:53and he's taking up more than expected.
21:54Nothing, don't worry.
21:56During lunch, he made it very clear to me
21:58that you are the ones who run the business.
22:01And that's why we're here.
22:03To enjoy this delicious combination
22:05and talk about business.
22:07That's what I say.
22:09What do you think, Daniel, as a woman?
22:11Do you see any possibilities of selling it in France?
22:15You're one of mine, huh?
22:16You go to the point.
22:18Can I be honest with you?
22:19Please.
22:22This chest seems like a jewel to me.
22:24Because of its aesthetics, its concept
22:27and also because of its quality-price relationship.
22:30There you have the artifice of that jewel.
22:33Congratulations, Marta.
22:34Really, because you've been able to perfectly capture
22:36what women want today.
22:39It's not a luxury product,
22:41but it's a luxury product.
22:43I suppose you've spent hours and hours in the store
22:46trying to decipher what the clients demand.
22:49Without a doubt, that's the best market study.
22:52I'm sorry, Patricia, but you haven't answered me yet.
22:55Do you think it would sell in France or not?
22:57You don't have to overwhelm our guest.
22:59No.
23:00Don't rush.
23:01Don't overwhelm me.
23:03Well, I honestly think it fits perfectly
23:06with the audience of L'Ascal Gimauve.
23:10That's good news.
23:11In fact, Marta, I'll tell you that your products are so powerful
23:14that with an adequate approach
23:16they could sell very quickly in the stores of Peugeot and Lefebvre.
23:19The one of the Champs-Élysées.
23:20Totally.
23:22Darling.
23:25Let me introduce you to Mrs. Lambert.
23:28Patricia, Begoña, my wife.
23:30Nice to meet you.
23:31Likewise.
23:32I'm sorry I was absent during lunch,
23:34but I went to visit my mother and she was really exhausted.
23:37No, you're more than welcome.
23:40How is your cold?
23:43I hope it gets better soon.
23:45Your husband has already put me in the mood.
23:47Yes, I hope so too.
23:49Don't you mind that I have to go to work at the dispensary?
23:51To the dispensary of the factory?
23:53Yes.
23:55With Jaime, Marta's husband?
23:57Yes, I'm a nurse.
24:00Well, it's impressive.
24:01Of course, Perfumerías de la Reina
24:03is a completely family business.
24:06Yes, we just need to put Maria, Andrés' wife,
24:09and we'll have the full house.
24:11That girl is adorable.
24:13But in her condition, it's better that she doesn't work too much.
24:16Well, I'll let you enjoy the lovely dessert.
24:19Likewise.
24:20Have a nice day, darling.
24:25Where were we?
24:27We were talking about the future success
24:29of Enel or Your Wife.
24:33Thank God you came to save me from the mess
24:35where my mother wanted to get me with the murder.
24:37And you think that's why?
24:39I don't know, maybe the woman wants you to spend the weekend together.
24:42What she wants is to mess with Joselito.
24:44If your orchestra has him, Mateo.
24:46My God, I wasn't such a manipulative mother
24:48when you told me about her.
24:50Do you think she's been the best saleswoman in the store
24:52for years?
24:53Well, yes, my parents are the same.
24:55Remember how my parents got on with me
24:57when I left the seminary.
24:59Or how others dance.
25:01What I don't understand
25:02is why they don't let us take the course of our lives.
25:07Thank you very much, Mateo.
25:09Thank you for what?
25:11For always being by my side,
25:13helping me,
25:15and giving me good advice.
25:18Well, I don't know if I'm a good advisor.
25:21Why do you say that?
25:24It's just that sometimes I have the feeling
25:27that I don't know how to separate the man from the priest.
25:30Like when I told you not to move out of La Colonia.
25:35Sorry, did I say something that bothered you?
25:38No, no, no.
25:40It's just that...
25:43Well, my mother says that...
25:45What?
25:46Well, that you and I...
25:48That you and I what?
25:50Well, that she doesn't understand that we're friends, Mateo.
25:52Because I'm a priest?
25:54No, because you're a good man.
25:58Well, I don't care what she says.
26:00She can say Mass, come on.
26:02Well, leave that to me.
26:06Mateo, I really like being with you
26:10and talking about a lot of things.
26:13Although you can't help me with all the things I'd like,
26:15because there are things you have no idea about.
26:17What do you mean by that?
26:19Well, feelings, relationships...
26:21Let's see, let's see, let's see.
26:24What makes you think I don't know any of that?
26:26Come on, being a priest doesn't mean I'm a weirdo.
26:30So, before you became a priest, you were with someone?
26:33Well, there was something.
26:37But, come on, nothing serious.
26:40And when I got the call from the High Priest,
26:43I took the women out of my head and my life.
26:48What do you mean? Come on.
26:51It wasn't that hard.
26:54You're lucky.
26:55Lucky for what?
26:58I don't know, Mateo, because I'm very much in love.
27:02But, come on, lately I've only met toads and not princes.
27:06Well, maybe you're looking for the wrong pot.
27:14Well, I don't know.
27:16The thing is, I'm alone.
27:20How hard is it to fall in love, Mateo?
27:22Yes.
27:29Now, the next step would be to know
27:32what percentage you'd charge us for opening the doors to that success.
27:35Well, my fees would be 5% of the sales in France.
27:445%?
27:46That's a crazy figure, don't you think?
27:49We had thought about a percentage of the company's profits.
27:54I see.
27:55Look, understand that I'm risking my reputation
27:59by introducing a Spanish product into a very competitive market like the French.
28:04I'm sorry, but my percentage is unprofitable.
28:07So what's all this about?
28:09That it's a magnificent product and that it would work for sure?
28:12Oh, because I really think so.
28:14Yes?
28:15Without a doubt.
28:16Otherwise, I wouldn't consider representing you.
28:21Well, I'm sure that with a little goodwill, Patricia,
28:24that percentage could be improved.
28:28I'm sorry, Marta, but this is my fee.
28:31Patricia, think about it.
28:33We're sure that our products will succeed in France.
28:36We can value a sales percentage of...
28:40I don't know, a 1 or a 2, but not a 5.
28:45I think you should ask yourselves a question.
28:48Who needs who more?
28:51Me or you?
28:53Or you or me?
28:56You don't need to answer.
28:58And that's why you think you have the right to impose your conditions?
29:02Well, that's how the market works.
29:04And we understand that.
29:06It's just that right now we can't assume that amount.
29:12But if you were willing to make some kind of discount,
29:15Patricia, we would all win.
29:18I'm sorry, Marta, but 5% is my first and last offer.
29:25Well, another option would be to go to a closed commission.
29:27But I don't know if that's something you're considering or...
29:30I don't know, am I wrong?
29:31No, you're not wrong.
29:33It's neither an option nor a 5%.
29:38Well, if it's a consolation, Jesus,
29:42I'll tell you that even if we don't reach any agreement,
29:44this is the best dry martini I've had in a long time.
29:50Can you make me another one, please?
29:52Thank you.
29:54Can it be the same glass?
29:57Of course.
30:02So I don't have it?
30:04No, the test came out negative.
30:07It's a good thing that the Asian flu hasn't entered the colony.
30:10Anyway, take care of that cold.
30:13This recipe is for a syrup.
30:15Drink it, it's for the cough.
30:16If it doesn't go away in a couple of days, come back here.
30:19Thank you very much, Doctor.
30:20You're welcome. And take care.
30:31How is Digna?
30:32Better.
30:33She has suffered from a hypertensive crisis
30:35that has caused a syncope.
30:37But it's already established.
30:39Is she hypertensive?
30:40No, she has no antecedents.
30:42I think it was more of a acute crisis of a nervous character.
30:49I didn't know she was so distressed.
30:51Let's say she's going through a difficult personal moment.
30:56I've recommended a rest to avoid a new episode.
31:01Yes, it's the most convenient.
31:03Now let's see if she listens to me.
31:05Yes, well, I can remind her when I see her at home.
31:08On the way, I'll do the follow-up.
31:11I'll take care of it, there's no need.
31:15Luz, I don't understand why you insist on attending to her.
31:18We are practically neighbors.
31:20Jaime, you know too much.
31:22Luis trusts me more.
31:24And it doesn't cost me anything.
31:26Luis.
31:27And it's a matter of trust, of course.
31:30Please, don't ask the cat for three feet.
31:34No, all I'm saying is that patience is worthy, isn't it, Luis?
31:39Well, it's okay, it's okay.
31:42In any case, you know where I am in case you need anything.
31:45Thank you very much.
31:46That's just what I wanted to hear.
31:49Well, maybe you like what you hear now too.
31:53I have a plan for tonight.
31:56Cinema and dinner in the light of the candles.
31:59What are you saying?
32:00I'm so tired that I could fall asleep in the first scene.
32:04Well, we skip the cinema and go straight to the candles.
32:07And I promise you that I will do everything in my power
32:11to prevent you from falling asleep.
32:15I'm sorry, but I'd like to go to bed early today.
32:18Do you mind if we leave it for another day?
32:21No, of course not.
32:23Thank you.
32:29Good night.
32:45I went to read the letter.
32:47Apparently, I've had a strong rise in tension.
32:52Thank goodness Gemma and Luis were here.
32:56You don't know how I feel.
32:58Despite what he did, it's terrible news.
33:02The most terrible thing a mother can receive.
33:05I haven't told my children about us yet.
33:08Nor about the wedding, you understand, right?
33:10Of course.
33:12Now, the only important thing is that you recover as soon as possible.
33:18And we'll take our plans back as soon as you're better.
33:23Your understanding and your love do me a lot of good.
33:28For you.
33:30For you, I would be able to separate the seas and the asphalt.
33:35Why don't you come back to my house?
33:37Now it's yours too and I could take better care of you there.
33:40No.
33:42Thank you, but I think I should stay here with my children
33:46and go through the pain with them.
33:50But what I want most is to live with you.
33:53I don't see the time.
33:58Damián.
34:01I didn't expect this blow.
34:06And I need time to assimilate it.
34:09I'll wait for you all the time it takes.
34:12As you have done for so many years.
34:20Hello, mother.
34:21Hello, uncle.
34:22Hello.
34:24How's mother doing?
34:25Fine.
34:27Your uncle has come to keep me company.
34:30You shouldn't leave work to come and see me, son.
34:33I'll come whenever I need to.
34:35Until I make sure he doesn't get any more strokes.
34:39I wish that was the problem.
34:42Is it better if I keep this where I can't see it?
34:44Leave that where it was.
34:46Leave that where it was, I said.
34:52Come in.
34:57Can I come in?
35:00What do you want?
35:02With Mrs. Lambert's visit, I haven't had time to talk to you.
35:07And I wanted to know how your mother is doing.
35:09She's fine.
35:11I'm sorry.
35:12I haven't had time to talk to you.
35:15And I wanted to know how your mother is doing.
35:18She's not well, Andres.
35:20Her fever doesn't go down.
35:22And we can't take her to the hospital you found.
35:25You don't know how sorry I am.
35:30If you want, I can wait until you leave and we can go for a walk together.
35:34No, I don't want to.
35:38Fine.
35:40Then don't bother yourself anymore.
35:43Wait.
35:50I'm sorry.
35:52I have no right to treat you like this.
35:55This morning, when I saw my mother so ill...
35:58Don't worry.
36:00You don't have to give me explanations.
36:03It's likely that this fever will take it away.
36:06And I can't stop thinking that she would be safe now if I hadn't taken her back to the sanatorium.
36:11Begoña, stop thinking that.
36:13Because it's not true.
36:14Yes, it is, because Jesus wanted her to leave and I listened to him.
36:16So I'm as guilty as he is.
36:18Don't be so hard on yourself.
36:20Do what you can for her.
36:22Even risk your life by going to see her.
36:26Please tell me if I can do something for you.
36:28I don't know, anything.
36:32Yes, there's something you can do.
36:34Get away from me.
36:38You don't know how hard it is to have to say no.
36:41Not being able to have us.
36:45If we don't want to hurt each other anymore, it's better if we respect that space you asked me to leave.
36:50If I were the one who proposed it, you wouldn't do it, Begoña.
36:54Especially now that I see you suffering like this.
36:57You understand, right?
36:58Please leave.
37:29I just met Andrés.
37:40Why does everything have to be so hard?
37:45Begoña, calm down.
37:50This morning, when you saw my mother, I realized how fragile and vulnerable we are.
37:55She has lived her whole life locked up and alone.
37:58And I don't want the same to happen to me.
38:01You're not alone, woman.
38:02But I do live locked up in a house with a man I fear and who is impossible to love.
38:09And on the other side of the corridor lives the person I would like to spend the rest of my life with.
38:14Come here.
38:26Do you think I can keep my pain?
38:30Like you wanted to do with that paper?
38:36But you're listening.
38:39Valentín doesn't deserve anyone to feel any pain for him.
38:43I'm going to pretend I didn't hear anything.
38:45Because I know you don't know what you're saying.
38:48I know it perfectly well.
38:50Joaquín, this is not the time.
38:51Son, I love you very much.
38:54And Luis too.
38:56But no one is going to erase what I did, loved and loved your brother.
39:01Despite what he did.
39:02And I hope that one day you'll be a father so you can understand me.
39:06I don't understand.
39:07I don't understand, mother, how you can love a murderer.
39:11Your brother did a lot of crazy things, yes.
39:14But he's dead.
39:16He's dead.
39:17He did a lot of crazy things, yes.
39:19But he's dead.
39:23Son, what sense does it make to continue feeling so much resentment towards him?
39:29But how am I not going to feel resentment towards my brother?
39:33If because of what he did we are the way we are.
39:36If because of his fault we continue to drag the weight of shame.
39:40Throughout the colony, throughout Toledo.
39:42In front of our cousins and our uncle.
39:44But uncle, mother, because of what he did, we continue to live on the charity of those of the queen.
39:48I think you're going too far.
39:49Am I lying, uncle?
39:51I don't care what you think.
39:53I can't allow you to say that in front of your mother.
39:56And less in these moments.
39:58Don't be fooled.
39:59Valentín destroyed both families.
40:03And no matter how much Malvas is raising now, I'm not going to forgive him in life.
40:08That he buried my mother alive.
40:11Well, I do hope you forgive him, son.
40:15I hope so.
40:19I brought him into the world.
40:22I.
40:25And I'm going to cry for him.
40:27And I'm going to keep mourning for him.
40:29Think who I thought.
40:34I'll go alone.
40:44I'll go alone.
40:45I'll go alone.
40:46I'll go alone.
41:11Poor boy.
41:12And he takes money from our savings to spend on a whim.
41:15But without telling you anything.
41:17Oh, look, Gaspar, I haven't said anything.
41:19These are private things.
41:21Yes, private is a milk, Carmen.
41:22Are you going to leave me now?
41:23Come on, don't get angry.
41:26Well, nothing.
41:27I see the postcard and I see that there is an expense.
41:29And I tell him what this is.
41:30And he tells me that in life you have to move forward and give yourself some luxuries.
41:34But where did he get that aristocrat vein?
41:38Well, I don't know.
41:39But come on, you already know him.
41:40When he gets something in his head, he's a jackhammer.
41:42And what milk did he buy this time?
41:44A car, another motorcycle, because we know his tastes.
41:47And his whims.
41:48Because he's like a child, come on.
41:50Well, the thing is that the whim is not so much for him.
41:53As for me.
41:55That he bought you a motorcycle?
41:56No.
41:57I'm stupefied.
41:58Every time we go through this electro-domestic store,
42:01of the B Faculty.
42:02Yes, yes, in that store there are very expensive things, Carmen.
42:04Well, a fridge, Gaspar.
42:05A fridge.
42:06The biggest in the store.
42:08Can you imagine?
42:09To climb such a weapon, you go up the stairs to the floor.
42:11Well, they've had to put some pulleys.
42:13All the neighbors there looking as I went up to the fridge.
42:15As if that were the B Faculty.
42:17Applause, they missed it.
42:19My God, what would I give for having a fridge like this in this canteen?
42:22Come on, you must have eaten that.
42:23No, no, no, no.
42:24That it has cost him a bit.
42:25The other way around.
42:26He has a fight from the 15th.
42:27Man, man.
42:28I don't know what he thinks here.
42:29The Marquis of I am nobody.
42:31What are you talking about, couple?
42:32Nothing.
42:33About time.
42:34Come on.
42:35Yes.
42:36Yes, yes, about time.
42:37Yes, about the coolness you have to do inside the fridge that you have bought.
42:40What has he bought?
42:42What?
42:43Have you already filled the fridge with cider and claret?
42:46Well, the truth is yes.
42:48So we can invite your friends one day and we'll open the fridge.
42:50What do you think?
42:52You're not going to get rid of me so easily.
42:54Well, here there is a mess and here the Tate has a job.
43:01Look, Carmen, you're right.
43:02I'll give it back today because we can't spend so much money.
43:05Oh, no.
43:06I've done it, it's done.
43:08No.
43:10Carmen, I know perfectly well that I'm going to get something fresh out of the fridge
43:13and you're going to be upset all day.
43:14I just want you to be happy, nothing more.
43:16Well, maybe I'm a little more angry about the bill.
43:18But that's already happening to me.
43:21Really?
43:23Carmen, look, I know perfectly well that I should have told you before buying it.
43:28But I just want the best for you.
43:31But if I already have the best.
43:33A wonderful husband.
43:35Yes.
43:37And a piece of fridge that you're not even going to return.
43:40Well.
43:45Thank you, Maria Carmen.
43:51You're here.
43:52Mom.
43:54You're back.
43:55Yes, of course I'm back.
43:57I couldn't sleep.
43:58Do you know if you were better?
44:01Well, we can go now.
44:04Help me.
44:07Where are we going?
44:10To our house.
44:14Mom, do you live here?
44:19No.
44:21You and I have always been together.
44:25No, Mom.
44:26I live quite far from here.
44:29You came a few days ago.
44:30Do you remember?
44:33I want to leave.
44:36They want to poison me.
44:38Mom, please don't say that.
44:40No one wants to poison you.
44:42I was fine before.
44:44I walked through the garden.
44:46I saw the flowers from the window.
44:48And now look how they have me.
44:50They have me so sick.
44:52That's not because they're poisoning you.
44:54That's because you have the flu.
44:56Yes, and it's affecting you.
44:57And there are many people who live here with you.
44:59Who told you that?
45:01No, they're cheating on you.
45:03Take me home.
45:04Mom, that can't be.
45:06I can come visit you more often
45:08so you don't feel so alone.
45:10What do you think?
45:13They want to kill me.
45:15And you don't care.
45:18Mom, how can you say that?
45:20Please, you're what I love most in this world.
45:25If you're not going to help me, get out.
45:27Of course I'll help you,
45:28but you can't go anywhere like this.
45:30Get out of here.
45:32Get out!
45:33Mom, please calm down.
45:34You don't love me.
45:35You've never loved me.
45:37Get out of here!
45:39Get out of here!
45:41Get out of here!
45:43I don't want to see you again.
45:45Get out!
45:47I want you to leave.
45:49Get out of here!
45:51You're a bad woman.
45:53Get out!
45:55I don't want to see you again.
46:01Damián de la Reina speaking.
46:02Damián de la Reina speaking.
46:04Fernando.
46:07Yes.
46:09The death certificate has arrived.
46:11Yes.
46:13Don't worry.
46:15You'll be paid generously.
46:17And one more thing.
46:19Don't call here again.
46:21This is a very delicate matter.
46:23Yes.
46:25We'll discuss it later.
46:27Goodbye.
46:29Who was it?
46:30No one.
46:32How are the negotiations with the French going?
46:35What a gem the Gabachita is.
46:37She asked us for 5% of the sales in France.
46:40And she says it won't go down from there.
46:42Is there nothing we can do to get a more sensible agreement?
46:45Ask Marta.
46:47She's the businesswoman of the year.
46:49She's the one who's going to lead the negotiations, right?
46:51Of course.
46:54What's wrong?
46:56Nothing.
47:00Dina has suffered a syncope because of me.
47:04What are you talking about?
47:07Father, stop being mysterious and tell me what's going on.
47:13Your brother has been asking for a few days
47:16about Valentín and his escape to Brazil.
47:20There you go again.
47:23I guess he didn't tell you anything, did he?
47:26Of course not.
47:28But since he saw that he couldn't get anything out of me,
47:32he went to Dina
47:34to see if she could get some information out of him.
47:38What kind of information?
47:40According to Dina,
47:42he wants to find Valentín
47:44to ask for explanations for what he's done
47:47and give him the chance to apologize.
47:49And that, Dina, has sounded like heavenly music to him, of course.
47:53The prodigal son returns and begs for forgiveness.
47:55I don't think you're the most suitable person
47:58to deal with sarcasm in this case.
48:00Why didn't he tell me?
48:02Because he knew how to solve the problem.
48:05Really? And how did he solve it, if I may ask?
48:10I called Fernando,
48:12Fernando Herrera, the notary, my friend.
48:14Yes.
48:16And I asked him to write a fake death certificate for Valentín
48:19and supposedly send it to him from Brazil.
48:21Supposedly from Brazil.
48:23And now that act has reached the house of the Merinos
48:26and hence my aunt Dina's syncope.
48:28Am I wrong?
48:30You're not wrong.
48:32The poor thing is devastated.
48:38Well, thank you for helping me again, Father.
48:42It's all I can say right now.
48:45But what I don't understand is your displeasure.
48:47It was a masterful move.
48:48In a few weeks, when Dina assimilates the tragedy,
48:51you'll be able to give her flowers again or whatever.
48:55I'm not going to let you talk about your aunt like that.
48:58Much less get involved in my life.
49:00I warned you.
49:06Good evening.
49:08I asked her to marry me.
49:12And she said yes.
49:14What?
49:15What?
49:17But how did she do that nonsense?
49:19Do you call nonsense one of the best things that has happened to me in my life?
49:23Even better than meeting my mother?
49:27I confess my pain
49:29and the atrocities I'm doing for you.
49:32And I only receive from you gratitude and contempt.
49:35Don't let them catch you, Father. Don't do it.
49:37I'm not going to let you, Jesus.
49:39I don't know why I waste time taking the chestnuts out of the fire
49:42because sometimes you deserve to burn with them.
49:46I love you.
49:57Who is who?
49:59Tuftetra?
50:01It's Dr. González.
50:03González. What else?
50:05Well, you're Dr. Berenguer, Luz is Dr. Borrell,
50:08you don't give more surnames, do you?
50:10María, I'm not attacking you.
50:12Come on, and don't be surprised if the wedding invitation arrives in a week.
50:15What wedding?
50:17The one with Joselito Soltero de Oro del Pueblo.
50:20The poor baby is crying for her.
50:22It's okay.
50:24I'm going there, I'm going there.
50:26My mother is worse.
50:29Finding an anonymous grave in a country of the extension of Brazil is almost impossible.
50:33I love you.
50:41And that's why I beg you discretion.
50:43I need time to convince them that this is the best for the company.
50:47Discretion is something that I practice both in business and in my private life.
50:52Wow.
50:54If in the end it will turn out that we understand each other in everything.