Erkenci Kus HD - Episode 37 (English Subtitles) EARLY BIRD
Erkenci Kus HD - Episode 37 (English Subtitles) EARLY BIRD
Category
🎥
Short filmTranscript
00:00:00I'm going to wait for the news, I'm going to wait for the news.
00:00:07Is it hot?
00:00:08Yes.
00:00:09Are you okay?
00:00:10I'm fine, but it's too late, let's go now, okay?
00:00:13I can actually live here for the rest of my life.
00:00:17It's always too late.
00:00:19Brother.
00:00:21Brother, where are you? No one can reach you.
00:00:23Mr. Emre.
00:00:24Sanem, they're calling you from home, they couldn't reach you.
00:00:26Son, how can I come without permission?
00:00:28God, where did you come from?
00:00:29There's a phone call.
00:00:30What happened, is there a problem?
00:00:31Mr. Emre called, they couldn't reach you.
00:00:33Thank you, I didn't say anything.
00:00:34We'll talk later, okay?
00:00:36I'm sorry.
00:00:37I'm sorry.
00:00:38I'm sorry.
00:00:39I'm sorry.
00:00:40I'm sorry.
00:00:41I'm sorry.
00:00:42I'm sorry.
00:00:43I'm sorry.
00:00:44I'm sorry.
00:00:45I'm sorry.
00:00:46I'm sorry.
00:00:48Bravo, you came, you did your job, the environment is now, bravo.
00:00:51My phone didn't charge when the electricity went out.
00:00:54Maybe they called you too, Mr. Can.
00:00:56I'm not looking, you know, I don't care about my phone in such beautiful, magical, special moments.
00:01:01It's very normal for me not to look.
00:01:03Let me call you, tell me a lie, tell me the situation, or we're going out, I don't know.
00:01:11Sister Ali, my phone didn't charge when the electricity was cut off.
00:01:16What?
00:01:17Thief?
00:01:20What did you say to my mother?
00:01:22What did you say to my mother to save me?
00:01:24No, no, I'm on my way, honey, I'm coming.
00:01:26I'll be home in two minutes.
00:01:28Come on, it's getting hot at night, let's drink these.
00:01:30Take it.
00:01:31Oh, my dear aunt Huriye.
00:01:32For God's sake, I'm asking the neighbor.
00:01:36Am I right, am I wrong?
00:01:37If I'm wrong, say you're wrong.
00:01:39So say it.
00:01:41Son, will you take it?
00:01:42Say you're wrong, will you take it?
00:01:44No, thank you.
00:01:45Oh, my dear.
00:01:46Look, I'm begging you.
00:01:47These thieves are very troublesome.
00:01:48We can't get the neighborhood out of the way.
00:01:50I swear.
00:01:51No, you're going to deal with the library and the book.
00:01:54Why don't you deal with the security of the neighborhood?
00:01:57What peace is left?
00:01:58What security is left, for God's sake?
00:02:00Oh, neighbors, I'm asking.
00:02:01Is there such a presidency?
00:02:03Oh, I'm asking.
00:02:04Is it possible?
00:02:06It's not possible.
00:02:07He's asking you.
00:02:08I'm begging you.
00:02:09React a little.
00:02:10Do something.
00:02:11Are you crazy?
00:02:12What happened?
00:02:13He says there are thieves.
00:02:15He says there can't be such a presidency.
00:02:17Do you understand?
00:02:18Did you hear that?
00:02:19I heard, I heard.
00:02:20They're going to help the neighborhood.
00:02:22Oh, no.
00:02:23They're dead.
00:02:24They're dead.
00:02:25They're dead.
00:02:27For God's sake.
00:02:28Who are these people who come and go to the neighborhood?
00:02:30Thank you very, very much.
00:02:32I mean, it's not the neighborhood, it's Dingo's barn.
00:02:34Come on.
00:02:35Aysun, don't do it.
00:02:36Let such cars come to the neighborhood.
00:02:38The neighborhood's profile changes, the vision changes.
00:02:40If they come, the property will increase.
00:02:42Aysun, I love your eyes.
00:02:43That's right.
00:02:46For God's sake.
00:02:57Isn't this your so-called bride?
00:03:00No, my master.
00:03:01That's her.
00:03:02Right?
00:03:04This guy is...
00:03:06This is Isbambul, the grocery store owner.
00:03:08Is that him?
00:03:09Of course, it's him.
00:03:10He took the girl from me, and he took the bride from you.
00:03:13With the car, with the men, do you see?
00:03:15Oh, my Muzaffer.
00:03:17Well, my Muzaffer is saved cheaply.
00:03:19I can't say anything else.
00:03:21Have you seen Mevkuber's daughter?
00:03:22The one who just passed by.
00:03:23Did the mafia enter the neighborhood?
00:03:24It's okay, it's okay.
00:03:25Sleep.
00:03:26Sleep, sleep.
00:03:27It's okay.
00:03:31Mevkuber, look, you're cold.
00:03:32You're shaking all over.
00:03:33Let's go inside now.
00:03:35Nihat, I'm scared.
00:03:36I don't know what to do.
00:03:37I don't want to go in.
00:03:39Don't be afraid, don't be afraid.
00:03:40Look, I'm with you.
00:03:41Don't be afraid.
00:03:42I have a brave husband here.
00:03:43Don't be afraid.
00:03:45Don't ever leave me alone again, okay?
00:03:47You're telling me not to leave.
00:03:48You're kicking me out of the house at the first opportunity.
00:03:50I'm a woman, Nihat.
00:03:51Can a woman leave as soon as she's gone?
00:03:52What are you going to do?
00:03:54You're going to hug me like this.
00:03:55Mom, dad.
00:03:58Give it to me, give it to me.
00:03:59Come sit down.
00:04:00Where are you, girl?
00:04:01Girl, it's a disaster.
00:04:02You're not here.
00:04:03Ayhan, where were you?
00:04:04I went to the bathroom over there.
00:04:05Girl, can you go to the bathroom for an hour?
00:04:06Please.
00:04:07I broke my stomach, understand?
00:04:09Okay, okay.
00:04:11I won't leave your sight even for a minute.
00:04:13That's it.
00:04:15Okay, mom.
00:04:16Is there tea?
00:04:17I love it.
00:04:18Girl.
00:04:19No, he's asleep.
00:04:20He's at home when he can't see you.
00:04:22He took it, he took it.
00:04:23I thought he was a thief.
00:04:24Mom.
00:04:25Mom, thief.
00:04:26What will he do with this?
00:04:27God forbid.
00:04:28He'll regret it the day he gets it.
00:04:29He'll bring it back the next day.
00:04:31Oh, thief.
00:04:32I wonder what he'll do to you, right?
00:04:33Dad, give me your tea.
00:04:34Take it, girl.
00:04:35Here.
00:04:36Girl.
00:04:37Look what this thief did.
00:04:38He made us enjoy tea all night long.
00:04:40Oh, God.
00:04:41I swear to God.
00:04:42Haci won't sleep.
00:04:43We're done.
00:04:44We're done.
00:04:51Honey?
00:04:55Yes?
00:04:57So, you're good friends?
00:04:59Yes.
00:05:01Brother, are you my girlfriend or my friend?
00:05:03I'm confused.
00:05:04Dude, if you can't make a decision in these things,
00:05:06if your head goes back and forth,
00:05:08it means you're in love.
00:05:10Can I explain?
00:05:11If someone comes tomorrow and holds your heart like this,
00:05:13you'll understand what I mean.
00:05:16I understand, I understand.
00:05:18Sanem, she's a good girl.
00:05:20She's a nice girl, but...
00:05:21But what?
00:05:22But what, Emre?
00:05:23For God's sake, but what?
00:05:24What do you mean?
00:05:25How many times have you seen a good and nice person
00:05:27in the same person's life?
00:05:29Tell me.
00:05:30Brother, look, there's a tomorrow to this.
00:05:31You'll get bored.
00:05:33You'll go to the mountains and hit the forest.
00:05:35The girl will be left behind.
00:05:37Look, what I'm saying will be a little poetic.
00:05:39Let my naivety stay between us, okay?
00:05:41Because I'm a little assertive.
00:05:42Now my mountain is Sanem, my forest is Sanem.
00:05:45Don't laugh like that.
00:05:47Do you understand?
00:05:48I'm giving you the right, by the way.
00:05:49I can really go somewhere.
00:05:51Okay, I agree with you.
00:05:53You're right.
00:05:54But this time,
00:05:55I'm going to meet the world's most beautiful companion.
00:05:57Do you understand me?
00:05:58Don't worry about these things at all.
00:05:59Dude, I'm telling you my heart is beating.
00:06:01Dudup, dudup, dudup, dudup.
00:06:04Just put these in your mouth, okay?
00:06:06Let's go to work.
00:06:07Come on.
00:06:08I'll be right back.
00:06:10What's going on?
00:06:12I'll be right back.
00:06:18We need to talk, it's urgent.
00:06:25Come on, brother.
00:06:27I'm coming, I'm coming.
00:06:28You put it in my mouth.
00:06:29I'm drinking my last coffee.
00:06:31Okay.
00:06:32Where?
00:06:41I mean, we spent time alone because we were so in love.
00:06:45It was like a dream.
00:06:46You say alone.
00:06:47I understand.
00:06:48You're pretty much in love then.
00:06:50That's his name right now.
00:06:51He named it.
00:06:52I mean, we have a straight relationship.
00:06:54What kind of relationship?
00:06:56I have a friend.
00:06:57How did you know?
00:06:58In what context?
00:06:59Respect.
00:07:00In what context?
00:07:01Of course.
00:07:02How, for example?
00:07:03Do you show respect to each other when you're alone?
00:07:04Do you show off?
00:07:05Do you show respect to each other?
00:07:06Tell me about these.
00:07:08Cici, shut up.
00:07:09They're going to hear you.
00:07:10Okay, tell me.
00:07:11Tell me.
00:07:12What kind of respect?
00:07:13Is there anything beyond respect?
00:07:15Tell me.
00:07:16There's gossip.
00:07:17Everyone is shaking right now.
00:07:19How?
00:07:20What kind of gossip is there?
00:07:21What are they saying?
00:07:22You know, you're a literary writer.
00:07:24In fact, they're always talking like you're in opposition to Mr. Can.
00:07:29What nonsense is that?
00:07:30How can that be?
00:07:31It can't be.
00:07:32It can't be.
00:07:33But what can you do?
00:07:34People are talking.
00:07:35You can't keep your mouth shut.
00:07:37What kind of things are they saying?
00:07:38What are they saying?
00:07:39I mean, let me tell you.
00:07:40For example, you're going somewhere.
00:07:41They started changing the subject when I got there.
00:07:43Oh, that's how it is.
00:07:44They're changing the subject like, should we look at that file or something.
00:07:47I mean, it's very...
00:07:48What's going on?
00:07:54Ms. Sanem is here.
00:07:55Welcome.
00:07:56Good morning, Ms. Deren.
00:07:59How are you?
00:08:00Did you get a little better?
00:08:01Yes, yes.
00:08:02I'm fine.
00:08:03She's better.
00:08:04Like a frog.
00:08:05Frog.
00:08:06I'm not asking you, Ceycey.
00:08:07You're not anyone's spokesperson.
00:08:11Sanem, even if you get sick from now on, don't disappear without telling anyone, okay?
00:08:18I...
00:08:19No, I don't want to hear any excuses in the morning.
00:08:22Of course you're right.
00:08:24Because you can't perceive the position I'm in right now, you're still hanging around here like a bring-and-take agent.
00:08:29You enter and leave the agency as you please.
00:08:32But unfortunately, I'm very sorry to say that you're in a position where you can put us at risk.
00:08:39I think you should pull yourself together now.
00:08:41Huh?
00:08:43I'm not saying this warning as your superior.
00:08:47I'm saying it as an employee who has worked hard for this profession for years.
00:08:51If you take it like this, it'll hurt us less.
00:08:54Do you understand?
00:09:04You're in a position now.
00:09:06That's why he's angry.
00:09:07Professional stone or something.
00:09:14I'm saying I saw it with my own eyes.
00:09:16There's no man who goes to them.
00:09:18He left Sanem at night.
00:09:21Of course.
00:09:22At midnight.
00:09:23The neighborhood's reputation is gone.
00:09:25They hugged each other in the middle of the break-up.
00:09:28I don't know what.
00:09:29They hugged each other.
00:09:30They listened to children or something.
00:09:33Let me tell you something, Mr. Muzaffer.
00:09:35She's a cheap woman.
00:09:36I swear.
00:09:38I was going to invite her to my house.
00:09:41Yeah, but of course.
00:09:42Who?
00:09:43What's going to happen to the girl?
00:09:44Quiet, quiet.
00:09:49No!
00:09:52We're looking for her.
00:09:53No!
00:09:58What are you doing?
00:09:59No, please.
00:10:00Please.
00:10:01I'm begging you.
00:10:02I'm begging you.
00:10:07I'm going to complain from now on.
00:10:10Don't hit me.
00:10:11Actually, I'm complaining to you.
00:10:12You're not ashamed to slander my girls, are you?
00:10:14Are you ashamed to pick up girls on the street?
00:10:18Let go.
00:10:19What are you saying?
00:10:20What are you doing?
00:10:21Don't hit me.
00:10:22What are you doing?
00:10:23Don't hit me.
00:10:26What are you doing?
00:10:27What are you doing?
00:10:28What are you doing?
00:10:29Look.
00:10:31He's here.
00:10:32Son, don't fight.
00:10:33Look.
00:10:34Violence.
00:10:35God damn it.
00:10:36Real violence.
00:10:37Look.
00:10:40I'm sorry.
00:10:42Thank you for coming, Uncle.
00:10:44What do you want, Aylin?
00:10:46I want to talk.
00:10:47Even if it's not about each other, I have to talk about the company.
00:10:50Although I am the representative of Fabri, I can't enter the company thanks to Emre.
00:10:54I can only learn from you what's going on.
00:10:57You're my brother Emre.
00:10:58He's in a relationship again.
00:11:00Are you surprised?
00:11:03It was obvious.
00:11:04It was obvious from the party.
00:11:05In fact, I joked with Deren that they got together again.
00:11:08It must have come true.
00:11:09Where did you learn?
00:11:10Leyla told me.
00:11:12They went to your house last night.
00:11:13Then I saw them.
00:11:15He confessed in the morning.
00:11:16He fell in love.
00:11:17You didn't learn this from Can.
00:11:19Emre, you're so naive.
00:11:21And you're glad.
00:11:23He trusts me now.
00:11:24He tells me everything.
00:11:26If it wasn't for Leyla, you wouldn't know anything.
00:11:28Aylin.
00:11:29What? Is it a lie?
00:11:30Is it a lie?
00:11:32If Can had forgiven you, he would have shared this relationship with you first.
00:11:35He was hiding it from his mother.
00:11:37That's why he asked me not to tell anyone.
00:11:40At this age?
00:11:42Is your mother really a neighborhood girl?
00:11:44Whatever, Aylin.
00:11:45My brother respects this decision.
00:11:47They don't want anyone to hear it without telling Sanem's mother.
00:11:50If it is understood that he lied, they will understand the girl.
00:11:53Great.
00:11:55Let's let them know then.
00:11:56Let everyone hear this great love.
00:11:58Nonsense.
00:11:59Why?
00:12:00What will we do?
00:12:01Mother will fire Sanem.
00:12:04She will put her in charge of the grocery store.
00:12:05We will have a way, Emre.
00:12:08This is a very deliberate plan.
00:12:09I can't cut it off.
00:12:12Let's close the subject here.
00:12:13We'll handle Sanem in another way.
00:12:15Aylin, we've been making plans all this time.
00:12:17But every time, something happened.
00:12:19There was a development and our plans fell into the water.
00:12:21I think we shouldn't miss this opportunity.
00:12:23I don't understand why you think so much.
00:12:25Can didn't think so much when he fired you from the company.
00:12:28But when you're a little apart from me, I get confused.
00:12:32What does it have to do with it, Aylin?
00:12:34Think logically, I want to act logically.
00:12:36Okay, don't do anything, I'll take care of it.
00:12:38Aylin, you won't do anything without asking me.
00:12:40Okay, Emre.
00:12:41I won't.
00:12:46Who is it?
00:12:48Good morning.
00:12:49Good morning.
00:12:50Can I get a cup of tea?
00:12:51For a change.
00:12:52I'll bring it right away.
00:12:59He says for a change.
00:13:01By the way, the hangings didn't escape my eyes.
00:13:03Should we call you S.S. now?
00:13:06One of these hangings is not enough for you.
00:13:08I don't know what to do with you.
00:13:10I don't know what to do with you.
00:13:12I don't know what to do with you.
00:13:13I don't know what to do with you.
00:13:14One of these hangings is not enough for you.
00:13:15It hurts.
00:13:19It hurts.
00:13:31Good morning, my love.
00:13:33Good morning, my love.
00:13:37Why did you call me to your room?
00:13:39Isn't it normal for me to want to see you?
00:13:41Isn't it normal for me to want to see you?
00:13:43Besides, you always bring me tea.
00:13:45What's up?
00:13:46Yes.
00:13:47Yes.
00:13:50I came.
00:13:51You saw me.
00:13:52Now I...
00:13:53Stop, stop, stop.
00:13:54Stop, stop, stop.
00:13:56What happened last night at home?
00:13:58Do you have a problem?
00:13:59No, there was no problem.
00:14:01I mean, I got the situation at home together.
00:14:03At the agency.
00:14:04Now...
00:14:05At the agency...
00:14:06They're gossiping about us.
00:14:08Oh my God.
00:14:09What are they saying?
00:14:10They said we were in love.
00:14:12And you made me a scriptwriter because we were in love.
00:14:15At the company.
00:14:16True information.
00:14:17We are in love.
00:14:18What's wrong with that?
00:14:19What do you mean?
00:14:20Did I become a scriptwriter because I was in love?
00:14:23No, honey.
00:14:24What does it have to do with it?
00:14:25Don't be ridiculous.
00:14:26You...
00:14:27You deserve it to the end.
00:14:28You are hardworking.
00:14:29You are talented.
00:14:30We are in love.
00:14:31I mean...
00:14:32Right now...
00:14:33They're just talking about it.
00:14:36Okay, then.
00:14:37Let's go.
00:14:38Let's say we're in love.
00:14:39No.
00:14:40Let's say we're in love.
00:14:41But let's also say...
00:14:42Sanem came to this point with the right of the wrist.
00:14:44Okay?
00:14:45Don't make such ridiculous gossips.
00:14:46According to him.
00:14:47Let's say.
00:14:48Let's give the ultimatum.
00:14:49No way.
00:14:50No way.
00:14:51Why?
00:14:52We knew they were in love this time.
00:14:53That's why they'll say I became a scriptwriter.
00:14:54What are we going to do then?
00:14:55Tell me.
00:14:56I mean, first I have to prove that I got this job with the right of the wrist.
00:14:59I'm going to take part in such a project.
00:15:00Besides, my mother doesn't know yet.
00:15:02We can't declare it to the agency without telling my mother.
00:15:05Okay.
00:15:06Okay, honey.
00:15:08As you wish.
00:15:09Okay.
00:15:10When we go back to those days.
00:15:11Okay.
00:15:12As you wish.
00:15:13Okay.
00:15:14Then I'm going to drink this wonderful tea you brewed.
00:15:20Like you.
00:15:21Hot.
00:15:22Smell.
00:15:25The smell of milk.
00:15:29Then we'll get together and leave early.
00:15:34We'll leave.
00:15:35I mean, let's leave.
00:15:36Where are we going?
00:15:38It looks like you're a little lost, but we'll get there.
00:15:44Okay.
00:15:47He says we're leaving.
00:15:48Of course I will.
00:15:50It's like an order.
00:15:59Ah, Ah, MefkoÅŸ.
00:16:01Please come to your senses.
00:16:02Oh my God.
00:16:03Oh my God.
00:16:04What is this?
00:16:05How many children's blood pressure?
00:16:06How many children?
00:16:07Well, mom, the blood pressure is bad.
00:16:09Let me tell you.
00:16:1018, you have 25.
00:16:11Let's agree on 30.
00:16:13What are you saying?
00:16:14Oh, the woman's brain is going to come out now.
00:16:17Nihat was like that in my father.
00:16:18His blood pressure came out as if his brain was going to come out.
00:16:21So you're a soul couple at the blood pressure point.
00:16:24What are you talking about, son?
00:16:25Oh my God.
00:16:26Moral is very important in such situations.
00:16:28First of all, moral.
00:16:29I couldn't bear the operation.
00:16:31You made our whole neighborhood talk.
00:16:34I didn't do anything, MefkoÅŸ.
00:16:36I swear to God, look at his mother.
00:16:38She went and made the whole neighborhood talk.
00:16:40MefkoÅŸ, I swear to God, it's not my fault.
00:16:43Oh my God.
00:16:45Here comes the subject.
00:16:46It's connected to our mother.
00:16:48Does Nasreddin Hodja stop?
00:16:49He stuck the answer.
00:16:50He said that there is no fault of the thief.
00:16:52Here you go.
00:16:53What thief?
00:16:54What are you saying?
00:16:55Heart thief, sister Melahat.
00:16:57Heart thief.
00:16:58Give me that cologne.
00:17:00I'm talking about a big-hearted kid named Candivit.
00:17:03He both confused Sanem
00:17:05and named the girl.
00:17:07Actually, your mother.
00:17:08Actually, your mother.
00:17:09There are no men.
00:17:10They don't leave with cars.
00:17:11There's a lot of slander.
00:17:13My mother.
00:17:14Your mother lied more than 40 times.
00:17:15My mother.
00:17:17Did your mother see?
00:17:18I don't know, my mother.
00:17:19Daughter.
00:17:20What am I telling you?
00:17:22I'm telling you that Sanem stayed in Ayhanlar.
00:17:24My children don't lie.
00:17:26So.
00:17:27Of course he doesn't say.
00:17:28Of course he doesn't say.
00:17:29What are the big kids lying about?
00:17:30They will tell you.
00:17:31There are as many kids as donkeys.
00:17:34Come on, get out.
00:17:35Come on.
00:17:36I haven't seen you for a while.
00:17:38Come on, MefkoÅŸ.
00:17:39We're a little short.
00:17:40I praise myself, come on.
00:17:41How?
00:17:42Come on, my children don't lie.
00:17:44Come on.
00:17:46Come on.
00:17:47I'll tell you in a little while.
00:17:48Come on.
00:17:49Don't throw my asphalt.
00:17:50Don't throw my asphalt.
00:17:51Come on, come on.
00:17:52Come on, come on.
00:17:53Come to that point.
00:17:54He says he threw my asphalt.
00:17:55He says go away.
00:17:56He always comes to his mother's face.
00:17:58Come on.
00:17:59My children don't lie.
00:18:01Maybe I will.
00:18:03Maybe I will.
00:18:05I swear to God.
00:18:06It's no use looking at you.
00:18:09What am I going to do?
00:18:13My childhood.
00:18:15What am I going to do?
00:18:24Good job, Dad Nihat.
00:18:25Thank you.
00:18:26It's not good to be in that position.
00:18:29Peace be upon you.
00:18:30Peace be upon you.
00:18:32What's the latest situation?
00:18:33Is there any news about this thief?
00:18:34No.
00:18:35No, but soon he will be caught.
00:18:38Oh my God.
00:18:39There was no one in the whole neighborhood who saw the thief.
00:18:41It's really amazing.
00:18:42Ä°hsan.
00:18:44Ask your friends.
00:18:46Your circle is wide.
00:18:47Maybe the thief will come out familiar.
00:18:52Good luck, Uncle Nihat.
00:18:53Thank you, Osman.
00:18:54Come on, let me order you a cup of tea.
00:18:55I don't want to sit down, Uncle Nihat.
00:18:57They are waiting for me.
00:18:58Okay, let's go.
00:18:59My friends don't know, Brother Nihat.
00:19:01Should we ask your son-in-law?
00:19:03Maybe he saw you.
00:19:06Son-in-law?
00:19:07What are you talking about?
00:19:08You don't know.
00:19:10Am I talking about the friend who left Sanem last night?
00:19:13When I saw them in the neighborhood at one o'clock at night,
00:19:15I thought you were flirting.
00:19:18What are you talking about, Uncle Nihat?
00:19:19These are the opposite of the neighborhood.
00:19:21Brother Nihat.
00:19:22Brother Nihat.
00:19:23Will you sleep with me?
00:19:24Pull your daughter's ear if you want.
00:19:25Am I going to ask you?
00:19:26I'm going to pull my ear and go.
00:19:30What are you talking about?
00:19:32I'll break your face.
00:19:36What are you talking about about my daughter?
00:19:45What are you talking about about my daughter?
00:19:53It's too early to wait, Candivit.
00:20:06That's perfect.
00:20:23Are you feeling better?
00:20:24Yes.
00:20:26I feel better.
00:20:30When did I ever let you feel better?
00:20:36Should we tell everyone?
00:20:38To your mother or something?
00:20:40You seem to be stressed.
00:20:42I don't feel sorry for you.
00:20:43Because I don't see you well.
00:20:45I don't see you well.
00:20:47I don't see you well.
00:20:48I don't see you well.
00:20:49I don't see you well.
00:20:51I don't see you well.
00:20:52Because I don't see you well.
00:20:53Yes.
00:20:54I feel very strange.
00:20:55I'm not used to it.
00:20:56I feel like I'm drowning.
00:20:57I feel very bad because I lied to my mother.
00:21:02Let's start with your mother first.
00:21:03Then we can talk together.
00:21:05No way.
00:21:07I'll take care of it.
00:21:08I won't lie to her anymore.
00:21:10It was like a dream yesterday.
00:21:11It was over like a nightmare.
00:21:13Those in the agency...
00:21:14My mother will learn without me telling her.
00:21:17I need to talk to her as soon as possible.
00:21:18I'll tell her.
00:21:19I'll tell her.
00:21:20What will I tell her?
00:21:24We fell in love with each other.
00:21:28You say you love me very much.
00:21:31I love you too.
00:21:32I love you too.
00:21:46Shall we eat something?
00:21:47Then I'll take you home.
00:21:48Okay.
00:21:49Okay.
00:21:51Let's see who's a better photographer.
00:22:03What are you thinking about?
00:22:05Nothing.
00:22:07I was thinking about the series we watched.
00:22:09I wonder if the new episode has arrived.
00:22:12I don't know.
00:22:13I don't know.
00:22:14I don't know.
00:22:15I don't know.
00:22:16I don't know.
00:22:17I don't know.
00:22:18I don't know.
00:22:20It's to be expected.
00:22:22Did you watch it?
00:22:23No, but I think we'll watch it together.
00:22:25Okay, we'll watch it.
00:22:27Okay, then.
00:22:28We'd order a pizza tonight.
00:22:31Oh, I'd love to.
00:22:32That's a nice plan.
00:22:34But I have to go home tonight.
00:22:36My mother was very worried about the robber.
00:22:38Oh, that's right.
00:22:40I thought I'd give it a try.
00:22:44Unfortunately, this week it will be like that for a few days.
00:22:46Okay, we'll watch it together next week.
00:22:47and we'll walk home together.
00:22:49Home alone.
00:22:50Sure.
00:22:51That would be great.
00:22:52Then I'll drop you home.
00:22:54Actually, it would be better if you dropped me off at the neighborhood.
00:22:56I'll walk home from there.
00:22:58It'll be a hassle for you, but...
00:23:00Ah, Leyla.
00:23:01It's such a hassle every day.
00:23:18Here.
00:23:19The knife is very nice.
00:23:24I have a very good sense of rhythm, Can.
00:23:26I noticed.
00:23:28Oh!
00:23:30You finally made me miss you.
00:23:32But I'm with you.
00:23:33That's love.
00:23:34You miss me even when you're with me.
00:23:35Right?
00:23:36You get letters everywhere.
00:23:38You get letters from everywhere.
00:23:40Everyone wants to know and hear.
00:23:42Not just people.
00:23:43Birds, fish, insects,
00:23:45cats, dogs.
00:23:47Everyone wants to know.
00:23:48That's right.
00:23:50Wait.
00:23:51I'm doing what I said right now.
00:23:55Sanem, Can is in love!
00:23:57Sanem and Can are in love.
00:23:59Uncle!
00:24:00Did you hear that?
00:24:04Aunt, we're in love.
00:24:07Yes.
00:24:09Oh, I'm a little relieved.
00:24:11I'll tell you something.
00:24:12Didn't we go back to normal?
00:24:13Agency, campaign.
00:24:15I don't know what it was.
00:24:16There's something in the world.
00:24:17You're crazy.
00:24:19Fish?
00:24:21You're the fish.
00:24:23Are we fish bread?
00:24:24Are we food?
00:24:25Are we hungry?
00:24:26Sorry.
00:24:27A man's romanticism is true until he's hungry.
00:24:34Brother Nedim.
00:24:35Good job.
00:24:37Thank you.
00:24:38I'm going straight to the point.
00:24:40Do you have Lüfer?
00:24:41Brother.
00:24:42Super.
00:24:43You're giving us two.
00:24:44And you had a table.
00:24:45In the corner.
00:24:46With a view.
00:24:47Did you know?
00:24:48Exactly.
00:24:49For lovers.
00:24:50You were talking to me all the time.
00:24:51When are we going to see you?
00:24:52On this table or something.
00:24:53You're giving us that too.
00:24:54Okay.
00:24:55We're coming.
00:24:57Okay.
00:24:58See you.
00:25:02Hello, Ayhan.
00:25:03Hello, Sanem.
00:25:04How are you?
00:25:05Fine.
00:25:06What are you doing?
00:25:07How?
00:25:09Love.
00:25:10A little intense.
00:25:12It's intense here too.
00:25:13Let me tell you.
00:25:14How?
00:25:15Mr. Can left you at home yesterday.
00:25:17Aysun saw this.
00:25:19How?
00:25:20So?
00:25:21He went and told Aunt Mevkuba.
00:25:23MevkoÅŸ went crazy.
00:25:24How?
00:25:25What are you saying?
00:25:26What happened?
00:25:27It's not over yet.
00:25:28Uncle Nihat heard this too.
00:25:29How did he hear?
00:25:30Where did he hear it?
00:25:31It happened like this.
00:25:32The joker went and told Uncle Nihat.
00:25:34Uncle Nihat got on the cubes like this.
00:25:36Okay, he attacked me.
00:25:37My brother had a hard time.
00:25:39What are you saying?
00:25:40You know these places.
00:25:41You know our neighborhood.
00:25:43The neighborhood is shaking.
00:25:46Okay, I'm coming.
00:25:47I'm coming, hang up.
00:25:49What happened?
00:25:50Is there something wrong?
00:25:51They made a rumor in the neighborhood.
00:25:53My mom and dad fought with them.
00:25:55What kind of a rumor?
00:25:56What did they say?
00:25:57They saw you leave me at home.
00:26:00They said they were lovers, Can and Sanem.
00:26:02We are lovers anyway.
00:26:03No, Can.
00:26:04No.
00:26:05There is no such thing in our neighborhood.
00:26:07It would be verbal, marital, but not love.
00:26:10It happens in series.
00:26:13What are we going to do?
00:26:14What are we going to do?
00:26:15You're going to leave me at home.
00:26:16I mean, you're going to leave me somewhere close to the neighborhood.
00:26:18Food?
00:26:19Forget it now.
00:26:20The neighborhood is shaking.
00:26:21Let me go and try to fix the situation.
00:26:22Okay.
00:26:25I can't think of my mom and dad right now.
00:26:28How are you, honey?
00:26:30I have great news for you.
00:26:33It's about Can Dibit.
00:26:35For God's sake, don't you know me?
00:26:37When did you get the fake news from me?
00:26:40Okay, honey. I'm sending it.
00:26:42Will it be ready by tomorrow?
00:26:45Great.
00:26:47See you then.
00:27:05Mom.
00:27:06Dad.
00:27:08I need to tell you something.
00:27:10We know, kid. We know.
00:27:12How?
00:27:13Is there anyone left in the neighborhood who didn't hear?
00:27:14Everyone is talking about it.
00:27:16How does everyone know?
00:27:17How does everyone talk about it, mom?
00:27:19They're talking about how your father beat the jackal.
00:27:22Is there anyone left who didn't hear?
00:27:23Yes.
00:27:24We heard.
00:27:25People are talking about you.
00:27:28They're talking about you.
00:27:29They're talking about you.
00:27:30They're talking about you.
00:27:31They're talking about you.
00:27:32They're talking about you.
00:27:34They're talking about you.
00:27:35They left you at home because they wanted to see your boss.
00:27:39Of course, she caught it.
00:27:40She started talking about you.
00:27:42What did Mr. Can leave you in the neighborhood last night?
00:27:44I promise you.
00:27:46Mom, I...
00:27:47See?
00:27:48I know, kid.
00:27:49You were at Ayhan's.
00:27:50My daughters don't lie to me.
00:27:52I trust my daughters.
00:27:53But this is not the case.
00:27:55Mom, I...
00:27:56Come on.
00:27:57Forget it.
00:27:58Whatever they say, they're bad liars.
00:28:00But you can't say it.
00:28:02Look.
00:28:03The big man jumped on the jackal.
00:28:05Like a panther.
00:28:07When it comes to people's children,
00:28:10he doesn't see anything, does he, Nihat?
00:28:15What can I say?
00:28:18I trust my daughters.
00:28:20But please don't talk to me with these people anymore.
00:28:23Your bosses are very good people.
00:28:25But don't come to the neighborhood again.
00:28:26Don't let these people talk to you.
00:28:29I'm asking you to do this, kid.
00:28:32Okay, dad.
00:28:34Okay, dad. You're right.
00:28:36We'll be careful.
00:28:37Okay.
00:28:38I'm so sorry.
00:28:52What happened to your eye?
00:28:53What happened to your eye?
00:28:54I guess it was in Sorma Nazar.
00:28:55I got an infection.
00:28:56I don't know.
00:28:57It's sinking. It's burning. It's swollen.
00:28:58It's like a blood vessel.
00:28:59Thank God.
00:29:00Is it burning a lot?
00:29:02No, no, no.
00:29:03Don't touch it.
00:29:04It's a disinfectant or something.
00:29:05Don't come near it.
00:29:07I'll see a doctor tomorrow.
00:29:09Anyway, never mind me.
00:29:12Let's talk about good things.
00:29:13Let's talk about sweet things.
00:29:14I'll act like I don't have this in my life.
00:29:15It'll pass, I hope.
00:29:16Never mind that.
00:29:17Let's talk about positive things.
00:29:19Okay. How's it going?
00:29:20Good God.
00:29:21You're at work every day.
00:29:22Why are you asking me about work?
00:29:24You know how it's going.
00:29:25How it's going.
00:29:26No, son.
00:29:27How's your love life going?
00:29:29I mean, I'm looking at your ship.
00:29:31Emir sent you to Sanem port.
00:29:33Yes.
00:29:35Sanem seems pretty good to me.
00:29:37Pretty, pretty, pretty good.
00:29:40It means it's good.
00:29:41Yeah.
00:29:42Well, I'll say the open seas are yours, Pasha.
00:29:44But you're acting like Leyla these days.
00:29:47I mean, I'm getting an expression on your face.
00:29:49Whenever I look at you, I don't know why.
00:29:52Wait, what were you saying?
00:29:54Pretty, pretty, pretty good.
00:29:56Exactly.
00:30:02So?
00:30:03What do you think about Ceyda?
00:30:05I don't think anything.
00:30:06What do you think about Ceyda?
00:30:08What am I going to think?
00:30:09Don't you see, son?
00:30:10She likes you.
00:30:12I don't see.
00:30:13I prefer not to see.
00:30:14What do you mean?
00:30:15I mean, my eyes don't see.
00:30:17My eyes don't see anyone other than Sanem.
00:30:20In general, I don't see.
00:30:22Physically, I don't see.
00:30:24Spiritually, I don't see anyone other than Sanem.
00:30:27What do you mean?
00:30:28You don't see physically, but you don't see spiritually.
00:30:31I don't see, bro.
00:30:32In general, I don't see not seeing.
00:30:34Look at this.
00:30:36Wow, look at the excitement.
00:30:38You didn't throw iron.
00:30:39You've been looking for a long time.
00:30:40You're going to say something.
00:30:42Open your eyes, open your heart.
00:30:43Say something.
00:30:48Sister.
00:30:49Sister, sister.
00:30:51What are we going to do if it doesn't work?
00:30:52I don't know, I don't know, I don't know.
00:30:54I can never say it when the neighborhood is in this situation.
00:30:57Never.
00:30:58No, it can't be said.
00:30:59We can't say it in life.
00:31:00They'll put both of us in trouble.
00:31:01Oh, oh.
00:31:03Okay, okay.
00:31:04Don't worry, don't worry.
00:31:05This neighborhood will find another gift box in half a day anyway.
00:31:08They'll forget about it.
00:31:09Okay, then we'll get used to it.
00:31:11We'll say it slowly.
00:31:12They'll forget.
00:31:13They'll forget.
00:31:14They'll forget.
00:31:16They'll forget.
00:31:17Of course, of course, they'll forget.
00:31:18Look, we can't say it in life right now.
00:31:20Even your father is set up.
00:31:21Yes, yes.
00:31:22Who would have guessed that your father would fight with someone?
00:31:25From now on, we need to be more careful.
00:31:28We need to be more careful.
00:31:30That's right.
00:31:31From now on, extraordinary things will be changed.
00:31:35Be quiet.
00:31:36Oh, my God, because of me.
00:31:38We made a deal.
00:31:41Sister.
00:31:42What?
00:31:43Don't talk on the phone.
00:31:44Text me.
00:31:45No sound.
00:31:46Okay, same.
00:31:48Hide.
00:31:49Hide in your room.
00:32:00Mom, we ran away.
00:32:02Okay, okay.
00:32:05Goodbye, I'm here too.
00:32:07Where are you coming from?
00:32:08Are you coming to the company?
00:32:09Mom, didn't we talk about this last night?
00:32:12Don't you still trust us?
00:32:14God, what does it have to do with it, kid?
00:32:16No, I'm going to open a grocery store.
00:32:18Don't you have a grocery store?
00:32:19Didn't my father open a grocery store?
00:32:20They called him a taxi.
00:32:21That's why the driver got sick in the morning.
00:32:25He went to the taxi.
00:32:27Do you know what I'm saying to you?
00:32:29What a good idea.
00:32:31I should come to work with you.
00:32:32If I sit on the side like this.
00:32:34If I pull out my beans.
00:32:35If I knit.
00:32:36I'll sit like this.
00:32:38Ask if you have a boss.
00:32:39You'll be right in front of me.
00:32:41Yeah, right?
00:32:42That's a great idea, mom.
00:32:43Let's really talk about this with Mr. Can.
00:32:46Because we're going to the grocery store.
00:32:47I think it's a great idea, mom.
00:32:49Come on, don't make me angry.
00:32:50Take this.
00:32:51Take this too.
00:32:52Let me see.
00:32:53I have a lot of work.
00:32:54Maybe our bosses will say okay.
00:32:57Good morning, neighbor.
00:32:58Good morning.
00:33:00Good morning.
00:33:04Oh, my God.
00:33:05The neighborhood is whining.
00:33:06I hope it's good.
00:33:08Mom, leave it, for God's sake.
00:33:10People need to talk.
00:33:11They're still talking about yesterday's gossip.
00:33:13Mom, don't listen to those gossips.
00:33:15Don't listen to Aysun either.
00:33:16If Aysun talks, I'll say God created her.
00:33:19I swear, she's not fed up with being sent.
00:33:21She's not fed up with being sent.
00:33:22I'm done, she's not done.
00:33:24Come on, let's sweep a little.
00:33:26Let's sweep a little.
00:33:27Come on, mom, we ran away.
00:33:28Wait a minute.
00:33:29Come here.
00:33:30You'll have to sit down and get up.
00:33:32There are those skirts.
00:33:33It won't open.
00:33:34He'll pay attention.
00:33:35He'll sit down and get up.
00:33:36If anyone tries to give you gas or alcohol, you won't.
00:33:40We know your mother and father.
00:33:42Let's take them.
00:33:43You won't go even if they say so.
00:33:44Those phones will be reached.
00:33:45You'll do bad to those phones.
00:33:47Mom, are we six years old?
00:33:48Why are you making us go crazy right now?
00:33:50Oh, my God.
00:33:51What is this?
00:33:52Mixing up the skirt or something.
00:33:53Oh, my God.
00:33:54Come on.
00:33:55Goodbye, my babies.
00:33:57What's up, sister?
00:33:58Come on.
00:33:59One seed, one gossip.
00:34:00Don't upset my mother.
00:34:02It's a shame.
00:34:04Oh, my God.
00:34:07Good morning.
00:34:08Good morning.
00:34:09How are you?
00:34:10Isn't it too late?
00:34:12It's not late.
00:34:13It's not late.
00:34:14It's swollen.
00:34:15The burns have increased.
00:34:17The pain is inside.
00:34:18Good morning.
00:34:19I'll see the doctor.
00:34:20It's not over yet.
00:34:21Your news is out.
00:34:22We're definitely going to get a prize for the compel supporter.
00:34:24Here it is.
00:34:25Love news.
00:34:26Love news?
00:34:27Yes.
00:34:28From Sanem.
00:34:29What about this?
00:34:30Who, where did you see it?
00:34:32How did you know it was?
00:34:34God.
00:34:35Mr. Sanem was going to talk to his mother.
00:34:38It's too bad.
00:34:39Let me call her and ask.
00:34:53Don't open it.
00:34:56It's too bad.
00:34:57I hope he's talked.
00:35:00Who's that?
00:35:02Oh, my God.
00:35:03It's all over the place. I lost my appetite. I'm running away.
00:35:06Anyway, don't worry. I'm coming with you.
00:35:08Okay.
00:35:14I can't believe it's true. I can't believe it.
00:35:17Ceycey!
00:35:18It's a fake news.
00:35:19Call him, Ceycey. Let him go.
00:35:21It's a fake news.
00:35:22Where is it a fake news?
00:35:23You're telling us not to gossip. Can't you see?
00:35:26Look, it's a news. They're lovers.
00:35:28I told you.
00:35:29It's not a gossip. They're lovers. Can't you see?
00:35:32It's a news. No, it's fake.
00:35:34It's a fake news.
00:35:35They said and interview that CendriloÅŸ recently left for a magazine.
00:35:38Is this love for real?
00:35:40Does everybody waiting for it?
00:35:43I can't believe it.
00:35:44Can you take a look at the picture.
00:35:46Ceycey!
00:35:50What happened?
00:35:53I'm relieved.
00:35:56I always knew. I was hiding.
00:35:59Now that everyone knows, there is a meaningless peace and relaxation.
00:36:04Guys, there is a new news.
00:36:06Is that so? Read it.
00:36:11It's old news.
00:36:13How silly.
00:36:15Guys, what's going on? Why did you turn this place into a village cafe?
00:36:18Ah, Mrs. Deren.
00:36:20No, there is nothing right now. We are not hiding anything from you, Mrs. Deren.
00:36:24What are you hiding from me, JJ?
00:36:26We are not hiding anything.
00:36:28Ah, your hand is stuck, Mrs. Deren.
00:36:30What is that? I'll check. Open.
00:36:32Computer.
00:36:33Open. I'll check the computer.
00:36:34There is information.
00:36:35Okay, I'll check the information. Open.
00:36:37We can't open it now. We can't open it.
00:36:39What do you mean we can't open it? Will you open it? I'll check.
00:36:41Okay, open it now.
00:36:43Open. Open. Open. Open. Open. Open. Open. Open. Open. Open.
00:36:49Let's open it with the vote.
00:36:51Open. Open. Open. Open. Open. Open.
00:36:59Now, friends, we do it like this.
00:37:09We all turn our wives upside down with a series of actions.
00:37:16Is this taking this cafe from the veins?
00:37:21Isn't he crazy?
00:37:23Calm down. He'll be crazy soon.
00:37:25This is a system, a method. I figured it out.
00:37:2910, 9, 8, 7, 6, 5, 4, 3, 2, 1.
00:37:45Come on, Nebeat, say hello to your wife.
00:37:48Come on.
00:37:54Oh, my God.
00:37:56He said that he infected them with women.
00:37:58Oh, my God.
00:38:00Oh, my God.
00:38:17Good morning.
00:38:19Good morning.
00:38:23What's up? Where are you going?
00:38:25I'm going to the coffee shop.
00:38:27What are you doing?
00:38:29Nothing. I'm going to the grocery store to buy some food.
00:38:39Look at the cherries. They're fresh. It's like a salad.
00:38:42Mr. Mevki. Mr. Mevki. Come on, let's go inside.
00:38:44Come on, let's have a cup of tea. Let's have a chat.
00:38:46Mr. Mevki.
00:38:47Good morning.
00:38:48Good morning, neighbor.
00:38:50What are you saying?
00:38:51What can I say? He says newspapers.
00:38:53It's 8 liters.
00:38:56Didn't you read it?
00:38:58You open a library in the neighborhood.
00:39:00You don't read a single newspaper.
00:39:02If you don't read, who will read the newspapers?
00:39:04I don't know.
00:39:05Celil, I swear. I'll beat you up.
00:39:07Don't say that.
00:39:08I'll beat you up.
00:39:10I came to congratulate you. Look at the welcome.
00:39:12God bless you.
00:39:13But bravo.
00:39:14Mr. Mevki, bravo.
00:39:15You introduced us to the whole world.
00:39:18The whole world knows our neighborhood very well now.
00:39:21Thanks to you, my president.
00:39:22What are you talking about?
00:39:23MevkoÅŸ, read it yourself.
00:39:25I don't know how to say it.
00:39:27The whole neighborhood knows about it.
00:39:34So, when is the wedding?
00:39:36When is the engagement?
00:39:37But you don't know the wedding date.
00:39:41How will they know?
00:39:42One day they will know.
00:39:43MevkoÅŸ, come here.
00:39:45The woman will leave.
00:39:47I'll beat you up.
00:39:48Sit down, my dear friend.
00:39:50Sit down.
00:39:51For God's sake.
00:39:52I'll bring it to your arm.
00:39:55Oh my God.
00:39:57She's still laughing.
00:39:59MevkoÅŸ, mom.
00:40:00These are not real.
00:40:01These are all rumors.
00:40:03These are all rumors.
00:40:06Who are you looking for?
00:40:07Who are you looking for?
00:40:10She's still laughing.
00:40:12Tell me, mom.
00:40:13Who are you looking for?
00:40:14Eliyat.
00:40:15My dear.
00:40:16Bring me my bag.
00:40:17What are you going to do with your bag?
00:40:21Oh my God.
00:40:22My dear.
00:40:23Take your bag.
00:40:24You stay at the grocery store.
00:40:25I'm coming.
00:40:26Where are you going?
00:40:27Mr. Mevki.
00:40:28Mr. Mevki, can I come with you?
00:40:30No.
00:40:35Oh, MevkoÅŸ.
00:40:39But it's so funny.
00:40:40Aysun, the grocery store is close.
00:40:42Let me buy you a kilo.
00:40:43You'll burn your hair.
00:40:45Why are you giving it to me?
00:40:46Give it to Mr. Mevki.
00:40:47He's the one who wants it.
00:40:48Not me.
00:40:51By the way, write this tangerine on my account.
00:40:53Oh, my Muzafferin.
00:40:55It's cheap.
00:40:56I swear.
00:40:57I don't want people to think I'm an enemy.
00:40:59In the mouth of this neighborhood.
00:41:00What did the neighborhood say?
00:41:01This place is like this.
00:41:02Oh, God.
00:41:03I don't want anyone to think of them.
00:41:04I swear it's like this.
00:41:15Oh, Emre.
00:41:16When it comes to your job, how do you call early?
00:41:21Good morning, honey.
00:41:22Did you call to congratulate me?
00:41:24You did it, didn't you?
00:41:26You gave the news to the newspaper.
00:41:27Of course I did.
00:41:29Who else would come up with such a clever plan?
00:41:32Are you crazy?
00:41:33What's going to happen to you?
00:41:35Nothing has happened yet, but it will.
00:41:37That little neighborhood girl will not be able to explain her situation to her mother.
00:41:41His mother will fire him.
00:41:43It's that simple.
00:41:45Come on, let's say he got it.
00:41:46What's going to happen to you?
00:41:48You're doing ridiculous things.
00:41:50Emre, see what I can do at work and act accordingly.
00:41:54What do you mean?
00:41:55I'm saying there's Leyla next, honey.
00:42:01God damn it.
00:42:14He told it in a fluent language.
00:42:16A romantic story.
00:42:17Oh, my God.
00:42:18This agency has returned to our neighborhood.
00:42:20Am I feeling wrong?
00:42:22No, there's something strange about them right now, Sanem.
00:42:25What's up?
00:42:28What's going on?
00:42:31Sanem.
00:42:32Cece.
00:42:33What happened?
00:42:35What happened?
00:42:36Everyone knows.
00:42:37What's going on?
00:42:38You're talking crazy.
00:42:39What's going on here right now?
00:42:40You go and tell everyone that you're my girlfriend.
00:42:44I didn't say that.
00:42:45My arm hurts.
00:42:46I didn't say that.
00:42:47I didn't say that.
00:42:48My arm hurts.
00:42:49I'm not in the mood right now.
00:42:50I said it, didn't I?
00:42:54Look.
00:42:56It's digital.
00:42:58Look at this.
00:42:59I'm done.
00:43:00I'm done.
00:43:01I'm done right now.
00:43:02Sanem.
00:43:03We're both done, sister.
00:43:04I think we're both done.
00:43:05Yes.
00:43:07What are we going to do?
00:43:08I don't know.
00:43:10Good morning.
00:43:16Good morning.
00:43:20Sanem, come to my room.
00:43:21Are you coming?
00:43:23If you hadn't told me, I would have been fine.
00:43:25Oh, my God.
00:43:26Give me the bag.
00:43:27Hold this bag.
00:43:29Güliz, where's Ms. Deren's coffee?
00:43:31Disrespectful.
00:43:32Don't you have to bring it, Ceycey?
00:43:34Shut up.
00:43:35Don't talk to me.
00:43:40I'm done.
00:43:41I'm done.
00:43:43Sanem.
00:43:44I beg you.
00:43:45Can you calm down?
00:43:46I mean,
00:43:47raising your voice like that,
00:43:49looking at strange notebooks,
00:43:51throwing bolts,
00:43:52you're drawing attention.
00:43:53You're already wearing yellows.
00:43:54You're drawing attention enough.
00:43:55And you're drawing attention to your general attitude.
00:44:00My mom.
00:44:01My mom is going to tear me apart.
00:44:03She's going to tear me apart.
00:44:04Weren't you going to tell your mom everything yesterday anyway?
00:44:07Weren't you going to tell her?
00:44:08Huh?
00:44:09Where did this come from now?
00:44:10Why didn't you tell your mom all this?
00:44:12There was a gossip in the neighborhood.
00:44:13She was very angry.
00:44:14I couldn't tell my mom anything.
00:44:15My mom needs to see this news.
00:44:17I need to prevent this.
00:44:19Can you please stop talking nonsense?
00:44:22Really.
00:44:23How are you going to prevent it?
00:44:24I don't know.
00:44:25I haven't found it yet.
00:44:27I'll go home.
00:44:28I'll go home at worst.
00:44:29Sanem.
00:44:30I don't think you're thinking about your health right now.
00:44:32Okay?
00:44:33No logic.
00:44:34Never.
00:44:35Okay?
00:44:36Do you know what I think we should do?
00:44:37Let's go.
00:44:38Let's tell everything nicely.
00:44:39Let this be over.
00:44:40Let's get rid of it.
00:44:41Really.
00:44:42You may see the world with pink glasses, but life is not like that.
00:44:46It's not nice to make fun of people's discomfort.
00:44:50I don't want to wear pink glasses either.
00:44:52My eyes are uncomfortable.
00:44:53I'm angry.
00:44:54What can I do?
00:44:55I'll wear it.
00:44:56You'll handle it.
00:44:57I can't tell my dad anything.
00:44:58I mean, if you had heard what was said at dinner, you would have given me the right.
00:45:01It would be in my father's heart.
00:45:02Fine.
00:45:03What are we going to do?
00:45:05I'm expecting something from you tomorrow.
00:45:06We're going to deny it.
00:45:07We're going to deny it.
00:45:08Look.
00:45:09Full denial.
00:45:10Denial until the end.
00:45:11Yes.
00:45:12To death.
00:45:13To death.
00:45:14That's how we're going to deny it.
00:45:15We're going to say it's a lie.
00:45:16We've learned this from the movies so far.
00:45:17We're going to say it's a lie.
00:45:18Full denial.
00:45:19Right?
00:45:20That's how the magazine conditioned us.
00:45:21Always deny, deny, deny.
00:45:22Yes.
00:45:23We're friends.
00:45:24We're going to suffer.
00:45:25Yes.
00:45:26We're going to say we're friends.
00:45:27We're just going to say we're friends.
00:45:28We're going to deny it until I talk calmly with my mother.
00:45:32We're going to be distant from each other.
00:45:34Distance.
00:45:35What kind of distance, for example?
00:45:36I'm talking about a distance of arm's length.
00:45:38No.
00:45:39But it shouldn't be a distance all of a sudden.
00:45:40It should be a sincere distance.
00:45:42Can I explain?
00:45:43It's not a laval, but a sincere distance.
00:45:45Because a distance all of a sudden is very difficult.
00:45:47No one can eat it.
00:45:48Hello, Mr. Can.
00:45:49If you say hello, hello, I'll make you bleed.
00:45:51I say hello to someone, I'll make you sulk for months.
00:45:53Just hello and it's over.
00:45:55I'm not going to keep this secret for the rest of my life.
00:46:01Good morning.
00:46:02Good morning, Ms. Leyla.
00:46:04I was bored and wanted to see you.
00:46:07You did well.
00:46:10We need to be very careful.
00:46:12It's already complicated.
00:46:14Let's be careful.
00:46:15Come on, are they that bad?
00:46:17Bad, bad, of course.
00:46:18It's probably worse at home.
00:46:20I don't have the courage to call my mother.
00:46:22Are they angry?
00:46:23I don't know, but they get angry.
00:46:25They may not even send it to work again.
00:46:27That much.
00:46:28I'm sorry for you.
00:46:30Really.
00:46:31When this news came out on the gossip in the neighborhood,
00:46:34I was very bad.
00:46:35No, why would you do such a news?
00:46:37I don't understand that.
00:46:38My brother is a popular person.
00:46:40Magazine, agenda, things like that.
00:46:42You're right.
00:46:44My poor brother.
00:46:46Who knows what's going on.
00:46:48Now let me go and see him.
00:46:49Ms. Leyla.
00:46:51You forgot your file.
00:46:56Let's skip the magazine agenda.
00:46:58See you tonight.
00:47:00It would be great.
00:47:02But my mother is in crisis mode.
00:47:04I have to go home right now.
00:47:06You're right.
00:47:07Then I'll go to lunch tomorrow.
00:47:09No one suspects.
00:47:10Okay.
00:47:11Deal.
00:47:12Deal.
00:47:21I don't know who they are with.
00:47:24One day with one, another day with another.
00:47:26That's the way the mosque is, honey.
00:47:28They don't have shame.
00:47:30They print them in newspapers.
00:47:33We miss them too.
00:47:35But we have beautiful customs and traditions.
00:47:39Right?
00:47:40That's right.
00:47:42Can David is a famous advertiser.
00:47:44He was caught with his new girlfriend.
00:47:46That's a lie.
00:47:48Does that man look at her?
00:47:50They wrote a big alphabet.
00:47:52Smoke comes out of the place where there is no fire.
00:47:54He's pretty crazy.
00:47:56Can I take a look?
00:47:58I know Mr. Can.
00:47:59I was wondering who your girlfriend was.
00:48:01Take a look then.
00:48:03Okay.
00:48:04Thank you.
00:48:14Excuse me, sir.
00:48:15What happened?
00:48:16Is there a problem?
00:48:22Can I get my phone?
00:48:24I'm sorry.
00:48:30Let's get a break.
00:48:32I don't think we should trick one another.
00:48:36Let's calm down.
00:48:38There is an actual gossip.
00:48:40I can feel it.
00:48:41I think you all read the news.
00:48:43First of all, I want you to know that...
00:48:45This news is not true.
00:48:48It's all lies.
00:48:50Yes, it's a lie.
00:48:52Yalan mıymış? Yalan.
00:48:54Yalan.
00:48:58Ben sizi arayayım daha sonra.
00:48:59Magazin basınını hepiniz az çok tanıyorsunuz zaten.
00:49:04Biz iş için dışarı çıkmıştık.
00:49:06Matbaaya gittik aslında.
00:49:08Daha sonra ben iÅŸimiz bittikten sonra
00:49:10Profesyonel bir şekilde Sanem'i eve bırakmayı
00:49:15Teklif ettim.
00:49:16Bırakıyor musunuz eve?
00:49:17Hikayenin devamında Can Bey o önemli.
00:49:19Bırakamadım işte Ceycey ben de onu anlatıyorum.
00:49:22Ä°stemedi. Sanem istemedi.
00:49:24Evet istemedim. Yanlış anlaşılır diye kabul etmedim.
00:49:27Evet haklı sebepleri vardı haliyle kabul edemedi.
00:49:29Daha sonra vedalaşırken biz
00:49:31Hani vedalaşırken bir fiziksel şöyle bir temas olur ya
00:49:35Olmaz mı? Olur.
00:49:37Vedalaşırsınız.
00:49:38Şlaps diye böyle bir kara yakalamışlar.
00:49:41Hiç. Yani nasıl yanlış bir anlaşılma.
00:49:44Evet. Merhaba yok şlaps çekiyor gidiyor.
00:49:46Öyle çok acayip.
00:49:47Sonra işte nasıl yakalandıysan artık.
00:49:49Yani arkadaşlar benim anladığım kadarıyla
00:49:52Can Bey ile Sanem arasında hiçbir ilişki olmadı.
00:49:55Olamaz denmek istiyor deÄŸil mi Can?
00:49:57Yok yani olsa zaten biz neden bunu açıklamayalım değil mi?
00:50:00Gelip niye böyle el ele tutuşup
00:50:02Biz sevgiliyiz arkadaşlar gururla niye bunu söylemeyelim şu an.
00:50:05Hani burada. Öyle bir şey yok.
00:50:06Evet biz sadece iş arkadaşıyız.
00:50:08Evet öyleyiz.
00:50:09Süper. Tamamen profesyonel bir ilişki.
00:50:11Zaten yetişkin insanlar sonuçta niye inkar etsinler.
00:50:15Öyle bir şey olmadı zaten.
00:50:17Bu arada ben bu açıklamaya niye buraya geldim?
00:50:19Niye yapıyorum?
00:50:20Çünkü şöyle bir şey var.
00:50:21Artık bu mevzular kapansın.
00:50:23Herkes iÅŸine konsantre olsun. Bunu istiyorum.
00:50:25O yüzden de burada bu açıklamayı yapma gerekliliği duydum.
00:50:28Aynen öyle.
00:50:29İşimizin başına bundan sonra hep iş güç.
00:50:31Bir saniye Deren.
00:50:32Bir ikincisi de Sanem'in bu yükselişini
00:50:35hani metin yazarlığı konumuna gelişini
00:50:37bizim aramızdaki bu sözde
00:50:40münasebete ilişkiye bağlayanlar olmuş benim kulağıma geliyor.
00:50:44Size diyor.
00:50:45Size diyor.
00:50:46Terbiyesizler.
00:50:47Sabahtan beri burada vır vır vır dedikodu yapıyorsunuz.
00:50:49Çok birliktelermiş, şeymiş bir...
00:50:51Herkes iÅŸine baksa benim gibi burada...
00:50:53Ceycey bir saniye.
00:50:54Tabii tabii buyurun.
00:50:55Sanem bu noktaya zekasıyla ve kabiliyetiyle geldi.
00:50:58Ayrıca bu Sanem'in şirket içindeki ilk başarısı da değildi.
00:51:02Bunu da hepiniz biliyorsunuz.
00:51:04Değil. Kaç tane var?
00:51:06Yani saysam burada utanırsınız.
00:51:07Belki de utanmazsınız.
00:51:08Ceycey.
00:51:09Pardon Can Bey ben öyle mi?
00:51:11Daha iyi iş çıkartacağına inanan varsa
00:51:13buyursun gelsin.
00:51:14İstikrarlı iyi iş çıkarana
00:51:16bırakın metin yazarlığını kendi koltuğumu bile veririm.
00:51:18Tamam mı?
00:51:19Åžimdi hadi herkes siperlere.
00:51:20Hadi bakalım dağılalım.
00:51:21Ä°ÅŸimize konsantre oluyoruz.
00:51:22Tamam mı?
00:51:23Dedikoduyu bırakıyoruz.
00:51:24Dedikodu çok çirkin bir şey.
00:51:26İğrenç bir şey.
00:51:27Yapmayın.
00:51:28Can Bey çay ister misiniz?
00:51:29Çay isterim.
00:51:30Ceycey.
00:51:31Evet.
00:51:32Müsaitsen bir çay alabilir miyim odama?
00:51:33Ben niye getiriyorum?
00:51:34Çok teşekkür ediyorum.
00:51:35Rica ediyorum.
00:51:36Ben niye getiriyorum?
00:51:37Ä°ÅŸte neden?
00:51:38Çünkü biz sevgili falan değiliz ki.
00:51:39Öyle bir şey olsa benden ister çayı mesela.
00:51:40Ben senden de istiyorum.
00:51:42Abi.
00:51:43Efendim.
00:51:44Niye içeride öyle konuştun az önce?
00:51:45E ne yapalım Emre şimdilik böyle.
00:51:47Ortalık durulana kadar, yatışana kadar.
00:51:49Mevkibe hanımın içi rahatlayana kadar.
00:51:51Bu ÅŸekilde ÅŸimdilik.
00:51:53Yani benim de hiç az ettim şeyler değil.
00:51:56Bunlar hiç hoşlanmıyorum böyle gizli kapaklı işlerden.
00:51:58Biliyorsun ama Sanem'i de anlıyorum.
00:51:59Yapacak bir ÅŸey yok.
00:52:00O yüzden şimdilik böyle gizli kalacak.
00:52:02Anladım.
00:52:03Anladın.
00:52:05Senin de durumun benden pek farklı değil haberin olsun.
00:52:08Evet.
00:52:09Biz de birbirimizi tanımaya çalışıyoruz işte.
00:52:10Ä°yi.
00:52:11Dikkat et.
00:52:12Kızların başına daha fazla iş açılmasın çünkü.
00:52:22Yani daha yaratıcı olabilirsiniz bence.
00:52:26Merak etme Sanem.
00:52:30Anne.
00:52:31Ceycey.
00:52:32Efendim.
00:52:34Ceycey.
00:52:36Çök.
00:52:37Ne?
00:52:38Ne oluyor?
00:52:39Sır mı?
00:52:40Sır mı vereceksin?
00:52:41Ne olacak?
00:52:42Ben artık hayatımda böyle bir sadelik istiyorum.
00:52:43Ne oluyor burada?
00:52:44Annem ya.
00:52:45Annem gelmiÅŸ.
00:52:46Annem mi gelmiÅŸ?
00:52:47Niye?
00:52:48Niçin gelmiş?
00:52:49Kesin.
00:52:50Kesin haberleri gördü.
00:52:51Beni lime lime edecek.
00:52:52Kesecek beni bu ajansın ortasına.
00:52:54Ne yapacağız?
00:52:56Ceycey.
00:52:57Oyala onu.
00:52:58Tamam mı?
00:52:59Anladım.
00:53:00Ben sürünerek gidiyorum.
00:53:01Tamam.
00:53:02Ben de sürünerek gideyim bir yere kadar.
00:53:03Tamam.
00:53:04Tamam.
00:53:10Annem geldi.
00:53:11Annem.
00:53:12Annem geldi.
00:53:13Annem geldi.
00:53:14Mevki benimle hoÅŸ geldiniz.
00:53:15Nereye gidiyoruz?
00:53:16Canberk'e gidiyoruz.
00:53:17Olmaz toplantısı vardı sanırım.
00:53:18Ne için görüşeceksiniz ki?
00:53:19Biliyor mu?
00:53:20Şöyle geç görmesin.
00:53:21Neyi?
00:53:22Hangisini?
00:53:23Yani gazete çıktı ya sevgili olduğumuz haberini.
00:53:24Onu biliyor mu?
00:53:25Sevgili olduÄŸumuzu biliyor mu?
00:53:26Bilmiyorum.
00:53:27Vallahi bilmiyorum.
00:53:28Bilmiyorum.
00:53:29Bilmiyorum.
00:53:30Bilmiyorum.
00:53:31Bilmiyorum.
00:53:32Bilmiyorum.
00:53:33Bilmiyorum.
00:53:34Bilmiyorum.
00:53:35Bilmiyorum.
00:53:36Bilmiyorum.
00:53:37Bilmiyorum.
00:53:38Bilmiyorum.
00:53:39Vallahi görmüş gibi davranıyor.
00:53:40Görmüş gibi davranıyor.
00:53:42Böyle matador bulmuş boğa gibi geliyor şu anda.
00:53:43Yalnız böyle matador, boğa falan bunlar sakıncalı kelimeler yani gergin laflar
00:53:45ben geriliyorum açışçası.
00:53:46Hayır Can.
00:53:47Senin sakin olman gerekiyor lütfen benim gibi.
00:53:48Ne yapayım?
00:53:49Peki ben nasıl davranayım.
00:53:50Ters davran.
00:53:51Ters.
00:53:52Ne suçu var kadının ya?
00:53:53Hayır, hayır anneme değil ki bana ters davranacaksın.
00:53:54Yani bizim aramızda hiçbir şey olmadığını ekiran olması gerekiyor.
00:53:55Onun hiç kimse aramıza bir şey olduğunu anlamamalı.
00:53:56Herkesin içinde ters davran.
00:53:57Bana ters davran.
00:53:58What's wrong with that woman?
00:53:59No, no, not my mom. You're going to be mean to me.
00:54:01I mean, there has to be something between us,
00:54:02there has to be a trust between us.
00:54:04No one should understand that there's something between us.
00:54:05Be mean to everyone.
00:54:06Be mean to me.
00:54:08I can't do that. There's no such thing.
00:54:09I'm not that talented. I can't play with them.
00:54:12You have to do it, Can.
00:54:13You have to be mean to me.
00:54:15Be mean to me for our love.
00:54:16What love, man?
00:54:17I've never seen or heard such love.
00:54:19We've blinded each other.
00:54:20I'm going, I'm going.
00:54:22Wait, where are you going?
00:54:24Where am I going, Can?
00:54:26Where am I going? That's a great idea.
00:54:28You're going to fire me.
00:54:29In fact, you should hit me in the face with these files.
00:54:32Hit me in the face.
00:54:34What do you mean?
00:54:34I'm going.
00:54:35Sanem, no. Those moves...
00:54:36They are, they are. Come.
00:54:38Okay, give me a second.
00:54:39Okay, walk towards me.
00:54:41It's not like hitting you in the face.
00:54:42I'm going to try to get up.
00:54:44It didn't work, Sanem.
00:54:45Get up, get up, get up.
00:54:47Okay, wait. Let me get up.
00:54:48Get up, get up, get up.
00:54:49It didn't work, Sanem, these files.
00:54:51What's wrong with these files?
00:54:53How did you prepare them?
00:54:54Bury them, bury them thoroughly.
00:54:56You're whispering.
00:54:59Sanem, what's wrong with this file?
00:55:01What kind of work is this?
00:55:03What kind of file is this? Take it.
00:55:04Take it, prepare another one for me.
00:55:05Take it.
00:55:06Do you see how tough he is?
00:55:09I told you it was fake news.
00:55:12I haven't seen a bad file.
00:55:15Take it, really.
00:55:16Go and prepare another one for me.
00:55:18Okay.
00:55:18I thought these were going to be scandalous.
00:55:19I'm going to the cemetery.
00:55:20Okay, then I'll prepare the new ones and bring them to you.
00:55:24I didn't drink, but the tea is terrible.
00:55:26God will punish him.
00:55:28Is it too much? Is it too much?
00:55:29I'll arrange it and bring it to you, then.
00:55:33Mom!
00:55:35Mom!
00:55:35Mom, welcome.
00:55:37What are you doing here?
00:55:38What are you doing here?
00:55:40I was really pissed off from the room.
00:55:44I was really upset.
00:55:45Yes, yes.
00:55:45I was on top of my game, but the boss wasn't happy with me.
00:55:49Oh my God.
00:55:50Why did you come here, mom?
00:55:52What happened? Did I miss your comfort?
00:55:54Weren't you expecting me?
00:55:56What happened? Do you have some secret business?
00:55:58What secret business?
00:56:00I'm taking care of my documents and files.
00:56:03Mom, welcome.
00:56:04What's up?
00:56:05I've never seen you before.
00:56:07Oh, my sister is taking care of that.
00:56:10Then let my sister show you that place.
00:56:12Let her show you around.
00:56:14Then I'll come there to clean it up.
00:56:16Because I need to take these files to Mr. Can.
00:56:19Saniye, come here.
00:56:21Come here, come here.
00:56:27Sanem, are the files not ready yet?
00:56:30It's not working.
00:56:31Ms. Mevkubi, hello, welcome.
00:56:33Mr. Can.
00:56:36That's a bad omen.
00:56:38Let me see, Gözde Bekar's new girlfriend.
00:56:41Yes.
00:56:42I think we should go to my room.
00:56:44We can talk about this comfortably there.
00:56:46Let's talk about it in detail.
00:56:49Would you like to accompany your mother?
00:56:51Of course.
00:56:52Let's hold hands.
00:56:53Come on.
00:56:53Let's go.
00:57:04Well done, Nihat.
00:57:06You found the right time to take the charger with you.
00:57:12Excuse me, are you free?
00:57:15No, I'm not, ma'am.
00:57:16But it's empty, I see.
00:57:18Yes, it's empty, but my brain is full, ma'am.
00:57:21There are elephants running around in my brain.
00:57:23So you should take another taxi.
00:57:26You have to pick me up.
00:57:27You know that, don't you?
00:57:28Otherwise, I'll complain to you.
00:57:30I know, ma'am.
00:57:31But I'm not available.
00:57:32You should take another taxi.
00:57:34There's no other taxi.
00:57:35You're standing here.
00:57:35You have to pick me up.
00:57:37Oh my God.
00:57:39Please, ma'am.
00:57:40Please, get in.
00:57:41Please, get in.
00:57:48Now, Ms. Mevkıbe.
00:57:50That's exactly what happened.
00:57:52That's the situation, mom.
00:57:54How did it happen?
00:57:56Sanem, would you excuse me?
00:57:57Please.
00:57:58You always start a conversation.
00:57:59Always.
00:58:00You always start a conversation.
00:58:01I start a conversation, you...
00:58:02The boss starts a conversation, you start a conversation.
00:58:04Is that possible?
00:58:05It's not.
00:58:05I'm so sorry.
00:58:06I made a mistake.
00:58:07I'll leave.
00:58:08Sit down, Sanem.
00:58:08I got fired.
00:58:09Sit down.
00:58:09You didn't get fired.
00:58:10Sit down, Sanem.
00:58:11Okay?
00:58:11Sit down.
00:58:12Who's going to explain this disgrace?
00:58:13Don't you think we owe an explanation, Ms. Mevkıbe?
00:58:15Who's going to explain this scandal, this disgrace, Ms. Mevkıbe?
00:58:18I mean...
00:58:19Uh-huh.
00:58:20Who?
00:58:21First of all, Ms. Mevkıbe.
00:58:23I'd like to express that I'm ashamed to be sitting in front of you
00:58:28with such a scandalous news.
00:58:31I'm sure Sanem hears it, too.
00:58:32Why would I be ashamed?
00:58:33I didn't do anything to be ashamed of.
00:58:35How?
00:58:37I mean, I want to say that there's nothing to be ashamed of.
00:58:40Oh!
00:58:41We should have printed their posters, kid.
00:58:43We should have written the pride sign under it.
00:58:45We should have hung it on the street.
00:58:48No, it's not like that.
00:58:49You misunderstood, Ms. Mevkıbe.
00:58:51A lot.
00:58:52Why is that?
00:58:53Because you're misinterpreting it, Sanem.
00:58:55There's already a misunderstanding.
00:58:57You're misinterpreting that misunderstanding.
00:59:01Did I make two misunderstandings?
00:59:03Twice.
00:59:04They took that side by misunderstanding it, too.
00:59:06Then there will be three misunderstandings.
00:59:08Mom, please don't get me wrong.
00:59:10I didn't get anything right now.
00:59:12Mr. Can.
00:59:13Ms. Mevkıbe, let me put it this way.
00:59:16Let me explain.
00:59:17First of all,
00:59:18there's no such thing as a relationship
00:59:20or a story written in this form.
00:59:24No, there isn't.
00:59:26I mean, we were out with Sanem for business.
00:59:29What business?
00:59:30Files, campaigns, bookshelves.
00:59:32What business?
00:59:34I'm going to do a little simulation
00:59:36to make you understand better.
00:59:38I'm going to make you understand how it happened.
00:59:40Let the stones stay here.
00:59:42Now, think of these as files for business.
00:59:44Sanem, with these files,
00:59:46she's always in a hurry.
00:59:47She's always panicking.
00:59:48There are always obstacles in front of her.
00:59:50While she was running for business,
00:59:54she stumbled and fell down.
00:59:57How can I explain it?
00:59:58I couldn't do it.
01:00:01Because I fell, I can explain it very well.
01:00:03Now, the campaign files are in my hand.
01:00:05I'm running somewhere, this way.
01:00:08The campaign files...
01:00:09I said, I'm going to...
01:00:11I caught her at the last moment.
01:00:17Of course, she's also clumsy.
01:00:19She's a clumsy person.
01:00:21Since her childhood.
01:00:22I'm unbalanced.
01:00:23I've been unbalanced since I was a kid.
01:00:25When she stumbled and fell,
01:00:26I caught her at the last moment.
01:00:29While she was getting up,
01:00:30the paparazzi took the photo.
01:00:32You catch it, take it,
01:00:34and then,
01:00:36you press it.
01:00:37Yes, I fell,
01:00:40but I fell on the magazine's middle page, mom.
01:00:44I'm not even aware of it.
01:00:45I fell here like a rock from a slide.
01:00:48But,
01:00:49you kick the person who falls.
01:00:51But, she won't.
01:00:51My boss would never do such a thing.
01:00:53Never.
01:00:54Now, look.
01:00:54If someone slips in front of the agency's door,
01:00:56she'll save him as if she's holding him from the airport door.
01:00:59And Ms. Mevkuba, this is not my first time.
01:01:01It's my first time before.
01:01:03With whom?
01:01:04How many times have you informed me?
01:01:06Is that so?
01:01:07I was very confused about this issue.
01:01:09Who was John Dewey with?
01:01:11Who was he seen with?
01:01:13Was he here? Was he with someone?
01:01:14With whom, John Dewey?
01:01:16I'm very curious about this issue.
01:01:18You're such a kid.
01:01:19Shut up, dear.
01:01:21It's true.
01:01:21Ms. Mevkuba, our industry is like this.
01:01:23They write and draw.
01:01:25The paparazzi,
01:01:26depending on their imagination,
01:01:27write and draw.
01:01:29Even if you're friends,
01:01:30even if you're just saying hello,
01:01:31when you're on the same page,
01:01:33they stick your loved one's stamp and press it.
01:01:36But, I intervened.
01:01:37I mean, I'll edit it,
01:01:38I'll publish it,
01:01:39I'll get that text.
01:01:40Don't worry.
01:01:42Look, John.
01:01:44Mr. John.
01:01:46Now, our place doesn't look like your mosques.
01:01:50There's a lot of gossip.
01:01:52They hang 40 flags behind a young girl.
01:01:54I mean, they should be careful about their behavior.
01:01:57They're very rude behind her.
01:02:00Now, you're very kind, very polite.
01:02:03Thank you very much.
01:02:04God bless you.
01:02:05You're leaving my child in front of the door.
01:02:07But,
01:02:09from now on...
01:02:11I got it.
01:02:12I got it very well.
01:02:14From now on,
01:02:15I won't leave you alive.
01:02:19I mean, I won't leave you at home.
01:02:22Thank you.
01:02:22Thank you very much for your understanding.
01:02:25I'm sorry, I wasted your time.
01:02:27Don't mention it.
01:02:29I'll go and shut the neighborhood's mouth.
01:02:31It's not easy.
01:02:36Have a nice day, Mr. Can.
01:02:37It's not going to happen.
01:02:39Have a nice day.
01:02:44Oh my God!
01:02:46Your son is like a coach.
01:02:47God bless him.
01:02:49He's like a four-wheeled car.
01:02:52He's the one who opened that library.
01:02:55That's him.
01:02:56Girl, he built the whole library.
01:02:59I swear, he's very rich.
01:03:01He's very rich.
01:03:02They do this.
01:03:04They eat raw meat.
01:03:06I swear, they eat live meat.
01:03:08He's so rich.
01:03:10Look at Sanem.
01:03:11She's so rich.
01:03:14She's right, girl.
01:03:16For God's sake, stop talking about him.
01:03:19He's useless.
01:03:21I don't like him.
01:03:23I'm sick of him.
01:03:24Is there a ring around his neck?
01:03:27Wait a minute.
01:03:28Let me see.
01:03:30No, there's no ring around his neck.
01:03:33I mean,
01:03:34if Mr. Can wears a ring around his neck,
01:03:37he'd wear a diamond ring.
01:03:39Girl, it's like a car headlamp.
01:03:41We can see it right away, can't we?
01:03:45What a beautiful ladies.
01:03:47We've made a day's work.
01:03:48We're one step closer to hell.
01:03:50Oh, my God.
01:03:52If anything happens, let us know.
01:03:54Okay, go.
01:03:56I swear, this neighborhood works with gossip.
01:03:58I swear, I don't like it at all.
01:04:00People are always talking.
01:04:02Why did you come, kid? Are you selling newspapers?
01:04:04No, I'm not selling newspapers.
01:04:05I'm buying newspapers.
01:04:07I'm buying all the newspapers that Can and Sanem publish
01:04:10so that it doesn't spread to the neighborhood, girl.
01:04:11She's the daughter of our neighborhood.
01:04:13Should she spread to everyone?
01:04:15Come on, kid.
01:04:17Is it going to work by collecting newspapers?
01:04:19All the news is already here, on the Internet.
01:04:22Everyone has a phone or something.
01:04:24People are already learning what's going on.
01:04:26You're still dealing with them.
01:04:28You're right.
01:04:29Everyone has a smart phone.
01:04:32Everyone has the Internet.
01:04:33Everyone is a walking mess.
01:04:35Melahat, is this relationship real?
01:04:38Are they together? I'm losing my mind.
01:04:41Pull a chair. Come here.
01:04:43I'll tell you what's going on. Come here.
01:04:47I don't know.
01:04:49Everyone says something different.
01:04:50Some say there's a relationship. Some say there's no relationship.
01:04:53Everyone is gossiping.
01:04:55It's a shame.
01:04:57Melahat, does Sanem have a lover?
01:04:59Is he her boyfriend?
01:05:01I asked her. Does she have an answer?
01:05:03Ladies, it's not like that.
01:05:05Look, I was sitting on the window the other day.
01:05:07I had a stomach ache.
01:05:19You can't skip the articles, right?
01:05:21David.
01:05:22Let me see.
01:05:26Mr. Can, the text you asked for...
01:05:27Just a second, Sanem. I'm looking for something.
01:05:29I'm so sorry.
01:05:31Don't skip it. You have to be smart.
01:05:33We're the text writers.
01:05:35I'm waiting.
01:05:38Use the other italic font, Helvetica Italic.
01:05:40And we want the customer's color codes.
01:05:42There's a mistake.
01:05:43That's not the right color.
01:05:44Let me look at this.
01:05:46I didn't write the same thing.
01:05:48I changed the places of the comma points.
01:05:50I added comments. Or I wrote them.
01:05:52I added comments. It's not finished yet.
01:05:54Yes, Sanem. What is it?
01:05:56Give me the important one.
01:06:00Wow.
01:06:03Wow, wow, wow, wow, wow, wow, wow.
01:06:06Deren.
01:06:08Take this.
01:06:09We had a plan. Let's hang it there.
01:06:11And let's scribble on it.
01:06:12We can scribble on this, Mr. Can.
01:06:14We can hang this, too.
01:06:15Oh, please. I mean...
01:06:18I'd be so embarrassed. I'd be so embarrassed if you did something like this.
01:06:20No, no. No need to be embarrassed.
01:06:22Let's do exactly what I said, Deren.
01:06:23I mean, it's a perfect example of how not to write an advertising text.
01:06:27A.
01:06:29That much.
01:06:30Very bad.
01:06:32What did you write? Let me read it and finish it.
01:06:35Then.
01:06:39I mean...
01:06:41Can, I'll tell you something.
01:06:42It's not that bad.
01:06:44Yes, Deren. I mean...
01:06:46Our interns don't write that simple.
01:06:49Simple?
01:06:51Unfortunately.
01:06:52I mean, before you bring it to me, read this kind of sketches to Deren first.
01:06:55Don't bother me, for God's sake.
01:06:56Don't tire me with these.
01:06:57I beg you.
01:06:58Of course.
01:06:59Can, but it's new.
01:07:01Of course, he'll learn over time.
01:07:02I'll teach him. After all, I'm the one with the experience.
01:07:07Don't spoil your morale too much.
01:07:09Then let me get my mind together for a cup of tea.
01:07:12Concentrate.
01:07:13Take your pen, paper, eraser,
01:07:16and get to work, then.
01:07:27Good God.
01:07:29Why are you acting so weird?
01:07:31Aren't you going to get mad?
01:07:33People get upset.
01:07:35But do they get this upset?
01:07:38Didn't you say that everyone gets upset and leaves?
01:07:41I wish I did.
01:07:42Is that how you get upset?
01:07:44I mean, I have an upset stomach.
01:07:45What are you...
01:07:46I obeyed and relaxed.
01:07:48I did what you told me to do.
01:07:49I played the script with a little improvisation.
01:07:52That's why it's like this.
01:07:53Right. You may be right, but...
01:07:55...the script I wrote was very good.
01:07:57I'll tell you something. It was very good.
01:08:00Very, very, very good.
01:08:02It was unbelievable.
01:08:03Then?
01:08:05I mean, I had to.
01:08:06You were going to write it from the start.
01:08:08That's the rule. That's why.
01:08:12Are you laughing?
01:08:13Me? No.
01:08:14No, you're laughing.
01:08:17You're making fun of me.
01:08:18No, I'm not.
01:08:21Never.
01:08:22I'm going to cry.
01:08:24Mr. Can!
01:08:26You're acting like a three-year-old kid.
01:08:28Really.
01:08:29You can't carry the tea. How can that be?
01:08:31Then what happens?
01:08:32I clean up after you.
01:08:33You can't get out of everywhere with the tea.
01:08:37Your eyes are troubled.
01:08:38The objects are falling into the flow.
01:08:39That's how...
01:08:41...you get a beard.
01:08:44Let me help. Let me help.
01:08:45No, no. He doesn't want to.
01:08:46Thank you very much. I'll take care of it.
01:08:49Okay.
01:08:50Mr. Can, do you always do this?
01:08:52Always.
01:08:53You don't have a servant because you're the boss.
01:08:56You don't have a servant to clean up after you.
01:08:58Everything is in the form of a glass.
01:09:00Please keep the door open.
01:09:03You're sticking to the glass like a stick.
01:09:04The glass is like a stick.
01:09:07I can't clean them.
01:09:09Why? Sanem can clean them, right?
01:09:11I can't do it anymore. I'm tired.
01:09:14I'm okay.
01:09:15What are you doing?
01:09:17I'm really tired.
01:09:18Sanem, what are you doing?
01:09:19Be quiet. Calm down.
01:09:21What are you thinking?
01:09:22Do you always drink the perfume you make at home?
01:09:24What are you doing?
01:09:25You shouldn't shout at your boss.
01:09:28You shouldn't shout.
01:09:29I'm listening, Grandpa.
01:09:31You'll take the teas in order from now on.
01:09:34I don't have to distribute them.
01:09:37Do you understand?
01:09:38No.
01:09:39Yes.
01:09:40I agree.
01:09:40Yes.
01:09:41Let's get back to work.
01:09:51WELCOME HOME
01:09:55Come on man.
01:09:57Come on.
01:10:00Did you get your license from the grocery store?
01:10:02How could he?
01:10:03I got my license from the grocery store.
01:10:04It's mine.
01:10:05Go away.
01:10:06He's right.
01:10:07You're going too slowly.
01:10:09What the hell is this?
01:10:10I'll go like this, Madam.
01:10:12Get on the bike.
01:10:13I don't want a ticket.
01:10:15It's not the place I will land at.
01:10:17It's three stops from here.
01:10:20This is the municipal bus stop. Get on the bus and go as fast as you can.
01:10:26I've never seen such a disgrace.
01:10:29Okay, now you've seen it, ma'am. Please get off.
01:10:33I'll complain about you.
01:10:35Go ahead, complain wherever you want. Please, ma'am.
01:10:51TURKEY
01:10:57Yes, Gamze?
01:11:00No, I woke up late. I'm on my way.
01:11:03What's the news?
01:11:06Did they tell Can and Sanem?
01:11:10Okay, hang up. Hang up.
01:11:21TURKEY
01:11:32Where's Sanem, guys?
01:11:34Can, Sanem is in the archive room.
01:11:38Look, look, what a job, man.
01:11:40He's going to write a text at the bottom.
01:11:42He's done all the work. It's amazing.
01:11:44Was it in the archive?
01:11:47You're right, you're right.
01:11:49Look, I'm telling you, Sanem will be fired soon.
01:11:53Shut up! You're right, you're right.
01:11:56You can have a carnival here, okay?
01:11:58You can turn this place into a rio.
01:12:00Put on the costumes I wore in the ad and dance around here, okay?
01:12:03What does it have to do with it, CJ? I'm telling you what it looks like.
01:12:05Can't you see how angry he is?
01:12:07Look at the words you've just said that the smell of the boss's perfume hasn't disappeared from here.
01:12:11It's a different perfume.
01:12:13I mean, it smells good.
01:12:15It smells like cinnamon.
01:12:17It smells like cinnamon.
01:12:19It could be aphrodisiac. It has that effect.
01:12:21Let me ask, I'm curious. Maybe I'll smell it, too.
01:12:23Maybe. You go and smell it.
01:12:25Come on, come on.
01:12:27Guys, cut the gossip.
01:12:29You see, Can, you're right.
01:12:31It's like it's written in the constitution.
01:12:33It's written in the constitution of 2018.
01:12:35Mr. Can, I finished the text you wanted. I was bringing it to you.
01:12:37Now the text or something.
01:12:39My heart is breaking. I'm done.
01:12:41I don't want to behave like this to you anymore.
01:12:43Me too, me too.
01:12:47What happened?
01:12:49He's looking.
01:12:51Who's looking?
01:12:53He's looking at the camera.
01:12:55Show me.
01:12:57Don't look.
01:12:59The cameras you set up.
01:13:01Where did we set them up?
01:13:03What's the point?
01:13:05Where are we going to be lovers?
01:13:07That corner looks good.
01:13:09I see that corner.
01:13:11It's just like a love corner.
01:13:13You go there slowly.
01:13:15Step forward.
01:13:17No.
01:13:19Does this camera record sound?
01:13:21I don't know if it does or not.
01:13:23You go there.
01:13:25Step forward.
01:13:27We were so comfortable in the elevator.
01:13:29We didn't know the value of this elevator.
01:13:31You go there. I'm coming.
01:13:33Let's play a game.
01:13:35Three, two, one, game.
01:13:37Mr. Can.
01:13:39Mr. Can, were the files you wanted over there?
01:13:41Can it be here?
01:13:43Let me see.
01:13:47Yes, it looks like it.
01:13:49Exactly.
01:13:51Is that it?
01:13:55Come and see if you want.
01:13:57I'm not sure.
01:13:59I'm coming.
01:14:01Yes, I think that's it.
01:14:03Come here.
01:14:05I think that's it.
01:14:07Let me see.
01:14:09I think that's it.
01:14:11Is that it?
01:14:13Exactly.
01:14:15I don't see it.
01:14:17Let me see.
01:14:19I don't think it's visible.
01:14:21I put it like this.
01:14:27You're making me nervous.
01:14:29I'm hungry.
01:14:31You want it to be transparent.
01:14:33Hello, Can.
01:14:35How are you, Ceyda?
01:14:37I'm fine. How are you?
01:14:39Standard agency work.
01:14:41I see. I have news for you.
01:14:43Max is inviting us to dinner tonight.
01:14:45Is that so?
01:14:47He called himself.
01:14:49He wants to talk to you.
01:14:53Great.
01:14:55I think so, too.
01:14:57It would be a shame if you didn't come this time.
01:14:59Of course I'll come.
01:15:01Okay.
01:15:03I'll text you my location.
01:15:05Okay. See you.
01:15:07I kissed him a lot.
01:15:09He kissed you a lot.
01:15:11I was kissing you a lot, too.
01:15:13No.
01:15:15Ms. Ceyda kissed me a lot.
01:15:17She kissed me, too.
01:15:19Where is this meal?
01:15:21What meal is this?
01:15:23Mekki's meal.
01:15:25Sanem.
01:15:27Mekki's value is very important.
01:15:29If he is an important person,
01:15:31why is she calling him?
01:15:33We're going to be alone for three minutes all day.
01:15:35Is this our topic?
01:15:37You're right.
01:15:39Can we be lovers for three minutes tomorrow?
01:15:43I think so.
01:15:45Can!
01:15:47What's going on?
01:15:49What's going on?
01:15:51What's going on?
01:15:55This is the effect of your voice tone and sudden arrival.
01:15:57This is the effect of your voice tone and sudden arrival.
01:15:59What can I do, Can?
01:16:01I have a phobia of earthquakes.
01:16:03I'm anxious.
01:16:05What are you two doing?
01:16:07It's going to be an inappropriate question.
01:16:09And I don't want to be face to face with you.
01:16:11So I'm changing the subject right away.
01:16:13Can, I got the news.
01:16:15They won't be able to give us electricity for 24 hours.
01:16:17We have to make it to the weekend.
01:16:19We're ruined again.
01:16:21What are we going to do?
01:16:23No problem.
01:16:25Tell those who are interested in the campaign.
01:16:27Let's get together.
01:16:29Tell those who are not interested.
01:16:31Let them work from home.
01:16:33You say the problem is solved.
01:16:35Is this the file you wanted?
01:16:37No, Sanem.
01:16:39What does that file have to do with the file I want?
01:16:41Where have you been for days?
01:16:43I'm so bored.
01:16:45That's enough.
01:16:47I'm going to resign.
01:16:49Everyone is shouting at me.
01:16:51I'm going to resign.
01:16:53Don't think I can stand your longing.
01:16:55How can I stand it?
01:16:57We've been watching these cameras for 24 hours.
01:16:59You have no freedom anymore.
01:17:13Oh, for God's sake.
01:17:15Ayol Aysun saw what happened.
01:17:17It adds up to a thousand.
01:17:19While telling his mother.
01:17:21Don't you know my mother?
01:17:23It adds up to a thousand.
01:17:25Are you knitting a parachute?
01:17:27Oh, my God.
01:17:29What's going on in our store?
01:17:31I saw it.
01:17:33Mr. Can left Sanem at home several times.
01:17:35I saw it with my own eyes.
01:17:37I saw it too.
01:17:39But I saw it as a level friendship.
01:17:41Yes, yes.
01:17:43If there was love,
01:17:45I would already be knitting.
01:17:47Besides,
01:17:49The car that left the girl.
01:17:51Does your son leave the girl?
01:17:53He's an advertiser.
01:17:55He's making a sign.
01:17:57They're in a green place in the photo.
01:17:59In the park or something.
01:18:01Look at me.
01:18:03He took the girl to dinner.
01:18:05He offered something there.
01:18:07He put a ring on the girl.
01:18:09I swear.
01:18:11You are our neighbor.
01:18:15I have to go to work.
01:18:17Come on.
01:18:23Run, run.
01:18:25Shame on you.
01:18:27I entrusted my shop to you.
01:18:29I told you to stop at the grocery store.
01:18:31Are you behind me?
01:18:33Are you gossiping behind my daughters?
01:18:35What did we do when you entrusted us?
01:18:37We're just talking.
01:18:39What's going to happen?
01:18:41You were talking behind us.
01:18:43God, where are you?
01:18:45I can't believe it.
01:18:49Don't talk to me.
01:18:51Get out.
01:18:53I'm gonna beat you up.
01:18:57Be quiet.
01:18:59Don't talk to the woman.
01:19:01I'm gonna make an explanation now.
01:19:03Go ahead.
01:19:05I'm coming from Mr. Can.
01:19:07What did he say?
01:19:09It's a completely false slander.
01:19:11It was made up by parrots.
01:19:13I didn't say it in the same way. I didn't say it like that.
01:19:15The man has opened a compensation case.
01:19:18He's going to take it all.
01:19:20Look, did you see? These rich people are getting rich like this.
01:19:23So...
01:19:24Let them take it. Let them take it.
01:19:26So they shouldn't play with people's pride.
01:19:28So the case has moved to the court.
01:19:30Anyway.
01:19:31So just talk.
01:19:32You know, if it's boring.
01:19:34I don't know what's going to happen to you anymore.
01:19:37I don't know if it goes to your ears.
01:19:39No, no, no.
01:19:40Nobody talks. Come on.
01:19:42Come on, let's go home.
01:19:44Come on, come on.
01:19:45We weren't suspicious anyway.
01:19:47Come on.
01:19:48Take the dust.
01:19:49Come on.
01:19:50Let her cook for her husband.
01:19:51Wait, mom, wait.
01:19:52My dear.
01:19:53Come on.
01:19:54I'll go now.
01:19:55MefkoÅŸ, you'll come later.
01:19:57You tell me everything like this.
01:19:58Oh, my dear.
01:19:59Thank you.
01:20:00Melihata, look.
01:20:01Melihata, look.
01:20:02Melihata.
01:20:03Oh, my dear.
01:20:04I'm waiting for you.
01:20:05Come on, I'm going.
01:20:06Oh.
01:20:07You're going now.
01:20:08Yes, dear.
01:20:09You're spreading what I've told you.
01:20:10You're doing your job.
01:20:11It's not my style at all.
01:20:12But okay.
01:20:13I'll do it for you.
01:20:14Okay?
01:20:15I'll spread it to everyone for you.
01:20:16Okay?
01:20:17Come on, see you later.
01:20:19Madam President.
01:20:23What is this, Muzaffer?
01:20:25It's not internal from you.
01:20:26It's internal meatballs, Madam President.
01:20:27Is the news true?
01:20:28Is there no relationship?
01:20:29Can we say that?
01:20:30Get out, Muzaffer.
01:20:31Get out.
01:20:35It's boiled.
01:20:37It's swollen.
01:20:39It's swollen.
01:20:40It's swollen.
01:20:41It's swollen.
01:20:43It's swollen.
01:20:44It's swollen.
01:20:46It's swollen.
01:20:47It's swollen.
01:20:48It's swollen.
01:20:49It's swollen.
01:20:50It's swollen.
01:20:51I heard you.
01:20:52Did you see?
01:20:53I did.
01:20:54Nihat, I'm going to tell you everything now.
01:20:56Sit down, dear.
01:20:57Sit down.
01:20:58I went to the company and I asked,
01:21:00what is this?
01:21:02Ugh, I should sell this one too.
01:21:03What if this one is worth three thousand?
01:21:04Cece.
01:21:05A thousand?
01:21:06Everyone is so happy that we're not going to the agency tomorrow.
01:21:07What happened to your face?
01:21:08Look, you have something,
01:21:09You're not saying anything. What happened?
01:21:11Well, I talked to a relative from the country.
01:21:14From the country? Where exactly? What are their coordinates?
01:21:18Sanem, this is our topic right now.
01:21:20Okay, you're very right. What happened? Come on, tell me. I'm listening.
01:21:23Well, my grandmother has a broken leg.
01:21:27She needs to be operated on urgently.
01:21:29Oh, I'm so sorry. I'm so sorry.
01:21:32Yes, there is a doctor in a very good field.
01:21:35He needs to be operated on, but it's a little expensive.
01:21:39Okay, we'll take care of it. How much?
01:21:4115,000. It's very urgent.
01:21:44Come with me.
01:21:45Where? What's going on?
01:21:46Come, come, come.
01:21:47Sanem, where?
01:21:52Mr. Can.
01:21:53What's up, Sanem? Is there a problem with CC?
01:21:55No, Mr. Can. We came to see you.
01:21:58CC needs money, Mr. Can.
01:22:00Is that so? Okay.
01:22:02Talk to the accountant. They'll give you as much as you need in advance.
01:22:06Mr. Can, I don't take money from the accountant except my salary.
01:22:09So, in principle, my body is like that.
01:22:13Okay. How much do you need exactly?
01:22:1615,000. It's very urgent.