Fugitivas En Busca De La Libertad Capítulo 20 Completo en Español
Fugitivas En Busca De La Libertad Capítulo 20 Completo en Español
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00:00Florencia was Juan Pablo's lover.
00:02Why do you say Florencia was his lover?
00:04Because I remembered something.
00:05You can tell me later.
00:07It's not too late to walk around here, missy.
00:10I have to hang up.
00:15Lore.
00:17Lore.
00:18Lorena.
00:20What's wrong? Are you okay?
00:22I just spoke to Lizette.
00:24She's not answering her phone.
00:26What's wrong? Are you okay?
00:28I just spoke to Lizette.
00:30She found out that Florencia was the one
00:32who was talking to Charo the day Alejandro and I
00:34were at the suite.
00:36She was Juan Pablo's lover.
00:38Are you sure?
00:39Yes.
00:41She must have been the one who killed him.
00:43The fact that she was talking to her
00:45doesn't make you sure at all.
00:46No, it's not just that.
00:49Look, one day Juan Pablo asked me to take him
00:51to a hotel under a contract that I forced him to sign.
00:54That same day, Florencia left the building
00:56and was wearing a black and white dress.
00:59When I got to the hotel room,
01:01I heard Juan Pablo arguing with a woman.
01:03Juan Pablo opened the door, started signing,
01:06and I saw the same dress lying on the floor.
01:09What?
01:10Dresses like that?
01:11No, no, no.
01:13I'm sure that Florencia was the one with him.
01:18The day Lizette and I went to the Marques' house
01:20to get the suitcase,
01:21that day, Florencia lent Gabriela the same dress.
01:25It's her!
01:26Florencia was Juan Pablo's lover.
01:30What are you doing?
01:32I told you to clean the living room.
01:34I couldn't, ma'am.
01:36Mr. Vicente received a visit,
01:38so I couldn't stay there and listen to other people.
01:41You asked for discretion, and that's what I do.
01:44That's why I started washing the dishes.
01:46Start cleaning these blankets.
01:48Clean?
01:49Isn't washing them enough?
01:51No.
01:52They're made of silver.
01:54You have to polish them.
01:55Don't be so ignorant.
01:57Fine, but don't scold me.
02:00I'll do whatever you tell me to.
02:01When you're done and leave them shiny,
02:04do you wash them?
02:06Yes, ma'am.
02:10Florencia was cheating on Ismael with his best friend,
02:12and I feel guilty for having had something with him.
02:15What are you going to do?
02:16I should turn myself in to the police.
02:18Yes, to tell them everything about Florencia
02:20and have them investigate.
02:21No, no, no, not at all.
02:23Please, Lore, calm down.
02:24Look, let's think things over calmly.
02:27First, you have to prove what you're saying.
02:30Can you call Charo Tricificar?
02:32And ask for her cell phone and verify the call she made
02:34when she was at Juan Pablo's lioness?
02:36No, that's not enough.
02:38No, yes, it is.
02:39No, no, no, no, no, please, Lore, no, no, no, please.
02:41Darling, I came to see my sister.
02:43How are you?
02:45Bad, bad for the nonsense Lorena wants to do.
02:48What nonsense?
02:50She wants to turn herself in to the police.
02:52Mom, why do you want me to wait?
02:54I know that just by talking to the police
02:56things can be thoroughly investigated.
02:58And they will find out that I'm innocent.
03:01Can you tell us what you're talking about?
03:04That Florencia was Juan Pablo's lover
03:06and that she probably killed him.
03:08With what you found out, nothing can be proven.
03:10Don't be stubborn.
03:11But I know it's true.
03:13The police can keep looking for evidence.
03:15They won't listen to you.
03:16Don't turn yourself in, please.
03:18Hold on, hold on.
03:20Tell me in detail what you found
03:22so I can sort it out and see how I can help you.
03:26Well, it turns out that Lisette
03:27managed to get into Charo's cell phone
03:29and found out about the calls she made.
03:30And on January 26th she was talking to him.
03:34I have to go back to the DA's office.
03:36I already took a long time to eat.
03:38What?
03:39The dessert is still missing.
03:42We'll leave it for another time.
03:44I missed you.
03:46Me too.
03:48But we already agreed.
03:50You'll call me before you come.
03:52Count on it, Attorney Castillo.
03:53I'll follow all the protocols you ask me to follow.
03:59I'll walk you out.
04:00Yes.
04:05See you later.
04:06See you later, detective.
04:14Juan Pablo was very close to the Marques.
04:16He probably knew something very big
04:18that the construction company was involved in.
04:20Something that had to do with the large amounts of money
04:22they handle.
04:23And that's why Florencia killed him.
04:26It could have been someone else.
04:28I worked for her directly.
04:30Who else could have falsified all the documents
04:32they used to frame me?
04:35It must have been someone with a lot of influence.
04:37And she has them.
04:38Well, for good reason.
04:40You can't turn yourself in.
04:41I mean, if she has as much power as you say she has,
04:43she's going to hide everything.
04:44And she's going to label you a liar.
04:46Yes, Eric is right.
04:48Well, then what do I do?
04:49Talk to someone you trust.
04:52Someone who knows how to handle the situation.
04:53You can't turn yourself in just like that.
04:56You're going to lose.
04:58Alejandro, of course.
04:59He can help you. He believes in your innocence.
05:02Forget him.
05:03He doesn't want to know anything about me.
05:04Nothing? You lose by trying?
05:06In fact, if you want, I'll help you.
05:09I'll talk to him.
05:13How'd it go with Ismael?
05:16Bad.
05:17I couldn't convince him to leave the case to the fugitives.
05:21That's not good for us.
05:23You have to talk to him.
05:25Manipulate him.
05:26Tell him that if he gets you pregnant,
05:28he won't have time for you or the baby.
05:30I don't think that convinces him.
05:32Ismael has fixed ideas, and because of my insistence,
05:35he might get worse and get stuck at his job.
05:37Then take him on a trip.
05:39Seduce him.
05:41I don't think it'll cost you that much.
05:43He's going to tell me not to, that he has a lot of work.
05:46It's like I'm listening to him.
05:48He can't compete with his job.
05:49It's always been like this.
05:51Then the baby won't arrive so soon.
05:54I've been thinking about it, too.
05:56What do I gain by getting pregnant?
05:58I don't want to raise him alone.
06:00Well, we'll see about the baby later.
06:03Now, what's urgent is to get him out of the fugitives' case.
06:07We can't sit idly by.
06:10Try anything.
06:12I'll try, but I can't promise you anything.
06:18Andrea, I'm going out.
06:19If you need anything, call me on my cell phone, okay?
06:21Yes, sir.
06:22Thank you.
06:23Hello, Alejandro Castillo.
06:26How may I help you?
06:27I'm the head of security at Bar Oasis.
06:31What are you doing here?
06:32Does anyone want to see him?
06:33Whoever you're referring to.
06:35I'll tell you what.
06:36You're not going to tell me anything.
06:37I'm just going to ask you a few questions.
06:39I'm the head of security here.
06:41I'm sorry.
06:42I'm the head of security for the bar.
06:45I'm sorry.
06:46I'm not going to talk to you.
06:47I'm not going to talk to you.
06:48I'm not going to talk to you.
06:50I'm not going to talk to you.
06:51I'm going to talk to you.
06:52I know who you're talking about and I don't want to see her.
06:54No, no, what? What?
06:56It's not hard for her.
06:58Especially if she knows she's innocent.
07:00Come on.
07:01It's obvious you're good people.
07:03No, I don't think it's a good idea for you to be here.
07:05They're probably watching the building.
07:07Yes, I'm sure they are.
07:08That's why I came to invite you.
07:10So we can have a few beers.
07:12What do you say? Will you come with me?
07:14Don't make me beg.
07:15The place is fine and they play good music.
07:19Okay.
07:21Let's go.
07:29Yulissa!
07:32Yulissa, I'm talking to you! Come here!
07:34Oh, my God!
07:35Oh, my God, ma'am!
07:37What are you doing there? Do you need help?
07:39No.
07:40What I want is for you to clean things up.
07:45Well, that's how I do it, ma'am. Everything is perfect.
07:48Oh, yeah?
07:49What about this?
07:51The edge of the painting is disgusting.
07:54Oh, well...
07:56The truth is, I didn't go through with it.
07:59But it looks like you didn't either, because that dust isn't from right now.
08:02Don't be so bold with me.
08:04Remember that I never loved you here.
08:07At any moment, I can tell Florencia to fire you because you're no good to me.
08:12No, no, no, no, that's not true.
08:14I'll clean it up right now and it won't happen again.
08:17That's terrible.
08:19Can I help you?
08:20Yes.
08:21Let's see.
08:28Hey, don't threaten me with firing me, please.
08:31It makes me very nervous.
08:33Besides, if I leave, you're going to miss me, you'll see.
08:36I'm not going to miss you. What's wrong with you?
08:38It's just that you've been cleaning up the work, haven't you?
08:40Clean! And in silence!
08:49Oh, my God.
09:19Oh, my God.
09:50Can I help you with anything?
09:51No, no, no, I came to look for Ismael, and since I didn't see you, I went to his office.
09:55Do you know where he is?
09:56Yes, Prosecutor Dominguez left a while ago.
09:58But if you need him, I'll let him know.
10:00No, no, it's not necessary. I'll look for him later.
10:02Of course.
10:03Thank you, Andrea.
10:04Excuse me.
10:05Enjoy.
10:06Thank you very much.
10:09You're welcome.
10:10You're welcome.
10:11You're welcome.
10:12You're welcome.
10:13You're welcome.
10:14You're welcome.
10:15You're welcome.
10:16You're welcome.
10:17You're welcome.
10:18You're welcome.
10:25Marta, I'm outside your house.
10:27Can you come out for a moment?
10:42How are you, Commander?
10:43What brings you here?
10:45I was very worried about you.
10:47I'm sad that you lost your job.
10:49Don't worry.
10:51I'll find something.
10:53Besides, fortunately, things are going much better with my son.
10:56And if I ever need anything, I can ask for help.
10:59That's good, that's good.
11:01I'm very glad that things are going better between you two.
11:05I would accept to invite you to dinner so we can talk for a while.
11:10You are very kind.
11:11And I know you do it from the bottom of your heart, but don't take it the wrong way.
11:15I don't want you to associate me with the police.
11:18I hope you understand.
11:19Don't tell me that.
11:20Please, I don't want to lose your friendship.
11:23Unfortunately, that's how it's going to be.
11:26I really appreciate your help.
11:29But the best thing is that we don't see each other again.
11:35Thank you.
11:46You came.
11:49Thank you for agreeing to see me.
11:51I have a lot of new things to tell you.
11:53Well, I'm not interested in listening to you.
11:55It was very clear when I told you that I didn't want to know anything else about you.
11:58That's a very stubborn woman and I can't do that.
12:01So why did you come?
12:02To give you a message that your lover sent you.
12:05Who?
12:06Prosecutor Dominguez, who else?
12:08Did you see him?
12:09Yes.
12:10I saw him.
12:11Prosecutor Dominguez, who else?
12:13Did you see him?
12:14Yes.
12:15He showed up at my house to tell you that you have to be careful.
12:19That there are very powerful people behind Juan Pablo's case
12:22and they are willing to erase any trace.
12:24That's part of what I want to talk to you about.
12:26But I don't.
12:27I already fulfilled my duty to bring you the message.
12:29So I'm leaving.
12:30Please, don't go.
12:35I found out that Juan Pablo's lover was Florencia Marquez.
12:39How do you know?
12:41We checked Charo's cell phone
12:43and she had a call with Florencia on January 26 at 9 and 10.
12:47She was the one she was talking to when you and I were hiding in Juan Pablo's suite.
12:51And how did you check Charo's cell phone?
12:54No, you better not tell me.
12:56It was probably illegal.
12:58Don't you think everything makes sense?
13:00It was Florencia who asked him to take out all the things that committed her to not leave a trace.
13:06Besides, one day Juan Pablo asked me to bring him a contract
13:09that he had to sign at a hotel.
13:11That same afternoon, Florencia left the office
13:13and was wearing a black and white dress.
13:15When I got to the hotel door, Juan Pablo was arguing with someone.
13:18And when I opened the door,
13:20I saw a dress just like the one Florencia was wearing, lying on the floor.
13:24And the time Lisette and I went into the Marquez's house,
13:28Florencia lent Gabriela the same dress.
13:31And if she was his lover, why would she kill him?
13:34I don't know. I think it was because of money.
13:36Juan Pablo was very close to the Marquez's.
13:39He probably knew something big that involved the family.
13:42I don't know, something that had to do with large amounts of money that the construction company was managing.
13:46That's why Florencia killed him.
13:48And what better than blaming a poor naive girl like me?
13:52And what do you think you can do with what you found out?
13:55Tell the police.
13:57I'm going to turn myself in so they can arrest Florencia.
13:59Lorena, please.
14:02Don't be that poor naive girl you say.
14:05Tell them that Florencia, Juan Pablo's lover,
14:08doesn't prove anything.
14:11She won't even exonerate you from the sentence you have against her.
14:14That's why I want to talk to you.
14:16I don't want to make any mistakes.
14:18I need you to help me.
14:20How?
14:23Take my case back.
14:25I need to prove my innocence.
14:27Maybe it's not enough with what I found out,
14:29but other things can come out of it.
14:31So yes, please.
15:00SATURDAY 5PM
15:02Look, the important thing is that we're together, right?
15:04Each one of our actions...
15:06We're going to find her.
15:07Even if we have to ask for help from this Talgus.
15:09...can turn against us.
15:11It's a trap.
15:12But life can only be faced...
15:14I won't make her pay for revenge, but for justice.
15:17...without fear of the truth.
15:19THIS SATURDAY, 11PM, ON LAS ESTRELLAS.
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15:39Juventud Awards, tomorrow at 7PM.
15:42The famous are already inside,
15:44and with them will come
15:45new laughter and alliances,
15:47new challenges, new rules.
15:49Ah, and Sunday comes the first elimination.
15:52Every day, something happens in...
15:54La Casa de los Famosos, Mexico.
15:56Monday to Friday, 10PM.
15:57At 5PM.
15:58Sunday, 8.30PM.
15:59On Las Estrellas.
16:00And 24.7PM on VIX.
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16:06We're here.
16:07We created a bridge.
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16:14This 2024 will be an unforgettable event
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16:22This Saturday,
16:23La Rosa de Guadalupe
16:24has two shocking stories.
16:27The way to thank me
16:28is seeing me as an enemy.
16:30Is it because you really are?
16:32How will it be best for Joshua?
16:33I do all this in honor of goodness.
16:37La Rosa de Guadalupe.
16:38Shocking stories.
16:40Saturday with the stars.
16:42This is third grade sports.
16:44The United States
16:45played the Copa America.
16:47Today, Mexico is a small team.
16:48Today, Mexico has to play
16:50to close the rival.
16:51Let's look for a young Mexican boy
16:53to start the war.
16:54It was never the plan
16:55of Jaime Lozano Francisco.
16:56It was never the plan.
16:57Third grade sports.
16:58Every Monday.
16:59At the end of the show.
17:00On Las Estrellas.
17:01It's harder to believe the truth.
17:03I need you to believe
17:04that I fell in love with you
17:05before I knew
17:06that you were my son's mother.
17:07To manipulate everyone with lies.
17:09I want to accuse Juana Bravo
17:11of having been pregnant with Gabriel
17:13and then force him to answer her.
17:14If Gabriel is not going to be mine,
17:15he is not going to be anyone's.
17:16How much money do you need
17:17to get away from Gabriel?
17:19Monday to Friday,
17:209.30 at night.
17:21There is one of the best.
17:22Nuria and Joanna.
17:26What a wonder,
17:27there are two of them.
17:28No, man.
17:29The best is going to be Osmar Olvera.
17:30Plagiarist and mouth finder.
17:33Well, my favorite is Edson Ramirez.
17:35Imagine my flip-flops
17:36with his aim.
17:37Olympic Games Paris 2024
17:40by Televisa for all of Mexico.
17:42We request your collaboration
17:44to locate the following people.
17:46Mauricio Olvera disappeared
17:48on June 20, 2024
17:50in the Alcaldía Álvaro Obregón.
17:52María Duran disappeared
17:54on January 3, 2015
17:56in the State of Mexico.
17:58For any information,
17:59contact the community.
18:02Paulina continues with her role.
18:04I don't know you, Paula.
18:06But she will have obstacles.
18:07And I would send you to jail
18:09for usurper.
18:11The real Paula is the main one.
18:13I will return to occupy my place
18:15in the House of Praises.
18:16The Usurper.
18:17Monday to Friday, 2.30 in the afternoon
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18:22Look, the important thing
18:23is that we are together, right?
18:24Each of our actions
18:25We are going to find her.
18:26Even if we have to ask for help
18:27to this Talgus.
18:28can turn against us.
18:30It's a trap.
18:31But life can only be faced.
18:33I will not pay for revenge,
18:36but for justice.
18:37No fear of the truth.
18:38This Saturday, 11 at night
18:40with Las Estrellas.
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18:55Get ready to get into action.
18:58This Sunday, 2 in the afternoon
19:00with Las Estrellas.
19:02Why is Mexico still not a solar power?
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20:02Adriano has strong suspicions.
20:04Who is really Eva Maria?
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20:08Do you know if there is another man
20:10in Eva Maria's life?
20:11Until when will everyone know the truth?
20:14Will you give me an explanation right now
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20:17For them today, Eva.
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21:02This is third grade sports.
21:04United States.
21:05Peluceo.
21:06The Copa America.
21:07Today Mexico is a small team.
21:08Today Mexico has to play
21:10to close the rival.
21:11Let's look for
21:12to put the war
21:13a young Mexican boy.
21:14It was never the planting
21:15in Menosano, Francisco.
21:16It was never the planting.
21:17Third grade sports.
21:18Every Monday
21:19at the end of the point
21:20with Las Estrellas.
21:22She's my favorite.
21:23Daniela Sousa.
21:24It was never me
21:25to a piñata.
21:28Not bad,
21:29but my favorite is Randa Lula.
21:32Kevin Berlin starts.
21:34Kevin Berlin.
21:38Olympic Games Paris 2024.
21:40For Televisa.
21:41For all of Mexico.
21:42Here you will not have
21:43a crown of tears.
21:45We are bewitched, right?
21:46It's horrible.
21:48It's like inviting them
21:49to patronal parties.
21:50Patronal in the bones.
21:52I'm looking for a narco.
21:54Yes.
21:55Now I'm going to do
21:56witchcraft of the stars.
21:57You will have a whole
21:58ball of crazy.
22:00This Friday
22:01at the end of the point.
22:30I'm looking for the same sentence
22:31that prevents life from opening up.
22:33And now we have to lose.
22:35Fugitives.
22:37Looking for the same exit.
22:39We had a very bad life.
22:41But this is a new bet.
22:45Fugitives.
22:50I could accept
22:51to be your lawyer again.
22:53As long as I make some profit.
22:56What do you mean?
22:58If I take it back.
23:00It's because I want to win.
23:02I want to be the lawyer
23:03who got an innocent woman out of prison
23:05and unmask the Marquez family.
23:08I accept.
23:09Let's do it.
23:10No, no, no.
23:11Don't get excited.
23:13To be able to win,
23:14things have to be done
23:15as I say.
23:16I make the decisions
23:17and I don't want you
23:18to ever question me again.
23:20We are?
23:21I'll do whatever you tell me.
23:23All this you discovered
23:24you can't tell anyone.
23:25Not even your sister
23:26and much less
23:27Inspector Domínguez.
23:29I don't want to find out
23:30how he knows
23:31you're not in the US.
23:33Okay.
23:35But I have to tell Gabriela
23:36who Florencia Marquez is
23:38so she can take care of herself.
23:39She has to stay away from the Marquez family.
23:41I'll take care of that.
23:43And one more thing.
23:44I want you to forget the DA.
23:47Did you know his wife
23:48cheated on him?
23:49No.
23:50Then don't call him
23:51or look for him.
23:53Okay.
23:55And by the way,
23:56I'm going out
23:57with a detective from the police.
24:00So don't even think
24:01about coming to my house.
24:03We have to be very careful.
24:07Do you agree with my conditions?
24:09Yes.
24:10Deal.
24:17Well, it was good
24:18like the first day, right?
24:20We'll see
24:21how we get along later.
24:23Do you want me to bring you
24:24something to eat tomorrow?
24:25Don't bring me anything.
24:28I don't like to eat
24:29street food.
24:30Okay, ma'am.
24:31But you don't like
24:32to be shown affection.
24:34Why?
24:35What happened to you in life?
24:37Look, it's not you
24:38I'm going to talk to
24:39about my private life.
24:40There was more.
24:41So don't ask me
24:42anything again.
24:43If you don't want me to...
24:44Yes, if I don't want you
24:45to fire me.
24:46I know.
24:48Okay, ma'am.
24:49See you tomorrow.
24:55See you tomorrow.
25:23Not at all.
25:24Not at all.
25:25How are you?
25:27Very good.
25:28Alejandro agreed
25:29to be my lawyer again.
25:30Good, that's why.
25:32And did you get rid
25:33of the ridiculous idea
25:34of turning yourself in?
25:35Yes, already.
25:36What a relief, really.
25:38And now, please,
25:39stay calm.
25:40Let your lawyer
25:41move things.
25:42You've already done a lot.
25:43Stop it.
25:44Don't keep putting yourself
25:45at risk.
25:46Okay?
25:48I survived
25:49my first day at work.
25:51Is everything okay, princess?
25:52Oh, yes.
25:53I'm having a hard time
25:54getting Charo out
25:55of his box.
25:56He can't stand it.
25:58Thank you for taking
25:59the risk of taking his phone.
26:00It was very helpful
26:01to get rid of Carlos.
26:02I have other news.
26:03Hold on.
26:05Vicente fought with Gabriela
26:07and he's living in the house
26:08with his dad
26:09and Gabriela went to see him.
26:10And did she see you?
26:11No, no, no.
26:12Just a little bit.
26:13I hid when I heard her voice.
26:14And did you know
26:15why they fought?
26:16Yes.
26:17Vicente is very angry
26:18with Gabriela
26:19because she lied to him.
26:20And while they were arguing,
26:21I found out that he knows
26:22that you didn't leave Mexico.
26:24That's bad.
26:25Gabriela shouldn't have
26:26told him.
26:27Vicente is going to tell
26:28the Marquesas.
26:29Calm down.
26:30He said he wasn't going to say
26:31that you hadn't crossed
26:32the border
26:33and that you were here.
26:34That he shouldn't worry.
26:36I hope he keeps his word.
26:37I'm going to be honest.
26:38He also told her
26:39that she could continue
26:40working at the construction company
26:41because he's the one
26:42who's not going to come back.
26:43So Gabriela is working
26:44at the construction company.
26:46It can't be.
26:48She was upset
26:49because Vicente fired her.
26:52I don't know what to do.
27:23They're in trouble.
27:47Ismael?
27:48It's me.
27:50I'm glad you're calling.
27:51You have to turn yourself in. You're in danger.
27:53No, I can't find out.
27:54Listen to me, please.
27:55All the clues you gave me are true.
27:57I was able to enter Juan Pablo's suite.
27:59There was only one pen with his initials.
28:01I brought it in case it's useful.
28:04I'm sure the lover noticed that someone was investigating.
28:07Why do you say that?
28:08Because when I went to the suite for the second time,
28:10the doorman didn't let me in anymore.
28:12He told me he had orders from the people who rent the suite.
28:15They are very powerful people.
28:18That woman has to be someone with a lot of money.
28:20She is.
28:21I know who that woman is.
28:23Is it someone on the list you gave me?
28:25No.
28:28It's Florencia.
28:30What?
28:31Your wife was Juan Pablo's lover.
28:38Hi, honey.
28:46Is everything okay?
28:51Good evening.
28:52We haven't opened yet.
28:53Oh, you're so pretty.
28:55Where's your friend?
28:57I have no idea.
28:58I already told you we didn't open, so come back later.
29:01Look, I'll walk you to the exit.
29:03Don't touch me!
29:04Hey, what's wrong with you?
29:05You don't have to get involved in this plan.
29:07You have to leave.
29:08I'm not leaving until I see Perla.
29:11She's not here and I don't know when she'll be back.
29:14I don't believe you. I'm going to look for her.
29:16You can't come in.
29:18You can't come in.
29:20It's private property.
29:23Did you hear that?
29:24What?
29:28I don't know.
29:33You're not going to tell me what I have to do.
29:36What's going on?
29:38Who is this guy?
29:40He's Carmen's husband.
29:41I told you he's not here.
29:42He doesn't believe me.
29:43He wants to go up and look for her.
29:44I don't care.
29:45I'm sure you're covering for her.
29:46What's going on?
29:49If Cecilia told you she wasn't here,
29:50it's because she's not here.
29:51So leave.
29:53I'm not leaving until I get the money I deserve.
29:55Do whatever you want.
29:56What you have to do with my boss is your own business.
29:59You'll figure it out later.
30:00Now, get out of here.
30:02We're back.
30:05Who is he?
30:06He's a childhood friend who came to visit me.
30:09I didn't expect him.
30:10I was surprised.
30:12That's great.
30:13What's your friend's name?
30:14What are you waiting for?
30:15Introduce yourself.
30:16Don't be rude.
30:18My name is Sergio.
30:19Nice to meet you.
30:20Dario.
30:21And he's Matías, your son.
30:22And she's Carmen.
30:24I still can't believe it.
30:25So many years without seeing each other.
30:27You look exactly the same.
30:28Hey, why don't you help her with the bags?
30:30That's what I ask my friend Sergio.
30:32I'll help you.
30:33Let's go.
30:34How's the family?
30:36How's everyone?
30:37Your sister?
30:38I haven't heard from her in a long time.
30:40But that's life.
30:41Everyone has to...
30:43Bravo.
30:45I congratulate you.
30:46What a great performance.
30:47But you know what?
30:48I'm not leaving here empty-handed.
30:51Go tell Perla...
30:53Go tell Perla to give me what I deserve.
30:55If she doesn't want me to read a better play than yours.
30:57Calm down, please.
30:58I understand that when someone owes you money,
31:00it gives you a lot of courage not to pay, but...
31:02Look, the truth is that I don't think I can give it to you right now.
31:05I promise you that I will talk to her so that she pays you as soon as possible.
31:10Okay?
31:11Tell her I'll see her tomorrow.
31:12Not another day.
31:14And that I want 30% more.
31:16Or I'll tell Dario that his wife is my wife.
31:19And his happy family play is over.
31:22Okay, I'll pass your message to him.
31:23But please go now.
31:25We have to prepare everything to open.
31:33You're weird.
31:34You always find a way to get out of trouble.
31:37And to finish it is not even your problem.
31:39The boss is the least guilty.
31:41He doesn't deserve this.
31:43What was all that?
31:45Do you still ask him?
31:46Instead of complaining, you should thank me because I saved your ass.
31:50So please, lower your voice.
31:52Don't talk to me like that.
31:53I'll talk to you like you give me my gift.
31:54Hey!
31:55He still helps you and you get like this?
31:56Don't meddle.
32:00This is not over here.
32:02Come on, let's go to your room.
32:04Come on.
32:08Do you want us to order something to eat?
32:10I want pizza.
32:14No.
32:15No.
32:16What's wrong?
32:17I have to go out to talk to a lawyer.
32:21Work stuff.
32:22At this hour?
32:24Is the matter so urgent?
32:26Yes.
32:28What could be more important that you have to go attend what you have to stay with me?
32:32It's the case of the trailers who are smuggling the country.
32:38See you later.
32:43See you later.
33:13Paola, I don't know you.
33:14But you will have obstacles.
33:15And I will put you in jail for usurping.
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41:43that you're talking about my wife?
41:44Yes, that's why I don't understand
41:46why you didn't realize I was lying to you.
41:48No, no, no, it's just that it's not possible.
41:51I'm sorry, but I have proof of what I'm saying.
41:53What proof?
41:54One day Juan Pablo invited me to a hotel
41:56so I could sign a contract with him.
41:58When I got there, I heard he was arguing with a woman.
42:01I knocked, he opened the door,
42:02and while he was signing the contract,
42:04I saw a white dress with black on the floor.
42:07And it was the same one that Florencia was wearing that afternoon.
42:10That's not proof.
42:11Anyone can have a dress.
42:13Besides, if they had the suite, why would they see each other in a hotel?
42:15I don't know that, but there's something else.
42:17The person Quichara was talking to on the phone
42:19the day I entered the suite was Florencia.
42:22How did you know?
42:23I'm sorry, but I can't tell you that.
42:25No, no, no, what you're saying doesn't make sense.
42:27They're just assumptions.
42:28I understand that it's very hard for you to believe it,
42:31but it's the truth.
42:32I've already told you, and it's a shame you don't believe me.
42:41I'm sorry.
43:04Go to hell.
43:05Now that I know your secret,
43:07and if you don't want Dario to know, you'll have to treat us well.
43:10Put on a face, gossip, and kick us out whenever you can.
43:13Are you threatening me?
43:14No, I'd rather say it's a warning.
43:17I just saved your ass,
43:18and the least you can do is correspond to me by doing my bidding.
43:21From now on, as it is edited with us, my queen...
43:24Oh, and by the way, give him the money you owe your husband.
43:27Shut up.
43:28He wants you to give him 30% more.
43:30Are you stupid or what?
43:32How did you commit to that?
43:33I didn't commit to anything.
43:35How am I supposed to know what agreements you have with him?
43:37I'm just telling you what he told me.
43:39If I haven't paid him, it's because I don't have it.
43:41Oh, well, that's your problem.
43:43But I'd say that if you don't want Dario to know you're married,
43:46it's better for you to deal with it however you can
43:48so you can get it and pay him.
43:50And it has to be tomorrow, not another day.
43:52So you know.
44:02You're going to put us through quarantine and Baby Blue.
44:05Wait a minute.
44:07Hold on.
44:08We have the dressing rooms set up.
44:10So one day you'll see us...
44:12What are you doing?
44:14When are you going to understand that you're not a teenager anymore?
44:17Son, being rebellious doesn't suit you anymore.
44:20Please, mature.
44:22Is that all?
44:23No.
44:24And put cynicism aside when you talk to your father.
44:27I demand that you respect me.
44:29And if you don't understand,
44:30I'm going to have to take more drastic measures against you.
44:33Oh, yeah?
44:34And what are you going to do?
44:36Let him keep you, for example?
44:38If you don't go back to work at the company,
44:40your good life is over.
44:42I'm not going to let you continue to live in my house
44:45like a homeless person.
44:46Is that clear?
44:48Very clear.
44:50It's the last time I tell you.
45:07Hello.
45:19Bilingual secretary.
45:24Accounting assistant.
45:30Model.
45:36Accounting assistant.
45:59Hello.
46:00Hello.
46:03What are you doing with my shirt?
46:07I missed you so much that...
46:12Are you coming to stay?
46:14No, I just came for my things.
46:16No, Vicente, let's talk.
46:18There's nothing to talk about.
46:19It was cool to be roommates,
46:21but it got really ugly, so we'd better leave it here.
46:25I can't believe you can't forgive me.
46:28I already explained things to you.
46:30But it's not enough for me, I'm sorry.
46:32What else do you want?
46:33I told you the whole truth about my sister.
46:35Put yourself in my place, what would you have done?
46:38Talk to the truth from the beginning.
46:40You preferred to lie to me, and a lie is a lie.
46:43Something I can't forgive, so don't make it harder for me.
46:46Is that why you're leaving?
46:49Or because you got bored of me?
46:51If that's the case, just tell me, even if it hurts.
46:54Leave it, it's not worth it anymore.
46:56You got bored.
46:57You got bored.
46:58You took Lorena's story as an excuse.
47:00Is that it?
47:01If it makes you feel better, it wasn't that.
47:04It's so lame to explain lies to you again.
47:07That's not good for me.
47:09It's not worth what you felt for me,
47:12that you can't forgive me.
47:13Enough, Gabriela, stop it.
47:15No, no, I'm not going to stop.
47:17We get along very well,
47:18and I don't want everything to end because...
47:21because of your intransigence.
47:23Enough.
47:24We had a good time, yes.
47:26But it doesn't mean anything.
47:28It was something temporary.
47:29And it was stupid of me to come and live here.
47:32That made it more intense,
47:34and I don't want to be intense.
47:36But you told me you loved me.
47:38I'm sorry, that's love.
47:40Fugitive and temporary.
47:57Genaro.
47:58It's a pleasure to see you.
47:59The pleasure is mine.
48:00Would you like a drink?
48:01I have a 25-year-old whiskey, excellent.
48:03Okay, I should try it.
48:05With ice?
48:06Yes, please.
48:08I haven't heard from you in a long time.
48:10Business, family, you know how it is.
48:17Thank you.
48:18Cheers.
48:19Cheers to the pleasure of seeing you again.
48:23When you called me, you said you wanted to invite me to a business.
48:26That's right.
48:27What is it about?
48:28I entered a contest to build the new hospital in Mexico City,
48:32and I won the bid.
48:35Congratulations, congratulations.
48:37Thank you.
48:38Well, I heard it's a very big and important project.
48:43Yes, certainly.
48:44And that's where you come in.
48:46I'm very interested in us being partners.
48:48There is no better construction company I can work with
48:51for this project.
48:52I appreciate it.
48:53And of course I'm interested.
48:55But sit down, please, and tell me more about the project.
48:58Well, I'll tell you.
48:59The hospital will count...
49:09Hi, beautiful.
49:10Hi.
49:11I just got out of work.
49:12Are you busy?
49:14We have the dessert pending.
49:16Oh, I would love to, but I have to go.
49:20You should have called me earlier.
49:22Don't worry.
49:23See you later.
49:24Okay.
49:50♪♪♪
50:20It is necessary to conduct an audit of the construction company.
50:23You know, just protocol.
50:25Yes, I understand perfectly.
50:26I need to talk to him.
50:28But wait.
50:30Mr. Arturo, sorry.
50:31I didn't know you were busy.
50:33I need to talk to you.
50:35Yes, yes, of course.
50:37Excuse me for a few minutes, please.
50:39Go ahead, no problem.
50:40Thank you.
50:43Let's go to my office.
50:45Excuse me.
50:51¿Quién te crees para presentarte en mi casa de esta manera?
50:55Estoy en una reunión de negocios.
50:57Sí, discúlpeme.
50:59No te vuelvas a aparecer sin antes preguntar
51:01si te puedo recibir, ¿está claro?
51:03Sí, señor.
51:04Está bien, no vuelve a suceder.
51:05Pero si estoy aquí es porque es muy importante
51:07lo que le vengo a decir.
51:08¿Qué puede ser tan importante?
51:10Ismael me sacó del caso de las prófugas.
51:13A pesar de todos los aciertos que tuve,
51:15porque está interesado en proteger a Lorena Martínez.
51:17¿Tienes pruebas?
51:18Sí, señor.
51:20Sí.
51:28Ismael has him under surveillance in his office
51:30because he wants something like that.
51:32I'm sure he's doing something to prevent her from being caught.
51:35Stop talking nonsense.
51:36This woman is the murderer of Juan Pablo,
51:38her best friend.
51:40It's absurd that he's trying to protect her.
51:43Ismael and Lorena were lovers.
51:46That's why he's protecting her.
51:48Are you sure?
51:49Yes.
51:50He's obsessed with her.
51:51That's why he got me out of the case,
51:53to prevent me from finding out that he's helping her.
51:55I dared to come to ask for his support
51:57because I don't think it's fair that for personal reasons
52:00Ismael is preventing us from catching that murderer.
52:05Thank you for the information.
52:06I couldn't hide something like that.
52:09We're talking about the murderer of Juan Pablo.
52:12If I were in charge of the case,
52:13I assure you that I wouldn't rest until I caught her.
52:15Well, I'm leaving.
52:16And sorry for the interruption.
52:19I'm sorry.
52:49I'm sorry.
53:19Your t-shirt.
53:26Are you going to live with your dad?
53:28No, I'm going back to Buenos Aires.
53:30There's nothing here to tie me down.
53:33I'm going to miss you a lot.
53:34I'm going to be very lonely.
53:36Calm down, it's not that bad.
53:38It is to me.
53:40Why are you going so far?
53:41Because we fight?
53:42I came back to Mexico thinking it would be better,
53:45but I realized it wasn't.
53:47I can't stand my dad being on top of me all the time,
53:50or working at the company.
53:52I stay here.
53:54I have nothing to do here.
53:56You told me that being with me made you feel calm.
53:59And yes, it was true.
54:01But this is your sister's matter in between.
54:04Did you realize that we will never be able to be in peace?
54:07I don't see why not.
54:09When we started, we talked about the subject
54:11and you told me you didn't care.
54:13Well, yes, I said it because I really thought
54:15it wouldn't be an impediment, but it is.
54:17And I understand that Lorena is your sister
54:19and you can't erase her from your life.
54:21So don't worry, I'm leaving.
54:23No, no, please, think about it.
54:26I have nothing to think about.
54:27I already told you that I can't stand things being hidden from me.
54:30So everyone on their side is better.
54:33Thank you for offering me your house.
54:35It was good while it lasted.
54:45Vicente, Vicente, wait.
54:48Vicente, please.
54:50Vicente, please, don't go.
54:52Don't imagine how much you miss me.
55:03Who is that guy?
55:07What kind of greetings are those?
55:09First you say good night and then you ask who I am.
55:12But rather, I ask you, who are you?
55:14He is Alejandro Castillo, my sister's lawyer.
55:17It's not a good time to welcome you, please.
55:20No, no, no, it's not necessary.
55:22I'm leaving.
55:23I'll leave you with your sister's lawyer.
55:25It looks like you have a lot to talk about.
55:27Vicente, Vicente, don't go.
55:30Vicente.
55:34Your little friend is pretty heavy, huh?
55:38Can you shut up?
55:39All I needed was for you to come and judge me.
55:44Vicente.
56:00Tell me, what happened with Vicente?
56:03Did you fight?
56:04What does it matter?
56:06What I'm going to tell you is that if you came
56:08because Lorena sent you,
56:10I'm telling you that I don't want to know anything about her.
56:13Lorena is very worried about your closeness to the Marques.
56:16Then tell her to stop worrying.
56:18They have treated me very well.
56:20I have only received attention.
56:22They are good people.
56:23Neither you nor she really know them.
56:25Excuse me?
56:26But I don't know how you can say that
56:28if I find you crying over that brat.
56:31It's all Lorena's fault
56:33for leaving my notes under the door.
56:35Vicente read it?
56:36Yes.
56:37I showed it to him so he would forgive me
56:39that I had hidden it from him.
56:41That's why I had to tell him
56:43that I hadn't left the country.
56:45Gabriela, are you aware of how serious that is?
56:48Vicente can report you.
56:50He swore he wasn't going to say anything.
56:52And you believe him?
56:53He's a Marques.
56:55If he gets the chance, he's going to let it go.
56:58I trust him.
57:02But what else?
57:04Tell Lorena that she has nothing to worry about.
57:08Vicente left my side forever.
57:10Look.
57:16Hi.
57:17Hi.
57:18I'm glad you invited me.
57:20I needed to talk to you.
57:22Would you like something to drink?
57:23Yes, thank you.
57:24The same as you.
57:25A glass of the same, please.
57:27Thank you.
57:29How is it possible that you fired Nicolas?
57:32I didn't fire him.
57:33He's just out of the case of the fugitives.
57:35But he's going to be working on other matters.
57:37You broke his heart.
57:39He gave his life for that case.
57:41They're points of view.
57:42I'm not going to argue that with you.
57:44He's your friend.
57:45He played with you.
57:46You turned your back on him.
57:48It can't be that a case like any other
57:50can do more than friendship.
57:52Look, Veronica, I didn't call you to talk about work.
57:55And much less to discuss Nicolas.
57:58It's none of your business,
57:59and I'm going to ask you not to intervene in that.
58:01So why did you invite me?
58:03Look, I want to give Florencia a gift.
58:06And I need you to help me think what it could be.
58:08What did you do to her that you want to give her a gift?
58:11Nothing.
58:13You're probably cheating on her with another woman.
58:15Where do you get that from?
58:17Men only give things away when they feel guilty.
58:20Yes, I know.
58:23Juan Pablo was a specialist in cheating on me.
58:26Juan Pablo?
58:27Don't pretend you didn't know.
58:29I smelled her since she started arriving late at night
58:32with the excuse of work.
58:34And she went straight to the bathroom.
58:36Weird, right?
58:37Every Sunday she'd run to a client.
58:39She'd be back at nine like it was one o'clock.
58:42Who would've thought?
58:44I'm sure she was with a woman.
58:47I'm leaving, honey.
58:49I'll be back for lunch.
58:51My game ends at one.
58:52Good luck. What do you win?
58:54I always win.
59:04Whatever happens, I'm coming with you.
59:06What do you mean you're leaving?
59:08Lorena found out something and asked me to tell you.
59:11I don't want to know anything about her.
59:13She's a mother.
59:14The only thing she's brought me is problems.
59:16I've had enough of mine.
59:17It's obvious you spent the night with another woman.
59:19Of course not.
59:20I don't want to be with anyone
59:22who only sees me as a friend with rights.
59:25Were you Juan Pablo's lover?
59:26We had something in common when we were young.
59:29Stop lying to me!
59:30There's something you're hiding from me.
59:32There is something I have to tell you.
59:36I love you.