Al Fondo Hay Sitio Temporada 11 Capitulo 78 Completo
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AFHS Al fondo hay sitio 2024 cap 450 completo
#AlFondoHaySitio #AFHS #AFHS11
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#AlFondoHaySitio
#seriesenespanol
#AmericaTV
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TVTranscript
00:00What?
00:01What you heard.
00:02Are you serious?
00:04Yes, yes it is.
00:06Unless you don't agree.
00:09♪♪
00:12You're looking at me with eyes of a lover.
00:15Lorena, please.
00:19You're wrong. I'm not in love with you.
00:21I mean, of course, you're my daughter's mother
00:24and I have a special affection for you for that,
00:26but from there to be tempted by you, please.
00:31What's more, I'm dating someone.
00:35At first, I didn't like her that much,
00:37but let me tell you that she earned my trust,
00:40my respect and my affection.
00:42And you know her job, she's brave.
00:43No, no, no, that's her technique.
00:45That's her strategy, you understand?
00:46To get along with the person, why?
00:48Because then, zaz, you take her away, you see?
00:50And she runs away.
00:51What are the clients? You pay.
00:53Do you realize?
00:54You think?
00:55Please, I'm convinced.
00:56A letter has arrived from the municipality.
01:00From the municipality?
01:02And what does it say?
01:04Well, here it says that the municipality
01:07invites us to a pre-marital chat.
01:12I was happy and calm
01:13that the two of us are happy with our relationships.
01:16Happier than dogs with two tails, Zodiac.
01:19Perfect.
01:20Well, then, see you.
01:22Perfect. See you there, Zodiac.
01:25Enjoy yourself.
01:26Have fun.
01:28Yes.
01:32Tell me if you can, if you can't,
01:33tell me if you can, Gaspar, yes or no?
01:34No, no, no, yes I can.
01:35I'll give it to you at three in the afternoon.
01:36Yes, there you go.
01:37Ready.
01:38Go, go, go.
01:38At three o'clock.
01:39It's late, go, go, go.
01:41Go, go, go.
01:44Romina Cerrucho.
01:45No?
01:46Romina Cerruchana here.
01:47In my workshop.
01:49Then we wait for him for lunch.
01:53Okay, goodbye.
01:55What did the mayor say?
01:57That the talk can be in our house.
02:02I was thinking of something.
02:04It is a desperate measure, but ...
02:08I think it could work.
02:10Tell me, what is it about?
02:12Is it a lot?
02:18No, there is no way, I will not do it, compadre.
02:21Please, Pepito, don't be bad.
02:22Pepito, it's just a little while.
02:24I repeat, I'm not going to do it, naka la pri naka, compadre.
02:27Look, I would do it for you.
02:28Don't come to me with that, don't come to me with emotional chatage, please.
02:31Of course I would, compadre, I wouldn't even think about it for a second.
02:34You know I'm not very good at walking in high heels, compadre.
02:37It's true, it's true.
02:38And yes, I have thought about it, but you can wear flat shoes or shoes.
02:41I'm not going to make any problem for your look.
02:43What?
02:44Why don't you tell Joel to borrow those dirty ones?
02:46No, yes, yes, I thought about it, but right now he is with a mustache and beard and he is not going to shave.
02:50Instead, you shave every day, compadre, and your skin is soft.
02:53What part of not going to be your skinny doesn't you understand, compadre?
02:57It's very risky.
03:00Is it your last word?
03:00It's my last word.
03:05I thought you were my best friend, Pepito.
03:08I thought you would be willing to do everything for me.
03:11But I see that I was wrong.
03:12Compadre, but don't get like that, compadre.
03:15Pep, come back.
03:16It's good.
03:18It's good.
03:19Let me go!
03:50Oh no.
03:52What I did was very strong.
03:53Although I didn't really do it.
03:55The fault of all this was Gaspar's.
03:59End of the matter.
04:05Robinita!
04:06That's it, Robinita.
04:08And how lucky that you found the manual of the classic car.
04:11Yes.
04:12I say, because it is not long before they come to pick it up.
04:14It's exactly an hour away.
04:17An hour?
04:17Yes, a little.
04:18It can't be.
04:19Yes, an hour.
04:20But don't worry.
04:22If you want to give up now, I understand.
04:24What? No, no, no, no.
04:25Give up? No.
04:25I would never give up, boss.
04:27I'm just surprised how fast time has passed.
04:29But she's almost ready.
04:30Hold on, what do you mean she's almost ready?
04:32Yes.
04:33On the internet I found the manual of the original Mustang of 65.
04:36And it helped me with the problem.
04:38But now one thing is practice and another thing is theory.
04:40So let's see if it works.
04:41Will you accompany me? Let's see if it turns on.
04:49Damn it!
04:51What?
04:52Because you destroyed it.
04:53No, it's a song that I really like.
04:55It's from group 7.
05:00Please, Felix.
05:01Say yes, I beg you.
05:03You are my last hope.
05:05I'm going to try to kiss you?
05:06Yes, but only on the cheek.
05:08And the makeup, the clothes, all those things?
05:10No, no, no, no.
05:11Don't worry about anything.
05:11I take care of all the production.
05:13You just have to confirm that you will do it.
05:15Tell me yes, please.
05:16I beg you, Felix, please.
05:17Turn everything around that one has to do for friends.
05:21You see?
05:22Thank you, Felix. You are a good friend.
05:24Yes, I'm a good friend.
05:26And I hope you are also a good friend.
05:30I don't understand. What do you mean?
05:32What do you mean you won't understand what I mean, Titos?
05:37Are you going to charge me?
05:38Even if it's something symbolic, man.
05:41Yeah, yeah, yeah.
05:43I'll buy you a box of beers, but you drink them with me.
05:45Deal done, Titos.
05:46That's it! Good, good, good.
05:48Well, what would you like to be called?
05:50Well, I've always liked the name Juan.
05:52Fanny?
05:54Yes, no, but not Fanny. Juan.
05:56Fanny, then.
05:58Ah, yes, well, whatever you want. Juan.
06:00Yes, Fanny, Fanny.
06:06Oh my God.
06:08Why did I listen to Maripaz? What a shame.
06:10I got carried away.
06:12Who could that girl who is dating Tito be?
06:14Is she as pretty as she says
06:16or did she say it just to impress me?
06:22Oh, Lorena.
06:24I'd better go pick up Maripaz from school.
06:28Son of a bitch!
06:30I haven't seen Romina crying around here.
06:32I'm the one who's going to cry.
06:34And you too.
06:36Why?
06:38Really good.
06:40I told you, man.
06:42Lucia fixed the car.
06:44I think you can give me a 2x3.
06:46I believe it and I see it.
06:48Now what do you want to do to make it happen?
06:50I don't know.
06:52But I can think of something.
06:54Hey, man.
06:56Hey, man.
06:58What are you doing here?
07:00Do you want your soup or what?
07:02No, I want a couple of menus to take.
07:04You know.
07:06You're my older brother.
07:08I'm going to my house.
07:10Hey, young man.
07:12What's going on?
07:14Ma'am, these wontons don't have filling.
07:16What do you mean it doesn't have filling?
07:18If I haven't filled it myself, I put a lot of chicken
07:20and a lot of prawns.
07:22I'm the pineapple from here in Chifa that doesn't have filling.
07:24You call yourself pineapple?
07:26I'm pineapple.
07:28Since I'm pineapple,
07:30I'm not going to pay for those wontons filled with air.
07:32I'm leaving, ma'am.
07:34I'm not going to pay.
07:36Calm down.
07:38Calm down.
07:40Calm down.
07:42Next week.
07:46What's going on?
07:48Do you have a car?
07:50Yes, but an old one.
07:52Okay.
07:54I can do maintenance for you for free.
07:56Can I?
07:58But first, I need you to do me a favor.
08:00What favor?
08:02It must be the mayor.
08:04You know, you don't have to tell him
08:06anything about our wedding date for lunch.
08:08Don't worry, ma'am. I'm very discreet.
08:12I'm coming.
08:20We're here for the pre-marital municipal meeting.
08:24I'm sorry,
08:26but you must have gotten confused.
08:28No.
08:30I wrote down the address the mayor gave us.
08:32Yes, and we thought
08:34it was also a confusion,
08:36but the address is corroborated there.
08:40Look,
08:42I still have to see this asshole.
08:46What are these people doing here, Antonia?
08:48They say the mayor invited them.
08:50Well, then we have to let them in
08:52before the mayor arrives.
08:54Good afternoon.
08:56It seems that we are all
08:58ready for the meeting.
09:00Well, come in.
09:02Please.
09:14Ready, Felix. You can go out now.
09:20How do I look?
09:22Very good.
09:24Very good.
09:26I think you could confuse anyone, right?
09:28Well, the thing is to confuse Lorena.
09:30That's the important thing.
09:32Yes, yes, and you're going to do it very well.
09:34Look, Lorena and Maripaz
09:36will arrive at any time,
09:38but in the meantime, we're rehearsing your walk, okay?
09:40Come on, take my arm.
09:42So that everything comes out perfect.
09:46How are you? How do you feel?
09:48Well, yes, the shoes don't bother me.
09:50Okay, but we have to do something with your walk.
09:52You have to contour your hips a little more,
09:54like Tere does.
09:56Oh, well, let's see how it goes.
10:02Hi, Tito.
10:04Dad?
10:06Is that you?
10:18That rice with chicken has stuck in my tooth.
10:20Have you already had lunch?
10:22Yes, with the menu on the corner.
10:24No, that menu is fine.
10:26If you want to eat good, you have to go to Chifa Yin Yong.
10:28Or Uncle Toño's menu.
10:30Those are good ones.
10:32I didn't know. Have you eaten yet?
10:34I'm waiting for Joel to come, but he's taking too long.
10:36He's going to bring the menu.
10:38There he is.
10:40Hey, Gaspar.
10:42Excuse me, but I got distracted there at Chifa.
10:44There was a huge queue.
10:46And you got distracted with the queue.
10:48Oh, too much.
10:50But look, you already had lunch, I guess, right?
10:52I brought some soup for us.
10:54Yes, yes, yes, I'm with the tank full.
10:56Yes, sure.
10:58So you take care of the workshop.
11:00We're going to do the picnic here.
11:02Yes, of course, but we're going to eat.
11:04Yes, yes, yes, that's fine. I'll take care of it, Dad.
11:06Don't worry.
11:22Good afternoon.
11:24I'm Mrs. Li.
11:26I want you to pay for my dog that is failing.
11:28It turns off by itself.
11:30Oh, yes. Since when is it turning off?
11:32Oh, it's been years.
11:34Give it to me quickly.
11:36I'm going to buy a new one.
11:38Hurry up, hurry up, hurry up.
11:40I'm going to check it.
11:42Hurry up.
11:52How beautiful.
12:12What a beautiful color of harvest.
12:14And those tears that form
12:16on the outline of the cup
12:18are perfect.
12:20They are amazing, Mayor.
12:22The violaceo is typical of our
12:24best morapios.
12:26The wines that we have
12:28tried are lighter.
12:30Right, cutie?
12:32Yes, they are more pinkish.
12:34Pinkish? So have you tried a rose?
12:36No, bourgogne.
12:38And what do you say about the aroma,
12:40Rolando?
12:42In the nose
12:44you can perceive all the
12:46fruits of the harvest.
12:48You can feel
12:50the barrique of French oak.
12:52In the mouth there is an explosion
12:54of incredible flavors.
12:56Enduring, they stay under
12:58the taste buds, intensifying
13:00the flavor. The morapio comes out,
13:02goes up, fascinating, unique.
13:04How ugly it tastes.
13:06Yes, me too.
13:08I agree that I don't like it
13:10much. I prefer
13:12a little cheese.
13:14What does the donkey
13:16eat?
13:18Well,
13:20I would like to start this meeting
13:22thanking Mrs. Antonia
13:24for so much hospitality.
13:26You have nothing
13:28to thank, Mr. Mayor.
13:30For me it is an honor
13:32to offer my home for this
13:34great event. Thank you,
13:36Mrs. Antonia. And I take this opportunity
13:38to congratulate you and your partner
13:40because they are the proof
13:42that love at the third age
13:44is possible.
13:52And you two young people
13:54are the best example that love
13:56does not know of races or
13:58socio-cultural contexts.
14:00I applaud your decision
14:02to marry
14:04regardless of what they say.
14:06Sorry,
14:08Rolando.
14:10I think you're getting confused.
14:12No. Yes.
14:14I'm not going to marry
14:16that old decrepit.
14:18Oh, no?
14:20No.
14:22My boyfriend is the
14:24attractive young man
14:26here.
14:28The fake teacher
14:30is going to marry the pretty Titanic?
14:32Oh, no.
14:34Calm down.
14:36No.
14:42Compadre,
14:44¿qué haces vestido así?
14:46Siendo tu mejor amigo deslocao, ¿no, compadre?
14:48Ah, pero veo que ya te conseguiste otra.
14:50¿Cómo que otra? Oye, yo soy la oficial.
14:52¿Qué pasa?
14:54¿Jueles con Ejo eres tú?
14:56Sí. Digo, no. Soy Juani con Ewe.
14:58Sí, sí. No, es que, compadre, tú te negaste.
15:00Pero al final estoy aquí para ayudarte.
15:02¿No te parece que tengo algo de mérito, compadre?
15:04No, no. Sí, sí. Bueno, no sé.
15:06Estoy confundido.
15:08Ahí viene Lorena con Maripaz. Ahí vienen.
15:10¿Qué hacemos ahora?
15:12¿Seguimos con el plan?
15:14Sí, sí. Ya sé. No volte. Pásate para acá.
15:16Vamos a hacerlo tal cual lo hemos planeado, ¿ya?
15:18¿Y yo qué hago?
15:20No, no. Tú eres la amiga de mi flaca.
15:22Ah, ya, ya.
15:28¿Quiénes son esas dos mujeres
15:30con las que está Tito?
15:32Creo que una de ellas
15:34es la novia de Tito.
15:36¿Su novia? ¿Tito tiene novia?
15:38Sí. Al parecer, todavía no han oficializado.
15:40Se están conociendo.
15:42¿Pero eso significa que Tito
15:44no está enamorado de ti?
15:46¡No! Y me hiciste pasar la vergüenza del siglo.
15:48Yo diciéndole que se olvide de mí
15:50y él interesado en otra.
15:52Bueno, pero es que yo me había dado cuenta, te lo juro.
15:54Y no solamente yo. Valentino también se había dado cuenta.
15:56Mira, ni me hables de ese chico, ya que por su culpa
15:58la fregué con Tito.
16:00Ya, ya. Ahora, Félix, dame las manos. Dame las manos.
16:02¿Dame las manos? Sí, sí, ya. Las manos.
16:04Sí, enamorado. Ahora dame un beso.
16:06¿Un beso? ¿Ahorita? Sí, ahorita.
16:08Dame un beso. Dame un beso.
16:12¡Otro!
16:14¿Y yo qué hago? ¿Y yo qué hago?
16:16Nada, nada. Caminemos, caminemos.
16:18¿Esa debe ser la novia de Tito?
16:20¿Ella? ¿Y la otra quién es?
16:22No sé.
16:24Seguramente una amiga que le van a presentar a Pepe.
16:26Supongo.
16:28Se ven simpáticas.
16:30Bueno, son como que...
16:32exuberantes, ¿no?
16:34No, no.
16:36No, no.
16:38No, no.
16:40No, no.
16:42No, no.
16:44No, no.
16:46Son como que... exuberantes, ¿no?
16:48¿Cómo serán de cara?
16:50No sé, no se les ve.
16:52Bueno, ya vamos a tener oportunidad de conocer a la chica de Tito.
16:56Ma, ya vamos a almorzarte en nombre.
16:58Sí, sí. Te sirvo.
17:00Vamos.
17:16¡Lo logramos!
17:18Lorena y Maipá se convieron en el cuento.
17:20¡Bien, Félix!
17:22¿Y yo estoy pintado?
17:24No, no, no, no.
17:26Claro que no, compadre.
17:28Gracias a ti todo esto resultó mucho más verosímil.
17:30De verdad, gracias, muchachos.
17:32Ahora ayudaron.
17:34Tito, ¿ya me puedo cambiar? Porque ahora sí me está tocando.
17:36Sí, sí, claro que sí.
17:38Ya después nos juntamos en un rato para tomarnos ese junca que te prometía.
17:40¡Félix!
17:42¡Pero antes, antes!
17:44Cuidado con estarme cambiando las piezas, ¿ah?
17:46O desajustar cualquier tuerca para que le acoblarme más.
17:48¿Cómo dices, señora?
17:50Sí, pero es que ya te conozco, muchachita.
17:52Cuando tú estás de ida y yo ya en la iglesia.
17:54Uy, no, señora.
17:56Usted se está equivocando conmigo.
17:58Yo no soy ninguna aprovechadora.
18:00No, si se te nota la cala que tienes, cala de aprovechadora, ¿qué?
18:02¿Cómo se nota que usted varias veces le han fallado
18:04y por eso no confía?
18:06Pero ¿sabe qué, señora Lee?
18:08A mí no me gusta la cala de aprovechadora.
18:10¿Qué?
18:12Pero ¿sabe qué, señora Lee?
18:14Dejé de demostrarle que todavía hay personas
18:16honestas, honradas y bien legales.
18:18Ya, pero es que la palabra legal y mecánico
18:20no combinan.
18:22Ay, ese es un prejuicio bien feo.
18:24Ya, ya, apúlate nomás, mamita.
18:26Ya que tengo que ir rápido a comprar mis velulas.
18:28Yo voy a trabajar, señora Lee, si usted me lo permite.
18:30¿Está bien?
18:32Porque yo quiero que este carrito quede bien.
18:34Porque quiero que vaya a comprar esas verduritas
18:36al mercado y pueda hacer esos platos deliciosos
18:38que me han dicho que hay en Suchifa.
18:40Gracias, chiquita. ¿Cuál es tu nombre?
18:42Yo soy Romina.
18:44Me cae bien.
18:46Ya, te voy a dejar trabajar tranquila.
18:48Gracias por su confianza.
18:54Oye, Juan.
18:56¿No que la tía Lee iba a hacer llorar a Romina?
18:58Se suponía, en eso quedamos.
19:00Pero mírala, mírala, son dos amigas
19:02de infancia, dos pinkies.
19:04No, de eso me encargo yo un ratito.
19:06Señora Lee.
19:08Señora Lee.
19:10One moment, please.
19:12Un ratito.
19:14¿Qué pasa, Cala de Pez?
19:16¿Qué está haciendo con Romina?
19:18Se supone que tenía que hostigarla, molestarla
19:20para que ella renuncie y yo así le haga
19:22todo el mantenimiento, arreglarle el carro gratis.
19:24No, es que me cae bien la Luminita.
19:26A mí la pez.
19:28Además, ella quiere que mi calo
19:30quede en perfectas condiciones.
19:32No, no, pero no se preocupe.
19:34Eso me iba a encargar yo, yo lo iba a arreglar.
19:36No, Pepe, ella es mejor que tú, Pepe.
19:38¿Cómo lo dice?
19:39Claro, Pepe, ella es mejor que tú.
19:41No, no, no, señora Lee, yo sé cómo avanzar la leyenda.
19:43Ay, a lo boco y suso.
19:45¿Qué pasa?
19:47No, no, no, pero no se preocupe, yo lo voy a hacer.
19:49No, ya, yo quiero que ella me lo haga
19:51porque ella es mejor que tú, ¿ya?
19:53Entonces yo le voy a cobrar por la reparación, ¿no?
19:55Corre, Pepe, corre, Pepe.
19:57Total, para eso yo trabajo y tengo mi plata ahí.
19:59A mí que me importa que me jure.
20:01¡Pepita, pepita! ¡Cállate! ¡Le estoy leyendo a los!
20:03Ya, ya, ya, ya, ya.
20:05Hola.
20:30Hoy estuvo mejor.
20:32Ah, sí, es el boca a boca, papá.
20:34Exacto.
20:36Hija, hay un tema importante del que quiero hablarte.
20:41¿Qué pasa? ¿Por qué tan serio?
20:44Porque es un tema muy delicado.
20:48Ok, te escucho.
20:50Bueno, tú siempre me has reclamado
20:55por no haberte dado las mismas oportunidades que a tu hermano.
20:58Ay, papá, eso ya no importa, ya pasó.
21:01Claro, ya pasó, pero yo quiero reivindicarme de alguna manera
21:07y por eso te hago entrega de esto.
21:12¿Qué es esto?
21:14Ábrelo y verás.
21:32Papá, ¿es esta broma?
21:35No, no es broma.
21:37Ya hice el pago de la matrícula, ya compré los boletos de avión,
21:40sales esta misma noche.
21:42Viajo hoy a París.
21:44A estudiar un diplomado en la mejor escuela de esa ciudad.
21:47No puedo creerlo, papá, esto es un sueño hecho realidad.
21:50Y tú mereces lograr todos tus sueños
21:52y mientras yo pueda hacer algo para que lo logres,
21:54ahí estaré.
21:56Gracias.
21:58Ya, ya, ya, no hay tiempo.
22:00Sí, sí, sí, no hay tiempo que perder,
22:02te vas, te vas, anda lista tus cosas.
22:04Sí, sí, sí, no sé si lo tengo que contar a todo el mundo,
22:06a Cristóbal, a Jimmy, a Macarena, voy a llamar a Macarena.
22:09Sí, sí, a Macarena.
22:10No, no, rápido, anda lista tus cosas que sales esta noche.
22:13No, pero papá, tengo que hacer un montón de cosas
22:15aquí en Lima y en el restaurante.
22:17Está tranquila, ya hablé con Francesca,
22:20ya hablé con Francesca y está totalmente de acuerdo
22:22que te vayas a estudiar a la mejor escuela, Alta Cocina.
22:25Ay, no puedo creerlo, gracias.
22:27Ya, anda, corre, que sale el avión.
22:30Sí, ya voy, gracias, gracias.
22:47Y esta fue la charla prematrimonial
22:49por parte de la Alcaldía de las Nuevas Lomas.
22:52Gracias.
22:57Señor Alcalde, quisiera aprovechar que estamos
23:00todos reunidos para pedirle un pequeño favor.
23:03Dígame, señora Antonia.
23:04Sí, quisiera que me ayudara a encontrar una fecha próxima
23:08para casarme con Xavi.
23:10Es que, verá, él necesita regularizar
23:14sus papeles de extranjería.
23:16Señor Alcalde.
23:17Y yo lo amo mucho.
23:19Y no quisiera que volviese a encontrarse
23:22en estas situaciones.
23:24Justo eso es lo que quería decirle.
23:25Nos amamos muchísimo, es un amor que se va fortaleciendo
23:28día a día, minuto a minuto.
23:30Segundo a segundo, ¿verdad?
23:35Sí, no vemos la hora de ser marido y mujer.
23:40Señora Antonia, señor Sanz, no se preocupen
23:43que ni bien llego a la municipalidad,
23:45voy a ver el cronograma del mes
23:47y me pongo en contacto con ustedes.
23:49Muchas gracias, señor Alcalde.
23:50Ahora, con su permiso, tengo que retirarme
23:52porque tengo que ir a inaugurar
23:54un centro comercial pet friendly.
23:57Perfecto, a cumplir su deber, alcalde.
24:00Buenas tardes con todos y no se olviden,
24:02me lanzo para la reelección.
24:05Hasta luego.
24:06Muy bien.
24:07Hasta luego.
24:09Chao.
24:10Chao.
24:15¿Y ustedes qué esperan?
24:18¿Para qué?
24:19Para retirarse.
24:22Hay algunas cosas que nosotros tenemos que referir
24:26acerca de su prometido.
24:28Por favor.
24:29La abuelita del Titanic tiene que saber,
24:31digo, la señora Antonia tiene que saber
24:33de nuestra boca todo lo que pasó.
24:36En primer lugar,
24:38no sé de dónde sacaste ese apelativo tan ofensivo
24:41para dirigirte a mí.
24:44Y en segundo lugar,
24:46no hay nada que me digan que yo ya no sé
24:49de mi gatito.
24:51¿Su gatito?
24:52Sí, así me llama cariñosamente.
24:54¿Y usted sabe por qué hemos tratado
24:56de lynchar varias veces a su gatito?
24:58Sí, lo sé.
25:00Y no me importa.
25:03¿Y qué esperan?
25:05Yo los dejé quedarse solo para no molestar al señor alcalde.
25:08Vámonos, tortolitos.
25:11Dios los cría y ellos se juntan.
25:16¿Habrás visto?
25:18Abuelita del Titanic.
25:20Pero si yo puedo ser Rose.
25:22Es que Rose es la abuelita del Titanic.
25:25¿Qué?
25:26Perdón, perdón, perdón.
25:27¿Qué estaría pensando?
25:29Mía.
25:36Ahora sí estoy seguro
25:38que el tiempo y la distancia harán su trabajo
25:41y terminarán con esa estúpida relación.
25:44No sé para qué nos hizo esa charla
25:46si solamente nos dijo que teníamos que pagar
25:48para hacer los requisitos,
25:49como si no lo supiéramos.
25:51A mí lo que me sorprende
25:53es que se pueda adelantar la fecha de la boda
25:56de manera tan rapidita.
25:58¿Deberíamos hacer lo mismo que la mamá Montalbán
26:01con el churro este de porquería?
26:03Perdón, pasaba por aquí
26:05y no pude evitar escucharlos.
26:07¿Qué hizo mi mamá con el gigolo español ese?
26:10Adelantaron su matrimonio.
26:13Ay, se van a casar prontito, prontito.
26:29Aló, Alessia.
26:30Jimmy, no sabes lo que me acaba de pasar.
26:32¿Estuvo bueno o malo?
26:33¡Buenísimo!
26:34Hasta ahora no logro asimilarlo.
26:35¿Qué pasó?
26:36Mi papá me regaló un diplomado
26:38en l'Ecole Toucasse de Paris.
26:40¿Qué es eso?
26:41Es una de las escuelas de cocina
26:43más prestigiosas de toda Francia.
26:45Ah, ya sabía.
26:48¿Entonces qué?
26:49¿Te tenés que ir a París?
26:51Sí.
26:52Es más, salgo hoy mismo para allá.
26:55¿Te vas así de un momento a otro?
26:57Estaría loca si no me fuera.
26:59Esta es una súper oportunidad para mí.
27:01Por eso te llamé.
27:02Pensé que te alegrarías.
27:03Sí, estoy alegre por ti,
27:05pero igual me siento un poco conflictuado.
27:08Mucha información de un momento a otro.
27:10Se me pasaba la voz.
27:12No había una manera de acompañarte.
27:14No sé, me dio un riñón y me iba contigo.
27:16Yo también me acabo de enterar.
27:17Era un regalo que mi papá tenía guardado.
27:19¿Y cuánto tiempo dura ese diplomado?
27:21Una semana.
27:22Ah.
27:23Mi amor, una semana se pasa al toque.
27:25Puede ser.
27:27Igual no entiendo cómo podés estar tan tranquila.
27:30No estoy tranquila.
27:32Me muero de nervios.
27:33Pero esta es una súper oportunidad y la quiero aprovechar.
27:36Jimmy, si te llamé no fue para pelear.
27:38Fue para alegrarnos por esta noticia.
27:45¿Jimmy?
27:46¿Estás ahí?
27:49¿Jimmy?
27:50¿Jimmy?
27:55¿Pero qué le pasa?
28:00¿Qué le pasa?
28:07Listo, señora.
28:10Su auto quedó en perfectas condiciones.
28:12Ya está para que vaya al mercado a comprar sus verduritas.
28:14Muchas gracias, Lominita.
28:16Él es la mejor.
28:17Aquí te doy el dinero del afinamiento.
28:19Ah, gracias.
28:20Y una plopinita por ser buena mecánica.
28:23Uy, muchas gracias.
28:24Y te voy a legaler un malet para que vayas a tomar tu sopa guau guau
28:27y un malopuerto pienta y pa.
28:29Buenazo, señora Lee. Muchas gracias.
28:31Gracias, Lomina. Voy a volver siempre.
28:33Pero tú me atiendes, ¿ya?
28:34Ya.
28:35Chao.
28:39Aquí está el billete del afinamiento.
28:43Gracias.
28:45Joel.
28:55¿Por qué me haces esto, Joel?
28:56¿Qué cosa?
28:57¿Quieres que renuncie y me vaya?
29:00Primero me haces lidiar con una clienta difícil.
29:02Me pones ese auto clásico para arreglar en tres horas.
29:05¿Qué pasa?
29:06Bueno, esas son cosas que pasan en un taller.
29:08Si o no, tú debes saberlo.
29:09No, no, no. Esas son cosas que tú estás haciendo que pasen.
29:11¿De qué tienes miedo?
29:13Miedo, dice.
29:14Miedo yo. Yo no tengo miedo de nada.
29:16¿Ah, sí?
29:17Ahora que lo mencionas,
29:20¿sabes lo que pienso?
29:22Que tú eres un acerrucho.
29:24Claro.
29:25Te querés quedar con todos los clientes.
29:26¿Qué?
29:27¿Sí o no?
29:28Claro, por eso los tratas bonito.
29:29Hazte ver. ¿Qué te pasa?
29:31Por eso los tratas bonito.
29:32Por aquí, por allá, te los ganas.
29:33Y después a mí, zaz, me duele la cabeza y te los llevas.
29:36Tú estás mal.
29:37Si yo los trato bien es porque es mi manera de ser,
29:39no por lo que estás pensando.
29:41No te creo ni una palabra.
29:43Mira, Joel.
29:44Si tú querés que renuncie, solamente dime y ya está.
29:47Pero antes te voy a aclarar una cosa.
29:48Si yo trato bien a los clientes,
29:50si estoy haciendo bien mi trabajo,
29:52si me estoy esforzando por hacer todas las tareas que tú me encomiendas,
29:55es porque me interesa quedarme aquí.
29:57Y luego pedirte un aumento de sueldo.
29:58No por todo lo que estás pensando.
30:00Es por trabajar nada más.
30:01Quiero trabajar bien.
30:02Nada de serrucho, serrucho.
30:04Ese es mi canción, por si acaso.
30:06¿Ah, sí?
30:07No sabía.
30:09¿Entonces qué?
30:11¿No querés serrucharme?
30:12Yo solo quiero trabajar.
30:19Bueno, Romina.
30:22Perdóname.
30:24Es que...
30:26Es que eres tan buena mecánica que...
30:28Cualquiera duda pide.
30:29Ya.
30:32Entonces...
30:34¿Todo bien? ¿Trabajo?
30:36¿Me vas a dejar trabajar?
30:39Sí, está bien.
30:40¿Sí?
30:41Puedes quedarte.
30:42Ok.
30:44Gracias.
30:51No debí tratarla así.
30:55Me molesta que no me considere.
30:59Creen que estemos distanciados, pero...
31:02No era para distanciarnos tanto.
31:09Jimmy, ¿podemos hablar?
31:12¿De qué quieres hablar si ya tomaste tu decisión?
31:14No me quiero ir a París peleada contigo.
31:16Entonces no te vayas y arreglemos las cosas.
31:19¿Por qué mejor no arreglamos las cosas y así me puedo ir a cumplir un sueño?
31:26Tengo mucho miedo de que te vayas, mi amor.
31:28Mi amor, no tengas miedo.
31:30Yo te amo.
31:32Si me amas, entonces espérame a que pueda arreglar las cosas y así yo te acompaño.
31:36Te acompaño a París y podemos visitar otras ciudades.
31:39Si pudieras acompañarme, yo voy a estudiar.
31:41No son vacaciones.
31:42Voy a estar ocupada todo el tiempo.
31:44Y las clases comienzan pasado mañana.
31:46Alicia, yo...
31:48Mi amor.
31:49Yo quiero...
31:50Mi amor, mi amor, mi amor.
31:51Mi papá está afuera.
31:53Me está esperando para ir al aeropuerto.
31:56¿Me acompañas?
31:58La señora Lee no está.
32:00Alguien tiene que quedarse a cuidar a Chifa.
32:04Bueno.
32:05Entonces despídete de mí.
32:06Aquí.
32:07Y bien.
32:09No me quiero ir con esta sensación horrible en el corazón.
32:24Que te vaya bien.
32:29Te llamaré cuando llegue.
32:35¡Alicia!
32:36¡Apúrate que vas a perder el vuelo!
32:38Chao.
32:53No hay en el mundo
32:55Nadie como ella
32:57Me tiene atrapado
32:59No lo puedo evitar
33:03Qué lindo sería disfrutar de los privilegios de ser una Maldini nuevamente.
33:09Aunque doña Francesca no quiere verme ni en pintura.
33:15Ya pasó un día.
33:20Quizá puedo probar suerte.
33:24¡Gonzalo!
33:25¿Dónde estás?
33:34¿Quién es?
33:35Claudio, soy yo, la Tere.
33:37Quiero hablar con doña Francesca.
33:39La señora Francesca no quiere verte ni en pintura.
33:42Retírate.
33:43Claudio, por favor.
33:46Tengo ordenes precisas de no permitir tu ingreso.
33:48Así que, por favor, no insistas.
33:53Claudio no me quiere abrir la puerta por celos.
33:56Pero yo estoy segura que en el fondo
33:59Doña Francesca quiere verme.
34:15Chao, amores.
34:16Cuidado.
34:17Entonces me voy a la reunión con mis amigas del colegio.
34:20Pero luego regreso.
34:21Así que, prepara el jacuzzi para la noche.
34:26Lo que tú digas, mi amor.
34:29Que tengas un buen día. Pásalo bien.
34:31Chao, bella bambina.
34:43¡Hey!
34:44¡Surcefrenillos!
34:45¡Que ya me enteré lo que quieres hacer!
34:47¿Quieres casarte con mi madre lo antes posible
34:49para tener el control de su dinero?
34:51¡Pero yo no lo voy a permitir!
34:53¡El ladrón piensa que todos son de su misma condición!
34:56¡Que no te enteras que tú eres peor que antamañanas!
34:59¡Mirá!
35:00Lo que tú pienses de mí, abrazafarolas, no me importa.
35:03¡Mirá! ¡Mirá!
35:04¡Andá a mirar al cine!
35:06¡Cállate boca chancho!
35:07¡Payaso! ¡Payaso!
35:08¿Todavía te atreves a mostrar tu cara acá por el barrio o no?
35:10¿No crees que me he olvidado lo que le has hecho a mi madre?
35:12Mirá, yo no le he hecho nada a Charo que ella no haya querido.
35:15¡Desgraciado! ¿Cómo dices?
35:17¿Cómo dices?
35:18¡Ven para acá!
35:21¡Payaso!
35:22Te voy a matar, vas a ver.
35:23Te voy a matar, te aviso.
35:25¡Manejate con juicio!
35:27¡Charo, ¿dónde vives?
35:28¡Pavazo!
35:31¡Irreal!
35:32¡Irreal!
35:35Creo que acabo de encontrar un aliado en esta batalla.
36:03No.
36:23¡Es ahora!
36:25¿No está Claudio?
36:26¿No está Peter?
36:27Creo que ahora sí me puedo encontrar con Doña Francesca.
36:32It's now... or never.
37:03What are you doing here?
37:06Mrs. Francesca, I'm here to apologize.
37:17Tito, hello.
37:19Hello, hello Lorena, how are you?
37:21I saw you yesterday with your friend, she's very nice.
37:24Yes, yes, she came to visit me, she missed me, so she came to see me.
37:30And it seems that things are going very well, right? Because I saw you holding hands and everything.
37:35Well, that's how I am, a romantic in Pedernigo.
37:39And why don't you make it official at once? Don't make the girl bored.
37:43No, no, no, I don't think she's bored. I'm a very funny guy.
37:48Yes, of course, you can't deny that you have your grace.
37:50Ah, thank you very much.
37:52And Tito, I had a crazy idea.
37:55Yes?
37:56What if we date?
37:57What?
37:58Of course, I go out with Max and you with your friend, what do you think?
38:15Tatuy, what are you doing here?
38:18I need you to help me with a little problem I have.
38:22Why are you doing here?
38:24Right now I put Claudio de Patitas on the street.
38:26No, he didn't notice. I enter hidden.
38:29Did you enter my house like a thief?
38:32I needed to be in front of you, Mrs. Francesca.
38:35You have to be very shameless to stand in front of me without your face falling out of shame.
38:40And I fall.
38:42I'm very sorry for everything I did, I'm very embarrassed.
38:45I really regret it.
38:46And I know that now the most harmed by all this situation is my son.
38:50Think about it before you make a mess in my room.
38:53I feel...
38:55I feel very bad mother.
38:58Well, you are.
39:02Mrs. Francesca.
39:04You have no authority
39:07to tell me that I am not a good mother.
39:10I do not allow you.
39:12I do not allow you to say that I am a bad mother.
39:14I do not allow you.
39:16You do not allow me?
39:18What does Mrs. Francesca not allow me?
39:20Tell her that Rafaela does not support her?
39:23That she did not stay at her house for five years because she felt alone?
39:28That her grandchildren never come to visit her because they do not miss her?
39:32Out of my house!
39:34It is true.
39:35I deeply regret what I did.
39:37Give free rein to my low passions.
39:39But you are not better than me for that.
39:41What's more,
39:42I would not pretend to be dead
39:44in front of my family for money.
39:49Although you and I
39:51deep down we do not look alike.
39:54We are both passionate women
39:58who bet for love, but
40:01I dodge both.
40:06I know that
40:08everything I did was very wrong.
40:11But that does not make me a bad woman.
40:14That does not make me a criminal.
40:16I am a woman of flesh and blood
40:19who laughs and also cries.
40:22And that I do not know if I am worse or better.
40:26I am just
40:29a simple and fragile
40:32dreamer.
40:34And the one who is free from sin
40:37who throws the first stone.
40:41Bon appétit!
41:04Well, then, if you agree,
41:06I'm going to call Max to tell him that this afternoon the four of us go out.
41:10Of course, of course, call him, call him, yes.
41:13What's your friend's name?
41:15Juani, I mean, Fanny.
41:16Ah, OK. Would you like the four of us?
41:19Yes, the four of us is perfect.
41:20So why don't you call her first?
41:21It's better for her not to make the four of us busy.
41:24You're right, you're right.
41:25I better ask her before,
41:26because with you women you never know.
41:28Tito, with you women,
41:30we men,
41:31you always have to be making the differences.
41:33Well, there are, right?
41:35Yes, of course there are.
41:36But I don't say with you men
41:37you men never know
41:38as if you had it all the time on the tip of your tongue.
41:40Well, Lorena, I'm an older man
41:41and I still drag the taras of my generation.
41:46That must be.
41:47Yes, that is, that is.
41:48Well, then you confirm me
41:50when you talk to Fanny to tell Max.
41:52Yes?
41:53Yes, yes, I'll let you know.
41:55I'm sure you will.
42:01I have to call Felix to invite him out.
42:08Do you want me to help you?
42:10Ratatouille, you and I are from different sides.
42:12Please, don't waste my time, man.
42:13No, no, no, no.
42:14But you and I have already met before
42:15to defeat a common enemy.
42:17Don't you remember?
42:18Well, the damn Mike
42:19was also looking for her a while ago.
42:21And he was really cool.
42:22Tremendous, tremendous.
42:23Back, back, back, back, back, back, back, back.
42:25I'm dying.
42:28Hold on.
42:29Are you sure you're counting on
42:31Franklin's fake, right?
42:32Sure, to make fun of me again, right?
42:34Who is Franklin?
42:35Joel, please help me.
42:36I also want to destroy Shabby Shantz.
42:38Why?
42:39Because he has a crush on your mother?
42:40Not only that.
42:41The fake teacher wants to marry
42:42the Titanic's grandmother.
42:44Oh, how good that feels.
42:46We have to get everything out
42:47like the spring.
42:49Now yes.
42:50The day begins.
42:53Now well.
42:56Oh, you want to get married?
43:00Count on me, Ratatouille.
43:05Yes.
43:08Pepe, at last.
43:09What's up, man?
43:10What's all this urgency?
43:11What do you have to tell me?
43:12Something terrible has happened.
43:13Don't scare me.
43:14Don Gil.
43:15Tochibula.
43:16No, no, no, no, no, no, no.
43:17Calm down, calm down.
43:18It's Lorena.
43:19She wants the four of us to go out.
43:20I mean, Lorena, Maxi,
43:21me and
43:23and Fanny.
43:25Hey, there's no funny.
43:26I'm sorry.
43:27I'm sorry, man.
43:28I don't know what to do.
43:29Well, gentleman, you have to go out
43:30with Fanny and that's it.
43:31You're going to stay.
43:32No, no, no, no.
43:33Seriously, man.
43:34You have to tell Lorena that
43:35Fanny is Felix,
43:36so you have to go out with him.
43:37Come on, gentleman.
43:38What are you going to do?
43:39No, no, no.
43:40Felix is going to get into more trouble.
43:41He's not going to want the four of us to go out.
43:42Hey, man,
43:43you have to take it from the side
43:44of the fool,
43:45of the faithful friend,
43:46of the feeling,
43:47the friend who never fails,
43:48out there.
43:49I'm already the Juanita.
43:50Don't ask me to do it again.
43:51I'll be right back.
43:52I beg you, Felix.
43:53No.
43:54Do you want me to kneel?
43:55Kneel.
43:56Please, Felix.
43:57Please.
43:58Hey, what are you doing, crazy?
43:59It looks like you're asking for my hand.
44:00Please, Felix.
44:05The old woman was very calm.
44:07We have to think of something,
44:08but the marriage is right now.
44:10Hey,
44:11why so much trouble?
44:12Don't tell me the Titanic's grandmother...
44:16My mother is not the Titanic's grandmother.
44:18Oh, well, it seems.
44:19What is this impresentable doing in my house?
44:21Old lady, how are you?
44:22Which of the two is impresentable
44:23are you referring to?
44:24To you, obviously.
44:25No, what's wrong with you?
44:26Why are you looking at this?
44:27Your presence in the house
44:28doesn't make me feel like I'm in a house where you are.
44:30I'm not in a house where I'm in a house where I'm not.
44:32No, no, no, what's wrong? Why are you looking at this?
44:34Your presence only brings problems.
44:36I already have enough.
44:38So go back to where you came from.
44:40Frachaca, I hate to have to remind you,
44:42but this is also my house and Joel is my guest.
44:44I don't want to suffer one more disgust.
44:49What was it? How are you going to get me out of here?
44:51What do you care?
44:52If you want, we can make a video too, right?
44:54What video?
44:55Hey, we have to find a way to destroy that cat with boots.
44:57Bamba!
44:58I pay with boots.
45:02Have you talked to your parents?
45:04Every day and they always ask about you.
45:06Are they okay?
45:08Yes, very good. In the farm with the animals.
45:10You already know them.
45:11Have they fixed their bed or are they still using yours?
45:13Hey!
45:14What? Don't break it.
45:16Yes, I remember.
45:25What's wrong?
45:26Nothing happens. Why?
45:30Do you wash my teeth before going out?
45:32I'm sure I have toothpaste flavor.
45:34No.
45:36You don't like me anymore?
45:38On the contrary, Joel.
45:40I like you so much that I don't want to be so close.
45:48And don't be bad either.
45:50Okay.
45:54What are you going to wear?
45:56Well, I don't know.
45:58I don't know. I haven't thought about it yet.
45:59You haven't thought about it?
46:01But you must be beautiful.
46:05Although...
46:08Although I don't know if more.
46:10I already have everything.
46:11Tomorrow we meet at the first hour where you already know.
46:13Change and out.
46:14Come on, Ratatouille. Change and out.
46:16We meet at 007.
46:19007? What is that?
46:21It's the same time.
46:22But are you healthy or not?
46:24It's the same time.
46:25Linda, I wanted to thank you.
46:28Thank me? Why?
46:30Because while I was blinded by changing the last name of my divine creature,
46:35you took the time to explain to him that
46:40the most important thing is the ties.
46:43I told your son that and that's fine?
46:46Why do you look at me like that?
46:48Because it seems strange to me that you just inaugurated the restaurant
46:50and you send your right hand to Paris.
46:52But it was a unique opportunity for him to forget Jimmy.
46:55Son, why do you always think the worst of me?
46:57I love you.
46:58I love you.