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00:00I have to call him Felix to invite him to go out.
00:04But if you and I have already met before to defeat a common enemy.
00:08Don't you remember?
00:09Well, the evil Mike was also looking for it a while ago.
00:11Yes, but it was good for nothing.
00:13Tremendous, tremendous idea.
00:14Back, back, back, back, back, back, back.
00:16I die.
00:19Joel, please help me.
00:20I also want to destroy Shabby Shadows.
00:22Why? Because he has an affair with your wife?
00:24Not only that, the lying teacher wants to marry the Titanic grandmother.
00:28You have no authority.
00:31To tell me that I am not a good mother.
00:34I do not allow you.
00:36Does not allow me?
00:38What does not allow me, Mrs. Francesca?
00:40Tell her that Rafaela does not support her?
00:43That she did not stay at her house for five years because she felt alone?
00:48That her grandchildren never come to visit her because they do not miss her?
00:52Well, you can't tell Lorena that Fanny is Felix.
00:55So you have to go out with him.
00:56No more gentlemen, what are you going to do?
00:57No, no, no.
00:58He's going to get in trouble.
00:59What's more, he's not going to want the four of us to get out.
01:01Hey, buddy, you have to take it on the side of the fool,
01:03of the faithful friend, of the feeling,
01:06the friend who never fails.
01:07Out there.
01:08I'm Juanita.
01:09Do not ask me to do it again.
01:11I beg you, Felix.
01:12No.
01:14You do not like it anymore?
01:16On the contrary, Julie.
01:17I like you so much that I do not want to be so close.
01:21Oh.
01:26And do not be bad either.
01:28Okay.
01:37You're always doing something, right?
01:40If I don't keep busy, I go crazy.
01:44And all your life you have worked?
01:46Yes, since I was a girl.
01:48I have always liked to be independent,
01:50buy my things, go out with my friends, go on trips.
01:53And well, when I got pregnant and decided to have my baby,
01:56with greater reason.
01:59And you never thought of telling Tito?
02:04You know what?
02:05I didn't even think about it.
02:07Also,
02:08at that time,
02:09where was I going to find him?
02:12He probably didn't even remember my face.
02:13What was I going to do?
02:14Tell him,
02:15Hi Tito, how are you?
02:16Do you remember me?
02:17I'm pregnant with a son of yours.
02:19It's true.
02:20It would not have been very strong news for Tito.
02:22Also,
02:2316 years ago Tito was a complete idiot.
02:26Well, I don't know what he was like 16 years ago,
02:28but
02:30now he took the news very well, he even surprised me.
02:33Tito has changed for the better.
02:35He is also at an age
02:37where Tito wanted to be a father,
02:39and Maria Paz appeared.
02:41That's crazy, right?
02:42Also Pepe,
02:43both of them.
02:44I mean, I see them,
02:46older,
02:47almost, well, no,
02:48the night is coming, finished,
02:50alone, right?
02:52Pepe is alone.
02:53But isn't he with the daughter of Maldini?
02:55Yes, but it is a love at a distance.
02:57Look,
02:58Pepe is here,
02:59she is there,
03:00neither of them wants,
03:01Pepe doesn't want to see her,
03:02she doesn't want to come, that's it.
03:04Yes, it's a bit difficult for a story like that to prosper.
03:07And Junior's father?
03:08Oh, that one did fall like a bomb, everything.
03:10He wasn't ready to be a father.
03:14But were they in love?
03:15Yes.
03:16He even proposed to me.
03:18But he was forcing himself on that,
03:19and I didn't want to form a home like that.
03:21No, of course, I understand you.
03:22Yes.
03:23And then the plane he worked on
03:25fell in the cell.
03:26What? He died?
03:27No, that one is going to die.
03:29But that's a long story to tell.
03:31Well,
03:32now he gives me pension for my Richard Junior,
03:34from time to time,
03:35and not always so much,
03:37but he still helps.
03:38And on weekends,
03:39he also takes care of my child.
03:41But that's a tranquility.
03:42I tell you from my experience,
03:44since Tito appeared in our lives as Maripaz's father,
03:47I feel,
03:48I don't know,
03:49calmer,
03:50safer,
03:51especially after Francesca Maldini
03:53left me on the street.
03:54Oh, to talk about her.
03:55At that moment I went to look for her,
03:57to put the dots on the ashes,
03:58to tell her what was happening to me.
03:59Look, I know I messed up.
04:01I messed up the four, really.
04:02But,
04:03there was no right for me to be treated as I am now.
04:05So at that moment,
04:06I took my dignity,
04:07because I knew that
04:08I have to be good for my son.
04:10And that's it.
04:11The story is over.
04:12I have no idea what happened,
04:14but I'm with you.
04:15Thank you, girl.
04:16Oh, Tere.
04:17Thank you.
04:18Oh, how beautiful you are.
04:19Oh, thank you.
04:20How beautiful you are here.
04:34Ready!
04:35It's done.
04:37Come on, my Rock!
04:38That's it.
04:39Lucia!
04:40I'm always here.
04:42Hey, that drawer!
04:43Get out, Pechito.
04:44I don't believe you.
04:45Can you touch it?
04:46No, no, no.
04:47I have it in the oven.
04:48Well, it's Romina's turn.
04:49What do you ask?
04:50Let's see a demonstration.
04:51Speak well.
04:52Do you know how to dance?
04:53Yes.
04:54Do you do Mutito?
04:55I don't know how to dance.
04:56Don't challenge me.
04:57Don't challenge me.
04:58I'm not good at it.
04:59Let's see.
05:00Five, six, seven, eight,
05:01so that nobody knows what we are.
05:02Oh,
05:03that's just for us.
05:04Oh, oh, oh.
05:05Let's see, let's see.
05:06Oh, oh, oh.
05:07Oh, oh, oh.
05:08Oh, oh, oh.
05:09Oh, oh, oh.
05:10Oh, oh, oh.
05:11Oh, oh, oh.
05:12Oh, oh, oh.
05:13Oh, oh, oh.
05:14Oh, oh, oh.
05:15Give me the diamonds, the diamonds.
05:16Give it.
05:17Look at the camera.
05:18The camera's coming.
05:19Ah!
05:20Take it.
05:21Let's see another little thing.
05:22Look at this.
05:23Eh, eh, eh.
05:24Beautiful.
05:25So beautiful.
05:26Are you everybody in recess?
05:27Excuse me boss.
05:28You know we always強er him with its music
05:29from time to time, don't you?
05:30Yes, all the time.
05:31Of course.
05:32So you don't distract me.
05:33Is it new?
05:34But angrily, I trust you.
05:36No, my bad.
05:38Why are you like this with me?
05:40You're my lawyer
05:41You're crazy.
05:42You're crazy.
05:43You're crazy I tell you.
05:44And don't disallow me, I'm just telling you, eh.
05:48I'm going to change.
05:49Already.
05:50Little ones, little ones, little ones.
05:53Hey, I'm listening, eh.
05:54Already, already, already, already.
05:56It's over.
05:57Hey, what happened to your girl?
05:59Did they fix it?
06:00Nothing.
06:01No?
06:02What are you doing, my Teresita?
06:08Oh, I miss my Gaspi so much.
06:11Well, it's not my Gaspi anymore.
06:14But it will always be my love.
06:18Olinda!
06:21Teresita, are you calling me?
06:23Yes, could you come for a little while, please?
06:32I'm ready for the suitcase, as they say.
06:37What happened?
06:39Olinda, I wanted to thank you.
06:42Thank me? Why?
06:46Because while I was blinded by changing the last name to my divine creature,
06:51you took the time to explain to her that
06:56the most important thing is the ties,
06:58not the last name,
07:00not the place where we are,
07:03but that the ties will always have us together as a family.
07:07Yes, I told your son that.
07:10And is that okay?
07:12Of course it is.
07:15Now I approached him and asked how he felt
07:18that we were not going to live there anymore,
07:20that he was not going to have the last name Maldini.
07:23He told me he didn't care and he kept playing.
07:27How nice.
07:28I'm very happy.
07:30And I thank you
07:33for the affection
07:34and the fear
07:36you had when you spoke to my son.
07:39I only said what I felt.
07:42Because even if you think I'm an interested woman,
07:45for me the only important thing,
07:48and above all the material,
07:50are the affections.
07:54The human group I knew in this house will have their defects,
07:58but they love each other.
08:01And they are a handful when they mess with one of you.
08:06Yes.
08:08My family is unique.
08:14Well, I'd better go to the winery.
08:16Your dad must be thinking it's weird
08:19that I took so long to go to the bathroom.
08:23Excuse me.
08:30Lore,
08:31why did you come up with this date with Tito and his girlfriend?
08:34Because I think it's important for the four of us to meet, right?
08:38Well.
08:41And does Tito and his girlfriend take it seriously?
08:44I would think so.
08:45The other day I saw them there at his house
08:47and he was with her and with another girl.
08:50With another girl?
08:52Well, it seems that Tito is not one of those who takes things seriously, right?
08:56Well,
08:57in his favor, I must say that he is making a great effort to be a good father
09:00and he is achieving it.
09:01Oh, damn.
09:02How do you defend him?
09:04To Caesar what is Caesar.
09:07Speaking of Caesar, there comes all Rome, look.
09:17Hello, hello.
09:18Hello.
09:19How are you?
09:20I think you already know each other, right?
09:21Well, I've seen him around the house.
09:23Yes.
09:24Fanny, this is Maximiliana.
09:26Hello, Fanny, how are you? Nice to meet you.
09:28Maxi.
09:29How are you, Maxi? I am Fanny.
09:31How beautiful.
09:32Fanny.
09:33But sit down.
09:34Yes, of course.
09:35Fanny, please.
09:36Let's see.
09:43What do you want to order?
09:45Well, I would like a bread with chicharrón, with your onion and a canjuecito.
09:51Damn, what a good appetite.
09:53Yes, that's what I just had lunch.
09:55It's just that I don't care about taking care of Lydia and those things.
09:58I trust my sex appeal.
10:00No, no, it shows, it shows.
10:01You look very attractive.
10:07Well, and you, Lorena, what are you going to order?
10:09No, Lorena is quite the opposite.
10:11She doesn't eat anything.
10:15No, no, no, don't worry.
10:16It fell here at my feet.
10:26How are you, love?
10:27Yes, yes.
10:28No, I couldn't find it.
10:32So, well, I'm going to call the waiter.
10:35Waiter!
10:47Cousin, doing homework?
10:49Yes, allow me.
10:50The teachers who have taught me this cycle are also very good.
10:53The teachers who have taught me this cycle are also demanding.
10:56That's good.
10:57You are paying to learn, not to make it easy for you and they test you just like that.
11:00Totally agree, cousin.
11:03And Chris?
11:04He just left me.
11:05Let's go to the movies later.
11:06Do you want to come?
11:07What, to play the violin?
11:08No, not even to talk.
11:10You wouldn't play any violin, believe me.
11:14What's up, cousin?
11:16You sound weird, like conflicted.
11:19Oh no, no, no, no, don't listen to me.
11:21Hey.
11:23Well, tell me.
11:24Don't you trust me?
11:27It's just that I'm sick of it.
11:30I know something.
11:31What?
11:33No, no, no, no, don't worry, don't worry.
11:35Chris hasn't told me anything.
11:37But I also went through a similar situation.
11:42Similar, I would tell you, but the other way around.
11:45I don't understand.
11:47When I was with Alessia, at first it was also my first time.
11:55So I was afraid of being ridiculous.
12:00I got nervous, I was afraid of failing.
12:03But when two people love each other, things flow, cousin.
12:09But I've told Chris so many times to wait for me and to be patient,
12:13but now she has me too much.
12:16Well, if you feel loved, safe and ready to take the next step,
12:22then tell him.
12:24No, no, how am I going to tell him?
12:26Don't worry, cousin.
12:27I'm not telling you to go against your principles,
12:29your way of being.
12:31But I want you to understand that when two people like you love each other so much,
12:36sometimes it's not even necessary to talk.
12:41You and Alessia should talk.
12:44She is resentful, upset, and that makes her suffer.
12:50She's fine in Paris.
12:53You know she's not.
12:55But if you want to be the punisher of history, there you are.
12:59Anyway, thanks for advising me.
13:14I spoke to Teresita.
13:16And he thanked me for talking to Juniorcito
13:20just when it seemed that his last name was going to change.
13:24Fortunately, that didn't happen.
13:27Yes, but Teresita was afraid that her little son would affect her,
13:31as she had not been so excited.
13:34I've seen Juniorcito.
13:37He's like nothing.
13:38Yes, that's what worries me.
13:40He's like nothing.
13:42Yes, that's what she told me.
13:44She told me he was fine.
13:47And she thanked me for telling him
13:50that neither last names, nor buildings, nor houses are more important than family.
13:56You are very intelligent, Olindita.
14:00And very intuitive too.
14:04Gilgirito, we're going to get married.
14:07The municipality said
14:10it was going to give us alternative dates for the wedding.
14:15Yes, we'll have to ask.
14:26It's delicious.
14:29It's just that I've been dancing.
14:31And I'm going to teach you more.
14:32Dance of my land.
14:33Are you sure?
14:34Yes, if you want to teach me.
14:37Damn, what a rhythm.
14:41Yes, Maxi, let's dance, I'll teach you.
14:43No, no, I don't dance.
14:49How is it?
14:50Put yourself here.
14:51Here I put myself?
14:52Ready?
15:07And these?
15:09What? Don't tell me you're jealous.
15:12Well, clearly Fanny is flirting with Maxi, right?
15:15And clearly Maxi is listening to her.
15:37Oh, you've danced very well.
15:39I congratulate you.
15:40Thank you.
15:42But Fanny, your makeup has run a little.
15:45Let's go to the bathroom, I'll help you.
15:47No, no, you're fine, Fanny.
15:48Don't you remember?
15:50Gilgirito, this is where I apply your division of the world.
15:53And I say, men don't realize absolutely nothing.
15:57Come on, Fanny, I'll help you.
16:00But I'm fine.
16:02I'm fine.
16:04But I'm fine, don't worry.
16:06No, my queen, I know that women don't like to go to the bathroom alone.
16:11Yes, yes, yes, go, go, but don't take too long as women always do,
16:15that it takes one or two hours.
16:17That sandwich was good.
16:21Hey, what about your boyfriend and you, seriously?
16:25What do you mean?
16:27I don't know if they are boyfriends, if they are going to get married.
16:30It could be.
16:32That's good.
16:33Yes.
16:34Yes.
16:35And you?
16:36What about me?
16:38And you and Lorena, are you going to get married?
16:41Well, it's a plan, a project for the future, yes.
16:46Oh, that's good, that's good, that's good.
16:47So there will be a wedding?
16:48Yes, of course, of course there will be a wedding.
16:52Come on, Fanny, you're not going to tell me that you're embarrassed because I don't believe you.
16:56Well, I can pretend one thing, but in the end I'm very shy and fucking shy.
17:00But have you never gone to the bathroom with a friend?
17:03I'm going to pee, you?
17:05No, not me, I'll wait for you here.
17:07Well, I'm going to take off my pants.
17:09No, don't do it, no!
17:12I knew it was you, Felix.
17:15It's just that Tito has asked me to pretend to be his girlfriend and I couldn't deny it.
17:20The question is why?
17:22I don't know why.
17:24Well, I do know, but I can't tell him.
17:26Please, don't tell him you found me out, Tito is going to kill me, he's going to kill me.
17:30Okay, okay, calm down, calm down.
17:32I'm not going to tell him anything, but you have to keep pretending to be Fanny.
17:35Do you promise me?
17:37I promise you.
17:39Well, we're going out and you're still Fanny, but please.
17:43Stop flirting with Maxi.
17:45But I haven't flirted with him.
17:46Well, I have flirted with him.
17:47I'm not going to flirt with him anymore.
17:48Come on, come on.
17:50But now I feel like getting nervous, I don't know what bathroom to go to.
17:53But I don't know what bathroom to go to.
17:55Well, let's go out now.
17:59I have everything, tomorrow we meet at the first hour where you already know, change and out.
18:03Come on, come on, Ratatouille, change and out, we meet at 007.
18:08007, what is that?
18:10It's the same time, but you're healthy, aren't you?
18:13It's the same time.
18:14I'm just saying it like that because it sounds nicer.
18:17I don't know who I'm talking to.
18:18Okay, change and out.
18:19Okay, okay, change and out.
18:20What?
18:22Two-legged rat.
18:25Old lady, it's time to get revenge.
18:30I'm going to trample the floor with that scoundrel.
18:36Kitty, I'm coming.
18:39I see.
18:43I went shopping.
18:46Yes, because I want to be beautiful on my wedding day.
18:48And also, and above all, the wedding night.
18:55You are already beautiful, Meloambina.
18:59Yes, I know, I know.
19:01But I want to be even more beautiful, more beautiful than ever.
19:05And do you know exactly when the wedding will be?
19:08Well, in the municipality they told me that they were going to send me an email, now I review it.
19:13But you, rather, what are you going to wear?
19:15Well, I don't know, I haven't thought about it yet.
19:19You haven't thought about it?
19:21But you must be beautiful.
19:25Although, although I don't know if more.
19:30Oh no, here it comes.
19:36Now?
19:38Yes.
19:45Come on, come on, come on.
19:48Come on, come on, come on.
19:50You, you, you, you.
19:52What?
19:54A ball, a ball.
20:02Go get the ball.
20:07Now.
20:18Come on, come on.
20:28I'm telling you to score it.
20:31You had to score it.
20:34How are you going to score a goal like that?
20:38Hey.
20:49Hello, Mitri Mitri.
20:51How good, brother, that everything went as planned.
20:56Yes, brother, it even turned out better.
21:00And then why are you with that sad face?
21:04They are going to get married, Pepe.
21:07Did Maxi tell you that?
21:10Yes, brother, I have lost him for the second time.
21:14And what was the first?
21:16Well, when we just met, right?
21:19I there I had to realize that he was the love of my life.
21:22No, good brother, at that moment you were in love.
21:25Calm down.
21:27No, Pepe, I had to realize, everything would have been so different.
21:30And if you tell him, you are still in time, brother.
21:34No, Pepe, there is nothing to do.
21:36She prefers the fine boyfriend.
21:39And the truth is, they make a beautiful couple.
21:42Are you going to give up so easily, brother?
21:45Look, Pepe, if I thought that fighting her I could get her love, I would.
21:49But it is not the case.
21:53Oh, the Mitri Mitri.
21:55Brother, one of these days you will be a great football player.
22:00Once again, love dodges us.
22:07And Tito's girlfriend was Felix.
22:11What's wrong with you? Did you already know?
22:13Oh mom, it was obvious.
22:15And the other one we saw was Pepe.
22:17What? Why didn't you tell me anything?
22:20It's that they gave me tenderness.
22:22Tenderness. Because in this house everyone acts as if they were crazy.
22:26Well, yes, they are a little crazy.
22:28And that's why they dress up as women.
22:30Help him?
22:32Yes, mom, as I told you. Tito is dying for you.
23:01Perfect, there are no moros on the coast.
23:04Antonio told me that he would be calm, that nothing was going to happen, but I should not lower my guard.
23:17There goes the deceiver. His luck is done.
23:31Kitty, come back. Come.
23:47Are you going to the restaurant?
23:49Later.
23:51Why are you looking at me like that?
23:53Because it seems strange to me that you just inaugurated the restaurant and you send your right hand to Paris.
23:56It was a unique opportunity.
23:58So that Jimmy forgets.
24:00You know the worst about me?
24:02Why do you think he's going to forget about that rustic because he's going to Paris for a week?
24:05And if he wants to stay one more week?
24:07And why would he stay one more week in a wonderful city for a young chef with aspirations?
24:11You are ...
24:13Yes, yes, I am. The interrogation is over and I have to do something urgent.
24:16Yes, come on.
24:24Good morning, Mr. Diego. You got up very early. Do you want breakfast?
24:28No, thank you. I have something urgent to do.
24:30Where are you going in such a hurry?
24:33And you leave me so curious.
24:38So you confirmed that the goal was to make yoga in the park?
24:42Affirmative.
24:44Then I go to the point. Change and out.
24:47Understood, two-legged rat. Well, I'm going there.
24:52Change and out, son.
25:00Change and out.
25:09A phone appeared.
25:11Where is that boy going at this time?
25:17Oh no. Oh no. The meal has already begun.
25:21Where is that boy going at this time so early?
25:25What do you want to know?
25:30What do you want to know?
26:01There it is.
26:05I told you.
26:08Approach stealthily. You already know what you have to do.
26:13I'm going.
26:19I'm going.
26:21I'm going.
26:23I'm going.
26:25I'm going.
26:27I'm going.
26:28I'm going.
26:50Let's continue with the plan.
26:58Let's continue with the plan.
27:28Let's continue with the plan.
27:36Deceleration.
27:38Inside.
27:40Softly.
27:42No. Like this.
27:48Inside.
27:52That's the bottom.
27:55Close.
27:56Now we send it as an order to Spain.
28:04And how are we going to take it?
28:05What do you mean how? I thought you were going to take care of that.
28:07No, I thought we could take it with Carmelo, but we didn't want to involve anyone else.
28:12And now what do we do?
28:18What do you have there?
28:22Some old things that I want to donate.
28:25And what does that horrible guy do?
28:28This one? He's helping me.
28:31How are you? Grandma, I heard you already got your yacht, right?
28:36Look, silly, be careful.
28:39Hey, clown, aren't you happy to miss my grandma?
28:42Now you want to grab your grandma here to keep your millions, right?
28:45What does that animal say?
28:47I don't say it.
28:49Look, mouth-to-mouth, it's not the time or the place to argue, okay?
28:54Grandma, please, end this madness.
28:57Oh, son, madness was to put up with your father and all his shamelessness.
29:03Well, I'm going to have breakfast with my Xavi.
29:07See you later, my love. Goodbye.
29:24Let's go, let's go.
29:41This happens to me for making plans with beasts.
29:43What thing? I saw them, I saw them.
29:45I saw them, I saw them.
29:46Hey, enough of reproach, they are ratatouille.
29:48We have to leave the boys where we found them.
29:50Let's go, let's go.
29:52Hey, I don't know if we've lost our hand, right?
30:00Breathe, breathe.
30:02Let's go fast, fast, fast.
30:03Before the portachão wakes up.
30:12Get up, get up, get up.
30:20See you, Aunt Teresa.
30:21Bye, beauty. Take care.
30:24Oh, youth.
30:27Oh, Lore, what's up? And that little face.
30:30Oh, Teresita will tell you.
30:31Please. I'm Teresita Collazos, the fairy godmother of love.
30:34You unbutton.
30:38Well, that's it.
30:40Tito asked Félix to dress up as a woman to make us believe Maxi and me that he was in love.
30:44What? But why did Tito do that?
30:47I just think he did it so he wouldn't look like a loner in front of you.
30:51Yeah, but that's very childish.
30:53Tito is very childish. Look, I haven't told you.
30:56But Tito and I had a story together, right?
31:01We could call it, I don't know, a hidden story, a clandestine story.
31:04When my brother Pepe found out, he showed him his total enmity.
31:08But look, then the whole family approved the relationship.
31:11And Tito didn't want to be with me because he said there was no emotion,
31:15that I had to be a clandestine.
31:17What? I can't believe it.
31:19That's right. He broke up with me. He left me hanging, but then what do I care?
31:22Look how Tito has gotten.
31:24I mean, things as they are.
31:26But girl, you don't have to listen to that.
31:29That Tito has, I don't know, asked Félix to dress up as a woman.
31:33He talks about how he's immature.
31:36Don't burn your head, girl.
31:38Forget all that nonsense.
31:41With that nugget of knowledge, I leave you.
31:48I'm going to have to tell Tito that I already know that Fanny is Félix.
31:52Let's see what he tells me.
31:55Why didn't they tell me that they were going to take revenge on that bastard?
31:58I also want to do it, Pe.
31:59We thought that between the two of us we could do it, Pe.
32:01And with what we didn't count, it was with your brother's stupidity.
32:04Oh, what was it, brother? Was it a good idea?
32:06Oh, what was it, brother? Was it a good idea?
32:09Okay, okay, the plan failed, but now what's next?
32:11You don't want to add points with me either, helping me, do you?
32:14No, no, Mr. Diego.
32:15All I want to do is take revenge on that bastard Spaniard who made fun of my mom.
32:18And also his.
32:19And together we can do it.
32:20Let's see, the three of us want that Spaniard to be unhappy.
32:23All we have to do is prevent him from marrying Grandma Titanic.
32:26That's it.
32:27Excuse me, with your beautiful mother.
32:29Respectable, Mrs. Antonia.
32:32The problem is that she knows that he is a yolo, that he is a bastard,
32:35that he is a liver, that he is a womanizer, etc., etc., etc.
32:38But she doesn't care.
32:39That's why we thought it would be a good idea to put him in a box and deport him.
32:42But it didn't work.
32:47I have an idea.
33:03Hello, Mom.
33:04Hello, son.
33:05I was just going to call you to show you the outfit I bought you for my wedding.
33:09Oh, your wedding.
33:10I just wanted to talk to you about that.
33:11No, don't start, son.
33:12I know you're against it, but it's decided, so give up.
33:16No, no.
33:17I want you to see something.
33:18What?
33:19What?
33:20What are you bringing now?
33:21Shut up, two-legged rat.
33:23I won't allow you.
33:24No, first I want you to see this video.
33:27What is it?
33:30What is it?
33:31A video that Laia had to send me to prevent you from falling into a deadly trap.
33:36Wait a minute.
33:37Laia, my daughter?
33:38Yes.
33:39She sent you a video?
33:40Yes.
33:41Of what?
33:42A video.
33:43Let's see.
33:44A video that you sent her.
33:45Let's see.
33:46And now my mom is going to see.
33:47That I sent her?
33:48Hello, daughter.
33:49I'm glad you finally pick up the phone.
33:51I wanted to tell you some news.
33:53I'm marrying Antonia, Diego's mother.
33:56Don't say anything, please.
33:57I know you're always against everything I do.
33:59But I swear to you that this time it will work.
34:02Because I have calculated every detail.
34:05I will get married soon.
34:06I assure you.
34:08Sooner than you can imagine.
34:10I won't tell you how I'm going to get it.
34:12Because I don't want to involve you.
34:13The fact is that I will inherit the millions of my future wife.
34:17And our luck will change.
34:19I promise you.
34:20I love you.
34:22Take good care of yourself, daughter.
34:24What is this?
34:26What is this?
34:27I mean.
34:28Are you thinking of getting rid of me?
34:31In addition to a swindler.
34:33Are you a murderer?
34:34No, no, no.
34:35For God's sake, Antonia.
34:36Listen to me, please.
34:38You can't believe that.
34:39But what?
34:40I'm seeing you.
34:41It's not me.
34:42She was talking and saying those horrible things.
34:45Antonia.
34:46Listen to me, please.
34:47I beg you, please.
34:48That's not me.
34:49Let's see.
34:50It's my image that appears there.
34:51But I.
34:52I didn't say that.
34:53Don't believe them, Vai Queen.
34:54Look.
34:55I'm going to call her.
34:56Yes.
34:57She's going to deny it.
34:58She's going to deny it.
34:59She's afraid you won't find out.
35:00She's giving me something.
35:01Come on.
35:02Come on, mom.
35:03Come on.
35:04Antonia.
35:05Antonia.
35:06Please.
35:07Listen to me.
35:08Please.
35:09Calm down.
35:10But I must tell you that this is the product of that infernal invention of artificial intelligence.
35:11That's a photo.
35:12He puts a photo on it.
35:13He changes his voice.
35:14The accent.
35:15Oh, please.
35:16Who's going to believe you?
35:17Mom, report him.
35:18Get out of here.
35:19Let her not find out.
35:20Get out of here.
35:21Give me the phone.
35:22Give me the phone.
35:23Clown.
35:24Give me the phone.
35:25I want a favor.
35:26Enough.
35:27Diego.
35:28Please.
35:29Leave us alone.
35:30Yes.
35:31I want my kitten to take care of it first.
35:32Your kitten is taking me out?
35:33Yes.
35:34His kitten.
35:35And he's going to take care of it right now.
35:36Diego, please go.
35:37But do you want to be alone?
35:38Do you know what you've heard?
35:39Let me go.
35:40Mom.
35:41They want to find you.
35:42Go.
35:43No.
35:44No.
35:45Don't touch me.
35:46Let me go.
35:47Let me go.
35:48Let me go.
35:49Let me go.
35:50Let me go.
35:51Let me go.
35:52Let me go.
35:53Let me go.
35:54Antonio, please.
35:56Listen to me.
35:59I'm not the one in the video.
36:03I swear I didn't say that.
36:14My Queen.
36:17Hi.
36:18I'm Diego Montalvan, and I'm capable of doing anything
36:22I'll do anything to make my mommy happy.
36:25Because I hate that Spaniard!
36:27I'll die!
36:28Very dead!
36:30But what is this ignominy?
36:32I never...
36:33Xavi did it with a tutorial.
36:37Son, you're capable of anything
36:40to prevent me from marrying him, right?
36:42What a shame you give me.
36:44Do me the favor of coming back with your old woman
36:47and don't come back to this house without my permission.
36:51Mom, your life is in danger!
36:53Bye, Diego!
36:55Please, mom, a little bit of wisdom!
36:58Mom!
36:59Go away!
37:00Goodbye!
37:22Episode 2
37:30Lorena,
37:32did you want to talk to me?
37:35Yes.
37:36Please, don't bother yourself with Félix.
37:41Did he tell you?
37:42No, no, no, he didn't tell me.
37:44I already suspected it, but
37:46in the bathroom it was totally evident.
37:49Of course.
37:50What a shame.
37:52I don't know what to tell you.
37:54I mean, I imagine you didn't want Max and I
37:57to realize you're not in love.
37:59What I don't understand is why?
38:03Because...
38:05Why, Tito?
38:07No, you know what?
38:08How silly.
38:09I have no right to pressure you.
38:11If you don't want to tell me, don't tell me.
38:13No, no, no.
38:14Yes, I want to tell you.
38:15I think it's for the best.
38:17Okay, I'm all ears. Tell me.
38:20Lorena, listen to me.
38:21If...
38:23If I asked Félix to dress up as a woman,
38:27it's because...
38:29What, Tito?
38:33Because, yes, Lorena,
38:35I'm very much in love with you.
38:41A double wedding?
38:43My schedule is very busy
38:45and I only have time this Saturday at 11 am.
38:47And next week?
38:49I'm going on a trip and I'm going to be in Europe for a long time.
38:51No, no, no.
38:52I'm not going to share my wedding with these people.
38:56Hey, hey, more respect, please.
38:58Thank you for saying people.
39:01Mayor, you know very well
39:03that you can't mix social classes,
39:06especially at a wedding.
39:08I warn you, ma'am,
39:09that we are no longer in the bireinato.
39:11Unfortunately.
39:13Please.
39:15Let's try to reach an agreement.
39:17But you are the first to complicate our existence
39:20by giving us a single date.
39:22My responsibilities prevent me from doing so.
39:24Anyway, what do you think
39:26if we leave it for February next year
39:28at the communal wedding on Valentine's Day?
39:31What do you think?
39:32A joke?
39:33No, let's better look for another municipality.
39:37Oh, but yes,
39:38forget about the contributions
39:40that the Montalban family makes to the new Lomas.
39:45In that case, Mr. Collazo, Mrs. Zafallal,
39:49I'll wait for you next Valentine's Day.
39:52What a joke!
39:53It's going to go beyond our rights
39:56just because a flat lady says so.
40:00Well, that's one way of seeing it.
40:02The other is to think
40:03that it is a small sacrifice in pursuit of a greater good.
40:06Let's go, my dear.
40:08These stretchers are not going to trample on us.
40:11Let's go.
40:12Wait a minute, wait a minute, wait a minute.
40:14Don't go.
40:15Wait a minute, please.
40:17Antonia, can you come here for a second?
40:23What's wrong?
40:25Yes, Lorena.
40:27I have to tell you.
40:29I wasn't honest with you
40:32and that's why I told you I had a girlfriend,
40:35but it was to make me look good.
40:36Actually, I...
40:37Tito, Tito, Tito.
40:38Leave him there.
40:39Please, leave him.
40:40No, no, no, Lorena.
40:41It's just that I...
40:42I don't want to hide what I feel anymore.
40:44In fact,
40:46I like you more and more every day.
40:49And I like you more in every way, Lorena.
40:52I don't think there is a woman like you.
40:55I always imagine that we are together
40:58and we form a family.
41:01Tito, for God's sake.
41:02I'm just your daughter's mother,
41:05but don't get confused.
41:06Nothing else.
41:07Listen to me.
41:08I'm not confused.
41:09In fact,
41:10I think I've never had things clearer, Lorena.
41:15That's why I think
41:16I chose you to be my daughter's mother.
41:20Tito, we were drunk.
41:21Well, Lorena,
41:22drunk people tell the truth, right?
41:24And I think that in our drunkenness,
41:27you and I love each other seriously.
41:29Oh, my God.
41:31Tito, things are not like that.
41:33You're talking nonsense.
41:35I've never been able to get you out of my mind, Lorena.
41:38You didn't even remember my face.
41:40I mean,
41:41unconsciously,
41:43I knew I had a half-orange.
41:45That's why my relationships didn't work,
41:47because I know that, deep down,
41:49I was waiting for you.
41:51Why are you telling me this?
41:54You know I'm in love, Tito.
41:56I'm not going to let it go.
42:05I'm sorry.
42:06No, no, on the contrary.
42:09Forgive me, Tommy.
42:10I...
42:11I didn't want to keep holding on to what I feel, but...
42:14Really,
42:16I'm sorry if I bothered you.
42:22Sometimes.
42:25Sometimes.
42:26What's wrong?
42:27I don't think it's so crazy to celebrate the wedding together.
42:31What are you saying?
42:32Have you gone crazy?
42:33Oh, please.
42:34Leave that role of anthropologist that I don't like.
42:36Antonia, it has nothing to do with anthropology.
42:38It's a good opportunity for the Gonzales to forgive me
42:41and free me once and for all of that yoke of revenge.
42:44Please.
42:45What do you want them to forgive you for?
42:47If I'm already paying them cubes.
42:49And I appreciate it,
42:50but that's not going to last long, believe me.
42:52Oh, I'm not going to run out of money.
42:54Don't worry.
42:55I'm talking about Charo's children.
42:58Those are insubordinate.
42:59Not even the bus drivers can control them.
43:02You're exaggerating.
43:04Antonia, please.
43:05Really.
43:06Don't exaggerate.
43:07I can't sleep at night.
43:08What do I think?
43:09That they walk through the windows.
43:10That they attack me.
43:11That they beat me.
43:12That they throw stones at me.
43:13Please.
43:14I'm going crazy.
43:15This has to do with my life.
43:17With my tranquility.
43:18With my mental health.
43:19Please.
43:29Tito, Tito.
43:30It's me.
43:32Girl.
43:33Tere.
43:34I'm sorry.
43:35The thing is, I was talking to Tito.
43:37Yes, yes, I know.
43:38I heard them.
43:40I was going up to hang my clothes.
43:42I'm not a gossip like Linda.
43:45Do you want to talk?
43:48Oh, Teresa.
43:49I swear I'm so sorry.
43:51What I least wanted was to come here
43:53to cause trouble.
43:54No, you don't cause trouble.
43:56It's not your fault
43:57that Tito fell in love with you.
43:59Yes, but it happened.
44:00And it's very uncomfortable
44:02to live with someone
44:03who is your unrequited love.
44:06And what are you going to do?
44:08Well, the only thing that's in my control.
44:10Leave.
44:11I can't stay here
44:12knowing that Tito suffers because of me.
44:14He has behaved too well with us.
44:16I couldn't stand hurting him.
44:18I have to go and keep my distance
44:21and that he has time to forget.
44:23Oh, girl.
44:24But Maria Paz is very happy here.
44:26I know.
44:27But hey, she can come
44:29and stay as long as she wants.
44:33But you don't have a job.
44:35What are you going to do?
44:38Well, I was thinking of asking my boyfriend
44:40for a loan
44:41and go to a hotel for a while.
44:44But I don't think that's...
44:45Oh, Tere, it's decided.
44:48Oh, how sorry I am.
44:50And when are you going to do it?
44:53Today.
44:59What are you doing?
45:03The Association of Mechanical Workshops of the District
45:06invites each of the businesses to participate in the event.
45:10Can you imagine if we set up one?
45:12Advertising and prestige for the workshop.
45:14What we are going to do is waste time.
45:16How can you think of that?
45:17We work with engines.
45:18Vehicles without an engine.
45:19Stupidity.
45:20When I was here, I built one of these cars
45:22and I did very well.
45:23I think now I could do it better.
45:25So we have an agreement?
45:29I hope.
45:30Agreement?
45:32Agreement of what?
45:42Yes, of course.
45:44You miss me a lot.
45:46That's why you ran away to Paris.
45:49Has something happened?
45:50You are...
45:51You have tears in your eyes.
45:53Did something happen at school?
45:54Didn't the misplaced Valentino tell me?
45:56No.
45:57My mom wants to leave the house.
45:59Ah?
46:00But if not, where is she going?
46:02Yes, to Maximiliano's apartment.
46:03He is waiting for us outside to take us.