Category
🎥
Short filmTranscript
00:00What?
00:01I hope it's some good news.
00:03Great news, but you'll never guess what it is.
00:06I won't even guess, just tell me.
00:08Okay, okay.
00:09Zvrk is at Luka's.
00:11What?
00:12Uh-huh.
00:13Wait, where did that come from?
00:15Well, the same one in Italy.
00:17They heard each other, and...
00:19Well, that's phenomenal.
00:21That's great.
00:22That's great.
00:23That's great.
00:24That's great.
00:25That's great.
00:26That's great.
00:27That's great.
00:28Well, that's phenomenal.
00:30It's like she knew exactly when to come.
00:33Yeah.
00:34Wait, do you think something will happen between them?
00:36Well, I honestly hope so.
00:38But now, given how chaotic it is, that would be phenomenal.
00:41Yeah.
00:42God, I hope so too.
00:44Nothing, we hope so.
00:46We hope so.
00:47What's wrong with you?
00:49I don't know.
00:50Come on, a little more.
00:51A little more?
00:52It's too little.
00:53It's nice, rub it in.
00:54Yeah.
00:55I'm kidding, okay, okay.
00:59It's a different story.
01:04Is it possible for you to wash the dishes in the hotel room?
01:07I'm washing the dishes because this is my room.
01:09My room.
01:10My room.
01:11And there are my dishes, and I'm washing the dishes.
01:14You should, they're important.
01:15I know.
01:16I'm sorry.
01:17You know what?
01:18Do you know that you tried two things with us?
01:21What?
01:22What, what?
01:24What did I try?
01:25What did I try?
01:26Come on, tell me, what did I try?
01:28I don't know.
01:29You don't know what I tried?
01:31Oh, no.
01:33Oh, no.
01:34Beat him.
01:36Four and two.
01:38Four and two.
01:44I've lived for this.
01:46God, I'm so happy.
01:49Agica.
01:51Ask him.
01:52He wants to be your mom.
01:54Go ask him.
01:55Who do I love the most in the world?
01:57What do you mean?
01:58I'll tell you.
01:59Huh?
02:00I'll tell you.
02:01Okay, one, a little more.
02:02A little.
02:04Okay, this time I can tell you.
02:09I'll tell you.
02:10I'll tell you.
02:11It seems that all my dreams are coming true.
02:13Yes, you made me heal all my wounds.
02:18And that I have what I need the most again.
02:21I have a family.
02:23Are we really going to be a family?
02:26We are already a family.
02:28Look now.
02:30Oops.
02:32I'm sorry, please.
02:33I had some obligations and I had to tell you that.
02:35No.
02:36You are completely crazy, but completely.
02:38Well, that's why you love me completely.
02:40Okay, it's not just because.
02:42Do you have anything else?
02:43I mean, do you have anything else besides Agica?
02:46Well, there is.
02:48Because you're a great man.
02:50Just that?
02:51What, my advanced beauty?
02:53Yeah, you know how much it is?
02:55How much?
02:56So little.
02:58Do you hear that?
02:59Do you hear that for no reason?
03:00Let's be honest now.
03:02Are you happy that you and your dad are getting married?
03:06Well, yes, yes.
03:07So there's nothing.
03:08Here, the judge said, he's the boss here.
03:10It's time for the wedding.
03:11I just have to finish another formality.
03:16We tried to...
03:17Well, actually, maybe it just wasn't the right time.
03:22I think that's the main thing now.
03:23It wasn't the right time and that's why it didn't work out for us.
03:26Either that or you always looked at me like a friend.
03:29I looked at you like a friend?
03:31What the hell are you talking about?
03:32I don't know where, where did I look at you?
03:33Here, but how?
03:34How did I look at you?
03:35I looked at you completely like a non-friend.
03:36I looked at you completely differently.
03:37No, here, let it be.
03:38Let it be.
03:39It wasn't the right time.
03:40Okay, here, I agree.
03:41Well, okay, you know what?
03:42You know what?
03:43It's rare for a girl to be able to boast
03:45that she's been in love with the same guy twice in her life
03:48and never married him.
03:53Are you sorry?
03:54No.
03:56I mean,
03:58who knows why it's so good.
04:00I...
04:03I'm satisfied with my life.
04:06That's nice.
04:07That's nice, I'm glad to hear that.
04:12And...
04:15How are you after everything that happened with that...
04:19I'm okay.
04:21I mean, I'm great, really.
04:23Like you said, who knows why it's so good.
04:25Yes.
04:27And Akica?
04:32She's good.
04:34She's growing.
04:36Isn't she enough for you?
04:42A lot.
04:45But okay, you know what?
04:46I mean,
04:48we have to push through this,
04:49which is why we're here.
04:50We're here for a reason.
04:52Everything's happening because of him.
04:54Everything's because of him.
04:56This could change his life.
04:57I want to go back.
04:58I don't want him to think that my boyfriend is a loser.
05:01I want to go back and that he has a boyfriend
05:03who's a successful businessman.
05:06I agree.
05:09And you?
05:10How did you end up here?
05:12Me?
05:13I...
05:14I was waiting to come here, actually.
05:16I'm speechless.
05:17Yes, this is one of my favorite countries.
05:20And it's really beautiful here.
05:22Beautiful.
05:24Who would've thought we'd meet here?
05:27Yes.
05:30Somehow it turned out
05:33that you're closer to me here.
05:40I love you.
05:56What can I say?
06:03Where are you all from?
06:07I know I'm here.
06:08I know I'm in Belgrade, if you really want to know.
06:11You know, huh?
06:12I know.
06:13That's why you stayed without Bayadere's message.
06:15Because it's all locked up there.
06:17You can't take anything.
06:38I'm sorry.
06:48Hey, Laura.
07:09What's up with this meeting, Milena?
07:17I've decided to stop working with you.
07:21I think it's best if you stop coming to my sessions.
07:39Here you go.
07:40Thank you.
07:41Thank you very much.
07:42Miki.
07:43We'll see each other again.
07:44We'll see each other again.
07:45I'm glad we met.
07:46Me too.
07:47Come on, Mido.
07:48Let's go.
07:49Okay.
07:50Take it easy.
07:51I'm not in a race.
07:52We'll catch up.
07:53How did Mido get here?
07:56Like every sheep that came to Shishan.
08:00He came from a small town.
08:09Do you have company?
08:11Yes, I do.
08:12This is Laura.
08:13I mentioned her to you.
08:15Laura, this is...
08:17This is Zrko.
08:18She's my...
08:19Friend from Belgrade.
08:20Friend from Belgrade.
08:21From Belgrade?
08:22Yes.
08:23That's nice.
08:24Where are you from?
08:25I'm in Verona at the moment.
08:27Are you here for work or...
08:28I'm working, yes.
08:29In a program for children and refugees.
08:31That's a kind of humanitarian work, isn't it?
08:34That's nice.
08:35You're nice.
08:36I guess that's why you like solidarity and holding hands.
08:42I'll be downstairs in my room if you need me.
08:44See you later.
08:45Okay.
08:46See you.
08:58My God.
09:01What?
09:02It's more dangerous than the photos from the portal.
09:04It's not always like this.
09:05This just happened.
09:06Otherwise, it's not...
09:07I don't believe you.
09:08Come on, I don't believe you.
09:09Yes.
09:10But...
09:12Anyway, I don't want to make a problem for you.
09:15What problem?
09:18What do you mean, I don't know what problem?
09:20Because I'm here.
09:21Because she found us here.
09:24I mean, it was obvious that she's not real.
09:26What are you talking about?
09:27What did we find?
09:28What?
09:29Did we do something wrong?
09:30No.
09:31That's it.
09:32Okay.
09:33Where are you going?
09:34I have to go.
09:35It's already late.
09:36Wait a minute.
09:37Because it's late.
09:38I'm begging you.
09:39It's late, yes.
09:40And now you have to go to where?
09:41Verona?
09:42At 11 o'clock.
09:43Literally at 11 o'clock.
09:44Take me...
09:45I'll take the room here.
09:46If you want, I'll take the room.
09:47Super room.
09:48Luka, I literally have a night train.
09:51And you have to go back to your life.
09:55I know.
09:57Okay, yes.
09:59I would like to see you again.
10:02Me too.
10:04If the opportunity arises.
10:29Aha...
10:30So, you want to stop with that psychotherapy?
10:38This is no longer psychotherapy.
10:41But what is it?
10:43They turn into private meetings, right?
10:48But it helps me.
10:52Yes, it's my job.
10:55Yes, it's my job.
10:58But what about that non-business part?
11:03Okay, like this.
11:05I can apologize for everything that happened.
11:09To take full responsibility.
11:13And to say that that kiss came somehow spontaneously, right?
11:20That's just a phrase.
11:22What does spontaneous mean?
11:26Let's call things by their name.
11:30It didn't happen.
11:33We already fell in love.
11:36But you didn't realize it, did you?
11:40And then...
11:42Then I had an instinct to help you.
11:45To help you.
11:47And little by little, little by little...
11:50And then...
11:53I'm sorry I didn't realize it.
11:57You don't have to apologize.
12:00But I think that therapy has no purpose anymore.
12:04That's my professional opinion.
12:07Because of one kiss?
12:10Because of many things.
12:12I'm sorry and...
12:14I have to go.
12:37You see...
12:42Those are the rules...
12:45of life and competition.
12:48They don't come to Belgrade to get rich, you know.
12:54But it doesn't work like that.
12:57They have to share something with us.
13:00Homeless people, right?
13:03Yes, yes.
13:05Did Mido pay you for everything?
13:08Yes, he paid and left a nice deposit.
13:10It's good when he pays.
13:13He pays, he pays.
13:15Listen to me now.
13:17If this woman appears again,
13:20who was with Mido...
13:22According to her...
13:24Maximum love and obedience.
13:27Is that clear?
13:29I understand, boss.
13:31She's still his...
13:34upper half.
13:40Let's go.
14:04Who is it?
14:06It's me.
14:11Did you follow your friend?
14:14Yes. What's the problem?
14:16Who is she to you?
14:18Why are you acting like that?
14:20How am I acting? I'm asking you who she is.
14:23She's my friend, as they say.
14:26She's very dear to me.
14:28I had some moments together with her in the past.
14:33I don't know.
14:35I don't know.
14:37I don't know.
14:39That's it.
14:41Can I know what?
14:43It's in the past.
14:45I don't know why it's important.
14:47How is it important?
14:49What did you fall into trouble with?
14:52If it's in the past, as you say.
14:54I didn't know she was alive.
14:56I didn't know she was coming.
14:58I don't know.
15:00So she came unannounced.
15:02It doesn't seem naive to me.
15:05What do you mean?
15:06I don't know what you mean.
15:08Why didn't you introduce me as your girlfriend?
15:11How do you know I didn't introduce you?
15:13I came to her as your girlfriend.
15:15We talked about everything.
15:17We ate, slept, talked, hung out.
15:19We hid.
15:21Please.
15:23What?
15:25What are you doing?
15:27I'm not feeling well.
15:29What's wrong?
15:31I think I'm having another anxiety attack.
15:34Do you want me to call an ambulance?
15:36No.
15:40Are you okay?
15:43What are you doing?
15:45I could...
15:47I don't know.
16:04When is the next therapy with Milena?
16:07I won't go to her anymore.
16:10Why?
16:12I mean, why?
16:14Because she's conscious?
16:16No.
16:18It's simple.
16:20She's not going.
16:23Okay, what did she tell you?
16:25That you gave up?
16:27Nothing.
16:29She just agreed.
16:31Just agreed?
16:33I mean, I'm sorry, but I don't...
16:36I don't know which psychotherapist would just agree
16:39that a patient stops going to therapy overnight.
16:42She's not going.
16:44What's so strange about that?
16:46Because I told you before that...
16:48I'm not for that psychotherapy.
16:51But look, she's one of the best.
16:53I mean, she'd find a way to come to you and give you a chance.
16:57Well, she didn't.
16:58She didn't find a way.
17:00What are you going to do?
17:04Actually, you know what?
17:08It's easy for me that you're not going to therapy with her anymore.
17:12Really?
17:14Yes, yes.
17:16I mean, look, she can be the best in the world.
17:18It's not normal that you and I go to the same therapist.
17:21And I don't think it's professional that she agreed
17:23to treat a marital couple.
17:26Okay.
17:28I like the way you think.
17:30And that you support me.
17:32Well, to be honest, I would never force you.
17:35But it means that you still want to try.
17:39And that's enough for me.
17:41Have you thought about who you're going to see now?
17:44No.
17:46I haven't thought about that at all.
17:48You're not going to give up completely, are you?
17:51Look, I've had enough of those affairs with psychotherapists.
17:56I'm going to take a break.
17:58And then I'll think about it.
18:00I'll see what I'm going to do.
18:11Cheers.
18:15To you, too.
18:28Cheers.
18:50Good morning.
18:52Good morning.
18:54How are you? Did the attack go away?
18:56I'm better.
18:59Wait, wait. We have to go to work.
19:02What time is it?
19:04We have to go to work.
19:06What's wrong with you?
19:08We have to go to work.
19:10Listen, do you know what we're going to do if we don't go to work right away?
19:14Nothing, we're not going to do anything.
19:16Nothing. We're going to lock these two up.
19:19We have to go to work.
19:21They can wait.
19:23But I can't.
19:28I can't.
19:51God, this is terrible.
19:53This doesn't make sense.
19:55I'm a man of manners.
19:56I'm a man of manners.
19:58I'm not a teenager's clown.
20:01Terrible. Terrible.
20:03God forbid.
20:05Give me some water.
20:07If these journalists continue to camp in front of the building...
20:12I'm more worried about your throat.
20:14You sound like you've been through a lot.
20:16And when you were whistling, when you let me go, I was shaking like a brain.
20:20My throat wasn't whistling.
20:23It was too fine.
20:24Yes, yes.
20:26And that Andrija, I don't know what's wrong with him.
20:29He's been whistling at the journalists so much that there's been a lot of chaos.
20:31Thank you.
20:33We always support the boss of the company we work for and we don't put ourselves in his shoes.
20:36I support him. Bobo, Bobo, I support him.
20:38We know that.
20:40Listen, Bobo, I didn't want to say anything bad, but the fact is that the entrance is blocked.
20:44No one can come in or out.
20:46And what do we do now?
20:48Well, the last one is free.
20:50The only thing I can do is use him.
20:51Okay, thank you. See you.
20:53Bye.
20:55God, what a crazy woman.
20:58Hello?
21:00Tabloid Glas.
21:03Please give me the manager, Kostu Zeljkovic.
21:06Tell him that Andrija Bošnjak wants to talk to him.
21:12Andrija Bošnjak? Where are you from?
21:14Yes, it's me.
21:16I just want to tell you that I will file a complaint if you do not dismantle the nonsense you have published.
21:22I'm really sorry, but the golden rule of tabloid journalism is not to silence affairs, but to disperse them.
21:29And what did you disperse? Nothing from what you published is true.
21:35Our sources say it is.
21:37What sources? I was provoked by your journalist.
21:42Who exactly? I was on the road, so I do not know who called you.
21:46You do not know who, and you published the news.
21:49The news was not for throwing.
21:51And we are used to judging.
21:53But how exactly did our journalist introduce himself?
21:56I can not remember.
21:58Palikuć, something like that.
22:00I'm not sure.
22:02I do not know that surname.
22:04Maybe that man does not even work with us.
22:06Well, how did you publish when you do not even know where the affair comes from?
22:11Simply, such affairs are not determined by any newspaper.
22:15But do not worry, you will easily dismantle everything.
22:18We will give you a lot of space.
22:20I do not remember to disperse on tabloids.
22:24But the news is here in the middle of a tabloid scandal.
22:28And it looks like a victim of a sly deception.
22:31Unfortunately.
22:33Whose?
22:34Whose?
22:36I can try to find out the origin of the news.
22:39I would be grateful to you.
22:44Palikuć.
22:46Mutikaš.
22:48Something like that.
22:50Oh, what a fool I am.
22:52Total chaos.
23:03I tell you, total chaos.
23:05Journalists have occupied the company.
23:07They are rushing for an interview with Andrija.
23:09When we are with Andrija, I have something to tell you.
23:12What?
23:14He will not come to me for therapy anymore.
23:17I knew he would give up.
23:20He did not give up, but I refused him.
23:24What?
23:28Well ...
23:32He kissed me during the session.
23:34What?
23:36How did that happen?
23:39It happened.
23:41I mean, at one point I collaborated.
23:45Okay, you realized, I know, you told me.
23:47Yes.
23:49And ...
23:51Then he helped me.
23:54He kissed you, there was no other way to help you.
23:58I'm telling you how it was.
24:01Okay, and who initiated that kiss, you or him?
24:06I'm telling you, him.
24:08Are you sure about that?
24:11I'm sure, Bobo, what's wrong with you?
24:14Come on, please.
24:15You found yourself confessing to him in the middle of the session.
24:34Why are you so quiet today?
24:39I'm thinking.
24:40How?
24:43I'm thinking about that monkey Luka.
24:47Oh, how he confused the water again.
24:50And all for his own loss.
24:55I don't know how to help her.
24:58You don't know, Milan?
25:00Well, you don't know, because you don't know the main thing.
25:03You don't know what happened in Milan.
25:05I don't know.
25:06Milan visited Luka.
25:09Who?
25:10I don't know.
25:11A monster!
25:12A monster went to Milan to visit Luka.
25:14Well, okay, she was always a good girl, she was always with him.
25:18Well, she's not a good girl, no.
25:21Okay, okay.
25:23You know what, it all turned out so strangely with that girl.
25:29What?
25:31And she was sick.
25:32Yes.
25:33Unfortunately.
25:34I don't know if she's alone.
25:37Should we activate her a little in society?
25:39What do you think?
25:40Yes, yes.
25:41You and Kaja.
25:42No.
25:43Why?
25:44No, Pančić, because I'm incapable.
25:47And to find myself a wife because of the inheritance,
25:50and where to find a guide.
25:52Don't.
25:53Milan, what happened to that?
25:56Nothing happens to that.
25:58Nothing?
25:59No, until you get married.
26:01Well, what does Kaja say about it?
26:03I mean, how does she see things?
26:06Well, Kaja is sober, smart, but she understands.
26:12She understands.
26:13She understands the circus, and she understands that I need money.
26:17Well, where did she go?
26:18What if she doesn't give in?
26:19She won't give in because she's not given.
26:22She's not given dignity.
26:25Dignity.
26:27Kaja is very dignified.
26:31She's a good girl.
26:34Money is money, dear.
26:36It's stupid to waste it.
26:39Look what people do for money.
26:41Here's Aleksa and Luka.
26:43They went to Milan for money.
26:45Why did they go to Milan?
26:47Well, it's not the same, Pančić,
26:49because they went for the memory of the late Aduka Načkina,
26:54not just for money.
26:55What did you just say, dear?
26:58And Čaša is standing there in chaos.
27:00Yes, he's in chaos.
27:01Of course he is.
27:02Do you need me to tell you?
27:04Yes.
27:05Oh, my people.
27:07You know how to talk.
27:09Wait, how is he standing there?
27:14Hello.
27:15Hello, people.
27:16How are you?
27:17How are you, how are you?
27:19A beauty and a beast.
27:22What?
27:25What?
27:42Bobo,
27:44I need you urgently.
27:46Excuse me, just ten minutes to calm down.
27:49What's wrong?
27:50Nothing, nothing, I'm just worried about...
27:52What is it, are you crying?
27:54Nothing, I just need ten minutes to calm down.
27:58Do you want to tell me what's wrong?
28:01Okay, if you don't want to tell me what's wrong,
28:03then you don't have those ten minutes.
28:05Okay?
28:06Find some other place to settle down.
28:08We're at work.
28:09Okay, you're right.
28:12Are you okay now?
28:13I am.
28:14Well, okay.
28:16Like this.
28:17Call that number from your phone.
28:21What should I say?
28:23Well, you should say that you had a missed call from that number
28:27and that you're trying to introduce yourself to that man.
28:30Okay.
28:34Do we understand each other?
28:35It's very important for me to get that man's name.
28:39Okay?
28:40Okay.
28:49Hello?
28:50Good afternoon.
28:51Good afternoon.
28:52I'm sorry, I had a missed call from this number.
28:58Well, your number seems familiar to me.
29:00I thought maybe my brother changed the number of his phone,
29:03so it was very important to me.
29:07Can I know who I'm talking to?
29:11Thank you, nice to meet you.
29:15Vito Mirtutic.
29:22What?
29:30Honey, you have a couple of days to prove your love to me.
29:33Otherwise, none of my income and money.
29:35That's it.
29:36Bye now.
29:37First time.
29:52I didn't mean to bother you.
29:54No, I understand you.
29:56You know how it is now.
29:58The time has come that when someone gets a little more money,
30:01everyone tries to get rid of him.
30:03Do you understand?
30:04You're right.
30:05Listen, here's what we're going to do.
30:07We're coming to Belgrade tomorrow,
30:09so we're going to take a nice walk and try all the spaces.
30:13Okay.
30:14Okay.
30:15See you then.
30:17Bye.
30:21Bye.
30:37I'm asking you to be more careful in the future,
30:41because next time it won't be so easy.
30:45Okay, let's say goodbye now.
30:47Cheers.
30:48Cheers.
30:50Is everything okay?
30:54You?
30:55Me?
30:57Tell me, is everything okay?
30:59The owner of the club accused the management of Milano Fashion Week.
31:04Milano Fashion Week
31:16I was at Milena's.
31:20She told me that she stopped the therapy.
31:27How do you know that I was at the therapy?
31:30Milena told me.
31:32You know that we're friends.
31:47Milenka, are you okay?
31:48Yes, I'm okay.
31:50Are you sure?
31:51I'm fine, I'm fine.
31:52Leave me alone.
31:54Let's just get this over with.
31:58Let's get some rest, Mom.
31:59Let's go to our room.
32:02I'll take the phone.
32:03Let's go.
32:04Can you do it yourself?
32:05Yes, yes.
32:08Hold on.
32:10Milena's
32:24You tried to seduce me.
32:26Not to say you're cheating.
32:28But my brain is still working.
32:30How can we seduce you?
32:33I want to ask you something.
32:36Why don't you dress up nicely?
32:38Why don't you come to Belgrade?
32:41Belgrade?
32:42To fly over half the world?
32:44Yes.
32:57Why are you crying?
33:00I don't understand.
33:02I didn't kiss you, I kissed Milena.
33:06That's why.
33:28Yes, it's me.
33:31I just got a call for a trial.
33:49Andrija, all those women,
33:51all those other women got from you
33:53everything they wanted.
33:54And I...
33:55Hey!
33:56Enough!