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Category

😹
Fun
Transcript
00:00You
00:30You
01:00You
01:30You
02:00Oh
02:30Oh
03:00Oh
03:21Sit cool or the CIA ravine
03:23I'm an employee
03:26Okay, la set up a phoenix
03:32You know palace a monty to ma'am
03:35She wasn't free pull it back in Monk
03:38But on DC you not a complete for a trend to buy it with a 30 minute. Oh, yeah
03:46Come on let's fair compromise keen on pass a penetrate in the shadow
03:49No, you're done at a seagull no listen to this pascal
03:52But if you can't get that on there, that's a problem. Hey, just back at the poster, sir
04:19Oh
04:27You
04:29Don't know
04:32Shepherd
04:33You know somebody's made up for me
04:35I think she's working with a man to support the police at home before I do
04:38There's all that in the square in the square. It will cause a cashier. She'll go up and don't be such
04:42Well, she won't be unclear. I don't know. She'll look at it. I mean, he's a he'd read. Oh, it's a
04:47They do so come to some of the
04:50Miraculous Monday see me they just don't read on the scale. It's a bush. I love the color of it
04:55It's a rostrum. It's a trick. I don't
04:57Feel it's a cooler. Yes, you're
04:59Ramo, sir. My fork on the table
05:01You know, I've got a monsoon
05:02She did not know what I was in there. She'll leave her mom
05:04So I'm so bad a monsoon. She can't look at her. I mean, I'm super stupid
05:07And then she'll have a pop see if I lay on it would you want to get your shit?
05:10If you know how to do
05:12I
05:42I
06:12He's not finished his creation. He wanted it this way.
06:18It's a natural way of putting order in the castle.
06:22That's true. The Pafinis have nothing to do here.
06:27You're right. Our castle is not extensible to infinity.
06:30They can welcome all the creatures of the painting here.
06:33They can go wherever they want. They can make gardens.
06:35In the forest.
06:36That's the very reason why we can't blame him.
06:39Me!
06:41General, do you know who this girl is?
06:44Why would the Toupins be superior to the Pafinis?
06:46Because it's in your eyes.
06:48It's the painter who wanted her, young man.
06:50What do you know about that?
06:51Are you talking about his name now?
06:53Listen to me.
06:54We don't know why the painter disappeared.
06:56No one knows.
06:57But he can come back one day or another.
06:58And then he'll finish his work.
06:59Shut up!
07:00This boy is talking nonsense.
07:02Are you proud of your appearance?
07:03It's not pride that I feel when I hear you.
07:05It's shame!
07:06To feel superior to have on your belly I don't know what costume.
07:10I think I could even say a little slingshot.
07:12Excuse me.
07:13My friends.
07:14Our young Rameau is trying to defend his alliance with a Pafini.
07:18You have to understand.
07:19It's his age.
07:20But understanding doesn't mean we have to accept everything.
07:23Time is no longer idealistic, young man.
07:25Equality, freedom.
07:26The castle for everyone.
07:27For the Pafinis.
07:28Why not for the Ruffes?
07:29Or for the Grand Banque?
07:30Leave me alone.
07:31Don't you see that it's the power that interests him?
07:33Don't let him do it.
07:34The painter will come back.
07:35That's it. He'll come back.
07:36He'll come back.
07:38No, my friends.
07:39Believe me.
07:40You don't have to be proud to be the best.
07:42Be the most beautiful.
07:44My dear little hearts.
07:46You are the light of this castle.
07:49Long live the Grand Chandelier!
07:54Look!
07:55What a disaster!
08:05Stop!
08:06Have you gone mad?
08:07This boy is dangerous.
08:09Don't worry, Mr. Grimm.
08:10We can take care of him.
08:11Grand Chandelier.
08:37Do you hear them?
08:40I don't like this song.
08:42They're getting excited.
08:43Like devils.
08:44Who do they think they are?
08:45If you knew how they treated me.
08:46Why do you have to go with them?
08:47Because it's not fair.
08:48I want to dance, too.
08:49To have fun.
08:50It's no longer a question of dancing.
08:52Otherwise, to avoid their beatings.
08:56Do you know what he told me tonight?
08:57That my mouth was in color.
08:59I love it.
09:00I almost believed it.
09:01It's true.
09:02It's true.
09:03It's true.
09:04I almost believed it.
09:06You're lucky.
09:07But they love you.
09:08Why should they tell you stories?
09:09Because stories are beautiful.
09:11Life is so sad here.
09:12We just have to stay calm, as they asked.
09:14It's because of their dreams.
09:15They slip through all that.
09:17We hardly see them.
09:18So, of course, they don't risk anything.
09:19Listen to them.
09:20They would all like to be dolls.
09:22And I admit it, too.
09:23I feel very good like that.
09:24You say that because you don't have a lover.
09:26When you love, you're not alone in the world, you know.
09:28There's him, there's me, and then there's our love.
09:30He needs to live in the big day,
09:32accepted by everyone.
09:33It's true that I've never had a lover.
09:36But I'm going to look for my lover elsewhere.
09:38Elsewhere?
09:39And where are you going, little Lola?
09:41There's nowhere else.
09:42There's the castle, the gardens, and nothing else.
09:45What about the cursed forest?
09:46The forest?
09:47We don't even know anything about this forest.
09:49No one's ever been there.
09:50What are you doing?
09:51I'm going to join him.
09:52You know he's waiting for me.
09:54Where are you going?
09:55Let me pass.
09:56She's going to find her lover.
09:57What can it do to you?
09:58You're not going to get involved.
09:59You too.
10:00Lola is right.
10:01Leave her here. Let her go.
10:02Let's tell him to hide.
10:03His Rameau isn't better than the others.
10:04He's a fool.
10:05No, he's not like the others.
10:06He's going to worry.
10:07Stay calm.
10:09Wait a minute.
10:10At least he'll let me pass.
10:19Come.
10:22Come.
10:31Come.
10:37Oh, no.
10:40What have you done?
10:42He's a monster.
10:47No.
10:48No.
10:50No.
10:51No!
11:02No.
11:15Rameau?
11:16Is that you?
11:17What are you doing here?
11:18I can't help you.
11:19I'm waiting for someone.
11:20I didn't ask you for anything.
11:26Where's Claire?
11:27She's not here.
11:28The baffiners didn't want to let her go.
11:30Let's go get her.
11:32What's he doing here?
11:33He's hiding.
11:36I see him.
11:43Where are you going?
11:44I don't know.
11:45It's not that way.
11:46The current is dragging us.
11:47I don't understand.
11:48The current?
11:49There's no current on the lake.
11:54What are you doing?
11:55We're going to...
11:56The forest.
12:01The baffiners.
12:02Oh, no.
12:03It's awful.
12:04They're in the forest.
12:06It's cold in the water, isn't it?
12:30Claire!
13:01Claire!
13:21Silhouette, did you see anything?
13:23They followed them to the forest.
13:24And then?
13:25Well...
13:26Did they escape?
13:27They went into the forest and the giant flowers swallowed them.
13:29There were three of them.
13:30Lola, a ruff, and then...
13:33And then young Poupin.
13:34No!
13:35It's not true!
13:36Why are you lying?
13:50We passed.
13:51I can't believe it.
13:53They didn't devour us.
13:54Did you see?
13:55No, but it's crazy what we're telling as nonsense at home.
13:57To me, nonsense is to be in your pyrography.
13:59How am I going to find Claire now?
14:01I didn't do anything.
14:02I did what I could.
14:03It's okay.
14:04You didn't break anything.
14:06Leave me alone.
14:07And him, I don't want him to come near me.
14:09He won't hurt you.
14:11It doesn't hurt.
14:12It's okay, it's okay.
14:15Claire over there with her madmen,
14:16and me with this kid and this ruff who doesn't stop whining.
14:18What a mess.
14:19If the painter saw this.
14:21We just have to go find him.
14:23If you want my opinion,
14:24he's pretty proud of us.
14:27Why not?
14:28I've been thinking about it for a long time.
14:30We can always go tell him.
14:31I'm sure he'll finish it, it's not over.
14:33And the ruffs, Toupin, don't forget.
14:34And the ruffs, of course.
14:35He'll have a little more work, that's all.
14:38But where to find him?
14:39You know he's so clever.
14:41In the end, this forest isn't that terrible.
14:43Why don't we keep going?
14:44Which way?
14:45Everything is so dark.
14:47I'll go that way.
14:49What if we went that way instead?
14:51It wouldn't lead us anywhere.
14:52Okay, listen, that's enough.
14:53The best thing is to turn your back on the castle,
14:54and walk straight ahead of us.
14:57Okay.
14:59Shhh!
15:02He's still caught up in the lianas.
15:31Why doesn't he finish his sentences?
15:33I don't know. Maybe because he's a ruff.
15:35It's annoying, isn't it?
15:36Well, I can understand him.
15:37You, of course, must be having a hard time.
15:38Yes, I know.
15:39And look at that!
15:40I can't stop mumbling like a...
15:43...plot-phil!
15:45Watch your head!
15:46Well, leave me alone, leave me alone, leave me alone!
15:49Oh, and that's fine.
15:50Stay here if you feel like it.
15:51And if you meet him,
15:53you can tell him that I'm not with him.
17:02Hey!
17:03Doesn't he look like a...?
17:04He's right.
17:05We've been here three times,
17:06and we've been running around in circles.
17:08No way!
17:09Yes, I'm sure of it!
17:10I'm off!
17:11I'll be right back.
17:12Goodbye.
17:13Goodbye.
17:14Goodbye.
17:15Goodbye.
17:16Goodbye.
17:17Goodbye.
17:18Goodbye.
17:19Goodbye.
17:20Goodbye.
17:21Goodbye.
17:22Goodbye.
17:23Goodbye.
17:24Goodbye.
17:25Goodbye.
17:26Goodbye.
17:27Goodbye.
17:28Goodbye.
17:29Goodbye.
17:30Goodbye.
17:31Let's try to stay together.
17:58It's funny. I feel light. Light! Look!
18:04Lola! Lola! Wait for me, I can't see you anymore! Lola!
18:28Lola! I can't hear her anymore. I'm here, at the rock!
18:32Can you see her? Yes, all the way down.
18:35Ramon! Yes, I can see you!
18:38Are you okay? I'm okay!
18:40Don't move! Don't move at all! We're going to join you!
18:58Don't move!
19:29What's going on? Get back to your positions!
19:32What's going on? Get in line!
19:41Who's that? Catch that girl!
19:58Plume! Give me more rope!
20:00Oh no, you went down.
20:02So what? I was afraid to be alone.
20:04You have the right, don't you?
20:06Hang on!
20:16Dirty little spy! It's the worms who sent you, right?
20:19The worms? No, from another painting.
20:21It hung just above yours. It's not my fault, the rope broke.
20:24A painting? What's this nonsense?
20:26Well, I see I've bothered you. I apologize.
20:29Don't make fun of us!
20:30But it's the truth, I swear. You're in a painting. A painting about war.
20:35War is a serious thing, my dear.
20:37Even if we practice the art of war,
20:39you'll see tomorrow, when we shoot you, that it's not watercolor.
20:41But you're worse than stupid!
20:42Captain, the worms are in order of battle.
20:44Oh, they didn't waste any time.
20:46Magenta, Solferino, keep an eye on that turtle.
20:49You've never been here?
20:51I don't have to tell you. No one believes me.
20:53Not at all?
20:54She's a liar. Don't listen to her.
20:55You're in the painting of a battle. That's all.
20:57And I'm going to get out of here.
20:59Magenta, get ready. You're going to beat the charge.
21:02The charge? I'm fed up with this mess.
21:05It's got nothing to do with all this.
21:07Are you sure we can get out of here?
21:09Of course, since I got in.
21:11Untie me, you'll see.
21:13She may be right about the charge.
21:15Don't listen to her.
21:17What are you doing?
21:19You're not getting out of here.
21:46Where were you?
21:48And where did he come from?
21:50It's Magenta. He helped me. He's a good guy.
21:52He's with us now.
21:54Oh, sorry. What did I do?
21:56Go on, go on. I'm used to it.
21:58Plume is very, very fragile, you know.
22:00Excuse me, Plume.
22:02It's true, your nose isn't that strong.
22:07I'm sorry.
22:09It's true, your nose isn't that strong.
22:11It's true, your nose isn't that strong.
22:13It's true, your nose isn't that strong.
22:44What are we doing here?
22:46I wonder.
22:48Everything looks abandoned.
22:50He may have gone very far.
22:52What if he was there, very close,
22:54listening to us?
22:56He'd do nothing to show himself, would he?
22:58We can't spend the night with someone who's not here.
23:00Oh, this one's pissed off.
23:02No, it's alright, life is beautiful.
23:04The painting everywhere is top quality.
23:06Harmony, tolerance.
23:08It's a big desert down here.
23:10It's like in the desert!
23:23Lola?
23:24Yes?
23:25When you see him, what are you going to ask him?
23:28Ramo thinks he hasn't finished painting us.
23:34I would ask him why there is no battle.
23:36He would have done better to paint the sea.
23:37I always dreamed of going to the seaside.
23:40And you? What are you going to ask him?
23:42Me?
23:43I don't know yet.
23:44There are so many things I would like to understand.
23:46Why sometimes we are happy, or unhappy.
23:53Claire?
23:55What's wrong?
23:56He is in love.
23:57Really?
23:58And the painter will fix that too?
24:40Grand Chandelier, when she comes out of the forest, she smiles at the angels.
24:50I think young Ramo is not dead.
24:52The flowers of death have not found their taste.
24:55Strange.
24:56Unless...
24:58Do you think something protects them?
25:00Love, Mr. Gray.
25:02Love?
25:03Yes, love.
25:05Well, you know what you have to do.
25:07Your wishes are my orders, Grand Chandelier.
25:10As they are fragile.
25:12Who spoke?
25:14Did you hear?
25:15No.
25:16I assure you, we spoke.
25:17It came from the big rat, there.
25:40Shh.
25:57Hello.
25:58Hello, Madam.
26:00Madam, call me Garance.
26:03And you, who are you?
26:05To you, Lola.
26:07Well, that's it.
26:08You, I'm sure you'll believe us.
26:10We fell off our painting and we're looking for the painter.
26:13It's strange that he left you like that.
26:15I thought he always finished his work to the smallest detail.
26:18By dress, for example.
26:19But you're all naked.
26:21Oh yes, it's true.
26:22Where did I put my head?
26:24Who is there?
26:25I think we woke up the Orange of Mars.
26:31Hi, you came to play with me?
26:33We are looking for the painter.
26:34And you don't know where he is, what head he has,
26:36if he's big or small, if he has a big nose.
26:38If you meet him, you won't know any more.
26:39Is it him or another who passed here, who passed there?
26:41If you don't know him.
26:42And you, young man, do you know him?
26:44I'm not a young man.
26:45I'm a harlequin, someone.
26:46And the painter, I know him well.
26:47He's not far.
26:48Yes, yes.
26:49Behind you, on the horse.
26:53It's him?
26:54It's the painter.
26:56Oh no, unfortunately.
26:57It's just a self-portrait.
27:00So, are you happy?
27:01You woke everyone up.
27:02Where do you think you are, in a guardhouse?
27:04No, not at all.
27:05We are in the painter's studio.
27:06We apologize for disturbing you.
27:07He abandoned you, huh?
27:08I'm not surprised.
27:09A pride, a contempt.
27:11For his own creation, in addition.
27:13And you run after him like idiots.
27:15Why do you say that?
27:16It looks like you're angry after us.
27:17I'm always angry.
27:18I can't do otherwise, you hear?
27:20Don't expect me to make a good impression.
27:22I'm incapable of it.
27:23It's true, he's always in a bad mood.
27:24When he drew me, he was in a very good mood.
27:26And me too, consequently, it was not unpleasant.
27:28And then I don't know what took him.
27:30Or rather, if I know very well.
27:32You don't know what she made us suffer.
27:34Look there.
27:35Madame is still in love.
27:37You'll see the little glances she throws at me again.
27:39No, but I know you're not the painter.
27:41Don't pay attention, it's always like that.
27:42They can't see each other in painting.
27:43Besides, I didn't look like him.
27:44It's not true, it's his self-portrait.
27:46Where did he go?
27:47We absolutely have to find him.
27:48I hate him.
27:49Which means I hate myself too, in a way.
27:52If you knew how painful it is to carry feelings that are not yours.
27:56We simply dream of being ourselves.
27:58It's not too much to ask.
28:02Tell me, you're pretty.
28:04He must like you.
28:06I don't know.
28:07Did you forget?
28:08Come closer, Lola.
28:09Me?
28:10I could never forget him.
28:13Me too, you know.
28:14I liked him.
28:15He loved me.
28:16He didn't say it, but I could see it.
28:18One day, he dipped his brush in his cup of coffee
28:21and he drank his bottle of olive oil.
28:23He didn't even realize it.
28:26I wasn't afraid.
28:28His gaze was soft.
28:29First, he drew me with a very vigorous stroke.
28:32Then, he chose the color of my eyes, my skin, my hair,
28:36without neglecting the smallest detail of my body.
28:38Then, he dressed me in a fine lace lingerie.
28:41And finally, in an admirable dress.
28:44The painter had style, you could say.
28:46And your dress, what did it become?
28:48I thought he was done, that the portrait was finished.
28:51But one day, he picked up his brush
28:53and he took off, one after the other, all my clothes.
28:57Oh my! You didn't say anything?
28:59Oh no, it was even more pleasant.
29:01You are very beautiful like that.
29:03Oh yes, you think so?
29:04I would love to meet him.
29:05Where did he go? You must know.
29:07Maybe he went back to Venice.
29:09Venice was a real passion for him.
29:11Venice is another woman?
29:13Venice is a city, a kind of dream.
29:16Men love women, Lola, but they still prefer dreams.
29:19And how to get there?
29:20It's not very difficult.
29:32Oh no, Lola!
29:34Where are you going?
29:51Wait for us!
29:53Wait for us!
30:20Wait for us!
30:50Wait for us!
30:56Are you there?
30:57Yes, I can see you.
30:58I can't see anything.
31:15The painting!
31:20Who could have done that?
31:22Not him, Kira.
31:23The painter.
31:27Is he able to destroy us?
31:34At least like that, we are sure that he exists.
31:37Lola went to find him.
31:39Quick, we have to warn them.
31:50No.
32:15I can't take it anymore.
32:16Are you going to sleep like that all day?
32:18Yes, and tomorrow I'll have to start again.
32:20And the other days too.
32:21It's not funny, but that's how it is.
32:23You're not from here, are you?
32:37Hey, what are you doing?
32:39You're not the painter.
32:40What? I'm not the painter?
32:41And what is that?
32:42It's dead paint.
32:43Dead paint?
32:44Wait a minute.
32:49And you don't look like him.
32:50He's much more handsome.
32:51Don't fight.
32:52First of all, you don't know if he's more handsome than me.
32:54Everyone wears a mask here.
32:55It's mandatory.
32:56Really? I didn't know.
32:58You don't seem to know much.
32:59Then take off your mask.
33:05No, wait!
33:06Don't go!
33:12Have you seen this ball?
33:14We'll never find them.
33:16Here.
33:17Absolutely not.
33:18It can be erased.
33:46Hey!
34:12Hey!
34:13What's wrong with all of you?
34:14Did you do this?
34:15I could have finished my work, but it flew away.
34:17It's very pretty, by the way.
34:19But I can't keep it.
34:20Are you interested in painting, young man?
34:22The canvas is not finished.
34:23I'll give you a price.
34:24I can even do better, you see.
34:26In general, I refuse to work on memory,
34:28but since you insist,
34:29you'll see, it'll be quick.
34:31In color, I'm not too bad.
34:33It's to grasp the movement that I have problems.
34:35And this girl, where is she now?
34:37She's gone, flown away, I tell you.
34:39So you don't want her?
34:42Well, too bad.
34:44I give up painting.
34:45It doesn't stop moving.
35:11Well, Mr. Gray.
35:12How is this child behaving?
35:14She's crying.
35:15She's calling her.
35:16These cries are painful to hear, Grand Chamberlain.
35:19Very good, Mr. Gray.
35:20Very good.
35:21They say that love is blind,
35:23but it has ears.
35:25Rameau will soon reappear.
35:28Prepare our little ceremony.
36:11Lola!
36:12Follow me!
36:13Nebot, he's over there!
36:14No, don't go!
36:15It's dangerous!
36:17What?
36:18I can't hear you!
36:25Follow that gondola!
36:41Where is Grandma?
37:11Here she is, Miss.
37:34Here is your painter.
37:36Oh no!
37:37Look!
37:38There are at least 350.
37:40Yes, they come here every night, to watch the sunset.
37:45No. I don't believe you. He can't have done that.
37:49I assure you, Lola, there were dozens of them, and their bellies were burning.
37:52Cut them with a knife.
37:53It's not possible.
37:55Have you seen how beautiful it is? The sun that descends into the sea, the green reflections on the red water.
37:59A sunset is a vulcan.
38:02He must stop talking nonsense.
38:03It's not nonsense. These are feelings.
38:05When he's sad, he paints sad.
38:07And when he's in love, he paints carefree.
38:10Even if he's not in love with her, he paints carefree.
38:12But then he cuts her into pieces.
38:14In any case, I don't want to meet him.
38:16Anyway, you don't risk meeting him.
38:17Why?
38:18Because the painter is not here. We are in his painting.
38:21The painter cannot be both inside and outside of his painting.
38:24And those, then?
38:25Faucets. They paint what the painter has already painted.
38:27I don't understand anything anymore.
38:28And I have more to tell you.
38:29We're going to do without him.
38:32Well, where did I put it?
38:35My dress!
38:36Bravo! She sat on my idea.
38:39What is it?
38:40Painting.
38:41So?
38:42Oh yes! And do you think we could?
38:44Of course, we would need more.
38:46Exercise a little, and then...
38:48Say, that will do you no good to finish your sentences.
40:31No, no, no, no, no!
41:31Hum?
41:32Bah!
41:33You must have missed it!
41:36Here we are again, my friends.
41:38But who allowed you to enter my house and get out of there?
41:40Maïssa, what is this happiness?
41:42It's yellow.
41:44I have a lot of it on my dress.
41:45You should fix it. It's really ugly.
41:47Ah, that's clever.
41:49Well, here it is.
41:50Magnificent!
41:51Really? You think?
41:52So you can paint?
41:53It's funny, I've never tried.
41:55Yes, it's not so bad.
41:57You're not angry anymore?
41:58But if...
41:59I'm always angry, even if I'd like to help you.
42:01Teach us how to paint!
42:02Yes! If you're in a bad mood, you may also have a talent.
42:05Finish his work?
42:06It's not to please me.
42:08I need more colors.
42:10Oranges, red ochres.
42:11There are some on the table.
42:12Indian yellow, indigo.
42:13Above the piano.
42:14Vermilion, neon green.
42:16In the open drawer.
42:30No, no more for you.
42:31No!
42:32I can wait.
42:33Him first.
42:41Oh my, how do you want me to get out of this mess?
42:43It's not a mess.
42:44It's my friend.
42:45How was your friend?
42:47He was... how to say...
42:49very nice.
42:50Paint kindness.
42:52How are you going to do that?
43:00He was a bit...
43:03Yes, but not like that.
43:06Without weakness.
43:08That's it.
43:12Delicate.
43:13Sensitive.
43:14He was good.
43:16But what am I doing here?
43:20Plume!
43:21Oh my, you're back from far away.
43:29I'm sorry.
44:00So, Silhouette, do you have any news?
44:02Why all this noise?
44:03The Tupins are making something strange.
44:05They've caught all the ruffs to make them work.
44:30These ruffs are incapable.
44:32It looks like they're doing it on purpose.
44:53Go get the ruffs.
44:54Hurry up!
44:57Faster!
44:58Hurry!
45:18We'll stay under the trees, to the right of the camp.
45:28Let's go.
45:51Come with us, Magenta.
45:53Wait for me, I have an idea.
45:55Hurry up!
45:57Come on, we'll join you later.
45:59Here we go again.
46:26Hurry up!
46:56Wait for me here.
46:57And don't touch anything before I come back.
47:26Come on, let's go.
47:56Thomas, are you looking for Claire?
47:58What happened? Where are they?
48:00Where is she?
48:01Come, I'll show you.
48:05I got it, you can count on me.
48:07And don't forget anyone.
48:10Rameau, it's you.
48:13Oh, my poor Rameau.
48:14Where were you?
48:15Far away, too far away.
48:16Don't worry, everything will be fine now.
48:19Thomas, no!
48:20You can't do that!
48:21You can't do that!
48:23You can't do that!
48:24You can't do that!
48:49Far away?
48:50Come on, let's go.
48:51They're here.
48:53But it's not the rubbers anymore.
48:55No, it's not.
48:57Yes, look.
48:58It's incredible.
49:02Come closer.
49:04Come closer.
49:05You have everything you need here.
49:07All the colours, all the brushes
49:09and above all the freedom to paint yourself.
49:12Take a pastel tone, a brighter tone, a colder tone.
49:15Look at me.
49:16I'm sure you don't recognise me.
49:17It's true, he's changed.
49:18And since he speaks well now, don't be afraid.
49:20I'll show you first.
49:21Here.
49:22You need touch and fingering.
49:25We follow the curve like this.
49:28And you see, it's not difficult.
49:30Yes, but I don't want this colour.
49:31You don't like it?
49:32It's pretty.
49:33Give it to me.
49:34Well, do it yourself.
49:35And according to me...
49:36You said we could paint.
49:37Yes, but not like that.
49:47Calm down.
49:48He'll give it to everyone.
49:49It's very pretty.
49:50Mum, I want paint.
49:58Let go of me.
49:59Let go of me.
50:09Ah, there you are.
50:10Look at them.
50:11They're crazy.
50:12It's crazy.
50:13Sorry.
50:14We did what we had to.
50:17We did.
50:23How it starts...
50:30Oh, you're here.
50:31No, no, don't bother.
50:32What's the program?
50:33How are you, my dear friend?
50:34He's waiting for me, he's waiting for me.
50:39I'm here.
50:47Oh
51:17Oh
51:47Oh
52:17Is
52:47Oh
53:17Foreign
53:47That I'm going to look on the treadmill, but it's also can you think of it?
53:51of us
53:52Yeah, can't get it there on the cooler. It's a little bit of air. It's a little
54:00Come to me
54:02That's a lot. It's a party concert. I'm gonna miss you. It's important to follow
54:08Fabulous, but I don't do that. They don't deal with us. It's about it
54:17I
54:47I
55:17I
55:47I
56:17I
56:47Oh
57:17Thank you
57:19The opportunity
57:21Yes
57:23No
57:25Yes
57:27No
57:29Yes
57:31No
57:33Yes
57:35Yes
57:37Yes
57:39Yes
57:41Yes
57:43Yes
57:45Yes
57:47Yes
57:49Yes
57:51Yes
57:53No
57:55Yes
57:57Yes
57:59No
58:01Yes
58:03Yes
58:05Yes
58:07No
58:09No
58:11No
58:13Can I walk in your garden?
58:15Oh, you can go wherever you want.
58:17There's no barrier.
58:19You can even go to the sea.
58:21It's over there.
58:22On the other side of the dunes.
58:28Hey! You didn't answer me!