Pedro el Escamoso 2 Capitulo 16 Completo en Español
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Short filmTranscript
00:00THE LORD OF THE SKIES
00:04You're so stupid, Javi.
00:06She's a friend of Fernanda's.
00:08What did you expect me to do?
00:09Everyone in the media knows you're behind this show.
00:12How could you think Paula Davila wouldn't know anything?
00:15Paula doesn't work for that company anymore.
00:17She's being replaced by an ambitious guy.
00:19I don't give a damn.
00:20Relax, he's a trustworthy guy.
00:22When did I ever think of doing business with you?
00:25Everything is under control.
00:30The person who replaced me told me this in confidence,
00:34but I haven't seen anything.
00:37I don't have any conclusive evidence.
00:39Is there a way to get a copy?
00:42I already quit.
00:45But the guy I recommended is very grateful, so...
00:51Yes.
00:52It's possible.
00:54Let me see what I can do.
00:57Paula, I'd be grateful to you with all my heart.
01:08Yes.
01:11Yes.
01:12No.
01:14Yes.
01:19What are you doing?
01:22A test.
01:24Do you want to be an ophthalmologist now?
01:27No, it's just that the pupil either enlarges or shrinks
01:32depending on the intensity of the light.
01:34That means...
01:35Whose eye is that?
01:38Mine.
01:41I didn't realize you had such pretty eyes.
01:45Yes, almost no one notices.
01:49Coffee?
01:50Oh, yes.
01:52Coffee?
01:53Oh, yes. Thank you.
02:00The important thing here is that this happens
02:03when one person likes another.
02:06Wow, fascinating.
02:09Or when they lie.
02:12Lucia, I'm not paying you to do physiology experiments
02:16or become an ophthalmologist or anything like that, please.
02:19You're right, I'm sorry.
02:22But you know what?
02:24This can be used to create a filter
02:26for the application your dad wants to design.
02:29My dad or you?
02:33Think about the possibilities.
02:35If we can design an algorithm
02:37that triggers an alarm every time someone lies,
02:41it would be much easier to discern
02:43or analyze the information they give us.
02:45Stop being silly about that.
02:47Maybe my dad will forget about it too.
02:49Leave him to think about his impossible projects.
02:52You focus on what's really important.
02:56Get to work.
03:07I'm sorry to interrupt your work here at Beauty Hair,
03:10but I need you to hand me this form.
03:14Here you go, Mr. Fernando.
03:16I need you to answer this form honestly and sincerely.
03:24Pedrito, I'm busy right now.
03:27What's this for?
03:28It's a test.
03:30But it's a lot of questions, right?
03:32Of course, the idea is to get to know you
03:35so you can find a partner.
03:37Oh, sir, I want one.
03:38Really? Of course.
03:39I want one too.
03:40Máximo, did you see how successful this was?
03:43Yes, congratulations, but we're busy working.
03:46Yes, I know.
03:47I need you to tell me the truth.
03:50Nothing but the truth and only the truth.
03:54So that this works. Excuse me.
03:57Oh, when will this boy land?
04:00What boy? Pedro is a kid.
04:03A kid? But he's 46, Mom.
04:06Elvira, you're an old lady and you haven't learned.
04:08No, I do learn, but I forget.
04:14Here are the tickets.
04:15I just sent you an email.
04:16I think it's a shame you didn't invite me.
04:19I don't have the budget for anyone else,
04:21but if you really want to go,
04:23pay for your hotel and your tickets.
04:25With the department's purchase,
04:27I owe a lot of money and I can't afford that luxury.
04:30Then I don't know what to do, honey.
04:32Have fun.
04:33Hey, I need a favor from you.
04:36For that, yes, right?
04:38Yes.
04:39I need a favor from you.
04:41For that, yes, right?
04:43Find out if Pedro is going to that congress.
04:48What for?
04:49What do you think?
04:50I thought that was final.
04:53I really need it.
04:54Poor thing.
04:56I'm serious.
04:57I know, but do you want me to be honest?
04:59Did you lose that money?
05:01No, I don't think so.
05:04But will you find out or not?
05:07Yes.
05:08I think there's a better way to find out.
05:11Do you know the organizers of the congress?
05:14I don't know.
05:14Wait, I'll find out.
05:16We do a lot of intelligence work.
05:19Who cares if it's the congressmen
05:21who invite you to a talk or a work table?
05:25If you do that, I'll take you on the next trip.
05:27And I'll get a raise. Thanks.
05:29Keep dreaming, honey.
05:32I wanted to ask you if any of your speakers
05:35have failed you.
05:36I just got a call from my counselor
05:39about a guy who came from India because he got sick.
05:42I have the perfect candidate to replace him.
05:45As long as it's your boss, I'd be delighted.
05:49No, she can't go.
05:51But do you remember Pedro Coral?
05:53Of course I do.
05:54Call him.
05:55I'm sure he'd love to attend.
05:57I'll call him right now.
05:58I send you a hug.
05:59Please say hi to your parents.
06:01Perfect, Ramiro. Thank you.
06:07I didn't know you had such pretty eyes.
06:11Are you jealous or are you just imagining things?
06:13No, I'm not jealous.
06:15I'm just wondering if you're falling for the girl.
06:19No, I'm not falling for anyone.
06:22No?
06:22No.
06:24Well, be careful.
06:27Careful with what?
06:28I like her, but I think it's easy to get in her state.
06:34Maybe she'll change her mind.
06:36At this point in my life,
06:38I'm not interested in going out with any woman.
06:40Especially not with Lucia.
06:42Why not?
06:43Because I just got out of a complicated relationship.
06:46Are you sure you already got out of it?
06:50Ready.
06:52That fast?
06:53You have to serve my dad's influences.
06:56Is he going? I don't know.
06:57He's going to be invited, but I don't know if he'll accept.
07:03This weekend?
07:05That's right, my dear friend.
07:06And I'm not going to accept a no in response.
07:09No, but he's too excited to prepare a speech.
07:13It's a conversation about the dangers
07:15and advantages of artificial intelligence.
07:18I don't know.
07:24No, thank you very much, Ramiro.
07:27Of course. See you later.
07:30Bye.
07:33So?
07:35Confirmed.
07:36Really? Are you sure?
07:37Yes, I'm very sure.
07:38I'm so excited.
07:40I'm going to call the hairdresser to set up a date
07:42to look beautiful.
07:44You're welcome, right?
07:49I have to travel tomorrow.
07:51Why?
07:53I was invited to the technology and systems congress in Miami.
07:56That's great.
07:57Do you want to go?
07:59No.
08:01No.
08:02I have something to do, so I won't be able to make it.
08:07Okay.
08:09Okay.
08:10Well, then, can I leave you to work on what we're doing?
08:14Please.
08:15And not on those eye physiology experiments or whatever they're called.
08:19Yes.
08:20Yes, I only do that in my free time.
08:23I hope so.
08:24Uh-huh.
08:27Let's go.
08:28Mariana, what do you need now?
08:30We're leaving.
08:31Where to?
08:33To look beautiful.
08:34I have a lot of work to do.
08:35No, let's go. I'll invite you.
08:37If that's the case...
08:43Well, it's time to read the results of the surveys.
08:48No, no, no.
08:50That's private, Pedro.
08:51What's the problem?
08:52We're all going to be partners in this.
08:55I don't know, I don't know, I don't know.
08:57Mr. Pastor Fernando, we're family here.
09:00There are no secrets here.
09:01No, no, no.
09:02I don't agree to let my private life be ventilated like this.
09:06Stop talking nonsense.
09:07Start with mine.
09:08That's the attitude.
09:09Very good.
09:10Very good.
09:11I repeat, we're going to be partners.
09:12And if this works, we're going to cover ourselves in money.
09:15Peter, I don't fill out any forms.
09:17Me neither.
09:18It doesn't matter.
09:19This is just a test.
09:20Do it, do it.
09:21Very good.
09:22Let's go with Nidia Guillermo.
09:24Nidia Guillermo.
09:25Nidia Guillermo.
09:27Age, 19 years old.
09:28Yes.
09:29Sex, once in a while.
09:35But this is serious, for God's sake.
09:38I don't understand.
09:40He's taking the piss.
09:41The other one is serious.
09:43Let's see.
09:44Hobbies, music, dance,
09:46do you like the movies, the series,
09:49sex?
09:50Miss, that wasn't necessary to say.
09:53But it's true.
09:54You told me to tell the truth.
09:56Let's see, Pedrito, I think this is going to be a problem.
09:59Oh, no, you're all so mojigatos now.
10:02Look who's talking.
10:03Yes, I'll read this in private and then we'll talk.
10:05Oh, you know what?
10:06Think about it, read mine.
10:07Read mine, I'm an open book, I don't have anything to hide.
10:10Look, go.
10:12Elvira Pacheco, age 30 years old.
10:21What's the laugh?
10:22What's the laugh?
10:23This is serious.
10:24Don't you understand that this is serious?
10:26It's serious.
10:27Should I bring you the cedula?
10:28No, it's not necessary.
10:29We made this up so that people don't lie, for God's sake.
10:36We didn't make this up, but of course, I came up with the idea.
10:39Pedrito, please, it's best if you read that yourself.
10:42And if you need to corroborate information,
10:44ask each of us separately.
10:45Yes, that's best.
10:47Go and dig up the cedula.
10:53Hello, Fernanda.
10:54Hello, Pipe, sit down.
10:56Did you send for me?
10:57Yes, yes.
10:59Well, I sent for you because,
11:02imagine that we already know who closed the program.
11:07No.
11:08Yes.
11:11Well...
11:12Who was it?
11:13No, but wait a second, before formally accusing someone,
11:16I need you to tell me if it's the same program as the company.
11:23Yes, of course, of course.
11:25With pleasure.
11:26Thank you, Pipe.
11:27Imagine that a friend of mine is going to give me the information
11:30and I need you to check in detail if it's the same program.
11:36Fernanda, I don't think that will be necessary.
11:41Just imagine that...
11:44I already know who closed the program.
11:46Really? Who?
11:51Pedro.
11:54Come in.
11:56Pedrito, are you busy?
11:58No, sir, I'm just covering my ears.
12:00Oh, you're so stupid.
12:01We do that in the living room and we do it perfectly well.
12:05And reading lies?
12:06Oh, they're not mine.
12:08They're not mine because I only put the truth there
12:11and nothing more than the truth.
12:13Well, Mr. Pastor, I haven't gotten to your file yet.
12:17Look, I'm asking you, please,
12:20that my information be handled in an absolutely confidential way.
12:24But if Sumercia has nothing to hide,
12:27there are things that belong to the most intimate mystery.
12:31Don't worry.
12:32As soon as I read everything, I'll burn all the files.
12:35Oh, wonderful. That's the best part.
12:38Now Sumercia understands why it's important
12:40to develop this program.
12:42I understand it perfectly well.
12:44I mean, I've suffered from something
12:47and it's that during my life,
12:49many times they've come to me to try to mistreat me
12:55or to abuse me.
12:57And Sumercia hasn't tried it on the other side.
13:00Which side?
13:02In fact, what I mean is Sumercia hasn't tried
13:05to get to know people personally.
13:09Oh, oh, look, the truth.
13:13Look, the truth.
13:14This fine print that nature gave me,
13:19there aren't many people who come close to me.
13:24That's why not only I, but so many people
13:26have decided when we relate to others
13:29to relate to each other as we are,
13:31being what we are and without keeping any appearance.
13:34That's right, Mr. Pastor.
13:37That's why I need what's written here to be true.
13:40And how are you going to do that?
13:42Pedro, I'm surprised you doubt it, Mr. Pastor Fernando.
13:46When Pedrito Corral says he's going to achieve something,
13:49he does.
13:52When I found out about the relationship between the two,
13:54I was thinking about several coincidences
13:56that happened on the day of the robbery.
13:59Oh, it's very hard for me to think it's Pedro.
14:02Fernanda, do you know anything about Pedro's father?
14:07Do you know him?
14:10Don't you think it's strange that he showed up
14:12from one moment to the next hiding his true identity?
14:15I hadn't thought about it.
14:16It's very strange.
14:19Think about it.
14:21How could you think that a guy like Pedro,
14:24such a successful and powerful man,
14:28would allow his father to work as a messenger?
14:32Yes, it's strange, isn't it?
14:35Pedro was the person in charge of the show.
14:38He was the one with the most knowledge of the keys
14:40and all the accesses.
14:42And the other guy kept an eye on everything we did.
14:46Everything.
14:48And according to your security, he was one of the last people
14:51who left this office on the day of the robbery.
14:55But...
14:57Let's not get ahead of ourselves.
14:59I think we should first verify if it's the same show
15:02and then draw conclusions.
15:05Yes, of course. As you wish.
15:11Cata, what do you think of that sexy set?
15:14Which one?
15:15What are you doing?
15:16I'm traveling tomorrow.
15:18And that?
15:20Damn it.
15:21What?
15:22I didn't realize.
15:23I'm going with Mariana to the Mayan Congress tomorrow.
15:26What?
15:28Sorry, it was the last minute. Fernanda sent us both.
15:31Why didn't you tell me?
15:32Because everything happened so fast
15:34and I didn't realize you were going.
15:36And now what am I going to do?
15:37Cancel the trip.
15:38No way.
15:39I already have tickets, I'm going to the hotel, everything.
15:42I'm more than here.
15:43It's a marriage, right? No shame.
15:45Why don't you help me think of what to do?
15:48Tell Mariana the truth.
15:51Are you crazy?
15:53You're crazy, Loli.
15:55You're the one messing with that guy.
16:03Ready?
16:04More than ready.
16:06Anything else, miss?
16:08No, Ramon, that would be all.
16:10Ramon, first to the airport and then to the office.
16:13Yes, ma'am.
16:15I'm going to miss you.
16:17Me too, but I'll only be gone for three days, Mom.
16:20A lot of trial.
16:22No, I'm going to behave badly.
16:25Right, Ramon?
16:26If you want to have a good time, you have to behave badly.
16:30You know, Ramon.
16:32Good thing my flight is in the afternoon.
16:34Have you thought about how to explain this to Mariana?
16:37It's going to be inevitable that we find her.
16:42I'll be locked up for three days in the hotel room and that's it.
16:47You know exactly what you're going to do.
16:51I'll come up with something.
16:53You're going to get in trouble.
16:55Grandma.
16:56Yes, yes.
16:57Cata, your taxi is here.
16:58Thank you, Maribel.
16:59I made you some coffee.
17:01Okay.
17:03Be careful with my room, okay?
17:05Bye.
17:06Bye.
17:07I'm going to bring the guy over.
17:09A little treat from Miami.
17:11Oh, yes.
17:15I'm so jealous.
17:17Not so much.
17:18What are we going to do on the weekend?
17:21I don't know.
17:22I don't know.
17:24Not so much.
17:25What are we going to do on the weekend?
17:28I'm going to my dad's ranch.
17:31Really?
17:32Yes.
17:33He's going to invite me, Loli.
17:35No.
17:36No, no, no.
17:37You know what?
17:38He's going to get bored.
17:39He's like a bunch of grandparents.
17:41Domino, Parques.
17:42I'm going because it's my turn.
17:44I play really well, Parques.
17:45Come on, but I'm alone, Mom.
17:47Margie, no.
17:48Don't be alone.
17:49Not this time.
17:51Well, ma'am, I'm going to say goodbye.
17:53To what?
17:55To a lot of things, Pedro.
17:57Oh, ma'am.
17:59But for now, I need you to take this to Fernanda.
18:03Please.
18:04It's really important.
18:06I'm going to put my best man in it.
18:09Don't worry.
18:10No, no, no, no.
18:11You have to take it and give it to her personally.
18:16And you have to give it to her.
18:19It's a very sensitive material.
18:23Oh, ma'am.
18:24What if I put it upside down?
18:26Why?
18:27Do I put you in trouble?
18:29Of course not.
18:30No.
18:31Well, then please let me know as soon as I give it to you.
18:34Of course, ma'am.
18:35Count on it.
18:38What do I owe you?
18:39Nothing.
18:40The first service to all customers is free.
18:43It's the company's policy to make more money.
18:46I thought I was going to give you a good tip.
18:48I wouldn't offend you.
18:51How are you, Doctor?
18:52Me?
18:54Better than ever.
18:55Don't you see me?
18:56This Dr. Paula.
18:58Where does she get so much strength to bear this?
19:02Can you give me a hug?
19:03Of course.
19:04Yes, please.
19:05A hug.
19:06Such a brave woman.
19:07Thank God.
19:11I feel better.
19:33Well, I packed everything for you.
19:37You're welcome.
19:38Hey, don't forget to stop by that duty-free
19:40where they tell me perfumes are cheaper.
19:42You can get a discount there.
19:44A trial, right?
19:45As usual.
19:46I'll be there.
19:47Hey.
19:48Ah.
19:50What's up?
19:51Good morning.
19:52Come in.
19:53Good morning.
19:54I'm glad you're here. I'm on my way out.
19:56I left you a list of tasks in the studio
19:58so we can move forward with what we have pending.
20:01Yes.
20:03If you need anything, Lucero will take care of it
20:05like a queen.
20:06Of course.
20:07In fact, we're going to move into this house, right?
20:09It's not starting.
20:10I know it's the weekend, but if you want to come here
20:13to work or for Lucero to take care of it,
20:15come right away.
20:16You know I don't have weekends, right?
20:18I know.
20:19The taxi's here.
20:21If you need anything, let me know.
20:23It's at your house.
20:27She's pretty, isn't she?
20:28I don't know.
20:29She doesn't know.
20:30Of course she does.
20:32Don't play dumb.
20:34I'm going to work.
21:04Ms. Carol, how are you?
21:06Mr. Pedro, it's a pleasure to see you.
21:08How have you been?
21:09Well, a little sad.
21:12I'm not going to deny it, but I'm on my way.
21:15I have to give this envelope to Dr. Fernanda.
21:18Of course, I'll give it to her.
21:20We do have problems because I was asked
21:24to personally give it to her.
21:28I think she's busy, but wait, I'll call her.
21:32I think she's busy, but wait, I'll call her.
21:35Ma'am.
21:38Well, Pete, that's between us.
21:40No, of course not.
21:41Talk to me.
21:42Hello?
21:44Carol, tell him to leave it at the reception.
21:47Oh, okay, okay.
21:48Tell him to keep going.
21:49Well, now let's keep talking.
21:51I think the package I've been waiting for has arrived.
21:53Okay, I'll keep an eye on it.
21:55Hey, did you check what I sent you?
21:57I need that for tonight.
22:03Hey, what's that guy doing here?
22:08No idea.
22:09He better not be looking for trouble.
22:13Well, Jaime, thank you very much.
22:15See you.
22:16See you.
22:17Young Dr. Don Pete, eat up.
22:20Good, good, good.
22:21I came here to give this to Dr. Fernanda.
22:25Ah, well, when I give it to her, let's go get some coffee.
22:28Okay, okay, great, great.
22:29See you.
22:30Okay, keep going.
22:42Come in.
22:44Come in.
22:47And there she was, sitting, working, busy,
22:52with that beautiful face she's always had.
22:56Blessed Virgin.
22:58Seeing this woman again almost breaks my heart.
23:01Good morning, Doctor.
23:03Good morning, Pedro.
23:06Here I brought you this document
23:08that Dr. Fernanda sent you.
23:11Here I brought you this document
23:13that Dr. Fernanda sent you.
23:15She asked me to give it to you in person.
23:18That's why I'm here.
23:19Ah, well, thank you very much.
23:21Pedro, baby, don't lose the momentum.
23:24Show her.
23:26What else?
23:27Nothing.
23:28Do I have to sign somewhere?
23:30No, no, ma'am.
23:31Just call Dr. Fernanda and tell her
23:33that I gave you the envelope in person.
23:36That's more than enough.
23:37Ah, well, no, perfect.
23:38I'll call her.
23:39But what's going to happen?
23:40Say something smart.
23:41I don't know, be quiet.
23:43Doctor, here I leave you the card
23:46of the courier company that we opened in Monpirillo.
23:49Anything your Mercedes needs,
23:51just call us and whatever it is, at your service, okay?
23:55Ah, well, thank you.
23:58I'm very happy to see you, Doctor.
24:00Have a happy day, Pedro.
24:02Punish me with the whip of indifference.
24:05I deserve it.
24:08But look at how beautiful your Mercedes is.
24:15Anything else?
24:16Ma'am, I need to talk to your Mercedes.
24:19Oh, Pedro, I don't.
24:21It's only five minutes and nothing more.
24:24Pedro, it's not necessary.
24:26Yes, it is necessary,
24:27because I'm dying of sadness.
24:29Pedro, look, I'm super busy today.
24:32I understand that your Mercedes is very busy,
24:34but Doctor, it's five minutes,
24:36I'm dying of sadness, really.
24:38Here where you see me, I'm on my knees.
24:41Doctor, please listen to me, for God's sake.
24:44Pedro, look, in life,
24:46in the end, the only thing left is dignity.
24:49You didn't ruin it with lost causes, Pedro.
24:52It's not worth it.
24:53Look, my answer will always be the same.
24:59Excuse me, Doctor.
25:01Go ahead.
25:06Come on.
25:21Hey, what are you doing here?
25:23What do you care?
25:24Don't talk to me like that, what's wrong with you?
25:26Let's see, let's see, big nose,
25:27I'm telling you, I have a short fuse,
25:29I didn't take out the stone,
25:30my nose is ringing.
25:31Do you think I'm afraid of you or what?
25:33Salo.
25:34What?
25:36Salo, call security, you can't do it alone.
25:38Do it alone.
25:39Do it, do it.
25:40Who called you, Floripondio?
25:42Really, who called me?
25:43You're a young doctor, don't mess with me.
25:45What is this place?
25:46I walked for a coffee, I walked for a coffee.
25:48A coffee?
25:49And after that, what are you going to drink?
25:51Once I tell you, brother,
25:52thank you that we are here where Doctor Fernanda,
25:54in this company that I respect,
25:55if I don't go, it's getting up,
25:56but you know what?
25:57We meet on the plane,
25:58and I take care of her with a hand in the safe.
26:00Do it.
26:01Do it.
26:02Do it.
26:03Do it.
26:04Do it.
26:05Do it.
26:06Thank you, bitch, bitch, bitch, bitch.
26:09That's what you are.
26:10What's wrong with you?
26:11Don't you realize that that man can't do anything to you?
26:14Nothing.
26:16You scared me, didn't you?
26:24If you were so tired, would you do this?
26:26Yes, very heavy.
26:27You're welcome.
26:28How are you?
26:29Fine, thanks.
26:30I have a reservation.
26:31And your name?
26:32First name Pedro, last name Coral.
26:34Hi.
26:35Hi, ladies.
26:36How are you?
26:37Hi.
26:38Pedro, what are you doing here?
26:40And you, what are you doing here?
26:42We came to the congress.
26:43What else?
26:44Me too.
26:45What a coincidence.
26:46Hey, but it's so weird that we didn't see you on the plane.
26:49Yes, I don't know.
26:50Well, I'm sure I came on another flight, right?
26:52But what a coincidence.
26:54Hey, you know what?
26:56We have to celebrate this.
26:57No, let's do something.
26:58Let's all do something.
26:59Oh, no.
27:00No, no, no, no.
27:01Get me out of that plan.
27:02I'm very tired.
27:03Yes, yes, yes.
27:04Me too, me too.
27:05Well, I'll register, I'll register,
27:06and we'll stop now.
27:07Do you agree?
27:08No, no, no.
27:09Ladies first.
27:10Ladies first.
27:11May I have your first name, my love?
27:12Yes, of course.
27:13What else?
27:14How are you, Pedrito?
27:15Sumersia, you can't imagine.
27:17I really dream, I dream of beating that guy in the face.
27:23Really.
27:24I want to leave him looking from the inside.
27:27Godfather, godfather.
27:28Don't say hello.
27:29Felipe is a piece of crap.
27:32Tell me how it's going.
27:33Good, godfather, good.
27:34I set up a new courier company.
27:38I can't complain.
27:39Well, that's good, I'm glad.
27:41And why haven't you come back home?
27:43Because I've been very busy lately.
27:45But I want to come back.
27:46Very good, very good.
27:47I'm going to tell you something, Sumersia,
27:49but it's between you and me.
27:52Of course.
27:53I'm putting together something new.
27:56And when I say new, it's very new.
27:58And it's top notch.
27:59But top notch is next level.
28:01And I know Sumersia can help me.
28:09Well, shall we have a drink?
28:11Right now?
28:12Yes.
28:14It's very early, isn't it?
28:17Excuse me, sir.
28:18Can you take our luggage to the room, please?
28:20Of course, señorita.
28:21Room, please, please.
28:23What room do you have?
28:24Room 817.
28:26We're going to be neighbors.
28:30Dinner.
28:31That's great news, isn't it?
28:32No, I'm so excited.
28:34Oh, no, Pedro.
28:35What's with that antipathy of yours?
28:37A lot of coincidences.
28:39What do you think?
28:41Why are you treating me like I'm a stranger?
28:44No, it's just that I'm tired.
28:46The flight was heavy, nothing more.
28:48Well, then, invite me to dinner.
28:50Okay, yes, yes.
28:51At eight.
28:52But here.
28:53Here?
28:54At the restaurant here.
28:55At eight?
28:56Pedro.
28:57Stop treating me like I'm your enemy.
28:59It's me.
29:06Godfather, what you want to do is almost impossible.
29:09Almost.
29:10Who are you working with?
29:11With Pedrichi and my assistant teacher,
29:14my teacher, Ms. Lucy.
29:16Lucy is a genius.
29:17Of course, of course.
29:18She's great.
29:19And also a very good person.
29:20And how are the classes going?
29:21Bad.
29:22Do you want me to help you?
29:23No, no, no.
29:24I've already given up.
29:25I don't understand any of that.
29:27And so you want to develop an application
29:30as complex as the one you're imagining?
29:33No, the idea is that you develop it,
29:35that you are the ones who know.
29:37Well, let me talk to Pedro, Godfather.
29:39But I don't want to delude him with something
29:41that I already know in advance that is almost impossible.
29:44Almost.
29:45The idea is that your Mercedes meets with Ms. Lucy,
29:48with Pedrichi,
29:49and the three of you put together that formula
29:52of what is supposedly impossible.
29:56Supposedly impossible.
30:04Please.
30:05If we had already agreed on something
30:06and everything was very clear.
30:08No and no.
30:09That apartment and the house in Portugal are mine.
30:11That's what I've worked all my life for.
30:13And if I have to spend the last penny as a lawyer,
30:15I will do it,
30:16but you must not go out with hers.
30:20What happened?
30:21Oh my God.
30:22My ex-husband's idiot wants more money
30:24than we agreed on in the divorce.
30:27Oh, what a bummer.
30:28Yes, but he's not going to go out with hers.
30:30Paula, I think I have to go back to Spain.
30:35Where does he have a house?
30:36Portugal?
30:37Yes.
30:38In Algarve.
30:39Next to the sea.
30:41My most beautiful house.
30:43I bought it when I was in love with that idiot.
30:47I don't know around there.
30:49Come with me.
30:51I really don't think I can, Maggie.
30:53But why?
30:56Well, because I have to fix a lot of things
31:01before I leave.
31:04Let's do one thing.
31:06I'm going to Spain.
31:07I'll take that guy's eyes out.
31:09In the meantime, you do what you have to do
31:11and we'll meet in Portugal and we'll be happy.
31:16I'd love to.
31:17Yes.
31:19We deserve that time.
31:21Time for sisters.
31:23Say yes.
31:26Mm-hmm.
31:27Thanks.
31:40Hello.
31:46Good afternoon.
31:48Late, as always.
31:50I was getting ready for you.
31:52What are you complaining about?
31:53Oh, yeah?
31:54Well, in that case, it was worth it.
31:59Go on.
32:05What a gentleman.
32:06Please.
32:09So does that mean you still like me or what?
32:14That means you look beautiful, as always.
32:19Do you want a drink?
32:21I'd love a drink.
32:22Yes, it's a good occasion to celebrate.
32:24I'm happy to be here with you.
32:26That's great.
32:30Oh, I can't believe it.
32:31What a surprise, guys.
32:35What a joy to see you here.
32:37Julio, what else?
32:39Great.
32:40Have you come to the congress?
32:42Yes.
32:43How wonderful.
32:45Do you want to join us?
32:46What?
32:47Oh, no.
32:48No, I just got here.
32:49I was looking at the hotel's facilities.
32:51But tomorrow, if you don't mind, we can meet for dinner.
32:54That's it.
32:55Yes, yes.
32:56Right away, yes.
32:57Perfect.
32:58Well, I'll leave you to it.
33:01I have a business meeting.
33:06You look beautiful.
33:09You look beautiful, Mariana.
33:13See you.
33:18Bye.
33:19See you.
33:22See?
33:23You look beautiful, Mariana.
33:25I know.
33:39Hi, sexy.
33:41Why didn't you tell me Mariana was coming here?
33:45Because...
33:47I didn't know.
33:49Is Fernanda here?
33:51No, and that's why only Mariana came.
33:53And now what the hell are we going to do?
33:56And you don't know anything, do you?
33:58I don't want to spend the weekend hiding.
34:01Let's see, what do you want to do?
34:03I don't know.
34:04What do you want to do?
34:05I don't know.
34:07I don't want to spend the weekend hiding.
34:09And why do we have to hide?
34:11Isn't this supposed to happen between adults?
34:13Let's see, Loli.
34:14Mariana is my daughter.
34:15So?
34:16If Fernanda finds out what's going on,
34:18I don't want to imagine the scandal that's going to form.
34:21And why?
34:22I mean, do you still have some kind of commitment to her?
34:25It's not about that.
34:26Then what is it about?
34:28Look, Mariana is there in the restaurant with Jiro.
34:30Why don't you go down and tell her everything?
34:32You know what?
34:33Great idea, let's go.
34:34Don't be absurd.
34:35Don't talk to me like that.
34:36I'm sorry.
34:39This...
34:41This is very uncomfortable.
34:44I knew this was going to happen.
34:46What did you say?
34:47A company call?
34:48Where are the wives?
34:49No!
34:50Let's calm down.
34:51Let's calm down.
34:52Let's find a solution, another hotel, whatever.
34:56And if we have to tell the truth,
34:58we'll tell it and that's it.
35:03For the mistakes of the past.
35:06Because they don't happen again.
35:15Do you think I was a mistake in your life?
35:17Honestly?
35:18Honestly?
35:20Zero.
35:21Despite what you think of me,
35:24I never had a hidden agenda.
35:27I never cared who you were
35:30or what our relationship could mean to me.
35:34Never.
35:35Never.
35:37I fell in love with you.
35:38You know that, don't you?
35:41Me too.
35:44I think, I think
35:47that the mistake was that
35:50you had confused my feelings
35:52with your need to explain what they meant
35:57in your very strange way of seeing reality.
36:02No, I don't understand.
36:03But yes, you're probably right.
36:06Well,
36:08everything has been said.
36:10No, not everything has been said, Pedro.
36:12I...
36:14I have to admit that I made mistakes.
36:17Many that were unfair,
36:19that I was a bad person,
36:20that I was capricious
36:22and yes, I messed up with everyone
36:24and also with you.
36:26And I apologize for that.
36:28Well, recognizing mistakes is a good start.
36:30I think it's great.
36:31I don't want to lose you.
36:34Mariana,
36:36love and patience have a limit.
36:40After that comes resentment,
36:43anger,
36:45contempt.
36:47But I don't think you feel that for me.
36:49No, of course not.
36:51But we were very close to that.
36:53Not just me, you too.
36:56Well, but you just said it.
36:57We were very close, not yet.
36:58And that's why I think
37:00we deserve another chance.
37:02But what I feel for you
37:04is real
37:06and honest.
37:08And I love you with my whole life.
37:10And I'm not going to give up so easily.
37:13I want to fight for that relationship
37:15and I want to fight for you.
37:17Because I love you
37:19like I've never loved anyone in my life.
37:21Never.
37:28Boyfriend?
37:30No.
37:32Why?
37:34I don't know.
37:36I think
37:38I'm a little afraid of men.
37:40Maybe that's it.
37:42Well, you do very well.
37:47You're welcome.
37:49And you?
37:51Me?
37:53Well, the truth is that the one I like
37:55is not available.
37:56I see.
37:58Pedro, right?
38:00No one will ever know.
38:02I mean, he is.
38:04Well, he's the most incredible man
38:06I've ever met in my life,
38:08but since he's not available,
38:10he's not.
38:12What do you mean I don't understand you?
38:14Tell me, what do you think of him?
38:17Well, I just met him,
38:19so I don't know.
38:23Well,
38:24I've known him for a long time.
38:26And do you want me to tell you something?
38:28What?
38:30You like him.
38:32How could I say that?
38:34I know because I've known him for a long time.
38:38Look, I know very well
38:40that you don't like anyone,
38:42so please don't say those things.
38:44How dare you say that?
38:46Have you really seen yourself in a mirror?
38:48Your eyes are so beautiful
38:50that you can't see anything.
38:52Besides, I've been told
38:54that you're very smart.
38:56Who told you that?
38:58Who do you think?
39:01Look,
39:03men don't like smart women.
39:08I don't agree.
39:10On the contrary,
39:12I think men are afraid
39:14of smart women.
39:16Well, if that's what you say,
39:18you must be very smart.
39:19If that's what you say,
39:21then you must be very,
39:23very afraid of me.
39:27Aren't you going to stay here?
39:29That was the idea,
39:31but don't you see
39:33that snitch wants to take everything away from me?
39:35What do you mean?
39:37I thought you had already solved all that.
39:39Of course, aunt,
39:41but now he wants to steal me.
39:43Oh, Chapichurri.
39:45Men's jobs are so bad there.
39:47Not even Europeans can escape.
39:49You really owe the other one.
39:51That's why we have to develop the appointment box.
39:54Well, if that's the solution,
39:56we're done, Pedrito.
39:58Let's analyze the situation.
40:00What Mayerly says is completely true.
40:02In my sad journey
40:04through the dark labyrinths of love,
40:06I have never met someone
40:09who is capable of revealing
40:11his true intentions
40:13when it comes to seduction.
40:15Well,
40:17but after all that,
40:18there's no Santa Lucia worth it.
40:20What you have to do is fight for your rights.
40:22Don't give up.
40:24No, aunt, with nails and teeth.
40:26He's going to meet a real Apache.
40:28And when is he leaving?
40:30Well, next week. And I'm taking Paula.
40:32Why?
40:34Because she wants to.
40:36And because I don't think she has much time left.
40:45This is the same program.
40:46Really?
40:48Yes.
40:50Are you sure?
40:52Thank you, Petey.
40:54Who gave it to you?
40:56A friend.
40:58And now?
41:00Petey,
41:02do you think Pedro would have been able to do this?
41:04No.
41:06Poder would have been able to,
41:08but he would never do something like that.
41:10So who?
41:12Well, due to problems I've had with this person,
41:14who is probably going to be
41:16the main suspect,
41:18I can't say anything.
41:21Felipe?
41:25You know I have a house in Portugal.
41:27I'm thinking of spending the last few days with my sister there.
41:31I've never called you sister.
41:33It's never too late.
41:36Oh, how sad.
41:38But she's taking it in a good mood.
41:40No, but if you don't take it in a good mood,
41:42it's terrible, Mayeli.
41:44Oh, I'm so sorry.
41:46I've always been so bad to her.
41:48You my mom.
41:50What could we do to say goodbye to her?
41:53Nothing.
41:55Accompany her until she leaves.
41:57At that moment I understood
41:59how short life is.
42:01And I'm still thinking
42:03of a future that doesn't exist.
42:05How many days do they have left?
42:07How many days do I have left?
42:09How many days do I have left?
42:10How many days do I have left?
42:12How many days do I have left?
42:14How many days do I have left?
42:22I have...
42:35Well,
42:37I...
42:40I have to go.
42:44Well,
42:47here we are.
42:49As if we were complete strangers.
42:52Yes, yes.
42:55Until tomorrow.
42:59Until tomorrow.
43:02Would you do something for me?
43:06Yes, yes, of course.
43:10Sleep with me.
43:13I just want you to hug me
43:15and I want you to
43:17take care of me and not leave me alone.