Eyewitness (1956) ⭐ 6.2 | Crime, Drama, Film-Noir

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When she has a fight, with her husband, Lucy runs out of the house, and into a night of terror. She heads for the local cinema, and in doing so, becomes the only eyewitness to a couple of crooks, who are robbing the cinema’s safe. In her haste to escape the thieves, she is knocked down by a passing bus, and is taken to the local hospital. The two crooks follow, and wait for a chance to finish her off, and thus eliminate the only person who can tie them to the robbery.







#Eyewitness
#1956Film
#Crime
#Drama
#FilmNoir
#DonaldSinden
#MurielPavlow
#BelindaLee
#Quarrel
#MarriedCouple
#ShotToDeath
#Robbery
#MovieTheater
#HusbandWifeRelationship
#RobberyUnderArms
#DamselInDistress
#DysfunctionalMarriage
#NaggingWife
#PoliceStation
#ClassicNoir
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#Cinephile
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#IconicCrimeFilm
#VintageCinema


Transcript
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00:01:40Hello, darling.
00:01:41You're late.
00:01:42I know, I'm sorry. I stopped in at Mother's for a cup of tea.
00:01:44Well, come on in. I've got something to show you.
00:01:46Wait until I get my things off.
00:01:47It won't take a minute. Come on.
00:01:51Well, how do you like it?
00:01:55Where'd you get it?
00:01:56From Tom. It's a new 21-inch job.
00:01:59Is it paid for?
00:02:01First instalment. Got 18 months to pay the rest.
00:02:06I thought we agreed we wouldn't take on any more commitments.
00:02:09I know, but, well, this is different.
00:02:13That's right. This one's going back.
00:02:15What's the matter? Don't you like it?
00:02:17Well, of course I like it, but, well, we can't afford it. You know that.
00:02:20It's only just over three pounds a month.
00:02:22I know.
00:02:23And the building society's only 11 pounds a month.
00:02:26And the cooker and the refrigerator.
00:02:29The instalments on the furniture.
00:02:31Nothing we've got really belongs to us.
00:02:34Supposing you were ill for a month or two,
00:02:36or I wanted to quit my job.
00:02:38Then what'd happen?
00:02:39We'd manage somehow.
00:02:41Oh, darling.
00:02:43I don't want us to marry.
00:02:45Darling, I don't want us to manage somehow.
00:02:48I want us to pay our way.
00:02:50But that's what we are doing.
00:02:52No, we're not. We're just running into debt.
00:02:55Everything will be worn out long before we finish paying for it.
00:02:59You're just tired, darling.
00:03:01I am not tired. I'm serious. Take it back.
00:03:04I told Tom we'd have it.
00:03:05Then tell him you've changed your mind.
00:03:07Well, what'll he think of us?
00:03:08I don't care what he thinks.
00:03:09Well, he's your brother. He's got to make a living same as anybody else.
00:03:12Well, he can do it without running us into debt.
00:03:14I mean it, Jay. Either that set goes or I do.
00:03:21I've promised Tom I can't go back on my word.
00:03:25All right.
00:03:28Where are you going?
00:03:29Out. Anywhere out of this house.
00:03:31I know you're just being silly.
00:03:32Maybe.
00:03:33But I'm not coming back until that's out of the house
00:03:35so you can please yourself, which it's going to be.
00:03:37Lucy!
00:03:44Lucy!
00:03:45Lucy!
00:03:46Lucy!
00:03:47Lucy!
00:04:12He wanted to give his wife all those little extras
00:04:15she at present can't afford.
00:04:16But the result has been disastrous
00:04:18and now the wife has written to me for advice.
00:04:22She still loves him very much
00:04:23but she can't bear this financial nightmare any longer.
00:04:27Should she leave him for his own sake?
00:04:29By that, she means, would perhaps the shock
00:04:32bring him to his senses once and for all?
00:04:35Hello, baby. Can we dance in?
00:04:38Don't like that.
00:04:56Two and nine, three and two.
00:04:57Sequences of four shillings.
00:05:00Four shillings.
00:05:01Four shillings.
00:05:02Sequences of four shillings.
00:05:04Carrying a two and nine, three and two.
00:05:06Sequences of four shillings.
00:05:07Only two more singles of four shillings
00:05:08then standing at three and two.
00:05:10Okay.
00:05:11One.
00:05:13One.
00:05:15One.
00:05:16Murray mints, Murray mints
00:05:18Too good to hurry mints
00:05:20Why make haste when you can taste
00:05:22The hint of mint in Murray mints
00:05:24Murray mints, Murray mints
00:05:26Too good to...
00:05:32TOO GOOD TO HURRY
00:05:53Yawgin' by
00:05:57Where the wimblewills cry
00:06:01Ridin' high
00:06:05To the end of the trail
00:06:08I got the sun shinin' hot in my saddle
00:06:12I got the wind blowin' spicy and free
00:06:16I got the stars in the stir of the cattle
00:06:20I got the gal who's waitin' for me
00:06:25The lucky guy
00:06:27Excuse me.
00:06:29Till the day that I die
00:06:33Please.
00:06:34Where's the phone?
00:06:35Oh, it's in the passage, madam.
00:06:36I'll show you.
00:06:39Look, you go through those doors,
00:06:41down the passage,
00:06:42and halfway down you turn left.
00:06:43The phone's right in front of you at the end.
00:06:45You can't miss it.
00:06:48Oh!
00:06:49I've dropped me gloves.
00:06:50I put them in your pocket.
00:06:51No, no.
00:06:52I had them on my lap.
00:06:53I know I did.
00:06:54Well, look in your bag, then.
00:06:58No, they're not in here.
00:06:59I know they're not.
00:07:00I'll have to go back for them.
00:07:02Where was you sitting, madam?
00:07:03Oh, in the second row on the right.
00:07:04The third row on the left.
00:07:06Well, come inside,
00:07:07and I'll see if I can help you find them.
00:07:29Hey!
00:07:30What do you think you're doing?
00:07:35Get down!
00:07:59Get down!
00:08:04Get down!
00:08:28Get down!
00:08:29Get down!
00:08:57What's the matter?
00:08:58She ran straight into you.
00:09:06Is she dead?
00:09:07Looks like it.
00:09:13Don't move her.
00:09:14Open the ambulance.
00:09:28Come on.
00:09:39Cigarette?
00:09:45Lighter.
00:09:48Are we going to get started?
00:09:49Not yet.
00:09:50I want to see what happened to the girl.
00:09:51What for?
00:09:52She saw us.
00:09:53She can identify us.
00:09:54But she's dead, isn't she?
00:09:56Did you get her at the funeral?
00:09:57Sorry, I can't hear you properly.
00:09:59This thing must have got bumped
00:10:00when I was running down those stairs.
00:10:02What did you say?
00:10:03Did you see her buried?
00:10:04No, but...
00:10:05Well, then let's not jump to conclusions.
00:10:13Evening, Mr. Church.
00:10:14No, Tom.
00:10:15Half a bitter, please.
00:10:23You're quiet tonight.
00:10:25Yep.
00:10:26Harry Walter's been in.
00:10:27Oh, I haven't seen him this week.
00:10:29Oh, what about the rest of the boys?
00:10:31Jack Stewart?
00:10:32He's moved up north, don't you know?
00:10:33No.
00:10:34Oh, well.
00:10:35Old Bill Wright sure did turn up.
00:10:37Not him.
00:10:38Got married last month.
00:10:39No.
00:10:40You don't usually see much of them after that.
00:10:43You're quite a stranger yourself, you know.
00:10:46Same again, Tom.
00:10:47Right.
00:10:57Can't we go now?
00:10:58We're in good time.
00:11:00I don't know what you're worrying about.
00:11:01You don't know when you're well off.
00:11:02Well off?
00:11:05You say you want to go to New Zealand,
00:11:06but you can't afford the fare.
00:11:08All right.
00:11:09If I say you want the fare, I'll get it for you.
00:11:12Here it is.
00:11:14Here's the fare.
00:11:25Here it is.
00:11:26If we ever get the chance to use it.
00:11:27We'll use it all right.
00:11:28Nobody's got anything on us.
00:11:43Come on.
00:11:44Snap out of it.
00:11:45It's all right for you.
00:11:46I've never done anything like this before.
00:11:47And you're not going to again.
00:11:48You're dead right I'm not.
00:11:50When I get to New Zealand,
00:11:51I'm going to settle down and work up my trade.
00:11:53You do that.
00:11:54What if I ever get to New Zealand?
00:11:57Just open a safe.
00:11:58You said you're a locksmith.
00:11:59Nothing to it.
00:12:00You never said nothing about clouting the manager.
00:12:02I didn't know he was going to walk in like that, did I?
00:12:04Well, you said he never came up to the office before 10.
00:12:06And he never did before.
00:12:07Not for the last three weeks anyway.
00:12:08I still don't know what you wanted to clock him for.
00:12:10I don't see what you wanted to clock him for.
00:12:13That's a fine way to talk, isn't it?
00:12:15You know, you want to smarten yourself up a bit.
00:12:17Look at me.
00:12:18I used to talk like that, but not anymore.
00:12:21The trouble with you is you haven't got any ambition.
00:12:23You want to be like me, I'm going places.
00:12:25If they don't catch up with you first,
00:12:27nobody's going to catch up with me
00:12:28because nobody's got anything on me.
00:12:30Nobody can stop me because I know what I'm doing.
00:12:32Do you hear? Nobody!
00:12:44See that? I bet they found him.
00:12:46So what? Nothing to do with us?
00:12:48I reckon we ought to blow.
00:12:50Morning, good time.
00:12:52Ah.
00:13:07I've been having a bit of a bad time just recently, you know.
00:13:09Have you?
00:13:10Oh, terrible.
00:13:11You see, one of the things I cannot stand
00:13:13is sulks and bad tempers.
00:13:14So, when she starts snapping at me, I snap right back.
00:13:17I said, I know exactly what you want, my girl.
00:13:19I said, I said, you need a pill?
00:13:21And no food till tomorrow.
00:13:23And did it work?
00:13:24Did it work? Blimey, like a charm.
00:13:25Mind you, I had a bit of trouble getting the pill down her, you know.
00:13:28Oh, struggling like a mad thing she was.
00:13:30And of course, she started crying when she realised
00:13:31she wasn't getting any supper.
00:13:33But I knew how to deal with that.
00:13:34You see, I've always thought
00:13:36that a touch of the old whip
00:13:38is much kinder in the long run.
00:13:39And I was right. I was right.
00:13:41The next morning, she was as right as rain
00:13:43and as loving as you could ask for.
00:13:44Yes, I had a cocker spaniel once like that.
00:13:47Well, there you are. Cheerio.
00:13:48Cheerio.
00:13:52BELL RINGS
00:13:54BELL RINGS
00:13:56BELL RINGS
00:13:58BELL RINGS
00:14:00BELL RINGS
00:14:17I'd better give them ten minutes to take a look at her.
00:14:19You think the police will be at the cinema yet?
00:14:21I expect so.
00:14:22Well, what will they do?
00:14:23Well, look for fingerprints.
00:14:25It's all right, they won't find any.
00:14:27Yeah, then it'll be telephoning headquarters,
00:14:30stopping all cars leaving the town,
00:14:31setting up roadblocks.
00:14:33Well, then what's going to happen to us?
00:14:34Nothing.
00:14:36And do you know why?
00:14:37Because I'm thorough.
00:14:39Anybody else would have used a stolen car but not me.
00:14:41I hire one.
00:14:43Self-drive, all above board.
00:14:45Anyone else, you for instance,
00:14:46would have gone tearing out of town
00:14:47straight into the arms of the police.
00:14:49But not me.
00:14:51I attend to more important things.
00:14:52Well, what are we going to do then?
00:14:54You'll see.
00:14:56Wake me up in about ten minutes.
00:15:07Well, that's it, sir.
00:15:08Right.
00:15:14Patrol car reports all roads out of the city have been blocked.
00:15:17Good.
00:15:18Chief Constable's on his way over.
00:15:19Right.
00:15:20And Mrs. Hayes?
00:15:21I haven't traced her yet, sir.
00:15:22She's out with friends.
00:15:23Babysitter doesn't know which friends are where.
00:15:25Who's the babysitter?
00:15:26Oh, just a young girl.
00:15:27You didn't say anything to her?
00:15:28Oh, no, sir. Of course not.
00:15:29Nothing here, sir.
00:15:30Everything's been rubbed off.
00:15:31Clean as a whistle.
00:15:32Mm-hmm.
00:15:33Anything in there?
00:15:34Nothing at all, sir.
00:15:35It's an unusual job.
00:15:36Looks more like a locksmith.
00:15:37This chap must have known what he was doing.
00:15:39Get on the blower to the yard.
00:15:41I want to talk to Criminal Records.
00:15:42Right, sir.
00:15:43Hello?
00:15:48Any luck, sister?
00:15:49No, doctor.
00:15:51Lipstick.
00:15:53Powder compact.
00:15:54Bunch of keys.
00:15:55Handkerchief.
00:15:57Hmm.
00:15:58A bag of bullseyes.
00:15:59I hope you're keeping count, sister.
00:16:01Jolly interesting, but it doesn't tell us who she is.
00:16:04No name on any of the clothes.
00:16:06No, there's just laundry marks and maker's labels.
00:16:08There is this.
00:16:09It's got an inscription on the back.
00:16:12L with love from J.
00:16:15Poor J.
00:16:16He's in for a bit of a shock.
00:16:18Poor L.
00:16:19She's the one with concussion.
00:16:21Well, we'll just have to wait until she comes round.
00:16:23Or somebody claims her.
00:16:25She's a pretty little thing.
00:16:26I wouldn't mind claiming her myself.
00:16:28Come in.
00:16:30The accident case is ready in casualty, sister.
00:16:32All right, thank you, miss.
00:16:45Well, why don't we take her back to the warden?
00:17:15Half a bitter, please, Joe.
00:17:16Coming up.
00:17:18Hello, Mr. Churchill.
00:17:19Quite a stranger.
00:17:21Yes, I suppose I am.
00:17:23Hello, Jamie.
00:17:24Boy, where have you been hiding yourself?
00:17:25Haven't seen you in here for months.
00:17:27No, I've been busy.
00:17:28Oh.
00:17:30Want to play snooker?
00:17:31There'll be a table for you in a minute.
00:17:32All right.
00:17:33What, Lucy?
00:17:34Okay.
00:17:36Everything going according to plan, I hope?
00:17:38Uh-huh.
00:17:40You're very talkative tonight.
00:17:42Sorry.
00:17:43Not feeling too bright.
00:17:45How's Doris?
00:17:46Oh, don't ask me, dear boy.
00:17:48I don't know and I don't care.
00:17:49She's gone to her mother's for the weekend.
00:17:51And as far as I'm concerned, I hope she stays there.
00:17:53If she was home, do you think I'd be here
00:17:55enjoying myself, getting pleasantly whistled with me pals?
00:17:57Oh, no.
00:17:59No, I'd be sitting there, listening to her
00:18:01and her mother and that toffee-nosed sister of hers
00:18:02just talking yackety, yackety, yackety, yackety, yack
00:18:05until you think it'll drive you round the bend.
00:18:07Still, let's not talk about unpleasant subjects.
00:18:09Hey, come on, drink up.
00:18:10This one's on me.
00:18:14Hi.
00:18:15Hi.
00:18:16It's ten minutes.
00:18:18Oh.
00:18:20Right.
00:18:21Coppers?
00:18:22Where?
00:18:23You clot.
00:18:24Have you got any coppers?
00:18:25Pennies?
00:18:26Oh, no.
00:18:27No, I haven't.
00:18:28No, I haven't.
00:18:29No, I haven't.
00:18:30No, I haven't.
00:18:31No, I haven't.
00:18:32No, I haven't.
00:18:33No, I haven't.
00:18:34I haven't got any pennies.
00:18:35Oh.
00:18:36How many do you want?
00:18:37Three, of course.
00:18:38How many do you think?
00:18:39I'm checking on the report about a girl knocked down by a bus in your area.
00:19:06Yes, in the High Street, we understand.
00:19:08Well, you'll have to ring back later on. She's only just been brought in.
00:19:12No, no, she's not dead.
00:19:16I'm afraid I can't tell you that.
00:19:18Oh.
00:19:20What? No identification at all?
00:19:23I see. Thanks very much.
00:19:26Goodbye.
00:19:39Are we going now?
00:19:41Not yet.
00:19:43Did you find out about the girl?
00:19:44Yes.
00:19:45Is she dead?
00:19:47No, not yet.
00:19:49I can't help thinking, the girl wasn't the only one that saw us.
00:19:53What are you talking about?
00:19:54Well, the manager, he saw us too.
00:19:56Oh, no.
00:19:57No?
00:19:58He only saw you, not me.
00:20:01And you won't be here, will you? You'll be on the boat to New Zealand.
00:20:04You'd better have your fare now.
00:20:08How much is it, boss? 120?
00:20:15There's 150. Keep the rest of the spending money.
00:20:18Is that all I get?
00:20:19That's what we agreed, isn't it?
00:20:20I thought I was going to get half.
00:20:22Did I ever say half?
00:20:23Well, you did when we were talking about...
00:20:24Well, who planned the job?
00:20:25You did.
00:20:26And who paid all the expenses, hiring the car and things like that?
00:20:28You did.
00:20:29All right.
00:20:30Now put it away for pizza.
00:20:36What are you worrying about?
00:20:38I can't help thinking about the manager.
00:20:39What about him?
00:20:40You didn't ought to have hit him like that.
00:20:42That's robbery with violence.
00:20:43You can get ten years for that.
00:20:44Oh, cut it out.
00:20:45I didn't want to come in in the first place.
00:20:46It was you that talked me into it.
00:20:48Just opening a safe, you said nothing to it.
00:20:50Even if you get caught.
00:20:52First offence, six months, maybe only three.
00:20:54But robbery with violence, I didn't want no part of that.
00:20:56Shut up.
00:20:57You shouldn't have hit him.
00:20:58Shut up.
00:21:00You want to watch what you're doing.
00:21:02You might have broken it.
00:21:03Then where would I be?
00:21:05Listen.
00:21:06Can you hear me?
00:21:07Yes.
00:21:08Then listen to me.
00:21:09Listen.
00:21:10There's nothing to get steamed up about.
00:21:12We're okay.
00:21:14As long as you can keep your trap shut and stop behaving like a frightened baby,
00:21:17there's nothing they can do to us.
00:21:19Unless the girl talks.
00:21:21Even if they pick us up, they haven't got enough evidence to get us on it.
00:21:24Unless the girl talks.
00:21:27So we'll just wait and see how she makes out.
00:21:30Got it?
00:21:32If she dies, we're in the clear.
00:21:34And if she doesn't?
00:21:35Then we'll have to think again.
00:21:38Where are we going now?
00:21:39You'll see.
00:21:54Ah.
00:21:58Ah.
00:22:11There you are.
00:22:12A nice lock for you to pick.
00:22:14What do you want to get in there for?
00:22:15You'll see.
00:22:16Try to be a bit quicker this time.
00:22:17I was as quick as I knew how.
00:22:18I'm not blaming you.
00:22:19I'm just saying if you'd been a bit slicker opening that safe,
00:22:21we'd have been out of there before the manager walked in.
00:22:23Then I shouldn't have had to hit him.
00:22:26It's a bit rusty.
00:22:28Can you move the car so that the lights shine on it?
00:22:30No, I've got things to do with the car.
00:22:33I had to manage with this.
00:22:57What are you doing?
00:22:58Can't you see?
00:23:01Is the gate open?
00:23:02Not yet.
00:23:03Well, get on with it.
00:23:27Where are you going?
00:23:28To put the car down there and a side turning.
00:23:30How am I to know that you're not going to...
00:23:33Don't you trust me?
00:23:35Of course, but...
00:23:36Look, John.
00:23:37If you want to park a car for a bit,
00:23:39park it outside a house with the lights on.
00:23:41It doesn't look so conspicuous.
00:23:43Get it?
00:23:44Yes.
00:23:45Then get a move on with that gate.
00:23:56Okay.
00:24:27Hmm.
00:24:48What's the matter?
00:24:49Do you think I'd run out on you?
00:24:51No, no.
00:24:52Then what are you running for?
00:24:53I was frightened.
00:24:54Look, wait, I don't want to go in there.
00:24:56I want to get out now while we can.
00:24:58And run right into the police?
00:24:59But they've got nothing on us.
00:25:00The car's not hot.
00:25:01You said so yourself.
00:25:02Listen, Barney.
00:25:03There's a girl in there who's got us both right there
00:25:05in the palm of her hand.
00:25:06I want to know what's happened to her,
00:25:08and I'm going to find out.
00:25:09You can pull out if you like.
00:25:10I'm not stopping you.
00:25:11But you'll have to walk.
00:25:12Now, make up your mind.
00:25:13Which is it going to be?
00:25:15I'll stay with you.
00:25:16Sure?
00:25:18Then we'll have no more argument.
00:25:20What about the gate?
00:25:22Well, it's open.
00:25:24Nice work, Barney.
00:25:26I'm glad I brought you.
00:25:27The boys all said I was a mug to touch anyone with one of these.
00:25:31But I wasn't.
00:25:32You're all right, Barney.
00:25:34Am I?
00:25:35Yeah, as good as the next one.
00:25:37Come on.
00:25:53She'll be in casualty, I expect.
00:25:55I'm going to take a look.
00:25:56You stay here, all right?
00:26:23You all right?
00:26:24I'm all right.
00:26:25You all right?
00:26:26I'm all right.
00:26:27You all right?
00:26:28I'm all right.
00:26:29You all right?
00:26:30I'm all right.
00:26:31You all right?
00:26:32I'm all right.
00:26:33You all right?
00:26:34I'm all right.
00:26:35You all right?
00:26:36I'm all right.
00:26:37You all right?
00:26:38I'm all right.
00:26:39You all right?
00:26:40I'm all right.
00:26:41You all right?
00:26:42I'm all right.
00:26:43You all right?
00:26:44I'm all right.
00:26:45You all right?
00:26:46I'm all right.
00:26:47You all right?
00:26:48I'm all right.
00:26:49You all right?
00:26:50I'm all right.
00:26:51You all right?
00:26:52I'm all right.
00:26:53You all right?
00:26:54I'm all right.
00:26:55You all right?
00:26:56I'm all right.
00:26:57You all right?
00:26:58I'm all right.
00:26:59You all right?
00:27:00I'm all right.
00:27:01You all right?
00:27:02I'm all right.
00:27:03You all right?
00:27:04I'm all right.
00:27:05You all right?
00:27:06I'm all right.
00:27:07You all right?
00:27:08I'm all right.
00:27:09You all right?
00:27:10I'm all right.
00:27:11You all right?
00:27:12I'm all right.
00:27:13You all right?
00:27:14I'm all right.
00:27:15You all right?
00:27:16I'm all right.
00:27:17You all right?
00:27:18I'm all right.
00:27:19You all right?
00:27:20I'm all right.
00:27:21You all right?
00:27:22I'm all right.
00:27:23You all right?
00:27:24I'm all right.
00:27:25You all right?
00:27:26I'm all right.
00:27:27You all right?
00:27:28I'm all right.
00:27:29You all right?
00:27:30I'm all right.
00:27:31You all right?
00:27:32I'm all right.
00:27:33You all right?
00:27:34I'm all right.
00:27:35You all right?
00:27:36I'm all right.
00:27:37You all right?
00:27:38I'm all right.
00:27:39You all right?
00:27:40I'm all right.
00:27:41You all right?
00:27:42I'm all right.
00:27:43You all right?
00:27:44I'm all right.
00:27:45You all right?
00:27:46I'm all right.
00:27:47You all right?
00:27:48I'm all right.
00:27:49You all right?
00:27:50You all right?
00:27:53SOPHIA CLARK, AUDIENCE MEMBER
00:28:14Nurse, Nurse!
00:28:16That light is shining right in my eyes.
00:28:19Am I supposed to go to sleep with all the lights full up?
00:28:24Oh, talking to meself, that's what I'm doing.
00:28:30I'm supposed to have some attention, too, you know.
00:28:33That's what I pay me national health for.
00:28:36Nurse!
00:28:40Ah.
00:28:41There you are.
00:28:42No, Granny, do be quiet and go to sleep.
00:28:45How can I go to sleep with the lights full on, blazing in me eyes?
00:28:49There's only the one extra light on.
00:28:51Well, it hurts me eyes anyway.
00:28:53Well, you'll just have to turn over the other way, won't you?
00:28:55I can't. You know if I lay on the right side, it hurts me leg.
00:28:59Well, you'll just have to try.
00:29:00Come on, turn over.
00:29:01Nurse!
00:29:03Oh, why can't you leave me be?
00:29:08My goodness, what a mess you've got yourself into.
00:29:11Look, comfort don't come from squared-off pillows.
00:29:15Oh, what is it, casualty?
00:29:18You go to sleep and don't ask so many questions.
00:29:20Mm.
00:29:21Is she bad?
00:29:23Oh.
00:29:25I thought so.
00:29:26Come to finish her off, eh?
00:29:28Doctor, how is she?
00:29:31You going to snuff it?
00:29:33You go to sleep, Granny.
00:29:35Oh.
00:29:36You heard what the doctor said.
00:29:38Go to sleep.
00:29:45She'll do, Sister.
00:29:46I wish we knew who the poor thing is.
00:29:48I always feel so sorry for the relatives on these occasions.
00:29:50We'll hear soon enough.
00:29:54Keep an eye on her, Nurse.
00:29:55Let me know if she regains consciousness or starts talking.
00:29:57Yes, Doctor.
00:29:58Thank you, Sister.
00:30:01Oh.
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00:36:59Mummy, I can't sleep.
00:37:02Go on, of course you can if you try. Let me tuck you in.
00:37:05Mum will come tomorrow, won't she?
00:37:08Yes, she'll be here at nine o'clock in the morning.
00:37:10She'll take you home in a nice big taxi.
00:37:12Good.
00:37:14Good night, Nurse.
00:37:16Good night, Molly.
00:37:29Good night, Molly.
00:38:00Nurse!
00:38:02Nurse!
00:38:04The place is full of men.
00:38:06Nurse!
00:38:08Nurse!
00:38:10Was that you calling, Mrs. Hudson?
00:38:12Of course it was me calling. There's men out there.
00:38:14Old tribe of them.
00:38:16Now, don't you granny me. I've seen them, I tell you.
00:38:19How many?
00:38:21Well, two.
00:38:23One.
00:38:25Two.
00:38:27Two.
00:38:29Perhaps three. I can still count, you know.
00:38:32Nurse, I'm frightened.
00:38:34Well, there's nothing to be frightened of, Molly.
00:38:38The patrolman went by five minutes ago.
00:38:41He'd soon see anyone who hadn't any right to be there.
00:38:43What? Into 70 acres of land?
00:38:46What's he got, eyes at the back of his head?
00:38:49Oh, now, come on, Molly, you mustn't cry.
00:38:53Aren't you a girl guide?
00:38:55Well, I thought girl guides were supposed to smile cheerfully in the face of all difficulties.
00:39:00Well, this one don't.
00:39:02Why does she keep saying she sees men if she doesn't?
00:39:06Because she does.
00:39:08Be quiet, Mrs. Hudson.
00:39:10Now, don't take any notice of her.
00:39:12She goes to sleep and has a bad dream and then she wakes up and thinks it's real.
00:39:16If you're so sure I'm dreaming, why don't you go outside and have a look?
00:39:20Because I'm far too busy.
00:39:22You're afraid someone's waiting to put a black sack over your head?
00:39:25Oh, don't be so silly, Mrs. Hudson.
00:39:27Well, silly or not, they're outside there because I've seen them.
00:39:31No.
00:39:40Lucy?
00:39:49Lucy?
00:39:52Lucy?
00:40:17Hello, Elspeth?
00:40:19It's Jay.
00:40:21How are you? Good?
00:40:24I just wondered, is Lucy with you?
00:40:51Jay?
00:41:06Jay, they're eating him.
00:41:09He's going to stop them. I must stop them.
00:41:13I'm in this.
00:41:15Help!
00:41:17They're coming to me.
00:41:19Jay!
00:41:21Jay!
00:41:23I can see him.
00:41:25In the office.
00:41:27Now, it's all right. There's nothing to worry about.
00:41:30Where am I?
00:41:32You're safe. Quite safe.
00:41:34A nurse?
00:41:36That's right. I'm a nurse and I'm looking after you.
00:41:38I must get up. I must get away.
00:41:40No, now. Now, what's your name?
00:41:43In the office.
00:41:45Oh, no.
00:41:49Now.
00:42:14Hello, Dr. Bright?
00:42:16Could you come down to Elspeth Ward?
00:42:18The emergency's regained consciousness.
00:42:20Yes.
00:42:29What are you doing here?
00:42:38I saw you pick up that pillow.
00:42:40You were going to kill her, weren't you?
00:42:42Suppose I was.
00:42:45You won't stand for it.
00:42:47I didn't want you to kill the manager.
00:42:49If I'd known what she was going to do, I'd have stopped you.
00:42:52It's too late now.
00:42:54Did you hear what she said?
00:42:56No.
00:42:58She was saying the cinema manager's dead.
00:43:00He's been murdered.
00:43:02I can pick out the boys.
00:43:04Just bring them in and I can identify them.
00:43:06I don't care what she said.
00:43:08I just want you to leave her alone.
00:43:10Since when have you been giving the orders?
00:43:13The sooner you get that in your thick head, the better.
00:43:16I don't like people who get in my way.
00:43:18I won't stand for it!
00:43:20Look, I'll do anything you say, only let's get out of here.
00:43:23Please, take your hands off me.
00:43:26If you've lost your nerve, you can go, but I'm staying.
00:43:28Please. No!
00:43:30You've got to come. Please.
00:43:36Get out! Get out!
00:43:38I can't hear you.
00:43:41Where is she?
00:43:43There you are.
00:43:45Help yourself.
00:44:31Did you get her name, nurse?
00:44:33No, she just keeps talking about the office
00:44:35and how she must get away.
00:44:37It's almost as though she were frightened of something.
00:44:40Yes.
00:44:42That bus, I shouldn't wonder.
00:45:04She's right. Stop!
00:45:08Shh!
00:45:18Hey, there! Stop!
00:45:20Get him!
00:45:23He's trying to escape!
00:45:26Now, where were you?
00:45:34Come in.
00:45:37I found Mrs Hayes, sir. She's outside.
00:45:39Mrs Hayes?
00:45:41The wife, sir. Oh, yes.
00:45:43Bring her in, Sergeant. Right, sir.
00:45:45Will you come in, please?
00:45:51It's Inspector Reardon, isn't it? Good evening.
00:45:54What happened?
00:45:56Where's Harry? They wouldn't tell me anything downstairs.
00:45:59Won't you sit down, Mrs Hayes?
00:46:03Mrs Hayes,
00:46:06your husband has been the victim of an attack.
00:46:08Victim?
00:46:10There was a robbery here tonight.
00:46:12He surprised the thieves.
00:46:15Yes.
00:46:17I'd rather you told me straight out, please.
00:46:21Is Harry hurt?
00:46:23He was killed, Mrs Hayes.
00:46:25No.
00:46:30No.
00:46:36How am I going to tell the boys?
00:46:40They worship him.
00:46:49What's that?
00:46:52Harry!
00:46:54Harry!
00:47:05Aunt Edith, is Lucy with you?
00:47:07She isn't.
00:47:09No, no, no. There's nothing wrong.
00:47:11I just thought if she was with you, I could run around and meet her.
00:47:14Well, she usually leaves a note if she goes out, but she must have forgotten.
00:47:19Yes, yes, I expect so.
00:47:21Yes.
00:47:23I'd like to...
00:47:25Goodbye.
00:47:39Come in.
00:47:41Now, Gable, you know we can't have that dog in here.
00:47:43Take him out at once.
00:47:45I wanted to see if you were all right, sister.
00:47:47Of course I'm all right. What did you expect?
00:47:49You'd better get on with your rounds.
00:47:51You know he's not going to be any trouble, are you?
00:47:53What's he doing with all that money on him? That's what I want to know.
00:47:56Into the dogs, I expect.
00:47:58Or in the middle of the night in our kitchen garden.
00:48:00All right, sister, I'll be just outside if you want me.
00:48:06Now, I'm afraid this is going to hurt a little.
00:48:12Sorry about that.
00:48:18They're nearly finished now.
00:48:21I expect you could do with a cup of tea, couldn't you?
00:48:23I'll get a nurse to make you one when we're through.
00:48:28You're not very talkative, are you?
00:48:51Come on, Gable, let's go.
00:49:22I thought you weren't coming.
00:49:24I got held up by the police this side of the camp.
00:49:26By the police?
00:49:28It's all right, honey, they weren't looking for me.
00:49:30Just searching all the cars going out of the city
00:49:32for some gang that stuck up a movie house.
00:49:34Oh, I see.
00:49:43Look, darling, can you stand the shock?
00:49:46What?
00:49:48I've been posted.
00:49:50Oh, Mike, where?
00:49:52Japan.
00:49:54When?
00:49:56I leave Tuesday by air.
00:49:58But that's only... only three days.
00:50:01Two, really.
00:50:03We leave around noon.
00:50:05Darling, is it for long?
00:50:0718 months, two years, I guess.
00:50:10Oh, Mike.
00:50:16I've got a proposition to make to you.
00:50:20What?
00:50:22I spoke to my C.O.
00:50:24I can get a 48-hour pass and a special license.
00:50:27Oh.
00:50:29It isn't the way I planned for us to be married, but...
00:50:32well, it works just the same.
00:50:34What do you say?
00:50:36Do I have to tell you?
00:50:38Yes, please.
00:50:40Oh.
00:50:43Oh.
00:50:49I'll have to get Matron's permission first, of course,
00:50:52but she'll be all right.
00:50:54She's a romantic old thing.
00:50:56And you're not, I suppose.
00:50:58Me? I'm just dizzy.
00:51:03I got it all figured out.
00:51:05We can take the car and go up into the Cotswolds or someplace.
00:51:09I figured on taking you to Rome or Venice,
00:51:12but there isn't time for that, I guess.
00:51:14I don't mind where we go.
00:51:17I suppose you know that as the wife of an American officer serving overseas,
00:51:21you're entitled to transportation to the station where your husband is serving.
00:51:25Pretty nice in Japan, they tell me.
00:51:27Almond blossoms and all that.
00:51:40Nurse!
00:51:42Nurse!
00:51:44What is it?
00:51:46I thought I heard someone calling.
00:51:48Nurse!
00:51:50Oh, dear. Back in a minute.
00:51:52Nurse!
00:52:01Was that you again, Gray?
00:52:03It was. He's out there again.
00:52:05You know, this is getting beyond a joke.
00:52:07I tell you, I saw him. And I heard him whistle.
00:52:11Look, I'm going to let you into a secret,
00:52:14if you'll promise to keep it to yourself.
00:52:16What?
00:52:18There is a man out there.
00:52:20Well, I told you there was.
00:52:22Only he happens to be my boyfriend.
00:52:24He's the one who you heard whistling just now.
00:52:26He wants to talk to me about something very important.
00:52:29So will you keep quiet just for two minutes?
00:52:31Does he want to marry you?
00:52:33Maybe.
00:52:35Well, why don't you bring him in here?
00:52:37Let me see what's going on.
00:52:39Really, Mrs. Hudson?
00:52:41Oh, I know. You want to have a cuddle in the dark, eh?
00:52:44Well, mind you, don't regret it.
00:52:47I shan't.
00:52:49Now, are you going to keep quiet?
00:52:51Yes, I suppose so, but don't be long.
00:52:53You kiss him quick and get it over with.
00:53:06Now, you lie still.
00:53:08I'll send a nurse in with a cup of tea.
00:53:10I'm sorry, I can't hear you.
00:53:15It's broken. I can't hear you.
00:53:18Lie still.
00:53:20I'll get you a cup of tea.
00:53:35♪♪
00:54:05♪♪
00:54:12Stop. Stop.
00:54:15He's coming. He's coming.
00:54:17I can't get it open.
00:54:19It won't open.
00:54:22Aah!
00:54:27Help!
00:54:29Help! Murder!
00:54:31What's going on?
00:54:33Quick, murder!
00:54:35Nurse! Nurse!
00:54:37Oh, nurse!
00:54:39What on earth do you think you're doing?
00:54:41It was him. He was there with her.
00:54:43He was trying to do her in.
00:54:45Oh, nurse!
00:54:47What's happened?
00:54:48Nothing at all. Now, go back to sleep.
00:54:53I thought I heard somebody screaming.
00:54:54Yes, it was Granny. She had a bad dream.
00:54:56Who knocked that screen over?
00:54:57She did.
00:54:58I didn't.
00:54:59She must have been sleepwalking or something.
00:55:01I tell you, it was a man.
00:55:02I saw him leaning over her.
00:55:04She keeps seeing men the whole time.
00:55:06Wishful thinking.
00:55:07No.
00:55:08He comes in at that window every time her back's turned.
00:55:10He comes in through the window.
00:55:12This way?
00:55:13Yes.
00:55:14Well, there's an easy way to stop that.
00:55:15Lock it, please, nurse.
00:55:23There.
00:55:24Now are you satisfied?
00:55:25No, I'm not.
00:55:26There's six other doors he can come in.
00:55:28I never saw such a place.
00:55:30Nothing but doors and windows and drops and men all over the place.
00:55:34You take one of these and get some sleep.
00:55:36What is it?
00:55:37Just a sleeping pill.
00:55:38Ah, no.
00:55:40If I'm going to be murdered in my bed, I want to be awake while they're doing...
00:55:43Oh, well.
00:55:44Wash it down with this.
00:55:51All right.
00:55:52All right, you give me that against me will, you know.
00:55:54If I'm poisoned, I'll have you up in court.
00:55:57You see if I don't...
00:55:58Yes, yes, of course.
00:55:59All right, I will.
00:56:06Jay.
00:56:08I want Jay.
00:56:11Don't let them touch me.
00:56:14I won't, will you, Jay?
00:56:17Don't let them catch me.
00:56:18There, there.
00:56:20Nobody's going to catch you.
00:56:21You're quite safe.
00:56:27Hi.
00:56:29Look, darling, you'll have to go.
00:56:30The whole ward's upset and Sister's on the warpath.
00:56:32Did I upset them?
00:56:33No, of course not, but I'll have to be there.
00:56:35Well, I could come back later or I could just sit here.
00:56:38No, you can't do that.
00:56:39Sister might come in and catch you.
00:56:40She's quite likely to.
00:56:41She pokes her nose into everything.
00:56:43Then what do I tell the CO?
00:56:46You tell him...
00:56:48Tell him the girl's crazy about you.
00:56:51On the level.
00:56:52On the level.
00:56:53When do I see you?
00:56:55Well, I'll go to see Matron directly.
00:56:57I come off duty.
00:56:59Then I really ought to sleep for a few hours.
00:57:01I know I'll be too excited.
00:57:03You call for me at 12.
00:57:04Okay, then we'll be married at 1.
00:57:06Mm-hmm.
00:57:07Are you sure you can make it by 12?
00:57:09Yes, I think so.
00:57:10Four hours sleep, two hours to dress and pack.
00:57:13Oh, gosh, what shall I wear?
00:57:16Anything except that uniform.
00:57:18What's the matter?
00:57:19Don't you like it?
00:57:20It crackles every time I kiss you.
00:57:22You want to know something?
00:57:24What do I?
00:57:30Darling, you have to go.
00:57:32Okay.
00:57:33If I get back now, I can catch the CO before he turns in.
00:57:35He's playing poker with the boys.
00:57:37I'll phone you as soon as it's all right, okay?
00:57:39Yes, the only thing is we're not allowed phone calls at night.
00:57:41It's against the rules.
00:57:42To hell with the rules.
00:57:43This is a special occasion.
00:57:45Mm-hmm.
00:57:53Good-bye.
00:58:09Sister, what are you running from us?
00:58:11Is there a fire?
00:58:12Fire?
00:58:13Oh, no.
00:58:14They want you in maternity.
00:58:15Mrs. Harris is beginning.
00:58:16Very well, nurse.
00:58:17They want me in maternity.
00:58:18Please tell them I'm on the way.
00:58:19Yes, sister.
00:58:21Nurse.
00:58:22Yes, sister?
00:58:23There's still no need to run.
00:58:25Yes, sister.
00:58:26I mean, no, sister.
00:58:31Now, Mrs. Hudson, off to sleep with you?
00:58:33I don't feel sleepy.
00:58:34I feel funny.
00:58:35If you poison me, I'll have the law on you, see if I don't.
00:58:38Come on.
00:58:39You go to sleep.
00:58:40Can't stop worrying.
00:58:43Good-bye.
00:59:14Who's there?
00:59:15It's me.
00:59:16What do you want?
00:59:17Are you Mr. Sugden?
00:59:19Yes.
00:59:20Well, I'm Jay Church.
00:59:22Are you?
00:59:23Well, what of it?
00:59:24Well, my wife knows your wife.
00:59:26They used to go to school together.
00:59:28Now, look.
00:59:29If you came around here in the middle of the night and woke the baby
00:59:32just to tell me that your wife went to school with my wife,
00:59:35then you ought to be certified.
00:59:37No, no.
00:59:38You don't know me.
00:59:39You don't know me.
00:59:40You don't know me.
00:59:41You don't know me.
00:59:42No, no.
00:59:43You don't understand.
00:59:44You see, I thought my wife was here with you.
00:59:46Well, she isn't.
00:59:47There isn't anybody here except me and my wife and my baby.
00:59:51And if it's any interest to you, it took three hours to get the kid to go to sleep.
00:59:55And now I suppose it'll take another three.
00:59:57Well, I'm sorry.
00:59:58It's just that I thought Lucy was here.
01:00:00Look, chum.
01:00:01If you've lost your wife, the best thing you can do is go to the police.
01:00:12Oh.
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01:13:07Oh, good evening. It's Mr. Church, isn't it?
01:13:09Yes.
01:13:10You'd better come along with me.
01:13:11Does the description sound like your wife?
01:13:13Yes, exactly. Under yellow coat.
01:13:15Oh, yes, it's under the coat.
01:13:17Nurse!
01:13:18Yes, sister?
01:13:19Do you have to run?
01:13:20No, sister.
01:13:21Then don't.
01:13:22No, sister.
01:13:36Oh, dear.
01:13:47Oh, no.
01:13:48Not another one.
01:13:50Well, I hope they've got somebody else to do the anaesthetic.
01:13:52I should have been off duty two hours ago.
01:13:55Emergency, I suppose.
01:13:57I think so.
01:13:58I was just told to bring her in here.
01:13:59Who's doing the op?
01:14:00Do you know?
01:14:02Dr. Bright, I think.
01:14:03Oh, just my luck.
01:14:05I haven't stopped to fix this damn planter.
01:14:07I should have been at home and in bed.
01:14:09I suppose I've got to stay and put her to bed.
01:14:11They're after me, both of them.
01:14:12I can't get away.
01:14:14I can't.
01:14:15Jay, stop them.
01:14:16Stop them, Jay.
01:14:17Oh.
01:14:18Talkative little thing, isn't she?
01:14:20Stop them.
01:14:21I can't.
01:14:29You'd better wait here for a moment.
01:14:36Nurse?
01:14:40Nurse?
01:15:05Here, grab hold of this for a moment, will you?
01:15:07I want you to steady it while I get the nozzle free.
01:15:12No, not there.
01:15:14There.
01:15:16That's better.
01:15:18Now we're in business.
01:15:23What on earth happened to you?
01:15:25Oh, I don't know.
01:15:26It's just a bit of a mess.
01:15:28It's just a bit of a mess.
01:15:30It's just a bit of a mess.
01:15:32It's just a bit of a mess.
01:15:34Oh, I don't know.
01:15:35It's all done.
01:15:36I went to put the light on and someone grabbed me.
01:15:43Get me the police.
01:16:04Get me the police.
01:16:34If you're looking for the lady, they've taken her away.
01:16:53It's the church.
01:16:55You shouldn't be in here.
01:16:56I told you to wait outside.
01:16:58Was this my wife's bed?
01:16:59Yes, why?
01:17:00She isn't there.
01:17:01They've taken her away.
01:17:02Nonsense.
01:17:05Who took her away?
01:17:06Ask her.
01:17:08It was a man in a white coat.
01:17:10He pushed her on a trolley.
01:17:11Was it Albert?
01:17:12No, it was a new man.
01:17:14I never saw him before.
01:17:16He wanted to go the wrong way.
01:17:18But I told him the operating place was that way.
01:17:22Sister, please come quickly.
01:17:25Just a moment.
01:17:26Do you know anything about a patient in here being moved?
01:17:28No, sister.
01:17:30Unless she was the case for the operating theatre.
01:17:32They took one in just now.
01:17:34Come along, Mr. Church.
01:17:35And nurse, find the house surgeon immediately.
01:17:37Tell him that I want him in the operating theatre.
01:17:39Emergency.
01:17:40Yes, sister.
01:17:41Oh, nurse.
01:17:42Yes, sister.
01:17:43Run.
01:17:44Yes, sister.
01:17:48It's no good.
01:17:49Look, if Dr. Bright comes down,
01:17:50tell him I'll be back in a few minutes.
01:17:52I must get a new plan.
01:18:02I'm getting him, J.
01:18:04Don't let them catch me, J.
01:18:33You're too late.
01:18:35It's all over.
01:18:36What do you mean?
01:18:37What have you done?
01:18:39I didn't want to kill anyone.
01:18:41I only wanted to go to New Zealand.
01:18:44That's all.
01:18:53Lucy.
01:19:02Oh, J.
01:19:03Oh, J.
01:19:05Take me home.

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