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Short filmTranscript
00:00I have good news for you too.
00:09Last night we worked until very late, but the effort was worth it.
00:15We finally chose a script. Actually, I chose it because I love it.
00:19The winning story is that of the Dreaming Bird.
00:23Of course that's a pseudonym, but I'll tell you the story briefly because it was just what we needed.
00:29It takes place in a modest and humble neighborhood.
00:32The protagonists are four girls who have grown up together
00:35and embark on a journey to fulfill their dreams in which they will end up getting to know each other better.
00:39But of course, I made a few small changes.
00:41I centered the story along with the car model, which is at the same time the ideal vehicle to go on the adventure.
00:48I know, it's great. It will turn out very well.
00:51That's right, listen. The shoot is tomorrow.
00:54There will be no high budget for this job.
00:57So we will do all the work with our own resources.
01:00We will make the script of Dreaming Bird the best commercial.
01:04That's right, JJ. We need to contact Dreaming Bird as soon as possible.
01:08Find the phone number and call our new intern,
01:11since he will have to meet with the team and Mr. Jan.
01:14I need you to hurry with that because tomorrow is that ...
01:18JJ doesn't feel well, but I'll do it.
01:21Oh, okay, do it, but it's urgent, so hurry up, okay?
01:24Yes, don't worry.
01:28Well, I ... Mr. Jan ...
01:32Oh, what's wrong with you, JJ?
01:35Take him to rest.
01:39Very well, everyone get to work, do you want?
01:51Yes, that's how you do it, Sanem, excellent.
01:58Ahem, do you call them? Yes, I think they called them there.
02:08Jan, I didn't know that about you, what happened?
02:11I think I'll tell you that at another time.
02:15As if I were interested in what you talk about.
02:20The rest of the story, if you want, you can tell me when we go out tonight.
02:24What do you say?
02:26What do I say about what?
02:29No, nothing, I forgot.
02:32Dream Bird said he can't come, but he told me that he will solve it by phone.
02:37What do you mean he can't come? The contract is ready, it will only be two days,
02:41one for the preparations and another for the shoot,
02:43and then he will have a month as a trainee and he does not want to come?
02:46She says she lives far away and it is impossible for her to come.
02:49How far does she live so that she does not want to come?
02:51In Konya.
02:53Konya is in Anatolia, the largest city in the country.
02:57Because of its famous meat.
02:59It's true, it's delicious.
03:01I know where Konya is, and what are we going to do?
03:06Call her again, Sanem, and I'll talk to her.
03:10I'll try to convince her.
03:12I don't know if it's possible.
03:14Fine, just give me her number.
03:16She doesn't want me to give her number to anyone, she's very strange.
03:19But if she wants, I'll tell her to call her.
03:22Fine.
03:25Ovidu Automotive may seem like an easy client,
03:27but they are meticulous and they like to control everything in detail.
03:30I'm sure he will capture his way of working.
03:33Control and details.
03:35Deren, this is your strong point.
03:38It's true, we handle this type of client,
03:40and we can understand his concern about the new commercial.
03:44We are also testing it for the first time,
03:46and despite being something very new,
03:48choosing the script through social media,
03:50the dream bird script is really great for this project.
03:54Can you tell me about the script?
03:56It's a professional secret, you'll see it when it's out.
03:59Deren, calm down, you can share it with Aileen.
04:01She brought us the client.
04:03No, because after this work meeting,
04:05for me, Aileen will be like any other person.
04:09Don't worry, Jan, it doesn't matter.
04:11I'll see it when I can, maybe you can surprise me.
04:14Have you received Fabri's work?
04:16They didn't tell me anything,
04:18after the digital work they asked me to do.
04:20We have a lot of his work.
04:22Yes, the new perfumes and his advertising campaign,
04:24we'll do it.
04:26But I've noticed that you don't have many projects nowadays.
04:29Since then, you've been coming more often.
04:31I have some projects, nothing more than what I can handle now.
04:34That's why I had to pass this client to them.
04:37It would cost me a lot to work on it.
04:39I lost my team.
04:41I work with externals, and with them it's not possible to do more.
04:45I don't know how long I can go on like this.
04:47I'm sorry.
04:49I hope things get better soon.
04:51Thank you, Jan.
04:57Anyway, let's check the budget.
05:00The client will come soon.
05:02Okay.
05:03Sorry.
05:07Who is it? I don't know the number.
05:11Good afternoon, I'm Dream Bird.
05:13But my throat is hurt.
05:16Good afternoon, Dream Bird. Where are you?
05:19In Konya.
05:22What's the phone number?
05:27I don't know. I'm talking from my cell phone.
05:30Do you know the number of the plates?
05:37I don't know. I don't have a car.
05:40And I don't know the names of the streets in Konya either.
05:43I'm not from Konya. I ran away from home a long time ago.
05:47And do you think you can come work with us?
05:53I don't think I can.
05:58For me, your script is beautiful, but tell me why you're hiding your identity.
06:02Well, I have an idea.
06:05I could give you the rights, and then you could work on it, right?
06:09You can't do it.
06:11The script owner has to join the meetings and the shoot.
06:15So I'll see you in ten minutes, Dream Bird.
06:24Why not?
06:26Why can't I do anything I want?
06:30Mr. Yan...
06:31Come, I'll tell you a big secret, Kulis.
06:33A big secret?
06:34Yes.
06:35Do you know who Dream Bird is?
06:37Who is he?
06:38Sanem, yes.
06:39What?
06:41Tell them.
06:43Listen, everyone!
06:45Well, it turns out that Dream Bird is Sanem!
06:48Bravo, bravo, bravo!
06:52Thank you very much.
06:56I never imagined it.
06:57What's going on?
06:58Tell me why those applause. I want to know too.
07:01Deren, let me introduce you to Dream Bird, Sanem.
07:05Bravo!
07:06Yes, yes, you deserve it.
07:13Great.
07:14You surprise me again.
07:16And being our employee, you wrote a script with a pseudonym and you won the competition.
07:20Ah, but that was the rule.
07:22If you did the choice without knowing the true identity of the writer.
07:25That's right.
07:26That was my rule.
07:28So I think I can't say anything about it.
07:33You can congratulate me if you want.
07:36Congratulations.
07:38The script was perfect.
07:39Yes.
07:41And it makes me very happy that you chose it.
07:44Thank you very much.
07:46It's true.
07:47I was the one who chose it.
07:49It's an excellent story.
07:50It will surely work.
07:52Congratulations.
07:53Get to work.
07:55Congratulations.
07:56Yes, you deserve it.
07:57You deserve it.
07:59Can we talk?
08:06I don't want to work as a writer.
08:08And that?
08:11Well, I don't want to.
08:12Then why did you write that script?
08:14Yayay insisted and that's why.
08:16I want to assign you all my copyright.
08:19You can't do it.
08:20You must make decisions throughout the work.
08:24Then I withdraw the script.
08:25Choose someone else.
08:26Then you shouldn't work here.
08:30Why do you behave like this?
08:33Why are you so cold to me?
08:36Sanem, I will speak to you right now as your boss.
08:38If you reject an opportunity like the one you are presenting now,
08:42then I don't need you as my employee.
08:46You don't need me?
08:47That's right.
08:48You escape from something that will add value to your life.
08:50You annoy me if you stop writing your novel.
08:52Your script is chosen among thousands of stories.
08:55And you prefer to leave?
08:56What are you going to do?
08:57Make tea and make copies?
08:58Is that what you always want to do?
09:03I want to make tea and make copies.
09:05Good.
09:06Then find another job.
09:08The truth is I don't want someone with your mentality working in this office, Sanem.
09:11Finding someone to make copies is not a problem.
09:15Very well.
09:16Agree.
09:19I withdraw, Mr. Jen.
09:20Goodbye.
09:35Goodbye.
10:06In general, the situation is like this.
10:08Does anyone have a question?
10:10Yes, it's true.
10:11This was a report from Anis.
10:13Aileen.
10:14Thank you very much, but I need more information.
10:16Hmm.
10:18Are you here about the campaign?
10:20That's right.
10:22I come for that.
10:23Come.
10:24Ah…
10:38Are you here for the campaign?
10:40That's right, I'm here for that.
10:42Come.
10:44Uh, I want you to meet the creator of our campaign, Sanem.
10:49Welcome, Sanem. It's a pleasure.
10:51We were able to read your script and that is really what we were looking for for the commercial.
10:56Thank you very much.
10:58Congratulations, Sanem.
11:00Thank you, Miss Eileen.
11:02That's right, we liked it a lot. We are proud of her.
11:05Would you like some tea?
11:08Of course.
11:12Very well, let's continue.
11:14We have...
11:16An annual work plan for the company.
11:19You will find all the details there.
11:21Production capacity and customer satisfaction.
11:24Previous campaigns, corporate investigations and the results of the discussion groups.
11:29And also...
11:31Sales of the last three years.
11:33And charts of the lowest and highest foreign currency costs, thus giving us a projection.
11:39Very well.
11:41I have to go.
11:43If you need anything, you can contact me through Jan and Emre.
11:46They are my colleagues and I will be happy to help you.
11:51Mrs. Guyen, our legal department is very busy.
11:55I'll send you the contract later.
11:57No, no problem.
11:59Thank you, Eileen. You introduced us to a very good company.
12:01We will do our best.
12:03It's a pleasure, Jan. I worked with Ovid Automotive very well.
12:06I'm sure you'll do a great job with them.
12:08Ah, excuse me, Mr. Jan.
12:10Eileen worked well with us.
12:12And she must accept that this project is in a way her work and effort.
12:16She developed the project and knows us well, in addition to knowing the market and competitors.
12:21Maybe it would be useful to ask her to help us for the next three months with the campaign.
12:26What do you think?
12:27Do not worry.
12:28This company is the place where I learned everything I know.
12:31It's in good hands. There's nothing to worry about.
12:34Uh, the three-month preparation period is very important to us.
12:40Uh ...
12:42Eileen, if you accept, we would very much like you to help us.
12:48Okay, if you insist.
12:50I will organize my schedules to be able to come and help you.
12:53Thank you very much, Mr. Jan.
12:55Knowing that she is in the project will be of great help. I appreciate it.
12:58You're welcome. We believe that everything must be perfect in the campaign.
13:02And so it will be.
13:03Uh ...
13:04Eileen, if you have time, wait for me outside.
13:06For now we will see details of the script.
13:08Very well, I can wait for you to be able to talk about it.
13:12See you later.
13:19Are you ready?
13:20I am.
13:21Well, sit down.
13:23Come on.
13:46Jan, I appreciate it.
13:48I explained the situation to you of my company, you know.
13:51I must confess that being in the consultancy of the project would help me.
13:55Careless.
13:56For now, it will help us too.
13:59But your team does not want to work with me.
14:01I think that will be a problem.
14:03Our employees are professionals, Eileen.
14:06They will behave well.
14:07They will work with you.
14:09Do not worry.
14:11Well, I hope so.
14:12We will make this project a very good job.
14:15We only have three months and it will not be easy.
14:18Maybe I work from my office,
14:20but I need an assistant to have contact with your office.
14:27Can Sanem be?
14:28Or not?
14:29I know she's a messenger, but she's smart.
14:31And she can work partly here and there with me.
14:34Share it.
14:35What do you say?
14:37Can not.
14:38Sanem can not.
14:41And to be honest,
14:42we have no one who can be going to your office.
14:45Hmm.
14:46So what can we do to be in touch?
14:50I do not know, but there will be communication problems.
14:54That is clear.
14:56I do not know.
14:57We could give you a cubicle for the three months of the project.
15:01So you can come when you want.
15:03Hmm.
15:04Do you want to give me an office here?
15:06I have no problem.
15:07I think that will help solve this.
15:10It's fine.
15:11But still I need an assistant who can support me.
15:15No problem.
15:16Sanem can help you.
15:18It's smart and it's very efficient.
15:20Sanem has talent and a lot.
15:22Very well.
15:24I'll just bring some things.
15:29See you later.
15:31See you later.
15:42I can not accept that.
15:43It's not true.
15:44This is not happening.
15:45It's true.
15:46Are you serious, Jan?
15:47Yes.
15:48But ...
15:49Is that ...
15:50Did you two go crazy or what?
15:53I can not accept this new agreement you made.
15:56I deny.
15:57Do you want to calm down, please?
15:59I understand that Jan was not here.
16:01But you were in Re.
16:02You know perfectly what that woman did to me.
16:05And you know that I was going a little more than a year to the psychologist because of her.
16:08And I know.
16:09Aileen is your ex and I do not want to say anything bad.
16:11But you know perfectly what happened in this office, Emre.
16:14Deren, it will only be three months.
16:16Calm down.
16:17What?
16:18Three months?
16:19That's the fourth part of a year, Jan.
16:21Deren, it's Jan's decision.
16:23I can not say anything.
16:26However, solve this problem.
16:28I'm leaving.
16:30Emre, please stay a moment.
16:33I'm sorry.
16:34You need to calm Deren down before she starts crying.
16:37See you.
16:38Goodbye.
16:41Coffee?
16:42Do not you want coffee?
16:43Coffee helps.
16:45You need it.
16:46A cup of coffee would calm you down a little, Deren.
16:48I do not want.
16:49Will you calm me down with coffee?
16:51Do you think you can calm me down three months of stress just giving me caffeine?
16:56What you did was wrong.
16:58It will be better if I go to my office.
17:07Hi.
17:08Hi.
17:20Good afternoon.
17:22Good afternoon.
17:28Ah ...
17:32The truth was right.
17:36I want to be a writer, I really want to be one.
17:40But I don't trust myself.
17:42If you do it, you'll be successful, we've already talked about it.
17:47And why don't you look at me?
17:51Do you want to tell me something?
17:54No.
17:59Don't go so far away from me.
18:02What don't I go away?
18:06Good.
18:12Is this okay?
18:13No.
18:16And like this?
18:19You're getting closer slowly, I don't understand.
18:24What do you want exactly?
18:26A friendship between a boss and an employee?
18:28That's what you said, right?
18:30Exactly.
18:31I don't want you to be far,
18:34but not too close either.
18:37You think I'm not attractive, but I make you nervous.
18:44Of course not.
18:50If I kissed you now,
18:53would you run away?
18:56No.
19:03Sanem Aydin,
19:04don't start a war you won't win.
19:13What was that?
19:16He used his tactics with me.
19:18Oh Sanem,
19:19you shouldn't have believed him.
19:21You're in a war with him, bravo.
19:23Very good.
19:25Oh.
19:27He plays with me like a cat with a mouse.
19:31He thinks he'll win with his wisdom.
19:38Ugh.
19:40Um.
19:44Why do I have to go look for locations with Kerim?
19:46There's no time or alternatives.
19:48Besides, we're right on budget.
19:50You and Kerim will choose a location for the shoot.
19:54Well, that's all.
19:55You have to take care of it.
19:57The contract says I'm your assistant
19:59and I have to go look for locations with you.
20:01If you don't come with me, I'm not going.
20:10Yes, you're right.
20:12We'll meet the contract.
20:14We'll go together.
20:17Very good.
20:54I need my glasses.
20:56I'll take them.
21:06Can I help you?
21:07No, don't worry. I already have them.
21:21What's wrong?
21:22I have a lot of heat.
21:24It's hot, right?
21:25Should I turn on the air conditioner?
21:26What did you say?
21:27The air conditioner?
21:28Great.
21:29Now I'll be cold.
21:31Then I'll turn it off.
21:32No, leave it on.
21:33You leave the air conditioner on.
21:35I'll open the window.
21:38I'm going to turn on the radio.
21:39I want to listen to some music.
21:40Very good.
21:41Do you want to show that you can behave like a normal person
21:44when you're with me?
21:45Or what else are you trying to do?
21:47Exactly.
21:49Yes, I see.
21:50Very normal, yes.
21:52What did you say?
21:53I can't hear you because of the music.
21:54What are you doing?
21:56What are you trying to do?
21:57Turn down the volume.
21:58Behave like a girl, please.
22:00Turn it down or turn it off.
22:01But stop playing it.
22:02I'll look for a song that you like.
22:04Leave it to me.
22:05You're fine like this.
22:06Calm down.
22:07Leave that.
22:08Very good.
22:09Let's see what song you play.
22:10I'm sure it's the song of my life.
22:12Of course.
22:16Do you see it?
22:17There it is.
22:19Calm down.
22:20What are you doing?
22:22Listen to it.
22:23You'll see how you like it.
22:24It's a beautiful song.
22:51It's a beautiful song.
23:22It's a beautiful song.
23:50Are we there yet?
23:52We're here.
23:56The neighborhood.
23:57The businesses.
23:58The houses.
23:59The people.
24:00All this works for us.
24:01The street.
24:02Everything is perfect.
24:03Do you like it?
24:04We can go back now.
24:05Where?
24:06To the office.
24:07No, we can't.
24:08First, we have to see other neighborhoods.
24:11Don't you like this one?
24:15It doesn't convince me.
24:16It doesn't convince you.
24:17It's not like you said.
24:18It's not like you said.
24:19It's not like you said.
24:20It's not like you said.
24:22I hadn't imagined it.
24:23Let's look for others.
24:24We can go to the neighborhood next door and see how it is.
24:27Do you want to see another neighborhood?
24:32It has to be perfect.
24:52It's not like you said.
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26:29I think it's the perfect neighborhood.
26:31Really?
26:32Yeah, because it's complete.
26:34The tailor shop, the barbershop, the bakery, the hairdresser, the lingerie shop.
26:40It's the same setting, just like you describe it in your script.
26:44Now, let's call a door at random.
26:46Jan, wait.
26:47Why are you ringing?
26:48My mom's not home.
26:49There's no one home.
26:52Mom.
26:53What's up?
26:54Hello, Nedkive.
26:55Oh, Mr. Jan, what a surprise.
26:57Thank you very much.
26:58Jan.
26:59Jan.
27:00Hey, we're looking for a new place to shoot an ad that will inspire us and motivate us.
27:05That's why we came to visit you.
27:07Maybe you can invite us to tea if you don't mind.
27:09Oh, it's not a bother.
27:10With pleasure.
27:11Please come in.
27:12I'll prepare it.
27:13No, Mr. Jan, there's no need.
27:14Why would we bother my mother?
27:16We'll find another place, Mom.
27:19Come in, please.
27:20Of course.
27:21So you're going to shoot an ad here in the neighborhood, and Sanne wrote me the script.
27:25Why didn't you tell me?
27:26It's just that we just planned it.
27:28It's true.
27:29In our company, a lot of things come up out of nowhere.
27:34Without thinking.
27:35It's curious.
27:36But it's our style.
27:38That's how we work.
27:40Yes.
27:41Oh, and it's very important that you like your job.
27:44Yes, a lot.
27:45A lot.
27:46It's true, of course.
27:47Well, tomorrow when we come to shoot, you could take care of the food.
27:51We can eat in the garden, but not something ostentatious.
27:55A small catering, please.
27:57A mini catering.
27:58I'd love to.
27:59Of course we can do it in the garden.
28:01Great.
28:02Also, the neighborhood is perfect for the shoot.
28:05It's very familiar.
28:06The protagonists are the age of Sanem.
28:09They are four girls who are in their room packing their bags to leave home.
28:14In short, now I just need to find, let's say, four rooms.
28:18Well, if you want, you can use the girls' rooms.
28:21Perfect.
28:22Of course not.
28:23Why not?
28:24If you wrote the script, don't give Mr. Jan problems.
28:27That they record in Leila's room will come out nice.
28:30Isn't that right?
28:31If you also want them to record in the bathroom, what else?
28:34Yes, I agree.
28:35You're right.
28:36Why do you give Mr. Jan so many problems?
28:38Why? Why?
28:39I don't understand.
28:40Can I see the rooms?
28:41Is that possible?
28:42Oh, of course.
28:43I have to go shopping for tomorrow's catering.
28:46Why are you going now? Wait.
28:48No, I do it with pleasure.
28:49Jan, where are you going?
28:50You didn't finish the test.
28:51Wait, my room is messy.
28:57Jan.
29:00Franz Kafka.
29:01Letters to Milena.
29:06Jan.
29:10Albatros.
29:14Albatros.
29:17Tell me, why are you still here?
29:19I just left it there and I didn't take it off.
29:26Are you writing your novel?
29:27Yes, I do.
29:32You haven't given up.
29:33Of course not.
29:38You see, now that I see your room, I think we won't use it.
29:44I don't want to spoil it, you know?
29:46Because it's very pretty.
29:48So, we'll look for another one.
29:52Okay.
29:54As you wish.
29:56Can we go now?
30:05Hammock,
30:07sea,
30:08camp,
30:09and those initials, what are they?
30:14My aunt Kavirán.
30:16I don't want to forget her scent,
30:18and that's why I write her initials everywhere.
30:23Your aunt?
30:24My aunt Kavirán.
30:27My name and your aunt's sound the same.
30:30The Tree of Wishes.
30:32Keep it.
30:35What a lack of respect.
30:36How rude you are.
30:38Did you go and took it from the tree?
30:39Rude?
30:40Are you serious?
30:41First, analyze your behavior.
30:43I don't want to analyze anything or think about anything.
30:45I'm sick of it.
30:46I'm sick of it too.
30:48And it's my fault.
30:50Yes, I misinterpreted you.
30:51I made a mistake with you.
30:53You're right.
30:54Now I understand that you can't love me,
30:56because this is not love.
30:59You don't run away from the person you love,
31:01and you don't play with their feelings either.
31:06What's between us,
31:08what's between us,
31:10is stupid.
31:11Jan.
31:13You can be calm.
31:14I think you never loved me.
31:17Jan.
31:21Congratulations, Anem.
31:22You won the war.
31:24Jan.
31:26Jan.
31:28Wait a minute.
31:33Jan, please.
31:38Jan.
31:57Anem, let me go.
31:59Jan, I don't want you to go.
32:02Step aside, please.
32:05Let me go.
32:08Let me go.
32:18Jan.
32:20Jan.
32:37Anem.