• 3 months ago
Transcript
00:00:00Aga, aga, aga.
00:00:24As the little one, who now calls himself Calunio, says,
00:00:34he is divine and extraordinary.
00:00:39In suffering, he knows how to play with his mind.
00:00:46He has a clown he can play with
00:00:49and he forgets about stomach aches.
00:00:53He grumbles with his teeth and bites his mother mercilessly.
00:00:58She yinks and responds with bursts of laughter.
00:01:03He shows a lot of wisdom in recognizing objects and liking them.
00:01:10He is nice, kind, sensible, but he devours his mother.
00:01:17He is not as fat as Gedon of Scythia,
00:01:20who has panties hanging from his flesh around his knees.
00:01:25He is so clever that he will hear it a few times and remember it.
00:01:30His passion is to play with stuffed animals.
00:01:33He devotes hours to this sport.
00:01:36He is a maniac in terms of military, zoology and construction.
00:01:41But he is mainly involved in soldiers,
00:01:44and on the street he salutes all the soldiers and officers he meets.
00:01:49He sings like he's in spring, and his kuma works.
00:01:56Sometimes he is so passionate about tenderness
00:02:00that he licks himself like a kitten.
00:02:03He takes my hand and doesn't know what to do with it.
00:02:08He lies on it, cuddles it, kisses it,
00:02:12closes his eyes and says,
00:02:14I like my dad, and my dad likes me.
00:02:20Sabała asserts that he will learn a lot from this,
00:02:25because he is very talkative.
00:02:28Our guest Slimak likes to talk to the little one,
00:02:32because despite the age difference of about 60 years,
00:02:35the level of mental development does not differ.
00:02:39One of Mitkiewicz's grandchildren was so delighted with the little one's sketches
00:02:44that she took one as a souvenir with his autograph.
00:02:48The child was a pagan for a long time.
00:02:51Mrs. Helena, Modrzejewska, finally arrived,
00:02:57and together with Jan Krzeptowski-Sabała,
00:03:00an old hunter, a murderer of bears,
00:03:04a clown, Homer, Zakopane,
00:03:07and a six-year-old Christian were taken to church.
00:03:12This is a Siberian monkey.
00:03:21The monkey is ugly, but there are no pretty monkeys here.
00:03:26This is what Mrs. Modrzejewska from San Francisco wrote.
00:03:31There is a change in the musical direction in him.
00:03:37He plays his children's polkas and sings in a tone, a complete reversal.
00:03:43His favorite topic of conversation is astronomy.
00:03:47He will have, he has, an independent mind and very strict.
00:03:53Good.
00:03:58He writes and composes.
00:04:02There is no tenderness.
00:04:06There is no zeal.
00:04:11I don't know what will come of it.
00:04:14He is also ashamed to read aloud everything that is different.
00:04:17Pathos,
00:04:20embellishment or stylistic decoration.
00:04:23Is it the lack of a certain zeal and tenderness in his nature?
00:04:30Is it a lack of development?
00:04:35But it is so.
00:04:39There is an expression in his mouth,
00:04:43focused, wise, sensible.
00:04:50He paints, plays,
00:04:53but with the greatest zeal he writes comedies from the family life.
00:04:58The weakest side of them is the writing room,
00:05:01because there is a lot of life and observation in the content itself.
00:05:04Where did this headache come from?
00:05:07Stas,
00:05:09fire, fire, fire, ladder, lift to help, water, mom.
00:05:15Well, maybe you could do a lesson, Stas.
00:05:18Wait a minute, mom.
00:05:20Come on, because Mrs. Jastrzębska is coming soon.
00:05:23Stas, I'm coming.
00:05:26Stas has a lesson, Mrs. Jastrzębska comes in.
00:05:29Mrs. Jastrzębska finishes the lesson.
00:05:31Mom, have you seen Stas' comedy?
00:05:34Mrs. Jastrzębska.
00:05:35No.
00:05:36Mom shows the comedy.
00:05:38Mrs. Jastrzębska reads.
00:05:40Oh, Magdalena, I dedicated my life to you,
00:05:43and my father was born and killed you.
00:05:46Oh, oh, you get a stiletto from behind Magdalena's dress.
00:05:50Oh, saviour Puginale,
00:05:52live in your future.
00:05:54She breaks through.
00:05:56Mrs. Jastrzębska.
00:05:58Madam, this is a complete meterling.
00:06:01When she gets married, she is not yet eight years old.
00:06:05She is terribly interested in everything that is written in the form of dialogue.
00:06:09Maybe it's the influence of Mrs. Helena.
00:06:11Devilish talent.
00:06:13Lope de Vega wrote his first play when he was ten years old.
00:06:16Stasiek was seven and a half when he started.
00:06:19If he continues to write like this,
00:06:22his works will be counted in the thousands.
00:06:26He is now enchanted by one older and very nice girl
00:06:32and admires her memories.
00:06:36He will be a very righteous man.
00:06:42If only I could leave him here at home without sending him to school.
00:06:48It would be in the interest of the child's soul and health.
00:06:52He learns at home,
00:06:54in the thought of my system,
00:06:56without a system.
00:06:58It was Ruszczyc,
00:07:00Stanislavski was here yesterday,
00:07:02and these two most excellent Polish landscape artists
00:07:05watched the child's works with great interest and praise.
00:07:10He is developing in some directions,
00:07:14in others not.
00:07:18He wants to pass the exams,
00:07:21so we repeat the material.
00:07:24It's an idiotic job, but well...
00:07:27When the child wants it,
00:07:30let him try.
00:07:33He will be a painter,
00:07:36and good.
00:07:38Some skies with flying clouds
00:07:41and sunsets
00:07:43painted with paint.
00:07:56My old car,
00:08:00my old car,
00:08:03fell from the tree of knowledge
00:08:05like a ripe pineapple,
00:08:07ripe, but still very green.
00:08:10A testimony of maturity.
00:08:13It must be admitted that humanity is in a delirium.
00:08:16I, who do not have it,
00:08:18am therefore immature so far.
00:08:22Do you see now
00:08:25the simple and clear ways of life?
00:08:28Art will fill the edges of your mind,
00:08:31and the ability to sympathize with people
00:08:34will fill the senses.
00:08:36If it goes on like this,
00:08:38with your painting,
00:08:40you will be a wonderful proof
00:08:42of the truth of my theory of art.
00:08:44Wondering about the lives of boys
00:08:47and children of your age,
00:08:49I see how happy you are that you have this art,
00:08:52which you like so much,
00:08:54which you master so simply and naturally.
00:08:57And while you have more defined,
00:08:59better defined paths of life
00:09:01than your other peers,
00:09:03and even older boys,
00:09:05who know nothing about themselves
00:09:07and are looking for some authority.
00:09:10Above all,
00:09:12to be an absolutely good person,
00:09:15and then to do anything good.
00:09:18To paint wonderful paintings.
00:09:21Or to carry buns around Zakopane.
00:09:24Or to slaughter a swine.
00:09:26All the same,
00:09:27as long as you have an elevated soul,
00:09:29that is all that constitutes
00:09:31the essential wisdom of life.
00:09:33I was very worried
00:09:35about the news of the burning.
00:09:39Me too.
00:09:41You have enough young energy,
00:09:43bright and healthy.
00:09:45Leave it to the poor,
00:09:47who have no control over their souls.
00:09:49And one more stain.
00:09:51A stain that makes the impression
00:09:53of a fat mark
00:09:55on the whiteness of a clean shirt.
00:09:57You see,
00:09:59auntie is talking about alcoholism.
00:10:01Mary, my dear,
00:10:03in this case,
00:10:04his mental resilience
00:10:06was affected by the influence of the environment.
00:10:09The influence of the environment
00:10:11in this case was stronger
00:10:13than the individuality of the soul
00:10:15Photos.
00:10:17Ah, true.
00:10:19Tell me, my dear,
00:10:21who is this young lady,
00:10:23whom we admire in the photographs,
00:10:25very beautiful anyway,
00:10:27which you sent us from Lithuania?
00:10:29Only that a lady,
00:10:31if she is more than six years old,
00:10:33let her not sit on her knees
00:10:35and not turn you over.
00:10:37She could slip.
00:10:39Let her not get used
00:10:41to the Eastern customs,
00:10:43the stage through which our culture
00:10:45has already passed.
00:10:47So let the lady keep her decency.
00:10:49My dear,
00:10:55today
00:10:57there is no stage in your life.
00:10:59Your spiritual bond
00:11:01is slowly building up,
00:11:03binding, and only
00:11:05lasting.
00:11:07It must be simple and strong,
00:11:09lofty and great.
00:11:11The rest is a play.
00:11:13Live in the future.
00:11:15Stand still on the top,
00:11:17from which you can see
00:11:19the furthest horizons.
00:11:27My dear,
00:11:29in old fairy tales
00:11:31it is forbidden to watch
00:11:33the one who goes for treasure,
00:11:35wonderful water,
00:11:37or the princess.
00:11:39So that you spend
00:11:41as little time as possible
00:11:43looking for the last one.
00:11:45Stas is tired.
00:11:47Let's go to bed.
00:11:49I have prepared you
00:11:51warm water and towels.
00:11:53I think you should not
00:11:55go to the university this year.
00:11:57You should work completely
00:11:59on your own
00:12:01and think over the choice
00:12:03of what you are going to study,
00:12:05a more conscious goal.
00:12:07You should plan your studies,
00:12:09paint it,
00:12:11and then,
00:12:13within a year,
00:12:15you will master the whole thing
00:12:17and make some great paintings.
00:12:19Leaving the village
00:12:21from time to time
00:12:23to Krakow
00:12:25to look at academic life
00:12:27and science,
00:12:29you can use it
00:12:31to survive this year.
00:12:33My dear,
00:12:35I don't want to bother you.
00:12:37I don't want you
00:12:39to go to Krakow
00:12:41on your own.
00:12:43I say this because
00:12:45the most important thing
00:12:47for me is the essence of life,
00:12:49not the graduation,
00:12:51but the development
00:12:53of your kind soul.
00:12:55Think about it all
00:12:57and imagine the course of this year.
00:12:59Free and honest work
00:13:01and a trip to Krakow.
00:13:03You can do it!
00:13:05My dear,
00:13:09your Krakow plan
00:13:11is wise and good.
00:13:15If I had a different one,
00:13:17it's because I look at
00:13:19some phenomena of life
00:13:21a little differently,
00:13:23but I don't think
00:13:25that I will resist.
00:13:27I don't think
00:13:29that I prefer to exercise
00:13:31what I want,
00:13:33but you can't blame
00:13:35what you want,
00:13:37so strive
00:13:39to fulfill
00:13:41this desire.
00:13:45Because
00:13:47what is happening to you
00:13:49is so nice to me.
00:13:53The fog of sympathy
00:13:55was rising
00:13:57over your childhood,
00:13:59the dawn of friendship
00:14:01and the depths
00:14:03of divine attachment.
00:14:07A lot, a lot of people
00:14:09give you.
00:14:11Be grateful.
00:14:15Read it.
00:14:19You'll have time.
00:14:21What's this?
00:14:23Such
00:14:25metaphysical divagations.
00:14:29Improductive dreams.
00:14:31Good night.
00:14:37In anticipation of
00:14:39malicious remarks
00:14:41and ironic laughs,
00:14:43the author dresses up
00:14:45in a grandeur
00:14:47and unbreakable
00:14:49impudence,
00:14:51and the outrage of the orthodox
00:14:53is treated
00:14:55with shameless
00:14:58Good night.
00:15:04Why paint, play, create
00:15:06and live at all
00:15:08when we belong
00:15:10to the system of the Milky Way
00:15:12in which light
00:15:14runs every 65 years?
00:15:16What is time and space
00:15:20and causality
00:15:22ruling the hellish chaos
00:15:24of worlds
00:15:26and the eternal life
00:15:28of the human soul?
00:15:30A capable beast
00:15:32gave advice to Schopenhauer.
00:15:35Excuse me,
00:15:37but a person
00:15:39was walking around the house.
00:15:41She came in
00:15:43and asks about Stasia.
00:15:45I don't know
00:15:47if it's about you or your son.
00:15:49Wait.
00:15:51Let her not come in.
00:15:53Mother cannot know.
00:15:55Good evening.
00:15:57Mrs. Wanda, my father.
00:15:59Don't introduce me.
00:16:01I'm leaving.
00:16:04Please, leave.
00:16:06You cannot stay here.
00:16:08Take her away.
00:16:10Mr. Stanislaw told me
00:16:12he would introduce me to my parents,
00:16:14so we came.
00:16:16Yes, father.
00:16:18If you are a good woman,
00:16:20you will understand.
00:16:22I am still a lady.
00:16:24Mrs. Wanda is a lady.
00:16:27If we have to talk here,
00:16:29lock the door.
00:16:31Mrs. Wanda is a lady
00:16:33and my fiancée.
00:16:35We don't have to hide.
00:16:37Lady...
00:16:39Wanda,
00:16:41you are both children.
00:16:43My son is irresponsible,
00:16:45a young artist.
00:16:47You are on the worst road.
00:16:49Forgive me,
00:16:51a dangerous road
00:16:53and a terrible abyss
00:16:55of a dilapidated house
00:16:57under the watch of the police.
00:16:59That's why we want to end it.
00:17:01Let's help her.
00:17:03Instead of helping in vain.
00:17:05This is the only way out.
00:17:07There are people in Krakow
00:17:09or factories
00:17:11who help women
00:17:13to get out of this misery.
00:17:15Father, I see you found a great way out.
00:17:17Stasien...
00:17:19Father, forget that my life is at stake.
00:17:21Your whole being
00:17:23should be pushed away
00:17:25by this
00:17:27impregnating slavery.
00:17:29This filister surrogate
00:17:31of great tenacity.
00:17:33Now, when your soul
00:17:35is the most plastic,
00:17:37you have to keep it above slavery
00:17:39and the misery of life.
00:17:41Why are you offending me?
00:17:43Please listen to the end.
00:17:45No, my child.
00:17:47I, too, with despair,
00:17:49have to go through all the misery
00:17:51and filth
00:17:53that you have to go through.
00:17:55I feel sorry for you.
00:17:57Let the father stop and let us say something.
00:17:59Mrs. Dzipka,
00:18:01that slavery slave,
00:18:03took care of your son.
00:18:05She took him in
00:18:07and didn't let him shoot himself.
00:18:09And now she wants to save him
00:18:11and that's why she came here.
00:18:13She doesn't need to be made up.
00:18:15What do you want to do?
00:18:17To ask my father for a loan.
00:18:19For a ship to America.
00:18:21Nonsense.
00:18:23Who's gone mad here?
00:18:25Please read.
00:18:27There's a guarantee here.
00:18:29An invitation for me
00:18:31and someone close to me, if I had one.
00:18:33The job is guaranteed
00:18:35as a cashier,
00:18:37but I can perform.
00:18:39Stasio mentioned his mother
00:18:41who also made a career overseas.
00:18:43What? Modrzejewska?
00:18:45Yes, Mrs. Modrzejewska.
00:18:47Stasienik said
00:18:49he wanted to go
00:18:51or he'll shoot himself here
00:18:53and won't make it.
00:18:55Now you'll just lend us the road.
00:18:57I have my honor.
00:18:59We live together.
00:19:01Until Stasienik falls in love
00:19:03then he'll leave.
00:19:05In any case, I have to leave.
00:19:07Absolutely.
00:19:09I want to take you
00:19:11over this swamp
00:19:13and feel the clean and high atmosphere.
00:19:15I'll give it to him.
00:19:17It's decided.
00:19:19Only you'll lend us the ticket.
00:19:21I'll leave him.
00:19:23I'll leave him.
00:19:25Mothers and fathers
00:19:27who ask you
00:19:29for the shame of their own helplessness.
00:19:31The trip is a rescue for you,
00:19:33but a special trip.
00:19:35He'll come back to us.
00:19:37You'll sail
00:19:39across the oceans.
00:19:41We'll give you a trip.
00:19:43The only weapon
00:19:45against
00:19:47your own humiliation
00:19:49is to break away
00:19:51from your selfishness.
00:19:53I recommend the image of Mary Magdalene
00:19:55and the second mother
00:19:57Stasia in her despair for her son.
00:19:59Please.
00:20:01Please let us
00:20:03talk to each other.
00:20:05I don't know if I'm doing well
00:20:07to obey you.
00:20:09It's up to you.
00:20:11Stasiek, don't worry.
00:20:13I'll go there.
00:20:15I'll manage.
00:20:17I liked you very much.
00:20:19Did you take the money?
00:20:21Bitch!
00:20:23What did you take the money for?
00:20:25Leave me alone!
00:20:27Are you crazy?
00:20:29Please, don't yell.
00:20:31Where are you going?
00:20:33I'll wait for you in the cafe.
00:20:35Go!
00:20:37Just in case!
00:20:41What's the matter with you?
00:20:43My dear,
00:20:45take a breath.
00:20:47You've lost your temper.
00:20:49When you know life better,
00:20:51you'll be glad
00:20:53that it happened.
00:20:55You scared me.
00:20:57Why do you hate me so much?
00:20:59And I'm glad
00:21:01about what Mrs. Wanda said.
00:21:03I hope she won't meet
00:21:05evil and perverse people.
00:21:07You're nice,
00:21:09kind,
00:21:11and sensible.
00:21:13Thank you.
00:21:15I hope my father won't be so happy.
00:21:17I'm afraid
00:21:19there may be problems.
00:21:21Jesus Christ!
00:21:23Don't you want to say
00:21:25that you gave the bill?
00:21:27No.
00:21:29She gave it to me.
00:21:31Dr. Majewicz will inform you.
00:21:33I was about to warn you.
00:21:35You should hang yourself.
00:21:37He doesn't think
00:21:39it's a difficult case.
00:21:43Don't think
00:21:45it's a trivial matter.
00:21:47I try to follow
00:21:49the doctor's advice.
00:21:51In hygiene
00:21:53and taking medicine.
00:21:55I look at her carefully.
00:21:57When neglected,
00:21:59the disease
00:22:01can lead to serious consequences.
00:22:03Take care of yourself.
00:22:05Tell me everything.
00:22:07I'd rather
00:22:09my mother didn't know.
00:22:11She won't know.
00:22:15And don't worry about
00:22:17walking.
00:22:19It's a very
00:22:21unnecessary complication.
00:22:25Don't feel sorry for me.
00:22:27Don't think
00:22:29I disagree with you.
00:22:31At the bottom
00:22:35I feel harmony
00:22:39between you and me.
00:22:57I'd be calm
00:22:59about painting.
00:23:01I don't want
00:23:03the formula of the opposite
00:23:05to cut the foundation
00:23:07of talent.
00:23:09I don't want to
00:23:11follow
00:23:13a word,
00:23:15a name
00:23:17or a colour
00:23:19or a form.
00:23:23I wonder
00:23:25when people
00:23:27will start to read me
00:23:29and learn
00:23:31a lot about art,
00:23:33about the psychology of creation
00:23:35which are
00:23:37in these books.
00:23:39Brzozowski said
00:23:41about your Kossak
00:23:43that it's the most Polish book
00:23:45he knows.
00:23:47I'd like him
00:23:49to study
00:23:51purely mental,
00:23:53emotional,
00:23:55to experience
00:23:57a state of harmony
00:23:59with the visible world
00:24:01from which
00:24:03the foundation of painting
00:24:05is taken.
00:24:07Meanwhile
00:24:09he doesn't live
00:24:11with Tatras
00:24:13because these sports trips
00:24:15are just walking
00:24:17with closed eyes.
00:24:19Impressions from Italy
00:24:21are superficial.
00:24:23Thank you, Mr. Nietyszkiewicz.
00:24:27Observational
00:24:29and emotional material
00:24:31is not enough.
00:24:33At the same time
00:24:35his knowledge
00:24:37and criticism,
00:24:39criticism,
00:24:41criticism,
00:24:43develops.
00:24:45And this is where
00:24:47the gap between him
00:24:49and at some point
00:24:55suffering begins.
00:25:19And what have they done to the child?
00:25:23Why such melancholic
00:25:25and full of doubts?
00:25:27If you know, maybe you'll tell
00:25:29and we'll get along.
00:25:31I feel that my father doesn't trust me
00:25:33and he's still thinking about something.
00:25:35Oh, now, for example,
00:25:37my father looks at me
00:25:39inquisitively and suspiciously.
00:25:41Suspicious gaze,
00:25:43only staring
00:25:45into my very nice mouth.
00:25:47If I feel
00:25:49that my father is suspicious,
00:25:51it's perfect.
00:25:53You see, it seems to me
00:25:55that this child is a little hidden.
00:25:57I signed up,
00:25:59I confess.
00:26:01I signed up to the Academy
00:26:03for Stanisławski's course.
00:26:05Are you going to join
00:26:07the Prussian ship
00:26:09that leads to Stanisławski?
00:26:11That's what my intuition tells me.
00:26:13And do you know where it will take you?
00:26:15We'll see.
00:26:17I can't leave it
00:26:19without convincing you
00:26:21that this intention is bad.
00:26:23We'll see.
00:26:25When it comes to art,
00:26:27there is no one in Poland
00:26:29who would know it better than me.
00:26:31I have to say it
00:26:33as if I were not myself.
00:26:35I say it with all objectivism
00:26:37and recognition of the merits
00:26:39of other people.
00:26:41Even you don't have a patent
00:26:43for Stanisławski's school.
00:26:45You knew it four years ago.
00:26:47You painted those white clouds
00:26:49in the background of the dark sky.
00:26:51You used this ververone,
00:26:53cardboard, matting,
00:26:55mechanical toning.
00:26:57You've gone through it all.
00:26:59Stanisławski?
00:27:01Stanisławski is intelligent
00:27:03but more clever.
00:27:05As a painter,
00:27:07he is absolutely devoid of imagination.
00:27:09He does not develop,
00:27:11he does not create images.
00:27:13Let's rent a room
00:27:15with a family.
00:27:17Kraków is the cheapest option.
00:27:19Don't tell me it's cheap.
00:27:21Never.
00:27:23You can eat cheap food,
00:27:25but you can't drink cheap art
00:27:27or wash your soul
00:27:29because it's cheap.
00:27:31We are poor,
00:27:33but don't humiliate your soul
00:27:35for nothing.
00:27:37You are worth more
00:27:39than Stanisławski.
00:27:41I don't want you to be empty,
00:27:43but I want you to be proud.
00:27:45Be proud of yourself.
00:27:47I'm not afraid of Stanisławski.
00:27:49I will work.
00:27:51I will only suppress the drawing.
00:27:53If I'm worth something,
00:27:55no science,
00:27:57a thousand academies
00:27:59can't kill me.
00:28:01And if not,
00:28:03let me be an economist
00:28:05or a subject,
00:28:07or a boss,
00:28:09or a deserter,
00:28:11and not a prison guard
00:28:13carrying a stranger's coffin.
00:28:15My views, my thoughts
00:28:17represent the higher world
00:28:19of concepts and feelings,
00:28:21and that's why I want to keep you
00:28:23in this world.
00:28:25I want you to go higher
00:28:27and further than me.
00:28:29Then I won't tell you to come back.
00:28:31Don't persuade me.
00:28:33I won't stay here.
00:28:35I don't need friends
00:28:37looking at my warts
00:28:39and nodding their heads
00:28:41to make you happy.
00:28:43I won't draw or learn
00:28:45anything here,
00:28:47not even from you.
00:28:49I hope you don't regret anything,
00:28:51hope you don't miss anything.
00:28:53Recalling my youth,
00:28:55I often have the impression
00:28:57that right now
00:28:59I was deaf and blind.
00:29:01The angel knocked on the door
00:29:03People, nature, the past, the future, everything was at a distance of a reached out hand.
00:29:10And the man was pushing himself like a galloping horse, looking for something beyond himself.
00:29:16And it was something within himself.
00:29:20And throw out of use the word wick. It is disgusting.
00:29:24Not every failed painting is a wick.
00:29:26A wick, dad, a wick. You have to get used to this thought.
00:29:30I can't draw, I can't paint, I can't do anything.
00:29:33I'm looking for a mystery, but I haven't found it yet.
00:29:36You can't draw.
00:29:39Yesterday, Wojtek Kosak chose your sketches as mine and asked me to give them to him for an exhibition.
00:29:44And those two landscapes that I gave to Mrs. Modrzejewska.
00:29:47To be able to draw is actually an expression that does not correspond to reality.
00:29:51You have to be able to do what you see in your imagination.
00:29:54There is no drawing besides that.
00:29:58Take a good look, understand the shape.
00:30:01And you draw it.
00:30:03The problem is not in the gymnastics of the hand,
00:30:06not in the precise coordination of its movements with the indications of the eye.
00:30:10Force your fingers to go like a slave for what you want to draw.
00:30:15All I do is to work on the details.
00:30:18It is natural that you now see the world in details.
00:30:25You will find a synthesis.
00:30:28Paintings are composed in late autumn or early spring.
00:30:33In the dark.
00:30:36It is a time of confusion in nature and strange mental work in man.
00:30:41Pay attention to one thing.
00:30:44Try not to paint with closed eyes.
00:30:47It is deceiving yourself.
00:30:50Artificial harmonization.
00:30:52As Oleś Gierymski would say.
00:30:55Because the eyelashes are like a laser covering the picture.
00:30:58It is a bad habit.
00:31:01And one more thing.
00:31:04Try to hold the brush so that it is raised with the fingers
00:31:07and goes closely behind the reflected form.
00:31:11It goes.
00:31:14It means that the fingers lead it efficiently behind the indications of the eye.
00:31:20Meanwhile, you hold the brush with nonchalance.
00:31:24When I listen to you, when I enter your way of thinking,
00:31:27I feel that I stop being an artist.
00:31:30I become a machine to understand techniques.
00:31:34Do you hear?
00:31:36Not secrets, but techniques.
00:31:39Paint!
00:31:42He is not here.
00:31:45He is not here.
00:31:48Besides, a man is enough for controversial fights
00:31:51if none of them draws conclusions.
00:31:54If this youth, about whom the law fights,
00:31:57resigns himself and puts his neck in the collar.
00:32:12The head of the family.
00:32:15Are we going to work today?
00:32:26Get undressed.
00:32:34I like it.
00:32:37The river.
00:32:40The river.
00:32:43I like it.
00:32:46I like it.
00:33:09I mean your last letter.
00:33:12I'm sorry, I had nothing else at hand
00:33:15and I made you sad, I'm sorry.
00:33:18No, I don't mean the paper.
00:33:21Tell me, what uprising?
00:33:24Why did you buy a revolver?
00:33:27Well, it didn't turn out to be so important.
00:33:30Why this revolver?
00:33:32There was such a rumor or news.
00:33:34Someone brought it from the kingdom, that there was to be an uprising.
00:33:37What uprising?
00:33:39I don't remember.
00:33:41That something in Łódź.
00:33:43There is no uprising and there can't be.
00:33:46It's anachronism.
00:33:48A goodwill expression from years ago.
00:33:50It's a revolution.
00:33:52But they said that if it expands, there will be an uprising in the kingdom.
00:33:55Besides, I don't care if it's an uprising or a revolution.
00:33:57What's the difference?
00:33:59There are a thousand more important reasons to kill each other.
00:34:01Listen, it has to be resolved once and for all.
00:34:04There is no moment in which everyone has the moral impulse to let themselves be killed.
00:34:08If there was, we would go together.
00:34:11Sometimes letting yourself be killed is a moral victory.
00:34:14The crucifixion of Christ is his victory.
00:34:17But sometimes only letting yourself be killed has no reason or moral impulse.
00:34:22No, son.
00:34:24Don't think about an uprising.
00:34:26That's what I'm telling you. I'm not going anywhere.
00:34:28Everyone was buying something, I got a revolver.
00:34:31It broke down, nothing happened.
00:34:33This one stayed here.
00:34:34And thank God nothing happened.
00:34:36And with a revolver, no fun, watching, showing off.
00:34:38Hide it.
00:34:40You have to have faith in yourself.
00:34:42And not appeal to external things.
00:34:44You have to have faith.
00:34:46The fact that I don't want you to get involved in some unforeseen adventures
00:34:51doesn't mean I'm persuading you to ignore it.
00:34:53Because of what's going on there.
00:34:55On the contrary, don't separate yourself from life,
00:34:57from empathy for great painful events.
00:35:00Learn history.
00:35:02History is boring me.
00:35:03And social things don't interest me at all.
00:35:05You can be calm.
00:35:06Cynicism in this sphere is a sign of a low state of mind.
00:35:10Be aware of it.
00:35:12Read what Piłsudski writes about it.
00:35:16And others, read Russian things.
00:35:19Enter this sphere, understand it.
00:35:22You took me out of Russia when I was five years old.
00:35:25From Warsaw.
00:35:27Away from all persecutions, oppressions, I became a normal person.
00:35:31A normal person.
00:35:34It's a matter of character, personality.
00:35:38If someone doesn't have a spontaneous need to interfere,
00:35:41he shouldn't do it.
00:35:43And what should he do, in your opinion?
00:35:45He should be a loyal subject.
00:35:47Even in the kingdom?
00:35:48Yes, even in the kingdom.
00:35:50Do you realize what that means?
00:35:53A loyal subject is one who doesn't act illegally
00:35:57and doesn't rebel against the government.
00:36:00After 1963, Poland was ruled by such people.
00:36:05It was they who ensured a government
00:36:07plagued by persecutions and uprisings,
00:36:10that we are still legal citizens,
00:36:13subjects, and we still want to work legally,
00:36:16loyally, for the good and glory of the country
00:36:20with which our tragic fate is entwined.
00:36:23Yes, and thanks to them we live, you and me.
00:36:26What are you talking about? You don't understand anything.
00:36:30A legally and loyally acting Pole
00:36:33is a Pole who went to Orthodoxy,
00:36:35who renounced Polish language, Polish thought, Polish past,
00:36:39who stopped being a Pole.
00:36:41In other words, he is the last Wajdak.
00:36:45Loyal and legal for them
00:36:48is only the one who has been killed in his grave,
00:36:52or who has defiled or pretends to have been defiled,
00:36:55because in the absence of means to test the honesty of human speech,
00:36:59they pretend to be a simulation,
00:37:01as long as it seems to be an important servilism.
00:37:04All right, let's omit this example.
00:37:06I don't feel like a scoundrel,
00:37:08only because I lack a sense of a certain category.
00:37:11I have the impression that I am an artist, and nothing else.
00:37:14You have to be an artist, you devil,
00:37:17and not to be chased like a deer
00:37:20after all the met clutches.
00:37:29I am sorry.
00:37:35I think we are still friends.
00:37:40It is worth it.
00:37:46I am really sorry
00:37:49that I lack a sense of this measure.
00:37:54Try not to over-refine your relationship to yourself
00:37:59through constant internal shakings.
00:38:03But apart from the relationship to the world,
00:38:06a person has himself, himself, for himself.
00:38:09I don't mean that you should throw bombs,
00:38:12engage in agitation, or fly with a banner.
00:38:15I would like you to stand
00:38:18on the path of absolute social justice,
00:38:23which is the embodiment of the only value
00:38:26that honors the forces that unite humanity.
00:38:33Love.
00:38:35Oh, God.
00:38:42I am sorry.
00:38:48I am sorry.
00:39:03Do you recognize this?
00:39:05Yes.
00:39:06This is your first book.
00:39:10Thank you.
00:39:19Will you tell me something?
00:39:25No.
00:39:29I am too nervous.
00:39:31I could say something stupid.
00:39:33But, sir,
00:39:35the most beautiful thing in life
00:39:38is to say and do stupid things.
00:39:44I feel like ordinary pleasure.
00:39:47A little bit of psychology,
00:39:49a little bit of oath and spell,
00:39:53and a little bit of dreams
00:39:55about a wonderful, common bedroom.
00:40:00Tell me the truth.
00:40:02Your facial expressions and character
00:40:04made a bigger impression on me than your voice.
00:40:07One.
00:40:08You give me a lot of artistic...
00:40:12Two.
00:40:14I am grateful to you.
00:40:16Three.
00:40:17I am grateful that I could suffer because of you.
00:40:20Three.
00:40:22I am grateful that you got me out of the inside out.
00:40:26Go on.
00:40:28I am grateful that you made a stranger for me
00:40:32who can play everything
00:40:35with a boy who is unreliable and can't lie.
00:40:38Go on.
00:40:41I am grateful to you
00:40:44that you are going out with someone again.
00:40:47Go on.
00:40:48A piece of flesh.
00:40:51Go on.
00:40:53Emptiness.
00:40:55Your wisdom is sometimes unbearable.
00:40:59I am only a woman.
00:41:01That's your favorite sentence.
00:41:03Stupidity.
00:41:05What are you playing at?
00:41:07I am playing at your first and best
00:41:10mistake with a street girl.
00:41:12Your superficial ability to repeat things
00:41:14that have been read or heard.
00:41:17Yes?
00:41:18Emptiness.
00:41:19Terrible.
00:41:20Suffering.
00:41:21It's getting cold.
00:41:22Your sensual flatness is looking for a way to me.
00:41:26I will have hiccups.
00:41:27I have a pain in my thigh.
00:41:28I can't lift myself up to anything.
00:41:30Only to put down a useless yo-yo.
00:41:33I have the impression that I have been involved
00:41:35and that I am getting a free entry to your womb.
00:41:44I would cry over you that you are the way you are.
00:41:47But you are the way you really are.
00:41:50And you can't be anything but an artist.
00:41:54So that a group of people like me
00:41:56would hang themselves on their own nipples.
00:41:58They couldn't do anything.
00:42:02I live completely alone.
00:42:07Not to mention my husband
00:42:10who is actually only my guardian.
00:42:13He doesn't care about anything but my interests and my game.
00:42:22What are you thinking about right now?
00:42:25I think that what I just said is a waste of time.
00:42:30That you are everything to me.
00:42:34That the word love is something infinitely small
00:42:36compared to what I have for you.
00:42:39And that if you want,
00:42:41all my life will be yours.
00:42:45Are you sure of what you are saying?
00:42:50If you knew what path I took
00:42:53and how long and deep I thought about my life
00:42:56why didn't you ask me?
00:42:59But are you sure
00:43:02that this is something permanent that you feel right now?
00:43:07I repeat.
00:43:09All my life belongs to you.
00:43:15You can come in an hour.
00:43:27You can change everything.
00:43:32You can do anything you want with me.
00:43:40I have to love you with all my heart
00:43:45and hold you with all my strength.
00:43:48I can't do it otherwise.
00:43:51I have to love you with all my heart
00:43:54and hold you with all my strength.
00:43:57I can't do it otherwise.
00:44:00Sometimes even for myself.
00:44:05If I don't understand everything you are saying
00:44:10you will explain it to me yourself.
00:44:15And if I don't understand you
00:44:20you will kill me.
00:44:24Right?
00:44:32Why did you ask about this poverty?
00:44:35I'm very worried about it.
00:44:41How do you feel?
00:44:45So you were complaining about poverty.
00:44:50How long have I been lying here?
00:44:53Three days.
00:44:55You were very exhausted.
00:44:58Sick.
00:45:00Doctor Majewicz said it was neurasthenia.
00:45:03He gave you some powder and you slept for 19 hours.
00:45:06You should feel better.
00:45:09Was she here?
00:45:12Who?
00:45:16No one.
00:45:18I thought so.
00:45:21Your forehead is cold.
00:45:24You were hot at night.
00:45:26Now go to sleep.
00:45:28Don't leave.
00:45:32Good.
00:45:36Sit down.
00:45:39Sleep.
00:45:43I have to get her back.
00:45:46I have no other choice.
00:45:49Don't worry.
00:45:51It will only hurt you later.
00:45:54Write to her.
00:45:57Tell her to come back.
00:46:00Tell her how important it is for me.
00:46:04Write to her.
00:46:07I have no reason to write to her.
00:46:10I'm not a reason enough.
00:46:13It would be a pointless lie.
00:46:16I don't think and feel like that.
00:46:19You were more resistant.
00:46:22You wrote as if it was breaking.
00:46:26It wouldn't last until August.
00:46:30My dear Stasia,
00:46:33turn around and leave
00:46:36until it eats up your character.
00:46:39Artistic values are not worth the harm
00:46:42caused by such a relationship.
00:46:45I don't mean harm.
00:46:48I mean the opposite.
00:46:51What is it in your life?
00:46:54Friendship?
00:46:57Friendship, passion,
00:47:00understanding, love,
00:47:03admiration of thoughts.
00:47:06What is it?
00:47:09What was Modrzejewska like in your life?
00:47:12Why do you ask?
00:47:15Everyone knows.
00:47:18My mother too.
00:47:21She was an amazing person.
00:47:24She was a witness.
00:47:27She said goodbye to you
00:47:30in a Shakespearean way.
00:47:33She wanted me to say goodnight
00:47:36to her in the morning.
00:47:39You were in her wardrobe.
00:47:42What are you trying to say?
00:47:45Nothing.
00:47:48I guess she didn't mean it.
00:47:51I'm just an example for your anemia.
00:47:54I think it's a low catch.
00:47:57Ask yourself again.
00:48:00You don't like theatre.
00:48:03You don't like acting.
00:48:06I know you're in a hurry.
00:48:09You need to be independent.
00:48:12You need time and energy.
00:48:15What don't you understand?
00:48:18I wrote to Kraków.
00:48:21No share.
00:48:24No remnants.
00:48:27What share?
00:48:30I mean sharing a wife with a husband
00:48:33or another man.
00:48:36Taking a life of humiliation, lies,
00:48:39maybe even dramas
00:48:42and getting involved with this murderer.
00:48:45Do you understand?
00:48:48Where's the father?
00:48:51There are moments in life
00:48:54that make you go beyond your relationships.
00:48:57What is an artistic experience without value
00:49:00can be the highest artistic value
00:49:03as a necessary foundation for creativity.
00:49:06Complete chaos.
00:49:09Nietzsche said you need chaos
00:49:12Calm down, my love.
00:49:15Have a sleep.
00:49:18I'll bring you a medicine from Dr. Majewicz.
00:49:21I can't wait with this letter.
00:49:24Ask your mother.
00:49:27She shouldn't worry.
00:49:30Could I give it to her?
00:49:33Maybe you think it's inappropriate.
00:49:36No, why?
00:49:39Your trip to Warsaw
00:49:42and your stupid assumption
00:49:45that I'm plotting something against you.
00:49:48You're right.
00:49:51Your relationship with Mrs. S.
00:49:54is important.
00:49:57No one is more important
00:50:00than a woman.
00:50:03I love you more and more.
00:50:06There are so many possibilities.
00:50:09There are women who work like magic.
00:50:12Something happened to me.
00:50:15When I think I'm so old
00:50:18I feel cold.
00:50:21They don't ask for anything.
00:50:24They carry their souls
00:50:27with their actions.
00:50:30Now I do everything in my life
00:50:34to get an independent position.
00:50:37But there are also those who destroy,
00:50:40use energy
00:50:43for small things or nothing.
00:50:46I've written over a thousand pages
00:50:49and now I'm painting intensively
00:50:52to improve my position in the world
00:50:55and shut up my enemies.
00:50:58If you don't come to Warsaw
00:51:02in three days,
00:51:05they'll give you my monument.
00:51:08I'd like to meet your enemies.
00:51:11Is this the thousand pages?
00:51:14Yes, it's a story.
00:51:17Six hundred and twenty-two falls of Bunga.
00:51:20The depth of the ground
00:51:23turns out to be the bottom of the depth.
00:51:26Read it.
00:51:29I read it when you were ill.
00:51:32So what?
00:51:35This story has real literary advantages,
00:51:38but it's so personal
00:51:41that it can't be printed in this state.
00:51:44I was afraid of that.
00:51:47Too many close people
00:51:50this thing touches and hurts.
00:51:53Your exhibitionism reaches so far
00:51:56that even my tolerance is exhausted.
00:52:27My Exhibitionism Reaches So Far
00:52:30My Exhibitionism Reaches So Far
00:52:52I love, or at least love
00:52:55Or I love them, and they are something in life, or I treat them artistically.
00:53:04Maybe you would do something decent in life, said the old man,
00:53:11consoling Bunga in some way.
00:53:14But nothing. He was still chasing some women,
00:53:19and he kept coming up with new theories of life,
00:53:22until he cut his eye out with a stick.
00:53:25Can he draw anything with one eye?
00:53:30Bunga was already crying for the good,
00:53:34and with difficulty he managed to win Angelica over.
00:53:42And then Bunga started to draw something
00:53:48with colorful pencils, like a child.
00:53:53After a few months, Bunga got used to the lack of one eye,
00:53:59rejoicing that Neyperk also had one eye,
00:54:04but he cheated on Maria Ludwika.
00:54:08He also made Bunga, not Neyperk, a couple of erotic conquests,
00:54:19but soon there was a very nice one.
00:54:23He burned his left eye, and Bunga, in a state of despair,
00:54:28tore his neck with a razor blade.
00:54:33And finally, Bunga got a ticket.
00:54:37He found a letter with him,
00:54:40crossed with letters in eternal darkness.
00:54:48What are you going to do? Hurry up. I'm dead.
00:54:54Dead.
00:54:57It was a paraphrase of a poem by Miciński,
00:55:01a silent, silver one.
00:55:08They carved it on his grave,
00:55:11next to titles he would never use.
00:55:15Together with a preface written by Miciński,
00:55:19because I'm sure he'll survive,
00:55:21there will be 491 pages of this print.
00:55:24Fortunately, they print it 25 years after my death.
00:55:30What a bad day.
00:55:33Today I found out that Mrs. S came to Zakopane,
00:55:38and that she visited Stasia.
00:55:41Yes, yes.
00:55:44But Mrs. S came not to Mr. Stanisław,
00:55:48but to her sick daughter.
00:55:51Mr. Stanisław visited them courteously.
00:55:53They talked about penises, eyelids and pupils.
00:55:56How do you know?
00:55:58From Mr. Stanisław.
00:56:04You fool! Stupid jokes!
00:56:08A letter from my father has arrived.
00:56:13Mrs. Helen.
00:56:15Yes?
00:56:17I found it yesterday on my way back from Antełówka,
00:56:20where I found your forgotten purse.
00:56:23It was lying in the mud on the road.
00:56:25Yes?
00:56:27A nine of hearts.
00:56:30And what of it?
00:56:32A nine of hearts in my cabal means erotic feelings.
00:56:41Don't play with me.
00:56:44I'm leaving today.
00:56:47Is it decided?
00:56:49Yes.
00:56:52I'll do the best I can if I leave.
00:56:58It's a strange day.
00:57:01It seems as if something bad is about to happen.
00:57:07Snow has fallen again,
00:57:10and people are leaving on skis.
00:57:14I'm worried.
00:57:18I can clearly see people now.
00:57:20Every thought is hidden.
00:57:24The ocean is calling.
00:57:26A sad morning.
00:57:28A strange figure.
00:57:30It doesn't want to stay here with us,
00:57:32a corpse for life.
00:57:34How do they all live?
00:57:36They're looking for evil in each other.
00:57:39What are they doing?
00:57:41A flock of gypsies.
00:57:42They're flying in the sky.
00:57:44The sun is setting.
00:57:45The air is cooling.
00:57:47I'm spending my dead bodies among the rotting.
00:57:55I'll bring the album.
00:57:57You have to put it in my diary.
00:58:09Bad news?
00:58:13I'm not writing the whole truth.
00:58:16Read it.
00:58:19I want you to see me the day before yesterday,
00:58:22dressed in boots, a collar, a tie,
00:58:25beautiful and strong,
00:58:27from the last three weeks of the Lovry.
00:58:29My good caregivers were looking at the gypsy
00:58:32who was limping.
00:58:34Not bad.
00:58:36But yesterday it was worse again.
00:58:38I started to swallow salt,
00:58:40but now it's not working.
00:58:42I have a fever and a stomachache.
00:58:44I have to stop it.
00:58:46It'll be better.
00:58:48We'll call Dr. Visconti today.
00:58:50Maybe he'll come up with something.
00:58:52The Lord's Way is working
00:58:54and running around me all day long.
00:58:56She's drunk like a dog and won't let go.
00:58:59I don't want her attention.
00:59:01We all know what we owe her.
00:59:03We know.
00:59:04And that's enough.
00:59:06Where am I?
00:59:09Oh, Stasiek.
00:59:11What did you have with Żeromski?
00:59:13Me? Nothing.
00:59:15Why do you ask?
00:59:16There had to be something.
00:59:18I'm reluctant.
00:59:19Reluctant?
00:59:20He ignores me.
00:59:22Whether it's in a cafe or at home.
00:59:24He didn't come in, didn't knock.
00:59:26I feel a distance and a chill.
00:59:28It's unbearable for me.
00:59:30After the sympathy he showed me last year.
00:59:32I took pictures of him.
00:59:34Rubber prints.
00:59:35You have to hold on.
00:59:37I've already explained.
00:59:38How?
00:59:39I wrote him a letter.
00:59:41That despite all the sadness,
00:59:43I consider our relationship to be completely broken.
00:59:46Oh, Stasiek.
00:59:47That's not good.
00:59:48You caused the greatest sadness in this tavern.
00:59:51What are you doing?
00:59:53You've lost Malinowski's weapon.
00:59:55I had to!
00:59:57Sometimes something so disgusting
00:59:59I shoot.
01:00:00A small one.
01:00:02And I'll show him something like that
01:00:04I'm shocked.
01:00:06He told me that I'm a criminal.
01:00:09And Karol Szymanowski?
01:00:11Leave me alone.
01:00:12You don't have to write about this father.
01:00:14Keep reading.
01:00:15Half of Kraków goes to Lovrany.
01:00:17It's already been published.
01:00:18Oh, look here.
01:00:19What was the reason for Stasia's deal with Jerome?
01:00:25The day before yesterday, when I was still feeling well,
01:00:27we had Ziuk for dinner.
01:00:29I got his shooting cap from him.
01:00:31A cap like a cap.
01:00:33And in it, she added content.
01:00:35I want to keep it for the National Museum.
01:00:38You're an adult.
01:00:39In the middle of your death,
01:00:40you're taking care of some cap.
01:00:41I think it's for the Theatre Museum.
01:00:43After all,
01:00:45Piłsudski is your distant uncle,
01:00:47because of his whims.
01:00:49What will happen to Jerome?
01:00:50What's to happen?
01:00:52Either he apologizes, or it's over.
01:00:56I kiss your hands
01:00:58with all my heart and memory.
01:01:00My dearest Stasiek.
01:01:02I understand perfectly
01:01:04the brokenness of the soul
01:01:05after unsuccessful deeds.
01:01:07I kiss you, I hug you,
01:01:08I squeeze you with all my strength.
01:01:11Mr. Jadwiga.
01:01:12Greetings.
01:01:13Very warm.
01:01:14Yes.
01:01:19You didn't leave anything?
01:01:20No.
01:01:21Why?
01:01:22There's nothing there
01:01:24about me?
01:01:26I read it to you.
01:01:28She writes to me more directly.
01:01:31And me, for an idiot,
01:01:33or for an anemic idiot.
01:01:35Stasiek!
01:01:36Please.
01:01:37Please.
01:01:38My father's pessimism is limitless.
01:01:43Please.
01:01:44Your letters are impossible
01:01:45for a thirty-year-old man.
01:01:47But you're twenty-nine.
01:01:49Exactly!
01:01:50Your soul wanders in absolute darkness.
01:01:53A terrible change takes over you.
01:01:55Where does this nonchalance come from?
01:01:57Where does this deep disagreement
01:01:58with me come from?
01:01:59Where do these ideals come from?
01:02:00You had to write something.
01:02:02Yes!
01:02:03I wrote to him.
01:02:05That there will always be
01:02:06some kind of antagonism between us.
01:02:09Because it's about
01:02:10a completely different basic organization.
01:02:12Namely, in terms of
01:02:13compassion,
01:02:14co-existence
01:02:16and other things
01:02:17that start with co-existence.
01:02:19And that's the truth.
01:02:21And you can't make it up out of shame.
01:02:23Father wouldn't say anything like that.
01:02:25But he wrote.
01:02:27We don't care about
01:02:28suffering or suffering.
01:02:29We walk around human souls
01:02:30like we walk around stones.
01:02:32We hit them with a fist.
01:02:33We insult them with brutality.
01:02:35We don't care about the prophets
01:02:36hanging on the crosses
01:02:37or the nations suffering or fighting.
01:02:39We completely lose
01:02:40our compassion
01:02:41and all the actions
01:02:42resulting from it.
01:02:43So we become
01:02:44absolute scoundrels
01:02:45whose actions
01:02:46are no longer guarded by the soul
01:02:47but by the police
01:02:48or the fist
01:02:49or the brutality of another scoundrel.
01:02:50Your rebirth
01:02:51must be a rebirth of feelings.
01:02:52Without it, there is no life.
01:02:54That's why I advise you
01:02:55to throw Cornelius away.
01:02:56What if the father betrays you?
01:02:57Bullshit!
01:02:59I have no idea
01:03:00what I'm talking about.
01:03:01I'm sure I want to help you.
01:03:04Unfortunately,
01:03:06I can't help you
01:03:07and I can't persuade you
01:03:08to use other people's help
01:03:10to make things easier for you.
01:03:12My intervention
01:03:13against the Exhibition Board
01:03:15would be fruitless
01:03:17and harmful.
01:03:18It's hard for me
01:03:19to agree with the idea
01:03:20of burdening
01:03:21my mother's
01:03:22overworked life.
01:03:23Let's put it simply.
01:03:25The material side
01:03:26of your life
01:03:27is based on
01:03:28your mother's work
01:03:29and my help.
01:03:32I can't leave yet
01:03:35but I'll be having lunch
01:03:36at Langer's.
01:03:37Are you crazy?
01:03:38I don't care.
01:03:39It would be much more expensive.
01:03:42I'll pay as I earn.
01:03:46Given the age we are in,
01:03:48given the exhaustion of our strength,
01:03:50this attitude
01:03:51is becoming more uncertain.
01:03:53Not to mention
01:03:54what you just said
01:03:56about moral obligations.
01:04:00Don't be surprised, Jemu.
01:04:01He's very ill
01:04:02and I can still
01:04:03teach him music.
01:04:05Now,
01:04:06the most important thing
01:04:07in your life
01:04:08is to turn your art
01:04:10into money.
01:04:12However sad it may be,
01:04:14there's no other way out.
01:04:15And no creator in the world
01:04:17has freed himself
01:04:18from this compulsion.
01:04:20What do you think?
01:04:21Metaphysics
01:04:22and money.
01:04:25But there's something about it.
01:04:29I look forward to
01:04:31your effort
01:04:32and your talent.
01:04:36So do I.
01:04:39Don't worry about all this.
01:04:43You have to gain strength.
01:04:45You've just moved to Odra.
01:04:48You go to Dr. Boren.
01:04:51I go.
01:04:52He's been telling me
01:04:54about the embryonic complex
01:04:55for the last few sessions.
01:04:57I don't know anything about psychoanalysis.
01:04:59It's complete nonsense.
01:05:01Give me that letter.
01:05:03I want to read it myself.
01:05:50No!
01:05:54What's wrong with you?
01:05:59I'm fine.
01:06:03I heard a thud
01:06:05as if the wind
01:06:06was tearing the roof off.
01:06:08I'm fine.
01:06:10I didn't hear anything
01:06:11except your scream.
01:06:14Me?
01:06:15Screaming?
01:06:16That's strange.
01:06:19I had the impression
01:06:21that someone was standing in front of me.
01:06:24I only came in
01:06:25when I heard the scream.
01:06:27You were lying on the floor.
01:06:30The candle was trembling
01:06:32as if it were moved
01:06:33by the quick breath
01:06:34of someone's invisible lips.
01:06:37I saw a figure
01:06:38that seemed to move.
01:06:40I knew that if I didn't get up
01:06:43something terrible would happen
01:06:45and I wouldn't be able
01:06:46to withstand the terror.
01:06:48Suddenly I heard a thud
01:06:51and it seemed
01:06:53that everything was falling on my head.
01:06:56Why are you lighting the candle?
01:06:58It's still visible.
01:07:03Yes?
01:07:06It's visible.
01:07:11So it's literature.
01:07:16I'm leaving.
01:07:24I hope the break-up
01:07:26will fill us with correspondence
01:07:28as usual.
01:07:31I don't know.
01:07:33I can't tell you anything.
01:07:40He took her by the hand
01:07:41and looked her in the eyes.
01:07:44A strange thing.
01:07:46Her eyes had the expression
01:07:49of a good-eyed
01:07:52garden of blondes.
01:07:55And they were full of tears.
01:08:01So if you're going on a journey
01:08:05I'd like to know
01:08:06what level
01:08:07you leave our relations.
01:08:10I think
01:08:12I think...
01:08:13What are you saying?
01:08:17I think I'm a sister to you.
01:08:21Or something like that.
01:08:22A sister, but unborn.
01:08:25That's a wonderful concept.
01:08:27When did you come up with it?
01:08:29You wanted to know
01:08:30what I think of us.
01:08:32Oh, God.
01:08:34There's nothing more terrible
01:08:36than a woman coming up with something.
01:08:38Let the intellect decide
01:08:40for God knows what reasons.
01:08:42Your idea is...
01:08:43Oh, concours.
01:08:44Something so funny.
01:08:45I refuse.
01:08:46But please,
01:08:47you can refuse.
01:08:48The idea is yours,
01:08:49not mine.
01:08:51As a woman
01:08:52she didn't take care of him at all.
01:08:54He had in her
01:08:55an extremely devoted sister
01:08:57for whom he yearned
01:08:58since childhood
01:08:59to be the same.
01:09:00He felt, however,
01:09:01that despite all his arrogance
01:09:02he began to act
01:09:03on her in a depressive way.
01:09:04And because he didn't have
01:09:05any sensual feelings for her
01:09:06he began to suffer terribly.
01:09:09Maybe you'll get over it.
01:09:12Goodbye.
01:09:13Wait a minute.
01:09:14Wait a minute.
01:09:15I wanted to tell you
01:09:16something else.
01:09:17At least,
01:09:18going back in time,
01:09:20our relationships
01:09:21were very good
01:09:23until the moment
01:09:24when you officially
01:09:25told me
01:09:26that you wouldn't
01:09:27kiss me anymore.
01:09:28That you can't be
01:09:29my wife or lover
01:09:30but you can
01:09:31be
01:09:32by my side.
01:09:34Such things
01:09:35can be heard
01:09:36only once
01:09:37from a woman
01:09:38for whom there is
01:09:39too much respect
01:09:40to rape her.
01:09:41I haven't lost
01:09:42anything I had
01:09:43for you
01:09:44except
01:09:45an absolute
01:09:46defeat
01:09:47of sensuality.
01:09:48But
01:09:49such a perverse
01:09:50relationship
01:09:51is very harmful
01:09:52for me.
01:09:53And just like now
01:09:55it affects
01:09:56my health.
01:09:57I'm leaving.
01:09:58Wait a minute.
01:10:01Finally
01:10:02I found out
01:10:03that au fond de fond
01:10:04more or less
01:10:05consciously
01:10:06I fell in love
01:10:07with Mrs. Jadwiga.
01:10:08I confessed
01:10:09and I was accepted.
01:10:10I have to go.
01:10:11If you can't
01:10:12talk to me
01:10:13or you're ashamed
01:10:14or you're ashamed
01:10:15of everything
01:10:16I consider our
01:10:17relationship
01:10:18to be completely over
01:10:19and I don't want
01:10:20to see you anymore.
01:10:21Please don't torture me anymore.
01:10:22You know everything.
01:10:23For a long time
01:10:24you've been
01:10:25changing it
01:10:26into literature.
01:10:27I forgive you
01:10:28for being cruel
01:10:29and responsible
01:10:30for every step
01:10:31in my life
01:10:32since
01:10:33the 23rd
01:10:34of December
01:10:351912.
01:10:36That's when
01:10:37for the first time
01:10:38I asked you
01:10:39to be my lover
01:10:40which
01:10:41with some
01:10:42carelessness
01:10:43could have been
01:10:44without consequences.
01:10:45I can hear you.
01:10:46Today
01:10:48I'm terribly
01:10:49sick.
01:10:52And maybe
01:10:53I'll never be
01:10:54healthy again.
01:10:56I've been
01:10:57so confused
01:11:00and maybe
01:11:01I've already
01:11:03crossed
01:11:04this line.
01:11:07She
01:11:08showed him
01:11:09kindness
01:11:11and commitment
01:11:14that was
01:11:15limited to
01:11:16the highest
01:11:17sacrifice
01:11:19and at the same time
01:11:22not knowing
01:11:23about it
01:11:25she plunged
01:11:26him and himself
01:11:27into an unbearable
01:11:28web of subtle
01:11:29unhealthy
01:11:30moods
01:11:31at the bottom
01:11:32of which
01:11:33like a giant
01:11:34spider
01:11:35he was
01:11:36chatting
01:11:37nonsense.
01:11:38It was me.
01:11:41When you were
01:11:42writing this
01:11:43you didn't have
01:11:44Mrs. Jadwiga
01:11:45in your life
01:11:46but now
01:11:47everything
01:11:48must be
01:11:49fine.
01:11:50She loves you
01:11:51madly.
01:11:52You love her
01:11:53too.
01:11:54Both of you
01:11:55paint wonderful
01:11:56pictures.
01:11:57Up close
01:11:58it looks
01:11:59like suicide.
01:12:00A few days ago
01:12:01I was close to suicide
01:12:02but Mrs. Jadwiga
01:12:03was so good
01:12:04that she freed me
01:12:05from all words
01:12:06and duties.
01:12:07She understands me
01:12:08and I'm grateful
01:12:09to her for that.
01:12:11Unfortunately
01:12:15I can't love anyone
01:12:19and I have nothing.
01:12:30Until I've made
01:12:31some concessions
01:12:32to you
01:12:33you've been
01:12:34underestimating
01:12:35me.
01:12:41My sympathy
01:12:42for you
01:12:44is something
01:12:45unchanging
01:12:46and lasting.
01:12:47Whatever I do
01:12:48may be
01:12:49against it.
01:12:52What will happen
01:12:53next
01:12:54I don't know.
01:12:56I'll probably
01:12:57never get married.
01:13:00I'd like
01:13:04you to understand me
01:13:05because I think
01:13:06you don't know me
01:13:07at all.
01:13:10When during
01:13:11the psychoanalysis
01:13:12of Borin
01:13:13about sleep
01:13:14he asked me
01:13:15about my attitude
01:13:16to you
01:13:17I told him
01:13:18more or less
01:13:19this.
01:13:20I'm a woman
01:13:21with whom
01:13:22I'd be
01:13:23happy
01:13:25in the deepest
01:13:26meaning of this word.
01:13:30You know
01:13:33I've never
01:13:34wanted anyone
01:13:35from the people.
01:13:39Only you
01:13:40could be
01:13:41someone for me.
01:13:46And going once
01:13:47not so long ago
01:13:48through the forest
01:13:50I thought about you
01:13:51that you're the only woman
01:13:52I could love.
01:13:54I thought about you
01:13:55that you're the only woman
01:13:56I could love.
01:13:57I thought about you
01:13:58that you're the only woman
01:13:59I could love.
01:14:02But then
01:14:04I saw your hair
01:14:06and your eyes
01:14:08and I thought
01:14:10that some curse
01:14:11is weighing on me.
01:14:14Why is this woman
01:14:15black?
01:14:17Why does fate
01:14:18persecute me
01:14:19in such a terrible way?
01:14:21And even if I had
01:14:22your reciprocity
01:14:23I would make you
01:14:24the happiest woman
01:14:25in the world.
01:14:27And your eyes
01:14:28became close to me
01:14:29and cursed
01:14:30forever.
01:14:32Some terrible
01:14:33masquerade.
01:14:36A mix of
01:14:37a soul
01:14:38and a wig.
01:14:39A deep problem
01:14:41and a hairdresser
01:14:42at the same time.
01:14:46At once
01:14:47I thought
01:14:48to make a vow
01:14:49to get married
01:14:50immediately
01:14:51and consequently
01:14:52to give up life
01:14:53forever.
01:14:55You would be unhappy
01:14:56because I would be
01:14:57just an artist.
01:15:00We would both die
01:15:01or run away
01:15:02from each other
01:15:03to the end of the world.
01:15:07In the end
01:15:08everything beautiful
01:15:09in life will pass me by.
01:15:12Maybe that's why
01:15:13I could go even deeper.
01:15:17And here
01:15:18my self-repeat
01:15:20is laughing
01:15:21at me.
01:15:24But
01:15:26if that happened
01:15:28I couldn't betray you.
01:15:31I could only
01:15:32turn life
01:15:33into a perverse boredom
01:15:35and longing
01:15:36for fair-haired girls.
01:15:40And then
01:15:41only lies
01:15:45would remain
01:15:46like
01:15:47vows
01:15:48on the deepest truth.
01:15:52That's why
01:15:53I'm happy
01:15:54that nothing happened.
01:15:56You're not a woman
01:15:57who would sacrifice
01:15:58her life for anything.
01:15:59You're everything
01:16:01or nothing.
01:16:13Why?
01:16:18Why?
01:16:23Why?
01:16:33Terrible pits
01:16:35and caves
01:16:36full of monsters
01:16:39hide a man
01:16:40in them.
01:16:54A film by
01:16:56A film by
01:16:58A film by
01:16:59A film by
01:17:00A film by
01:17:01A film by
01:17:02A film by
01:17:03A film by
01:17:04A film by
01:17:05A film by
01:17:06A film by
01:17:07A film by
01:17:08A film by
01:17:09A film by
01:17:10A film by
01:17:11A film by
01:17:12A film by
01:17:13A film by
01:17:14A film by
01:17:15A film by
01:17:16A film by
01:17:17A film by
01:17:18A film by
01:17:19A film by
01:17:20A film by
01:17:21A film by
01:17:22A film by
01:17:23A film by
01:17:24A film by
01:17:25A film by
01:17:26A film by
01:17:27A film by
01:17:34We stayed together
01:17:35for two months
01:17:36day and night
01:17:39Stas had
01:17:40so much despair
01:17:41that it seemed
01:17:42he never would survive it.
01:17:46This is
01:17:47a terrible disquishment.
01:17:50He had made
01:17:51in relation to Szymanowski, I asked him not to tell her anything.
01:17:57He went to the mountains for skiing.
01:17:59Meanwhile, she shot herself in a crazy nervous breakdown.
01:18:06I couldn't even feel it.
01:18:11Someone was jealous, he thought she was in a romance with Karol.
01:18:18He broke the engagement.
01:18:21In her despair, she went to the Kościeliska Valley
01:18:24and took her own life with a shot from a Browning.
01:18:30Under a written rock.
01:18:33Among the flowers, which she brought with her a fiagra.
01:18:37Stasiak went to the mountains, he didn't come back for two days.
01:18:41Jadwiga came here to heal herself.
01:18:45She fell into an unknown, amazing world
01:18:47when she just couldn't stand the strangeness of the surroundings.
01:18:53She couldn't tell the truth from the mystification.
01:19:02She was pretty,
01:19:04comfortable, intelligent.
01:19:07And Stas?
01:19:09You can't see his relief.
01:19:10He's afraid that it won't go through his mind.
01:19:14No.
01:19:15Plots are terrible.
01:19:19Chwistek writes from Paris to his sister.
01:19:21Emilka gave me this letter.
01:19:26Compilations of facts show this man in a gloomy light.
01:19:31It's a degenerated entity.
01:19:35As far from real art as from life.
01:19:38Eternal embryo.
01:19:40Mad with megalomania.
01:19:44Don't worry.
01:19:47His parents came.
01:19:48They looked through the papers.
01:19:50Jadwiga's diaries.
01:19:51They confirmed that Stas is innocent.
01:19:56He was very strange lately.
01:20:02He made the impression of a man who lives
01:20:06a completely different life.
01:20:10In the theatre, at the premiere,
01:20:12they were playing the pipe.
01:20:14I saw him.
01:20:17It seemed that he was
01:20:21locked in a glass, matt tile
01:20:26which will break into pieces in a moment.
01:20:31During the break,
01:20:32he passed by me and said,
01:20:37When you stop thinking about me in a vain way,
01:20:42let me know.
01:20:48They told me various things about him,
01:20:53which brought me even closer to this man.
01:20:56I believed in him.
01:20:58I believed in him madly.
01:21:00I believed that even if he went through all hell,
01:21:02he would get there and be what he wants to be in life.
01:21:05He was an artist for me.
01:21:07In everything, forever, in heaven and in hell.
01:21:12And now?
01:21:19I'm lost in the open.
01:21:23I don't know anything anymore.
01:21:26I don't know
01:21:29if I'll get out of this
01:21:32hellish chaos.
01:21:35I don't know anything.
01:21:36I don't know anything.
01:21:45There are no words in the world
01:21:50that would express
01:21:52what I want for him in life.
01:21:57My dearest Stasia,
01:21:59something is happening to us.
01:22:01The archers of the Ziuk,
01:22:02entering the kingdom,
01:22:03gave the password
01:22:05and there was such an awakening of the national spirit
01:22:08that no one would recognize this nation,
01:22:10which seemed to be finally paralyzed by fear.
01:22:16Tragic.
01:22:17Whatever the fate of the war,
01:22:20we have achieved the most important victory.
01:22:23We are alive.
01:22:24A handful of archers
01:22:26fighting for a piece of Galicia with the Germans,
01:22:29who have destroyed part of the kingdom
01:22:31and are grazing over the former Poles.
01:22:34For a long time now,
01:22:35I have been acting on my own will.
01:22:37I am making efforts
01:22:38to join the Russian army.
01:22:41It's hard to believe
01:22:42what is now being read
01:22:43in the Russian newspapers.
01:22:46How much about Poland,
01:22:48how much compassion,
01:22:49how much enthusiasm,
01:22:51how much money
01:22:52flows for the Polish people
01:22:53the kingdom.
01:22:54Forty-five wagons went to Warsaw
01:22:57and two hundred and sixty thousand rubles.
01:23:01With the delegation went Szaliapin
01:23:02and before the concert
01:23:03of the Warsaw Philharmonic
01:23:05he exchanged a brotherly,
01:23:06symbolic hug
01:23:08with Jerzy Leszczyński.
01:23:10The curse of a triple division
01:23:12of three thoughts,
01:23:14of a triple slavery.
01:23:17Endlessly stupid people
01:23:20expecting grace
01:23:22have become accustomed to standing
01:23:23in front of the room
01:23:24of this or that authority
01:23:26ensuring loyalty
01:23:28with a request for support.
01:23:30How weak
01:23:32because these appearances
01:23:33of Polishness
01:23:34have given them
01:23:35some justification
01:23:36they can attract
01:23:37stupid and weak people.
01:23:40Nevertheless,
01:23:41they are more harmful
01:23:42than real traitors.
01:23:46The divisions
01:23:47were carried out
01:23:48in the interest of the Slavs
01:23:49because otherwise
01:23:50the whole of Poland
01:23:51would be engulfed
01:23:52by Prussia and Austria.
01:23:53Now Russia
01:23:54has to restore
01:23:55the national unity of Poland
01:23:56and to unite
01:23:57with the Polish people.
01:23:59Goodbye Warsaw,
01:24:00but goodbye.
01:24:01What is being read here?
01:24:03Russia is slowly rebelling.
01:24:04The two greatest weaknesses
01:24:05are diminishing.
01:24:07Nationalism
01:24:08and drunkenness
01:24:09writes Trubecki.
01:24:11Uncle Siuk is doing well.
01:24:14His children are working hard
01:24:16and have passed their exams
01:24:19to the highest praise
01:24:20and admiration of the world.
01:24:24Strzelca
01:24:25I always considered
01:24:26as a nice suicide.
01:24:29There is only one way.
01:24:31I just don't want
01:24:32it to look cheap.
01:24:35And I want
01:24:37my action
01:24:38to seal
01:24:39these thoughts.
01:24:58Darkness.
01:25:02Only absolute darkness.
01:25:07Only an incredibly flat
01:25:09perception of events
01:25:11and a shallow pursuit.
01:25:15They can be the source
01:25:16of such a system
01:25:17of concepts and states of feelings.
01:25:20There are spheres of life
01:25:21in which it is not allowed
01:25:24to even make it easier
01:25:25for the closest people
01:25:26to agree
01:25:28with evil and falsehood
01:25:30through indifference
01:25:33through a desire
01:25:34to spare them
01:25:35sadness.
01:25:38You have to oppose
01:25:41in the sharpest way.
01:25:44You have to say
01:25:45yes, yes
01:25:46or no, no
01:25:48regardless of the pain
01:25:50you are in.
01:25:59Now it will be good.
01:26:11I want to
01:26:16sleep.
01:26:25Troubles
01:26:26were put
01:26:28into a railway car
01:26:31and I was carrying it
01:26:32for a long time
01:26:34on a roundabout
01:26:36through Budapest
01:26:38to Zakopane.
01:26:41How wonderful
01:26:43it was
01:26:44during the most painful battles
01:26:46when there was no place
01:26:47for the living
01:26:48on the roads
01:26:50when even the fallen generals
01:26:52were buried
01:26:53on the spot
01:26:54I managed
01:26:55to beg
01:26:57and force
01:26:59permission
01:27:00to transport the body
01:27:03I don't understand.
01:27:10A black wagon
01:27:11with a white cross
01:27:13was on its way
01:27:14through the government
01:27:15crazy
01:27:17because they imagined
01:27:18that it was hiding
01:27:19the corpses
01:27:20of a military officer.
01:27:22The Zakopane commune
01:27:23in the person
01:27:24of uncle Regetta
01:27:26offered me a piece
01:27:27of free land
01:27:29that had not yet been inhabited
01:27:31on a small cemetery
01:27:32where it was no longer hidden.
01:27:34And here I am
01:27:35a poor man
01:27:36I suddenly became
01:27:37a fat goat
01:27:39and God
01:27:40I was sent
01:27:42a beautiful body
01:27:44four white horses
01:27:45a huge wagon
01:27:47high
01:27:48covered with a white cross
01:27:49a huge wagon
01:27:50high
01:27:51covered with a black dress
01:27:53and on the wagon
01:27:54the white-dressed
01:27:55mountaineers
01:27:56are standing
01:27:57and holding a coffin
01:27:59there were a lot of
01:28:00coffins with inscriptions
01:28:03but I was most moved
01:28:04by a handful of legionaries
01:28:06who surrounded the coffin
01:28:07and sang
01:28:08sleep soldier
01:28:10in a dark grave
01:28:11let Poland
01:28:12come to you
01:28:14Żeromski
01:28:16prepared
01:28:17a beautiful speech
01:28:19he did not speak
01:28:20his tears
01:28:21slowed him down
01:28:23but these painters
01:28:24were also too moved
01:28:26to be able to speak
01:28:29but as long as the war was going on
01:28:32no one from a large family
01:28:33could come
01:28:36and above all
01:28:39you
01:28:43my dear
01:28:44you
01:28:49you haven't said goodbye
01:28:50to me yet
01:28:53dad
01:29:07what are you doing here?
01:29:10you were looking for me
01:29:12well, you see
01:29:14I'm still following you
01:29:17it's good that you're painting
01:29:20an astronomical composition
01:29:23let me tell you something
01:29:26if a few elements
01:29:28colors, tones, words
01:29:31let's arrange them
01:29:34so that their connection
01:29:36is not fully readable
01:29:38but felt as necessary
01:29:41let's repeat something in the microcosm
01:29:44everything that happens in the universe
01:29:49not thinking
01:29:51not suffering from a poor head
01:29:53is analogous to this connection
01:29:55that happens between you
01:29:57and the universe
01:29:58do you understand?
01:30:00this incomprehensible connection
01:30:02that you feel
01:30:04but you can't explain
01:30:07this is the whole definition of art
01:30:10unity
01:30:12in the multitude
01:30:15so the essence of art
01:30:17is formal
01:30:18it's the relationship of elements
01:30:20not the elements themselves
01:30:22it's the truth
01:30:24a painter has to
01:30:26create an impression of truth
01:30:28yes
01:30:30the truth of the mystery of existence
01:30:32there's no other
01:30:34calm down, my dear
01:30:36one day you'll write everything
01:30:38that you're shaking
01:30:40is a sign
01:30:41that you'll be writing
01:30:45people often think
01:30:47that art is something
01:30:49outside of us
01:30:52that's why
01:30:54you have to turn your eyes
01:30:56to grumble
01:30:58to get drunk
01:31:00or to pretend to be relaxed
01:31:02and at the same time
01:31:04you have to behave like a human
01:31:07to be able to create art
01:31:09the other way around
01:31:11the only thing we can do
01:31:12to behave like a human
01:31:14is to create art
01:31:17there's no key to the mystery
01:31:21the whole philosophy ends here
01:31:24maybe there's a spell
01:31:26that reveals
01:31:28the first curtain
01:31:31yes
01:31:33it's a pity
01:31:34that you don't try to understand me
01:31:36it's so important to me now
01:31:38you can rely on it
01:31:40even this
01:31:42theatre
01:31:44and become an artist
01:31:50you've been looking
01:31:52you've been looking
01:31:54and you're still going
01:31:56looking
01:31:58good, good
01:32:00go, look, live
01:32:02do
01:32:04as you want
01:32:08and you can
01:32:12do
01:32:14as you want
01:32:16do
01:32:18as you want
01:32:20do
01:32:22as you want
01:32:24do
01:32:26as you want
01:32:28do
01:32:30as you want
01:32:32do
01:32:34as you want
01:32:36do
01:32:38as you want
01:32:40do
01:32:42as you want
01:32:44do
01:32:46as you want
01:32:48do
01:32:50as you want
01:32:52do
01:32:54as you want
01:32:56do
01:32:58as you want
01:33:00do
01:33:02as you want
01:33:04do
01:33:06as you want
01:33:08do
01:33:10as you want
01:33:12do
01:33:14as you want
01:33:16do
01:33:18as you want
01:33:20do
01:33:22as you want
01:33:24do
01:33:26as you want
01:33:28do
01:33:30as you want
01:33:32do
01:33:34as you want
01:33:36do
01:33:38as you want
01:33:40do
01:33:42You