Salón de té La Moderna - Ep 210
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00:00I have not managed to make him come to his senses. He has left without wanting to listen to me.
00:10Well, he shouldn't have allowed it. That he goes around knowing everything he knows puts us in danger.
00:16I told you I had suspicions. Don't try to blame me for all your mistakes.
00:21Enough of useless debates. What happens if he goes to the police station now to report us?
00:26He won't do it. Believe me.
00:28And why not? Have you seen how he looked at us?
00:32He is not so impulsive. He knows that would get him to a point of no return.
00:40With all the time he spends in this house, he knows that it is easy for the matter to get to him.
00:45How can he be so sure? Besides, with the friendships he has and the circles in which he moves, I'm sure everyone would believe him.
00:53Fabio is a very thoughtful man. He thinks a lot about everything he does. He's not going to tell us.
00:59If he kills my reputation, he will also do it with his.
01:03We'd better not. Because he spends all day talking about his morals.
01:08And if he does what he really thinks, I'm sure he'll be entering the police station now.
01:14I'll talk to him as soon as possible. He'll have to listen to me. I'll get him to dissolve. Listen to me.
01:20We'd better not. Because we are in his hands. And it seems he has decided to sink us.
01:51Good morning.
01:53Good morning.
01:54You get up early, don't you?
01:57I have no choice.
01:59I imagine you are waiting for Pietro to go to work.
02:03Yes.
02:04And you would like to stay a little longer in bed, right?
02:07The same thing happened to me when I was your age.
02:09Although tonight I have barely been able to sleep.
02:12So when it dawned, I was tired of going around in bed and I left early.
02:18I imagine it must be difficult to sleep and have a calm head with everything that is happening to you.
02:23Yes, a lot, really.
02:25Although, given the circumstances, I think I'm holding up pretty well.
02:30Well, it's normal, Lucia. You come from abroad, a strange country.
02:34And the shock of finding my husband about to marry another woman.
02:39I knew it wasn't going to be easy to find him.
02:42But I confess that I didn't expect this.
02:44That he was going to get married right now is bad luck.
03:05Matilde?
03:14Matilde?
03:20Good morning.
03:24You left early.
03:26Although you think I don't have my head in my place, I realized that we hardly had anything to eat.
03:32And I bought some snacks for breakfast.
03:34You're right.
03:37I should have been more attentive too.
03:40And although I could have taken advantage, no.
03:43I haven't bought any medals.
03:46I see you're still angry with me.
03:50I think I've already overcome that point.
03:52Rather disappointed.
03:54I understand you.
03:56But I need you to understand me too.
03:58This isn't easy for me.
04:00It's the first time I've seen myself in a situation like this and I'm lost.
04:05Everything I've done has been for you.
04:09For me?
04:10Yes.
04:11Or for you?
04:12Well, I think it would be better if we calm down.
04:16Because talking about being distrustful doesn't solve anything.
04:19You're right.
04:21And I have no interest in convincing you that I'm not crazy.
04:25Neither you nor Dr. Mendoza.
04:27Of course, you don't need my opinion to put a label on me, lock me up in a sanatorium and throw the key.
04:32It hurts me a lot.
04:34To hear you talk like that.
04:37Me too.
04:42And I understand, Antonia. Don't believe me.
04:44Everyone is kind to me.
04:47But I can't help feeling a little lonely.
04:50Has it ever happened to you to feel like a fish out of water?
04:55Well, yes, the truth is yes, Lucia.
04:57Life makes you mature suddenly.
05:00Look, Lucia.
05:01I have nothing against her.
05:03But understand me.
05:04For me, Antonia is like a second mother.
05:07All I want is for her to be happy.
05:09My heart will always be with her.
05:11Of course, Marta.
05:12I understand. Don't worry.
05:14And I don't want you to think that I'm going to try to convince you of something.
05:18But it's good for me to talk to you.
05:21I don't know.
05:22It seemed to me that you understand my situation.
05:25Well, yes.
05:26And I wouldn't like to be in his skin, really.
05:30I wish Pietro's life hadn't appeared this way.
05:34But it couldn't be anything else either.
05:37Que chivuefa.
05:38It is what it is.
05:41Although now all this situation...
05:43I don't know.
05:44It seems like a bad joke.
05:47Look, Lucia.
05:48Sometimes things happen that we can't control.
05:52Good morning.
05:53Good morning.
05:54Good morning.
05:56Marta.
05:57What are you doing up so early?
06:00It doesn't seem to me that today you have to clean in the bookstore, right?
06:03No, no, no.
06:04I don't have to.
06:05The only thing is that Mrs. Lázara had asked me to clean the first floor before opening.
06:08Because of the drugstore convention.
06:10Yes, yes, yes.
06:11Then let's go.
06:12I'll call you later.
06:13Okay.
06:14Goodbye, Lucia.
06:15Have a good day.
06:16Have a good day.
06:22Sit down, please.
06:24Sit down.
06:38Íñigo, I admit that very strange things are happening to me.
06:42For which I have no explanation.
06:45I know it's impossible for you to hear it, but when I hear it, it's very real.
06:49And I would like your first reaction not to question me, but to believe me.
06:54I understand you.
06:57What happens to me is that ...
07:00I don't understand how you can see and hear Carla, knowing that she is dead.
07:05I don't understand it either.
07:08But it happens.
07:10And there has to be an explanation that is not that I'm crazy.
07:13Which is the first thing women think.
07:17And I'm sorry, Íñigo, but I'm not crazy.
07:20It's just that I'm not.
07:22And it's not that I don't want to go to the sanatorium, it's just that I don't see the need.
07:25Because apart from these isolated episodes, my head works just as well as ever.
07:31I'm glad you don't have it so clear.
07:35And I don't see the need to keep seeing Dr. Mendoza either.
07:38Believe it or not, Dr. Mendoza has helped many people.
07:42Yes, Íñigo, but I think it doesn't suit me.
07:45And I think he's confusing us.
07:48And that's why I want to go to the consultation to say goodbye and to make my opinion clear about that medal.
07:54And honey ...
07:58Do you really think it's necessary to face it like that?
08:02I'm just curious to know where he thinks I bought that medal.
08:06And in case I have to ask any dependent if he had a crazy face.
08:12Matilde, please.
08:14Do you know what hurts me the most?
08:18That my husband doesn't believe me.
08:22Íñigo, please tell me if you believe me.
08:25Tell me you believe me, please.
08:26And tell me you believe me when I tell you I didn't buy that medal.
08:29I believe you.
08:31I believe you, my love.
08:33And I promise you that deep down in my heart I know that something is escaping us.
08:48But I assure you that we will deal with it.
08:50Thank you, my love.
08:53Forgive me.
08:56Forgive me.
08:59Forgive me.
09:03Forgive me.
09:24What's wrong with you, Teresa?
09:25You seem less martial than usual.
09:27Because I'm tired.
09:29With Cañete's absence, I have to take care of his obligations plus my own.
09:34There are a lot of them.
09:36It's normal. We're not used to being without Cañete.
09:39By the way, I came from the living room upstairs and I saw that Marta and you have left him...
09:43Great. Like a goldfish.
09:45I wanted to thank you.
09:47Well, thank you for the compliment.
09:50Are you okay?
09:51Well, it's never too bad to recognize a well-done job.
09:54And not just the one from now, the one from always, which has much more merit.
09:58Have you seen if you have a fever or something?
10:00Leave that man alone, I'm serious.
10:03By the way, how is the cancellation of Miguel and Trini's wedding going?
10:07Regular, not decimal.
10:09I already saw myself as a godmother in the church hall.
10:12And of course, I have been eager to get married after Antonia's non-wedding.
10:16Marfario has the weddings here.
10:20Of course.
10:21Good luck, we don't have it here.
10:23What worries me the most is the state in which Trini is.
10:28What do you mean the state in which Trini is?
10:31Nothing, nothing.
10:32Esperanza, tell me.
10:35Okay.
10:37I have always suspected that Trini is in a state of good hope.
10:42Oh, no one has escaped.
10:54Fabio, thank you very much for coming.
10:56And for doing it as early as I asked you.
10:59Sit down.
11:04I know it hasn't been easy.
11:06And you're doing it with a grudge.
11:08But it is important that we have this conversation.
11:10I am willing to listen.
11:12But of course I doubt that I will understand your motives.
11:15All this that has happened is unthinkable.
11:18Inaudible, I would say.
11:20With that attitude, Fabio doesn't seem willing to understand anything at all.
11:23But you know what? I don't care.
11:26After the hell I've been through, I'm not going to bow to his arrogance.
11:30Daughter, please, he has come to listen to us.
11:32But doesn't he realize, mother?
11:35He has already made a decision before coming.
11:37I don't know why he has come if he doesn't want to believe us.
11:40Fabio, excuse my daughter.
11:42As you will understand, the time she has been locked up has affected her emotional stability.
11:47Well, I see her very calm.
11:49You see, Fabio.
11:51Carla is absolutely innocent of all the crimes she is accused of.
11:56She has not killed Aguirre.
11:58And of course, she has not planned the accident of Íñigo, Matilde and the girl.
12:03Nor has she sent a hitman to her wedding.
12:06It's hard for me to say how ridiculous it sounds.
12:10A long list of accusations.
12:12Surely it has nothing to do with Aguirre.
12:14A long list of accusations.
12:16Surely it has nothing to do with any of those matters.
12:19Of course not.
12:21Everything is part of a plan that Íñigo and Matilde have plotted
12:24to blame Carla and thus ruin her life.
12:27I don't understand, Bárbara.
12:30Why would they want to do something like that to your daughter?
12:32Well, ask them.
12:35That in addition to being the victim of all this, I have to be giving explanations.
12:39This meeting is a waste of time.
12:41I've heard that before, that you are innocent.
12:43Well, it doesn't seem so.
12:45On the contrary, it seems that anger moves you, it is seen in your face.
12:48You don't know what you're talking about.
12:50That is the best argument for you to create your version of the story.
12:54That you have considered that the only possible solution
12:57was to pretend Carla's murder and blame Íñigo.
13:12Irini.
13:14Yes?
13:15Look, I don't want to be indiscreet or get into where they don't call me, but...
13:20Are you pregnant?
13:23Me, pregnant?
13:24Well, let's see.
13:26I've eaten a little more than usual lately, but I'm not pregnant.
13:29I see.
13:30You're a little chubbier.
13:31Yes, a little.
13:32I had noticed, but you have to be polite and those things are not to be said.
13:38Yes, I already knew that what Esperanza had told me could not be true.
13:41That they are the typical rumors that arise when a couple wants to get married a little fast.
13:45You have to see how people are.
13:47I was thinking, Íñigo, it's impossible.
13:50Would you have told me something like that?
13:52Well, of course.
13:53And thank you for the trust.
13:55Well, I'm glad for you.
13:56That everything is always much easier if you get married without a gift.
14:00Of course.
14:01Well, I'm going to continue with the work and with so much work that Mrs. Lázaro has put on me,
14:05that I don't give up.
14:06How are you with her?
14:09Well, bad, Trini.
14:10Bad.
14:11I hope things get better, but if they don't get better,
14:15maybe we'll all get a surprise.
14:17You're scaring me.
14:19Well, don't worry.
14:22God willing.
14:24Come on, get to work.
14:27I look at you and it seems incredible to me that you have not realized the gravity of what you have done.
14:33Even if it were only because it is impossible that you do not end up paying for it.
14:37Fabio, please.
14:39We have done nothing but save Carla's life
14:43and keep her out of jail for crimes she has not committed.
14:46Tell me, what will happen?
14:48What will happen when Íñigo and Matíles find out about all this nonsense?
14:52What will happen when Íñigo and Matíles find out about all this nonsense?
14:56What do you mean?
14:58Are you threatening us, Fabio?
15:01No.
15:02No, it's just a warning of what could happen.
15:05And now I'm leaving.
15:07I've heard too many inconsistencies for today.
15:09Fabio, for God's sake, wait.
15:16And now what are we going to do?
15:18I'm not going to tell you out there.
15:20No.
15:21She not only allows her class and her condition,
15:25and neither the bond that binds us.
15:27Well, I've heard a threat.
15:29And a very real one.
15:35Celia.
15:37Is Laurita here?
15:38No, your brother has gone to see your uncle to talk about the new radio girl.
15:42And then he told me he was going home.
15:44That he works there with more focus.
15:46She is always so busy.
15:48Yes, she needs to deliver it as soon as possible and with the agitation of the store she hasn't been able to advance much.
15:53Yes, yes, it's very dynamic, but then it's hard for her to get to everything.
15:56By the way, how did it go with Mrs. Juanes? Laura told me you had finished the sessions.
16:01Yes, a shame. Mrs. Juanes is wonderful. She opened my head in a way. It was a before and after.
16:08Inés, I love to hear that.
16:11Yes, the truth is that meeting her has changed my life.
16:14Really?
16:15Yes, yes, really.
16:17Inés, how are you? Your sister told me that your logopedas had to leave.
16:24Yes, a shame. But her sessions went very well for me and I have regained my desire to sing.
16:30She has left me a table of exercises that I am going to fulfill at every turn.
16:33I am very glad that you are so determined. You already know that you are still my favorite to be the protagonist of the court of the pharaoh.
16:41By the way, I'm going to look for some recordings that I have of the play so that I can listen to them and serve as a reference.
16:50I would love to. And now I have to leave you because I have to go to work. Goodbye.
16:56Goodbye.
17:00Celia, I wanted to thank you for helping me try to keep Laurita.
17:07Really, I had a date with the distributor and I didn't feel well.
17:11But you can see that Laurita is not very receptive, she is not very much for work.
17:16Well, don't take it so seriously. Laura has had relationships that have not gone well for her.
17:21And it's normal that it's hard for her to let herself go.
17:25If at least I could, I don't know, have a moment of intimacy with her, like a date.
17:29I'm sure I could convince her that I'm not going to let her down, that I'm a person who goes head-on.
17:38I think I just came up with a way for them to have that date.
17:50Don Fabio, good morning. What a joy to see you here.
17:56Don Fermín, I say the same. How are you?
17:59Too busy. But I prefer that to boredom. Sit down, please.
18:04Come.
18:08And you? How are you? You seem somewhat restless.
18:12Well, it's just tiredness. Too many calls, too many meetings and very few hours of sleep.
18:19Then I celebrate that it is only the excess of work that is the reason.
18:23By the way, I wanted to ask you, how have you managed the liquidation of the companies of the Morconde group that you had planned to do?
18:31Sorry, but there is not much to tell about that right now.
18:36I prefer not to go into details, more than anything, so as not to waste your time.
18:40By the way, are you in contact with Iñigo Peñalver?
18:44I called his apartment and I went through the Madrid-Cabaret, but I can't get in touch with him.
18:48Maybe he's been here, I don't know.
18:50No, not today, but if something happens and I can help you in some matter.
18:55No, no, no. It's just that I haven't heard from him for a long time and I wanted to say hello to him to tell him a few things.
19:02It's urgent and I don't care. As soon as I see him, I'll pass him the message.
19:06No, don't worry. You can wait.
19:08I don't think the man is going through his best moment because of the health problems of his wife Matilde.
19:14I don't know if he's okay.
19:17Not in detail, but yes, enough to know that it is a very delicate situation.
19:22A very bitter drink for the couple.
19:25That's why I wanted to see him, to convey my support and ask him how Matilde is evolving.
19:30Sure.
19:33Good morning, Mrs. Bárbara.
19:35Good morning.
19:36Bárbara, I didn't expect to see you here.
19:40I'm sorry I don't serve you as you deserve, but there are urgent matters that require me.
19:46Hmm.
19:50May I know what you're doing here?
19:58It's not your fault.
20:00I hope it's not what I'm afraid of, asking for Inigo.
20:04Well, of course that's why I'm here.
20:06You won't expect me to sit idly by after what you've done.
20:10Listen to me, Fabio, listen to me carefully.
20:12You're making a mistake.
20:14It's not the first time they try to coerce me.
20:17What makes me sad is that this time you're the one doing it.
20:21I warn you, don't challenge me.
20:23I don't care what you tell me.
20:25I know perfectly well what I have to do.
20:28And what are you going to do to remedy it, and at the same time not stain your shoes with mud?
20:36For my daughter, I'll do anything.
20:38Don't make me prove it to you.
20:40If you don't leave me another option, I will.
20:44I will.
20:45I will.
21:12Good morning, Marta.
21:13How are you?
21:15Good.
21:17Yesterday I started tidying up the warehouse so that when you come in, you'll have it a little easier.
21:23Ah, well, I appreciate it.
21:27You can't imagine how many books Miguel has.
21:29Well, one falls on your head and kills you.
21:34So you've decided to start studying.
21:37Yes.
21:39It's a bit difficult for me with so much work, but I want to try.
21:43Hey, maybe yesterday I acted like an idiot about the book.
21:48I hope I didn't make you feel bad.
21:51I know that my opinion doesn't matter, and that everything I say or stop saying doesn't matter, but...
21:55I really think you do very well in studying.
21:59It's not easy for those of us who have it all against us.
22:02Of course, I never stop to think about it.
22:05In my life, everything has been done for me.
22:08You are very lucky. Don't waste it.
22:11It's hard for me to let go, you know.
22:15And look, my grandmother always says that knowledge doesn't take up space, and I think she's quite right.
22:22I like that phrase.
22:24I'm sure your grandmother is very wise.
22:26Yes.
22:28And even though she's an adult, she always has a book in her hand.
22:35I was ashamed to talk about all this with you, really.
22:38I don't know, you're a university student, you've studied so much...
22:45By the way, how much time do you have left to graduate?
22:49Oh, what a good question.
22:51The truth is that I don't know, because I take it all very calmly.
22:55Now, seriously, forgive me.
22:57I acted like an idiot the other day.
23:00I've always had everything done in life, and that's why I allow myself the luxury of wandering.
23:06Thank you for being so honest with me.
23:11I don't want to tell you my sorrows, but...
23:15Well, I've had to pull the chestnuts out of the fire since I was very young.
23:20Well, then yours has twice the merit.
23:23Yes, I think we should all have the most opportunities to get a good education.
23:28But of course, that depends a lot on where you were born.
23:31Of course.
23:33Before judging someone, you have to keep in mind that not everyone has the same opportunities as you.
23:39Trying to study is the only thing that remains for us who have not been lucky enough to prosper in life.
23:45And no one is going to give me anything, and it's not going to be easy.
23:49That's something I've learned from the bad ones.
23:52So if I have to study and work at the same time, I will.
23:56And I think it's going to be worth it.
23:59You are a very brave and very fighting woman.
24:03An example for a thug and a liver like me.
24:07Don't talk like that about yourself. I don't think that's the case.
24:11That's you who sees me with good eyes.
24:14Well, I'm sorry I don't want to waste your time or make you leave work later because of me.
24:19I just want to tell you that I really like talking to you and I always learn something new.
24:46My mother, if you look at them, they will kill you.
24:51You see, I was right. Mrs. Lázara looks at me that way.
24:55But what have I missed, ma'am?
24:58You will find out in due time, like the rest of your colleagues.
25:02Man, woman, don't be like that, you have me worried about so much mystery.
25:06No, man, no, you hit the glasses, come on.
25:08With this wedding, you are all very clueless.
25:11Shut up, shut up, don't talk to me about the wedding, what a job.
25:14Well, for God's sake, I don't know what the issue is.
25:17It seems that it affects you more than hope.
25:19It can be affected, but defeated, never.
25:22That one has to fight for what one wants, right?
25:25Well, I have put all my machinery in motion, Mrs. Teresa.
25:28But as you said, you will find out in due time.
25:31Well, there is not much time because the wedding was today.
25:34And the roof of a hermitage is not something that can be fixed so easily.
25:37Of course, unless ...
25:40What?
25:42Let's see, I don't want to say anything.
25:44It's not that I'm giving false hopes to people.
25:46But something is going to happen, Mrs. Teresa.
25:49Elias, Elias.
25:51Tell me what you're up to, tell me now.
25:53Let's see, look.
25:54For me to plan something for real,
25:56the first thing I need is to absent myself from the hall for a while.
25:59Would it be possible?
26:01Now? Yes.
26:03In the middle of the convention?
26:05Yes, be careful, but everything is organized, I have applied well.
26:07The agape has already been served.
26:09And Montero and the others are preparing to pick it all up when this is over.
26:12Sure?
26:14Well, okay, Elias, but just a little while.
26:16That you are able to be out all day.
26:18Thank you, ma'am.
26:20And it will be a matter of little, to specify a couple of issues.
26:21But I think it's going to work out, so I'll be right back.
26:23Run.
26:25Eh, Montero.
26:27Replace Elias.
26:29Take care of the clothes.
26:37I hope he didn't have the guts to release Elias
26:40when we know that Cañete is delivering.
26:42It is an important thing, Mrs. Lázaro.
26:45He will be out for a short time.
26:47A short time is the one you have left in this room.
26:49I don't think it will happen today.
26:51That?
26:53That's what I'm telling you.
26:57You say a lot of things.
26:59Let's see if any of them are true.
27:07Breakfasts, snacks and sensational events
27:10in the modern tea room,
27:13quality and enjoyment always usual.
27:20Come on.
27:31Agustín, but what are you doing here
27:34with the one that is falling and without umbrellas?
27:36You are looking for what you don't have.
27:38Well, more than looking, I have come to bring this to Inés.
27:40Although I see, I still take a gift pneumonia.
27:44They are the recordings from the court of Pharaoh.
27:47I have tried not to get too wet, but
27:49how good, it will make you very excited,
27:52but I could have expected the rain to escape, right?
27:54I could, but as I know that I would do it in anticipation,
27:56I could not contain myself.
27:58You are what there is not.
28:00Well, maybe it's better for me to go now.
28:03Please make sure you hear me well,
28:05because if you have gotten wet, you will not hear anything.
28:08I have tried to protect them,
28:10but with the water curtain that is falling ...
28:12Wait, why don't you come in
28:15and we check it together?
28:16Wait a minute,
28:18so it dries and it takes something hot,
28:20I can't let it go like that.
28:22Sure, yes.
28:25Go ahead.
28:32Sorry, I'm going to put the house in a mess.
28:35No, don't worry.
28:38Should I put the box here?
28:40Yes.
28:46Here you go.
29:02Thank you very much.
29:04If this coffee tastes better,
29:06how wonderful this wedding is.
29:08Yes, especially for Esperanza and Elías,
29:10I don't know who got them into this,
29:12of being godparents.
29:14You know how bad it would have been, something like that.
29:16I can't imagine.
29:18No wedding, no worries.
29:20Yes, well, don't worry so much,
29:22because at some point we have to get married,
29:24and rather soon.
29:26I think we're messing up a lot with the hermit thing.
29:28I don't know, we'll have to think of a easier wedding.
29:30Well, we'll think about that.
29:32Now what we should do is rest.
29:34It's been a very intense few days.
29:36I got up and the first thing I thought was,
29:38let's see how we can get the godparents together today.
29:40Do you want to make a plan for tonight
29:42to celebrate our new wedding?
29:44Oh yes, please.
29:46Whatever you want, but tell me later,
29:48because if the vampire sees me here talking, she'll kill me.
29:58Thank you very much for your patience,
30:01but above all for saving me from pneumonia.
30:04What's the matter with you?
30:06How could I let you go so calmly?
30:08I'm serious.
30:10In any case, I don't want to steal your time.
30:12I imagine you'll have things to do, right?
30:13I said it as if you weren't busy,
30:16and I think getting a surgery is a lot of work.
30:19And money, but you know what?
30:21That's my dream.
30:23The first time I read The Court of Pharaohs,
30:26I thought,
30:28I have to produce this wonder.
30:31And you'll get it.
30:33Because when someone has something so clear
30:35and puts so much effort,
30:37everything comes out.
30:39You know, I'm not so in agreement with that,
30:41but I'm going to keep trying.
30:43That's the reason I get up every day.
30:46You know, there are people
30:48who want a parasite or fast cars.
30:51What I want is to do that work in such a way
30:54that people come out with their mouths open.
30:58It's very important to have dreams,
31:00otherwise life would be very boring, don't you think?
31:03I completely agree.
31:05We have to fight for them
31:07to make them come true.
31:08Always.
31:10And I don't know what these things have that,
31:13even if they get complicated,
31:15it's very difficult to give them up.
31:18It's like a poison.
31:20Like a poison.
31:21It's like...
31:23Like a poison.
31:38As I told you,
31:40the convention of pharmacists is going wonderfully.
31:42I'm convinced that if there is another one,
31:44it will be here.
31:46I'm glad, Mrs. Lazarano.
31:48But for now, I prefer to focus
31:49on the future.
31:52And if there is nothing else to discuss,
31:54you can leave.
31:58Well, the truth is that I wanted to talk to you
32:00about the dismissals.
32:02I don't know if it's a good time.
32:04To talk about it, yes.
32:06To carry them out,
32:08I don't think this is the day to stop anyone.
32:10Don't you think?
32:12I don't know what you mean.
32:14We can't afford to fire anyone.
32:16We have a convention underway.
32:17Cañete is not here.
32:19And if those comments are referring to Teresa,
32:21I just saw her in the upper floor,
32:23running away
32:25because everything works perfectly.
32:27Forgive me, Mr. Fermin,
32:29but I think I have misinterpreted myself.
32:31I have never said that Teresa
32:33is a bad professional.
32:35Then I don't understand what you mean.
32:37Excuse my frankness,
32:39but I mean
32:41her sick jealousy,
32:43the lightness with which she treats certain employees.
32:45And I have to tell you
32:47that in the end,
32:49when you start with a favorable treatment,
32:51they get on your nerves.
32:53So I think the best solution
32:55would be to facilitate her departure.
32:57That's what I told her yesterday.
32:59After yesterday's talk
33:01and meditating on it,
33:03I think it's better to come up with another solution.
33:07What do you think of a conversation with her?
33:12I think it's a good idea.
33:14As soon as the convention ends,
33:15I'll talk to her.
33:17No, I don't think I understood you well
33:19or maybe I haven't explained myself well.
33:21I mean a conversation between her and me.
33:25Excuse me,
33:27but I honestly think
33:29her authority could be
33:31I don't know, diminished.
33:33Why?
33:35After all, I'm the owner of the salon
33:37and Teresa is one of my best
33:39and oldest employees.
33:41And I would like to let her know
33:43in person.
33:45If I may, Mr. Fermin,
33:47I'll give her your word.
33:49I'm sorry to insist,
33:51but as manager,
33:53I think it's my duty to lighten
33:55these procedures.
33:58Very well.
34:00I trust you to avoid
34:02Teresa's departure.
34:04Let's hope she collaborates
34:06and we end this situation once and for all.
34:08I agree.
34:10But if she doesn't collaborate...
34:13If she does,
34:15I'll have no choice but to stop her.
34:17Good.
34:19I'll talk to her
34:21and I'll do my best
34:23to keep her job.
34:25She deserves another chance.
34:27I know.
34:29And as I said,
34:31I trust you.
34:46What?
34:48Why did you end up learning
34:50how to read a newspaper?
34:52You have to do this in time.
34:54Besides, now that I've decided
34:56to extend my break,
34:58I'm going to write until the last second.
35:00Like Don Salvador
35:02in Tres Borros de Puertecita.
35:04He'll be pleasantly surprised
35:06to see his son in charge of his business.
35:08Don't you see that Salvita
35:10had to take care of the shop
35:12during the pandemic?
35:13And now that we're not getting married,
35:15you have him there?
35:17You're not smart at all.
35:19Because of this, you married me.
35:21Very well.
35:26What are they up to?
35:28I don't know.
35:31Oh!
35:33I think he's coming.
35:35He's coming!
35:39Elias, are you drenched?
35:40Yes, of course, Miguel.
35:42But right now,
35:44it's the least important thing.
35:46Come on, hurry up.
35:48We have a lot to do.
35:50Well, I'll try, Mrs. Teresa.
35:52But I'm telling you,
35:54pieces aren't good advice.
35:56And if I don't,
35:58I'll ask Trini and Miguel.
36:00And what about us?
36:02Now, nothing, Miguel.
36:04As the sacred scriptures say,
36:06ask and you will be given.
36:08Seek and you will find.
36:10It's the most beautiful thing in the world.
36:12And that's what I've come to tell you.
36:14Did you know that with so many weddings,
36:16I'm able to tell you to get married too?
36:18No, what I've done is move Rome and Santiago
36:20so that these two have a church.
36:23We thank you, but...
36:25But you didn't get it, right?
36:28Yes!
36:30Yes, yes, the...
36:32Let's see, it's not the Almita de Santa María del Venado,
36:34but it's the only one you got married to quickly.
36:36What do you mean quickly?
36:38A lot, Miguel, a lot.
36:40I've taken care of everything.
36:42I'm meeting with the priest tomorrow
36:44to bring him your documents.
36:46So don't forget, you have to give them to me.
36:48Yes, well, let's see, Elias, excuse me.
36:50Yes, Trini, I know.
36:52You don't have to thank me.
36:54I do this with all my heart.
36:56I do this for you.
36:58No, I think theater is a much more complicated discipline
37:00for the actor.
37:02It's more tiring.
37:04Immediate.
37:06Look, for reasons of life,
37:07and believe me, they are much more exhausting.
37:09Many hours waiting for the set to be set up.
37:11More waiting between takes.
37:13But it's better for me.
37:15More time to prepare the sequence.
37:17That doesn't exist in theater.
37:19There is no time to prepare the scene.
37:21Do you understand?
37:23That's what I mean by immediacy.
37:25No, I don't understand what you mean.
37:27In theater, everything that happens on stage is unique.
37:31There is no function equal to another.
37:33Everything happens in the moment.
37:35Do you understand?
37:37There is no waiting.
37:39There is no margin for error.
37:41Well, I've seen more than one actor make a mistake.
37:44But that's precisely what makes that function something unique.
37:49That error is what makes that play unrepeatable.
37:53No, no unique and unrepeatable functions.
37:55That's getting to the bottom of it.
37:57But look at me.
37:59I left home without an umbrella.
38:01And thanks to that, we're here talking.
38:03You and me.
38:05I made a mistake.
38:07Well, I'm going to see if your clothes are dry.
38:18This is almost done.
38:23Do you want me to serve you more coffee?
38:26No, no, no, I don't want to bother you anymore.
38:29No, no, it doesn't bother me.
38:31Really, it's been a splendid time.
38:33But I think it's better if you dress me up and I leave.
38:37Okay.
38:41Listen.
38:43Everything in that box are recordings for my brother.
38:56Not exactly.
38:58The recordings of the court of pharaohs are mixed.
39:02And...
39:05The box...
39:08It's more for you.
39:10For me?
39:12A gift?
39:14But what is it?
39:20But it's a magic lantern.
39:23Agustín, this...
39:25It's a wonderful gift, thank you very much.
39:28We approve it.
39:37You didn't think that the pharmacists would give so much work?
39:41Well, no, Esperanza, and look what we've had in the living room.
39:45Come on, none as exhausting as this one.
39:48I want to sleep in my house.
39:50Well, a storm is coming, I'll wait for you here.
39:53With how well you woke up this morning.
39:56God willing that Miguel and Trini's wedding is good.
39:59Well, second wedding in two weeks.
40:02I hope this is the good one, that I get along with the other one.
40:06Well, I'm sure everything will be fine.
40:08It's just because of the trouble Elias has taken.
40:11What an element.
40:13Sometimes he has worse things than a truck driver.
40:16But when something gets into him, the woman doesn't stop.
40:19What are you?
40:21Woman, take off your shoes and rest.
40:23That with the suit on top and the manager who has it taken with you.
40:28Yeah.
40:30You told me yourself.
40:32Since Cañete's gone, Mrs. Teresa up, Mrs. Teresa down.
40:37Well, don't worry about my job, Esperanza.
40:40Soon I'll have plenty of time to rest.
40:46Esperanza, please leave us alone.
40:49Yes, right now.
40:58It's important.
41:00Because if not, I'd rather talk to you after the convention.
41:04Well, if you're going to do your job, then yes.
41:07This conversation is important.
41:09Look, Mrs. Lázaro.
41:11Even if I'm going to say goodbye, I've tried my best at this convention.
41:15As I've always done.
41:17I see.
41:19You've already said goodbye.
41:21Well, yes.
41:23But know that before I go, I'm going to let Mr. Fermín know how you are.
41:26And he's also going to tell him that he's been in my neighborhood asking about me.
41:30Or that he's gone to my old job looking for dirty traps.
41:35I say, because you're already telling things, right?
41:38If so,
41:41I can tell him, Teresa,
41:43that Mr. Fermín is already aware of everything.
41:46And that he's not going to believe her.
41:48Well, we'll see about that.
41:51Be patient, woman.
41:52You can say, Misa,
41:54if Mr. Fermín has put your farewell in my hands, it must be for a reason.
41:58And believe me, I won't be shaking when the time comes.
42:02Well, look, if you've come to say goodbye, do it.
42:05And let's finish this once and for all.
42:07I haven't come to say goodbye.
42:09I've come to inform you that you have a second chance to keep your job.
42:13A second chance?
42:15Why?
42:17We all deserve a second chance, including you.
42:20So I'm not only offering you to keep your job,
42:24but to have a little more leeway with you.
42:27As long as you stop investigating me and chasing me.
42:35Do we have a deal?
42:42I should go now.
42:47You should go.
42:48You should go now, yes.
43:18I should go.
43:38I was about to, Brigida.
43:40I thought, if it was going to be a one-off job, fine,
43:43but then I thought it over and I can't allow it.
43:45Because getting in, even if it was only for a few hours,
43:48would be like telling the world that I'm crazy and I'm not crazy.
43:50I'm not.
43:52As much as Dr. Mendoza insists.
43:54What do you mean by Dr. Mendoza?
43:56Get ready.
43:58Can you believe he's saying I'm doing things to pretend I'm not crazy?
44:01It's the worst.
44:03And he calls himself a doctor.
44:05I don't think he's a bad doctor.
44:07In fact, I'm fine with him.
44:09Well, I don't like the way he's acting with me.
44:11So why are you coming to the consultation?
44:13To say goodbye.
44:15It's over.
44:17I'm not going back.
44:19Dr. Mendoza is the one who should go in, not me.
44:21It's the truth.
44:23He's saying very bad things about me.
44:25Thank goodness Íñigo has finally reacted.
44:28Really?
44:29Yes.
44:30Did he say anything to the doctor?
44:32No, he told me.
44:34He's been honest with me this morning.
44:36He told me he believes me,
44:38that deep down he knows I'm right,
44:40and that I'm the one behind all this.
44:42So it's over, Brigida, finally.
44:43It's all over.
44:46What's wrong?
44:48Aren't you happy for me?
44:50I don't know, Matilde.
44:52On the one hand, yes, but on the other...
44:54In the end, Dr. Mendoza isn't that bad.
44:57But everything I've told you is true?
44:59I don't doubt it.
45:01But maybe you're judging the doctor too harshly.
45:04But do you really think
45:06that doctor is a good and qualified person?
45:09I'm telling you, if it weren't for him,
45:11I wouldn't be so well.
45:13I was very bad, Matilde.
45:15And my life changed for the better,
45:17and it was all thanks to him.
45:19Well, I guess what works for one person
45:21doesn't work for everyone.
45:23And forgive me, Brigida,
45:25but our circumstances are completely different.
45:27And I don't deny that these diseases are very severe,
45:29but I don't have them.
45:31Yeah, yeah, but you...
45:33You're still...
45:35hearing voices.
45:39You too?
45:43Brigida, those voices exist.
45:45They exist.
45:47Someone's talking to me.
45:49If it's not Ms. Carla,
45:51it's someone who's pretending to be her.
45:53And I've also seen that woman.
45:55How many times do I have to tell you?
45:57I'm really sorry, Matilde.
45:59I don't want you to be mad at me.
46:01I just want to help you.
46:03I thought you were different, that you believed me.
46:05But it doesn't matter.
46:07Because those voices exist.
46:09They're real people.
46:11I'm sure of it.
46:13I'm sure of it.
46:20No.
46:24No.
46:33No, please.
46:38Don't hurt me.
46:43Help me.
46:46Help me.
46:49Help me.
46:51No, I haven't done anything.
46:53Let me go.
46:55Lucia.
46:57Lucia.
46:59Don't worry.
47:01You're Pietro.
47:03Don't worry.
47:05Yes.
47:07What happened?
47:10What's going on?
47:12You were having a nightmare.
47:17Do you want some water?
47:19Are you okay?
47:21No, Pietro.
47:23I swear.
47:25I'm afraid you'll hurt me.
47:27Don't worry.
47:29Don't worry.
47:31No one will hurt you.
47:33Don't worry.
47:38You can see it with your own eyes.
47:39This albaran proves that Matilde bought
47:42the San Cayetano medal.
47:46But that can't be.
47:48It can't be.
47:50This is a lie.
47:52This is a lie.
47:54I didn't buy that medal.
47:56I know.
47:59I'm sorry to tell you that
48:01we don't know what kind of validity this has.
48:04What do you mean?
48:06It's a bill on behalf of your wife.
48:07I think it's pretty obvious.
48:09Yes, I understand that perfectly.
48:11But that could have been fabricated later.
48:13Isn't that so?
48:16Look, doctor.
48:18We don't want you to think
48:20that we don't trust your word.
48:22But unfortunately,
48:24we have the adversity of certain people.
48:26People who are capable of doing anything to us.
48:30Much more than a simple truth.
48:32I don't know if you understand me.
48:34The truth is that no, Mr. Peñalver.
48:35What my husband wants to say is that
48:37the same person who did that
48:39is the person who put the dead bird in our bed.
48:44Look, I'm sorry to tell you this,
48:46but I'm going to be frank.
48:48I think you're painting
48:50a very complicated situation
48:52and now I won't be the one
48:54to convince you otherwise.
48:56I don't want to convince you of anything, doctor.
48:59All I want is to tell you the truth.
49:01And I didn't buy that medal.
49:02It's a shame that you don't want to trust me
49:04for this process.
49:06I've cured many patients
49:08throughout my career
49:10and I know I could help you, Matilde.
49:13But maybe I've done something wrong to you
49:15so that you don't want to count on my services.
49:19So I guess I owe you an apology.
49:22Don't apologize, doctor.
49:24There's someone behind everything
49:26that happened to me.
49:28And that person
49:30is you.
49:32I don't know what's happening to me.
49:34My husband and I are convinced.
49:36Besides,
49:38I know for a fact,
49:40because of Brigida,
49:42that you're a great professional.
49:44Brigida?
49:46Who's Brigida, honey?
49:48You've never told me about her.
49:50She's a patient of yours, doctor.
49:52A woman of my age, more or less.
49:54I see her sometimes
49:56in the waiting room or in the garden.
50:03What's wrong?
50:05Look, Matilde,
50:07I don't have a patient
50:09by the name of Brigida.
50:11What do you mean?
50:13But I saw her before I came in.
50:15She almost convinced me to come in.
50:18No, I don't know any woman
50:20by that name.
50:22And I'm telling you,
50:24in this clinic we're very scrupulous
50:26about appointments.
50:28But are you sure of what you're saying, doctor?
50:30Of course.
50:32How can a patient coincide
50:34with those appointments?
50:36But that can't be.
50:39It can't be.
50:41She must have a patient
50:43by the name of Brigida.
50:45Brigida.
50:47If not, maybe, I don't know, she doesn't remember or...
50:49Calm down, honey.
50:51I'm sure this mistake can be explained.
50:53Right, doctor?
50:55I'm sorry to tell you this,
50:57but I suspect
50:59that person is
51:00another product of your imagination, Matilde.
51:09I hope
51:11you don't continue with the idea of wanting to report us.
51:13What you've done is very serious.
51:15For the friendship that unites us,
51:17help me.
51:19Covering it would make me a person without scruples
51:21like you, and we don't look alike.
51:23Your feelings towards me
51:25were also fake.
51:27And Lucia, how is she?
51:28She wanted to get me out of the nightmare.
51:30But then,
51:32did you talk about something?
51:34Lucia suffered a lot.
51:36And she still has
51:38wounds,
51:40even though she's better, right?
51:42You don't know how hard it was for Albita
51:44to find the blessed books of the teacher.
51:46Really?
51:48Well, to tell you that from so much searching,
51:50she knows the shelves better than me.
51:52Well, thank you very much, it wasn't necessary.
51:54With Mrs. Juanes, I did everything.
51:56But since she left,
51:58I don't want this to go well.
52:00Inés, you know that the road is long,
52:02but it's worth it.
52:04You have to go little by little,
52:06and above all, don't give up.
52:08I don't know how many times
52:10or how many ways we'll have to tell him
52:12so he understands that we don't want to get married there.
52:14Well, if we've done it once,
52:16we'll do it again.
52:18We'll tell him clearly so he understands.
52:20I'll stop investigating your affairs,
52:22Mrs. Lázara.
52:24I want to hear it from you.
52:26If you don't get in where you're not called,
52:28I won't be able to do it.
52:30I got Estrellita Castro
52:32to come to the store to sign records.
52:34Estrellita Castro?
52:36Mother-in-law, what a surprise! Give me a hug.
52:38Oh, how affectionate you are
52:40with what you've always been.
52:42Oh, how beautiful!
52:44The plan with Laurita went wonderfully.
52:46Very well, I'm very happy.
52:48When I was at the door, about to call,
52:50with the recordings and soaked in the storm,
52:52I thought, this is not going to go well.
52:54The truth is that it was beautiful.
52:55That's great, but there were more details.
52:57Well, she bothered to come
53:00to bring the recordings
53:02of the court of the pharaoh
53:04and the magic lantern.
53:06You deserve someone who treats you so well.
53:08Tell me more.
53:10Miss Castro, welcome.
53:12Why don't you take one of those pictures of yours
53:14that I really want to know your art?
53:16That's done.
53:18It's an honor and a pleasure
53:20to immortalize a star of her size.
53:22You can't trust what she says.
53:23Her perception of reality is distorted.
53:25She should be admitted now.
53:27I think she's going to be admitted to a sanatorium.
53:29What do you mean, a sanatorium?
53:31So her state is in everyone's mouth.
53:33I don't know if that's positive
53:35considering the seriousness of the matter.
53:37The doctor called me after talking to Íñigo.
53:39Everything is in order.
53:41What does that mean?
53:43It means that there are people following her.
53:45They are waiting for an imminent entry.
53:47Patil said that Carla was hallucinating.
53:49Vígita could also have been.
53:51That doesn't mean you're worse,
53:53right?
53:55Thank you very much.