• 3 months ago

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00:00You know
00:05You know tingle a deque ver con esa mermelada
00:08casualmente sabe igual que las que hacían ustedes antes voy a ver igual que están detrás de todo esto y cuando lo hago
00:14solo les quedará temblar se trata de mi hijo
00:19Temo que sea usted una mala influencia para él me pregunto señor pellicer si la causa de sus problemas con su hijo
00:26No es porque usted lo sigue tratando como si fuera un niño no te marches no te mates
00:31No voy a permitir que te vayas y me dejes con la palabra en la boca si te vas te juro que te vas a arrepentir
00:40No van a hacer más mermeladas lo siento señora carlota si lo lamentamos profundamente no se preocupe
00:46no quiero poner en riesgo el puesto de nadie por mi culpa cuando se vayan de la promesa para vivir en el palacio del conde yo
00:53Quiero seguir viviendo aquí bajo la tutela de mis tíos es mi única condición no le ha contado a mi padre el odio
01:00las invitaciones de doña margarita he decidido que tampoco tiene que estar al tanto de todos los asuntos del servicio
01:06que me va a pedir a cambio
01:08nada
01:10preferido callar eso es todo es que te aprecio un poco santos he hablado con el convento mañana la vienen a buscar
01:15que es por su bien y por el nuestro por supuesto no olvidemos que aquí casi se comete un crimen
01:21Y estoy siendo más que justo con mi decisión no tú no quieres justicia tú quieres venganza pero yo además de portarse muy mal con
01:28tu hermana
01:30utilizó su negocio de mermeladas para comerciar con armas
01:33contrabandeaba con ingleses para más señas
01:35no puede volver a los brazos de un hombre que nos ha puesto en peligro así
01:38creo que es una decisión que sólo compete a mi hermana
01:41hablabas de eso vale la boda
01:42claro de qué voy a hablar a ver si llega algún puerto por fin supongo que estarás nervioso no si si lo estoy
01:48Es que cualquiera que te oiga podría decir que parece que no te ilusiona esto suena a despedida
01:55Suena demasiado contundente sobre todo teniendo en cuenta que no habrá tal despedida
02:02Es que no te vas a ir yo te dije que estoy dispuesto a enfrentarme a todo
02:07a todo
02:08si tú me dices que sí
02:11Que me dices gana expósito
02:14cuál es tu respuesta
02:16que me quiero casar contigo
02:18Pensé que todo iban a ser mentiras
02:21que no ibas a hacerme cambiar de opinión pero lo he pensado mejor y
02:24y quiero que hablemos quiero escucharte
02:26pues lamento mucho que te hayas hecho este viaje en Valdecatalina porque yo no tengo nada que hablar contigo
02:37Espera
02:42Es que después de lo que hubo entre nosotros no tienes ni un momento para hablar conmigo
02:45Lo que hubo entre nosotros
02:50Porque lo dices en ese tono porque eso fue lo que me condenó nosotros nos quisimos pelayo
02:56por mucho que no quieras acordarte no no quiero acordarme
02:59no quiero tratar contigo ni con ninguno de los tuyos no quiero tener nada que ver con los Luján pero porque
03:05si acaso no ves dónde vivo ahora o cómo vivo ahora
03:08lo dices como si fuera una cochiquera tuve que dejarlo todo atrás
03:12Mi palacio mis posesiones más preciadas mi vida entera y trasladarme aquí y todo por lo que vosotros me hicisteis
03:19nosotros y vosotros los Luján
03:22los Luján no somos todos iguales pelayo no me vengas con esas ahora por favor es la verdad la verdad sí
03:29la verdad es que arrastraste es mi apellido por el fango y como consecuencia de ello se me cerraron todas las puertas
03:36nadie quería atenderme
03:39Evitaban cualquier contacto conmigo gente cercana a la que incluso podía llamar amigos me dieron la espalda
03:46Tú sabes lo difícil que es empezar de cero y sin rumbo
03:50de veras que lo siento pelayo pero yo no tuve nada que ver con eso de hecho yo fui la primera afectada
03:56tú yo lo perdí todo por vuestra culpa pero no nos metas a todos en el mismo saco
04:01es que no me vas a dar la oportunidad de explicarme de que hablemos no Catalina no quiero hablar contigo ni con nadie de tu familia
04:08De hecho no quiero ni tan siquiera verte
04:38No sé si puedo contarte
04:47Las cosas que han pasado desde que te vi
04:51las luces que han bailado por nuestro jardín
04:55los rumores nuevos
04:57entre el corazón y las murallas
05:01En la promesa
05:03habrá partículas de amor en movimiento
05:05habrá soledad en el cielo
05:08habrá secretos que nunca saldrán ahí fuera
05:10será tan bello como el vuelo de un avión
05:20En la promesa
05:22las despedidas son girones por el suelo
05:24hasta las flores bailarán
05:26a su manera
05:28equilibristas
05:30entre el miedo y la pasión
05:32somos como un salto a la de tres
05:39somos el amor cuando se vive a vida o muerte
05:55somos como un salto a la de tres
05:57somos el amor cuando se vive a vida o muerte
06:02Run, run!
06:04The promise will be a matter of luck.
06:15What do you mean by saying you're not leaving?
06:20That there won't be such a farewell because we're always going to keep in touch.
06:27Well, that wasn't the feeling I had.
06:31Well, in that case you misinterpreted me.
06:33Or I misunderstood you.
06:35Communication is a matter of two.
06:38True, you're absolutely right.
06:42But in any case, I can't stay here forever.
06:45You've made it very clear to me.
06:49I'm sorry if I was harsh in any comment.
06:52No, quite the opposite. Besides, I'm extending the time too much.
06:56That's also true. We've been talking about this for a long time.
06:59What happens is that I've been so long in the promise that I'm terribly lazy to get everything together.
07:06That's what the maids are for.
07:08Yes, but they'll need my supervision.
07:11I'll make sure they don't bother you at all.
07:16Do you remember how many things I brought with me?
07:19You were absolutely right. They were too many.
07:23It was a saying. They weren't that many either.
07:25Yes, they were.
07:27Because besides my jewels, I brought my clothes.
07:29My favorite scarves.
07:31Some decorative item for my balcony.
07:34More than a transfer.
07:37My departure from the promise will seem like a move.
07:40You're exaggerating.
07:43In any case, I'll get on with it right away.
07:46I'll let the maids know right now.
07:49Very well.
07:51Yes, I'll have to explain to them what's mine and what's not.
07:54Because I wouldn't like to take something that doesn't belong to me for nothing in the world.
08:03Don't worry. If you take something that doesn't belong to you, you'll have time to return it.
08:11But well, as soon as I finish, I'll leave.
08:16It will be sooner rather than later.
08:19When I have to.
08:25Luján, Spain
08:32Shouldn't López have returned from Luján already?
08:35He had to go from house to house to see all the women.
08:38But there aren't that many houses.
08:40And give him the bad news that they can't keep doing the good things.
08:44And remind him that Puntón Boca is not going to make the fairies of El Capitano find out.
08:50Even so, how long does it take to do that?
08:53A dozen new women, huh?
08:55What are you saying?
08:57You were born exaggerated and you will die exaggerated.
08:59What you hear.
09:00They were all wishing for it.
09:02They all missed the good times.
09:04As soon as they heard the voice, they all signed up.
09:06Even the boss.
09:07She didn't even sign up for Arbelén Viviente.
09:09Because she said she was very tired.
09:10And the only thing she had to do was sit down.
09:12She was very weak.
09:14May they all be blessed.
09:15Even the boss.
09:17Now they just need to listen to López.
09:19And let no one say anything.
09:21I hope so.
09:22No one is going to let go.
09:24You say it very confidently.
09:26And I am.
09:27Don Lorenzo is a tyrant.
09:28And you are even more resentful than the ribs of Jesus Christ.
09:32You are working for a misery of Orná.
09:34That's true.
09:36And they all miss you.
09:38When things were with Miss Catalina, they were all very different.
09:42That is also true.
09:43And so much that it is true.
09:45We all have memories, Simona.
09:48Those good times.
09:49And now they have taken you and López from us.
09:52That disgusting captain.
09:55I'm going to tell you something.
09:56I don't know about us.
09:57But what is certain is that López and I have a lot in common.
10:01Even more than Miss Catalina.
10:04Well, the boy has earned it.
10:06And so much that he has earned it.
10:08But let's go.
10:09I think everyone is going to keep the secret.
10:12Come on, they are going to keep it.
10:14Man!
10:16Speaking of the king of Rome.
10:19What?
10:29By your face, everything is already said.
10:31What happened?
10:33Nothing.
10:34Nothing bad, I mean.
10:37I have been able to talk to everyone.
10:38I have spoken with the women and with Tadeo.
10:40They are all warned.
10:41Ah, good.
10:42Yes.
10:43Tadeo has taken note and he already knows that he cannot say where the jams come from.
10:47In case they ask him.
10:48We already know who will ask him.
10:50Yes, that's right.
10:52So why are you looking at me with that funeral face, little boy?
10:56Well, because it's going to be Mrs. Candela.
10:58I, if you want, I start guessing.
11:01But let's go.
11:02It won't be easier as you tell us, López.
11:05Well, Mrs. Simona, well ...
11:08Because we have given up.
11:10Because there is no turning back.
11:11We cannot help your son.
11:14My poor virtues.
11:17He doesn't get anything right.
11:20Life is very unfair.
11:22You don't know it well, boy.
11:29Well, then Manuel ...
11:31You're not going to believe it.
11:33What?
11:34He undressed and it was solid gold.
11:36But where does that come from?
11:38I don't know.
11:39You're putting it on me as if it were the cabose.
11:40Because it is.
11:42Well, let's see what happened with Don Manuel.
11:46He asked me to marry him again.
11:49Wow, wow.
11:51Well, yes. He has said that he no longer needs more time.
11:54Well, congratulations.
11:56Thank you very much.
11:58In the end, is that going to be true,
12:00that the Most High rewards people who have patience?
12:03Oh yes, sure.
12:04And that must be why he doesn't reward me either.
12:07Darío, for God's sake, don't talk nonsense.
12:09Well, I think so.
12:10Since the Most High is so high, so high, so high,
12:12that from up there he doesn't see me with how small I am.
12:14Of course it must be.
12:17But in this way I am very happy for you.
12:20Thank you very much.
12:21You are going to marry the man you love.
12:23Man and the man who loves me too, I hope.
12:26And with everything against.
12:27All luxury, come on.
12:29Rather a privilege.
12:30Don't get me involved.
12:31That's true.
12:32It is also proof that sometimes dreams come true.
12:37You are richer.
12:39Yes, especially in money.
12:42But what can you say, money doesn't matter, María.
12:45Well, I think it does matter.
12:47Well, no.
12:48Well, how do you feel about Mr. Manuel asking you to marry again?
12:53I don't know.
12:54Like in a cloud?
12:56Well, yes, like in a cloud, because I'm excited and ...
13:00And I don't know, it makes me very excited,
13:02but on the other hand I'm more afraid than if you get old.
13:04It's going to be very difficult.
13:06Well, yes.
13:07It's going to be hell.
13:09Well, that doesn't have to happen either.
13:11No?
13:12No, it's a possibility, but I don't think it's that bad.
13:15María, you don't have to be a lynx to realize
13:17that the Lujan family's reaction is going to be horrible.
13:20After all the scandals that have happened this year,
13:22this marriage is the icing on the cake.
13:26Well, it may be yes or it may not.
13:28You will face it when it happens.
13:30If it happens.
13:32In the meantime, enjoy love.
13:34María, it's not that simple.
13:37The love that Manolo and I have is like a maniacal love,
13:41so to speak.
13:43And that's why I've tried to avoid it and deny it.
13:46Yes, but you couldn't.
13:48Well, no, I couldn't.
13:50So I just hope that life gives us a chance to be happy.
13:55Sure.
13:56And my savior and I will be there to see you.
13:58I hope so.
13:59How beautiful our photos are going to be.
14:01I hope so.
14:02Well, yours is more beautiful than mine.
14:03Come on, why?
14:04Because Manolo does have money.
14:06Well ...
14:07Manuel has money now.
14:09But you'll see when his mother finds out
14:11that she's going to marry that slut, as she calls me.
14:15Yeah, I hadn't thought of that.
14:17On the other hand, Salvador and you can go straight.
14:20And you don't have to face anyone.
14:23It seems to me that my wedding is going to be more beautiful than yours.
14:26Well, at least your mother-in-law is not going to be Mrs. Cruz.
14:30What are you going to call her?
14:31Mother-in-law?
14:32Or marquise?
14:34Or Lady Crucifixion?
14:38Come here.
14:42Your wedding is going to be beautiful, Maria.
14:44Yours too.
14:47Curro.
14:49Explain to me how you managed to convince her.
14:52Well, I don't know.
14:53I still find it hard to believe it.
14:57Are you sure you convinced her?
14:58Yes, yes.
14:59I ended up giving in.
15:02She told me that she would approve of her mother's wedding with Count Ayala.
15:06But she was denying it.
15:09Is it clear that you had to tell her something to change her mind?
15:12Yes, I say yes.
15:17Why don't you review what you told her?
15:19What else, Manuel? It's done.
15:20Is it so hard for you to review?
15:25At first she was completely resigned to going to that convent.
15:28And she insisted on not giving her mother's wedding a good look.
15:32She didn't want her mother to sacrifice her whole life for an undesirable man.
15:36Yes, I know.
15:37Although on the way she sacrificed her own life in that convent.
15:39Precisely.
15:42But somehow you dissuaded her.
15:44Yes, I say yes.
15:46Although you don't know how.
15:49Well...
15:50Well what?
15:53I tried to make her see that her mother wanted to get married of her own free will.
15:57And that Count Ayala himself wanted to get married long before his confrontations with her began.
16:04Well, you're right about that.
16:06Yes, besides, I suggested that maybe Count Ayala was so in love with his mother
16:10that he would do anything to become her husband.
16:14Even to give freedom to whoever he thinks tried to kill him.
16:20That's not a bad idea.
16:23I mean, maybe that's what made her change her mind.
16:27Maybe.
16:28Maybe.
16:29Come on, Curro.
16:31Let's see, it's possible, yes.
16:33Because after our conversation, he went directly to his mother to tell her that he was giving a good look at the wedding.
16:37So it's possible.
16:39Curro, what more proof do you need?
16:44Let's hope this is the end of the war between Martina and Ayala.
16:47It would be natural, of course.
16:50Why natural?
16:52Count Ayala asked for what he asked, right?
16:55And Martina granted it.
16:57Yes.
16:58Well then, that's it.
16:59Yeah, but I understand Martina's reservations.
17:02Although, above all, there is freedom.
17:09Mr. Count.
17:10Manuel.
17:11Curro.
17:15You know, my cousin and I were talking about Martina's matter.
17:19Oh yeah?
17:20Yes.
17:22It's not like there's a lot to talk about.
17:25No?
17:27No.
17:29Well, I think it's great news that Martina has come to her senses and doesn't have to go to a convent anymore.
17:35No, no, no.
17:36Nothing further from the truth.
17:38In fact, they're coming to pick her up tomorrow.
17:41What?
17:42I don't understand.
17:44Martina did everything you demanded.
17:46Yes, but she did it without convincing.
17:49What?
17:50I know from her own mother that she did it like that.
17:52She keeps saying that she's innocent, which makes me think that she said it just because she knows that I want to hear it.
18:00Count Ayala, if she said what you want to hear, what would prevent her from declaring herself guilty?
18:05Then there would be no going back.
18:07Don't you think?
18:09While if she only gives her approval to the wedding, there is.
18:13And nothing prevents her from attempting again against my life later on.
18:16What?
18:19Is that very conjectural?
18:23Martina is against the wedding, from the bottom of her heart.
18:27And that makes me not be able to trust her.
18:29If your life were at stake, you wouldn't see it as crystal clear as I do.
18:33The only thing I see crystal clear here is that you are a cheater.
18:38Say whatever you want about me.
18:39I'd rather you insult me in life than say nice words at my funeral.
18:43Listen to me carefully, miserable.
18:46Right now, you're going to call that convent and tell them to cancel everything.
18:51No way. I'm not going to do such a thing.
18:54You insisted on your word.
18:56If you don't do it, I promise you'll regret it.
19:03Childish.
19:17The good part is that both Tadeo and the women of the village are on our side and will keep our secret.
19:22And the bad part is that we won't be able to continue helping Virtudes.
19:26That's right.
19:28It's the only way we've found to get her out of that mess and I'm very angry to have to stop.
19:32Yeah, but if we continue, the captain of the mate will find out everything.
19:36Among the suspicions he has, which is a very difficult secret to keep, we are playing with fire.
19:42I'm very sorry for Virtudes, but we can't do anything else.
19:45That poor girl is overwhelmed.
19:46As if she didn't have enough with what she has, but now they take her son and she doesn't even know where.
19:51That's the worst part for her.
19:53Well, but we'll have to trust that this child will appear again and for now we'll have to continue supporting her as best we can.
19:59Yes, yes. No, no. We can't leave her stranded.
20:02First, because of Mrs. Simona. We owe her everything.
20:04And second, because that child has to be with her mother.
20:07I wish Virtudes could be close to her son.
20:10But her in-laws had no right to take him, much less without saying where.
20:13Did they ask her for money for her son or what?
20:15At least if she had that money ...
20:18You realize, don't you?
20:19How the caudals can change everything.
20:22Well, not everything, López.
20:23Yes, Vera, everything.
20:24No, not everything.
20:25Look at Miss Martina.
20:27The calvary that the poor woman is going through. She doesn't even want to leave her room.
20:30It's like ... as if her luck had been resigned.
20:33Black luck.
20:34It seems to me that it is as if she had accepted it.
20:36As if she had given up.
20:38And she doesn't even care to enter the convent that the Count of Ayala wants to put her in.
20:43Poor thing.
20:45And how are you?
20:47I care about Miss Martina and Virtudes, but I care much more about you.
20:51Well, I'm fine.
20:52I'm in glory.
20:54I don't mean the others.
20:57And what else matters, López?
20:59It matters.
21:01It matters a lot.
21:03How are you with Santos after the invitations?
21:06Well, fine.
21:07Fine.
21:08I asked him to leave me alone and at the moment he is doing so.
21:11And what?
21:12Since you stood up to him, he hasn't threatened you again.
21:15I made him understand that he had already spent his ammunition and that he had nothing to blackmail me with.
21:20Good.
21:21Although I am still surprised that he is not screaming at the four winds.
21:24Well, his best bait was my mother and it didn't work out for her.
21:28Although you are right.
21:30It seems a bit strange to me that he doesn't do anything.
21:31I don't know.
21:32That at least Mrs. Petra tells him in order to hurt me.
21:36You shouldn't trust him.
21:38And I don't, López.
21:39I don't.
21:40Knowing the tricks of this guy, he reveals everything to you any day.
21:43And what do you think? That I don't know?
21:45I would love to tell you to get rid of those ideas in your head and stop being an agorero,
21:49but deep down I think the same as you.
21:52That we both know Santos and I doubt that he has changed overnight.
21:55And less with the companies he frequents.
21:58Well, but he already deceived me once and he won't do it again.
22:03But hey, the important thing ...
22:05What?
22:06You and I are fine, right?
22:08You and I are much better than fine.
22:10And I don't want this to ever end.
22:40Let's go.
22:59How come you're still here?
23:01What?
23:07I'm not leaving until I've talked to you.
23:12Are you never going to give up?
23:16Never.
23:17Good.
23:19I don't know what surprises you.
23:21I thought you knew me better.
23:24Yes, I also thought I knew you better, but it seems that I was wrong.
23:28I didn't think you would be able to air out our problems like you did.
23:34I wasn't able to do it, nor did I.
23:36I don't believe you, Catalina.
23:38Intimacies were published, very personal things.
23:42Yes, but not just about you.
23:45Also mine.
23:47You may think I was against you in that way, but do you really think I'm that stupid?
23:51Like ... like to do something like that?
23:53Sacrifice me to hurt you?
23:55No.
23:58You're very wrong, Pelayo.
24:01And if you gave me the opportunity to explain myself, to tell you the truth, you would realize your mistake.
24:09Now more than ever, we have to talk.
24:22Okay, come with me.
24:25Okay.
24:55And that?
24:57Come and open it.
25:25The jacket of Mr. Marqués.
25:29But it's already perfect.
25:32Not a trace of the stain. I already told you that I would solve it.
25:36It's true.
25:37I've done it.
25:40Well, and how?
25:41Well, it's called sin.
25:44Please.
25:45Okay, I took it to Mr. Marqués' tailor.
25:51Really?
25:53I trust him because he has been working for the Stuham for many years.
25:58And what did he say?
25:59All I had to tell him was that it was an emergency.
26:02He changed the stained fabric for a new one and that's it.
26:05No, he didn't just do that.
26:07It's just that you don't even notice that it's another fabric.
26:09It's exactly the same as the rest of the jacket.
26:11He's a very good tailor.
26:15And you must have paid a general.
26:17No, no.
26:18I haven't paid anything.
26:20Because for that we have a budget.
26:24Even so, I don't think it's right for the Marqués to pay for my mistakes.
26:27I'll put it in my pocket.
26:28Santos, you haven't been for so long and stop wanting to pay for things
26:32and focus on not making another mistake again, okay?
26:37Why are you doing this?
26:39Because...
26:41Because I want to help you.
26:43But you don't have to help me.
26:45I know.
26:47But even so,
26:50I want you to know, Pere, that luck doesn't exist.
26:56But I already know that.
26:57No, I don't think you know that.
27:00I want you to understand that you're not going to get up one morning being rich
27:03or becoming a duke, Santos.
27:06And I want you to learn that the only way you have at your disposal
27:09and I want you to learn that the only way you have at your disposal to progress
27:12is with your effort and with your work.
27:15And you're telling me this, why?
27:18Because if you want, I'm willing to teach you the trade.
27:24The key lady?
27:25No, Santos.
27:27It's about progressing.
27:28You can't even imagine how well you could do if you follow my advice.
27:32And it's not that you're going to become a millionaire, I'm telling you that too.
27:34But yes, one day you could become the mayor of a big house like this.
27:39And you could have a dignified and satisfactory life.
27:47It would be a secret between you and me.
27:50No one has to find out about this.
27:54Thank you very much for wanting to help me with this.
28:10Manuel.
28:28What's wrong?
28:29What do you mean, what's wrong?
28:31You've had me waiting a long time.
28:33You have very little consideration, Jan Expósito.
28:40We're finally alone.
28:44You know, last night it was very difficult for me to sleep.
28:48I can't stop thinking that soon we'll be husband and wife.
28:51Does that worry you?
28:54No.
28:56I see.
28:58Well, I think you have doubts and that's why you haven't been able to sleep.
29:01I have no doubts.
29:02Yes, you have doubts.
29:04I have no doubts.
29:05Doubts?
29:07What I really want is to marry you.
29:16The same thing happens to me.
29:18That you have no doubts?
29:20Exactly.
29:22And that I haven't stopped thinking about our wedding.
29:26Although I know it won't be easy.
29:30I can guarantee that from now on.
29:32And in fact, we'll have to overcome more than one obstacle before even giving.
29:38I settle for smaller things.
29:41Like not having to see each other in secret.
29:46I'm desperate to make so many excuses.
29:49Soon you won't have to make them anymore.
29:52And you know, in the meantime, we could see each other later in my studio.
29:59But in your studio, why?
30:00Because we're going to study.
30:04Manuel, son.
30:06Are you here?
30:09Yes, mother.
30:10Excuse me, sir.
30:15Thank you, Hanna.
30:22Mother.
30:24What brings you here?
30:26And even more, what are you doing shouting at me?
30:28Well, I never know where you're going to be.
30:30I don't know if you'll be in your studio or in here.
30:33The point is that I've already found myself.
30:35And something tells me that you have something to tell me.
30:38Well, yes.
30:39You see, there is a very eminent history teacher, Don Lázaro Milla,
30:43who, taking advantage of his trip to Lujan,
30:45is going to give a lecture on travel and 19th century jewels.
30:51He seems to be very interesting.
30:55He seems to be very interesting.
30:58I'm sure you enjoy it a lot.
31:00Manuel, son.
31:01What I mean is that I would like to go with you.
31:05Ah.
31:06And it would be nice if I left you.
31:09Forgive me.
31:11Manuel, since you returned from the war,
31:13we coincided more or less the same as what we coincided when you were in the war.
31:18Only now you don't have the excuse.
31:19Where does that come from?
31:20In fact, I suspect that if we don't coincide, it's because you don't want us to coincide.
31:25You know, mother?
31:26It has always been very good for him to suspect that.
31:28You have to admit it.
31:29Don't say nonsense.
31:31It's clear that you're avoiding me, Manuel.
31:32I'm not avoiding you.
31:34You're avoiding me.
31:35And you know it as well as I do.
31:37Where does that come from?
31:39We never spend time together.
31:42Well, that has an easy solution.
31:44Well, yes.
31:45I precisely thought that this conference was a good opportunity.
31:48Manuel, TV is very expensive, son.
31:51Despite the fact that you have become a salamander.
31:54Salamander?
31:56Mother, I have never been a salamander.
31:58Well, that's why I say that you have become a salamander.
32:03That's nonsense.
32:05You say everything you missed about me or how much you love me.
32:10But when it comes to the truth, it's hard to see you.
32:14You're always in the studio or here.
32:17I don't know, you've become more introspective than ever.
32:20I'm still the same as always.
32:22And on top of that ...
32:25What?
32:27Well, the one I run into again and again is Hanna.
32:29And you know how annoying it is to run into her.
32:31Come on, I can't stand her.
32:33I don't know what kind of fascination people have with her, frankly.
32:44A few days later.
32:49I went up to take the breakfast and Miss Catalina was not there.
32:53Well, she hasn't come back yet.
32:55Two days have already passed.
32:57Well, what are two days?
33:00Well, some people are starting to rumour that she may have gone in search of Conde Ángel.
33:06Will she be okay?
33:08Let's hope so.
33:14I don't think that face of distress is because of Miss Catalina.
33:18Unless you've fallen in love with her in secret.
33:20And that's when I shut up.
33:22Look, you're silly.
33:25What?
33:27What, what?
33:33Yesterday I was talking to Hanna.
33:35She congratulated me on our wedding.
33:39But she also told me that she didn't see me very excited.
33:45Excited about what?
33:47About the wedding, what else?
33:49And what did you tell her?
33:50I didn't know what to tell her, María.
33:53I see, normal.
33:56What I'm saying is that I'm not stupid either.
34:01What do you mean by that?
34:04Well, Hanna, you talk about your stuff.
34:06Man, like all friends, right?
34:07Yeah, yeah.
34:09That's it?
34:10Yes.
34:11What I'm saying is that if Hanna came to me with that,
34:13it's because you would have talked to her before.
34:17Yeah.
34:19María, do you really want to get married?
34:22Are you still excited about the wedding?
34:26What?
34:28What?
34:30I was going to ask you the same thing.
34:32Yeah, but I would have asked you before.
34:35Of course I want to marry Salvador.
34:38I've wanted to marry you since the first time you asked me.
34:43But I'm not going to lie to you either.
34:46What?
34:48Because the last time,
34:50he caught me red-handed.
34:53By surprise.
34:55What do you mean by surprise?
34:57Well, yes.
34:59We have tried so many times and it has always turned out that it cannot be done.
35:03Well, it was bad luck too.
35:04Yes, but for a moment I forgot about the wedding.
35:08And now it seems to me something very strange.
35:12Yeah, it makes sense.
35:16But be careful, that doesn't mean that I don't love you.
35:19I love you very much.
35:21It's just that, well, we're fine, we're calm.
35:25And right now, well, a lot of things are happening around us.
35:28Yeah, and that has taken away from us a little bit the illusion of getting married.
35:31The illusion of getting married?
35:33Yes.
35:36Why can't we get together like this, without more, without the need for papers or a priest?
35:42Isn't that enough for what we want?
35:44Are you out of your mind, son?
35:46Why? What's wrong?
35:48Not that we're wild.
35:50No, not wild, but, well.
35:52Look, I understand that after so many attempts you get lazy,
35:56but these things have to be done well, as God commands.
35:59And you'll see that when we get involved, well, the illusion will go away.
36:06Right?
36:19I'd be lying if I said otherwise, but
36:22when I began to receive the abundance of articles,
36:24the outrageous insults, the caricatures, well,
36:28everything that was published in the press against me,
36:31I immediately thought it was you.
36:33I thought you were urging for the perfect revenge.
36:36I'm not saying you had no reason to want to take revenge on me, but that's what I thought.
36:41The perfect revenge?
36:43Yes.
36:45And what's so perfect about a revenge that throws away the reputation of whoever takes revenge?
36:50I don't know.
36:51I don't know.
36:53It would have been an absurd move on my part.
36:57A revenge doesn't have to be a horse, Catalina.
37:00We're talking about feelings.
37:02Yes, I grant you that.
37:05But we're also talking about principles.
37:07And mine wouldn't allow me to do something so shoddy.
37:12Beyond all those horrendous cartoons and articles full of bad stuff,
37:18I was degraded as much as you were.
37:19I was portrayed as someone I'm not.
37:21I was destroyed.
37:28Okay.
37:30And if it wasn't you, then who was behind all that?
37:34Do I really have to answer that question?
37:38The Marquise?
37:40Who else?
37:42Are you sure?
37:44She herself admitted it.
37:46Forced by my brother, of course.
37:47And blaming everyone but herself.
37:50That if the journalist changed his words,
37:53that if the sensationalism of the press
37:56crossed left in its maximum expression.
38:01It makes sense.
38:03Besides, I know Cruz is capable of that and much more.
38:09You told me how all that destroyed your life.
38:12Mine too.
38:13I left everything.
38:15The marmalade business, which is now in the hands of the capital of La Mata.
38:19The management of the farm, of which I have practically disagreed.
38:25I even stopped living in the palace.
38:28I settled in Manuel's hangar.
38:30And I spent months there.
38:32Away from my family.
38:33I settled in Manuel's hangar.
38:35And I spent months there.
38:37Away from my family.
38:45Do you want to stay for dinner?
38:49Yes.
38:50Yes.
39:00It is true that we are not going to continue with the matter of the marmalades for virtues.
39:04But the matter has ended well.
39:06How could it have ended?
39:08I still can't believe we got rid of it.
39:10Me neither. Yes, of course.
39:12It was a miracle.
39:14The one in San Quintín could have been set up.
39:16And not only by the captain.
39:17If Marqués found out that I had reported something like that ...
39:20I hate to deceive someone who always behaves so well with us.
39:24But well, the fact is that we have come out innocent.
39:27Liars, but innocent.
39:29As amazing as it may seem.
39:31Not even Mr. Arcos, who would have reported us without hesitation for a moment,
39:35has been able to find out the truth.
39:37And that he had with the complicity of Santos.
39:39We did very well not to get my son involved in the matter of the marmalades.
39:42Precisely.
39:44I have had a disagreement with the key master over this matter.
39:45Oh, what exactly happened now?
39:48When he came to ask me about the marmalades,
39:51I took the opportunity to clarify that I considered that she was not a good influence for my son.
39:57And how did she react?
39:59Well, she accused me of still treating Santos like a child.
40:03What's wrong?
40:05What do you think I have done wrong?
40:07I never thought I would say this,
40:09but seeing the relationship that Mrs. Arcos has with your son,
40:12I think that her influence can be good for that boy.
40:15But how is she going to be good, for God's sake?
40:17That woman is a bad person.
40:19She is a bad companion. She is a bad boss.
40:21That's how it is in general.
40:23But not with your son.
40:25And why would I make an exception with him?
40:28Because both have the same wound.
40:31Your son has always missed a mother.
40:34Mrs. Arcos has not been able to overcome the loss of her son.
40:38One can be the solution to the other.
40:46I love you.
40:57Do you want us to have the aperitif together?
41:01You already know how much I enjoy your company.
41:07Just now, that my departure is near, you forgot to tell me.
41:11Your company is always welcome.
41:16Cruz has let me down again.
41:19It's time for me to leave La Promesa.
41:22I can't delay it anymore.
41:24When are you leaving?
41:26Well, not taking long.
41:28Cruz seems to be in a hurry to lose sight of me.
41:31What I don't know is why the urgency.
41:37Lately there is a strange atmosphere here in La Promesa, right?
41:41It's like everything has changed.
41:43And yet I would like to be sure that everything is fine because ...
41:47I wouldn't like to leave and leave things worse than I found them.
41:53You haven't told Cruz anything about what we talked about, have you?
41:56About what we talked about?
41:58Come on, you know it perfectly.
42:00If you're not a little more explicit.
42:03Are you really going to force me to tell you?
42:05No.
42:10What happened between Alonso and me.
42:13What was it?
42:14Lorenzo.
42:15Okay.
42:18It hurts me.
42:20It hurts me that you think I could have told something like that.
42:23Seriously, you haven't been careful with your tongue?
42:25No.
42:27Although it is not necessary for me to tell Cruz anything.
42:30What do you mean?
42:31My friend is ready enough to realize what is happening around her.
42:35No need for me to tell you.
42:48The palace is more modest but ...
42:51the gardens have a lot of charm.
42:54In fact, they remind me of those of the balneary.
42:56Yes, only a good budget is required to keep these gardens as they deserve and ...
43:00I don't have it.
43:02And what happened?
43:05I mean, I think you know what happened, but ...
43:08not how things happened.
43:11Well, there is not much to tell, Catalina.
43:14Basically, everything that could go wrong, went wrong.
43:17As a result of the scandal in the press, I fell into misfortune.
43:20All the doors were closed.
43:22So I locked myself in this palace.
43:24But I had no money or means of living to maintain it.
43:27Of course, I didn't go back to the arms business.
43:31I looked for another alternative.
43:33A way of doing something different, but ...
43:36no one even wanted to receive me.
43:39I even went to the old friends of my parents.
43:42They did receive me.
43:44I guess because of the affection they still had for them.
43:46But as soon as I mentioned the possibility of working together,
43:49they closed in a band.
43:51What do you mean?
43:52They closed in a band.
43:54How desperate, right?
43:56Well, yes. Very desperate.
43:58Time was passing and the lack of liquidity forced me to take drastic measures.
44:03I had to sell my entire art collection.
44:05And the worst of all is that I sold it badly.
44:07The merchants took advantage of my situation to squeeze me as much as they wanted,
44:11so that resource did not end up solving anything either.
44:14And what did you do?
44:17Well, the next thing I thought was to sell this palace.
44:20But I couldn't do it.
44:22It was my mother's favorite place.
44:25She was very happy to be here.
44:28I understand.
44:30You have great sentimental value.
44:33Yes, yes, I do.
44:35Although the alternative was not better either.
44:38I had to fire all the service until I was left alone with the cook
44:42and the butler who had been with us all their lives.
44:44I couldn't leave them on the street, not them.
44:46Throwing so many people out on the street had to be very hard.
44:49It was something that hurt me a lot.
44:52And I don't even want to imagine how hard it must have been for them to find work
44:56with the reference of having worked for me, the stinking Count de Añil.
45:00And yet, you held on.
45:03I held on, Catalina. You said it, I held on.
45:06How?
45:08Well, thanks to some French nobles.
45:10Well, the ones you met when you went to get me from my palace.
45:12They came fleeing from the war and asked me to lend them the whole palace and all the land.
45:17A lucky man, the only one in all this time.
45:21The truth is that if it hadn't been for them, I don't know what would have happened to me.
45:25Thanks to that rent, at least I can live here, even if it's modestly.
45:30I'm sorry.
45:32I'm really sorry.
45:33What have you come to, Catalina?
45:35I've already told you.
45:37To talk, to clarify things.
45:40No, what have you really come to?
45:44Well, I thought I was coming in search of the truth.
45:47To clarify everything that was left unresolved, but ...
45:51I can't ask you that.
45:53I'm sorry.
45:55I'm sorry.
45:57I'm sorry.
45:59I'm sorry.
46:01I can't ask you that.
46:03Not after what you've been through, no.
46:05Not like that.
46:06Are you going to feel sorry for me now?
46:07No.
46:10I want you to come back to the promise with me.
46:13For the pain I give you?
46:14No.
46:18Because I haven't overcome our breakup.
46:24And I think that only if we are together I could ...
46:27I could clarify my feelings.
46:31What do you say?
46:34Are you coming?
46:48Come on, Rosario, go get Candela because I can't stand fighting and cutting all this.
46:53Pfff.
46:57Oh, daughter, how good you come.
46:59Help me with the Jews.
47:04But what's wrong with you, daughter?
47:08What do you have?
47:14That's it, that's it, that's it.
47:16Pfff.
47:18Pfff.
47:20Pfff.
47:21What's going on, daughter?
47:23That I can't with the guilt, mother.
47:27I feel that everything has gone wrong because of me.
47:31It's not your fault that your in-laws left with the child without telling you anything.
47:37Adolfito is the worst, mother, but it's not just that.
47:40I have put all my colleagues in danger with the jams.
47:44And go ahead with that.
47:46You have not put anyone in danger.
47:48They have wanted to take that risk.
47:51And that's it, to help you.
47:53We have all decided it.
47:55But he doesn't understand that I feel guilty about it.
47:58Every time I think about how all my colleagues have been played because of me.
48:02The women of the town.
48:04It will be because of the appreciation they have for you.
48:06It will be because of the appreciation they have for you.
48:09It will be rather because of what they have for my mother.
48:13No.
48:14They have all done this for you, not for me.
48:18Because I am his daughter.
48:20No.
48:21Because you are wonderful.
48:23And because your cause is fair.
48:27Whatever it is, the important thing is that that ungrateful captain has not discovered anything.
48:34But ...
48:35What is he going to do?
48:41God forbid, mother.
48:44We have already made sure that it is still a secret.
49:05Doña Josefa.
49:10What are you doing here?
49:16Where is my son?
49:32I should be here.
49:36At least you could hide the desire you have to get rid of my daughter.
49:39Don't worry.
49:42I'm not going to start any scandal or I don't have the strength to protest.
49:46I will go to that convent and let it be what they want.
49:50Never better said.
49:53Excuse me.
49:55Some nuns have come to look for Miss Martina.
49:57They are waiting for her outside.
49:59The time has come.
50:02Listen to me.
50:03I'm not going to forget you.
50:05I'm going to solve this.
50:07I don't know how I will do it, but I will solve it, I swear.
50:11Margarita.
50:17Weren't you going to let me know to say goodbye to my niece?
50:20I think I wanted to do it like when they took her to the sanatorium.
50:24Do you mean when you thought it was a great idea to bring her in?
50:26Don't spill the beans, Ayala.
50:28You're not good at it.
50:29No. Not as good as you, I'm sure.
50:31Are you going to answer my question?
50:34We have to solve this once and for all so that justice is done.
50:38Don't take this step, Ayala.
50:39You have time to reconsider.
50:41Think about it.
50:43I've thought about it more than enough.
50:45Let's go.
50:53Wait.
51:02Yes?
51:12Where did you leave it before my mother came?
51:15Well, I think we were talking about our wedding.
51:19Oh, yes.
51:22You know, I would love for you to tell me how you imagine it.
51:26How do you imagine it?
51:30Well...
51:33Well, I imagine a very tall boyfriend.
51:38Very blond.
51:40With blue eyes and no mustache.
51:45Really?
51:47But well, you're good enough for me too.
51:49Very considerate.
51:52Well, I don't know.
51:53I don't know. I imagine a ceremony full of light and joy.
51:58That we can be accompanied by the people who love us.
52:01And above all, by the people who respect our love.
52:05I hope so.
52:09And since you asked, I would also like it to be in the air.
52:13I would like it to be in a garden full of flowers.
52:17I don't know, it would seem that spring wants to join the party.
52:24Yes.
52:27That's how it will be.
52:29It will be exactly as you just said.
52:32I promise you.
52:36The sun will shine brighter that day.
52:39And we will swear eternal love to each other in front of everyone.
52:43No matter the barriers that this world imposes on us.
52:48Our love will be able to do everything, my love.
52:53Well, to imagine that it doesn't, right?
52:56No.
52:58Soon we will stop imagining and we will do it in reality.
53:23I love you.
53:30This situation has outdone me.
53:36Ignacio, I'm going to change for dinner.
53:39Yes, yes.
53:41The sooner we get back to normal, the better.
53:44We are going to talk to the mayors, Simona.
53:47Here is the promise.
53:49One's problems are everyone's problems.
53:50It's like we're not going to talk to the mayors alone.
53:53This is too big to be done behind Mrs. Petra's back.
53:57We have to go face to face, otherwise it will be worse.
53:59Why don't we go to my studio and spend the night together?
54:03Manuel ...
54:06You know I have a burning desire to be with you, but ...
54:09But what?
54:11Everyone is sleeping, no one will discover us.
54:14If it is true that you have the firm purpose of starting a new stage in your life,
54:18I want you to promise me ...
54:21that you will control your stages of jealousy.
54:24And I understand that the breakup with that girl still hurts you.
54:29It is true that that wound is still open.
54:32I know Alonso very well and he is a man of firm principles.
54:36Stubborn, but ... but always polite.
54:42And ... have you already thought about when you are going to abandon the promise?
54:45You're in a hurry to kill me, aren't you?
54:48No, Mrs. Pia is still there. She's going to end up losing the trial.
54:52Mr. Baeza is not talking to the Marquis and I don't know what to expect.
54:56Life is not fair.
54:58No, it is not.
55:00But we can make it fun.
55:02Well, at the moment I don't see anything fun.
55:04Well, I would love to teach you.
55:09It hurts me to see you so down.
55:12For me it was important to clarify things.
55:15For me too.
55:18And I'm glad.
55:21It is true that you have stirred everything inside me, but ...
55:25I admit that I am also happy that you have come.