Pajarico [1997] Romance Darma
Category
đč
FunTranscript
00:00:00You
00:00:30You
00:01:00You
00:01:30They have to be a unit
00:01:34Yo tengo un hijo de tu edad
00:01:39Espera alguien si mi tĂo Juan
00:01:42Y no te preocupes que vendrĂĄ enseguida
00:02:12Yo tengo un hijo de tu edad
00:02:42Yo tengo un hijo de tu edad
00:02:52Yo tengo un hijo de tu edad
00:03:04Yo tengo un hijo de tu edad
00:03:26Yo tengo un hijo de tu edad
00:03:48Yo tengo un hijo de tu edad
00:04:10Yo tengo un hijo de tu edad
00:04:20Yo tengo un hijo de tu edad
00:04:40Yo tengo un hijo de tu edad
00:05:00Yo tengo un hijo de tu edad
00:05:10Yo tengo un hijo de tu edad
00:05:20Yo tengo un hijo de tu edad
00:05:40Yo tengo un hijo de tu edad
00:06:00Yo tengo un hijo de tu edad
00:06:10Yo tengo un hijo de tu edad
00:06:20Yo tengo un hijo de tu edad
00:06:40Yo tengo un hijo de tu edad
00:06:50Yo tengo un hijo de tu edad
00:07:00Yo tengo un hijo de tu edad
00:07:10Yo tengo un hijo de tu edad
00:07:20Yo tengo un hijo de tu edad
00:07:30Yo tengo un hijo de tu edad
00:07:40Yo tengo un hijo de tu edad
00:07:50Yo tengo un hijo de tu edad
00:08:00Yo tengo un hijo de tu edad
00:08:10Yo tengo un hijo de tu edad
00:08:20De la huerta de Murcia te traigo una flor
00:08:30En la cual vida mĂa ha dormido de amor
00:08:38Celia, tienes un culo pa' pegarle un mordisquito
00:08:42Ya vuelve a las andadas
00:08:44ÂżQuĂ© vamos a hacerle, hija mĂa?
00:08:54Bueno, primera lecciĂłn. Manu, apunta.
00:08:58Maruja, ven.
00:08:59ÂżSĂ?
00:09:00Ven un momento. Ven, ven.
00:09:04Voy.
00:09:08No vayas.
00:09:10¿A qué no voy a ir? Déjame en paz.
00:09:12Lo mĂĄs importante es tomar bien las medidas.
00:09:16Si te equivocas, pierdes el cliente y la confianza.
00:09:22Apunta.
00:09:24Espalda, treinta y tres.
00:09:30Largo de espalda, cuarenta.
00:09:35No te dejes, marujita.
00:09:38¿Por qué no?
00:09:39No todas son como tĂș, Celia.
00:09:43Pecho, ochenta y cinco. ¥Qué hermosura!
00:09:48Anota, hijo, anota.
00:09:55Hola, papĂĄ.
00:09:56Hola.
00:09:57Hola, mamĂĄ.
00:09:58Buenos dĂas.
00:09:59Buenos dĂas.
00:10:00ÂżOs gusta?
00:10:01QuĂ© guapĂsima es.
00:10:03Qué guapa.
00:10:06Pero qué guapa.
00:10:08A ver qué le pasa.
00:10:10Hoy fue en Santica.
00:10:11Arriba.
00:10:14Pero fue en Santica.
00:10:15SĂ, pareces una princesa.
00:10:17Qué vestido mås bonito.
00:10:21Qué de colorines.
00:10:23ÂżTe gusta?
00:10:24SĂ, es muy guapĂsima.
00:10:26Qué guapa.
00:10:32Qué guapa.
00:10:37Qué guapa.
00:11:01Qué guapa.
00:11:31Qué guapa.
00:12:01Qué guapa.
00:12:06Qué guapa.
00:12:11Qué guapa.
00:12:16Qué guapa.
00:12:22Qué guapa.
00:12:29Qué guapa.
00:12:36Qué guapa.
00:12:41Qué guapa.
00:12:46Let's go!
00:13:16Let's go!
00:13:26Give it to me.
00:13:27Thank you.
00:13:29Well, you can put it here, wherever you want.
00:13:46Thank you.
00:13:48Thank you.
00:13:49Thank you.
00:14:14Manu, put on your hat.
00:14:16In these latitudes, the sun hits hard.
00:14:18Neither the sun nor death can be seen from the front.
00:14:24In the Segura valley,
00:14:27when a gueretana laughs,
00:14:32all the murcian valley
00:14:36shines with beauty.
00:14:41Very good.
00:14:46Pay attention.
00:14:47Concentrate on what I'm telling you.
00:14:49What do you see?
00:14:52Look at that light!
00:14:54What brightness!
00:14:57The reeds and the river, you see?
00:14:59They divide the whole space in two.
00:15:01But the most important thing are the colors.
00:15:07Look, Manu.
00:15:09Look at the green of the trees.
00:15:11Isn't it wonderful?
00:15:14Look, an aurora!
00:15:16It's a beautiful bird,
00:15:19although a little bad for the field.
00:15:21Remember that when we get home,
00:15:23I'll show you a painting by Breguet.
00:15:25I feel chills every time I see that painting.
00:15:28Do you know why?
00:15:32No?
00:15:33Because it has mystery.
00:15:37Mystery, Manu,
00:15:39is a gift that only the enlightened possess.
00:15:43But today we'll try to steal from nature
00:15:46some of its colors.
00:15:48Right, daughter?
00:15:49Let's do it.
00:15:52From the garden of Murcia
00:15:54I bring you a flower
00:15:58in which my life
00:16:00is a nest of love.
00:16:03How happy I'll be
00:16:07Virgin of the ancient fountain
00:16:10How happy I'll be
00:16:14Virgin of my heart
00:16:40A saint! A saint!
00:16:49Dad!
00:16:54Dad!
00:16:55Give me a kiss.
00:16:57Good morning.
00:16:59Good morning.
00:17:01Artist?
00:17:03How are you, Cherry?
00:17:04Haven't you heard?
00:17:05I'm not Cherry anymore.
00:17:07Now I'm God.
00:17:09And on Sunday,
00:17:10you've changed your profession to get better.
00:17:13I'm God.
00:17:14It's a joke. Don't be offended.
00:17:17Okay.
00:17:18Okay, okay.
00:17:21Do you have something to eat?
00:17:23Yes, man.
00:17:24Give Manu an apple.
00:17:26Give it to her.
00:17:29Come here.
00:17:38Tell me,
00:17:39what are you, an innocent girl?
00:17:42Tell me, who am I?
00:17:44And what do I know?
00:17:46You don't know who I am, girl.
00:17:49You don't know who I am.
00:17:51Is it possible?
00:17:52I'm God!
00:17:55Is it possible?
00:17:56I'm God.
00:17:59Yes, yes, yes.
00:18:00Of course.
00:18:01I'm...
00:18:02God!
00:18:05And how do you know it?
00:18:09Would it be enough for you to believe me?
00:18:12Come here.
00:18:15I can disappear whenever I want.
00:18:17Then disappear
00:18:19and leave us alone.
00:18:21Not like that.
00:18:22That's easy, isn't it?
00:18:24You have to have faith.
00:18:25With faith, yes.
00:18:27Faith moves mountains.
00:18:30Hey,
00:18:31do you want me to disappear?
00:18:33Okay.
00:18:34Okay.
00:18:35Don't you see the puddle? Get out of here.
00:18:36Wait, wait, wait.
00:18:37Okay, okay.
00:18:38I'll disappear.
00:18:47Don't disappear.
00:18:52Cherry.
00:18:55Cherry.
00:18:58Cherry, man.
00:18:59Cherry.
00:19:02Cherry, man.
00:19:04Cherry.
00:19:05Is he dead?
00:19:06Cherry!
00:19:13Where am I?
00:19:16Who are you?
00:19:17He's fine now.
00:19:20He's fine.
00:19:22Fine, fine, fine.
00:19:25I'm here again.
00:19:27Did you see how I disappeared?
00:19:29I told you.
00:19:30Of course.
00:19:31I disappear whenever I want
00:19:33because I'm God,
00:19:34the Almighty.
00:19:35But you didn't move from there.
00:19:36On top of that, incredible.
00:19:38Incredible that I'm back,
00:19:41that I'm here,
00:19:42that I left,
00:19:43that I'm back,
00:19:44and that I'm here.
00:19:47Stay with God.
00:20:06Very good.
00:20:07There.
00:20:08Mark it, mark it.
00:20:09That's it.
00:20:10There.
00:20:11Now, pass it.
00:20:14Come on, the skirt.
00:20:17Pick it up.
00:20:26Another one.
00:20:27Pick up the skirt.
00:20:34There, another one.
00:20:36Answer, Manu.
00:20:40Look how wonderful.
00:20:42Something happens in this painting that makes it unique.
00:20:45The hunters, the dogs,
00:20:48but the mystery is in this snake
00:20:50that flies over the snowy mountains.
00:20:52See?
00:20:53We remove the bird
00:20:55and it's something else.
00:20:57The mystery is lost, Manu.
00:21:00Holy Father, turn on the light.
00:21:06You'll see.
00:21:09What's in here,
00:21:12look at the green of the tunic.
00:21:15Everything in this painting has a double meaning.
00:21:18Like the mirror, for example.
00:21:20Here it is.
00:21:25And here it is.
00:21:28This is, for me, the painting of paintings.
00:21:33What a painting of mine.
00:21:35I'd give my life to paint a painting like this.
00:21:41In a person's life,
00:21:43there are few magical moments.
00:21:47Something happens that moves us.
00:21:50We feel like a tremor,
00:21:53the tremor of beauty that exists in music,
00:21:56in poetry,
00:21:58in a painting,
00:22:00sometimes in a movie,
00:22:03the great artists,
00:22:06maybe they don't know it,
00:22:08have the power to transmit the magic,
00:22:12the mystery of beauty,
00:22:14the harmony of words and things.
00:22:21Wonderful.
00:22:33I love you.
00:22:51Am I okay like this?
00:22:53Turn around a little.
00:22:57A little more, woman.
00:23:01There's nothing more beautiful than the female body.
00:23:04You have a beautiful body, Martita.
00:23:09You have to trust me.
00:23:12I'm an artist.
00:23:16Let me see your breasts, baby.
00:23:21See?
00:23:23I don't know how you can hide something so beautiful.
00:23:27Those breasts have grown,
00:23:29and have developed to be caressed.
00:23:34What beautiful things you say, Juan.
00:23:37I love you.
00:23:56What's your secret?
00:23:58Well, things about women.
00:24:00Well, then.
00:24:01And you?
00:24:02Well, I didn't know a thing about duties.
00:24:05But I have a lot of fun playing football with my friends.
00:24:09And you like football so much?
00:24:11I'm going to be a footballer.
00:24:17Who wants more?
00:24:19I want more of everything.
00:24:21Do you want me to show you?
00:24:23What?
00:24:24How was school today?
00:24:26What's wrong, Sofia?
00:24:28I don't know why we have to go to school to learn.
00:24:30You'd better be there,
00:24:31than at home watching TV all day.
00:24:34I'm going to slap you.
00:24:36I don't want to go to school.
00:24:37You do what I tell you.
00:24:38Shut up.
00:24:40Do you know the colours in English?
00:24:42Yes.
00:24:43How do you say pink?
00:24:45Pink.
00:24:46And blue?
00:24:48Blue.
00:24:49And black?
00:24:51Black.
00:24:53And...
00:24:54purple?
00:24:56I don't know.
00:24:58I'm going.
00:24:59And...
00:25:00green?
00:25:02Green.
00:25:03And...
00:25:04dog?
00:25:05Dog.
00:25:06And...
00:25:07pencil?
00:25:08I don't know.
00:25:10And...
00:25:11Is Manu coming?
00:25:16What's wrong, son?
00:25:17Nothing, aunt.
00:25:19Moon?
00:25:20What?
00:25:21Moon?
00:25:22Moonlight.
00:25:33Shhh.
00:25:56Consanta?
00:26:03Consanta, where are you?
00:26:06Consanta?
00:26:08Don't be scared, Consanta.
00:26:10This is a joke.
00:26:12Where are you?
00:26:14Consanta?
00:26:18Consanta?
00:26:20Consanta?
00:26:24Consanta?
00:26:26Consanta?
00:26:32You're stupid!
00:26:34You got scared, huh?
00:26:35Stupid, idiot!
00:26:36Don't be scared, wait.
00:26:38I'm not a genius, it's not that bad.
00:26:40So funny.
00:26:41Did I scare you?
00:26:42No, I'm not scared of that crap anymore.
00:26:45Yeah, you're scared to death, admit it.
00:26:51Manu.
00:26:52What?
00:26:53Don't get like that.
00:26:55If I see you're so impressed, I won't do it, okay?
00:26:58Don't do it again.
00:27:00No.
00:27:07Sit here, next to me.
00:27:11Sit here.
00:27:24Closer.
00:27:41This is my favorite place.
00:27:43I come here to think.
00:27:45To think?
00:27:46Don't you believe me?
00:27:48Do the test.
00:27:50Close your eyes and think.
00:28:10What do you see?
00:28:16I see my parents.
00:28:19In Madrid.
00:28:22I'm awake.
00:28:25In bed.
00:28:27Because I can't sleep.
00:28:29What else?
00:28:31Your parents broke up because they don't get along.
00:28:34So what?
00:28:35Because they broke up.
00:28:36What do they do with their lives?
00:28:38Tell Aunt Margarita that your father is a jerk.
00:28:40What's that?
00:28:41That he's a golfer.
00:28:43They argued and said things to each other.
00:28:46What did they say?
00:28:48Didn't you spy on them?
00:28:50No.
00:28:51Well, yes.
00:28:52One night, yes.
00:28:54I couldn't sleep and I got closer to their room.
00:28:57My mother said that she had reached the limit of her strength
00:29:01and that she couldn't take it anymore.
00:29:02What else?
00:29:03Do you promise you won't tell anyone?
00:29:07I promise.
00:29:10I promise, I promise, I promise.
00:29:13My mother told my father that she was sick of him.
00:29:16Don't you think it's terrible?
00:29:20I'm only sick of cockroaches.
00:29:37Come with me.
00:29:38Now I'm going to show you my secret.
00:30:07I don't see anything.
00:30:36I don't see anything.
00:30:37Shut up.
00:30:38Come with me.
00:31:07I don't see anything.
00:31:26I don't see anything.
00:31:55I don't see anything.
00:32:24I don't see anything.
00:32:48I don't see anything.
00:33:17I don't see anything.
00:33:46I don't see anything.
00:33:47I don't see anything.
00:33:48I don't see anything.
00:33:49I don't see anything.
00:33:50I don't see anything.
00:33:51I don't see anything.
00:33:52I don't see anything.
00:33:53I don't see anything.
00:33:54I don't see anything.
00:33:55I don't see anything.
00:33:56I don't see anything.
00:33:57I don't see anything.
00:33:58I don't see anything.
00:33:59I don't see anything.
00:34:00I don't see anything.
00:34:01I don't see anything.
00:34:02I don't see anything.
00:34:03I don't see anything.
00:34:04I don't see anything.
00:34:05I don't see anything.
00:34:06I don't see anything.
00:34:07I don't see anything.
00:34:08I don't see anything.
00:34:09I don't see anything.
00:34:10I don't see anything.
00:34:11I don't see anything.
00:34:12I don't see anything.
00:34:13I don't see anything.
00:34:14I don't see anything.
00:34:15I don't see anything.
00:34:16I don't see anything.
00:34:17I don't see anything.
00:34:18I don't see anything.
00:34:19I don't see anything.
00:34:20I don't see anything.
00:34:21I don't see anything.
00:34:22I don't see anything.
00:34:23I don't see anything.
00:34:24I don't see anything.
00:34:25I don't see anything.
00:34:26I don't see anything.
00:34:27I don't see anything.
00:34:28I don't see anything.
00:34:29I don't see anything.
00:34:30I don't see anything.
00:34:31I don't see anything.
00:34:32I don't see anything.
00:34:33I don't see anything.
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00:34:35I don't see anything.
00:34:36I don't see anything.
00:34:37I don't see anything.
00:34:38I don't see anything.
00:34:39I don't see anything.
00:34:40I don't see anything.
00:34:41I don't see anything.
00:34:42I don't see anything.
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00:34:44I don't see anything.
00:34:45I don't see anything.
00:34:46I don't see anything.
00:34:47I don't see anything.
00:34:48I don't see anything.
00:34:49I don't see anything.
00:34:50I don't see anything.
00:34:51I don't see anything.
00:34:52I don't see anything.
00:34:53I don't see anything.
00:34:54I don't see anything.
00:34:55I don't see anything.
00:34:56I don't see anything.
00:34:57I don't see anything.
00:34:58I don't see anything.
00:34:59I don't see anything.
00:35:00I don't see anything.
00:35:01I don't see anything.
00:35:02I don't see anything.
00:35:03I don't see anything.
00:35:04I don't see anything.
00:35:05I don't see anything.
00:35:06I don't see anything.
00:35:07I don't see anything.
00:35:08I don't see anything.
00:35:09I don't see anything.
00:35:10I don't see anything.
00:35:11I don't see anything.
00:35:12I don't see anything.
00:35:13I don't see anything.
00:35:14I don't see anything.
00:35:15I don't see anything.
00:35:16I don't see anything.
00:35:17I don't see anything.
00:35:18I don't see anything.
00:35:19I don't see anything.
00:35:20I don't see anything.
00:35:21I don't see anything.
00:35:22I don't see anything.
00:35:23I don't see anything.
00:35:24I don't see anything.
00:35:25I don't see anything.
00:35:26I don't see anything.
00:35:27I don't see anything.
00:35:28I don't see anything.
00:35:29I don't see anything.
00:35:30I don't see anything.
00:35:31I don't see anything.
00:35:32I don't see anything.
00:35:33I don't see anything.
00:35:34I don't see anything.
00:35:35I don't see anything.
00:35:36I don't see anything.
00:35:37I don't see anything.
00:35:38I don't see anything.
00:35:39I don't see anything.
00:35:40I don't see anything.
00:35:41I don't see anything.
00:35:42I don't see anything.
00:35:43I don't see anything.
00:35:44I don't see anything.
00:35:45I don't see anything.
00:35:46I don't see anything.
00:35:47I don't see anything.
00:35:48I don't see anything.
00:35:49I don't see anything.
00:35:50I don't see anything.
00:35:51I don't see anything.
00:35:52I don't see anything.
00:35:53I don't see anything.
00:35:54I don't see anything.
00:35:55I don't see anything.
00:35:56I don't see anything.
00:35:57I don't see anything.
00:35:58I don't see anything.
00:35:59I don't see anything.
00:36:00I don't see anything.
00:36:02I don't see anything.
00:36:04I don't see anything.
00:36:11Geniuses, children, do not exist.
00:36:13They are made based on hours of work and submission.
00:36:17My teacher used to tell me,
00:36:20Fernandico, you're worth a lot.
00:36:22You have talent.
00:36:23And if you wanted, you could be a figure
00:36:27in the musical scenery .
00:36:29That's what I was saying, that musical panorama, he liked it a lot, but you're missing something important, you're missing constancy, willpower, passion, wanting to be a figure above all.
00:36:43He knew me well, because what I like the most in life is to wander, that's what I'm a baroche, I like to walk the paths of life and see what life has in store for me.
00:36:59Etc, etc, etc.
00:37:02You do it very well, uncle, I like it a lot.
00:37:05Thank you, Omir.
00:37:07Thank you all.
00:37:09Thank you, dear audience.
00:37:12Oh, what would the Philharmonic be without me.
00:37:16Thank you and fuck you.
00:37:29Fernando! Fernando!
00:37:33They claim our work and the Bill Metal, son.
00:37:48The owner is calling you.
00:37:50Treat me with respect, Tony. And more so than my nephew.
00:37:56I have to talk to you. I'll see you later.
00:38:00Yes, see you later.
00:38:17The flesh is weak, beloved nephew.
00:38:21And what about you? Do you like girls?
00:38:23Well, it depends.
00:38:25Yes, of course. Well, give me some advice, son.
00:38:29Be very careful with women.
00:38:32They have wisdom and strength.
00:38:38Were you calling me?
00:38:40Man, you playing the violin and the shepherds in Bethlehem.
00:38:44As there are no things to do.
00:38:46Do you remember that you have to make the wedding cake for the Enriques?
00:38:49Ah, the Enriques.
00:38:51What a fuss of so much gallantry.
00:38:54My head, son, I had completely forgotten.
00:38:57A wedding cake with his little doll and everything.
00:39:00Thanks to that we live, do not forget it.
00:39:03Life is a great wedding cake, creature.
00:39:07Do you go, creature, for the thickness?
00:39:10I'll take the flowers of nature.
00:39:13No, I'm not very inspired, son.
00:39:14My neurons are here, between the cream and the whipped cream.
00:39:19Have you learned the Iva?
00:39:21No.
00:39:23Well, very simple, baby, always too much.
00:39:32You can not do that to me.
00:39:34You have no right.
00:39:36I do not know how it happened, but it is so.
00:39:39I've fallen in love with her.
00:39:41I do not want to hurt you, Fernando.
00:39:43I've always been honest with you.
00:39:46And I with you, Tony.
00:39:49I know you're going to suffer.
00:39:51But I prefer that you find out about me, not about other people.
00:39:54But we can keep seeing each other.
00:39:57We're going to get married.
00:40:00I'll kill myself.
00:40:02I'll kill myself.
00:40:04I can not live without you.
00:40:06Do not tell me that, that I have to kill myself.
00:40:08I can not live without you.
00:40:10I love you, Tony.
00:40:12I love you more than anything in the world.
00:40:14Do not leave me, Tony.
00:40:16Please, do not leave me.
00:40:18I love you too.
00:40:20I'll never forget what you've done for me.
00:40:22But I was wrong.
00:40:24I did not know what I wanted.
00:40:26I was trying.
00:40:28And now you know.
00:40:32I love you.
00:40:34I love you.
00:40:36I love you.
00:40:38Well, yes.
00:40:43You said you loved me.
00:40:46That you would always live with me.
00:40:54We can not control our feelings.
00:40:57They are stronger than us.
00:41:00They are stronger than all things.
00:41:04You told me, do you remember?
00:41:08I want us to be able to keep seeing each other, even if you leave with that.
00:41:12No, Fernando, I'm going to change my life.
00:41:15With Rose I have discovered that I like women.
00:41:18It had never happened to me.
00:41:21I burn my flesh when I touch her.
00:41:23I dream with her body.
00:41:25I like her voice, the look when I...
00:41:28Shut up!
00:41:33Don't humiliate me.
00:41:36It's okay, leave.
00:41:40Without resentment?
00:41:48Leave.
00:41:51I'm sorry.
00:41:57Leave.
00:42:00I'm really sorry.
00:42:05Leave.
00:42:35Leave.
00:43:05Leave.
00:43:15Aunt.
00:43:16Come in.
00:43:18Can I come in?
00:43:20Come in, come in.
00:43:23Come in at once.
00:43:28What do you want?
00:43:29Can I have some scissors?
00:43:31You know I don't like you with scissors. Why do you want them?
00:43:34I wanted to cut something.
00:43:37I think I have some in the drawer.
00:43:39In the first drawer.
00:43:41Inside the sewing machine.
00:43:56What do you think of my dress?
00:43:58Do you like it?
00:43:59Yes.
00:44:05Have you ever seen a naked woman?
00:44:07Yes.
00:44:15Do you like my body?
00:44:22Do you like my breasts?
00:44:25Look at them, they won't eat you.
00:44:29Come, come closer.
00:44:34Touch me.
00:44:45Uncle Fernando says he's going to kill himself.
00:44:49What are you saying?
00:44:51He has a gun and he says he's going to kill himself.
00:44:55Did he tell you?
00:44:57No, not me, Tony.
00:44:59Tony said he's going to marry a woman.
00:45:01And Uncle Fernando said if he does, he'll kill himself.
00:45:05That's nonsense.
00:45:07Where have you seen that?
00:45:10What do you know?
00:45:15Promise me you'll never tell anyone what you're telling me.
00:45:18Why?
00:45:20Or does someone else know?
00:45:26Will you promise me then?
00:45:31Yes.
00:46:31No.
00:47:01No.
00:47:07No.
00:47:14No.
00:47:24Oh, shit.
00:47:31Oh, shit.
00:47:54Sleep, my love.
00:47:57Sleep, my love.
00:48:00No one has ever told me...
00:48:03...how much loneliness is necessary...
00:48:06...to know what loneliness is.
00:48:10How much love is necessary...
00:48:12...to feel loved.
00:48:16And how much pain...
00:48:18...to wish I hadn't been born.
00:48:24No one wants to hurt you.
00:48:26I'll always be by your side.
00:48:30I'll always be by your side.
00:48:35Always.
00:48:38Always.
00:48:41Manu.
00:48:43Open the door.
00:48:59Come on.
00:49:05Come on.
00:49:10I don't want to.
00:49:11Come on.
00:49:12I don't want to.
00:49:29I don't want to.
00:49:51I've had a terrible day at school.
00:49:53But terrible, terrible.
00:49:55Why?
00:49:56Because I've been punished.
00:49:59I had a very strange dream.
00:50:01Do you want me to tell you?
00:50:03Yes.
00:50:05I was at a train station.
00:50:07I don't know if you've seen one of those
00:50:09that has a lot of tracks that cross
00:50:11when you're leaving the station.
00:50:13Of course I've seen it.
00:50:14Do you think that only Madrid has seen them all?
00:50:16Well, okay, okay.
00:50:18I had to go from one side to the other on the tracks.
00:50:20I had to cross the tracks.
00:50:22It was all full of train tracks.
00:50:24Suddenly, I heard the whistle of a locomotive
00:50:27and I saw a train approaching in the distance.
00:50:29I didn't know where to go
00:50:31because I was in the middle of all the tracks.
00:50:33Oh my God, what did you do?
00:50:35I stood still and closed my eyes.
00:50:37What could I do?
00:50:39If I ran, it could have been worse.
00:50:41And what happened?
00:50:42The locomotive was coming towards me.
00:50:44Towards me.
00:50:45It was getting closer and closer.
00:50:47I stood still.
00:50:48Still.
00:50:49Still.
00:50:50Still.
00:50:51Yes, and what else?
00:50:53I woke up.
00:50:55Well, okay.
00:50:58Have you seen who it was?
00:51:00That's scary, isn't it?
00:51:09Who were they?
00:51:11My cousin Loli and her boyfriend.
00:51:13I don't know.
00:51:25Don't touch it!
00:51:27It has blood.
00:51:28Don't touch it! Throw it away! It's very dangerous!
00:51:30Why?
00:51:31If you touch the needle, you'll die!
00:51:34What does it feel like if you prick yourself?
00:51:36You'll die! Throw it away!
00:51:39Have you ever had an injection in your veins?
00:51:42Does it hurt?
00:51:43A lot.
00:51:44I can't see it. I get dizzy.
00:51:50Does it hurt?
00:51:52Something terrible is happening.
00:51:54What? Where?
00:51:56I don't know.
00:51:58But something is happening in this house.
00:52:08What's going on?
00:52:13Emilio!
00:52:15Emilio!
00:52:17Your brother Fernando is dying!
00:52:20Hurry up!
00:52:22For God's sake!
00:52:24Emilio!
00:52:26What are you doing? What's going on?
00:52:27Go home!
00:52:28What did he tell you?
00:52:29Go home immediately!
00:52:30What's going on?
00:52:34Please calm down! What's going on?
00:52:37Calm down, please!
00:52:40Calm down, please!
00:52:43He's in the living room!
00:52:49Calm down, please!
00:52:57Call an ambulance!
00:53:03The hospital?
00:53:04Call an ambulance!
00:53:06Yes.
00:53:07From Dr. CebriĂĄn.
00:53:09Mr. Emilio CebriĂĄn.
00:53:11Yes.
00:53:12An ambulance to his house.
00:53:13Plaza Cardenal Belluga.
00:53:15Emilio, ask if it's a heart attack.
00:53:16Yes.
00:53:17Send it immediately. He's leaving.
00:53:19Yes, please. Urgently.
00:53:21Let's go.
00:53:22My God!
00:53:24Let's go.
00:53:26Fernando.
00:53:37Manu, where is Italy?
00:53:40Italy?
00:53:41Don't be distracted. Where is Italy?
00:53:44Italy, Italy...
00:53:46Is it possible?
00:53:47What's the capital of Italy?
00:53:48Rome. The eternal city.
00:53:50Very good. In Rome?
00:53:52Well, in the Vatican, the Holy Father lives.
00:53:56Where is Australia?
00:53:58Australia, Australia...
00:54:00I'll give you a clue. Where are the kangaroos from?
00:54:03Australia.
00:54:04That's it. Search.
00:54:05I think it's somewhere around here.
00:54:08Kangaroos? That's Africa.
00:54:09Shut up.
00:54:10Why? Can't I talk?
00:54:11No.
00:54:12Why?
00:54:13Because I say so. Do your homework.
00:54:14Well, go.
00:54:18What's going on?
00:54:19Why are you screaming like that?
00:54:21Look what I've seen!
00:54:23I'll show you.
00:54:24Manu, take the phone. It's your father.
00:54:26Shut up.
00:54:27Kill him, Lola. Kill him.
00:54:28Oh, my God.
00:54:29Where are you?
00:54:31I'm fine.
00:54:34When are you coming?
00:54:36Call from Italy.
00:54:38Italy?
00:54:45Fine.
00:54:48But when?
00:54:51It's a mess, Dad.
00:54:53Classes.
00:54:57Yes, I'm fine.
00:55:00I want you to come.
00:55:01And Mom?
00:55:04I'd like a robot.
00:55:08Margarita spies on me.
00:55:10She's a pain.
00:55:12She won't let me breathe.
00:55:16Well, no one can stand her.
00:55:19I'll be patient.
00:55:21Bye, Dad.
00:55:28How dare you?
00:55:29How can you do such a thing?
00:55:31I'll fire myself for you.
00:55:35Margarita!
00:55:39Are you deaf?
00:55:41Grandpa's calling.
00:55:44I can't talk right now.
00:55:46Come on, Grandpa's calling.
00:55:51Come on.
00:55:57What happened?
00:55:59My father's coming to pick me up.
00:56:01When?
00:56:02Right now.
00:56:10Manu!
00:56:11How are you, Dad?
00:56:13Fine.
00:56:14My precious boy.
00:56:17You're so sweet.
00:56:20Did you get the phone?
00:56:21Yes.
00:56:22Bye.
00:56:23Bye.
00:56:24Bye.
00:56:29What will I do when you leave?
00:56:31You're coming with me.
00:56:33My parents won't let me.
00:56:34Why not?
00:56:35We can't live together.
00:56:37Cousin marriage is forbidden by the Pope.
00:56:40That's nonsense.
00:56:41It's not a problem anymore.
00:56:47Did you go in there?
00:56:49No.
00:56:50It's forbidden.
00:56:51Forbidden, forbidden, forbidden.
00:56:54Are you coming?
00:56:56What if they catch us?
00:57:27What are you doing here?
00:57:29We wanted to know what was going on.
00:57:33That's good.
00:57:35Curiosity is the mother of science.
00:57:38What do you think?
00:57:40Fascinating.
00:57:44What are you doing here?
00:57:46We wanted to know what was going on.
00:57:48That's good.
00:57:50Curiosity is the mother of science.
00:57:52What do you think?
00:57:53Fascinating.
00:57:56What is this?
00:57:58That's the iris.
00:58:02Who would have thought that in such a small area,
00:58:04the health of a person is reflected.
00:58:07Of course.
00:58:09That a complicated nervous system
00:58:11draws, as if it were a map,
00:58:14each organ of the body inside the iris.
00:58:18Are you really interested?
00:58:20Yes.
00:58:22Look.
00:58:24This is the right iris,
00:58:26although it is placed here on the left.
00:58:29And here, at 12 o'clock,
00:58:31the brain is represented.
00:58:34And here, at 5 o'clock,
00:58:38are the female genitals.
00:58:43Don't you believe it, Juan Santica?
00:58:45No.
00:58:47Well, believe it, girl.
00:58:50All the good and all the bad
00:58:53is stored here.
00:58:55Almost everything we know
00:58:57goes through our eyes.
00:58:59And from there,
00:59:01we place it here, in the brain.
00:59:04But well,
00:59:06let's leave that for now.
00:59:08Manu, Fuenzata,
00:59:10go behind the camera.
00:59:12Come on, don't be afraid.
00:59:15Come on, Manu.
00:59:17And look at her.
00:59:19Let's see.
00:59:20What do you see?
00:59:21The window, and you.
00:59:23But the other way around.
00:59:25Exactly.
00:59:27That's how we see things.
00:59:29But the brain puts them on the right
00:59:31so that we don't fall off our chests.
00:59:36Still,
00:59:37some people think that a photograph
00:59:39steals your soul,
00:59:41and that the image reflected in the mirror
00:59:43diminishes you,
00:59:44because when you bend,
00:59:45you lose half of your energy.
00:59:47But the pure truth is that
00:59:49we live off appearances,
00:59:51reflections, and illusions.
00:59:53Don't you think?
00:59:55Yes.
00:59:56I see things I don't see.
00:59:58It's true.
00:59:59Fuenzata sees things she doesn't see.
01:00:01It's possible.
01:00:03There are people who have those powers.
01:00:05Well, that's what they say.
01:00:07Hey, Fuenzantica,
01:00:09I've never looked at your iris, have I?
01:00:11No.
01:00:12Well, we're going to do it right now.
01:00:14Manu,
01:00:15press that button next to the window.
01:00:19The one next to the window.
01:00:21This one?
01:00:22Yes.
01:00:23Come, sit down.
01:00:24See?
01:00:25Put your chin here.
01:00:27Relax.
01:00:29And look at that spot.
01:00:33Come closer, Manu.
01:00:36Good.
01:00:38See?
01:00:40Now we focus.
01:00:42Exactly.
01:00:47See?
01:00:50Look.
01:00:52It's so complex.
01:00:56So many secrets and mysteries in there.
01:01:01That's a child's iris.
01:01:04It's still clean and transparent.
01:01:07The colors are alive.
01:01:11Life here is in all its splendor.
01:01:15See?
01:01:17Hold on, Fuenzantica.
01:01:19Don't move.
01:01:21There's something strange here.
01:01:23What?
01:01:24Relax, don't move.
01:01:27It's like a vibration.
01:01:31And you say you see things you can't see, right?
01:01:34I also hear things.
01:01:36And what do you see now?
01:01:38I see Aunt Margarita coming.
01:01:40And Grandpa says he wants to talk to Manu about a death.
01:01:45What are you saying?
01:01:47Emilio, are the kids there?
01:01:51Yes, come in, Margarita.
01:02:02Where have you been?
01:02:04Didn't I tell you not to come in here?
01:02:07I'm going to punish you.
01:02:09If you think you can do whatever you want, you're wrong.
01:02:12Margarita, what do you want?
01:02:14Dad is getting more and more maniacal.
01:02:17Who can stand him?
01:02:19I tell him to get up and he says no.
01:02:21He wants to stay in bed forever.
01:02:23He's unbearable.
01:02:25He says he wants to talk to Antoñico.
01:02:27Well, you have to be patient.
01:02:30Let him rest.
01:02:32But Emilio, you said he has to exercise every day.
01:02:35But for one day, nothing happens.
01:02:37Anything else?
01:02:39Yes, he insists on talking to Antoñico.
01:02:41He says, I want to talk to my boy, Antoñico.
01:02:44Uncle, with whom he wants to talk about the grandfather is with Manu.
01:02:47Could be.
01:02:49She doesn't understand anything.
01:02:51She asked me for an umbrella.
01:02:53I want an orange juice.
01:02:55But how do you know that, daughter?
01:02:58Well, come on, Manu.
01:03:00Go with Fuerza Anquica and go see the grandfather.
01:03:03And be very patient with him, please.
01:03:05He's very old.
01:03:12This century is going to end very badly, son.
01:03:14This century is going to end very badly.
01:03:16This century is going to end very badly, son.
01:03:18This century is going to end very badly.
01:03:20Why is this century going to end very badly, grandfather?
01:03:28Have you heard the news?
01:03:30The Russians are going to become Christians.
01:03:33And the Americans are going to be all black and communist.
01:03:37And the Americans are going to be all black and communist.
01:03:41Millions of people have been killed for nothing, son.
01:03:45For nothing.
01:03:47All legs up.
01:03:49In the European war, 50 million people died.
01:03:54Do you realize what that is?
01:03:57How dark.
01:03:59Nobody agrees.
01:04:01And without change, there is no life.
01:04:05But change brings disaster, disorganization and chaos.
01:04:14Have you traveled a lot?
01:04:17I went to Santiago de Compostela, with the school.
01:04:20And how are you?
01:04:22Fine. Well.
01:04:24You have to travel, Antoñico, to realize what life is.
01:04:30Here we believe in the navel of the world.
01:04:33And it's not that life is better out there.
01:04:36Maybe life is worse.
01:04:38But everywhere there are birds.
01:04:42I get very heavy with my sermons, don't I, son?
01:04:45No.
01:04:47It is the inevitable inheritance of a life dedicated to teaching.
01:04:52Reach me the hair of the tongue.
01:04:55I want a glass of water.
01:04:59Do you want a glass of water?
01:05:01Of course.
01:05:03I'm a useless old man.
01:05:07But this one still works.
01:05:22Well, Antoñico, let's get down to business.
01:05:26Before that, I have to tell you something I haven't told anyone.
01:05:35Come a little closer.
01:05:40A lot has happened in this house, Antoñico.
01:05:46My name is Manuel. Don't you remember, Grandpa?
01:05:49The most important thing is what I'm going to tell you.
01:05:53We all keep a secret that we are ashamed of, son.
01:05:59I have my secret.
01:06:01Something that no one knows but me.
01:06:04And this one, yes, it exists.
01:06:08A secret that I have kept with me all my life.
01:06:13But now that I'm going to ...
01:06:16I want you to know it.
01:06:19You have been my favorite son, Antoñico.
01:06:24My lonely little bird.
01:06:28Do you know why I called you lonely little bird?
01:06:32No, the truth is not.
01:06:34Because you were always jumping from one side to the other.
01:06:38And you liked to be alone and read and be independent.
01:06:42You are just like me.
01:06:45And the secret?
01:06:47What secret?
01:06:49The secret, Grandpa.
01:06:51Ah, yes, my secret.
01:06:55I have to unload my conscience.
01:06:58You see, they were times of war, son.
01:07:03And in times of war, the order of things is broken.
01:07:07And the greatest atrocities are committed in the name of who knows what.
01:07:14They are times of revenge and cruelty.
01:07:17He came to see me dressed in black with a gun to the waist.
01:07:23He came to tell me that he had taken away his girlfriend and that he was going to kill me.
01:07:29He was a grumpy, unbearable guy and he smelled of wine.
01:07:32I was scared.
01:07:34I told him that she would have chosen me.
01:07:37And it was true.
01:07:38Because they are the ones who choose, son.
01:07:41I tried to use all possible arguments to resist his commitment.
01:07:47But he had decided to kill me.
01:07:50I don't know where he got his strength from.
01:07:53But I jumped on him like a bull.
01:07:56He took out his gun and looked into my arm.
01:07:58I still have the mark.
01:08:01And look, look what he did to me.
01:08:04A divine anger entered me.
01:08:07I hit him until he couldn't take it anymore.
01:08:10First with my hands and then with a shovel until my fingers fell apart.
01:08:15It was horrible.
01:08:17I lost control and for a very long time I was another person.
01:08:24When I came back to myself and realized what I had done, I began to tremble.
01:08:31What was I going to do?
01:08:33What could I do, sir?
01:08:35What did you do, grandfather?
01:08:36Shh!
01:08:37Who are you?
01:08:38What did you do after killing him, grandfather?
01:08:40I buried him at the foot of the stairs.
01:08:43And there he is.
01:08:45In the basement?
01:08:46In the basement, yes.
01:08:53Don't you hear a heavenly sound?
01:08:59It's uncle Fernando who comes from the hospital.
01:09:01No, no, no.
01:09:03Uncle Fernando is very bad.
01:09:05He has been paralytic forever.
01:09:08He will never be able to play the guitar again.
01:09:12It's raining in the field.
01:09:14He wants you to lower the pool a little.
01:09:29What will happen now?
01:09:32Nothing.
01:09:34He won't leave and that's it.
01:09:37I wish there was something.
01:09:40Not to die completely.
01:09:42A place where you could breathe quietly.
01:09:46If you breathe well and do not feel the pain,
01:09:50it is that you are already in heaven.
01:09:54How good it is when it is good.
01:10:05Why do you paint yourself?
01:10:07To be more beautiful.
01:10:09Do you want me to paint you?
01:10:10Well.
01:10:19Look.
01:10:21Why don't boys paint themselves?
01:10:23What do I know?
01:10:24Come on, don't ask me anything.
01:10:28Why do you paint yourself?
01:10:31Why do you paint yourself?
01:10:33What are you saying? Are you crazy?
01:10:35I don't paint myself.
01:10:37Then what were you doing on the terrace?
01:10:39Look, kid.
01:10:40Don't get involved in what they don't call you.
01:10:41I'm going to give you a beating that they won't find you, okay?
01:10:43I don't paint myself.
01:10:45I don't like that.
01:10:47Who were you with on the terrace?
01:10:50If you are so interested, I will tell you that with my boyfriend.
01:10:53He paints himself.
01:10:54We found a syringe with blood.
01:10:57Who else knows?
01:10:59Only me.
01:11:01And Juan Santa.
01:11:02The donkey in front.
01:11:04That one took everything from me.
01:11:06If you say anything, I'll kill you, I warn you.
01:11:08And tell that idiot that if she doesn't shut up,
01:11:10she's going to get a beating that she'll remember all her life.
01:11:12And you too.
01:11:13You are playing with fire.
01:11:20You are warned.
01:11:22If you say a word of that, I'll kill you.
01:11:24Is that clear?
01:11:29Yes.
01:11:31You are warned.
01:11:57Do you know where your sister is?
01:11:59With her boyfriend, I mean.
01:12:01We're going to have to do something with this kid.
01:12:03If we don't want to have a problem.
01:12:05I had to be at home.
01:12:07Leave her alone.
01:12:08In these times that we live in,
01:12:10you can't demand that she go home early.
01:12:12Even if it's just for discipline, dad,
01:12:14and to set an example to the little ones.
01:12:15You have to have some rules.
01:12:16When she's older, let her do whatever she wants.
01:12:18If she wants to leave the house, let her leave.
01:12:20Lola is too young to be out there eating.
01:12:22She's already 17 years old.
01:12:24At that age I married Emilio.
01:12:25Lola, those were other times.
01:12:27But that's not what worries me.
01:12:29It's that boyfriend that's gone.
01:12:31He's too thin.
01:12:33But you just told me to do whatever I want.
01:12:35What are we going to do, dad?
01:12:37You can't confuse lettuce with corn.
01:12:39Grandpa is right, Emilio.
01:12:41That boy is very pale.
01:12:43And he exerts a bad influence on her.
01:12:45I think that boy is on drugs.
01:12:47He's hooked.
01:12:49With heroin.
01:12:50But that's outrageous, dad.
01:12:52That boy is Jimeno's son.
01:12:53Well, he should be.
01:12:55If he was on drugs, we'd know.
01:12:57Everything is known here in Murcia.
01:12:59Whatever he does makes no sense to me.
01:13:01But, Loli, I can't just think about it.
01:13:03Emilio, you have to do something.
01:13:05I'd like you to examine this boy using any excuse.
01:13:09At least we'd get out of doubt.
01:13:11I'd be calmer.
01:13:13But we're completely crazy in this house.
01:13:15And what's wrong with you, Margarita?
01:13:17Who are you talking to?
01:13:18Nobody, Maurico.
01:13:19I'm not talking to anyone, Emilio.
01:13:20Who was I going to talk to?
01:13:21That's what I want to know.
01:13:22Who? What's wrong?
01:13:23I knew you'd guess.
01:13:24I didn't want to tell you.
01:13:25Leave the mysteries, Margarita, and tell me what's wrong.
01:13:28Since you insist, I'll tell you.
01:13:30This morning, I had a miraculous vision
01:13:32while I was in the bathroom.
01:13:34I saw a wonderful luminosity.
01:13:36It was incredible, incredible, incredible, incredible.
01:13:39Margarita?
01:13:40Yes.
01:13:41Everything was filled with light,
01:13:43and she appeared.
01:13:44She?
01:13:45Stop talking nonsense, Margarita.
01:13:47Have you taken the pill?
01:13:48Of course I've taken the pill.
01:13:49Well, excuse me.
01:13:50What I mean is that you can't walk around
01:13:52scaring people.
01:13:53But it's the truth.
01:13:54And I take the pill every day.
01:13:56This morning, I told Father Justo,
01:13:58and he told me that it was the Virgin
01:13:59who illuminated the path of glory for me.
01:14:01Right.
01:14:02Well, tell that big-headed man
01:14:04to stop meddling in our lives.
01:14:06And please, sister,
01:14:07don't you dare keep telling him about the miracles,
01:14:09because we're going to have a pilgrimage here.
01:14:12That's right, Emilio.
01:14:13Don't go around saying you have visions.
01:14:15But it's the truth.
01:14:16Well, even if it's the truth,
01:14:18either you shut up,
01:14:19or you tell me,
01:14:20and that's it.
01:14:21Of course.
01:14:22What did you see, Aunt?
01:14:23What was that glow?
01:14:24You'll see.
01:14:25It was like a luminous balloon
01:14:28coming from beyond
01:14:29and filling me with its light.
01:14:31A feeling of peace and happiness
01:14:32filled my heart.
01:14:34The balloon opened,
01:14:35and a golden light filled it all, all, all.
01:14:38And there, inside the balloon,
01:14:39was she, all golden, dazzling and beautiful.
01:14:42Good evening, everyone.
01:14:43Good evening, Grandpa.
01:14:45Good evening, daughter.
01:14:46Good evening.
01:14:47But let's see,
01:14:48you can never come at your time.
01:14:50What time is it?
01:14:51Come on, I thought it was earlier.
01:14:54Time flies, doesn't it?
01:14:55Of course.
01:14:56Tell your boyfriend to come by tomorrow.
01:14:58I want to take a look at him.
01:15:01Why?
01:15:02Because I don't like the thin and pale he is.
01:15:06You have no right
01:15:07to meddle in other people's lives, Dad.
01:15:09But, well,
01:15:10I'm going to slap you,
01:15:12no matter how much of a woman you are.
01:15:14I need to know who you're dating,
01:15:16and that guy looks like he's sick.
01:15:18And I don't want my daughter to go out with a sick man.
01:15:20So tell him to come here tomorrow.
01:15:22And if he doesn't come, I'll call his father.
01:15:24And what are you going to tell him?
01:15:25That Jaime is skinny?
01:15:26I like it that way.
01:15:27What am I going to tell him?
01:15:30That's enough, damn it!
01:15:32That's enough!
01:15:34That's enough!
01:15:35That's enough, damn it!
01:15:39I've always been a man of order,
01:15:42a lover of peace.
01:15:44I haven't said anything to him.
01:15:46Well,
01:15:48it's not that bad, Emilio.
01:15:50Come on, Emilio.
01:15:52Calm down.
01:15:53Don't be so upset.
01:15:54It's not worth it.
01:15:55Don't be scared.
01:15:56Remember poor Fernando.
01:15:58He does it from time to time,
01:15:59but he gets over it right away.
01:16:00Yes, that sudden anger.
01:16:01He's always had it.
01:16:02His eyes used to turn white
01:16:04as if he'd had a heart attack.
01:16:05That's why when he says I'm epileptic,
01:16:07he'd get better looking in the mirror.
01:16:09Don't be scared, Manu.
01:16:11Come here, young man.
01:16:13If it's the adrenaline,
01:16:14it has to come from somewhere.
01:16:16Don't worry, it always happens to me.
01:16:17It doesn't matter.
01:16:18It's his temper.
01:16:20No.
01:16:21Mine has nothing to do
01:16:23with Uncle Fernando.
01:16:25Mine is a passenger.
01:16:26Calm down, Ander.
01:16:27It happens to Dad too.
01:16:29See?
01:16:30Only evil people inherit.
01:16:31I've always been a peaceful man,
01:16:33a lover of peace.
01:16:34Unless you almost kill
01:16:35Aunt Margarita's boyfriend, Grandpa.
01:16:37That man came to the house
01:16:38dressed as a fanaticist,
01:16:40and I, who have always been
01:16:41a Republican...
01:16:42He was my boyfriend.
01:16:43He was courting me, that's for sure.
01:16:44What nonsense.
01:16:45And you're a brother
01:16:46who got yourself
01:16:47in the dead closet of fear.
01:16:48That's enough, Margarita.
01:16:49That's a fallacy.
01:16:50That's a lie.
01:16:51That's true.
01:16:52When Aunt Margarita's boyfriend came,
01:16:53Emilio and I
01:16:54got ourselves
01:16:55in the dead closet of fear.
01:16:56Well, just because...
01:16:57Federico SĂĄnchez
01:16:58was a very handsome boy,
01:16:59but he abused me
01:17:00when I was absent.
01:17:01And Dad forbade him
01:17:02from coming to see me.
01:17:03He just wanted to fuck you.
01:17:04He was very...
01:17:05Things don't escape me.
01:17:07He was very in love with me.
01:17:09He was so passionate.
01:17:11One day he came here
01:17:12to this house
01:17:13saying that
01:17:14either I was his or nobody's.
01:17:15Look at you
01:17:16for these times.
01:17:17He was pointing a gun at me
01:17:18and saying he was going to kill us all
01:17:19if he didn't take Aunt Margarita.
01:17:21And Uncle and I
01:17:22in the closet.
01:17:24Yes, he shot.
01:17:25It wasn't Grandpa who shot.
01:17:26And you don't know
01:17:27the fear I felt
01:17:28inside the closet.
01:17:29I even peed.
01:17:30What a shame.
01:17:31And he killed Grandpa
01:17:32and buried him in the basement.
01:17:33I killed him with these hands
01:17:35and buried him in the basement.
01:17:37Those are fantasies, Dad.
01:17:39Well, you didn't miss anything, Margarita.
01:17:40Because what he was
01:17:41was a son of a bitch.
01:17:42No, no, no, no.
01:17:43You have to see the story.
01:17:45I had a sparrow
01:17:47when Antonio came
01:17:48with the library in his hand
01:17:49and gave me the speaker.
01:17:50And I, with the leg of the thing,
01:17:52I told him
01:17:53that if he didn't give me the solution,
01:17:56I wasn't willing
01:17:57to the traffic of influence.
01:17:58That it was fine
01:17:59with the repulse,
01:18:00sanctions and corruption.
01:18:01Calm down, Dad.
01:18:02What a day we have.
01:18:05There's a storm, Uncle.
01:18:06Storm?
01:18:07What nonsense.
01:18:11What?
01:18:12The lightning that doesn't cease.
01:18:15The story is always written
01:18:17by the winners.
01:18:18Voz escritum.
01:18:20Requiescat in pace.
01:18:22Coma.
01:18:23Nota bene.
01:18:24Puncto y coma.
01:18:25Que el eminentissimo
01:18:26egregio cretino
01:18:28procede al lugar.
01:18:29I was following him everywhere
01:18:30touching my ass on the walls.
01:18:34Divide,
01:18:35that is,
01:18:36in the same place,
01:18:37space
01:18:38or word,
01:18:40with the shadows of the night
01:18:42they go
01:18:44forward.
01:18:46Psalm 10,
01:18:47verse 2.
01:18:48My heart is hurt.
01:18:50Psalm 102,
01:18:51verse 4.
01:18:52Puncto y aparte con besaditas.
01:18:54Las cuatro posmeridien.
01:18:55Amen.
01:18:59Well,
01:19:00nothing has happened here.
01:19:02In my poem.
01:19:03Let's take a little bit
01:19:04of Trulli's things
01:19:05and see you again.
01:19:06In my poem.
01:19:07In my poem.
01:19:08In my poem.
01:19:09Listen to my poem.
01:19:11Listen.
01:19:13Listen to my poem.
01:19:15Listen.
01:19:17My poem.
01:19:18What do you want now, dad?
01:19:20Well, I want to recite
01:19:21my last poem.
01:19:32It is a dedication
01:19:34very,
01:19:36very special.
01:19:39It's for you, Antonico.
01:19:41For me, grandpa?
01:19:44My heart is hurt
01:19:47and my days are like
01:19:49the shadows that fade away.
01:19:52The shadows of the night
01:19:54hide the child
01:19:56that I carry inside.
01:19:58I am
01:20:00like the lonely bird
01:20:02on the roof.
01:20:09I am like the lonely bird
01:20:11on the roof.
01:20:16Emilito.
01:20:18Emilito, son.
01:20:19What happened here?
01:20:21Grandpa
01:20:22is not home.
01:20:24Emilito, wake up.
01:20:26What's going on, mom?
01:20:27What's going on?
01:20:28Come on, you have to help us
01:20:29find grandpa.
01:20:30Come on, come on.
01:20:38I don't know, I've never done anything like this.
01:20:41Margarita, let's see. Have you talked to Juan?
01:20:43Yes, they don't know anything. There's no trace of Grandpa.
01:20:49Before calling the police, do any of you know where Grandpa could be?
01:20:52No, Emilio, I've already told you no. Nobody knows anything.
01:20:55I'm worried, Margarita. It's the first time this happens.
01:20:58EmilĂn, do you know where he is?
01:20:59I'm not going to let him sleep.
01:21:00EmilĂn, I'm asking you!
01:21:02Son!
01:21:03No, I don't know where he is.
01:21:04Then answer!
01:21:06He can't have gone too far. I'm going to look for him.
01:21:08Where? All over Murcia?
01:21:10No, over there. Of course, we don't do anything here.
01:21:13I know who knows.
01:21:14What do you know? Don't start with that nonsense.
01:21:16Leave him alone!
01:21:20Who knows, Nelly?
01:21:21It was in Santiago.
01:21:35SANTIAGO, SPAIN
01:22:06SANTIAGO, SPAIN
01:22:21Hi, Grandpa!
01:22:23Hi, Antonico. I was waiting for you.
01:22:27You were lost.
01:22:30What are you doing here?
01:22:32Waiting. What can I do?
01:22:35I got lost again, son.
01:22:38I forgot everything.
01:22:40I didn't know where I was or who I was.
01:22:44I didn't know which way to go.
01:22:46The whole family is looking for you in the city, Dad.
01:22:49You see? Here I am.
01:22:51Do you know why I knew you were here?
01:22:54Because I know you like trees, flowers and birds.
01:23:00I wanted to go to the sea, but I got lost.
01:23:05I want to see the sea for the last time.
01:23:07We'll take you to the sea, Dad.
01:23:14Life is beautiful when you breathe well, son.
01:23:19Come home with us right now, Dad.
01:23:22No, leave him. It's not worth it.
01:23:26I'm fine here.
01:23:30I'm an elephant, Antonico.
01:23:33An elephant?
01:23:34He says he's an elephant, and that's it.
01:23:37When elephants are old, they leave the herd and go far away to die.
01:23:45Look, while your son Emilio is alive, you'll always be with us.
01:23:51Right, Manon?
01:23:52Yes. Come on, Grandpa. Let's go home.
01:23:55It's not that.
01:23:59You're better here.
01:24:01Come on, don't make a fuss, Dad. Let's go.
01:24:04Come on.
01:24:06I wanted to go to the sea, but I got lost.
01:24:09Well, I'll take you to the sea, Dad. I promise.
01:24:13Really?
01:24:14Of course.
01:24:15A promise from a Zebrian is ...
01:24:19It's a promise, right?
01:24:20A truth like a temple, son.
01:24:22A security for the future.
01:24:24The transforming and intransigent voice of the legislator affirms.
01:24:29Holy word, celestial music, testimony, guarantee and oath.
01:24:34A vote.
01:24:37One day, my father, entangled in some old papers,
01:24:41found a text that caught his attention.
01:24:45It was a text written in Arabic from the time of Mactuzalén.
01:24:50When he was in the war in Morocco, a Moro translated it.
01:24:55In the text it was said where a treasure was buried.
01:25:00When he returned from Morocco, my father dedicated himself in body and soul
01:25:05to find the treasure of the Arabs, which, according to the text,
01:25:10was buried at the foot of an olive tree in precise coordinates.
01:25:17Everyone thought my father was out of his mind,
01:25:21and the matter was forgotten.
01:25:24But my father, after many trips and visits, found the treasure.
01:25:31It was a fabulous treasure, with hundreds of gold coins
01:25:35and jewels of incalculable value.
01:25:41He didn't tell anyone anything, he fell like a dead man.
01:25:45In case the dead could talk.
01:25:48Well, selling those coins little by little,
01:25:52here and there, he gave all his children a career.
01:25:57And he still had enough to buy a house here in Murcia
01:26:00and another in Los Rutias, in the lower sea.
01:26:05Is that true, uncle?
01:26:08Well, if Grandpa says so, it's possible.
01:26:11Possible? Possible? Why not?
01:26:15I wish the wind would carry the gold and the moro.
01:26:21Who is the gold and who is the moro?
01:26:24It is also said that of cackling and not putting the egg.
01:26:27What does it mean?
01:26:28That a lot of work, little rest,
01:26:30or that at dawn you have clear ideas.
01:26:34Have you understood anything?
01:26:36He has accelerated ideas.
01:26:37He who says he is right, words get entangled in his tongue.
01:26:41Entanglement, that's it.
01:26:43Life is a entanglement that binds us to the abysses.
01:26:47And since we talk about abysses,
01:26:49there are abysses of passion and infernal abysses.
01:27:37That's good.
01:27:40That's good.
01:28:07That's good.
01:28:27Life is beautiful.
01:28:37How beautiful the sea is.
01:28:51How good it is, how good it is.
01:29:07How good it is, how good it is.
01:29:37How good it is, how good it is.
01:30:08It is true that your bodily separation saddens you.
01:30:12To those of you who have the invaluable gift of Christian faith,
01:30:16the hope of returning to meet him at the Father's house must comfort you.
01:30:22Let us therefore lift up our prayer
01:30:24to ask the Lord to welcome our brother in his mercy
01:30:28and to grant his relatives and those who mourn his death
01:30:32the comfort of faith.
01:30:35Let us pray.
01:30:37Our Lord and Redeemer,
01:30:39who gave yourself to death so that all men may be saved
01:30:42and pass from death to life,
01:30:45look kindly on your servants
01:30:47who, afflicted by the death of the one they loved,
01:30:50come to you in trust.
01:30:53Your Lord, who is the only saint and the only infinitely merciful,
01:30:58you who with your death have opened the doors of life to the believers,
01:31:03forgive our brothers their sins
01:31:05and do not allow the Eternal King,
01:31:07who was incorporated into your Church in baptism,
01:31:11to be seen now far from you,
01:31:13but by your glorious merits grant him the place of light,
01:31:17of happiness and of peace.
01:31:19You who live and reign for centuries and centuries.
01:31:22Amen.
01:31:28Suddenly I realized that the arrival of my parents had destroyed something.
01:31:32Something happened when they arrived.
01:31:35I was different.
01:31:36I had grown up.
01:31:38My idea was wise.
01:31:39She had also changed.
01:31:41She looked at me very seriously now.
01:31:44Maybe we would never see each other again.
01:31:47I was sure of one thing.
01:31:49If my parents had not come,
01:31:51I would have lived all my life with her.
01:33:35You
01:34:05You