Part 4 of 6 of the 1983 drama serial. Lipton and Guy become the self-appointed leaders of a band at the hostel, singing Alan's songs. Stella moves in with Johnny - and his mum. A surprising newcomer turns up at the hostel.
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16:21Now, remember, he's got to be up before six in the morning.
16:25Right, Mrs Jarvis.
16:40She never used to be like this.
16:42It's me, innit?
16:46I'm two weeks late, Johnny.
16:49All on death.
17:02Two large scotches, love, with ice.
17:05Hello.
17:09Hello, my son.
17:11How did you find me?
17:13I went round a few hostels, had a word with your reverend friend.
17:16He said you might be here.
17:18Well, it's about time.
17:20You've disappeared off the face of the earth.
17:22I might have to again soon.
17:24I've got something for you.
17:26Yeah?
17:27Yeah.
17:28That geezer who planted one on you, I run into him.
17:32I heard he was out.
17:34Oh.
17:35That's why you come to see me.
17:37Well, he arrived just before Christmas.
17:40Reminisce, did you?
17:42Well, he had a brief word, yeah.
17:45He's a changed geezer, I tell you that.
17:48That colonel bloke did set him up to damage you, Dan.
17:52He says so himself.
17:54Oh, yeah?
17:59Now, here's a present for, er, Manning, wasn't it?
18:03I'm not giving that bastard money.
18:05I don't want him sniffing around.
18:07I don't want him interfering with the colonel.
18:09He won't be able to. He's out of the country at the moment.
18:11When he gets back, we want a clear field.
18:13Clear field for what?
18:15For some importing business. Get it?
18:18What kind of importing?
18:20Don't ask.
18:22Tell him there's more where that comes from if he's a good boy.
18:25He knows where to collect.
18:28Please.
18:30OK.
18:46How's the music?
18:48It's going great. We got it all worked out.
18:50Who's we?
18:52Me and my mate Guy. We're into total despair.
18:55Sounds hopeful.
18:57Oh, it's really very compassionate.
18:59No, I mean...
19:01How many in the group?
19:03At the moment, 28.
19:05Stroll on.
19:07How do you divide the takings?
19:09What takings? There ain't no takings.
19:11We're into total despair.
19:13We're into total despair.
19:15All of us.
19:17There's none of the old crap.
19:19You don't find us, we come and find you.
19:21No gigs, no records, no production.
19:23None of that.
19:25There's no sell-out to the media in any way.
19:31Do me a favour.
19:35Have another drink, Loony.
19:37Might be our last one sometime.
19:44At last.
19:46I'd got something out of a meeting with my dad.
19:48Families. They only make for misery.
19:50Stella said once she'd never seen Johnny look as bad
19:53as the time she got pregnant.
19:55Still, if he had to put someone in the club,
19:57I suppose he could have picked worse than Stella.
20:01Hello.
20:03How's your mum?
20:05Gonna be a granny.
20:07Who's the lucky lady?
20:09She is.
20:11Hi.
20:13Hello there.
20:15Well?
20:17I haven't seen you around.
20:19No.
20:21This is Brad.
20:23Hello, Brad. Pleased to meet you.
20:25Oh, you certainly look a bit different.
20:27I'm a different person, Johnny.
20:29Yeah. Well, best of luck.
20:31Oh, brilliant manners.
20:33Don't pick, Brad.
20:35It itches.
20:37I saw your photo.
20:40I saw your friend the other day.
20:42Yeah? He's in a group.
20:44You're joking? They play at the Spanner Wednesdays.
20:46Oh, well, well, well.
20:48I'll have to take a look.
20:50We don't go any more, do we, Brad?
20:52Nah. We find it derivative, don't we?
20:54Yeah, we do.
20:56Yeah, well, I'll take a look.
20:58Still with Stella? Yeah.
21:00Oh, she's a very determined lady.
21:02Mm.
21:04Have you up the hour before you can say,
21:06Mm.
21:10Sorry. No, er, miles back.
21:17Anyway, must dash.
21:19See you around, cool cat.
21:21Oh, definitely.
21:24Two teas, please.
21:26Coffee, please, Brad. Yeah, coffee.
21:29Yeah, I think I can make it about four o'clock.
21:31It's all right.
21:33Oi!
21:35What are you so cheerful about all of a sudden?
21:37Oh, you know, Mr Lerner, it'll be worse, eh?
21:39Yeah.
21:41WHISTLES
21:47When you're near the hanging marshes
21:49I know a bloke who'll break your glasses
21:51When you're near the lower spectres
21:53I know a place where you're bound to get fracked off
21:55If you're in the Central Central
21:57I've got a method of driving you mental
21:59Take a walk down the Bull's Pond Road
22:01I know a smile will break your bones
22:03We're coming to get you
22:05We're coming to get you
22:07We're coming to get you now
22:09Oi! Oi! Oi!
22:11We're coming to get you
22:13We're coming to get you
22:15We're coming to get you now
22:17You're on
22:19There goes my dose of junction
22:21If I don't do it, he'll swap the function
22:23If you come across me, you're going to want me
22:25I know it's half-nosed to see me go stopping
22:27We're coming to get you
22:29We're coming to get you
22:31We're coming to get you. We're coming to get you now.
22:36Oi, oi, oi. We're coming to get you.
22:39We're out. Oh, shit. Out. We've got somebody who can play a prop.
22:42What, him?
22:43Now.
22:45CHEERING
22:48Our next number is the same as the last number.
22:53Only louder.
22:55CHEERING
22:57Let me introduce the band.
22:59This is Alan Lipton on guitar.
23:01CHEERING
23:03This is Gloria Reeves on bass guitar.
23:05CHEERING
23:07And that's the rest of them on 2350
23:09when they can be bothered to go down to the SS.
23:12CHEERING
23:14All right.
23:15PIANO PLAYS
23:20It's hard to turn off the bleeding sound.
23:23Oi, it might get his chin.
23:25Jarvis. Lipton.
23:27There's a geezer I used to know named Jarvis.
23:29All right, nice to meet you.
23:30And I'm a girl I used to know named Stella.
23:32Yeah? Well, well, well. Indeed.
23:36Well, nice to see you both again.
23:39Shall I get you a drink?
23:41Nah, a bit busy.
23:43Yeah, well, we had an agent in tonight.
23:45He tried to get away, but we had both doors covered, know what I mean?
23:49Great stuff.
23:51Anyway, best of luck.
23:53Guitar.
23:55You what?
23:57We're getting married.
23:59But I hardly know you.
24:01Johnny and me.
24:03Oh, right. Well, best of luck and all that.
24:06I knew you'd be the first to go.
24:08Don't you approve of marriage, then?
24:10Oh, I approve of it for other people.
24:12Especially when the other people are women.
24:14Settling down, eh?
24:18I'll send you some slippers, Johnny.
24:21Come on, guy.
24:26Bastard.
24:27Oh, leave off, Stella.
24:28Well, he could have looked pleased.
24:30What?
24:32What's got you?
24:33Nothing.
24:35Oh, come on, Johnny, you don't need his approval, do you?
24:38Yeah, I do.
24:44I still do.
24:45Well, if you think I want...
24:47Oh, Stella, leave off. He was a good friend of mine, all right?
24:50I just don't feel right without his approval.
24:52Well, get used to feeling wrong.
24:56Oh, God.
24:58Men. I think they're in the bleeding world.
25:10What kept us?
25:12Traffic, Mr Mackenzie.
25:14Soon it will be spring, Jarvis.
25:18The little birds will...
25:21The little birds will be piping up in the trees.
25:24The foxes and the rabbits will be peeping out of their little holes.
25:27The flowers will be blooming.
25:29Everything around us will be changing.
25:31Do you think, Jarvis, something else will change?
25:34Will you be learning the arts of punctuality when the new season is upon us?
25:38Or will you still be flogging in ten minutes behind everyone else?
25:42I hope not, Mr Mackenzie.
25:44It would be a shame to let you go, Jarvis.
25:51Do you know what, Range? I've got it all planned.
25:54One day I'm gonna do something really incredible and really amazing.
25:57And do you know what they'll say?
25:59We should have seen it coming.
26:01Johnny Jarvis, he was a quiet one, but we pushed him too far.
26:04You'll be a married man soon, Johnny Jarvis.
26:07Can't tell no-one to piss off when you're married.
26:09No? No.
26:13I can't see it with you, Johnny.
26:15You're too nice to do anything stupid.
26:17Like what? Like run amok.
26:19Yeah, but wouldn't you like to run amok, Range?
26:21Oh, I will. I will.
26:23I will run amok.
26:25After I get me qualifications.
26:30And they'll say she can operate one of these machines.
26:33Don't give them ideas.
26:35Ruff! Ruff!
26:50All right, all right, hold it, hold it.
26:52Let's start from the top, OK?
26:54Well, I think we've compromised. Hang on.
26:56Lipton's getting worried.
26:58Well, I think we might be getting better.
27:00I think we're still rubbish.
27:02Right, so take comfort, Lipton, OK?
27:09Oi. Dave says you wanted to see me.
27:12I'm moving on.
27:14Yeah, well, give me a minute, Matt. It's all right.
27:17Five minutes, everybody.
27:27That's from my dad.
27:29He says to lay off.
27:31Lay off who?
27:33The bloke who set you up.
27:35The colonel?
27:37Maybe.
27:41Where's your mum these days, Lipton?
27:45What's my mum got to do with it?
27:47Never mind.
27:49So why's your dad mates with this bent bastard then, eh?
27:52It's none of your business.
27:54He said there's more where that come from.
27:56He said you knew where to pick it up.
27:59Yeah, I know where to pick it up.
28:02See you around, Lipton.
28:15So what was that all about, then?
28:17Business with my dad.
28:19Your dad, is he a bit of a big deal, then?
28:21I don't think Dave threatened him much.
28:23Shall we get back to it, then?
28:26Right.
28:28From the top, boys.
28:30One, two, three and a bit.
28:44MUSIC PLAYS
29:14MUSIC STOPS
29:17DOORBELL RINGS
29:28Can I come in?
29:30Sure you can.
29:32Boy, your mother crying, crying all the time.
29:38Boy!
29:40Too slow, guy, too slow!
29:42Come on!
29:44THEY LAUGH
29:54Turn around. Let me look at you.
29:58Oh, I got all your letters.
30:03Put that boy down.
30:07And now, what next?
30:11I'll get some speakers to deliver for this scum in the nick.
30:16Speakers? Nick?
30:19What's wrong with you?
30:21You just come back and you're planning to go in already?
30:24This prison uniform you like so much?
30:28No, you just hold stay.
30:31Hold stay.
30:35Woo!
30:38Can we not offer a coast to Abergavenny
30:41if people have QN to work with Kenny?
30:45Oh, no, not again.
30:52Give us a chance.
30:54We could go to a bar, sir.
30:56I'll go. You go, then.
31:00I don't even know where the register office is.
31:02Mare Street. How can we turn on?
31:04We've done some research, have we?
31:06Somebody's got to.
31:08Look, no-one's forcing you to do anything, Johnny.
31:11You still want to. You said you did.
31:13Look, I know I said, but...
31:15But what?
31:16It's just, it's different when it comes down to it, innit?
31:19Is it? Do you want to get married?
31:21Of course I do. It's just...
31:23What?
31:24Look, I don't mind being married. It's just the doing of it I don't think.
31:27I don't see the difference.
31:29Look, I will still.
31:31OK, then.
31:37Hello again.
31:52Hold it! Hold it! Hold it!
31:54Now listen to this song! Stop!
31:56Now, look, it's too bleeding fast!
31:58Now do it again from the top, you scumbag!
32:00I don't want to hear it!
32:02I don't want to hear it!
32:04Now do it again from the top, you scumbag!
32:06I don't want to hear it!
32:08He's so dominant, Dave.
32:10Isn't he?
32:11The man's fired three drummers.
32:13Yeah, well, we didn't need three drummers, did we?
32:15Now listen, Linton, everyone in this band has to audition permanently, all right?
32:18All right, let's play the one guy wrote, the one guy who wants it.
32:21OK, everyone, write!
32:23What are you doing, dog breath? Get back in on that piano, you slag!
32:26Bollocks.
32:27What?
32:30Writes as well.
32:39Right, from the top!
32:41One, two, three, four!
32:43One, two, three, four!
32:56Everybody here's got the raging crabs
32:59And everybody here takes taxicabs
33:02We don't spend money in drips or drabs
33:04And when we see what we want, then we smash and grab
33:07Cos we're the new, new ice trolls
33:10We're the new, new ice trolls
33:12We're the new, new ice trolls
33:14We're the new, new ice trolls
33:17Everybody here thinks that Britain is great
33:20And the union chat goes up yours, mate
33:23And you can have your gold back on a plate
33:26And if you can't marry, money married, Johnny's bait
33:29We're the new, new ice trolls
33:31We're the new, new ice trolls
33:33We're the new, new ice trolls
33:36We're the new, new ice trolls
33:39Hello.
33:41My name is Guy Wright.
33:43I am 19 years of age and I come from a broken home.
33:46My mum and dad was very happy,
33:48but their home was broken on account it fell off a lorry
33:51while they were shifting to a caravan site in Essex.
33:54I've long been addicted to a life of crime
33:56and although I would like to give up my wicked ways
33:59and return to a decent and productive life,
34:01the bad unemployment situation means that at this precise moment
34:04I do not see my way clear to stopping bashing old ladies on the head.
34:08So write up yours, mate, with a right bleeding banana.
34:12Everybody here must lower their jeans
34:15In order to discover what this song means
34:18I look like a spokesman for the teens
34:21But really I'm a tourist into other people's kids
34:24We're the new, new ice trolls
34:26We're the new, new ice trolls
34:29We're the new, new ice trolls
34:31We're the new, new ice trolls
34:34We're the new, new ice trolls
34:37We're the new, new ice trolls
34:39We're the new, new ice trolls
34:42We're the new, new ice trolls
34:48What do you think? Do you like it?
34:50A lot.
34:51Has that agent been yet?
34:53He's supposed to be on his way round now.
34:55We're going to make a tape. Someone saw us.
34:58It's a good song, Guy. I never said it wasn't.
35:02You all right, Dave?
35:04Yes, fine, fine.
35:05You sure?
35:07Um...
35:09I may not be here very much longer.
35:12Why? What's up?
35:13Well, there's trouble.
35:15What sort of trouble?
35:17I've been nicked.
35:19Oh, no.
35:20For what?
35:21Now, what do you think?
35:23I thought it was legal.
35:25They can make it illegal.
35:27It's a question of where you do it.
35:29Oh, Christ.
35:30The thing about it is that the tossers who run this place
35:33have heard the good news.
35:35I might be all right. I don't know.
35:38We swear in an open court you haven't touched us.
35:41Yeah.
35:42Not above the waist, anyway.
35:45Thanks.
35:47Look, the song is great.
35:49But I think you'll need somewhere new to play.
35:52I'll do what I can.
35:57Oi, Dave.
35:59Yes?
36:01No, it's nothing.
36:17Tough.
36:19What?
36:23Tough.
36:24Yeah, right, right, tough.
36:27Yeah.
36:31That's all you've got to say on the subject, right?
36:34I suppose it is.
36:36You mean a queer's a queer, right?
36:38What am I supposed to do?
36:42Care?
36:46Look, Guy, I don't make the regulations, do I?
36:57Oh, shit!
37:00Oi!
37:01Yeah!
37:02Yeah.
37:07Morning, boys.
37:08Morning.
37:27Carry on. Carry on.
37:31We are qualified carpenters.
37:33You break it, we can repair it.
37:36Oh, yeah?
37:37Who are these kids?
37:38One of them's a friend of mine.
37:40Turner, what the bloody hell are you doing here?
37:42Some work for the Reverend.
37:44Where is the Reverend's sales?
37:46Right here, my love.
37:49Boy, you may proceed with the Reverend
37:51and commence with the estimation.
37:53And what are you going to do?
37:55Remain here with the instrumentalist.
37:57Great.
38:01Oh, yeah, most definitely.
38:03Reading section. Thank you, sir.
38:14Mike Tanner, Freeline Music. You the group?
38:17We hoping. We hoping.
38:19Right, let's get on with it.
38:21Right, well, come on.
38:24Where's the amplifier?
38:26Take a seat, dear.
38:44Wish we could just go somewhere quiet and do it.
38:46Me too.
38:47I don't mean that. I mean marry him.
38:49Marry where you don't have to have a register offer.
38:51It's a ma, mum and whoever else you can drag along.
38:54Honolulu. I wouldn't mind getting married on a beach in Honolulu.
38:57God help us.
39:00How many did they lay off?
39:02Twelve. Somebody said we was on short time.
39:04They won't lay you off, Johnny.
39:06No?
39:07No.
39:08You'll be all right.
39:09When it comes down to it, you don't want to know.
39:11About what?
39:12About your responsibilities.
39:13Oh, look...
39:14You care more about that stuck-up jerk and a nit...
39:16Spill, please.
39:18Look, I still feel bad about it. Still.
39:20Is he what stops you getting off your arse
39:22and going down there and getting us sorted out, eh?
39:24Is he still coming between us?
39:26Look, I thought I'd come between you.
39:28Well, I'll tell you this, Johnny Jarvis.
39:30I don't want someone hanging about with their head in their hands all day.
39:33If you reckon you're too young to take the job,
39:35I'm not going to let you do it.
39:37I'm not going to let you do it.
39:39I'm not going to let you do it.
39:41I'm not going to let you do it.
39:43I'm not going to let you do it.
39:45I'm not going to let you do it.
39:46If you reckon you're too young to take this on,
39:48then you clear off, mate.
39:49I'll handle it, OK?
39:50I've had to do every other sodding thing in my life for myself, OK?
39:53No-one's forcing you, Johnny.
39:55If you want to get married, then go on and do it,
39:57and if you don't, then don't.
39:59I want to, but...
40:00But, but, but.
40:02I don't care whether you have to find him
40:04and crawl about a carpet in front of him begging his forgiveness.
40:07But I want this sorted.
40:08I want a date, right?
40:09And I want you to fix it.
40:11Otherwise, I'll take me and my stomach elsewhere.
40:14Think on, by the end of the month.
40:28I was like that with my first.
40:30Terrible, it was.
40:32You couldn't argue with me at all.
40:34No?
40:35No.
40:36This is number five.
40:39Well done.
40:42Oh, leave off, can't you?
40:43I know your darling boy can't do a thing wrong, but...
40:45As a matter of fact, young lady...
40:47Don't you, young lady, me.
40:48You think I'm a slag.
40:49Why don't you use the word?
40:50Slag!
40:51Oh, shut up, can't you, old bat?
40:52I'll bring in the money, don't I?
40:54I'm not!
40:55Shut your face!
40:56I'm sorry.
40:57I...
40:58I'm sorry, I'm sorry.
40:59Don't apologise!
41:00I am, I'm apologising!
41:08Sorry I'm late.
41:09The milling machine was...
41:14And I went to get something.
41:16Sorry, Mum.
41:18Look, I thought about what you said.
41:20I don't know, it's hard for me, but...
41:22Me and Lipton, that's when we was kids.
41:24We could have done anything we wanted.
41:26Well, at least that's how it felt.
41:28It stands to reason that can't last, that feeling.
41:31It's all gone, you know what I mean?
41:34Big man, family man.
41:40And I bought you a ring.
41:43And I fixed up a date.
41:45And we can invite all our friends, all our friends.
41:48And I tell you what, we'll even rope old Lipton into playing.
41:51Him and his fancy friends, yeah?
41:53And we'll be extremely glamorous for the duration.
41:59Well, go on, open it.
42:01I don't know, Johnny.
42:03You what?
42:05It might be too late.
42:09It's never too late.
42:13Don't cry, love.
42:15Open your parcel.
42:18I thought you was never going to make the girl decent.
42:23More than 100 white and coloured youths
42:25fought a pitched battle against the police.
42:27Some were as young as 12, the oldest no more than 20.
42:30It lasted for eight hours, and at the end of it,
42:33Merseyside's chief constable said it was a planned attack.
42:36We were set up, he said.
42:38The worst of the rioting came just after dawn.
42:41When police faced a hail of stones,
42:43bottles, iron bars and petrol bombs.
42:46The missiles were hurled from behind barricades
42:48of upturned and burning cars.
42:50It began in Upper Parliament Street,
42:52one of the main roads out of the city centre.
42:55And ammunition was all around,
42:57derelict sites and empty houses.
43:02We've got two weeks.
43:06I've tried to persuade them to shift someone else in,
43:09but they've been waiting to dump us for a long time.
43:12Perfect excuse.
43:14A place run by a horrible sex pervert.
43:19Bastards.
43:22Where do we go then, Dave?
43:24I don't know.
43:26Where do I go? Where do any of us go?
43:33Bed.
43:35Come on, Dave, they give at least... No way, Guy.
43:38No way. It's not easy.
43:40We've run sales.
43:42There ain't no justice in this world at all.
43:45I've got some addresses in the office.
43:47Look, you'll be all right.
43:49That agent liked you, you just need somewhere new to rehearse.
43:52I'll die if... Look, Guy, you're a very bright lad.
43:56Now just hold on to that.
43:58Yeah, well, you're not so bad yourself, Mike.
44:01No accounting for taste.
44:03See you.
44:09Look, Guy... No, just shut up, all right?!
44:12What you lot gonna do?
44:14Well, Alan does these big deals for his dad, don't you, Alan?
44:18So you'll have nothing to worry about, will you, eh?
44:21No. I don't run errands for my old man no more.
44:25That's for people who ain't grown up.
44:27The thing to do with fathers is to dump them before they dump you, all right?
44:31Oh, yeah.
44:32Look, do you get on me for a reason about my dad, Guy?
44:35Are you just out to needle me, eh?
44:37Why should I be just out to needle you, eh?
44:39Well, maybe you don't like competition.
44:41Oh, right, this is it, of course.
44:43I mean, it can't just be natural curiosity
44:45while this bloke here follows around a dad who's hardly ever there
44:48and yet he doesn't give a toss about real people who are there.
44:51Oh, no, Alan Lipton's got nothing to hide.
44:53What about you? What have you got to hide, eh?
44:55I've got nothing to hide, Alan. I was just wondering why your beautiful dad...
44:58Who's blamed it? You or Ben and your wonderful father, eh?
45:01Wonderful David O'Benham!
45:03Oi! Oi!
45:10No, look, I'm sorry, Guy, all right?
45:17Well, what are you boys planning, eh?
45:22I don't know about this lot, but I think I'm going home to mother.
45:28Look, I'm not into fame and fortune, Guy.
45:31There it is. I'm sorry.
45:42Nothing to worry about. He'll be back.
45:46He'll be begging us for employment when we reach the charts.
45:49They love each other, really. I can see that, boy.
45:56What is the Reverend Sayles I worried about?
46:02They put the flags out when I got back.
46:05Not for me, you understand.
46:07But at least the barracks I grew up in looked a bit more cheerful than usual.
46:13I felt quite glad to be back.
46:16Really?
46:23Johnny Jarvis, as I live and breathe.
46:26What's your lipton?
46:28You all right?
46:30Yeah, can't complain.
46:32Look...
46:33What?
46:41Look, I just...
46:42That's all right. Enough said.
46:45I want you to play.
46:46Where's that, then?
46:47My wedding.
46:50They've done you proud, eh?
46:53Well, congratulations, anyway.
46:55Not what you said last time.
46:57Well, I've matured.
46:59But I'm afraid I've left the group, or it left me.
47:03Come to see your mum, have you?
47:05That's it.
47:07Well, drop in afterwards. We're all in there.
47:09Stella'd like to see her.
47:11I'd like that.
47:14It's good to see you again, Alan.
47:16It's good to see you.
47:18Still at the factory?
47:20Yeah.
47:22Boring.
47:25Maybe.
47:28I don't know.
47:30Looks good, does all that music, but...
47:32But what?
47:34You can't beat ordinary people, Johnny.
47:37Anyway, I've got to dash.
47:46Got a rolling pin, has she?
47:48Yeah, an electric one.
47:54Come on.
48:25Ah!
48:27For Christ's sake, what's going on?
48:29What's Jake think he's doing writing to the little bastard in the first place?
48:32What's he doing here?
48:33Alan, I can't...
48:34What's he doing here?
48:35I can't say, Alan. I...
48:38Trap shot you.
48:41Ow!
48:44Listen to me, sunshine.
48:46This is the last time you come round here asking for anything.
48:48Look, all I wanted was...
48:49All you wanted was nothing.
48:51You never had any rights to anything.
48:53And if you ever did have any rights, nobody knows anything about them.
48:56You see, you're like a lot of children today.
48:58You are extremely greedy, aren't you?
49:00Yeah, well, who went down for it, eh?
49:02You did.
49:03Yeah, but it wasn't my fault.
49:05It was your fault.
49:07Yeah, well, who went down for it, eh?
49:08You did.
49:09Yeah, but it wasn't my idea, was it?
49:11For what?
49:12Alan.
49:13For giving it to Jake Lipton, of course.
49:15We said frighten him, you little jerk.
49:17We didn't say carve slices of him.
49:19Now, you listen to me.
49:20When I'm finished with you,
49:22I'm going to leave you outside the hospital.
49:24And then I never, ever want to see you again.
49:29Ow!
49:31Ow!
49:32Ow!
49:35Ow!
49:36Ow!
49:37Ow!
49:38Ow!
49:39Ow!
49:40Ow!
49:41Ow!
49:42Ow!
49:43Ow!
49:44Ow!
49:45More bread, Mrs Jarvis?
49:47Don't keep calling me Mrs Jarvis.
49:50Oh!
49:51What was that?
49:53Oh!
50:07Shouldn't you be at work, Johnny?
50:10Nah, college.
50:12Laver's all right.
50:13I'll just tell him, Stella.
50:15Couldn't carry the shopping.
50:17Oh, get down your sod.
50:20Look, now, the moment it starts, you tell me, right?
50:22The minute it starts,
50:23then I'll shoot off and find a phone box, right?
50:25You are in a state, aren't you?
50:27I am not in a state.
50:29Loved his money, now.
50:31Those phone boxes never work, anyway.
50:34Well, I'll go and see if I can find an ambulance or something.
50:38Just passing sort of thing.
50:40Yeah.
50:41Like a taxi.
50:42Right.
50:43Save us all.
50:45I'll sod this for a lark.
50:47Oh!
50:48Hello, hello, hello.
50:50Stella, not here, please.
50:52Hello.
50:53Stella.
50:54Here it comes.
50:55Stella.
50:56Mind your back.
50:58Oh, God.
51:00Look, I'm sorry.
51:02Oh, God.
51:03Look, I'm going to pop back to the shops for a minute, all right?
51:10Wish he had more friends.
51:13What happened to that lad from upstairs?
51:16Lipton.
51:17Turned very funny, did Lipton.
51:19We don't see him.
51:21Has he gone away or what?
51:23I saw him once on the stairs.
51:25He just ran past me.
51:26He's still up there, then?
51:28I suppose so.
51:29Him and his mum.
51:31Peculiar.
51:48Hello.
51:57You started smoking, then?
51:59Yeah.
52:01You all right? I haven't seen you around.
52:03I'm fine.
52:04I'm fine.
52:05Done any new songs?
52:07Yeah.
52:08Guy's mother doing them.
52:10And a burn-up dealer doing one.
52:12Oh, yeah? What's it about?
52:13Why do you ask?
52:14Just interested.
52:16Corruption.
52:17Stoned, eh?
52:19It's funny, Johnny, I never thought about it.
52:22About what?
52:24Where we are, walking along, we don't bother no-one.
52:27You what?
52:28But while we're jogging on, there are these bastards fixing things.
52:32What are you on about?
52:39Them, for a start.
52:41What, are you in trouble or something?
52:43No, no, no.
52:45OK.
52:53What do you want?
52:54Why, I just had a baby.
52:56Yeah?
52:57Took a couple of days off, got a little girl.
53:00No-one told you, then?
53:01Tell me what?
53:03This place was a knackers. Went bust two days ago.
53:06What?
53:08You got your cards, mate.
53:10Oh, congratulations.
53:12Yeah.
53:13Why?
53:15Don't ask me why, mate. I'm buggered if I know.
53:27Come on.
53:57Come on.
54:27Come on.
54:28Come on.
54:29Come on.
54:30Come on.
54:31Come on.
54:32Come on.
54:33Come on.
54:34Come on.
54:35Come on.
54:36Come on.
54:37Come on.
54:38Come on.
54:39Come on.
54:40Come on.
54:41Come on.
54:42Come on.
54:43Come on.
54:44Come on.
54:45Come on.
54:46Come on.
54:47Come on.
54:48Come on.
54:49Come on.
54:50Come on.
54:51Come on.
54:52Come on.
54:53Come on.
54:54Come on.
54:55Come on.
54:56Come on.
54:57Come on.
54:58Come on.
54:59Come on.
55:00Come on.
55:01Come on.
55:02Come on.
55:03Come on.
55:04Come on.
55:05Come on.
55:06Come on.
55:07Come on.
55:08Come on.
55:09Come on.
55:10Come on.
55:11Come on.
55:12Come on.
55:13Come on.
55:14Come on.
55:15Come on.
55:16Come on.
55:17Come on.
55:18Come on.
55:19Come on.
55:20Come on.
55:21Come on.
55:22Come on.
55:23Come on.
55:24Come on.
55:25Come on.
55:26Come on.
55:27Come on.
55:28Come on.
55:29Come on.
55:30Come on.
55:31Come on.
55:32Come on.
55:33Come on.
55:34Come on.
55:35Come on.
55:36Come on.
55:37Come on.
55:38Come on.
55:39Come on.
55:40Come on.
55:41Come on.
55:42Come on.
55:43Come on.
55:44Come on.
55:45Come on.
55:46Come on.
55:47Come on.
55:48Come on.
55:49Come on.
55:50Come on.
55:51Come on.
55:52Come on.
55:53Come on.