Drops Of Blood (Mill Of The Stone Women) | Full Movie | Giorgio Ferroni | Dany Carrel, Pierre Brice, Scilla Gabel, Wolfgang Preiss - video Dailymotion

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DROPS OF BLOOD (MILL OF THE STONE WOMEN)  | Horror, Sci-Fi | 1960 |   Original title: Il mulino delle donne di pietra   Plot:  In 19th century Holland, a professor of fine arts and an unlicensed surgeon run a secret lab where the professor's ill daughter receives blood-transfusions from kidnapped female victims who posthumously become macabre art.   Crew:   • Directed by: Giorgio Ferroni  • Written by: Pieter van Weigen  • Starring: Dany Carrel, Pierre Brice, Scilla Gabel, Wolfgang Preiss  • Produced by: Giampaolo Bigazzi  • Music by: Carlo Innocenzi  • Cinematography: Pier Ludovico Pavoni  • Edited by: Antonietta Zita   About TRENDEST MOVIES - ENGLISH:   Welcome to TRENDEST MOVIES - ENGLISH, your ultimate destination for an expansive collection of movies across all genres. From timeless classics to modern-day blockbusters, we bring you the best of cinema. Dive into our vast library, where you’ll find everything from thrilling action movies to heartwarming dramas, iconic comedies, and unforgettable sci-fi adventures. Stay tuned as we continue to expand our collection, offering something for every movie lover.   Subscribe now: www.youtube.com/@TRENDEST_MOVIES_ENGLISH   #TrendestMovies #EnglishCinema #ClassicHits    Follow Trendest Media:   • YouTube:  1) TRENDEST INFOTAINMENT: www.youtube.com/@TRENDEST_INFOTAINMENT  2) TRENDEST KIDS: www.youtube.com/@TRENDEST_KIDS   • Instagram:  TRENDEST INFOTAINMENT: https://www.instagram.com/trendestinfotainment/   • Facebook:  TRENDEST INFOTAINMENT: https://www.facebook.com/TrendestInfotainment/    COPYRIGHT   We hold the proper licenses for all movies published on YouTube. For any questions, please contact: mail@trendest.in   AYA Media Private Limited & TRENDEST Media Private Limited are companies registered under the laws of India and located in the state of Kerala, India.

Transcript

00:00:00You

00:00:30On

00:00:40The other side of the canal at the mill of the stone women, that's that that's what we call it the windmill of the stone women

00:00:51Is that it no, it's further on beyond the cemetery of Vasey

00:01:00I

00:01:30I

00:01:46Who's there by Narnum hunts by Narnum

00:01:53What do you want here I have an appointment here with professor of our good

00:02:00I

00:02:08Come in wait here if you please

00:02:30I

00:03:01Oh

00:03:05If you please sir, the professor said you ought to wait for him in the studio, yes, but I you will come this way

00:03:17Through this door

00:03:30I

00:04:00I

00:04:30I

00:04:32I

00:04:58Stop it Conrad

00:05:02Never abruptly you understand

00:05:13I'm spun on him. Yes, sir. Professor Gregorius ball

00:05:19Why didn't you send me word in advance I would have advised you right away not to bother leaving Rotterdam

00:05:24It was professor Karan who sent me here. I'm only his assistant. He told me you had been informed of my arrival

00:05:29He should have waited for me to confirm it. Why does it have to be so urgent?

00:05:32We are very close to the deadline professor Karan agreed upon with the editor

00:05:35The monograph about your carousel should come out in time for the centennial

00:05:41I'd forgotten all about that connection. That's so

00:05:44This coming February. It will be exactly 100 years since my great-grandfather first opened the carousel to the public

00:05:49Just as it is today and you when do you want to begin?

00:05:53Tomorrow if I may professor Karan has given me just 10 days. Ah, no now that you're already here

00:05:58You'd better begin right away. I don't have much time that I can spare you. You'll have to work very quickly

00:06:04If you'll follow me, please

00:06:08Conrad adjust the brake. It's dangerous the way it is. Yes, sir. Professor. I'm just doing it now

00:06:15Please be very careful. This part of the loft is full of obstructions. It houses the gears and cogwheels

00:06:20Are they still the original statues? Most of them are yes some of them. I've had to duplicate myself

00:06:25You saw an example in my studio. It was certainly very striking and you do the finishing too

00:06:31I must do everything by myself this way, please

00:06:38Here you are

00:06:40You can do your work in here. It's a very peaceful little nook

00:06:45You see I've already made a preliminary selection of the more interesting and curious documents concerning the history of the carousel

00:06:56If you want them they're here for your perusal could I take them home with me? No, I

00:07:05Prefer you not to

00:07:07I'll have the pleasure of being at your disposal while you are working and I would like everything that is written to be accurate and

00:07:13Precise I shall take a few days off for my duties at the Academy. Oh, it's late already

00:07:18I have a lesson to give you have only three hours to work in the last two parts at seven o'clock

00:07:23Don't miss it, please. Don't worry about me. Ah, I nearly forgot. You must keep in mind that everything will have to be finished within

00:07:31Five or six days at the most have a pleasant time Hans

00:07:54Selma

00:07:56Selma

00:08:00How is she she's resting peacefully good

00:08:24You

00:08:37Hey Annie Laurie Annie Laurie Annie Laurie

00:08:53Why do you have to bother her too, I haven't been able to get a clean-lined on all day

00:08:58You're nervous. My dear is a lot there. You're in such a temper whenever you expect Hans

00:09:03What a clown you are wrong

00:09:11Today you've obviously let your mind go of wool gathering

00:09:14What can be the matter? Oh nothing. I guess I'm just a bit distracted

00:09:19Excuse me professor. Did a mr. Van Arnum come around to call on you today? Yes. Why do you know him, too?

00:09:25We've been friends since we were children. Oh

00:09:28I'm glad to hear it that young fellow seemed to be very serious. I believe he's going to do an excellent job

00:09:36Students

00:09:38The life class is over and I want to tell you that on Tuesday

00:09:41I shall not be at the Academy and we will meet on the following Friday in the sculptor class. Good afternoon

00:09:49Oh

00:09:51Poor old days on holiday. Oh, how wonderful. What are you planning to do to go to Dodson with Hans?

00:09:56It's our hometown

00:09:58Can't be DM left a pluck the occasion because if you don't get hold of Hans now the next time you see him

00:10:02He'll have white hair. That's what I hope to do, but it would be a miracle

00:10:08We're the last ones here Hans is waiting outside he might go away come on shame

00:10:19I

00:10:21I

00:10:46Excuse me, sir

00:10:48Yeah, can you give me a light for my cigar if you please I think I have one I

00:11:00Requested a light for my cigar. Oh, forgive me. I'm sorry

00:11:10Very kind of you. Mr.

00:11:12Fun island hunts for nine Boland dr. Boland

00:11:22Good evening, mr. Van Arnhem. Good evening. Excuse me, please

00:11:42It's all good

00:12:12I

00:12:42Mean we won't see each other anymore

00:12:44No, but I'll drop your postcard every now and then goodbye right down in

00:12:49The best of luck to you Annie Laurie

00:13:12What are you doing here just standing you watching the show without pay who won a little goose you are I

00:13:18Went by your house for you, and you weren't there was beginning to worry. It's not a habit of yours to worry about me

00:13:24Oh, all right. I know I'm late, but you have to thank your old professor made me start working right away

00:13:28It was he who made me late

00:13:30All right. Are you satisfied now?

00:13:32Yes, I'm satisfied. Thank you very much. Thank you very much. You're welcome. I'll see you in a little while

00:13:43No, then there's only one remedy have dinner with me, but you're up now come on

00:13:47Oh

00:14:12Finally you two have the kindness to come and share my solitude with you

00:14:15How are you

00:14:18Instead of being a student I would have done better if I'd learned to be a dancer and you we've missed you

00:14:23What have you been up to all this time? Oh bowling a few games with Professor valve your order, please

00:14:45I'm Elfie

00:14:50Hunt hunts for Narnia. Won't you sit down a while if you like?

00:14:58No, I mustn't time I

00:15:01Mustn't stay now

00:15:03There are always people who are spying eyes that are watching

00:15:07I've no explanation to give you. Oh, but I have to see you. Absolutely. I must this evening

00:15:13This evening, but where

00:15:16Yeah in the windmill

00:15:20But that seems imprudent someone might see us together

00:15:24Is it so urgent? Yes, I beg you at 11 o'clock. Everyone will be asleep. Nobody will discover anything

00:15:34Take this key

00:15:36It opens the door to the windmill. I

00:15:38Implore you you must come here. I'll be waiting

00:16:08I

00:16:35Feel tired now

00:16:39I want to get some rest. I'll see you to your room if you'll permit me

00:16:45Good night, dear Papa. Good night my child. I

00:16:51Must compliment you Elfie you played that excellently. I've never heard you play that way before with so much passion. I

00:16:59Wasn't playing it for you. I was aware of that

00:17:02But don't forget that I am the only person in the whole world who knows everything about you

00:17:07I'm the only person you have a right to love

00:17:09pity

00:17:32You

00:18:02You

00:18:04You

00:18:32Yes

00:18:35Elfie

00:18:45You gave me a fright just then didn't you hear me knock sleeping huh, excuse me if I've awakened you but

00:18:55Today you said it was urgent for you to speak to me

00:18:58Then I saw you lying here like this

00:19:00So strange so still I was dreaming

00:19:07I was dreaming that you were on your way to me from far off

00:19:11And I was still waiting for you. I expected you to be I don't know

00:19:18someone dear to me

00:19:21And finally there you were

00:19:24Moving closer and all I wanted to do was go on dreaming. I wanted to see you

00:19:31The dream to continue I never wanted to end now, huh?

00:19:38That was a dangerous dream you had

00:19:41You never know how it might end why do you want it to

00:19:47Don't I please you

00:19:52You do please me Elfie

00:19:55but afterwards

00:19:57Afterwards doesn't matter. I'm here and I want you. I'm here for you. Don't you see take me in your arms?

00:20:27So

00:20:57Hmm

00:21:05There are some friends of yours waiting downstairs at the entrance of the carousel

00:21:08Oh, don't know the young gentleman and the young lady. I'm coming

00:21:27You

00:21:40You won't mind if I show more interest in the statuary

00:21:58How many years have we known each other love I don't know it seems forever

00:22:05And have you always loved me

00:22:08Yes

00:22:10And you

00:22:12Well, I I didn't know I was in love with you

00:22:17I only realized that recently

00:22:22Because only recently I realized what love means

00:22:28I

00:22:30Don't know what it means

00:22:33I

00:22:36Don't know what it means

00:22:39I

00:22:42Don't know what it means

00:22:46You are now

00:22:54But I don't believe I'm worthy of you why not

00:22:57everything

00:22:59Oh, yes

00:23:02I love you

00:24:27There's the poisoner of Poitiers.

00:24:57Stop it! Stop it!

00:24:59Quick, quick! Call a doctor. She's frightened.

00:25:01Look how pale she is. What's happened here?

00:25:03A young lady. She seems profaned.

00:25:06Quick, quick. Come on.

00:25:13Oh, my dear Miss Lisa Lotta. What's the matter with you?

00:25:16What happened to her?

00:25:18I really don't know. I can't understand.

00:25:20Oh, just a moment.

00:25:22I ought to have something here for her.

00:25:24Oh, yes. Here you are. Let her sniff these smelling salts.

00:25:27It's nothing serious.

00:25:29It's only a minor fainting fit. She'll recover in no time.

00:25:32It's a common occurrence here.

00:25:36How are you feeling, Lotta?

00:25:39Oh, better, thank you.

00:25:41Please, Hans, let's not stay here any longer.

00:25:43It would be better if you took her outside.

00:25:45Oh, wait a minute, if you please.

00:25:47Just one moment. What have you done here?

00:25:51You must have stuck yourself with the point of one of your hat pins.

00:25:54There's nothing to worry about. It's no more than a tiny scratch.

00:25:58There. Come, my dear. Just lean on me.

00:26:00That's the girl.

00:26:02Do forgive me. I'm really embarrassed at having made such a disturbance.

00:26:05Oh, not at all. Think nothing of it, my dear young lady.

00:26:08Just concentrate on staying well.

00:26:10I want to see you there at our regular sculpture lesson on Friday morning.

00:26:16If you please, Hans.

00:26:18Before you go up to your own study, would you drop in on me?

00:26:21Of course, Professor.

00:26:32Excuse me, you two, if I don't come along with you, but I have to return to my work.

00:26:36Now I'm in a hurry to finish it up.

00:26:38We have to take the trip to Dartson, don't we?

00:26:40Yes.

00:26:44So long, Rob. And thanks for everything.

00:26:46So long.

00:26:48My compliments to you. He's in your clutches again, huh?

00:26:51Of course he is.

00:26:56May I come in?

00:26:58Ah, please come in.

00:27:05Listen carefully.

00:27:07You will probably think it strange that I've interrupted your work...

00:27:10to discuss a subject that would seem to belong more appropriately...

00:27:13in the circle of my own immediate family.

00:27:16But you will soon understand why I do so.

00:27:19I have...

00:27:21a young and only daughter.

00:27:23Alfie.

00:27:26Almost an invalid.

00:27:29With the same malady that proved fatal to her mother.

00:27:33Science can do nothing to cure her.

00:27:36All we can do is try to keep her alive.

00:27:39And that is why Dr. Bolam lives here.

00:27:42He's always ready to act.

00:27:44To detect the slightest symptom.

00:27:46To take the necessary measures.

00:27:48All as a precaution against her reaching a crisis.

00:27:51And does she realize how ill she is?

00:27:54Unfortunately, she doesn't want to accept the fact.

00:27:57She doesn't see why she can't lead a normal life like other girls.

00:28:01The slightest emotional upset, the slightest disturbance of any kind...

00:28:05must absolutely be avoided.

00:28:07Her life depends on it.

00:28:09You seem a worthy young man.

00:28:12And I hope by now you understand why I wish to speak frankly of my daughter.

00:28:17It's an entreaty.

00:28:19And also...

00:28:21a final warning.

00:28:23One crisis will cause her death.

00:28:26You can count on me.

00:28:28I was sure I could.

00:28:30Hans.

00:28:32Please.

00:28:36I mustn't delay you.

00:28:38I mustn't delay you.

00:29:09I was expecting you, Hans.

00:29:11I felt that something would bring you back to me.

00:29:13Are you sure it wasn't the note you wrote me, Elfie?

00:29:16Forgive me. I was desperate.

00:29:19I don't know. I felt something like a presentiment that you never wanted to see me again.

00:29:24That you didn't ever want to come back to me.

00:29:26I should have delivered your letter straight to your father.

00:29:29But it seemed an ungrateful thing to do to you.

00:29:32And anyone who's entrusted me with a confidence, even if I have abused it.

00:29:37You repudiate me and my love for you because of absurd scruples like these?

00:29:42Not just because of that. We both have made a great mistake, Elfie.

00:29:45It was madness on our part and we mustn't do the same again.

00:29:49But I'm in love with you, Hans.

00:29:51I love no one but you, can't you see?

00:29:54Oh.

00:29:56Even if there were others before...

00:29:59who were able to take advantage of my solitude here...

00:30:02and also of my inexperience.

00:30:05But perhaps that's why you cannot forgive me.

00:30:09Is that what's taking you away from me?

00:30:14It's unfair of you.

00:30:16If you knew what a horrible life I have to lead.

00:30:20Lonely.

00:30:22Shut inside these walls all the time.

00:30:24I understand you, Elfie, and I have no right to reprove you for anything.

00:30:30But I cannot deceive you. I'm just not capable of it.

00:30:33I don't love you, Elfie.

00:30:36And what does that matter?

00:30:38As long as you let me love you.

00:30:40As long as I can always be at your side.

00:30:43Please take me away from here.

00:30:46Far away from here.

00:30:48I would go with you wherever you like.

00:30:50I beg you not to talk this way.

00:30:53You know how impossible it is.

00:30:55You must remain here.

00:30:57We leave each other now.

00:30:59Break off right away. Get everything.

00:31:01Hans.

00:31:03You can't keep it from me now.

00:31:05You're in love with that girl, aren't you?

00:31:07Yes, I know you are. I saw you.

00:31:09But no one on earth will ever take you away from me.

00:31:12I wouldn't even stop at killing you.

00:31:14Stop it, Elfie. Stop this play acting.

00:31:16You're insane, unbalanced.

00:31:18Yes. Yes.

00:31:21It's because I want you to be my own.

00:31:24My own.

00:31:32Elfie.

00:31:34Elfie.

00:31:36Elfie.

00:31:38Elfie.

00:32:01Elfie.

00:32:31Elfie.

00:32:34Elfie.

00:32:36Elfie.

00:33:01Elfie.

00:33:19She's dead.

00:33:31She's dead.

00:34:01She's dead.

00:34:31She's dead.

00:34:33She's dead.

00:35:01She's dead.

00:35:28Good morning, Mr. Hans.

00:35:30Excuse me for not answering the door sooner.

00:35:32I was doing my morning chores.

00:35:35What is it you wish?

00:35:39What is it that you wish?

00:35:42I wish to speak at once with Professor Wald.

00:35:44It's extremely urgent.

00:35:46Well, to tell you the truth, he hasn't rung for me yet.

00:35:49I realize it's not the right moment,

00:35:51but it's absolutely necessary for me to see him.

00:35:54I'm very sorry, sir,

00:35:56but I can't disturb him when it's not even seven yet.

00:35:59He should ring the bell for me before very long,

00:36:01if you'd like to wait a little while.

00:36:29Good morning, Mr. Hans.

00:36:59Good morning, Mr. Hans.

00:37:29What is it?

00:37:31What do you want?

00:37:33I didn't realize you were already in here.

00:37:35I was only going to dust and straighten up the room.

00:37:37Just a minute. Selma.

00:37:39What is it, sir?

00:37:40Come in.

00:37:45Can you tell me if there's been anybody else in this room since yesterday evening?

00:37:48Nobody comes in here ever.

00:37:54And this rose, did you put it here?

00:37:57I don't have time to gather flowers, sir, I assure you.

00:38:01May I come in?

00:38:05Selma, outside.

00:38:07Yes, doctor.

00:38:12Professor Wald would like to have a word with you.

00:38:18Yes, I'm coming.

00:38:24But what's the matter?

00:38:26Are you ill?

00:38:29No, it's nothing.

00:38:31You don't look as though you're feeling very well.

00:38:34You must have a fever.

00:38:38You've hurt yourself here.

00:38:40Leave me alone. It's nothing, I tell you, doctor.

00:38:43You shouldn't speak to him in this condition,

00:38:45whatever the reason for it may be,

00:38:47which must be very serious, judging from your appearance.

00:38:50Please excuse me. I'm so terribly upset.

00:38:53I understand.

00:38:55Let me just see now.

00:38:58What do I have here to give you?

00:39:00Oh, of course, I'll give you a sedative.

00:39:03It will put you back in shape.

00:39:05Here you are.

00:39:14Two of these tablets will soon calm your nervousness.

00:39:19There, drink it down.

00:39:25Now I'm sure you'll be feeling better.

00:39:29You murderer! You're nothing but a coward and a murderer!

00:39:32No.

00:39:34You have to believe me.

00:39:38That's the reason I'm here.

00:39:42I simply had to speak to you,

00:39:44to confess the whole truth to you.

00:39:47Mere words, miserable excuses.

00:39:50You've taken criminal advantage of my hospitality,

00:39:53which should have been held sacred by you.

00:39:55I opened my heart to you as a father.

00:39:59I made you see how terrible the illness was

00:40:01that threatened the life of my Alfie,

00:40:03and you are responsible for her death.

00:40:05This alone is the truth of the matter.

00:40:07You murdered her. You murdered her!

00:40:09No! It's the truth, the truth, I tell you!

00:40:12I don't want to hear about it, deliberately or by chance.

00:40:16Now no one can give my daughter back to me again.

00:40:20Alfie is dead now.

00:40:24Alfie is lying in her grave.

00:40:27She's resting in peace.

00:40:30No one shall be permitted to besmirch her dear memory.

00:40:36No one must ever know of any of this.

00:40:40No one, I said!

00:40:42Alfie is in her tomb,

00:40:45in the cemetery of Béziers.

00:40:48Let her slumber peacefully in her eternal repose.

00:40:53In peace.

00:40:55In peace.

00:40:57In peace.

00:41:23What is it?

00:41:26You are very ill.

00:41:28Extremely ill.

00:41:37Ah.

00:41:39I see.

00:41:41I see.

00:41:43I see.

00:41:45I see.

00:41:47I see.

00:41:49I see.

00:41:51I see.

00:41:54I thought it was a bloodstain. Here.

00:41:59A bloodstain?

00:42:01From what?

00:42:08From what?

00:42:10Why should you have bled?

00:42:23A

00:43:23Help me!

00:43:26Help me!

00:43:28Help me!

00:44:23Althea is dead now, Althea is buried in the cemetery of Bethlehem, she is resting in peace

00:44:42in her tomb, in her tomb.

00:44:53Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea

00:45:23Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Al

00:45:53thea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Althea, Al

00:46:23the

00:46:40It's just not possible

00:46:53You

00:47:24Oh

00:47:39Open up

00:47:42Open up this door

00:47:45What are you doing here at this time of the night

00:47:49What are you up to? I want to know what's going on in this house. Where's professor? Well, I must speak to him right now

00:47:53Yourself young man. What's the matter with you?

00:47:56Who's that girl in there a girl? You don't lie. I saw her in there tied to a chair in there young man

00:48:03You're quite mistaken. However

00:48:10There see for yourself if it will set your mind at rest

00:48:24Where is professor Val I want to talk to him, where is he but you must be insane try to calm down now

00:48:30Get out of my way

00:48:32Professor Val

00:48:44Professor

00:48:54Open the door open the door

00:48:56Who's there?

00:48:59Professor Val professor Val get hold of yourself Conrad

00:49:04Let him alone

00:49:07What's the matter with you professor I have to talk to you some more light

00:49:12At this hour of the night, that's one o'clock. I've already tried to reason with him, but he's apparently lost all control of himself

00:49:18Yes, you're right. But with the impossible things going on you owe me an explanation on him. I

00:49:23Trust you realize that it is to me. You owe an explanation

00:49:27professor

00:49:28Today I made your confession. You made me swear that I would never again speak of Elfie or what happened to her Elfie

00:49:35What on earth are you saying?

00:49:37Whoever spoke to you of my daughter and what is supposed to have happened to her?

00:49:43But can it be possible that you don't remember

00:49:46Or is it that you don't want to I

00:49:51Begin to comprehend

00:49:53You want to make me feel remorse as if I committed a crime

00:49:57No

00:49:58No, I'm not a criminal and I won't accept the guilt

00:50:02But you have completely taken leave of your senses

00:50:05crime remorse

00:50:07Why these are the ravings of a madman?

00:50:09I'll never forgive you for what you've done to Elfie

00:50:12Why these are the ravings of a madman

00:50:15hallucination a typical case of mental instability

00:50:18No

00:50:20You are trying to make me believe that

00:50:22Elfie is still alive

00:50:24That bracelet. Yes her bracelet. It was there on your work table

00:50:29and then

00:50:32Then it was on Elfie's wrist inside her tomb

00:50:35Elfie

00:50:36Elfie inside her tomb

00:50:38But what tomb do you mean in the cemetery of Vaser where you yourself professor told me she'd been buried

00:50:45And she's there

00:50:48Inside her tomb dead dead not alive. What's wrong Papa?

00:51:01Hans

00:51:04No

00:51:06No

00:51:10But what are all of you doing here

00:51:13And why are you shouting? Oh, it's nothing serious

00:51:16Never mind Elfie. We were having a discussion go back to your room dear

00:51:22Bolum see her to her room

00:51:31Conrad

00:51:36Young man

00:51:37I'm not a physician

00:51:39However, I understand nonetheless that your present state of mental disturbance and dangers the tranquility of my house as well as Elfie's

00:51:47What are your orders professor get the carriage ready to take mr. Van Arnim back into town right away. Yes, sir

00:51:54And now come with me. There are many things that you must explain

00:52:00Telling an absurd story you lied to me Bolum

00:52:04Hans is not on balance. He came here to see me and you prevented him. Don't cling to illusions Elfie

00:52:10You must forget about him

00:52:12never

00:52:15Never

00:52:18Hans for me is life itself. No Hans for you a certain death. I

00:52:24alone

00:52:26can give you life and

00:52:29Safety

00:52:31Your life is bound to mine forever

00:52:35To a creature like yourself don't be a fool. I

00:52:41Wonder what your Hans would say if he were ever to know what you really are

00:52:48You'll never tell him Bolum you're too much of a coward to risk your life that way

00:52:56Now leave me alone

00:53:02Excuse me, the carriage is ready professor. Very well

00:53:08After all you've told me you will realize that your presence in this house has become an absolute impossibility

00:53:14You will even have to forget that you were ever here at all. Forget it now if you don't want to be considered a madman

00:53:22Please

00:53:24Farewell, mr. Van Arnim

00:53:26Please farewell, mr. Van Arnim. I sincerely trust you will soon be yourself again

00:53:45We finally made it

00:53:48Bolum my plan has succeeded. I

00:53:51Knew I was not mistaken. I

00:53:53Must confess that all of your stratagems were brought off to perfection and that drug which you administered to him completely cancelled every dividing line between

00:54:01reality and hallucination

00:54:02He'll never be able to tell anyone what really happened here if he doesn't want to run the risk of being declared hopelessly insane

00:54:08That may be but I still believe the other solution would have been preferable

00:54:13Ah, but it would have been far too dangerous to kill him when everybody knew he was working here as part of my house

00:54:17Hans will be a danger to you as long as he lived your daughter is in love with him

00:54:21She'll stop at nothing to see him again. Eventually. She will forget all about him because Hans will never be seen here anymore

00:54:27He's undergone an experience here. That would be enough to unsettle the soundest mentality

00:54:31Unfortunately, there was a fact that is hard to cancel even in his unsettled mind, which is

00:54:36He's seen Elfie die and so

00:54:38He held her in his arms her inert and lifeless body

00:54:42For Hans that was also a state of hallucination

00:54:45He hasn't the slightest evidence not a single concrete proof that could ever conduct him back to reality

00:54:51I can only hope that you are right

00:54:55But the mere thought that he might be able to see your daughter again makes me tremble he might question her

00:55:01investigate

00:55:02Discover that Elfie has been dying and reliving for years

00:55:06he might understand how it is that we restore her to life and

00:55:11Then there could be no escape for us or for her

00:55:18In that case I

00:55:20Should be forced to follow your advice

00:55:25Elfie another attack quickly Bollam

00:55:33I will save you Elfie

00:55:37I'll save you yet again. Never fear

00:55:41Get everything here ready Bollam. I'll see to the rest myself

00:55:50I

00:56:20You

00:56:50I

00:57:20I

00:57:22I

00:57:24I

00:57:26I

00:57:28I

00:57:30I

00:57:32I

00:57:34I

00:57:36I

00:57:38I

00:57:40I

00:57:42I

00:57:44I

00:57:46I

00:57:48I

00:57:50Everything is ready professor

00:58:19Give me the needle quickly

00:58:21I

00:58:23I

00:58:25I

00:58:27I

00:58:29I

00:58:31I

00:58:33I

00:58:47I

00:58:49It's draining away, it'll be just a few seconds more

00:59:10Ready doctor

00:59:19Quickly

00:59:30Yes, professor

00:59:49One day you're all right and then all of a sudden yes, and I'll be a cute form of quite unexpected

00:59:55But what if those happen to him? Ah that I really don't know

00:59:59It should be easier for you his friends to know this than it is for me

01:00:03Is there anything more we can do for him? Oh, nothing in particular

01:00:06Entertainment keep him amused that shouldn't be too difficult. I'd say for you

01:00:12Thank you doctor, please don't mention you are if you'll permit me. I'll accompany. Thank you. Good morning

01:00:17Well, hope for me bad news for you on

01:00:20You're well now and now you can get out of bed and go out and escape for me

01:00:26Thinking of yourself, aren't you? You must have enjoyed being a nurse to me

01:00:31Finding me here all the time. Well-behaved

01:00:34Completely defenseless. Yes, I enjoyed it. I admit it

01:00:38You know, I really liked hearing you call for me every minute

01:00:42I really must have been in a bad way then. Oh, you can have your jokes with me as much as you please

01:00:47I don't believe a word you say. Oh, no, and why not because when you were delirious you gave yourself completely away and

01:00:55Now I know that you love me, you know all this. Oh

01:00:59In two three days if you like

01:01:02I'm sure you will

01:01:04You

01:01:35Think that you could help me at least this once I've refused to do so for three years and I refuse to do it now

01:01:42Whatever you may think of me. I'm still a doctor not a sadistic mummifier of women

01:01:47Strange scruples for a doctor expelled from the medical profession for malpractice

01:01:51But a miserable ex-convict that you most surely are

01:01:54Aren't you forgetting that my statues are your salvation as well as mine

01:01:58I'm not forgetting it valve, but I was never willing to help you put dead bodies on display

01:02:04My only duty here is to save your daughter's life. I might even say that my desire to do so comes from my love of science

01:02:11But that wouldn't be the example

01:02:13The reasons that motivate you are of no interest to me whatsoever Bolum as long as you take care of Alfie keep that in mind

01:02:19This is the truth of the matter. I

01:02:22Know it

01:02:34I

01:03:04Know

01:03:35You

01:03:42Professor valve what do you want?

01:03:44While you've been playing with death here, I've triumphed over it and you are well aware

01:03:49I've already isolated a certain serum able to prolong indefinitely the life of red corpuscles, but that wasn't enough

01:03:56It was necessary for us to find the exact type of blood that would correspond with your daughter's own a blood type

01:04:01extremely hard to find

01:04:04Well, then now I've found it. Ah, your daughter will be able to live now like a normal girl

01:04:11Whose blood is it?

01:04:19He's a lot of corn I'm

01:04:22Hmm

01:04:3252 steps up here. We could just as well waited downstairs. Give her a whistle

01:04:38Leave the latter I bet she's still asleep

01:04:44These are latter

01:04:46Who is it?

01:04:47Who are you looking for? Oh, it's you. Mr. Hunt. I suppose you were looking for miss me the last day. Yes

01:04:53Miss me a lot. There's not returned to her rooms yet

01:04:56How can that be? We had an appointment here. You may have had one. Why what do you mean?

01:05:03Well, I I don't know if I'm doing right go on please tell us

01:05:09This is a lot they haven't been back here since last night

01:05:13And didn't she say didn't she leave any message for me, well, really if she had left word

01:05:19I would surely have given it to you. Maybe there's a note inside her room

01:05:22Well, if you want to see for yourselves that unlock the door

01:05:39I wonder why she left her pocketbook here

01:05:43Well, what of it she could have taken another with her

01:05:47No, she wouldn't have gone out without her papers and her money

01:05:54It's very strange, oh there must be a thousand explanations for it. Well, what's the matter?

01:06:06This girl here well

01:06:10She's a redhead yes, she has red hair what of it

01:06:19It's she

01:06:24There's no doubt that it was she I saw what do you mean you must have seen her of course in the beer garden

01:06:29with us

01:06:33No, I never saw her before that night

01:06:36How is it possible how is it possible for everything to have been just an hallucination

01:06:44Why does that nightmare still haunt me

01:06:48Hans listen to me

01:06:51While you were sick, I asked you several questions. You didn't want to answer any of them and I didn't insist on it

01:06:56But now the situation has all changed

01:06:59I'm sure you know what I mean

01:07:01I saw her in a cellar tied to a chair. Where was it in an underground room of the mill?

01:07:09Just a minute. Let's go over this again

01:07:13Annie Laurie told me she was about to leave for Paris

01:07:16She was supposed to come in the morning. I don't know what happened to her

01:07:20She was in a room with a man. I don't know what happened to her

01:07:24I don't know what happened to her

01:07:27I don't know what happened to her

01:07:29She was supposed to come and pose but she never did

01:07:32Now if you had really never laid eyes on Annie Laurie before you couldn't have known who she was from a photograph

01:07:37And especially know for sure that she has red hair

01:07:40Therefore it couldn't have been just an hallucination. You must have really seen her in that underground room

01:07:45But then

01:07:48It was all real all of what

01:07:51Now you have to tell me Hans. You must tell me everything

01:07:55What happened to you? Come on now

01:07:57Come on now

01:08:28You

01:08:34Her blood hasn't undergone the slightest alteration the red corpuscle count has remained constant

01:08:39We can perform the operation on Alfie this very night. Are you certain of all this doctor?

01:08:43Are you sure that there's not the least risk involved for Alfie?

01:08:46No risk, whatever

01:08:49In that case, I agreed you're going ahead with the operation tonight without delay

01:08:53We'll have to clear all this out of the way. Please help me

01:08:58You

01:09:08Will you tell Conrad that this statue will have to be set up in the carousel tonight without fail he must do it promptly

01:09:14Very well

01:09:19To me it's an infernal puzzle

01:09:22Hans and all this story you've just told me there are some things that are absurd

01:09:25And others that are certainly true like Annie Laurie

01:09:29And how do you explain her being down there in that awful cellar?

01:09:33Oh, I don't know. I don't know. There are too many things I can't account for yet

01:09:38If we could only find a clue an indication one proven fact

01:09:43Just to demonstrate that your story is really true

01:09:46of course

01:09:48The cemetery the cemetery of Vesey

01:09:55You

01:10:06Everything as you told me

01:10:16Empty

01:10:20It's empty

01:10:25But then

01:10:55Wax

01:10:58Wax dummy

01:11:05I'm so afraid of thunder

01:11:08When I was a little girl, I used to run and hide under the bed

01:11:11And you weren't you afraid to know?

01:11:15Because you were never all alone like me in this house bleak and dark as it is

01:11:21Maybe then you already knew how I felt

01:11:23Maybe then you already knew Hans

01:11:26You nestled close to him when it thundered didn't you?

01:11:31It must have been very exciting

01:11:33Wonderfully exciting

01:11:35To tremble as he embraced you

01:11:38But now all that is going to change Lisa Lotte

01:11:42Now Hans is going to love me

01:11:45Because you won't be here anymore

01:11:47Because your life will belong to me

01:11:49Here in this serum is your daughter's life

01:11:54Three years of lengthy and continual experimenting

01:11:59One minute after Elfie's blood is drained off

01:12:02The serum will be introduced into this chamber where it will be mixed with the new blood in regulated quantities

01:12:07Without the serum

01:12:09The red corpuscles would not have the strength to survive

01:12:12And since the body would be unable to generate new ones they would die

01:12:15Slowly but surely

01:12:17They would be destroyed as if by cancer

01:12:19It will only be necessary to put your daughter under a light anesthetic

01:12:22The fluid could provoke a painful reaction

01:12:25The rest of the operation will proceed exactly as all the others

01:12:28There is no risk at all

01:12:30Allow me to congratulate you Bolum

01:12:33You've thought of everything

01:12:35Almost everything

01:12:43Hans let's not do anything foolish

01:12:46It doesn't matter if Lisa Lotte is in danger

01:12:48It doesn't matter if Lisa Lotte is in danger

01:13:14What do we do now?

01:13:15Let's go down to the basement

01:13:17We'll need a lantern

01:13:19Over there by the front door

01:13:45Hurry up

01:14:06Go stop them

01:14:08Hurry

01:14:15Go

01:14:32It's a corpse

01:14:34Mummified

01:14:38It looks like

01:14:40Annie Laurie

01:14:42The trap door is down here

01:14:43How do we get to it?

01:14:45We have to move this quickly

01:14:50Hurry up

01:14:56Professor Walsh

01:14:58What do you want?

01:15:00This will be the last operation because

01:15:03Elfie will no longer require my service as a physician

01:15:06True

01:15:08And so?

01:15:10You know very well how long I've been struggling to keep her alive

01:15:11I've committed atrocious crimes for her

01:15:14And now I'm giving her a completely new life

01:15:17Come to the point

01:15:21I have the right to claim a fair compensation

01:15:23I've never haggled over money

01:15:25It's not money I want

01:15:27What is it then?

01:15:30I want your daughter

01:15:32Val

01:15:34Do you realize what you're saying Bolum?

01:15:36Yes

01:15:38I love Elfie

01:15:39I've loved her for years

01:15:41And it's due to my efforts alone that she is still alive

01:15:43Elfie be my wife

01:15:45Your wife?

01:15:49How could you ever have permitted yourself to think that

01:15:51I would entrust Elfie to such a creature as you are

01:15:55A criminal and an outcast from any decent society

01:15:58Who'd still be rotting in prison if it wasn't for me

01:16:00Don't forget that

01:16:02I'm not forgetting anything

01:16:04But now I'm the one who has the upper hand

01:16:06This is the first time in my life I've ever wanted anything

01:16:09And now I'm going to have it

01:16:12Don't delude yourself

01:16:14Not only will you never have my daughter

01:16:17But I will never even permit Elfie to owe her existence

01:16:21To the loathsome individual that I know you to be

01:16:25Bolum

01:16:27I've made use of you as I would have of any other tool

01:16:30Now it's over

01:16:33I don't need you any longer Bolum

01:16:36Your fate is sealed

01:16:37The only face my daughter will see when she returns to life

01:16:41Will be mine

01:16:43Mine and mine alone

01:16:55You're killing me

01:16:57You have murdered your own daughter

01:17:00Elfie

01:17:08It's no use

01:17:10There's another way in through Val's studio

01:17:16Now you will be well

01:17:18You will be well forever Elfie

01:17:20I will bring you back to life

01:17:22I, nobody else

01:17:37It's here Rob

01:18:08Where is it?

01:18:15Where is it?

01:18:21Bolum, you traitorous

01:18:23Where is it? Where is it?

01:18:25Where is it?

01:18:26Where is it?

01:18:37It won't run away

01:18:39It won't run away

01:18:42Where are you?

01:18:56Where are you?

01:19:22Hurry Rob, quickly

01:19:27She's alive

01:19:29Get her untied, hurry

01:19:33Elfie

01:19:35Elfie

01:19:38Elfie

01:19:39Elfie

01:19:55Elfie

01:20:05You're the ones who killed her, you murderer

01:20:07Now I'll have to die

01:20:09All of you

01:20:11All of you

01:20:24Hurry, take her that way

01:20:37Hurry

01:21:03It's burning fast

01:21:04Everything is on fire

01:21:07Through the house

01:21:13Silence

01:21:16Enough

01:21:18Keep silent

01:21:37Keep silent

Drops Of Blood (Mill Of The Stone Women) | Full Movie | Giorgio Ferroni | Dany Carrel, Pierre Brice, Scilla Gabel, Wolfgang Preiss

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