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00:00It's about my guest.
00:05But have you all lost your minds?
00:08Alonso, what kind of guest is your daughter's old fiancé?
00:12That's something they have to decide.
00:15What have you brought him for?
00:17The Count of Añil and I are considering resuming our relationship.
00:21So you don't even have any dignity left.
00:23Cruz.
00:25How dare you talk about dignity
00:28when he's in charge of airing the family's dirty rags against Pelayo and me.
00:32Again with that?
00:33Because it was very serious.
00:34Look, one thing is clear.
00:36If there are dirty rags to air, it's thanks to you.
00:38You dragged Lujan's last name through the mud and you're willing to do it again.
00:43And you, Alonso?
00:45What's the matter? Have you already forgotten what the Count of Añil did to us?
00:48No.
00:49But it seems regrettable or that's what I want to believe.
00:52This is incredible.
00:54If your daughter thinks she deserves another chance, it's her decision.
01:03You'd better not be wrong.
01:08Mr. Baeza, have the Count of Añil's belongings taken away and a dormitory prepared for him.
01:13Thank you, Marquez.
01:19Thank you, Father.
01:22I hope I'm doing the right thing.
01:29Mother, I don't know why he's back, but he can leave now.
01:32And if what you want is for him to come back to you, I'm telling you it won't happen.
01:36I think the last time I spoke to you, I was clear enough to tell you again.
01:40I'm not going back.
01:42I'm very happy here and I already told you the last time.
01:46Being the daughter of a Marquez, please.
01:48It's just that I don't pretend to understand him, I just want him to respect him.
01:51Open your eyes, this is not your place.
01:54You are my daughter. You are the daughter of a Duke Mercedes.
01:57Don't call me that again.
01:58My name is Vera. Here and everywhere. Because this is my place.
02:04Honey, I understand perfectly the reasons that led you to take refuge in the promise.
02:09But things have changed a lot since you left.
02:12Your father, although it is difficult for him to recognize it, misses you.
02:15You know that's impossible.
02:16He has given orders that no one touch your room,
02:19that you are always prepared for when you return, because he does not want to lose hope.
02:23But every day that passes and this does not happen, it goes away.
02:27And the same goes for your brothers, honey. You have to come back.
02:31I don't understand how he can ask me something like that.
02:33He knows perfectly well why I left.
02:35I'm sure he would be willing to forgive you.
02:38My father is a monster and you know it perfectly well.
02:43When I denounced him, I exposed all the abuses he had committed for so many years.
02:48God knows how much money and how many due favors got him out of prison.
02:53But his name is already stained and that will not forgive me.
02:57I know. I know it's very difficult.
03:00But if you showed regret, I am convinced that he would forgive you.
03:04And I, I could protect you.
03:06I don't regret anything, mother.
03:10And I'm sorry to tell you, but your protection comes too late.
03:15Mercedes.
03:17I don't insist.
03:19Just do me the favor of not coming back.
03:22Neither of us is doing well.
03:25Sometimes there is nothing I can do for you to change your mind.
03:31You know it perfectly well.
03:39I love you.
04:10I'm sorry to interrupt you, ma'am, but I bring you your correspondence.
04:15Do you want me to order you to upload some paper?
04:18Is it too soon for a cognac?
04:21No, better a glass of laudano.
04:23Even the cicuta of Ayala would not disgust her at this time.
04:29María Teresa Sánchez de García, this is for you.
04:33Stop that fire, it's so good.
04:35What should I answer?
04:37Stop that fire, it's so good.
04:38What should I answer, ma'am?
04:40Well, tell them whatever you want.
04:42Because in the end, they are going to invent something much worse against us
04:45and they will blame it on all the liars.
04:47But this, read it to me.
04:50It is from the Duchess of Cerezuelos.
04:52I want to know what she takes into account in everything,
04:55of her feast of costation.
05:03Dear Marquise,
05:05the reason for these letters is nothing more than ...
05:07To the point, Petra, to the point.
05:10Well, actually, what it is to thank
05:14and comment on the good work of Miss Martina during the evening
05:18and she is also interested in her stepdaughter's health.
05:21I knew it. What else does she say?
05:24Well, she wants her to feel better
05:27and that when this is the case, she wants to invite you
05:30to a piscolabis in her gardens.
05:33Do you want to know about Catalina?
05:35Well, Catalina will know. Answer her.
05:37Answer her. Tell her that Catalina is not as sick as she presupposes,
05:40but that she has been backbiting with Count Descastado.
05:45That is the reason for your anger, isn't it, ma'am?
05:48Not at all. For me, they can roll in a gutter.
05:51What bothers me is that they have come to make the promise.
05:54It is that Miss Catalina has returned.
05:57You are in a bad mood, Petra. You should be aware of these things.
06:00You forgive me.
06:01But yes, she has returned.
06:03And from the hand of that incompetent, relentless pusillanime.
06:07If you think I can do something to alleviate your anguish ...
06:10Yes, you can, yes. Leave me alone.
06:23Can we talk?
06:27About what?
06:29About the scene you set in the living room in front of Pelayo.
06:33And what? Do you think it was wrong? What should I have done?
06:36Receive him with open arms as if he were another child?
06:38I don't agree with his return either.
06:40No, of course. That's why his luggage is in one of the beds.
06:44I do everything for my daughter.
06:46If you want to do something for your daughter, Alonso,
06:48you should force her to marry that impressive man.
06:51What are you saying?
06:52Well, those two have been living together in the count's palace without a carabiner.
06:56Nina, do you need me to explain it to you more clearly?
06:58I do not allow you to doubt the virtue of my daughter.
07:01They have said that not even their relationship is firm.
07:03And what did you expect? That I would explain to you who they have been playing?
07:08If you want to do things right, Alonso,
07:10you should fix the wedding now and then leave.
07:14Or you will have to assume the consequences.
07:26A month later
07:36Yes?
07:41How are you?
07:42In a very big problem.
07:46What happened?
07:49I lost one of the pendants that my mother lent me.
07:53Your grandmother's?
07:54Yes.
07:55And I don't know how it could have happened.
07:57Really, I had them, they bothered me, I put them in my bag,
08:01and when I was returning from the house of the Duchess of Cerezules,
08:03I realized that one had disappeared.
08:05But have you looked well in your bag?
08:07How am I not going to look well in my bag?
08:10I don't know.
08:11Well, look at it on the bright side.
08:13What? What bright side?
08:16That you still keep one.
08:18Enough to honor your grandmother's memory.
08:20A single pendant is useless because there are things that make no sense without their partner.
08:24Yeah.
08:25But in the meantime, you have to take care of this one.
08:28Until your partner appears.
08:33What if he never appears?
08:35I have hope.
08:38It's not about hope, it's about reality.
08:41And the reality is that recovering something that has been lost is ...
08:46It's very difficult.
08:47But I think that with time and patience, anything is possible.
08:54Well, I'm afraid that patience will take too long.
08:59And it will be impossible to recover what has been lost.
09:02No, that won't happen.
09:04No?
09:05No. Not if you keep the most important thing.
09:08The will.
09:11I don't lack that.
09:14Neither do I.
09:18Can we ...
09:21speak clearly?
09:24Well, that has never been our forte.
09:36I love you.
09:40And you love me.
09:43True.
09:47But whenever we have tried to formalize it,
09:50even if it has been between us, well ...
09:53it has not gone badly.
09:59Well, maybe ...
10:01we should not name our love.
10:08Yes. Yes, yes.
10:11Okay.
10:12Let's go step by step.
10:14And ...
10:15enjoying what comes, whatever it is.
10:24Everything okay?
10:32What's going on here, Martina?
10:37I've lost one of the pendants I borrow.
10:41To be continued ...
10:52Thank you very much for receiving me, Mr. Baeza.
10:54Of course, miss ...
10:56Miss Villamil.
10:59How can I help you?
11:04Look, yesterday ...
11:06I told some of my colleagues that I was on the promise, just in passing.
11:09But what you need is a job.
11:13The devil knows more about the old man than the devil.
11:17I don't want to put you on a commitment, Mr. Baeza.
11:19You don't put me on any commitment.
11:21Yesterday, as soon as I found out about your visit,
11:24I started doing the pertinent management.
11:27Really?
11:28So I could go back to work on the promise?
11:32It's been a few months since he left,
11:34but do you remember Mrs. Carranza?
11:36Yes, of course, Virtudes, Mrs. Simona's daughter.
11:38Well, a few days ago she left her job as a maid.
11:41I don't mean to degrade her with this, no.
11:44You left the house as a maid and as such you would return to the service.
11:51I don't know how to thank you, Mr. Baeza.
11:53No, don't do it yet, no.
11:54I still have to talk to Mrs. Arcos.
11:56After all, she is responsible for the female staff.
11:59Of course, of course. I understand, Mr. Baeza.
12:02In fact, I don't understand how I didn't get your request through her.
12:07Because I understand that your relationship in the past was very good.
12:12Yes, in fact, my first intention was to talk to her,
12:15but let's say that her reception was rather cold.
12:19And I suspect that my husband's presence had something to do with it.
12:23Leave it in my hand.
12:25I know how to convince Mrs. Arcos to accept her reincarnation.
12:32As soon as I have news, I will let you know.
12:37Thank you very much, Mr. Baeza.
12:42There is one more thing I would like to ask you.
12:45You will say.
12:48You see, it's about my husband.
12:50He also had to resign from his job after our wedding.
12:54I had to say goodbye to the palace of the Duchess and ...
12:56he resigned from his job in the village of Colmado.
12:59And he did it for me.
13:00I understand.
13:02I'm sorry to tell you that right now I have nothing to offer you, but ...
13:05Anyway, tell me what your experience is,
13:08and as far as I can, I will help you find a place.
13:12Really?
13:13Yes. Well, if he was in charge of Colmado,
13:16I suppose he will have accounting options.
13:19No, he worked as a waiter.
13:21And has he served before in a renowned house?
13:25He has always worked in the field, in very simple jobs.
13:28But he is a good man and he is always willing to learn.
13:31Well, we'll see what can be done.
13:33Thank you very much, Mr. Baeza.
13:35As soon as I have news of Mrs. Arcos, I will let you know.
13:59Jana.
14:00Jana.
14:03Jana.
14:16What is this?
14:17What is this?
14:32Well, what do you think?
14:37It seems to me that you have advanced a lot in such a short time.
14:41If my calculations are correct, he will not only have more autonomy than Gleriot,
14:44but he will also surpass Potencia in power.
14:48And that means what?
14:52That we could reach our beach in a moment.
14:56Although soon we will have to escape to be able to be together.
15:07How are things in the service area?
15:10I have heard that Simona's daughter has left La Promesa.
15:13Yes, she had to go to take care of her son.
15:17And how is Simona?
15:19Well, with a broken heart.
15:21Because on the one hand she knows that it is best for virtues and also for her grandson.
15:25But on the other hand, she has been separated for a long time and it hurts her to leave.
15:30Of course.
15:32And why does she have to leave?
15:35Can't she take care of her son here, in La Promesa?
15:38Well, look at that, if you could ask your mother,
15:40who is the one who does not want the Friadas to have children here.
15:45I understand.
15:47In any case, we thought that Virtudes could stay at least in Lujan
15:52and in fact she got a fantastic job, but everything went wrong.
15:56Why?
15:58Well, because she was going to work taking care of the parish,
16:02but you know that Don Fermín left Lujan.
16:05If I'm honest with you, lately I've been doing very little with the church.
16:10But in any case, the new priest will have arrived, because he does not work for him.
16:14That's what we all think, but it turns out that the priest who replaces Don Fermín is a young priest
16:20and he wants to do things his way.
16:22And what does that mean?
16:23That he does not want to have anyone at his service.
16:27And then who is going to cook or do the laundry for him?
16:31Excuse me, but I find it difficult to believe a man with Satan in front of the stoves.
16:33Yeah, and cleaning a stain from the clothes.
16:39He will soon change his mind, you will see.
16:42Are you sure?
16:44I am.
16:46I know he will have arrived with great desire, I do not argue with that,
16:48but I assure you that he will soon be removed.
16:51The moment he meets his new faithful Beatones,
16:54he will have so many gossip and criticism that he will not have time to fry an egg.
17:01Cheer up.
17:03You will see how sooner or later Simona is back with her daughter and her grandson.
17:07Yeah.
17:09I'm not like that about that, I'm like that because ...
17:12when talking about ours, our wedding, the beach ...
17:18I have remembered that Don Romulo knows about us.
17:23We have already talked about it.
17:24There is nothing to worry about.
17:26I'm not worried, Manuel, it's just ...
17:29I'm ashamed.
17:31Ashamed of what?
17:34Well, because I lied to him,
17:35and because now I have to cross him through the corridors and I don't even know what face to put on him.
17:41My love,
17:43those ghosts are only in your head, I assure you.
17:47Do you think that I have never thought that ...
17:50I don't know, I would have liked our story to be different?
17:53And do you know what I do when that happens?
17:56I discard that idea right away.
17:59Wouldn't you have liked ours to be a little easier?
18:06No.
18:09Because our story,
18:11as it is with its difficulties,
18:14is what has made us get here.
18:17And I wouldn't change that for anything in the world.
18:22Come.
18:23Come.
18:28Manuel, what's going to happen to someone?
18:33Why don't we meet this afternoon?
18:36No, I can't.
18:38This afternoon I have stayed with my mother to go to the theater.
18:42Don't give me that look.
18:44You know I would stay with you all afternoon.
18:47But I owe it to you.
18:49I know, silly, that you don't have to give me excuses to go see your mother.
18:53Now I have to be with her more than ever.
18:57Because ...
18:59I'm sure that when we get married,
19:02something will break between her and me.
19:07I'm very sorry, Manuel.
19:10You don't have to apologize.
19:13I have already assumed it.
19:15And now my mother will have to assume that there is nothing that I say or do
19:17that changes a bit the love I feel for you.
19:20I love you.
19:23And I love you.
19:29The air is running, Manuel.
19:31Sorry, I didn't mean to.
19:50Damn my stamp!
19:52Don't curse me, Candela.
19:54It's just that a piece of it has been cut off.
19:56I already told you that it wasn't a good idea for me to prepare the mayonnaise.
20:00And why is that? You've done it a thousand times.
20:02Well, because I'm with those days.
20:04You know.
20:06With the Guana Menesera who visits you every month.
20:09But are you still in those?
20:11What's wrong? Do you think it's weird?
20:14It would be better if you make the mayonnaise.
20:17Come on, don't say anything.
20:19Don't do anything stupid.
20:21It has nothing to do with anything else.
20:23They are old monsters.
20:25Well, the view is there.
20:27Have you added the apoc.cox oil?
20:29Well, you stir it as if it were tomorrow.
20:31Look, dear Bruta.
20:33What surprises me is that it has ever worked out for you.
20:35Listen to me.
20:37You have to add the oil little by little.
20:39Where are you going?
20:41To throw it away.
20:43That's why I've added the apoc.cox oil.
20:45No, no more oil.
20:47Water.
20:48You add it and you start to beat well until it binds.
20:50Come on, water.
20:52It's the first time I've heard of water.
20:54I'm listening.
20:58Good afternoon, Mrs. Petra.
21:00What can I do for you?
21:02I just came to tell you that tonight
21:04two more conventionals will be held with two gentlemen.
21:06Ah, and that?
21:08Do we have guests at home?
21:10No guests.
21:12It's about Miss Catalina.
21:14Ah, that's great. She's already returned.
21:16And Count Daniel too.
21:18What a surprise.
21:20He must have a lot of courage
21:22to set foot here again.
21:24Or a little.
21:26Well, it's better that they get used to it.
21:28Because he probably spent a good season here.
21:31Since he has come.
21:33How has Mr. Marqués allowed it?
21:35Well, enough nonsense.
21:37I've already told you what you needed to know.
21:39So now to work.
21:48Have you heard the same thing I've heard?
21:50I'm shorter than the mayonnaise.
21:52Now, up there, you have to be riding a good one.
21:55As a father, he is a very good man.
21:57And why has that scoundrel come?
22:00Now that Marimandra is gone,
22:02he hasn't taken off his clothes.
22:04Because he doesn't know anything.
22:06There is a person who does know.
22:08And it's Catalina.
22:10Josefa, bring the water closer.
22:12Yes.
22:14Little by little?
22:16No, just a little.
22:18It's the first time I do it.
22:25I'm very glad to have you back, sister.
22:28Thank you for doing me the favor of telling me where I had gone.
22:34They don't deserve it.
22:36And of course not.
22:38I'm sure I made a good fuss after I left.
22:40And above all, because I had left.
22:42The usual.
22:44My mother shouted in heaven and my father didn't like it.
22:46I'm so sorry.
22:48But if I had spoken to them,
22:50they would never have let me go.
22:52I know.
22:54As I also know the real reasons for your departure.
22:58Pelayo smuggled weapons.
23:02Have they told you?
23:06I'm very sorry I told you at the time, Manuel,
23:09but I didn't want to worry you.
23:11Catalina, you don't have to justify yourself, I don't judge you.
23:13If you hadn't told me at the time, you would have your reasons.
23:15But I already told you, be very careful.
23:21Besides,
23:23this won't come out for free.
23:25When the time comes, I'll ask for your understanding back.
23:28Is this a joke or are you serious?
23:31I've never spoken more seriously.
23:33And what do you want?
23:35All due time.
23:38Why don't you keep talking about Pelayo?
23:40Have you managed to put your feelings in order?
23:43Well, the truth is not.
23:45But yes, we have made something clear to both of us.
23:48Thank goodness.
23:50Hey, don't make fun of me.
23:52Sorry.
23:54Those days we've been together
23:56have helped us realize that
23:58there is still something alive between us.
24:00And we can't let the past stain it.
24:03So you're going to give him a new chance.
24:06Yes.
24:08I don't know where this will take us, but ...
24:11But I'm listening to what you told me.
24:12I'm giving myself the luxury of doing something
24:14that doesn't make much sense.
24:18What I don't understand is how you're going to do it
24:20being here and him in his palace.
24:22No, he's in La Promesa.
24:24In La Promesa?
24:27Well, it's clear that I spend too much time
24:29in my study with my sketches.
24:31I don't even know what's going on in the real world.
24:33Well, I thought your mother's screams
24:35had been heard all over the palace.
24:39And what did Father say?
24:40Well, at first it was hard for him,
24:42but he ended up agreeing.
24:46So you can say later that you're not his favorite.
24:49Are you jealous?
24:52You know, a little bit, yes.
24:55And even more now.
24:57Because I've known him for a long time
24:59and I haven't seen you so happy, sister.
25:04Although you wouldn't have made the imprudence
25:06of leaving him alone in there.
25:07No, no, no.
25:09He's resting in his room.
25:11And I trust they'll leave him alone there.
25:14But why don't the three of us go have a snack together?
25:17A snack?
25:19Do you want to?
25:22Sister, I can't.
25:24I've stayed with my mother to go to the theater.
25:26And she's probably been waiting for me for a long time.
25:30See you another time.
25:32Yes, yes.
25:34Go to the theater with the Marquise.
25:43Mrs. Arcos is about to arrive.
25:46Well, while she arrives,
25:49I wanted to talk to you about a private matter.
25:52Your son?
25:54No, my son.
25:56I'm sorry, but I have to go.
25:58I'm sorry, but I have to go.
26:00I'm sorry, but I have to go.
26:01Your son?
26:03No, no, no, no.
26:05It's not that. No, thank God, no.
26:07The reason is very different.
26:09This morning, the Duchess of Carril
26:11appeared in the palace
26:13without prior notice.
26:15And she wasn't coming
26:17looking for the Marquise,
26:19or the Marquis,
26:21or Mrs. Margarita.
26:23And hold on.
26:25She came in through the service door.
26:27Well, start telling me that nonsense
26:28because what you're telling me
26:30has nothing to do with it.
26:32Well, I'm afraid that no matter how much I tell you,
26:34this will continue to be like this.
26:36Who was she looking for, then?
26:38Well, in her own words, the cooks.
26:40She needed the recipe for the pastries
26:42that were served at that snack.
26:44Well, it was enough to have sent a note
26:46if she had answered with the recipe,
26:48on the way back.
26:50Well, that's what I told her.
26:52Yes, but she excused herself,
26:54saying that, curiously,
26:56she was close to the promise
26:58of the Marquise.
27:00That's what I told you.
27:02Yes, word for word.
27:04And did she get the recipe?
27:06Well, I hope so.
27:08Don't you know?
27:10No, no, because in the end
27:12she didn't talk to Simona or Lope.
27:14She talked to Vera.
27:16And why did she talk to Vera?
27:18Well, the Duchess saw her,
27:20recognized her for the snack
27:22and asked her to be the one to serve her.
27:24Well, Mrs. González
27:25was the one to serve the pastries.
27:27At that moment,
27:29the only thing that came to my mind
27:31was to give them the office
27:33so that they were away from indiscreet glances.
27:35You did very well.
27:37The presence of a cook in the service area
27:39has been at least irregular.
27:41And did anyone else see her
27:43apart from Mrs. González and you?
27:45As far as I know, no.
27:47Well, let's continue like this.
27:49Such a strange matter
27:51should not reach the ears of the Marquise,
27:53much less the Marquise.
27:55No, look, we'd better take the opportunity
27:57to inform you about the matter
27:59that we are going to talk about,
28:01which is quite tricky.
28:03Isn't it about the substitute of virtues?
28:05That's right.
28:07My proposal is a young lady you already know
28:09because she was here until recently.
28:11Yes, Miss Villamil.
28:13Yes, you already know the palace
28:15that has that tricky thing.
28:17Well, that girl
28:19was the fiancée of the deceased son
28:21of Mrs. Arcos.
28:23And she is no longer a young lady
28:25but a young man.
28:29And you already know this, Mrs. Petra.
28:38What do I have to know?
28:56Are you thinking about the mosquitoes?
28:58Yes.
29:00Look, a tree trunk can fall on you
29:02and you get a bruise.
29:04No.
29:06No, I was thinking about my things.
29:09I've been looking for you all day
29:11and we haven't been able to coincide
29:13or have lunch together.
29:15It's been a long day.
29:17It's been a long day.
29:19It's been a long day.
29:21It's been a long day.
29:23It's been a long day.
29:25It's been a long day.
29:27I see.
29:29Are you worried
29:31about the position of prime lackey
29:33of Count Matesán?
29:39And have you thought of an answer yet?
29:42Are you leaving or are you staying?
29:45I don't want anything
29:47that you don't want, Maria.
29:49Salvador, please stop blaming the dead.
29:51We're talking about you, not me.
29:53It's okay, it's okay.
29:55I was prepared to be prime lackey
29:57and I know I won't get it here.
29:59Look, I know it's your dream.
30:01No, Maria.
30:03That's not my dream.
30:06I don't want to be
30:08lackey or mayor
30:10or anything.
30:14All I want is to save money
30:16to finally be free.
30:19My dream is to be with you.
30:22That's my dream.
30:23And tomorrow,
30:25to be able to have a house together
30:28with a garden,
30:30with animals.
30:32To have all the children we want.
30:35But without mandates.
30:38To be free.
30:40I don't want anything else.
30:42And that would make me happy.
30:47Well,
30:48well,
30:52then go.
30:56But Maria, you're first.
31:02That's precisely why, Salvador.
31:05Because your dreams are my dreams.
31:09And if we're going to get it,
31:11we have to be apart for a while.
31:14Or whatever.
31:19Really?
31:37I promise that as soon as it's enough,
31:39we'll leave together.
31:44I'm going to miss you so much.
31:48I love you, Maria.
31:51Every second of my life.
31:54Why are you exaggerating?
31:56I'm not exaggerating.
31:59I love you with all my soul, Maria.
32:03And I love you.
32:05So much.
32:18I love you.
32:27Mrs. Villamil's request
32:29arrives at the best time possible.
32:31After Mrs. Carranza's departure,
32:33we've run out of female staff.
32:35But I didn't want to take the step
32:37before consulting with you.
32:39Undoubtedly, it's our best option.
32:41And why is that?
32:43Well, because she knows the palace.
32:45She was working here in the past,
32:46as a maid.
32:48You said it.
32:50As a maid.
32:52And Virtudes was just a maid.
32:54Are you trying to degrade her?
32:56No, if you're right, you're right.
32:58Mrs. Carranza was just a maid,
33:00but the reason was that she didn't know
33:02the functions of a maid.
33:04But Mrs. Adarre always intended
33:06to promote her
33:08as soon as she was ready.
33:10So we're willing to hire her
33:12as a maid,
33:14if that's what worries you.
33:16Yes.
33:20I agree.
33:23Are you willing to accept
33:25that we hire her?
33:27Are you so surprised, Mr. Baeza?
33:29I thought you'd deny me
33:31because I've seen you with your husband.
33:34I have to confess
33:36that it has hurt me very much
33:38to see that you've forgotten
33:40my son so soon.
33:42But here we are judging
33:44whether she's suitable
33:46or not.
33:48And indeed,
33:50she's the best for it.
33:52So let her join us as soon as possible.
33:54There's a lot of work to do.
34:03Well, in the end,
34:05it wasn't that difficult.
34:07To see is to believe.
34:09Now, I hope this doesn't get in the way,
34:11but I'm afraid it will.
34:17Don't turn around, Margarita.
34:20We'll go to a jewelry shop I know in Seville
34:22and you'll be able to choose
34:24the earrings you prefer.
34:26Look, Ignacio,
34:28I appreciate your effort
34:30to cheer me up,
34:32but no matter how much I appreciate your gift,
34:34I won't be able to replace that earring.
34:36Are they so important to you?
34:38Well,
34:40they're my late husband's wedding gift.
34:43I understand.
34:45I understand.
34:48In that case,
34:50I propose something else.
34:52This jewelry shop I know
34:54is a true artist.
34:56We'll take his earring
34:58and ask him to make another jewel.
35:00I don't know, a ring, a necklace,
35:02whatever you prefer.
35:04That way, you'll always have the earring with you.
35:06What do you think?
35:08I think it's a great idea.
35:10Thank you very much, Ignacio.
35:12I don't know what I'd do without you.
35:14I can't wait to find out.
35:18I'm sorry.
35:20I interrupted you.
35:22No, not at all.
35:24I was leaving.
35:26I have to discuss some things with Lorenzo before dinner.
35:35I'm sorry.
35:37I really am.
35:39I know you're mad at me
35:41because Grandma's earrings were very important to you
35:42and I really understand,
35:44but I'm really sorry.
35:46Martina,
35:48don't worry.
35:50I know it was...
35:52I was careless.
35:54Don't get me wrong, I'm not mad.
35:56I'm just...
35:58sad.
36:01I still remember
36:03the first night I put them on.
36:05The night your father gave them to me.
36:08We were partying at your grandfather's ranch
36:10and I remember it was...
36:12a warm night
36:14and everything was soaked
36:16in the sweet smell of orange.
36:18And your aunts were making burberries
36:20of Mr. Tantalus.
36:22They called him that.
36:24But that didn't last long.
36:26It didn't last long
36:28because everyone's heart was won.
36:30Especially mine.
36:32He was so handsome.
36:34He was so handsome,
36:36with that martial look,
36:38with that beard,
36:40that I felt...
36:42like I was from Spain.
36:44And those earrings
36:46matched my dress perfectly.
36:48Or I found out they were his mother's.
36:53But what I remember the most is
36:58that when I was dancing with him,
37:01hugging your father,
37:06I felt he was capable of anything.
37:08Martina,
37:10as long as he was by my side.
37:13Well, I guess that memory
37:15is always tied to his earrings.
37:18Don't cry, daughter.
37:20Don't cry because Ignacio is right.
37:24Look at me.
37:26That memory is not in those earrings, Martina.
37:30Because that memory is here.
37:36And now it's also here.
37:43It's here.
37:54Treat them more carefully.
37:56Don't you see you're wrinkling them?
38:09Would you like me to help you, ma'am?
38:12No.
38:14And I'm not going down for dinner,
38:16so you can pick up all those dresses.
38:18How's the play going?
38:21It's a mess.
38:23They're trying to make me look like an intellectual,
38:25which is nothing more than a load of pomposity.
38:27I'm sorry it wasn't to your liking.
38:30In the end, it's better this way.
38:32Because Manuel was also looking awful.
38:34So we left in the middle of the night
38:37and we took the opportunity to take a walk
38:39in the cool of the afternoon.
38:41I'm glad I was able to enjoy it with your son.
38:47Teresa Villamil has returned.
38:50That's right.
38:52Tomorrow she will be reinstated as a maid.
38:55Yes, Mr. Pellicer has already told me.
38:57In the end, they all come back.
38:59What I don't understand is why you didn't tell me.
39:02The mayors arranged it that way, ma'am.
39:06And since when has it been an impediment for you to advance?
39:09You warned me that it wasn't necessary.
39:13You're uncomfortable with his return, aren't you?
39:16I thought you had a good relationship with her.
39:20It was your son's promise, wasn't it?
39:23That's right.
39:26Well, then stop being mysterious and tell me what's going on.
39:34Retire.
39:38Retire.
39:45She's back with ...
39:48with her husband.
39:50What?
39:54Well, she's in a hurry, isn't she?
39:57What do they call him?
40:01And why didn't you tell me at first?
40:03You know as well as I do that we don't talk as much as we used to, ma'am.
40:07I just considered that I didn't deserve your interest.
40:11It is true that our communication is less fluid than before.
40:16As it is also true that your performance in your tasks leaves much to be desired.
40:22I put all my dedication and effort into it, ma'am.
40:25Don't justify yourself, Petra.
40:28I need you to find me a personal maid now.
40:31I only see useless people in my bedroom.
40:34It's not an easy task, ma'am.
40:36But if you allow me to combine my functions as a key master ...
40:40No, I need someone who doesn't have as many other important functions as you.
40:44All right, ma'am.
40:46As you say, you have your tasks as a key master.
40:50You know, I want Teresa.
40:54From a personal point of view.
40:56Let's see what I've learned with that Duchess.
40:59And wouldn't you prefer to try with another one?
41:01Vera, for example.
41:03I said Teresa.
41:06As you wish, ma'am.
41:08Tonight I'll have dinner here in my bedroom.
41:13As you wish, ma'am.
41:31As you wish, ma'am.
41:50Is there no one available to lend a hand, Mr. Romea?
41:53I offered myself to Mr. Pellicer to do it alone.
41:56Don't worry, I'll be in a moment.
41:59For dinner?
42:01There's no need, sir.
42:03No, this way we'll be calmer, you and me.
42:06Besides, I'm not going to drop the rings.
42:09The more responsibilities of service you acquire, the more humble you must be.
42:14The important thing is to get the job done, not who does it.
42:18That's good advice.
42:20I'm sure you'll apply in the future.
42:26Have I said anything wrong?
42:27No, you haven't.
42:29Don't you want to be first in line?
42:33That's exactly what I wanted to talk to you about, sir.
42:36Yes, but it's for now.
42:38Right now, in La Promesa, we don't need to cover that position.
42:42It's not in La Promesa.
42:45Have you received a job offer from any other company?
42:49In the Palace of the Counts of Matesán, sir.
42:52I see. And do you have any doubts about whether to accept or not?
42:55And do you want to talk about that?
42:57Actually, the decision has already been made.
43:00And I'm going to accept that job.
43:02But I hope it has nothing to do with the old rings.
43:05For my part, it's all in the past.
43:07And for mine too, sir. It's all forgotten.
43:10Well, in that case, I have no choice but to congratulate you.
43:17You haven't chosen a bad fate.
43:20I'm convinced that you're going to leave the name of La Promesa very high in that house.
43:23I trust that, sir.
43:25And if I do it well, it will be all thanks to you.
43:28You are the best teacher you can have.
43:30Well, well.
43:32And don't give me the cold shoulder, because it won't help you at all if you don't work in this house.
43:38Thank you very much, Mr. Loera.
43:53I'm sorry.
44:02As far as I know, there is no intention of opening a trade route until the situation in the Atlantic calms down.
44:08Well, I hope it's soon.
44:10With half of Europe at war and America blocked, I'm going to lose my harvests.
44:15And with them, my savings.
44:17You should have chosen a more lucrative business.
44:19Like the arms business.
44:20I've read it.
44:221,500 million dollars for the Yankee arcs.
44:24And that counting the legal sales to the bandit.
44:27Good evening.
44:29Good evening.
44:30Cruz and Alonso haven't arrived yet?
44:32Cruz won't have dinner with us tonight.
44:34She's tired after the theatrical performance.
44:37And she asked me to apologize to her.
44:39The play was so bad.
44:41Terrible.
44:43We can't wait to see the whole play in the interact.
44:46We go out with our feet in powder.
44:48When you go to a town theater, you have to go with low expectations.
44:52I don't agree.
44:54I've seen works in Lujan and Tenerantes that were pretty good.
44:57Can I know why there are two extra seats?
45:04Good evening.
45:06Good evening.
45:08Good evening.
45:10Sorry for the inconvenience.
45:12We were going for a walk and Ulisio took us ahead of schedule.
45:17I think I owe you all an apology.
45:20It's not necessary, Pelayo.
45:22Even so, if you allow me, Marquis.
45:29I know my departure from this palace was hasty and I am aware that it was not in the best circumstances.
45:35To put it mildly.
45:37Although I want to add that I am not guilty of the accusations that were later poured on me.
45:42And maybe I don't deserve it, but ...
45:45Even so, I want to take the risk of asking you to give me another chance, just like Catalina did.
45:53It is an immense pleasure for me to welcome you back to the palace, Mr. Count.
45:59Thank you, Manuel.
46:01Welcome, Pelayo.
46:05I was very happy when your sister told me that you had returned from the front safe and sound.
46:12I'm happier, I assure you.
46:15It had to be a pride to fight for the good and democracy.
46:18Don't say it with such admiration, Mr. Count.
46:21You have also played a relevant role in that war.
46:27And what is it, if I may know?
46:29Margarita, let's not spoil the dinner by talking about the war.
46:35I think now I understand much better the indisposition of the Marquise.
46:38Ignacio.
46:39What?
46:41You have taken my place. The least I can do is make a joke.
46:45Your place? I didn't know.
46:47Leave him alone, Ayala.
46:49I will not allow you to keep bothering my guest.
46:52If I have bothered you, why didn't you tell me yourself, Mr. Pelayo?
46:56I have already listened to my sister, Mr. Count.
46:59Let him be.
47:01He is our guest.
47:03Of all.
47:05Of the family.
47:06Mr. President, what do you intend?
47:08That this becomes a school fight?
47:14You excuse this lack of totally unjustifiable decor.
47:19The Count is a guest of my daughter Catalina.
47:21He will stay in the palace as long as the two of them agree.
47:25And I don't want a single more insidious comment.
47:36No, no, no.
48:07Were you looking for Mr. Manuel, Miss Expósito?
48:10No, no, no. I only came to clean.
48:12At this time of night?
48:14Well, I wanted to take advantage that Mr. Manuel had gone to the theater with his mother so as not to bother.
48:19You should go down immediately to the service area.
48:22Mrs. Arcos is looking for you.
48:24Right away.
48:26One second.
48:28Our key lady can wait a moment.
48:31Do you need anything from me?
48:32We have a conversation pending.
48:37You and I have to speak clearly.
49:03Good evening.
49:08You did well to retire so soon.
49:12Ayala and Lorenzo's veins have not taken a minute to jump to Pelayo's neck.
49:17He deserves it.
49:20And how about this afternoon with Manuel?
49:23He has already told us that the theater was a tragedy, although he did not intend to be.
49:28If he has already told you, why do you ask me?
49:33Cruz, I know you're angry with me.
49:36But at least tell me why.
49:40Whatever it is, I'm sorry.
49:42All I want is for us to be fine.
49:45You don't need to be brave to come to me now with that.
49:49My apologies are sincere. Tell me what I have failed you and I will do everything I can to fix it.
49:53There are things that once broken can no longer be reassembled.
49:57Well, then I will fulfill my penance, but at least tell me what my fault is.
50:02What for? If you know it perfectly.
50:04If I knew it, I wouldn't insist, Cruz.
50:06Don't make me tell you out loud.
50:08That's what I'm asking you.
50:10I'm not going to go through that humiliation.
50:12I won't leave until you tell me.
50:14I know what happened to Maria Antonia.
50:16You were unfaithful to me with my best friend and in my own house.
50:20Is that what you wanted to hear?
50:26AVAILABLE NOW