Critically acclaimed directors share their directing experience with ‘SiS!’ | SiS (Stream Together)
Directors Kaka Balagtas, Maryo delos Reyes, Mel Chionglo, and Mac Alejandre join forces to break down their careers, directing styles, and who they love working with!
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00:00We walk hand-in-hand, we dream together We giggle and laugh like kids forever
00:12We're two different people but we're having fun
00:16We talk about anything under the sun We are sisters, we are friends
00:23We've got magic that never ends
00:27I got you sis, you got me
00:31The best of friends we'll always, always be
00:39We always have fun being together
00:43You know me the best, we're friends forever
00:47Through good times and bad, I'm here for you sis
00:50Right by your side, hit or miss
00:54We are sisters, we are friends
00:57We've got magic that never ends
01:01I got you sis, you got me
01:05The best of friends, the best of friends
01:09The best of friends we'll always, always be
01:14We are sisters, we are sisters
01:18Yes! Yes! Good morning! Good morning mga sis!
01:22Nako, sobrang kakaibang episode natin.
01:25O tina niya naman, humpisa palang, ibang-ibang ng look namin.
01:28Hindi po kami mag-iiba na linya na trabaho ni Janice.
01:30Hindi po kami mag-iiba na linya na trabaho ni Janice.
01:31Hindi po kami mag-iiba na linya na trabaho ni Janice.
01:32Hindi po kami mag-iiba na linya na trabaho ni Janice.
01:33Hindi po kami mag-iiba na linya na trabaho ni Janice.
01:34Hindi po kami mag-iiba na linya na trabaho ni Janice.
01:35Hindi po kami mag-iiba na linya na trabaho ni Janice.
01:36Hindi po kami mag-iiba na linya na trabaho ni Janice.
01:37Well, today, kasi syempre, I'm sure iniisip nyo,
01:40sino ba talaga ang nagpapalakad ng set ng isang TV show o set ng isang pelikula?
01:46Syempre, wala kong iba kung hindi ang director.
01:48At, syempre gusto nyo rin malaman kung ano ba nangyayari sa likod ng camera
01:52bago mag-take, pagkatapos ng take, kung paano ba sila,
01:55kung paano ba nabubuo isang pelikula, yan ang aalamin natin.
01:58At syaka aalamin din natin kung sino-sino ba itong mga director
02:01na gumawa ng pagkaganda-gandang pelikulang mga napapanood natin.
02:04Mga award winning.
02:05Yes, that's right.
02:06Umpisahan na natin ang ating mga guests na director.
02:09Okay, ang first guest, Jose Cacabalagtas.
02:16Next, of course, we have Margie De Los Reyes.
02:25Of course, kasama rin po natin, isa po sa mga parati kong kasama,
02:28Director Mel Chonglo.
02:30Hi, good morning.
02:32And of course, we have Mac Alejandre.
02:39At kasama rin po natin, special participation,
02:43direct, Louie Ignacio.
02:46Akala mo makakaligtas ko direct na.
02:48Sorry.
02:49Ayan po ay mapapanood nyo sa pagbabalik, of course, ng SIS.
03:02Thank you, director.
03:04Next call, cut 1, take 1.
03:08So, kumusta naman ng mga direct na conscious pala
03:10pagka silang nasa harap ng camera?
03:13Anong ba?
03:15Conscious.
03:17Conscious.
03:18Conscious, aminin.
03:20Aminin, nagahanap ng talilight.
03:23Nagahanap ng camera.
03:26Paano kayo nagsimula sa ganitong klaseng profesyon?
03:30Sino?
03:31Sino una?
03:32Ako, extra ako.
03:33Extra na muna ako.
03:35Tapos?
03:36Pagkatapos mag-extra, nag-stunt muna ako,
03:38nag-scriptwriter ako,
03:40naging assistant director ako,
03:42bago naging director.
03:43Pero ang gusto ko talaga, maging artista.
03:46Oyy, showbiz!
03:48Dumaan siya talaga sa langat ng ano.
03:50Parang si Dick Israelang.
03:52Ayun.
03:53Ayun, ganun na ron ha.
03:56Ako, inambition ko na talaga.
03:59As in director talaga?
04:00Bakit hindi?
04:01Pero seminarista yan, ha?
04:03Hindi, before that na.
04:04Kindergarten, sabi ko, na-assign na ako sa mga ano.
04:07Yung mga nagde-decorate ng classroom.
04:10Tapos mga, kunwari may mga maliit kaming play,
04:13o kaya mga,
04:16yung poetry rendition, mga readings, ganun.
04:20Hanggang sa...
04:21Ako na nagde-direct sa klase.
04:24Hanggang sa pumasok ako sa seminaryo.
04:26Kasi nagkaroon...
04:27Feeling ko nagkaroon ako ng vocation, o na...
04:30I went inside the seminary for high school.
04:32And then, ginulong ko sa seminaryo.
04:34Dinirect ko silang lahat.
04:36Dinirect ko silang lahat.
04:37Yung chapel, ginawa ako sa theater, mga ganun.
04:39Hanggang sa...
04:40Hanggang sa sumama na ako sa PETA.
04:43After that, I went into...
04:46writing.
04:47And then I got introduced to Balintataw.
04:49I met si Silkie Dote Alvarez.
04:52She was the one who taught me.
04:54And then, hanggang sa...
04:55Nagsusulat na ako sa Balintataw.
04:57Si Lupita na nag-assist ako kay Lupita for a while.
05:00I left for abroad.
05:01And then I came back.
05:02Tapos sabi niya,
05:03I am doing a movie with children.
05:05Sila, ano yan eh?
05:06Sila Roderick.
05:07Sina...
05:11Jingel.
05:12Alkitrang Dugo.
05:13Alkitrang Dugo.
05:15Kumulong ako ron bilang acting coach.
05:17Hanggang sa...
05:18Inoffer ako ni Tom Adrales sa Agrix Films.
05:22Isang pelikula ng mga bata.
05:24Sina Efren Montez.
05:26Sina Eddie Villamayor.
05:29As director na kayo?
05:30As director.
05:31Ito na yung High School Circa 65.
05:33And then, hindi pa natatapos yun.
05:35Binigyan na ako ng next assignment.
05:36Yung Gaboon.
05:38Nanganak na na nanganak.
05:39At yun na nga.
05:40Hanggang sa...
05:42Na-associate ako kay Nora.
05:43Nora Onora.
05:44I was doing...
05:45For a while, di ba yung totoo?
05:46I was doing...
05:47Before that pa, Ani Batumbakal.
05:49Ani Batumbakal?
05:50Yung Bongga Kaday.
05:51Ginawa ko na.
05:52Sa'yo mo ngayon?
05:53Musical?
05:54Oo, yung mga musical na rock and roll.
05:55Sa'yo musical ka pala?
05:56Musical.
05:57Direct Mel.
06:00Nasa New York ako,
06:01nag-aaral ako noon ng acting directing.
06:03Gusto ko talaga magpumasok ng theater.
06:06Pero I had a classmate in college
06:08na magdi-direct ng first movie niya,
06:10si Mike DeLeon.
06:11Wow.
06:12Classmate kami.
06:14Tapos,
06:15nagko-communicate kami.
06:17Tapos sinabi niya sa akin
06:18kung pwede maging production designer niya ako
06:21sa pelikula niyang Itim.
06:23So, bumalik ako.
06:25That was 1976.
06:27Tapos noon,
06:28gagawa uli siya ng pelikula
06:30the following year, 1977.
06:32After Itim,
06:33bumalik muna ako sa States.
06:35Tapos,
06:36bumalik uli ako dito.
06:37And then,
06:38I stayed on na.
06:39Nag-production design ako for four years.
06:42Then in 1980,
06:44inoferan ako ni Mother Lily
06:46to direct my first movie.
06:48Which was?
06:49Playgirl.
06:50Playgirl.
06:51Gina Alahar,
06:52Jalita Solis.
06:53Siyempre si Mac.
06:54Ako?
06:55Pareho kami ni Mario.
06:57Wala akong ibang pinangarap
06:58kung hindi maging director.
07:00But you went through the process also.
07:01I went through the process.
07:03Nag-aral ako ng pre-med sa UP.
07:05Ay, process talaga.
07:08Nag-aral ako ng pre-med sa UP.
07:10Tapos,
07:11gusto ko lang maging director.
07:13Nag-offer ang UP Film Center ng workshop.
07:15So,
07:16pumasok ako doon.
07:17Nakagawa ko ng short film.
07:18Nanalo siya.
07:19Tapos,
07:20I happened to be
07:21at the right place
07:22at the right time.
07:23Yun yung laging clean chair doon eh.
07:24Nakilala ko si Ricky Lee
07:26who was
07:27very, very instrumental
07:28in my directing career.
07:29Kasi,
07:30through him,
07:31I met a lot of people.
07:32And then,
07:33through him,
07:34I met Nora Honor
07:35and sina Ishmael Bernal
07:36and so on.
07:38Pagtapos kong gumawa ng mga short films,
07:40nakilala ko si Ishmael Bernal
07:41na nakapanood ng dalawang short films ko.
07:43Nakapagtrabaho ako sa kanya
07:45bilang assistant director.
07:46And eventually,
07:47I served.
07:48I'm sure kay Direct Mel
07:49at sya na kay Direct Mario,
07:50nag-AD ka.
07:51Tapos, nag-AD ako
07:52kina Mama Mel,
07:53kina Chito Ronyo,
07:54kina Gil Portes.
07:55At that time,
07:56kaibigan ko na si Ricky Lee.
07:58Tapos,
07:59he kept on pushing me.
08:00No, you will direct soon.
08:01No, you will direct soon.
08:02No, you will direct soon.
08:03Finally,
08:04nakilala ko si Nora Honor
08:05and she pushed,
08:06she pushed me
08:07and was the last,
08:08was the clean chair
08:09para makapag-direct ako
08:10ng unakong episode
08:11for Maalaalak Mo Kaya.
08:12Maalaalak Mo Kaya
08:13starring Nora Honor.
08:14And that began
08:15my directorial career.
08:17Gano ba kahirap
08:18makarating?
08:19O kadali.
08:20O kadali,
08:21makarating sa status nyo?
08:22Because you're all,
08:23you've all won awards,
08:24you're all critically acclaimed,
08:25diba?
08:26Hindi kayo basta-basta direkto.
08:27Oo.
08:28Diba?
08:29You're directors
08:30with an attitude.
08:31Oo.
08:32Para sa akin,
08:33siguro,
08:34buhay mo yun eh.
08:35And then,
08:37it's a focus
08:38that you don't give up.
08:40Unlike,
08:41kunwari,
08:42nung umpisa,
08:43hindi mo alam kung
08:44stable ba ito,
08:45may kikitain ba ako.
08:47So,
08:48ang naging,
08:49parang fallback ko,
08:50sabi ng sister ko,
08:52mag-aral ka nang
08:53mass communication
08:54kasi at that time,
08:5570s,
08:57nagsisimula pa lang
08:58ang television,
08:5960s nagsimula
09:00ang television
09:01na mag-boom eh.
09:02So,
09:03and they were offering
09:04that as a course.
09:05Sa theater-theater kasi,
09:07you cannot really make
09:08it as a living.
09:10You know,
09:11you cannot really,
09:12wala kang regular
09:13income,
09:14regular job.
09:15And then,
09:16you go into television,
09:17you take up broadcast
09:18communi-
09:19I took up broadcast
09:20communication in UP.
09:21And,
09:22yun na nang,
09:23pumagas,
09:24parang,
09:25pwede kang pumasok sa network.
09:26Pwede kang magtrabaho ron.
09:27Kaya lang,
09:28ang priority ko talaga,
09:29gusto kong gumawa ng pelikula.
09:30Pareho-pareho sila,
09:31no Janice,
09:32parang kailangan,
09:33binaanan nila lahat
09:34ng proseso.
09:35Talagang they went up
09:36the ladder slowly.
09:37Oo.
09:38Mahirap din yun.
09:39Parang,
09:40puro focus lang ba to?
09:41Talaga bang may natuturo sa inyo
09:42yung mascom na yan?
09:43Talaga bang may nakocontribute siya?
09:45Or,
09:46for some people,
09:47it can be just
09:48a leap of faith?
09:49Ah,
09:50marami.
09:51Walang,
09:52walang isang definite.
09:53Pero,
09:54tama si Mario eh.
09:55Sa akin,
09:56kasi pumasok ako
09:57nang wala akong kakilala
09:58absolutely.
09:59Ang nagdala lang sa akin
10:00ay yung malaki kong desire.
10:02Ang,
10:03ang,
10:04ang desire ko
10:05to be part of cinema.
10:07Hindi ko alam,
10:08yung ibaang dating ng pelikula
10:10sa akin eh.
10:11Yung pag nanunood ako,
10:12kahit hindi ako kumain,
10:14ang baong ko iniipong ko
10:15para makapanood ng pelikula.
10:17Tapos,
10:18habang nanunood ka ng pelikula,
10:20nararamdaman mo na,
10:22gusto kong maging director.
10:23Gusto kong ako
10:24ang nagkukwento.
10:25So,
10:26hindi mo,
10:27kung tama si Mario,
10:28kasi habang nagfofocus ka,
10:29pagfocus ka,
10:30lahat ng ginagawa mo,
10:31hindi mo alam,
10:32eh,
10:33yun ang nga signals
10:35na se-send mo
10:36sa lahat ng tao.
10:37So,
10:38little by little,
10:39nagkakreate ka ng way.
10:41Eventually,
10:42hindi mo alam,
10:43yun na pala ang ginawa mo
10:44for the last five years.
10:45Tapos magkakulminate siya.
10:46Tama yun.
10:47Kasi kung walang focus,
10:48pwede kang ano eh,
10:49pagka medyo
10:50gutom-gutom ka na,
10:51pwede kang gi-give up ka eh.
10:53Mag-medical representative ka na muna.
10:57Balik na lang sa...
10:58Mag-research assistant ka na.
10:59So,
11:00madativert ka na.
11:01Magbenta ka muna
11:02ng encyclopedia
11:03o kaya insurance.
11:04Hindi.
11:05Magbutom ka.
11:06Magbutom ka.
11:07Meron akong kwento na.
11:08Magsacrifice ka.
11:09I-internalize mo talaga
11:10yung pag-gutom mo.
11:11Karirin mo talaga.
11:12Karirin mo.
11:13One year bago ako mag-direct,
11:14umiiyak ako kay Ricky Lee.
11:16Sabi ko sa kanya,
11:17Ricky,
11:18gutom na-gutom na ako.
11:19Which is true.
11:20Ang chanko,
11:21lasang sardinas na.
11:22Kasi ang kinakain ko na lang,
11:23dilata.
11:24Dahil sabi ni Ricky,
11:25hindi,
11:26wag kang bumiti oh.
11:27Sabi niya,
11:28pretty soon,
11:29magtsaga ka lang,
11:30pretty soon.
11:31Sabi niya,
11:32give it a time frame,
11:33one year.
11:34So,
11:35tama siya.
11:36Kung bumiti ako six months before,
11:37hindi ako nag-indirect.
11:38Hindi lang yung sa literal na butom.
11:40Exactly.
11:41Hindi lang yung literal na butom.
11:42Kundi yung,
11:43pag minsan diba,
11:44yung gumagawa ka ng pelikula
11:45na,
11:46hindi mo masyadong type.
11:48Halimbawa ka.
11:49Frustration.
11:50Pero sa loob mo,
11:51hindi nawawala yung
11:52anong gusto mong gawin.
11:53Parang mga artista rin.
11:55Meron yung bang ganon?
11:56Oo.
11:57Para sa aming mga artista,
11:58meron kami mga role na gusto mong gawin.
11:59Meron na parang,
12:00ano ba,
12:01yan.
12:03Ganon.
12:04Kayo may ganon din kayo.
12:05Of course.
12:06Meron.
12:07Yun yung bumubuhay sa'yo.
12:08Gusto ko malaman kung ano yun.
12:09Diba?
12:10Ano ba yung mga
12:11naging pelikula nyo
12:12na ganun ang naramdaman nyo?
12:13Direct ka ka.
12:14Teka.
12:15Teka.
12:16Bakit?
12:17Sorry, direct ka lang.
12:18Q2GAP muna tayo e.
12:19Bat muna ka.
12:20Magwabalik pa po e.
12:21Kasama mga direct.
12:22Ano ba yun?
12:23Magwabalik pa po sis.
12:32Action!
12:33Yun na nga.
12:34Tuluyin natin ang usapan.
12:35Pero bago natin ituloy ang usapan,
12:37meron tayong bagong kasama na,
12:39ewan ko ba,
12:40kasi yung mga director,
12:41diba, yun ang
12:42ayaw mo yun.
12:43Ayaw mo yung mga director.
12:44Yung mga nakuhulit.
12:45Oo.
12:46Yung mga kosok dibig.
12:47Ay sus.
12:48Yaman din lamang.
12:49Andito siya para,
12:50ano,
12:51makipagkwentuhan sa atin.
12:53Introduce sa natin
12:54ating next direct.
12:55Since, late siya,
12:56dun siya.
12:59Wala siyang upuang totoo.
13:00Dun na lang siya sa
13:02armrest.
13:03Nakikiyot ko lang.
13:04Okay.
13:05Next direct.
13:06Manny Castañera.
13:08Magandang good morning.
13:09Good morning!
13:10Tutuloy natin yung tinanong namin kanina.
13:12Ano ba itinawid ko?
13:14So direct kaka,
13:15saan galing yung angst mo?
13:16Anong pelikula yung itinawid mo lang?
13:18Itinawid mo na lang.
13:19Hindi.
13:20Sa akin kasi,
13:21diba,
13:22meron akong pelikula
13:23yung ginagawa
13:24na yung
13:25hindi ko gusto.
13:26Lalo na,
13:27minsan,
13:28may mga producer na
13:29gusto silang i-produce
13:30na ano.
13:31Oo,
13:32nagkukunwaring script writer.
13:33Saksak nang saksak
13:34dun sa
13:35hindi naman dapat
13:36ilagay.
13:38Napipilitang kang gawin.
13:39Pero,
13:40ayaw mo.
13:41Katulad ng?
13:42Katulad ng mga,
13:43hindi ko nasasabay niyo.
13:44Ay!
13:45Nagpakasave!
13:46Nagpakasave!
13:47Nagpakasave!
13:48Okay, okay.
13:49Kasi meron mga ganun eh.
13:50Sa akin yun.
13:51Sa akin yun.
13:52Ang pangyayari.
13:53Okay.
13:54Yaman din lamang na late
13:55si Direk Manny Castañera.
13:56Kailangan sagutin niya to.
13:57Anong ginagawa niyo
13:58sa mga artista
13:59ngayong late?
14:00Ayan!
14:01Ako tinitilian ko,
14:02sinasapak ko!
14:03Excellent!
14:05Pero,
14:06hindi ko ginagawa
14:07sa direkto.
14:12Meron pang direktor
14:13na namama to.
14:14Oo,
14:15may ganun.
14:16Walk out!
14:17Walk out!
14:18Walk out!
14:19Tapos,
14:20mabalik after a while.
14:21Oo, syempre.
14:22Pero,
14:23meron talangan pinamindigan.
14:24Mapakat ng ano.
14:25So,
14:26kamusta naman yung director?
14:27May mga ganun ba sa
14:29pinag-nail na.
14:32Kasi minsan,
14:33meron kang gusto
14:34the right moment
14:35at the right time.
14:36This precise
14:37effect.
14:38Ginagawa ko yung
14:39Tagus ng Dugo
14:40with Vilma Santos.
14:41Eksena ni
14:42Richard Gomez
14:43at saka ni Vilma.
14:44And that was tough.
14:45I mean,
14:46ibig sabihin,
14:47kinoreograph yung buong
14:48lovesi nila.
14:49Ang effect,
14:50meron perlandi na umiikot.
14:51Meron smoke na bababa.
14:53Tapos,
14:54yung music papasok.
14:55Tapos,
14:56yung ilaw magfiflicker.
14:57Meron strobe lights.
14:59You have to orchestrate
15:00all of these things.
15:01Of course.
15:02And then,
15:03let the camera run.
15:04At the right,
15:05pagdating nung
15:06tempo ng music,
15:07tatayo si V.
15:09There was,
15:10nai-rehearse na namin.
15:11So,
15:12one, two.
15:13Yung take na,
15:14biglang hindi umandar
15:15yung perlandin.
15:16Kasi,
15:17nakalimutan nung
15:18effects na
15:19na
15:20i-on yung switch.
15:21Doon,
15:22nag-tantrum ako.
15:23I think it took me
15:24two hours
15:25to calm down.
15:26Because,
15:27ewan ko,
15:28I don't know how.
15:29I became very,
15:30very,
15:31viciously violent
15:32na nagbawabasag ako.
15:33Direct Manny,
15:34pag naganyang tinitini kayo,
15:35don't you feel a little guilty
15:36after?
15:37Yung pag medyo
15:38nag-mellow ka na yung
15:39bumaba na yung
15:40init ng ulo mo.
15:41Basang hindi personal.
15:43Pwede ba yun?
15:45Hindi,
15:46hindi personal yun eh.
15:48Sa tabaho yun eh.
15:49Sa tabaho yun.
15:50Hindi ako nagagalit
15:51kay Vilma.
15:52It's just the situation.
15:54So frustrating.
15:55Let me add that.
15:57Nung hindi pa ako
15:58nagiging director,
16:00nagtataka ko kung bakit
16:01ganon ang tantrums,
16:02ganon ang init ng ulo
16:03ng isang director.
16:04But when I started directing,
16:05I understood why.
16:07The pressure is so great.
16:10You will just have to explode
16:11when things don't go well.
16:13Well, of course,
16:14I try my best.
16:15Nobody beats Mamamel here.
16:16Of course.
16:17Of course.
16:18Winner!
16:19I try my best not to.
16:20Pero sometimes,
16:21even on my own,
16:22napapatili ka rin.
16:23And then what I do
16:24na lang is
16:25I try to move away
16:26so that I will not
16:27affect other people.
16:29Pero you will realize
16:30the pressure is so great.
16:33You are the captain of the ship.
16:34You are responsible
16:35to the director.
16:36Ang dami-dami mong dapat
16:37babantayan,
16:38ang negatibo,
16:39ang artista,
16:40ganito, ganyan.
16:41Ultimo utility,
16:42ultimo tubig
16:43sa'yo sinasabi.
16:44Eh, direct, Mac.
16:45Napanako ka.
16:46Napanako.
16:47O, kasi buong karin ko
16:48ata puro mga bata
16:49ang dinidirect ko.
16:51So, hanggang sa ngayon
16:52ang dinidirect ko
16:53may isang instance.
16:54They tried your patience.
16:55Alam ng staff ng Channel 7
16:57kung paano ako magalit.
16:58Pinipilit kong huwag magalit
17:00kasi tama ka pagkatapos
17:01nakakagilty eh.
17:02Nakakagilty.
17:03I've never walked out
17:04on a taping
17:05or a shooting.
17:06I've never packed it up.
17:07Pero paggalit ako,
17:08inilalabas ko.
17:10So may isang time na
17:11sige, click,
17:12ilang artista yan.
17:13Labing tatlo.
17:14So may mga eksenang
17:15sabay-sabay sila.
17:16Eh, magpapasko.
17:17So, ang saya-saya nila.
17:18Eh, ang eksena e drama.
17:19So, ibablak mo sila.
17:20Ibablak mo sila.
17:21Seryosong-seryoso ka.
17:22Yun sinasabi ni Mario kanina.
17:24Mahinuhuli kang
17:25isang moment
17:26na gusto mong makuha.
17:27So, noong rehearsal,
17:28nakikinig.
17:29Diba?
17:30Pagbaba mo,
17:31bababa ka sa booth.
17:32Two minutes.
17:33Yun two minutes na yun,
17:34pagupo ko,
17:35pagtingin ko sa monitor
17:36si Sherwin,
17:37eh, sumasayaw.
17:38Umakyat ako.
17:39Hindi ako nang baba to.
17:40Pero that particular time,
17:41yung belt bag ko,
17:42binato ko.
17:43Ang sabi ko sa kanya,
17:44magdancer ka na lang.
17:46Diba?
17:47Pagtapos ko sabihin yun,
17:48alala ko yung cellphone ko,
17:49mahal.
17:50Kasalob ng bag,
17:51baka mahal.
17:52Kasi si Direk,
17:53malalim, hindi siya
17:54magka-identify.
17:55Kasi hindi siya nagagalit, eh.
17:57Malita ko.
17:58Never.
17:59Was there ever a time
18:00na nagkaroon kayo
18:01ng ganyang bout?
18:02Wala.
18:03Ay, kasi...
18:06Wala, si Direk,
18:07garito na yan.
18:08Habang nagkakagulo...
18:09Paano, paano ba?
18:10Habang nagkakagulo,
18:11kasi pag ganyan si Direk,
18:12that means he has a strong A.D.,
18:13na siyang magagal,
18:14siyang timitilis,
18:15siyang nagtatayo.
18:16Habang si Direk,
18:17pupunta sa isang gilid,
18:18hindi siya ng Yossi niya.
18:19Yossi.
18:20Easy.
18:21Yossi.
18:22And both.
18:23Easy pa rin.
18:24Hanggang sa,
18:25pwede na mag-take.
18:26Ah, gano'n.
18:27Easy lang siya.
18:28Easy lang talaga siya.
18:29Kasi palagi ang iniisip ko naman,
18:30pag ako'ng nagwala,
18:31kasi nga alam nila
18:32wala kong temper.
18:33Yes.
18:34So pag ako'ng nagwala,
18:35hindi ba?
18:36Hindi ka pa paniniwalaan.
18:37Hindi sa hindi paniniwalaan,
18:38kundi baka matens yung artista,
18:40baka matens yung mga staff,
18:42baka lalong sabihing
18:43extraordinary na ito,
18:45na nagwawala ito.
18:46Kasi never naman kayo nagwawala.
18:48So I make it an effort.
18:50Na totoo yun,
18:51na merong strong people ka around you.
18:55May AD kang strong,
18:56may PM kang strong,
18:57merong kang designer na strong.
18:59Hindi ba?
19:00Wala akong ano.
19:01Wala akong tumitili,
19:02pero sa direct, wala lang.
19:03I don't get it.
19:05Kailangan may tension,
19:06ng konti.
19:07You have to create certain tension.
19:09So everybody's on their toes.
19:10Yeah.
19:11And at the same time,
19:12may energy.
19:13May energy.
19:14May energy.
19:15Everybody's on their toes.
19:19Ang problema kasi ng director,
19:21ang pinaka-mahirap na gawin ng director,
19:23is to bring everybody
19:24into a certain
19:26mood.
19:27Standard.
19:28Na ito tayo, ito tayo.
19:29Ito ha?
19:30Ito ka ha?
19:31Ito yung utility mo,
19:32ito yung artista mo,
19:33ito yung designer mo.
19:35We will work on this level.
19:37We're going up to 80.
19:39And then we will go to a 90.
19:41This is the standard we have to
19:43To live with.
19:44To live with.
19:45At this point,
19:46at this moment,
19:47to this day.
19:48Okay.
19:49Piyong kayo ng multiple choice.
19:50Okay?
19:51Isang,
19:52nakita nyo,
19:53dirigent sa script,
19:54on time dumating.
19:55Yung ready siya,
19:56ready siya to work.
19:57Ready willing,
19:58pero hindi siya able.
20:00In other words,
20:01kahit na rin gawin mo,
20:02pero yung masipag,
20:03nakikita sa lahat.
20:04Pero,
20:05wala talaga.
20:06O yung,
20:07late.
20:09May attitude.
20:11Di ba?
20:12Ang ya,
20:14pero naman,
20:15pag-action!
20:16Deliver.
20:17Hindi siya magtatagal sa industriya.
20:19Pero,
20:20which would you rather have?
20:21The B.
20:23The B parin?
20:24You live with the attitude?
20:25Yeah, because
20:26when you direct,
20:27when you tell a story,
20:28how can you tell a story
20:29if the actor is inept?
20:31So I will sacrifice
20:33the angst,
20:34the anger,
20:35for somebody who can deliver
20:37because the end part
20:38is what is most important.
20:40Yes,
20:41and the problems he will create,
20:42you ask somebody
20:43to take care of it.
20:44Yes.
20:45So that you will not mind.
20:46Kasi may mga artista akong ganyan eh.
20:47Pag namimile,
20:48sino ang gusto mong casting,
20:49etc, etc.
20:50Namimili ba kayo ng casting?
20:51Ang pinipili ko,
20:52yung magagaling.
20:53Tapos problema na ng
20:54AP,
20:55ng EP,
20:56ng DOL.
20:57Nangyaro na yung series namin.
20:58Pinili ko yung on time,
21:00pinili ko yung magaling magmemorya.
21:02Sumakit din ang ulo ko.
21:04Kasi,
21:05ang hirap naman.
21:06Kaya hindi siya magtatagal
21:07sa industriya.
21:08Hindi rin yung makuha.
21:09Yung masaklap doon.
21:11Ikaw,
21:12ikaw ang may kasalanan pa rin.
21:13Oo,
21:14ang director na sisihin,
21:15hindi yung artista.
21:16Magwabalik tayo,
21:17at alamin pa natin
21:18kung ano ba yung mga kwentong ganyan.
21:19Alamin natin kung sino yung mga ganyan.
21:20Kasi magwabalik pa pa rin.
21:29Okay,
21:30direct na.
21:31So,
21:32yung question natin kanina,
21:33siyempre.
21:34Ba't ganyan ang questioning mo?
21:35Ano yung pinabagay mo
21:36sa demeanor ng director?
21:37Siyempre.
21:38Depende,
21:39but I'm sure
21:40ikaw pagkantayin
21:41yung mga ganyan sa akin.
21:42Actually.
21:43Siyempre,
21:44nabubabagay ako.
21:45Para ano,
21:46pareho kami ng attack
21:47ni director.
21:48Hindi,
21:49direct,
21:50paano nga yun?
21:51Kunyari,
21:52do they show you?
21:53Parang,
21:54eto yung direct,
21:55eto yung cast natin.
21:56Okay ba sa iyo yan?
21:57Si Janice po.
21:58Si Janice po.
21:59Okay ba sa inyo
22:00si Janice?
22:01Janice,
22:02okay na sa inyo direct?
22:03Para sa...
22:04Actually,
22:05ang consideration,
22:06ang principal consideration
22:07is ano,
22:08yung whether makakasundo mo siya o hindi.
22:10Kung hindi,
22:11kung talagang siya
22:12ay nararapat sa role.
22:13Kung bagay.
22:14Di ba yun eh?
22:15Kung bagay.
22:16And then,
22:17you take for granted
22:18na marunong umarte na yung artista.
22:19Di ba?
22:20Ngayon,
22:21kung halimbawa ka,
22:22maraming choices
22:23na bagay sa role,
22:24di,
22:25pipili ka
22:26kung sino yung
22:27sa tingin mo
22:28ay
22:29mas magaling
22:30kesa dun sa isa.
22:31Nilalagyan nila
22:32lahat ng pangalan sa back.
22:33Maraming consideration.
22:34Kasi may mabulo.
22:35Wala bang ganon,
22:36bulutan.
22:37Hindi,
22:38ang director kasi
22:39paglalaban niya
22:40as much as possible.
22:41Paglaban siya,
22:42di ba sa tingin niya
22:43bagay.
22:44You're the callous to believe
22:45na talagang
22:46pasok siya dun.
22:47Kayo rin?
22:48Direct ka ka?
22:49Kahit sa bida yun?
22:50Kahit bida mismo?
22:51Kahit bida mismo.
22:52Siyempre meron kayong
22:53mga favorites na i-direct.
22:54Tama ba ako?
22:55Aminin na natin yun.
22:56Siyempre you've worked
22:57with a lot of talents.
22:58And I'm sure there are people
22:59na you're
23:00happy to see
23:01to see pag nasa set
23:02na sila parang
23:03ay, salamat.
23:04Or,
23:05ay,
23:07Sige, sige, sige, sige.
23:08Sana, direct,
23:09huwag showbiz ang sagot.
23:10Huwag showbiz!
23:11Huwag showbiz.
23:12Ha?
23:13Sige,
23:14meron ba ganoon?
23:15Sige, direct.
23:16Meron.
23:17Sino favorite niya?
23:18Favorite niyo?
23:19Hindi kasi, di ba,
23:20kahit na
23:21favorite mo siya.
23:22Buwagwa ng dahilan.
23:23Kasi,
23:24magaling pa.
23:25Bagay pa siya ro.
23:26Sige, direct.
23:27Sino ba?
23:28Ipe.
23:29Favorite mo.
23:30Favorite mo Salvador.
23:31Ngayon,
23:32si Mikey yung ginagawa ko ngayon.
23:33Walang iba,
23:34kundi ikaw.
23:35Tapos,
23:36Geneva ang,
23:37ano, yan.
23:38Direct money.
23:39Safe.
23:40Actually,
23:41I went through the list.
23:42Actually,
23:43pinakagusto kong nakatrabaho
23:44si Madeline Reynes.
23:45Siyempre.
23:46Siyempre.
23:47Favorite ko?
23:48Marami akong favorite.
23:49Mula doon sa mga,
23:50nagsimula pa yun sila.
23:51Hindi naman na sinabi ko.
23:52Eh,
23:53kailangan nga.
23:54Yan,
23:55favorite ko.
23:56That's it, di ba,
23:57safe.
23:58Pag ako nagla line produce,
23:59o,
24:00lagi ko kinukuha yan.
24:01True.
24:02Yung mga sinasabing lang
24:03mga anak-anak ko,
24:04di ba,
24:05lagi nasisimula sa akin.
24:06Mga anak-anak naman si Direk Margie.
24:07Si na,
24:08si Dikya.
24:09Si Alice Dickson.
24:10Si Alice.
24:11Si na,
24:12sino pa ba?
24:13Sino pa ba?
24:14Si Boyet.
24:15Si,
24:16Jo Marie.
24:17Si Jo Marie.
24:18Yung mga yun,
24:19para sakit kasi,
24:20naniniwala ako na
24:2150% of direction is casting e.
24:24Pagka nakita mo na yan,
24:25parang,
24:26Bo'o ka na.
24:27Oo e.
24:2850% na lang tatrabahuin mo,
24:30kasi,
24:31mukhang,
24:32ayos na tayo, di ba?
24:33Pasado na.
24:34So,
24:35pasok na e.
24:36Di ba?
24:3750% of,
24:38ano,
24:39is directing,
24:40is casting.
24:41So,
24:42if you have a fantastic cast,
24:43what else will you do?
24:44You can just sit down.
24:45Ganito na lang.
24:46Tapos,
24:47then you just improvise
24:48and then talk to them
24:49and they deliver.
24:50So,
24:51it's just a matter of relating.
24:52Sa akin naman,
24:53may mga artista akong,
24:54kung baga,
24:55yung kinalakihan na.
24:56Kasi,
24:57I started with Regal,
24:58alam yan,
24:59ayaw mo yan Janice,
25:00di ba?
25:01So,
25:02si Maricel,
25:03si Janice,
25:04si Snooki,
25:05si Richard.
25:06Talagang Regal,
25:07please.
25:08Marami kaming napagsamahan.
25:10Even Aga,
25:11di ba?
25:12Marami kaming napagsamahan na,
25:13yun,
25:14kung baga,
25:15pag sila ang nasa cast mo,
25:16parang pamilya na.
25:18But always a delight sa akin,
25:20is working with,
25:21ano,
25:22with senior stars.
25:23Oo naman,
25:24hindi mo matatawaran
25:25yung talent,
25:26yung professionalism.
25:27Parang hindi kayo nagmo-work,
25:28parang nag-exchange lang kayo.
25:30Direct mak.
25:31Ay, ako naman,
25:32ang lahat ng mga pelikula ko,
25:33yung puro mga,
25:34launching ng mga love films.
25:36Yung mga mga kabataan,
25:38walang katapusan,
25:39at walang sa tumanda.
25:41You have the patience for that.
25:43Pero sa kanilang lahat,
25:44ang pinaka-joy na katrabaho,
25:46e si Angelo,
25:47tsaka si Bobby.
25:48Kasi,
25:49other than magagaling sila,
25:50magaling,
25:51lalo na si Angelo,
25:52ang galing-galing,
25:53e,
25:54ang simpli-simpli kausap.
25:55Tapos,
25:56tulad ng sinabi ng Mama Mel,
25:57pag gumagawa ng TV,
25:58di ba,
25:59ng guestings,
26:00si Hilda Coronel,
26:01si Gina Alahar,
26:02si Amie Ostry,
26:03si Jacqueline Jose,
26:05at si Janice Tibedero.
26:06Oh, maling!
26:08Always, always nice.
26:09Di ba, tama e.
26:10Pag,
26:11pag kunwari magtatabaho ka,
26:12magtataping ka,
26:13tapos heavy drama,
26:14at malapit na malapit ang
26:15episode sa'yo,
26:16pag nakita mo,
26:17na alam mo,
26:18ay, makaka-deliver to mga to.
26:19Things are easier,
26:21and better.
26:22At ang gaan ng trabaho.
26:23Ang gaan-gaan ng trabaho.
26:24Pwede niyo bang i-describe naman,
26:26yung mga
26:27tipo ng artista
26:28na hindi niyo feel i-direct.
26:29I'm sure hindi niya
26:30sasabihin ko sino,
26:31pero yung tipo ng artista,
26:32yung klase ng artista.
26:34Yung akala niya,
26:35alam niya lahat.
26:36Ay, direct ka ka,
26:37sige.
26:38Hindi ako,
26:39yung ganito,
26:40parang yung kaya
26:41direct Mario,
26:42di ba?
26:43Di na-direct ko si,
26:44lahat ng bago,
26:45di ba?
26:46Joyce Jimenez,
26:47lakang nag-umpisa yan.
26:48Si,
26:49nakatambal si Cesar,
26:50at saka si ano,
26:53yung nanalo ng,
26:54miss,
26:55ano ba,
26:56nakalibutan.
26:58Butsan ng Pilipinas.
27:00Walang problema sa inyo
27:01mag-direct ng bago.
27:02Si Rita Magdalena,
27:03ako sa akin ng ganit.
27:04Si Ry Bison.
27:05Pag hindi nag-deliver,
27:06di na nauulit?
27:07Ganun ba yun?
27:08E, talagang minsan,
27:09hindi mo nauuliting.
27:10Well, ako yung,
27:11may nakakatrabaho kong artista,
27:13na alam mo ang motivation niya,
27:14hindi yung pinaka-crack itself,
27:16but using showbiz as a stepping stone
27:18to something else.
27:20So hindi niya,
27:21wala siya doon,
27:23at mas enthralled pa siya
27:25sa showbiz party,
27:26sa chismis.
27:28Mas naano pa siya doon,
27:29sabi ko, wait,
27:30this is acting.
27:31Dapat ang priority mo,
27:33yung acting,
27:34hindi yung chismis
27:35about some other people,
27:36or kung anong dapat mangyari sa'yo
27:38after being in showbiz.
27:41So wala siyang dedication
27:42sa kanyang craft,
27:43wala siyang dedication
27:44sa kanyang art.
27:45And going back,
27:46masarap talaga makatrabaho
27:47ng artista,
27:48from a director's point of view,
27:50masarap makatrabaho ng artista,
27:51tagiging favorite ng mga director
27:52ang artista,
27:53kung number one,
27:54magaling.
27:55Yun na yun.
27:56Yun na yun.
27:57Yun na yun.
27:58Di bali na yun,
27:59late ng ponte.
28:00Basta magalit.
28:01Basta magalit.
28:02Ito meron tayong...
28:03Hard na antipatik kaminsan.
28:04O, mabapatawad mo yun.
28:05O, ito meron tayong
28:06Okrayan time.
28:07Nako.
28:08Nako.
28:09Mga direct...
28:10Ito,
28:11Janice,
28:12explain mo ko
28:13ano itong Okrayan time natin.
28:14Okay.
28:15Alami natin,
28:16like for example,
28:17kay Direct Money,
28:18alami natin kung ano,
28:19one, one lang
28:20na movie na ginawa niya,
28:21tapos hindi niya type.
28:22Hindi.
28:23Sa ibang director.
28:25Ah, okay.
28:26Ganun ba yun?
28:27Ah, okay.
28:28Nang co-director.
28:29Oh, my God.
28:30O, kunyari lang,
28:31hindi niyo napanoood yung show.
28:32Siyempre,
28:33agad mag-play safe kayo.
28:35Hoy, wag mag-play safe.
28:36Direct?
28:37Tignig, tignig, tignig, tignig.
28:38Cheater.
28:45Dali,
28:46umpisa natin direct money.
28:47Di ba, ano to?
28:48Ano, ano?
28:49I am relaxed.
28:50I am relaxed.
28:52See,
28:53this is an exercise.
28:55Direct money.
28:56O, o,
28:57try yun yung pelikula
28:58ni Direct Kaka.
28:59Hindi yung problema nga
29:00pag hindi mo napanoood.
29:01Mas mabuti mo yung sarili mo na.
29:03O, yung sarili na lang.
29:04Ibay natin.
29:05O, o, o.
29:06Sige na nga.
29:07Sige na nga,
29:08mag-play safe na tayo.
29:09O, o, o.
29:10O, cry na sarili.
29:11Yung ano,
29:12yung scene,
29:13di ko na sabihin
29:14ang buong title.
29:15Hindi ko talaga
29:16nagustuhan yung,
29:17kasi it's so hard
29:18to do a movie
29:19that you do not understand.
29:20Hindi ko talaga
29:21naintindihan yung pelikula nyo.
29:22Ginawa ko yung,
29:23kasi marami akong
29:24dapat bayaran.
29:25Sinisingin na ako
29:26ng aking ladon.
29:27Maraming naputulan ang kuryente.
29:28Telepono ko,
29:29wala na.
29:30Yun.
29:32Is that reason,
29:33is that,
29:34is that reason enough
29:35to actually finish a film?
29:36Kasi the problem was,
29:37they thought of me
29:38as since I'm a comedian,
29:39that I could do comedy.
29:40The movie type of comedy
29:41na nangyayari at the time.
29:42Oh, slapstick.
29:43Ano, Pinoy comedy.
29:44Oo, I was not
29:45really into it.
29:46But then I said,
29:47yes na re,
29:48kasi because I needed the money.
29:49I have to be very honest.
29:50It had to pay my bills.
29:51Hindi ko talaga
29:52naiintindihan.
29:53Nagumpisa at natapos
29:54yung pelikula na dinirekto,
29:55wala ako naintindihan.
29:56Direkta ka kayo.
29:57Ano sa akin naman,
29:58yung mga ilang pelikula
29:59yung hindi ko talaga
30:00magustuhan.
30:01Yung ginawa ko,
30:02yung mga kulang sa budget.
30:03Inbes na kailangan mo
30:04ng may pasasabugin ka,
30:05hindi magawa.
30:06Diba?
30:07Diba?
30:08Pinagtiitisan ko.
30:09Pinagtiitisan ko na lang
30:10lahat ng kuryente.
30:11Anong title po nito?
30:12Marami.
30:13Anong title po nito?
30:14Marami.
30:16Pinagtiitisan ko na lang
30:17lahat ng kuryente.
30:18Anong title po nito?
30:19Marami.
30:20Anong title po nito?
30:21Marami.
30:24Marami ang ginawa mo,
30:26pero hindi mo rin gusto
30:28kasi kulang.
30:29Kala ko pa naman
30:30outspoken kayo.
30:31Oo, mga direkta ka naman kayo.
30:33Direk Mario J. de los Reyes.
30:37Nagkaroon kami kasi
30:38ng problema sa Leia.
30:39Yung ginawa ko na,
30:41ewan ko hindi ba yata
30:42kayo conscious noon.
30:46With Lorna Tolentino,
30:47Rio Locsina,
30:48tsaka si Junior.
30:49Napanood ko yun?
30:50Napanood niya yun.
30:51Si Junior, as in si Junior
30:52de Tizoyo.
30:53Junior de Tizoyo.
30:54Bakit hindi mo feel?
30:55Unang-una,
30:56the script was
30:57too sophisticated.
30:58It was in search
31:00of the blue bird
31:01of happiness.
31:02Oo, diba?
31:03Ano ba yun?
31:04Diba?
31:05Hindi kayo sumulat nun?
31:06Hide nung mga oras na yun?
31:07Tony Perez
31:08ang sumulat nun.
31:09Oo, oo.
31:10The, ano,
31:11Spirit Questor.
31:12Siya sumulat na.
31:13Malaga?
31:15Galing kami nun sa Gaboon.
31:17He wrote Gaboon
31:18as a play.
31:19I like that.
31:20And then I went into,
31:21and then I was asked by
31:23Leia,
31:24because I did
31:25Annie Batumbacan
31:26so they thought I was
31:27the disco queen.
31:30So, nahanap yun naman ba
31:31blue bird of happiness?
31:32Hindi nga, e.
31:33Kasi nag-araw pa kami
31:34ni Miss Santos noon, e.
31:37Kasi minsan,
31:38nagkakaroon kami ng problema
31:39sa budget.
31:40So, I felt na
31:41nasisira yung discarte ko.
31:42Because?
31:44Tsaka yung bang,
31:45nawawalan ako ng, ano,
31:46ng gana.
31:48Gana.
31:49Yung,
31:50drive to finish it.
31:51Drive to, ano.
31:52Not to finish it,
31:53but because I said,
31:54I'm not a quitter,
31:55I'll finish it to the end.
31:56Yes.
31:59Katulad sa artista,
32:00minsan sasabihin niya,
32:01ako nag-direct nga pala,
32:02di ba, yung si, ano,
32:03yung anak mo,
32:04si Iggy Boy.
32:05Na-trauma rin sa akin yan, e.
32:07Kaya kanina,
32:08mabuti, pinansin ako, e.
32:13Pero sabi niya,
32:14sabi niya yata kay Janice,
32:15sinabi ni Douglas na,
32:17Mommy, I don't want to be
32:18an actor anymore.
32:20Kasi naman,
32:21di ba, first time niya
32:22makaranas ng sampal,
32:23at since sampal na totoo,
32:24naloka siya, okay lang.
32:25Naloka siya, e.
32:26Para makaiyak siya.
32:28Hindi ko naman siya
32:29sinampal, no.
32:31Hindi naman,
32:32yung actress naman.
32:33Actress naman, o.
32:34Directman.
32:35Yung sa akin,
32:36it's not so much yung
32:37hindi mo gustong gawin.
32:38Yung,
32:39kasi, as much as possible,
32:41pag binigyan ako ng project,
32:42o pumili ako ng project,
32:43I try to like it.
32:45You try?
32:46You try to like it?
32:47Parang sa tingin mo,
32:48magagawan mo ito ng paraan,
32:50gano'n.
32:51So,
32:52merong mga pelikulang,
32:53sa tingin mo,
32:54ay, hindi ko nagawa ng paraan.
32:56Di ba?
32:57I did a movie.
32:58I failed.
32:59Pero trilogy yun.
33:00For a girl,
33:01na naging trilogy yung,
33:03isang episode ng,
33:06isang gabi,
33:07tatlong babae.
33:08Papanood ko ito.
33:09Sino ito?
33:10Mama yan?
33:11Magandang,
33:12magandang,
33:13hindi.
33:14Sino?
33:15Christina Gonzalez.
33:17Maganda yung concept.
33:18Di ba?
33:19Tapos,
33:20no-shooting namin,
33:21parang okay naman.
33:22Di ba?
33:23Nung napagdikit-dikit na,
33:24parang sabi ko,
33:25parang hindi yata na.
33:26Hindi yata.
33:27Parang hindi yata.
33:28Hindi yata.
33:29Di ba?
33:30Hindi yata.
33:33Hindi yata.
33:34Hindi yata.
33:35Hindi yata.
33:38Ako,
33:39ang perennial problem ko,
33:40is that,
33:41ang naging tingin sa akin ng Viva,
33:42ay director to launch,
33:43to launch their new stars.
33:45Yan talaga.
33:46So, nakasham na pelikula ako sa kanila.
33:48Puro launching and,
33:49continuing the,
33:50entrance of this new star.
33:52So,
33:53tama si Mama Mele.
33:54Pag gumagawa ka ng pelikula,
33:55mamahalin mo,
33:56at you will always try to,
33:57do it in accordance to,
33:59yung values mo,
34:00yung ibibigay mo,
34:01at lahat-lahat.
34:02Kaya lang,
34:03on the fifth film,
34:04nagsimula akong gumawa ng MTV for the films,
34:06gustong-gustong ng Viva.
34:07Ay, ang ganda-ganda.
34:08Ay, ang kulay.
34:09Sa commercial,
34:10nag-iisip ka na,
34:11kung paano mo sila pakikintingin,
34:12nang wala namang say-say.
34:14Diba, yung ngingiti sila,
34:15nang walan say-say.
34:16So, ano'ng joke namin noon?
34:17O, sige.
34:18Volume 2,
34:19paragraph 3,
34:20yan ang acting ninyo.
34:21Kasi, pari-pari mo naman,
34:22kung sa'ng ginagawa.
34:24Diba, may part,
34:25nasasabihin ng Viva,
34:26kailangan may tatlong MTV diyan.
34:27E, hindi siya kasama sa story, ah.
34:29So, gagawin mo na lang yun.
34:30Talaga mo na MTV.
34:31O, pwede,
34:32may aeroplano luminipar.
34:33O, ganyan.
34:35Aesthetically,
34:36maganda siya.
34:37Maganda siya tingnan.
34:38Pero,
34:39hindi siya konektado.
34:40Ano yung movie na yun?
34:42Actually,
34:43lahat meron siya.
34:45Lahat pala yun.
34:46Actually,
34:47lahat meron siya.
34:48Actually,
34:49ang punto is that,
34:50hindi yung kakulangan
34:52ng mga necessary,
34:54ng mga taong involved.
34:55True.
34:56It's yung,
34:57I think,
34:58kakulangan na ng director
34:59sa relation mo sa material.
35:00Exactly.
35:01Kasi, you cannot lie.
35:02Diba,
35:03sabi mo,
35:04pag hindi mo gusto,
35:05at sinyuting mo,
35:06lalabas yun,
35:07hindi mo gusto.
35:08And,
35:09you are the storyteller.
35:10O,
35:11personality na yun.
35:12I only finish,
35:13or not finish,
35:14Pastor Pepe.
35:15Yan, gano'n.
35:16Exactly.
35:17Ay, ikaw yun.
35:18Kaya nga siya ang
35:19kapitan ng
35:20captain of the ship.
35:21Yun ang pinagasa
35:22na nilululuk mo na lang.
35:23O, lululuk mo.
35:24Niluluk mo lang.
35:25Okay, okay, okay.
35:26Marami pa,
35:27marami pa diskusyon
35:28sa pagbabalik pa rin
35:29ng Sis.
35:33Action!
35:34Action!
35:35Itong next question natin.
35:37Ano dito ang mas gusto niyo?
35:38Ang palabas na
35:39humahakot na sa katotak na awards,
35:41pero di naman kumikita?
35:43O yung palabas na
35:44walang award,
35:46pero naman,
35:47grabe sa takilia?
35:48Ako, okay lang.
35:49Anong okay?
35:50Magka-award, magka...
35:51Pareho, kahit isa.
35:52Pareho.
35:53Wag lang yung bokya!
35:54Hindi,
35:55isan,
35:56tulad yung sa,
35:57meron ako nun,
35:58sayo lamang,
35:5916 awards,
36:00tapos,
36:0114 went to it,
36:02except me, ha.
36:03Except Best Director.
36:05Masakit mo?
36:06Oo, napakasakit.
36:07Oo, napakasakit.
36:08Masakit mo?
36:09That night,
36:10I was receiving awards
36:11for everybody,
36:12except when they called
36:13the Best Director,
36:14they called another name.
36:15So,
36:16you were receiving awards?
36:17I really felt so bad.
36:18So you accepted?
36:19Kasi sabi ni mother,
36:20pagkauwi,
36:21pagpunta dun sa,
36:22nung celebration,
36:23wag ka mag-ano,
36:24wag ka nang iyak,
36:25sabi niya ganon,
36:26bibili na lang kita,
36:27gawa tayo ng award,
36:28pag gawa kita.
36:29Ay, ano?
36:30Hindi, ako naman yung kanya.
36:32She wanted to make you feel good.
36:34What made me feel good?
36:35Diba?
36:36She wanted to make you feel good.
36:37Yes, she wanted to make me feel good.
36:38Eto, meron ba kayong dream project?
36:40Ha, marami.
36:42Just one,
36:43yung dream project nyo,
36:44baka may casting na kayong naisip,
36:46pati concept,
36:47meron ba kayong ganyan?
36:49Ako?
36:50Marami.
36:51Ako yung frustration ko eh.
36:54Wala?
36:55Nung nag-aaral pa ako sa UP,
36:56marami akong,
36:57meron akong tawag na magic baul.
36:59Tapos yung mga nasa isip ko,
37:01totoo yan,
37:02may konsepto,
37:03may casting,
37:04may story,
37:05alam mo nanggagawin mo,
37:06kulang nalang storyboard mo siya,
37:07iniipon-iipon ko yan sa baul.
37:09Meron akong cabinet na maliit.
37:10Tapos iniisip ko,
37:11ah, pag naging director ako,
37:12yun ang gagawin ko.
37:13Ah, pag naging director ako,
37:14yun ang gagawin ko.
37:15Nakilabas mo na ba ng baul?
37:16Nakapag-edit ka?
37:17So, ginawa mo yung unang mong pelikula,
37:18ah, hindi pwede,
37:19sabi ni Tita Mina del Rosario,
37:20eto, ganito,
37:22Pagtapos yan,
37:23ito na gagawin natin.
37:24So, okay ka naman ang okay.
37:25Nakakalima ka na,
37:26hindi pa siya dumarating.
37:27Tapos namatay na si Tita Mina,
37:28wala pa rin siya.
37:29Diba'ts kinausap ka na nila,
37:31oh, ganito naman ang gagawin natin.
37:32Tapos,
37:33hoy, gustong-gustong namin yan,
37:34kaya lang hindi commercial.
37:35Ayun, awan ng Diyos,
37:36after nine films,
37:37wala pa rin akong nagagalaw kahit isa.
37:39Ah, buo pa rin yung baul?
37:40Buo pa rin yung magic baul ko.
37:41Ako, isa,
37:42ang title ko,
37:43Kailang Kalalaya, Juan?
37:46Si Juan, mula noon hangga ngayon,
37:48hindi makalaya sa kahirapan.
37:50Okay.
37:51Of course,
37:52it's understood why.
37:53I think,
37:54it's basically the situation.
37:55Yes.
37:56Ganon,
37:57tatlong generasyon siya,
37:58panahon ng Hapon,
37:59Kastila,
38:00at panahon niya.
38:01May casting na ba yan?
38:02Wala pa.
38:03Wala pa.
38:04Si Juan.
38:07May isa ng buong screenplay,
38:08sinulat namin ni Jimmy Santiago,
38:10buong screenplay,
38:12nakipag-usap na kami ke,
38:14yung dream cast namin was,
38:15Dolphy and Agamulak.
38:17Simenarista si Agamulak.
38:19May title na,
38:20Father, Ako Si Mother.
38:22Nakipag-usap na kami,
38:23ganda,
38:24nakipag-usap na kami ke Dolphy,
38:25buo na ang script,
38:26ganyan,
38:27tsaka kapal.
38:28Syempre ang feeling,
38:29pag sinulat mo,
38:30feeling mo,
38:31pinakamaganda niya.
38:32Dawang taon na siyang buo,
38:34waiting for a producer
38:35to pick it up.
38:36Ayan, ayan, ayan,
38:37baka somebody may pick it up.
38:38Pick it up,
38:39the title is,
38:40Father, Ako Si Mother.
38:41Tapos pinick up,
38:42hindi kinuha yung script mo,
38:43hindi kinuha yung title,
38:44tapos si Dolphy,
38:45tapos si Agamulak,
38:46pero hindi kakasama.
38:47Hindi kakasama,
38:48yan ang masakit.
38:49Buo na ang script,
38:50nilabor namin
38:51ng aling na buwan,
38:52buo na siya.
38:53Direct Mel.
38:54Pero ano,
38:55like me,
38:56marami,
38:57marami akong story na iisip
38:58at habang dumadaan
38:59ng mga taon,
39:00nadadagdagan yun.
39:01Pero kung hindi ako
39:02nawawala ng pag-asa
39:03na sometime,
39:04someday,
39:05diba,
39:06darating din yun.
39:07Kasi ganoon na rin
39:08yung nangyari sa akong
39:09ibang mga projects namin
39:10doon sa Rigal.
39:11Like,
39:12meron kaming project noon
39:13that was sitting around
39:14for three years,
39:15yung sino or sin,
39:17yung kay Claudia Sober.
39:18Until finally,
39:19biglang,
39:20eh hindi pwede,
39:21dahil hindi nga pwede
39:22yung mga artista sa Rigal noon,
39:23eh biglang dumating
39:24ang Claudia Sober
39:25through Elwood Perez.
39:27So pwedeng gawin.
39:28Kung meron kayong natutunan,
39:30pinapangahalagahan
39:32sa pagdidirect ninyo
39:34o sa mga natutunan nyo
39:35bilang director,
39:36ano yun?
39:37Maraming bagay.
39:40Mga dalimbawa,
39:41natuto kang pumisan
39:43maging ano ka,
39:44dahil ikaw ang director,
39:45kailangan,
39:46diba?
39:47Galit na galit ka,
39:48magpigil ka.
39:49Maraming bagay
39:50kaming natutunan
39:51as director.
39:52Kasi yung mga,
39:53mga istorya ng buhay
39:54ng iba't ibang tao,
39:55yun eh,
39:56aral na yun.
39:57Tula dito,
39:58hindi mo naasagupay
39:59istorya dito.
40:00Nakita mo ngayon,
40:01ang ganda-ganda ng,
40:02na hindi akala
40:03hindi nangyayari,
40:04diba?
40:05May mga istorya kasi
40:06yung nangyayari,
40:07pero,
40:09truth is stranger
40:10than fiction,
40:11they say.
40:14Well, actually,
40:15natututunan ka about
40:16life din.
40:17Kasi hindi naman
40:18lahat ng bagay
40:19pwede mo ma-experience.
40:20And then,
40:21as an actor,
40:22when I was acting,
40:23you're only part
40:24of a story.
40:25Then, as a director,
40:26you are now telling
40:27a story.
40:28And when you tell a story,
40:29sometimes there are
40:30some situations
40:31that has never
40:32occurred to you,
40:33and then you let it go,
40:34you direct it,
40:35you put it together,
40:36and you get a better
40:37story,
40:38and it enriches you
40:39as a person.
40:41Sa akin,
40:42yung nasabi ko ito
40:43dun sa eulogy,
40:44hindi sa eulogy,
40:45kundi a tribute
40:46to Lino before.
40:49Kasi,
40:50siya nagsabi sa akin,
40:51there was a time
40:52that I was directing,
40:55and I was going
40:56into a film,
40:57Diyosa.
40:58Kailangan kong artista
40:59noon.
41:00Dilipat na sa akin,
41:01galing sa kanya,
41:02sa pelikula nya,
41:03si Lorna Tolentino.
41:05Nagmamadali ako noon
41:06na mag-shooting.
41:08Tapos,
41:09to the point
41:10nasabi ko yata,
41:11nasabi ko kay
41:12mother na,
41:13hindi,
41:14palitan na lang siya.
41:15So,
41:16nakarating yata
41:17kay Lorna ito,
41:18tapos umiyak
41:19ng umiyak si Lorna,
41:20dahil hindi pa tapos
41:21si Lino,
41:22with Lorna,
41:23sa shooting nila.
41:24Umiyak si Lorna,
41:25nakarating kay Lino,
41:26tinawagan ako ni Lino,
41:27sabi niya,
41:28Mario,
41:29alam mo,
41:30itong ginagawa natin
41:31mga pelikula,
41:32later on,
41:33ilalagay natin
41:34sa kahun yan,
41:35or Betamax pa uso
41:36ng mga VHS tape.
41:38But what is most important
41:39is our relationship
41:40with people.
41:42With the cast,
41:43with people.
41:44Siguro naman,
41:45a few days will not hurt
41:46kung gagamitin ko pa si Lorna
41:48tapusin muna
41:49bago lumipad sa set mo.
41:51Huwag mo siyang alisin.
41:52Kasi ang importante is that
41:54the child has already
41:56put her,
41:57has sink her teeth into it
41:59and she is,
42:00kung bagas ano,
42:01she's looking forward
42:02to this project.
42:04Sa akin yun,
42:05yun ang pinaka-importante
42:06na tutunan ko.
42:07Kung papaano ka
42:09dapat makitungo
42:11sa mga tao.
42:13Kasi,
42:14like,
42:15sa director,
42:16siniisip mo,
42:17meron kang kwento
42:18na gusto mong gawin
42:19sa pelikula.
42:20Unfortunately,
42:21or fortunately,
42:22yung kwento na gusto mong ilahad,
42:24mailalahad mo lang
42:25sa tulong ng maraming tao.
42:28Kaya every time I report
42:29to a set,
42:30palagi kong iniisip
42:31kung papaano ko
42:32tumuhan ang,
42:33from my actor
42:34to my utility,
42:35to my crew.
42:37Teamwork kasi yan.
42:39Teamwork.
42:40And then beyond that,
42:41post-production pa,
42:43producer mo pa,
42:44box office pa,
42:45marketing,
42:46producer,
42:47yun.
42:48Ang hiandami
42:49ay hahaluhaluin mo yan
42:50at naninimbang ka palagi.
42:52Naninimbang.
42:53Yun ang pinaka,
42:54sa akin,
42:55ang pinaka-mahirap na aspeto
42:56ng trabaho ko.
42:58The things I've learned
42:59in my work
43:00in the process
43:01of dealing with people
43:02like everything they've said,
43:04in the process of my dealing
43:05with my actors,
43:06the people who have hurt me,
43:07the people I have hurt,
43:09all these things
43:10made me appreciative
43:12of the capacity
43:13of the heart
43:14to take
43:15more than what we think
43:16it could take.
43:18And that to me
43:19is the beauty
43:20of what directing is.
43:21And in effect,
43:22the beauty of what life
43:23really is.
43:24So in other words,
43:25dapat pala,
43:26kung anuman yung ginagawa natin,
43:27we should love it.
43:28Thank you very much.
43:29Let's thank him.
43:30At the end of the day,
43:31it's all about teamwork.
43:32You know,
43:33that's why it's so hot.
43:34You know,
43:35you get it now, okay?
43:36You get it now.
43:37Not yet.
43:38Not yet.
43:39They won't fight anymore.
43:40But when you leave,
43:41we'll fight.
43:49They may be the directors,
43:51they may be the captains
43:52of the ship,
43:53but of course,
43:54they have feelings too.
43:56They have a soul.
43:57And because of their soul
43:58and their feelings,
44:00they're able to make
44:01beautiful films
44:02that we all
44:03admire.
44:04And those movies,
44:05those are the mirrors
44:07of their souls.
44:08There.
44:09Those are their babies.
44:10They're the mothers
44:11of those films.
44:12And I really enjoyed
44:13our episode.
44:14Yes, indeed.
44:15I enjoyed talking to them.
44:16Yes, and not only,
44:17it was a joy working
44:18talking to them.
44:19And because all of them,
44:20almost all of them,
44:21we've worked with.
44:22Maybe except for direct Joe.
44:23But we've worked with them.
44:24In other words,
44:25it's so nice.
44:26It's like a reunion
44:27of some sorts.
44:28Actually.
44:29It's like a reunion.
44:31Thank you for joining us.
44:32Thank you, thank you.
44:33See you again.
44:34See you next time.
44:35Sis.
44:36Bye.
44:37Bye.
44:38Sis would like to thank
44:39Bambi Fuentes,
44:40Mossimo,
44:41FNH,
44:42Holden and Hung,
44:43Wayless Center,
44:44Adidas,
44:45Chloe for our eyewear,
44:46Optical Works,
44:47680 Home Appliances,
44:49DuraStar,
44:50La Germania,
44:51Salon de Manila,
44:52Janeline Shoes,
44:53Wade Shoes,
44:54Mano Mano,
44:55Under the Sea Pet Shop,
44:58JBL Furniture Corporation,
45:00Grand Flora,
45:01Bayo,
45:02Our Home,
45:03The Barnyard,
45:04and Union Square.
45:05Of course,
45:06you have your favorites
45:07to direct.
45:08We don't have an example.
45:09Okay, okay, okay.
45:10I hope the director
45:11doesn't showbiz.
45:12Don't showbiz.
45:13Ah, I like it.
45:14Who?
45:15Brother.
45:16Brother.
45:17Brother Salvador.
45:18Actually,
45:19my favorite co-worker
45:20is Manolin Reyes.
45:21For me,
45:22there are artists
45:23that I've grown up with.
45:25My favorite co-worker
45:27is Andrew Lutz
45:28and Bobby.
45:29Boyet.
45:30Not me.
45:34I don't want to say it.