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DRAMA,

Venezuelan film based on real events of Venezuela's role during World War II

Director
Haik Gazarian
Writers
Jörg Hiller, Valentina Rendón
Stars
Alfonso Herrera, Ruddy Rodríguez, Rafael Romero


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Transcript
00:00:00This is a test.
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00:02:20Our heroes.
00:02:22We discovered that history
00:02:24is not made of dates
00:02:26and dead letters.
00:02:28History is made by
00:02:30flesh and blood.
00:02:32Like you,
00:02:34or like me.
00:02:36I'm ready. Let's go.
00:02:38Yes, of course.
00:02:40Whenever you want.
00:02:42Thanks for coming to pick me up.
00:02:50I never imagined
00:02:52this would be a time travel.
00:02:54I didn't know
00:02:56I would learn
00:02:58that history
00:03:00was written
00:03:02a long time ago.
00:03:04I didn't know
00:03:06I would learn
00:03:08that history
00:03:10was written
00:03:12a long time ago.
00:03:14I didn't know
00:03:16I would learn
00:03:18that history was written
00:03:20a long time ago.
00:03:24And that I was wrong
00:03:26about what happened here.
00:03:30On these coasts.
00:03:32In this town.
00:03:34And that in the middle
00:03:36of World War II
00:03:38the truth would come
00:03:40with the most beautiful
00:03:42love story.
00:03:48The story of a man
00:03:50who brought
00:03:52tragedy
00:03:54and hope
00:03:56in his luggage.
00:03:58The story
00:04:00of a man
00:04:02who brought
00:04:04tragedy
00:04:06and hope
00:04:08in his luggage.
00:04:10The story
00:04:12of a man
00:04:14who brought
00:04:16tragedy
00:04:18and hope
00:04:20in his luggage.
00:04:22The story
00:04:24of a man
00:04:26who brought
00:04:28tragedy
00:04:30and hope
00:04:32in his luggage.
00:04:34The story
00:04:36of a man
00:04:38who brought
00:04:40tragedy
00:04:42and hope
00:04:44in his luggage.
00:04:46The story
00:04:48of a man
00:04:50who brought
00:04:52tragedy
00:04:54and hope
00:04:56in his luggage.
00:04:58The story
00:05:00of a man
00:05:02who brought
00:05:04tragedy
00:05:06and hope
00:05:08in his luggage.
00:05:10The story
00:05:12of a man
00:05:14who brought
00:05:16tragedy
00:05:18and hope
00:05:20in his luggage.
00:05:22The story
00:05:24of a man
00:05:26who brought
00:05:28tragedy
00:05:30and hope
00:05:32in his luggage.
00:05:34The story
00:05:36of a man
00:05:38who brought
00:05:40tragedy
00:05:42and hope
00:05:44in his luggage.
00:05:46The story
00:05:48of a man
00:05:50who brought
00:05:52tragedy
00:05:54and hope
00:05:56in his luggage.
00:05:58The story
00:06:00of a man
00:06:02who brought
00:06:04tragedy
00:06:06and hope
00:06:08in his luggage.
00:06:10The story
00:06:12of a man
00:06:14who brought
00:06:16tragedy
00:06:18and hope
00:06:20in his luggage.
00:06:22The story
00:06:24of a man
00:06:26who brought
00:06:28tragedy
00:06:30and hope
00:06:32in his luggage.
00:06:34The story
00:06:36of a man
00:06:38who brought
00:06:40tragedy
00:06:42and hope
00:06:44in his luggage.
00:06:46The story
00:06:48of a man
00:06:50who brought
00:06:52tragedy
00:06:54and hope
00:06:56in his luggage.
00:06:58The story
00:07:00of a man
00:07:02who brought
00:07:04tragedy
00:07:06and hope
00:07:08in his luggage.
00:07:10The story
00:07:12of a man
00:07:14who brought
00:07:16tragedy
00:07:18and hope
00:07:20in his luggage.
00:07:22The story
00:07:24of a man
00:07:26who brought
00:07:28tragedy
00:07:30and hope
00:07:32in his luggage.
00:08:03More.
00:08:04Buenos dias.
00:08:05Good to see you doing well.
00:08:06Are you all right?
00:08:07Well, at least I'm still alive.
00:08:09Yeah, I know.
00:08:10The local authorities are on it.
00:08:15Coffee?
00:08:16No, thanks.
00:08:22Apparently, there is
00:08:23an overall fuel shortage
00:08:24in the East Coast and at front
00:08:26to supply the Royal Air Force
00:08:28in England.
00:08:29So,
00:08:30they have requested
00:08:31more shallow tanker shipments
00:08:33to head from Maracaibo
00:08:35to the refineries in Aruba.
00:08:37Are you okay?
00:08:38Yeah.
00:08:40We're working on the new
00:08:41schedules and routes
00:08:42for all shipments.
00:08:44Your job, Frank,
00:08:45is to radio monitor
00:08:46all clandestine transmissions
00:08:48coming from
00:08:49or going into the area.
00:08:51Excuse me,
00:08:52is it always like this?
00:08:53What do you mean?
00:08:55It's hot.
00:08:56Oh, no, sir.
00:08:57Today is an exception.
00:08:58It gets hotter.
00:09:02There's a war out there.
00:09:03And right now,
00:09:04we're in no man's land
00:09:05tending our pots off.
00:09:09There's nothing going on here.
00:09:12The Admiral's disurgent orders
00:09:13are to be here
00:09:14and help the Venezuelan Army
00:09:16to protect their coastline.
00:09:17This is whether
00:09:18we like it or not.
00:09:20And there is a lot going on.
00:09:22Through one of our
00:09:2312 intercept stations,
00:09:24we managed to hum in
00:09:26on a powerful transmitter
00:09:28150 kilometers east
00:09:30of Maracaibo.
00:09:32It appears to be coming
00:09:33from Puerto Miranda,
00:09:34where you will be stationed, sir.
00:09:37And when was the last time?
00:09:39Just last night
00:09:40at 19 hours.
00:09:42And what sort of
00:09:43transmissions were they?
00:09:44The usual Morse code of letters
00:09:46without any given order.
00:09:48Most definitely,
00:09:49there is a German spy
00:09:50somewhere in the area
00:09:51of your post
00:09:52relaying Nazi communications
00:09:54between Latin America
00:09:56and Germany.
00:09:57Do you have the message?
00:10:07Have you found the key to decode?
00:10:09Not yet.
00:10:10Does your work?
00:10:12It would be a six-letter word.
00:10:15Right.
00:10:16But remember, Frank,
00:10:17we must not interfere directly.
00:10:20Our mission here
00:10:21is to help the Venezuelan Army.
00:10:23Is that the machine?
00:10:25Yes.
00:10:26It is an exact replica
00:10:27of the one confiscated
00:10:28on that German ship
00:10:29a few months ago.
00:10:31It was modified to decipher
00:10:32their communications
00:10:33with a six-rotor.
00:10:35Well, let's hope it works.
00:10:45What's wrong, mister?
00:10:47You look like you're swollen.
00:10:50It's hot.
00:10:53Do you want some music?
00:11:00Don't mind the dead man
00:11:01at the airport.
00:11:03That rarely happens here.
00:11:06This is a very happy country.
00:11:10If you say so.
00:11:23Is it always like this?
00:11:26Are there always tankers?
00:11:28No.
00:11:29Since January,
00:11:30many more are arriving.
00:11:45This is the military outpost
00:11:46of Puerto Miranda.
00:11:53And up there,
00:11:55is the house of my captain,
00:11:56Salvatierra.
00:11:57And right next to it
00:11:58is the house of the antenna
00:11:59where you're going to stay.
00:12:00Hey, next door?
00:12:02Next door, yes.
00:12:23It's not so bad, is it?
00:12:25The roof is made.
00:12:27Do you want me to accompany you
00:12:28until my captain arrives?
00:12:29No, no, no.
00:12:30It's not necessary.
00:12:32These are the keys to the closet.
00:12:33The major told me
00:12:34to give them to you.
00:12:36My captain, Salvatierra,
00:12:37should be arriving
00:12:38at any moment.
00:12:40I'll be waiting for you.
00:12:42I'll be waiting for you.
00:12:44I'll be waiting for you.
00:12:46I'll be waiting for you.
00:12:49I'll be waiting for you.
00:12:51I'll be waiting for you.
00:12:53Good luck, Mr. Moore.
00:12:56Thank you.
00:13:51♪♪♪
00:14:01♪♪♪
00:14:11♪♪♪
00:14:21Enrique?
00:14:26No, ma'am.
00:14:28Excuse me,
00:14:29I just wanted to report
00:14:30to Captain Salvatierra.
00:14:32Could I tell the captain...
00:14:33I'm with you.
00:14:36He's used to knocking on doors here.
00:14:40Come here, Salvatierra.
00:14:45Excuse me, ma'am.
00:14:46Enrique is about to arrive.
00:14:53My name is Frank Moore.
00:14:56I work for the U.S. Army
00:14:58and I just arrived today
00:14:59for a mission.
00:15:01Are you hungry?
00:15:12Try this.
00:15:14It's your jacket.
00:15:15Thank you.
00:15:16Go ahead.
00:15:20And...
00:15:21Is your name of Italian origin?
00:15:25Venice, like the city?
00:15:27Like the country.
00:15:29My name comes from Venezuela,
00:15:31which means Little Venice.
00:15:33That's what the conquistadors called it
00:15:35when they came here and saw the palafitos.
00:15:38Those houses on the water,
00:15:39didn't you see them from the plane?
00:15:41Yes, I saw them,
00:15:42but I didn't know that story.
00:15:45Is your luggage here?
00:15:47No, I left it at the other house.
00:15:50That house is about to fall.
00:15:53How long are you going to stay there?
00:15:59I don't know, ma'am.
00:16:04Enrique...
00:16:07He's arriving.
00:16:10How do you know?
00:16:12From the sound of the car.
00:16:16Look, ma'am.
00:16:18I'm really sorry.
00:16:19I didn't want to...
00:16:20Don't worry.
00:16:25I won't tell Enrique, okay?
00:16:32I appreciate it.
00:16:48Bon appetit.
00:16:57Captain Salatierra.
00:16:58It's me.
00:17:00Moore.
00:17:02Welcome.
00:17:03Thank you.
00:17:04Please, have a seat.
00:17:07Would you like something stronger?
00:17:09I have a wild turkey from Aruba.
00:17:13Captain, I'm on duty.
00:17:17Who's going to bother you? Me?
00:17:39How did you find the equipment?
00:17:42Let's say they need some attention,
00:17:45but nothing that can't be solved.
00:17:48Venezia, we're talking here.
00:17:51Could you turn off the radio?
00:17:54Of course.
00:17:56I had forgotten that my life was being saved.
00:18:04I'm a little tired.
00:18:05If you need me, let me know.
00:18:08Leave us some ice, please.
00:18:16Cheers.
00:18:17To the mission.
00:18:18To the end of the war.
00:18:22I'm sorry, sir.
00:18:23I'm sorry, ma'am.
00:18:25I'm sorry.
00:18:26I'm sorry.
00:18:29You threw the ice on me.
00:18:31No, no.
00:18:32You have to be more careful.
00:18:34Don't worry.
00:18:35It was her who didn't see it.
00:18:36Venezia is blind.
00:18:40I'm not blind, Enrique.
00:18:44I'm not blind.
00:19:07I'm sorry about my wife.
00:19:11The war has affected her more than one could imagine.
00:19:17How blind is your wife, Captain?
00:19:21She's a type of blindness called keratoconus.
00:19:24The cornea becomes like a cone.
00:19:26She can't see from far away.
00:19:28She only sees well from very close.
00:19:31And she couldn't wear glasses.
00:19:33She said her eyes were completely glued to the cornea.
00:19:38It's a very rare degenerative disease.
00:19:44Venezia is one in a thousand.
00:20:04That's how the Pacific was the night before the Pearl Harbor attack.
00:20:09Too many years.
00:20:15I wanted to serve in England, you know?
00:20:17Hey, Mur.
00:20:19Your government actually believes that the Nazis are going to attack those tankers
00:20:23all the way to Venezuela.
00:20:25It seemed absurd to me.
00:20:27I mean, don't provoke me to appreciate your work.
00:20:30Remember that it's my responsibility.
00:20:32You're the tanker, but...
00:20:33I agree with you, Captain.
00:20:35But in the war, as you know,
00:20:38every play counts.
00:20:42Cheers.
00:21:32Claro.
00:21:33Vete.
00:21:34Señora.
00:21:35¿Señora?
00:21:39¿Señora?
00:21:43Go away!
00:22:01Ma'am!
00:22:05You don't have to give me signs as if we were far away.
00:22:10I told you, I'm not blind or deaf.
00:22:14I'm sorry.
00:22:16Do you need anything?
00:22:19What happens is that there's no water in the other house, so I wanted to see if...
00:22:24I don't like to argue with Enrique in front of people.
00:22:27I'm not that kind of person. I wanted you to know.
00:22:34You can use the bathroom.
00:22:37Take everything you need.
00:22:41Thank you.
00:22:43You're welcome.
00:22:53Hey, does the water have a good color here?
00:22:57What I mean is that here it's transparent and over there it's brown.
00:23:13Thank you.
00:23:34How's the bathroom?
00:23:38Very good. I needed it.
00:23:41The heat can be the worst enemy in this place.
00:23:44There are days when it doesn't make you get out of the water.
00:23:50Well, thank you very much.
00:23:53If you need anything, I'll be in the other house.
00:23:56Please.
00:23:58Can you put this sweet chili in my basket?
00:24:03Yes.
00:24:04Thank you.
00:24:10That's one of the smells of Venezuela.
00:24:21At night it's worse.
00:24:25What?
00:24:27The keratoconus.
00:24:30At night, in the dark, I can hardly see.
00:24:32When there's a lot of light, I can see better.
00:24:35I can see small things very well.
00:24:38Really?
00:24:42How much can you really see?
00:24:47Let's say I see less than most people.
00:24:51But sometimes I can see things that almost no one can see.
00:24:54Could you read what it says on top of the eagle?
00:25:08I don't understand what it says.
00:25:16Eplerubus unum.
00:25:20Eplerubus unum.
00:25:23I don't understand Latin.
00:25:25That's why I don't understand what it says.
00:25:31One among many.
00:25:36That means in Latin.
00:25:40One among many.
00:25:43Curious, isn't it?
00:25:49Come with me.
00:25:51You must be starving.
00:25:53Yes.
00:25:57Anything else?
00:25:59Yes, tell me.
00:26:01On the top of the shield there are 12 horizontal lines,
00:26:04and on the bottom there are 6 bands with 3 lines each.
00:26:07Do you like eggs, Perico?
00:26:15Human Central to Porto Miranda, over.
00:26:18Human Central to Porto Miranda, over.
00:26:20Human Central to Porto Miranda, over.
00:26:22Moore shouldn't stay away from his position.
00:26:25Maybe he can't hear us.
00:26:27The equipment and the transmitter are very damaged.
00:26:30We can't neglect that area.
00:26:32We have an antenna here in Punta Macoya,
00:26:34and another one here in La Boca.
00:26:36These antennas could serve as a bridge
00:26:38with Frank in Porto Miranda.
00:26:40Please tell Frank
00:26:42that he can join the signals from Macoya and La Boca.
00:26:45Understood.
00:26:51Coffee?
00:26:53Yes, please.
00:27:04Thank you.
00:27:05Thank you.
00:27:19The Italians call it correto.
00:27:21Corrected coffee.
00:27:23They call it grappa.
00:27:25Enrique calls it rum,
00:27:27but I guess whisky should work.
00:27:35I'm sorry.
00:27:37I'm not used to having breakfast like this.
00:27:40Why?
00:27:42Doesn't your wife make you eggs?
00:27:45No, I'm not married.
00:27:47Your girlfriend?
00:27:52No.
00:27:56Maybe you're lucky
00:27:58and you find someone here.
00:28:00Little Venice.
00:28:03Yes.
00:28:05Of course.
00:28:07Good luck.
00:28:33Here you go, sir.
00:28:35Thank you.
00:28:39They're leaving us alone.
00:28:43They want us to move
00:28:45six more anti-submarine ships
00:28:47from Panama to the North Atlantic.
00:28:49What are they thinking?
00:28:51The real problem is in Europe.
00:28:53They're getting closer and closer.
00:28:56It would seem
00:28:58that all this area full of oil
00:29:00that they need so much
00:29:02is not of vital importance.
00:29:03All that oil comes from Lake Maracaibo.
00:29:06We have to send more artillery
00:29:08to protect the exit of the tanks.
00:29:10That's where the danger is.
00:29:12Yes, but the lake is shallow
00:29:14and the submarines can't attack there.
00:29:16We're also protecting the entrance
00:29:18to the lake with a 150-mm cannon
00:29:20from Castillo San Carlos.
00:29:22We can't protect all the ships from here.
00:29:24Once at sea,
00:29:26the real danger would be
00:29:28an internal sabotage.
00:29:34Ready.
00:29:36Perico eggs and black carrots.
00:29:39That's like tomato and onion.
00:29:41Like chocolate and orange.
00:29:43Perfect combinations.
00:29:45Like garlic and olive oil?
00:29:48They make a good couple.
00:29:50Like coffee and whiskey.
00:29:55How long have you been married
00:29:57to the captain?
00:29:59I don't know.
00:30:00How long have you been married
00:30:02to the captain?
00:30:04What kind of question is that, soldier?
00:30:07That's not a soldier's question.
00:30:09It's Frank Moore's.
00:30:13I think my whole life.
00:30:17You must have been married very young.
00:30:19I'm not as old as you think.
00:30:22No, I'm not thinking that.
00:30:26Can I ask how you met?
00:30:28Enrique and I.
00:30:32I came to this town very young
00:30:34to live with my aunt.
00:30:36Since Enrique saw me
00:30:38for the first time in the square,
00:30:40he decided I was going to be his wife.
00:30:43Did he decide?
00:30:45No, my aunt decided it too
00:30:47because I couldn't stay.
00:30:49To make a long story short,
00:30:51after a couple of visits,
00:30:53we were husband and wife.
00:30:54Then I had all the time in the world
00:30:56to get to know him,
00:30:58to learn to love him.
00:31:00I had to learn a lot
00:31:02in all these years.
00:31:04To make good breakfasts.
00:31:06I made this spicy one, for example.
00:31:16And who are you?
00:31:19Well, I'm Enrique.
00:31:21I'm his father.
00:31:22I'm a radio specialist.
00:31:27I joined the army
00:31:29because I needed decoding professionals.
00:31:36It's complicated.
00:31:38A little.
00:31:41So you're not just a soldier.
00:31:46Yes.
00:31:48I'm one more soldier in this war.
00:31:50But I imagine you want to be a good soldier.
00:31:53To win medals, to be a hero.
00:32:00I'll have to work on that.
00:32:19Let's go.
00:32:49Come on.
00:33:19Let's go.
00:33:50General, command to Puerto Miranda post. Over.
00:33:55General, command to Puerto Miranda post.
00:33:57Moon, come in. Over.
00:33:59This is Moon. Over.
00:34:01We tried to reach you this morning.
00:34:03Please lock your radio to 300 megahertz.
00:34:05I'll be relaying your signal from Macoy.
00:34:08Any luck with the research? Over.
00:34:11I got nothing. Over.
00:34:13You've tried.
00:34:15One other thing.
00:34:17The weather forecast reports
00:34:19it's going to bring a storm right north of us.
00:34:21Over.
00:34:23And when do they expect it? Over.
00:34:26I might get the first of it tonight. Over.
00:34:29How big? Over.
00:34:31Big. Very big.
00:34:33They say it's to be a tropical storm.
00:34:35Over and out.
00:34:45Great.
00:34:47Time for dirty weather.
00:34:49Over.
00:35:19Let's go.
00:35:24Adeliria!
00:35:49Venezia!
00:36:20Frank!
00:36:22Ma'am, didn't you hear me call you?
00:36:24Of course I heard you.
00:36:26I just wanted you to worry a little.
00:36:29But I'm not worried.
00:36:31Did they tell you about the storm?
00:36:33Yes, Carlos told me.
00:36:35So what were you doing in the well?
00:36:40You can see better underwater.
00:36:43How do you know?
00:36:46Take a picture.
00:36:47What does a picture have to do with that?
00:36:50It's very simple.
00:36:52The water in front of the cornea
00:36:55acts as a lens.
00:37:01So I should be a fish or a turtle.
00:37:05Or a mermaid.
00:37:10With binoculars you can see better from afar.
00:37:12With binoculars you can see better from afar.
00:37:18You know what I'd like?
00:37:20To see myself in a mirror again.
00:37:23It's been five years since I last saw myself in a mirror.
00:37:27If you like, I...
00:37:30I could use your mirror.
00:37:37Your proportions are almost perfect.
00:37:43And when you laugh,
00:37:46your skin draws lines that decipher your story.
00:37:52Your voice finds the ideal frequency range for the human ear.
00:37:59In a few words, you are unique.
00:38:04One of many.
00:38:09Besides everything, you told me...
00:38:12No, no, no. Your...
00:38:14Your lines
00:38:16add a charm.
00:38:19Not years.
00:38:26Could you please help me get back home?
00:38:30Of course.
00:38:43Help me!
00:38:45Don't move!
00:39:07Do you take thunderbolts by surprise?
00:39:09I don't see lightning.
00:39:12Don't worry.
00:39:14Just listen to my voice.
00:39:19Lightning.
00:39:21One,
00:39:23two,
00:39:25three,
00:39:27four,
00:39:29five,
00:39:31five.
00:39:34Five kilometers. That's the rule.
00:39:40Do you mind if I warn you?
00:39:45He wasn't going to warn me!
00:39:47He almost fell on us.
00:39:55He fell on the antenna.
00:40:00Where are you going?
00:40:02What's wrong?
00:40:05Nothing.
00:40:07What did you see?
00:40:09Nothing. I didn't see anything.
00:40:12I'm just worried about the antenna.
00:40:16We're the same now.
00:40:19Neither of us sees anything.
00:40:24I'm going to get some candles.
00:40:33Do you smoke?
00:40:35If my husband asks...
00:40:37No.
00:40:40When it rains, the river overflows.
00:40:50And this house is left uncommunicated.
00:41:09So you're a radio operator.
00:41:12You know about photography.
00:41:15You speak Spanish very well.
00:41:18You're one of many.
00:41:20No.
00:41:23I was sent to Venezuela because I speak good Spanish.
00:41:26Good?
00:41:29Perfect.
00:41:31How did you learn it?
00:41:32I don't know.
00:41:39Don't tell me it's classified information.
00:41:49Something like that.
00:41:53Then forget it.
00:41:57My mother was Mexican.
00:41:59She was?
00:42:00Yes.
00:42:02She died when I was 20.
00:42:06My father is American,
00:42:08and when he married his wife,
00:42:10he didn't allow us to speak Spanish inside the house.
00:42:14Not because of the comal and the tortilla.
00:42:19Let's say he wasn't...
00:42:21a lover of what seemed different to him.
00:42:24I understand.
00:42:27Then I kept practicing Spanish
00:42:30so I wouldn't forget my mother for being rebellious.
00:42:36I read her letters.
00:42:39I listened to her music over and over again.
00:42:44And little by little, I fell in love with that world.
00:42:49My world.
00:42:54It was an inheritance I always had to defend.
00:43:01It was all I had left of her.
00:43:16Come.
00:43:30Come.
00:44:00Come.
00:44:24Do we have another?
00:44:30Yeah.
00:45:01Sorry.
00:45:02You were asleep.
00:45:09Mur.
00:45:10Good evening.
00:45:11Good evening, Eduardo.
00:45:12What a storm.
00:45:14Yes, one of the worst I've seen.
00:45:16Did you manage to speak to Manny?
00:45:18Yes.
00:45:19He gave me the new frequency.
00:45:21I'll call him.
00:45:23I'll call him.
00:45:25I'll call him.
00:45:27I'll call him.
00:45:28Yes.
00:45:29He gave me the new frequency.
00:45:31But apparently, a lightning struck the antenna.
00:45:33Oh, damn.
00:45:34Is it serious?
00:45:36I don't know.
00:45:39I'm glad you were able to hide here.
00:45:44A drink?
00:45:45No, no, thanks.
00:45:46It's a little late.
00:45:48I'm going to sleep.
00:45:50Good night, sir.
00:45:58Good night.
00:46:23Captain.
00:46:25Without that transistor, the radio doesn't work.
00:46:27It's useless.
00:46:29Apparently, the water or the radio is damaged.
00:46:32It's urgent to get the spare, Captain.
00:46:35Is there any way to repair it?
00:46:37None.
00:46:39I'm going to Maracaibo right now.
00:46:40We can't stop.
00:46:43Apparently, the antenna is also damaged.
00:46:46But I can fix it.
00:46:54I'm going to Maracaibo.
00:47:54I'm going to Maracaibo.
00:48:24I'm going to Maracaibo.
00:48:43How do you see it?
00:48:47What did you say?
00:48:49How do you see the antenna?
00:48:54It's fine. It's not damaged.
00:48:56We just need to check the connectors.
00:49:19Good morning, honey.
00:49:21What are you doing?
00:49:24Nothing, just playing with this.
00:49:26I'm going to make you some coffee in the Oro Aleya, just in case.
00:49:31Frank, I have to go to town. Will you come with me?
00:49:34Yes, of course.
00:49:50I'd like to walk around and get to know the town.
00:49:53Okay.
00:49:54But you're going to have to stay alone because I have to take the piece to the command.
00:49:57Don't worry.
00:49:58Okay.
00:49:59Thank you.
00:50:04See you.
00:50:05See you.
00:50:20Thank you.
00:50:41What would you like to drink?
00:50:43A beer.
00:50:44We have our own home-brewed beer.
00:50:47Home-brewed?
00:50:50Yes.
00:50:51Our home-brewed.
00:50:54What a shame.
00:50:56A double scotch, then.
00:51:02A double scotch.
00:51:20Thank you.
00:51:39Hello.
00:51:43My name is Celeste.
00:51:46You?
00:51:48Frank.
00:51:49Hello, Frank.
00:51:51Do you...
00:51:53Invitation drinking?
00:51:55Me and you?
00:51:59No, no. I don't think so.
00:52:01Ah, but you speak Spanish.
00:52:04And I see you speak English very well.
00:52:09Do we speak Spanish?
00:52:16And you're very busy.
00:52:19Do you want to go have some fun?
00:52:21I'm a little busy.
00:52:23Okay, Frank.
00:52:25But don't forget my name.
00:52:27I'm Celeste.
00:52:28Can I ask you a question?
00:52:32Three bolivars for half an hour.
00:52:34But your friend accepted dollars.
00:52:35No, no, no.
00:52:36Actually, I want to ask you about the bar owners.
00:52:40Who? The Klings?
00:52:41No, no, no.
00:52:42I work alone.
00:52:43That's good.
00:52:44Congratulations.
00:52:45Thank you.
00:52:48Are they all family?
00:52:50Yes, yes, of course.
00:52:52Stephanie is Gunther's sister.
00:52:58And the two of them are Mrs. Lainey's children.
00:53:01The lady over there.
00:53:07Whiskey or Scotch?
00:53:08Excuse me, where's the bathroom?
00:53:09Over there.
00:53:15Thank you.
00:53:46German titan is my ass.
00:53:54What are you doing here?
00:53:56Gunther!
00:54:00Let me go!
00:54:02Help me! Help me!
00:54:06Gunther!
00:54:08Gunther!
00:54:13Gunther!
00:54:15Gunther!
00:54:17Gunther!
00:54:19Gunther!
00:54:25Let me go!
00:54:27Let me go!
00:54:31Don't come back here!
00:54:32Let me go!
00:54:33Let me go!
00:54:41What were you doing in that tavern?
00:54:43Why did they take you out like that?
00:54:44Did you see that?
00:54:45Of course.
00:54:47What are you doing here?
00:54:49Does the captain know you're here?
00:54:50No, he can't find out.
00:54:56Look at you.
00:54:58Don't say anything.
00:55:00Let's go.
00:55:05Do you want some?
00:55:07Yes.
00:55:08Thank you.
00:55:15No!
00:55:17Don't pour it on yourself.
00:55:19It's for you to drink.
00:55:32Better like this, right?
00:55:45Why did you fight with the Klingons?
00:55:50I went into the bar and the door of the office opened.
00:55:53They looked at me a little and that's all.
00:55:55That's not right.
00:55:57Why did you go into their office?
00:55:59Because I don't understand what those guys are doing here.
00:56:03I don't understand what those Germans are doing in this town.
00:56:06Were they born here?
00:56:07Are they as Venezuelan as I am?
00:56:08No.
00:56:10They are Germans.
00:56:11They are a decent and dear family in this town.
00:56:13I don't care.
00:56:14I'm a professional and I'm here to fulfill a mission.
00:56:17What an arrogant soldier.
00:56:19Yes.
00:56:21I'm a soldier who's here to do a job.
00:56:24Period.
00:56:26So now you're not talking to me like Frank Moore?
00:56:28Yes, I'm talking to you like Frank Moore.
00:56:31Okay, Frank Moore.
00:56:33If you think all Germans are Nazis,
00:56:35then you also inherited things from your stepmother.
00:56:38How dare you compare yourself to her?
00:56:39Just like an American soldier
00:56:41dares to enter the business of a decent family
00:56:43based on a prejudice.
00:56:45We're at war.
00:56:47Didn't you realize that?
00:56:49You're at war.
00:56:51You.
00:56:53Europe.
00:56:55Not us.
00:56:57I don't even know what I'm doing in this country.
00:56:59Then why did you come?
00:57:01Because I didn't want to come.
00:57:03They punished me and brought me to this hell
00:57:05full of oil and mosquitoes.
00:57:07If you suspect the owners of a bar
00:57:09and you enter in broad daylight
00:57:11destroying everything,
00:57:13let me tell you, soldier,
00:57:15that as a professional you're an inept
00:57:17because that's not how things are done.
00:57:19And to Frank Moore I want to tell him
00:57:21that if he's going to come to my country with that attitude
00:57:23without even knowing it,
00:57:25he's arrogant, he's ignorant,
00:57:27and he's more blind than me.
00:57:37You soldiers always carry the war on your back.
00:57:40Don't look for it here.
00:57:43It's just that I always strived
00:57:45to be one of the best.
00:57:48In the end I became the only one
00:57:50who could enter this country.
00:57:56Good luck.
00:58:00I'll be back.
00:58:06War is not a game for children.
00:58:09You're not made of lead.
00:58:37Why did you leave town?
00:58:40Were you following me?
00:58:45My husband is going to sleep tonight in Maracaibo.
00:58:47I didn't want to stay home alone again.
00:58:50That's why I decided to come to town
00:58:52and enjoy the carnivals a little.
00:58:56I'm sorry.
00:58:58No, there's nothing to feel.
00:59:00I just wanted to have fun.
00:59:02And that's it. Simple.
00:59:04The last time I did it
00:59:06was at the end of the year.
00:59:08Did you go down to town to celebrate the end of the year?
00:59:11No, I went to look for my husband.
00:59:14To look for him?
00:59:17Yes.
00:59:20Enrique told me he had a very important meeting
00:59:23and no one puts a meeting on New Year's Eve.
00:59:26And I didn't want to celebrate the year alone.
00:59:29That's why I went to look for him.
00:59:31I heard people celebrating.
00:59:33I got lost at the pier.
00:59:34I fell.
00:59:36I had never hit so many times.
00:59:38I was on the ground
00:59:40and the sailors didn't even help me.
00:59:42Excuse me.
00:59:44Sailors?
00:59:46Yes.
00:59:48Sailors who were picking up things at the pier.
00:59:50What kind of sailors?
00:59:52Can you remember?
00:59:54I didn't see well.
00:59:56I don't know.
00:59:58I think they were carrying cans, boxes, I don't know.
01:00:00On New Year's Eve?
01:00:02Yes.
01:00:04The fireworks had me stunned.
01:00:09Can you remember exactly where the pier was?
01:00:15The piers are on your left.
01:00:18The warehouses are on your right.
01:00:21One moment.
01:00:35Over there.
01:00:39Are you sure?
01:00:42Yes.
01:00:44The sounds are like the places.
01:00:46There are two of the same.
01:00:52Are you sure it's here?
01:00:54Yes, it's there.
01:00:56Let's go.
01:00:58Let's go.
01:01:00Let's go.
01:01:02Let's go.
01:01:04Let's go.
01:01:08Do you want to come with me?
01:01:10I'll wait for you.
01:01:34Let's go.
01:01:35Let's go.
01:02:03What did you find?
01:02:05Nothing.
01:02:07What did you think you'd find?
01:02:09A warehouse full of German sausages,
01:02:12bottles of mustard.
01:02:15The Germans aren't stupid.
01:02:18I found a box of cigarettes.
01:02:21I just have bad news for you.
01:02:24It's empty.
01:02:36Let's go.
01:02:52Captain, this piece isn't burned.
01:02:55It was sabotaged.
01:02:57What? That's impossible.
01:03:00Do we have spare parts?
01:03:02No, sir.
01:03:03Excuse me.
01:03:06There's a war out there.
01:03:12People sing and dance here as if nothing happened.
01:03:15You said it.
01:03:17Not here.
01:03:19But the war could end up here.
01:03:24Although the ideal
01:03:27would be for this to end up in war.
01:03:34Shall we dance?
01:03:37Here?
01:03:39You and me?
01:03:41Who else?
01:03:44No, I don't think it's appropriate.
01:03:47It's simple. Dance alone.
01:04:03Come on!
01:04:33Come on!
01:05:03Come on!
01:05:24Thank you for everything.
01:05:26I had a lot of fun.
01:05:29Me too.
01:05:31I never thought I'd dance drums.
01:05:35And I never thought I'd feel so alive.
01:05:42We have to go get a car to take us home.
01:06:00Let's go.
01:06:15Hey!
01:06:17What happened?
01:06:28Who was it?
01:06:30I don't know.
01:06:36Let's go.
01:07:00Let's go.
01:07:30Let's go.
01:07:38Come on.
01:07:39I can't.
01:08:00Let's go.
01:08:30Good morning.
01:08:44I wanted to know how you were.
01:08:48I'm going to town.
01:08:50I know you were following us last night.
01:09:00Amen.
01:09:17Look for my mom, sir.
01:09:23Does your mom live here?
01:09:26What's her name?
01:09:27Angela.
01:09:29And what's your name?
01:09:30Pablo.
01:09:32Hey, Pablo.
01:09:34Is your dad home?
01:09:35My dad doesn't live here.
01:09:37Why are you talking like that?
01:09:39Because I'm not from here.
01:09:45Do you like ice cream?
01:09:49You can buy a lot with this.
01:09:51Come on.
01:09:58Amen.
01:10:20Hi, Angela.
01:10:22Calm down.
01:10:25I just want to talk to you.
01:10:26Leave me alone.
01:10:28You've been watching me since I got to town.
01:10:31Who are you?
01:10:33What do you want?
01:10:38Angela.
01:10:39Angela.
01:10:55I don't want to hurt you.
01:10:58I just want to talk to you.
01:11:03Give me your hand.
01:11:04Give me your hand.
01:11:08Give me your hand.
01:11:18Please leave.
01:11:22I won't leave until you tell me why you were following me.
01:11:26I can't talk to you anymore. Please leave.
01:11:29I'll leave when I know who told you to follow me.
01:11:32It's dangerous for you to be here.
01:11:36Angela, I'm not leaving.
01:11:43Nobody asked me to follow you.
01:12:02I don't believe you.
01:12:27I don't know how you managed to get here.
01:12:30It's very risky.
01:12:33You'll have to die for something, won't you?
01:12:37Yes.
01:12:44Last night when we were...
01:12:46No, don't worry.
01:12:48It was a mistake.
01:12:51It wasn't?
01:12:52Yes. It was a mistake.
01:12:59I shouldn't have kissed you longer.
01:13:03Fine.
01:13:12Do you still love him?
01:13:17Your husband.
01:13:20He's my husband.
01:13:23That doesn't answer the question.
01:13:27Do you love him?
01:13:29Yes.
01:13:38I don't know.
01:13:41Then?
01:13:44Why do you still love him?
01:13:51I just want to understand.
01:13:54Then you'll understand that I'm becoming more and more blind.
01:13:57I can't do anything.
01:13:59This is the life I had to live.
01:14:01You're not blind.
01:14:04You're a beautiful woman full of life.
01:14:09In that case, blindness is the least of my abilities.
01:14:18Did you meet Pablito?
01:14:22Yes.
01:14:25A man wants a woman as much as he can give him children.
01:14:29That's not me.
01:14:30A man wants a woman, period.
01:14:32Without conditions.
01:14:34There are always conditions.
01:14:36One condition. To love.
01:14:38And if the woman I love gave me the opportunity,
01:14:41I would celebrate it every day of my life.
01:14:46No matter how many children I have.
01:14:51And that woman is you.
01:15:00What are you doing, Frank?
01:15:02It's dangerous.
01:15:04You have to die for something, don't you think?
01:15:29Frank.
01:15:59Frank.
01:16:29Frank.
01:16:59Frank.
01:17:13I had forgotten the sound of the words I love you.
01:17:19I'm going to make you never forget it again.
01:17:21I don't know how, but I'm going to take you with me.
01:17:27Tell me if you want to.
01:17:31I can do anything to do it.
01:17:37Frank.
01:17:41It's been so long since I stopped dreaming.
01:17:44Alessia.
01:17:46Alessia.
01:17:49Alessia.
01:17:51Alessia.
01:17:55You believe in second chances.
01:18:21It's crazy what we're going to do.
01:18:30It would be crazy not to do it.
01:18:41And I thought I was finally going to get rid of that noise.
01:18:44But I'm not going to.
01:18:46I'm not going to.
01:18:48I'm not going to.
01:18:49I thought I was finally going to get rid of that noise.
01:18:52Enrique does his reports in a good machine.
01:19:11It's been two years.
01:19:14The Nazi army is consuming cigarettes sent by the Greeks.
01:19:20I don't understand.
01:19:22Cigarettes that Enrique smokes are not sold in Venezuela.
01:19:26Captain Salaterra.
01:19:28What kind of sailors can remember a little more?
01:19:31German soldiers.
01:19:35Enrique does his reports in a good machine.
01:19:38Let's go.
01:19:40What's going on?
01:19:42Good morning.
01:19:44Enrique, please, whatever happens...
01:19:49No!
01:19:56No!
01:20:09How I would like to blow your head in two.
01:20:13But I can't.
01:20:19Good morning.
01:20:21No!
01:20:32Let's go now!
01:20:34Pick up everything, don't leave anything of value.
01:20:36What are you going to do to her?
01:20:38That's not your problem.
01:20:42Enrique, please, run!
01:20:44Stop!
01:20:50What do you want, gringos?
01:20:52Venezuelan gasoline?
01:21:00Attackers.
01:21:04You are responsible for this.
01:21:11I didn't want any of this to end like this.
01:21:15I'm not asking you for anything.
01:21:18I'm not asking you for explanations.
01:21:25You don't know what I've had to go through.
01:21:28But I know what you're going to have to live.
01:21:32Guilt is a form of hell.
01:21:39Go away.
01:21:43That's the best thing that can happen to me.
01:21:48Forgive me, Mrs. Valencia, forgive me.
01:21:53This is Manny Diaz, over.
01:21:56The situation is out of control.
01:21:58We must evacuate the area immediately.
01:22:00We are very close to the attack, over.
01:22:02Captain Salvatierra, we have no information on Frank Moore.
01:22:05Is he with you, over?
01:22:07No.
01:22:09The post is abandoned.
01:22:11The last transmission intercepted
01:22:13coincides with the coordinates of this place.
01:22:14The communication equipment of this place
01:22:16was abandoned by Moore, over.
01:22:18Captain Salvatierra, it is important
01:22:20that Frank Moore communicates with me, over.
01:22:23It's clear.
01:22:25Over and out.
01:22:27Someday they will know the truth.
01:22:30And who are they going to believe?
01:22:32A soldier or me?
01:22:35I fell from heaven.
01:22:38Let's move on to the story, Frank.
01:22:40What do you think?
01:22:42Frank Moore, the Nazi spy.
01:22:44Zambrano, come here.
01:22:46Yes, Captain.
01:22:48I want you to listen to this.
01:22:50Give me your gun.
01:22:56Porto Miranda, command, over.
01:22:58Go ahead, command, over.
01:23:00I want you to send a convoy immediately to my house.
01:23:03The American turned out to be a Nazi spy.
01:23:05He attacked my wife.
01:23:07He set fire to my house.
01:23:09And he killed Cabo Zambrano.
01:23:15Oh!
01:23:22Here speaks the air director.
01:23:24Here speaks the air director.
01:23:26What? Is the ladder on gas?
01:23:28We have a dead officer here.
01:23:30The machine gun.
01:23:32What are you going to do?
01:23:40Why did they betray their country?
01:23:41Why did they betray their country?
01:23:43Their people?
01:23:52Betray my country?
01:23:55What makes you think
01:23:57that Venezuela has to be faithful to its allies?
01:24:00This is a war, Moore.
01:24:02In war, everyone takes sides.
01:24:04I took sides for the Germans.
01:24:06Any problem?
01:24:08Have you thought about how many human beings
01:24:09are dying in this war invented by your Germans?
01:24:14And how many died in the Opium War, for example?
01:24:17A war led by your country?
01:24:21Don't give me lessons...
01:24:23They are killing millions of people.
01:24:26We are winning the war, Moore.
01:24:28And you are obviously losing it.
01:24:33I would ask Venice before being so sure.
01:24:34I would ask Venice before being so sure.
01:24:58None of this is personal
01:25:00until you touch my wife.
01:25:04Never.
01:25:29What did you do to Frank?
01:25:31What he deserved.
01:25:35I wanted to take you with me.
01:25:38I wanted us to live together,
01:25:40but you destroyed everything.
01:25:44Everything has been destroyed for a long time.
01:25:47If you hadn't realized it,
01:25:49it would have been something else.
01:25:51Venice had plans for both of us.
01:25:54She was never in your plans.
01:25:56She was never in your plans.
01:26:05I didn't know my blindness was so serious.
01:26:09What are you talking about?
01:26:15I gave my whole life
01:26:18to someone who is more than a traitor,
01:26:20a coward.
01:26:25No!
01:26:31No!
01:26:34No!
01:26:40No!
01:26:45No!
01:26:48No!
01:26:50No!
01:26:52Can you see?
01:26:53Can you see or do you need to get closer?
01:27:23No!
01:27:54No!
01:27:56No!
01:27:58No!
01:28:00No!
01:28:02No!
01:28:24No!
01:28:44Frank.
01:28:47Honey, are you there?
01:28:53Yes.
01:29:07I'm here.
01:29:18No, no.
01:29:19No!
01:29:24My life is so close.
01:29:28Venice,
01:29:30leave me here.
01:29:33If they catch us,
01:29:36they'll think you helped a spy.
01:29:42Honey,
01:29:44I've waited all my life
01:29:47and now that I found you,
01:29:49I won't lose you.
01:29:50Honey.
01:30:04No!
01:30:20No!
01:30:39Come here.
01:30:44You don't know what I've lost.
01:30:48It isn't
01:30:50mine either.
01:30:58I'm home.
01:31:11Do you think
01:31:14we're just opportunities?
01:31:20Yes.
01:31:24I didn't know you.
01:31:50No.
01:31:53No.
01:32:20No.
01:32:51Sometimes,
01:32:55the decisions you make from pain
01:33:00can seem desperate.
01:33:07Sometimes,
01:33:11there are only two options.
01:33:17To hold on
01:33:21or let yourself die.
01:33:38And there are those
01:33:40who, in the midst of so much death,
01:33:43choose to give life a new chance.
01:33:51That's what you deserve,
01:33:53Simon Moore.
01:34:01Maybe this will help you
01:34:02talk about history.
01:34:04What really happened.
01:34:07The story of love.
01:34:11I must begin by saying
01:34:13that history
01:34:15may not have fully understood
01:34:16human decisions,
01:34:18especially in the midst of war,
01:34:20where you live
01:34:21as if every day was the last.
01:34:23But also where you love
01:34:25as if there was no other day to love.
01:34:28I thought I was directing
01:34:29an exhibition
01:34:30about Venezuela's participation
01:34:31in World War II.
01:34:34And I found out
01:34:35that many times
01:34:36the true warriors
01:34:38are unknown beings,
01:34:41anonymous,
01:34:43who give their lives,
01:34:45their dreams,
01:34:47to defend the true treasure
01:34:49of a nation.
01:34:52Men and women
01:34:54who are able
01:34:56to carry in silence
01:34:58the pain of a war,
01:35:02to see in the eyes
01:35:03of their children,
01:35:06of their families,
01:35:09a light of hope.
01:35:15Because the true history
01:35:16of the peoples
01:35:17is found there,
01:35:21in the great battles
01:35:23of the little beings.
01:35:26Come from wherever you come from.
01:35:33Venecia,
01:35:35love,
01:35:37are you there?
01:35:39Yes,
01:35:41here I am.
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