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Transcript
00:00Once they asked the poet Carlos Drummond de Andrade what Brazilian he would like to be.
00:08The poet replied, my dream has a name and is called Grande Otelo.
00:17There is no actor, no matter how comical he is, who does not like to make the public cry from time to time.
00:25There is no actor, no matter how comical he is, who does not like to make the public cry from time to time.
00:37The roles you see me playing, which have nothing to do with me,
00:41here have nothing to do with me and nothing to do with the Brazilian black man.
00:45But I need to survive.
00:47The new cinema was a camera in the hand and an idea in the head.
00:57But it was the idea of ​​the subject himself, it was not the general idea of ​​the public.
01:05I met Alfred Wellers and he called me and said, look, I want to introduce you here, the greatest genius of cinema.
01:12And I said, hello. And he left me.
01:18Brazil, my friend, let me tell you.
01:22The story that history does not tell.
01:26The opening in the same place.
01:29In the world that we build.
01:32Brazil, my friend, let me tell you.
01:40Brazil, my friend, let me tell you.