Category
🎥
Short filmTranscript
00:00You're going to hit me. Go ahead.
00:02Please, let me go. I'm warning you.
00:04Give me a reason to break your face.
00:06What's going on?
00:07Are you going to hit me as if you were two drunkards in a tavern?
00:09Don't get involved in this, Cruz.
00:10What do you mean, don't get involved?
00:11What are you reproaching him for telling me about Maria Antonia?
00:13Isn't that right?
00:14I'm not reproaching him for anything.
00:15He's just a messenger.
00:16Let him go.
00:19Your secret is safe with me.
00:21You don't know how much I appreciate it.
00:23Just one thing, Hanna.
00:25Don't tell anyone.
00:27You don't know how much I appreciate it.
00:29Just one thing, Hanna.
00:31Who else knows?
00:33Mr. Baeza also knows.
00:35And how did he take it?
00:36Let's just say he's not as optimistic as you are.
00:38Well, you know he has a very different way of seeing things,
00:41and not a great sense of responsibility.
00:45I'm aware.
00:47Tomorrow I have to leave with my parents to San Sebastián
00:49to visit my sister and her husband.
00:51Well, it sounds very fun, doesn't it?
00:54My brother-in-law and I ...
00:56Let's just say we're not the people who get along the best.
00:58Because of character differences.
01:00I don't know if that's it,
01:02or that he's a petulant and arrogant person.
01:04Feli, Feli, don't give it to him.
01:06Because Feli, Feli ...
01:07Maria, enough.
01:08No, no. You're right, Hanna.
01:10I didn't notice much connection with her husband when I saw them together.
01:12Well, let's see.
01:14Maybe she's trying to be a little more discreet.
01:17Teresa has never been one of those timid people either.
01:19And especially how she takes things the other way.
01:22For that very reason.
01:23She probably didn't want to upset Mrs. Petra.
01:25She swore eternal love to her on the fact of my son's death.
01:28And two weeks after leaving here, she was already dating someone else.
01:32Do you think she was pretending to be here?
01:34All I know is that I was barely a year away from my son's death.
01:38And that woman has redone her life as if it were such a thing.
01:41Because she has no sense of respect.
01:43And is she going to stay here for a while?
01:46Well, Martín just invited me to spend a few days here.
01:49So if my parents don't mind, I can stay here for a while.
01:53Great.
01:55Well, let's hope the novelty of her presence will divert the attention of other visitors.
02:01I offer you the position of first lackey in the palace of the Count of Matesanes.
02:07No one will pay you more quarters, right, Salvador?
02:10That's it, that's it.
02:12Maria, what's going to happen with the wedding?
02:14What's going to happen, Simona?
02:16Because it will be celebrated when it can, period.
02:19We are maintaining a friendship relationship.
02:22Curro behaved like a walking gentleman saving his beloved.
02:26In life, things are more prosaic.
02:30And that's why you've decided to be friends.
02:33I don't think either of you wants to force things.
02:37He's a ruthless murderer. You can't talk to him and you can't buy him either.
02:41What can we do?
02:43Nothing. Leave things as they are.
02:45Let Mrs. Adarre remain locked up in that cabin without seeing her son.
02:49That's true, but alive.
02:51And for how long?
02:52As long as necessary. The next step will be taken when it has to be.
02:56If it was as you say and you had told me, I would have believed you.
03:00Because you were my husband.
03:02But now ...
03:04Now I don't know who you are.
03:07Cruz Recapacita.
03:09Go.
03:14I'm about to hire your husband like the rooster.
03:17I hope you don't disappoint me. I'm risking it for you.
03:21I know perfectly well, Mr. Baeza.
03:23And I assure you that I will not disappoint you.
03:25You really don't know how much I appreciate it.
03:27And I ask you, please, to trust me. And also him.
03:29As I told you, he learns very quickly and he is a good man.
03:32There was nothing good in all this misery.
03:34The trench comrades.
03:37In those circumstances, I suppose the ties become very close.
03:42I assure you that I would not be here if it weren't for them.
03:45And now, excuse me if I don't specify more, but ...
03:48I don't like to talk about it.
04:13Oh!
04:17Oh, Mr. Baeza!
04:19But what is it that has made you fall?
04:21Because of your motto.
04:23I'm not a socialist.
04:24Forgive me, I thought it was Gregorio.
04:26Forgive me, I am very happy to see you.
04:28And I am very happy to see you, Mrs. Adares.
04:30Although you were about to give me a good smile.
04:33Well, I've been very nervous lately.
04:35Especially at night.
04:37But you have a very good face.
04:39It shows that you are better here.
04:41Better than in that cave.
04:43Sit down, please.
04:47I know it's not time, but ...
04:49I preferred to come at night so that the absence of Palacio is not noticeable.
04:53But has something happened?
04:55No, no, and that's what it's about.
04:57But if nothing has happened, why did you come?
05:00Well, I wanted to visit you.
05:03Mr. Baeza, don't take me for a fool, please.
05:06Well, we still haven't found a way to neutralize that man.
05:10But that was already known before.
05:12No, but I wanted to talk to you.
05:14Has something happened?
05:15No, no.
05:19I've missed you.
05:21Since you left La Bromesa, it's been a chaos.
05:25Well, I'm calm here because no one comes to see me.
05:28And if someone comes, you take the ...
05:30the ... the ...
05:34It's curious, but that's one of the things I've missed most.
05:38Which one?
05:39La risa, que suele ser cosa de dos, ¿no le parece?
05:43Sí, se dice que rie solo, que está loco.
05:46Yo he estado a punto de hacerlo varias veces.
05:48Bueno, de eso y de hablar con las paredes de esta cabaña.
05:51Bueno, sí, ha estado usted demasiado sola.
05:53Pues sí, demasiado.
05:55Salvo cuando venían a verme María Fernández o...
05:59O Jana y don Manuel, que se les ve muy felices y muy bienvenidos, ¿no le parece, señor Baeza?
06:06Señor Baeza, no se preocupe, que sé perfectamente que usted sabe lo que hay entre esos dos, al igual que lo sé yo.
06:12Es un asunto delicado.
06:14Pues sí, lo es.
06:15Insobradamente delicado.
06:16Señor Baeza...
06:17Dígame.
06:18Yo quería pedirle un favor.
06:20Si está en mi mano.
06:21Pues que no los delate.
06:23No lo tienen fácil, es una historia de amor verdadera, se lo aseguro, y no se lo compliquemos más nosotros, por favor.
06:30No se preocupe, don Manuel y Jana pueden estar tranquilos porque yo no le voy a decir nada al señor Márquez.
06:37¿Y ellos lo saben ya?
06:38Bueno, no de una forma rotunda y definitiva.
06:42Pues dígaselo, que deben estar aún sin vivir.
06:44¿Usted cree que es necesario?
06:46No, necesario no.
06:47Ah, muy normal.
06:48Es imprescindible.
07:00¿Qué pasa?
07:01Nada.
07:02¿Qué pasa?
07:03Nada.
07:04¿Qué pasa?
07:05Nada.
07:06¿Qué pasa?
07:07Nada.
07:08¿Qué pasa?
07:09Nada.
07:10¿Qué pasa?
07:11Nada.
07:12¿Qué pasa?
07:13Nada.
07:14¿Qué pasa?
07:15Nada.
07:16¿Qué pasa?
07:17Nada.
07:18¿Qué pasa?
07:19Nada.
07:20¿Qué pasa?
07:21Nada.
07:22¿Qué pasa?
07:23Nada.
07:24¿Qué pasa?
07:25Nada.
07:26¿Qué pasa?
07:27Nada.
07:28¿Qué pasa?
07:29Nada.
07:30¿Qué pasa?
07:31Nada.
07:32¿Qué pasa?
07:33Nada.
07:34¿Qué pasa?
07:35Nada.
07:36¿Qué pasa?
07:37Nada.
07:38¿Qué pasa?
07:39Nada.
07:40¿Qué pasa?
07:41Nada.
07:42¿Qué pasa?
07:43Nada.
07:44¿Qué pasa?
07:45Nada.
07:46¿Qué pasa?
07:47Nada.
07:48¿Qué pasa?
07:49Nada.
07:50¿Qué pasa?
07:51Nada.
07:52¿Qué pasa?
07:53Nada.
07:54¿Qué pasa?
07:55Nada.
07:56¿Qué pasa?
07:57Nada.
07:58¿Qué pasa?
07:59Nada.
08:00¿Qué pasa?
08:01Nada.
08:02¿Qué pasa?
08:03Nada.
08:04¿Qué pasa?
08:05Nada.
08:06¿Qué pasa?
08:07Nada.
08:08¿Qué pasa?
08:09¡Nada!
08:10¿Sigo?
08:11Todo.
08:12¿Seguro?
08:13Es furioso.
08:14¿del cabello?
08:15San
08:24Are you in a hurry?
08:26I have things to do.
08:29At this time, it will be unconfessable things.
08:32Come on, don't be so rude and have a drink with your uncle.
08:36At another time, really.
08:37Are you going to make me look bad?
08:40It's not about that.
08:41Come on, so we can talk.
08:43Really?
08:53Tell me.
08:55What do you want us to talk about?
09:00It doesn't matter to me.
09:02How are things going with Pelayo?
09:04Good.
09:05Just good?
09:07Seeing you, I get the feeling that things are going well for you.
09:10Am I wrong?
09:13It's hard to say.
09:16Expressions like those of wind in the mouth are so imprecise.
09:20Well, it's an expression like any other, it's a way of speaking.
09:23Yes?
09:25Let's use that way of speaking then.
09:28How's the jam business going since you've been in charge of it?
09:32Well ...
09:33Is it drifting?
09:34No.
09:35The road of the shipwreck?
09:36No.
09:37It's a profitable business.
09:39Don't tell me.
09:40I can show you the account books if you want.
09:43How can it be that in a few months the business has gone down?
09:46It's just ...
09:47It's hard for me to believe it.
09:49It's hard for you to believe it because it's a lie.
09:51That business is still making a profit.
09:55Yes.
09:57Reducing expenses and degrading its image.
10:00Changing is not degrading.
10:03You made jams for Cursis and for Sibaritas.
10:07I'm going to the plain town.
10:09You're going to the precipice.
10:10Come on.
10:11Very convenient, yes.
10:14We used ingredients of the best quality.
10:17We cooked them with a master formula.
10:20And we paid a fair wage to women for their good deeds.
10:24You were throwing away the money, I mean.
10:27And what are you going to say?
10:29That you buy the worst fruit you can find,
10:31use bad death recipes
10:32and pay hungry wages.
10:34Of course it's still making a profit, but for how long?
10:38Your product is so bad that it will end up not being loved by anyone.
10:41As usual, you're wrong.
10:44All I've done is adapt to the circumstances of the market,
10:48get a genre that allows me to increase production
10:51and restrict some crazy wages.
10:54And all this, of course,
10:56guaranteeing quality buyers.
10:58Please.
11:01The business is still making a profit because it got a contract with the army.
11:05Its clients are poor soldiers who have no right to have an opinion.
11:10And even so, I've heard that you've received complaints.
11:14Dealing with complaints is a capital part of running a company,
11:19as I suppose you already know.
11:21Yes, a company that doesn't offer quality in its product.
11:26And what's more,
11:28I know that the women of the village feel so exploited
11:31that they're thinking about quitting working with you.
11:34Your information is wrong.
11:36Everything you say is in your head.
11:38This business is doing well
11:40and will continue to do so as long as I'm in charge.
11:45I hope it's for a short time.
11:47I will do everything in my power to get it back.
11:52Good luck.
11:53Good luck.
12:06What would you say are your virtues, Mr. Rodríguez?
12:10My virtues?
12:12Yes. Related to your position in the street.
12:15I look at things.
12:17You look at things?
12:19Yes. I pay attention to the little details.
12:20I look at things.
12:22And I learn quickly.
12:24It's well known that I look at things a lot.
12:26I see, I see.
12:28But you don't have much service experience.
12:31If you mean serving in a house,
12:34I don't have much experience, sir.
12:36But you learn very quickly.
12:38I already told you, Mr. Baeza.
12:40And you also keep track of everything at once.
12:42Yes, that's very good.
12:44But in our occupations,
12:46you need to look at things a lot
12:48or be very attentive.
12:50You will have to perform
12:52entirely new functions for you.
12:55I hope to learn them soon, Mr. Baeza.
12:58For the good of all, yes.
13:00We hope so.
13:02Well, let's hope that,
13:04if you are as excited as you seem,
13:07it is so.
13:09And learn soon.
13:11Welcome to the promise, Mr. Rodríguez.
13:13Am I hired?
13:15It seems so.
13:17Thank you very much, Mr. Baeza, Mrs. Arcos.
13:19One moment.
13:21You have something to say, Mrs. Arcos.
13:24That's right.
13:26I understand that I will be allowed, right?
13:28Of course, go ahead.
13:31I don't want,
13:33not even for a second,
13:35that you think that the promise is an infamous place where
13:38you can kiss in the corners.
13:41I don't think anyone thinks that, Mrs. Arcos.
13:44Of course not, we guarantee it.
13:46Just in case.
13:48It is better to make things clear from the beginning.
13:51As we must also make it clear that
13:54the lackeys and the maids do not have permission to sleep in a,
13:58in a shared bedroom.
14:01No matter how married they are.
14:03It's true, we haven't mentioned that.
14:06So don't worry.
14:08No, really.
14:10We are here exclusively to work.
14:12Do you mind sleeping separately?
14:15Of course not, not at all.
14:16Of course not, not at all.
14:18Not at all.
14:20What I mean is that,
14:22that if you can't,
14:24then you can't.
14:26What are we going to do?
14:28I see.
14:30So you don't mind not sleeping together.
14:33That's exactly what we just said.
14:35Really, that's fine.
14:37Well, nothing.
14:39If that's the case, then things are much easier for us.
14:42Thanks to both of you.
14:44Well, there's nothing else to talk about.
14:47Excuse me.
15:10Porro.
15:11Hanna.
15:13Why aren't you having breakfast with the others?
15:15I'm not hungry.
15:17That's weird of you.
15:19I don't want to be part of family talks either, really.
15:22I'm sorry, sir.
15:25You know perfectly well that I'm not saying this for you.
15:28I know.
15:30And why aren't you hungry? There has to be a reason.
15:34Well, yes.
15:36But what else? That's it.
15:38I'm hungry.
15:41Okay.
15:44Last night, I talked to Julia.
15:47The girl who brought the pendant to Martina.
15:49A conversation, that's all?
15:51No.
15:52We were talking about the war.
15:54What strangest conversation to have with a stranger?
15:57Well, yes.
16:01Besides, you don't like to talk about that subject, do you?
16:05No, but she started asking me questions.
16:07About the war?
16:08Yes.
16:09Well, I think it was out of curiosity,
16:11but I didn't realize how much those things bothered me.
16:14Maybe she was being very subtle.
16:17Well, maybe at first she was, Hanna.
16:19But then she wasn't.
16:21And I didn't stop until I told her that it hurt me to remember all that.
16:23How uncomfortable it must have been.
16:25Yes, it was.
16:27But because it really hurt me.
16:29Besides, I answered her with vague answers.
16:31Yeah, it's very strange that she didn't notice anything.
16:34Yeah.
16:36Besides, even if she didn't do it with any malice,
16:37it made me nervous.
16:39She even asked me if she had ever been hurt.
16:43As if she could get rid of such an experience.
16:46Well, maybe she was saying it because
16:49it's true that there are people who die in the war,
16:51but I guess there are also people who return home without a scratch.
16:54No.
16:55It's just that even those people are hurt, Hanna.
16:57Even if it's not physically.
16:59They have seen too many atrocities to be able to forget them.
17:02Even if they want to.
17:04You're right.
17:07She also asked me if
17:09I had found anything good
17:11among so much misery.
17:13It's hard to find something good, isn't it?
17:15Yes.
17:17The only positive part
17:19were the companions.
17:22But almost all of them ended up dead, so ...
17:28War is desolation.
17:30It's death.
17:32It's senseless violence, pain.
17:34And yet I had to explain everything to this girl
17:37in an almost impassive way.
17:39But it's normal, Curro.
17:41It's your way of protecting yourself.
17:43No.
17:45Every day I try to get rid of the bad memories.
17:48I try to convince myself
17:50that none of what happened was my fault.
17:53That I just wanted to help.
17:56And every night
17:58the dead come to ask me for explanations.
18:01How horrible.
18:03They come
18:05one by one
18:07and they take their time.
18:09Because, of course,
18:11what's the rush if you're dead?
18:13And what do they want to know?
18:15Why.
18:17Everyone asks me why in their own way.
18:22And the worst of all
18:24is that I don't know what to tell them.
18:33Are you doing that again?
18:35Please.
18:38Every month I send my daughter to New York
18:41the same amount of money.
18:43And she receives less and less.
18:46Yes, I know that the war is affecting the currency market.
18:49But I also know that in Rio Revuelto there's a lot of fish.
18:54Yes.
18:56That's exactly what I'm insinuating.
18:59What do you mean, who do you think I am?
19:02I don't need to believe anyone, sir.
19:04I'm the Marquis of Lujan.
19:08Tell Mr. Pontejo that this is intolerable
19:10and that I await his call.
19:12Good morning.
19:14Problems with the bank?
19:17No.
19:19I have the impression
19:21that you had a problem with the bank.
19:23Don't think that with your background
19:25I'm going to trust you with my worries.
19:28Oh, you.
19:30It's still something discretional.
19:32Call it whatever you want.
19:34However, I have no problem trusting you with mine.
19:37Yours?
19:39My worries.
19:41Specifically, I'm worried about your daughter Catalina.
19:43I'm not going to talk to you about my daughter Catalina.
19:45Why?
19:47Because it's none of my business.
19:49If you're worried about my daughter,
19:51talk to her and express your worries to her.
19:53I've already done that.
19:55Very well.
19:57And at what time?
19:59She has been insolent to me in an unacceptable way.
20:01It seems that you are getting used to
20:03speaking ill of people behind their backs.
20:05Alonso, you should set certain limits for your daughter.
20:07Because I forget that among your many virtues
20:09there is the desire of the father
20:11that we all would have liked to have.
20:13As you wish.
20:15But I still think that you should give her the ground
20:17now that she has returned to Palacio
20:19and above all, she has returned accompanied.
20:21And why would I have to do that?
20:23She is very arrogant, Alonso.
20:25Yesterday she spoke to me without the slightest respect
20:27and on top of that she dared to question
20:29my way of running the jam business.
20:31So what?
20:33What do you mean, so what?
20:35I have to remind you that I took care of that business
20:37because my daughter of the soul failed you
20:39and hid in that hangar you have.
20:41You omit your reasons for convenience.
20:43You are right, I omit the part where the business
20:45was a cover for arms smuggling.
20:47Something you took advantage of?
20:49Say what you want.
20:51But if it weren't for my good trades,
20:53for my connections,
20:55for the contracts obtained
20:57and for the necessary adjustments in the business,
20:59the jams would be nothing more than a nice memory.
21:01You will say that.
21:03I do not rule out that your interests were others.
21:05As you say.
21:07I tend to share my daughter's opinion, Lorenzo.
21:09What you say is very offensive.
21:12It is very funny coming from you.
21:15I think I have not offended you at any time.
21:17No, you only settle for deceiving me,
21:20which is worse and also offends a little.
21:22We are already with that.
21:24You deceived me to make you with the fourth part of my estate.
21:26You deceived me when you hid for your benefit
21:28that Pelayo and Cabendis were doing business.
21:31I love it, I will go to Rostraposo.
21:33It is true, in your discharge it must be said
21:35that you are the same person.
21:37It is more the fault of that person than yours.
21:39Look, I better leave you and this is impossible.
21:41But Lorenzo, I'm not going to stop until I throw you out of the promise.
21:43I already did it once and you came back thanks to Cruz's protection.
21:46But nothing lasts forever.
22:06Mr. Baeza, is everything going well with Mrs. Pia?
22:09Yes, yes, but it is not for her that I have brought you.
22:15I wanted to call you, but not to talk about Mrs. Darre,
22:19but to talk about you.
22:22Yes, no, don't look at me like that.
22:25I think you already know where I'm going.
22:27Don Romulo, you know perfectly well that you have already spoken to me.
22:31And you have also done it with Hanna.
22:32Yes, yes, I have already given you my opinion separately regarding your relationship.
22:36And I assure you that we have both taken good note of it.
22:39Yes, but given the circumstances, I think it is not necessary to go a little deeper.
22:44Frankly, I think they have everything against it.
22:48They are going to embark on a path that I do not wish for anyone.
22:51They are going to suffer a lot, of course, even if they are good people and they do not deserve it.
22:55Mr. Baeza ...
22:57Don't interrupt me, I'm out of breath.
23:00Where were you going?
23:03That we were good people and that we did not deserve to suffer.
23:06That's it, yes, yes.
23:08If they are going to fight together for that love, I predict a very difficult future for them.
23:13That, to put it mildly.
23:16That said, they are two adult people.
23:19They have the right to make their own decisions, to make their own mistakes.
23:24The truth is that I have given him so many advice since I was a child that he must be fed up with me.
23:29No.
23:31Well, maybe a little.
23:34But I am very grateful for your concern, Mr. Baeza.
23:38I am not your father, but well, I would like to think that I have done everything possible
23:43for everything to be fine within my attributes as a mayor.
23:47You are no longer a boy, you are a man.
23:51And you, Miss Expósito, a woman made and right.
23:54You are the owners of your lives, of course,
23:58and you have the right to govern them and pursue your illusions without anyone deciding for you.
24:04And that is why I have called you both to talk to you.
24:09What I want to tell you is that I am not going to intervene in your relationship
24:13and I am not going to reveal it to the Marquises either.
24:17With this I mean that I have not seen anything,
24:19but that I would not like to see again what I have not seen.
24:24I don't know if I explain myself.
24:26No, not much.
24:28What I mean is ...
24:30Yes, yes, please don't put me in more commitments.
24:33Don't worry, Mr. Baeza.
24:35We will be discreet from now on.
24:38Yes, yes.
24:40Well, good luck and I wish you all the happiness in the world.
24:45Thank you very much, Mr. Baeza.
24:50Can we go now?
24:52Yes, yes, of course.
25:03Sir, Madam,
25:05I wanted to thank you for the great privilege of serving this house for so long.
25:10Very well.
25:12It has been a very demanding job,
25:15but I feel very honored and very proud to have served the Lujan family.
25:19And we are honored by your good disposition, Salvador.
25:22Thank you, sir.
25:24Time has flown by.
25:26I still remember the first day I came to the palace,
25:29how hard it was for me to learn what was mine.
25:31For a reason.
25:33Yes, Madam.
25:35Because the demand has always been up to the good name of this palace.
25:38You can say it louder.
25:40I think it happens to all of us who serve here in La Promesa.
25:44We do not want to disappoint the heads of service,
25:46because that would mean that we are disappointing you.
25:49Interesting reflection.
25:51Thank you, Madam.
25:53You're welcome.
25:56And finally,
25:58I know you are aware that I have been offered a higher rank position in another palace,
26:02but please, I don't want you to think that I'm leaving because I'm not happy or I'm not at ease in La Promesa.
26:07On the contrary.
26:09The gratification that Mr. Baeza has given me on his part is quite generous.
26:13Gratification?
26:17Well ...
26:19Sir, Madam,
26:21I want you to know that I will never forget you,
26:25and that my loyalty and my gratitude will always be linked to this family.
26:29That gratification is a small sample of recognition of your dedication, Salvador.
26:34The small thing is a saying, right?
26:37We wish you the best in your new position.
26:41I know you will perform as well as here.
26:44Thank you very much, General Marqués.
26:46La Promesa will always be your home.
26:48Its doors will remain open for you.
26:51Well, you have already heard the Marqués.
26:54We are so grateful to you that we have even given you a gratification that is even excessive for you.
27:00He said generous, Cruz.
27:02Generous, excessive.
27:04Anyway,
27:06my husband says that the doors of this palace will always be open to you.
27:10And I tell you to take note of the date on which you leave us.
27:14Let's see how long it takes you to return.
27:16Thank you very much once again, Salvador.
27:19Thank you, sir.
27:21Madam.
27:28All you know we have taught you.
27:30And he leaves us to serve others.
27:33And you also give him a gratification.
27:35In this house he will earn more and have more opportunities to ascend.
27:38It is human to want to progress, Cruz.
27:40Well, I do not agree, Alonso.
27:42This is a betrayal.
27:44A betrayal?
27:45Yes, a betrayal.
27:46And betrayals must be punished, not rewarded.
27:49And of course, never forget them.
27:55Has Salvador gone up already?
27:57Yes, he has passed by to say goodbye and has gone up to shoot.
28:00I understand very well why he wanted to say goodbye to the Marquises.
28:03Well, because he was born to be grateful, López.
28:06Well, you write them a note and that's it.
28:08It's not the same, López.
28:10It will not be the same, Mrs. Simona, but you save yourself the bad drink of being there in front of the Marquises.
28:13And I don't say it for the Marquis, I say it for the Marquise.
28:16Yes, that's true.
28:18Well, in any case, Salvador's thing is nothing more than goodbye, very good queen now.
28:22And well, it is not in vain that they see that you are grateful.
28:26Well, there would be a lot to talk about.
28:29Now it will turn out that gratitude is a bad thing.
28:32Nobody says that.
28:34The thing is to see who has to be grateful to whom.
28:38Don't start, Candela.
28:40After all, the boy works for them and they pay him a salary.
28:45If we take into account how the work is and how much the salary is,
28:50I think the thanks would have to be given to the Marquises to Salvador, or not.
28:59Ah.
29:03Well, it seems that someone has remembered you, Mrs. Martínez.
29:13It's a blessing.
29:15Yes.
29:16Well, let's see what he tells us.
29:18Oh my God, I tremble.
29:20Excuse me, Mr. Pellicer, but it is the first letter I have received since I left the town.
29:25Well, he has found a bee, a weapon of Cantaro.
29:31He says they have already arrived in town.
29:34And what else does he say?
29:37That they have settled down very well.
29:39Good news.
29:40What else?
29:42That the trip was a bit long and Adolfito was quite protestant.
29:48Of course, he is very small.
29:49He is very small.
29:52What?
29:54What does he say?
29:55Nothing.
29:56It's not a secret.
29:57It's not a secret.
29:59Okay?
30:02He says that as soon as they arrived, he realized that he could be very happy there.
30:08But how nice, Mrs. Simona.
30:10And that with the money we gave him, they were able to buy all the materials to make the arrangements that the house needed.
30:23And he tells me to thank you all again for your generosity.
30:31For having renounced the gratification of Mrs. María Antonia.
30:37Well, she looks very happy, doesn't she?
30:40She is very happy, Lope.
30:43She says that for her it is wonderful to be able to spend time with the child, play with him, take care of him,
30:51cuddle him at night before going to bed, give him a kiss, tell him a story.
30:55Poor thing.
30:57Come on, he doesn't deserve it.
30:59And she also says that every day she gets along better with her in-laws.
31:04And that is thanks to the fact that she already has a job.
31:07Already?
31:08Not even the bourgeoisie?
31:10In the house of a seamstress, sewing and fishing.
31:16And that she combines it, also helping her in-laws in the garden.
31:22And that's it.
31:25That she loves me and that.
31:30Well.
31:34Well, it seems that Virtudes couldn't have done better.
31:37Yes.
31:38You can see that she had to leave, after all.
31:45Are you realizing, Mrs. Simona?
31:48A letter, news about your daughter?
31:52Yes.
31:54It is now you who reads the letter to us.
31:59That's the least of it.
32:00The important thing is that this letter is real.
32:31I'm going to take a nap, I miss you.
32:35We will continue to have them.
32:38Yes, but it won't be the same.
32:40Of course.
32:42Even if we see each other from time to time.
32:45You think?
32:46Yes.
32:48Look, all the free days I have are going to be for you and for me.
32:52All of them.
32:54I like that.
32:55Besides, now that we are going to see each other less, we will want to be together more.
33:01I hope so.
33:04Of course.
33:08There are those who say that with the distance one also forgets to love.
33:13Those are nonsense.
33:16I don't know, Salvador.
33:19Look, whoever said that phrase didn't love us as much as we love each other.
33:23He didn't love us as much as you and I love each other.
33:28Can he?
33:30Of course he can.
33:32I'm actually happy that this opportunity came to us so suddenly.
33:36Of course.
33:38I'm sure that soon we will get together and get married and start a family.
33:48Do you have it ready?
33:50Yes.
33:52I have already said goodbye to everyone.
33:57To my colleagues, to the gentlemen, and to Lope too.
34:06Then leave her.
34:08Yes.
34:10Why should we delay it any longer?
34:22No, Maria, don't come, please.
34:25Don't be silly, Salvador, please.
34:27If you don't, you'll never see me again.
34:32As we said, right?
34:34A farewell without pain.
34:37Only with love and desire to prosper.
34:41That's it.
34:44And so everything will be fine.
34:46That's it.
34:49And so everything will be fine.
35:01Salvador.
35:04I love you.
35:08I love you too, Maria.
35:15I love you too.
35:31I love you.
35:45I love you.
36:05There's nothing to worry about. Everything is fine.
36:07Father, be honest with us.
36:09I'm being honest.
36:11No, you're not.
36:13Are you going to deny your father?
36:15He assured me that things were not going well between you and mother.
36:20That's why we wanted to talk to you, to see if we could help you.
36:23I don't need help.
36:25Great.
36:26Don't be stubborn.
36:27It's my thing, period.
36:29Father, if we could help you, maybe the three of us would find a solution.
36:33Yes, there is nothing wrong with letting yourself be helped.
36:35But that happens for being honest.
36:37Tell us what's going on and ...
36:40And why Cruz and you are like this.
36:42Like what?
36:45Well, tense.
36:47Tense.
36:49Father Catalina is right. They are tense.
36:51They look tense.
36:53We look tense because we are tense.
36:57But who is not tense in the promise?
36:59There are only confrontations between each other.
37:01Each one goes his own way and against the others.
37:04Not all.
37:06You are the exception.
37:08Well, yes.
37:10Neither Pelayo nor I have tried to attack anyone.
37:12In fact, since we arrived, we have tried to bother as little as possible.
37:16And I'm not going to be hypocritical.
37:18I knew that his return could find a hostile response.
37:21But of course he has not stood up to her.
37:23If the poor man is in his lair to try to bother as little as possible ...
37:26Hey, Catalina, we're not going to go around that anymore.
37:28It's very spoken.
37:31But you know it seems inappropriate to me that you brought Pelayo back after what happened.
37:36I trust you.
37:38But this time you have not been right.
37:39And I don't think you are in a position to give marital advice.
37:42Neither to your father nor to anyone.
37:46And you, Manuel.
37:48You know I don't like to stir up the past.
37:51But I have to remind you how you got when your mother and I tried to mediate in your marriage.
37:55Everything was justifications and bad faces.
37:59So I don't think you are qualified to give me advice either.
38:10I love you.
38:22The Zagala was happy.
38:24It was the opportunity that her real husband was waiting for.
38:27That forced him to leave.
38:29Yes.
38:31But they were going to double his salary.
38:33And that was great for both of them.
38:35That life is very expensive.
38:36And having a family means making sacrifices.
38:41But then...
38:46Why did it hurt him so much that he left?
38:49It wasn't just the distance.
38:53What if something had broken between them?
39:06What?
39:15It's time.
39:17Marcelo, do you want to stop whistling?
39:19And stay still, for God's sake.
39:21How do I look?
39:27You look perfect.
39:29And you are also very handsome.
39:30I know.
39:31Hey, stop fooling around.
39:33This is not a game.
39:34I'm not fooling around, woman.
39:36Marcelo, I need you to focus.
39:37You can't screw it up again.
39:39I'm not going to screw it up.
39:41You'd better.
39:42Because it's still hard for me to understand that all this went well.
39:45What? It went well?
39:47Because we did it well?
39:48It went well by pure miracle.
39:50But I'm not always going to be able to cover up your mistakes.
39:52It won't be necessary, you'll see.
39:54I'm going to do it on request.
39:56I hope so.
39:57Look, you're getting serious, huh?
39:58Listen to me carefully.
40:00It's important that you do everything they ask you to do.
40:02Everything, without exception.
40:04There will be tasks that you don't even know where to start.
40:07Do you already miss me because of how clumsy I am?
40:08Marcelo, you want to listen to me.
40:10And when the time comes,
40:12don't even think about pretending that you know how to do something you don't know how to do.
40:14Got it?
40:15Got it.
40:16Everything you don't know, you ask.
40:17Nobody does it knowingly.
40:18Yes.
40:19And no improvising.
40:20Got it?
40:21Got it.
40:22And there's one more thing.
40:23Before you screw it up,
40:24if you don't have someone,
40:25you look for me and ask me.
40:26Is that clear?
40:27Yes, it's clear.
40:28Calm down.
40:30I'll calm down when I see that you're not giving it your all.
40:32I'm not giving it my all.
40:34I promise you.
40:36I'm very grateful that you got me this job.
40:38Besides,
40:40this place is very nice and I want us to stay.
40:52I think I've never seen such beautiful gardens.
40:55My uncles, the Marquises, have a large number of gardeners.
40:58And they demand a lot from them.
40:59That's why gardens are a great source of pride.
41:02Ah, look, Curro, Julia.
41:04Manuel, she's Julia, Martina's guest.
41:09It's a pleasure.
41:10The pleasure is mine.
41:11I finally meet the other war hero.
41:15No, actually, neither Curro nor I are war heroes.
41:18That's questionable.
41:21The truth is that it isn't.
41:23In fact, we met one in the front.
41:25War heroes?
41:27That's right.
41:28And I assure you they didn't look like us.
41:30And how were they different?
41:32That the hero has an ideal
41:34and is willing to die for it.
41:36Exactly.
41:37And it wasn't the case for the two of you?
41:39No, we got to a point where we just wanted to go home.
41:42And we had no intention of dying.
41:47Dinner time is approaching.
41:49The ideal thing would be to get ready.
41:52I understand that you're coming with us today, right?
41:54If you're going to stay a few days in La Promesa,
41:56you should meet the family.
41:58I'm a little tired, to be honest.
42:01Don't worry about that.
42:03You'll have time to rest.
42:06I suspect you're shy, Julia,
42:08but I won't insist.
42:10Okay.
42:11But if you don't mind, I'll rest here for a moment
42:14and get ready right away.
42:16Perfect.
42:17Well, we're leaving.
42:22Julia.
42:28Julia.
42:49Do you like it like this, ma'am?
42:52It's not bad.
42:54In fact, it's very good, Teresa.
42:56It couldn't be better. Thank you.
43:00What do you want, Petra?
43:02I wanted to talk to you, ma'am.
43:04Alone.
43:06You can go.
43:08Excuse me.
43:16How is it going with Teresa as a personal maid, ma'am?
43:21As a personal maid, ma'am?
43:23You haven't reported anything to me.
43:25If I haven't reported anything to you,
43:27it's because I didn't want to report anything to you.
43:30Well, yes.
43:31I'm upset that you have her busy with so many other tasks.
43:34She should be at my complete disposal.
43:37I can't rule out her work in other functions, ma'am.
43:41It's hard enough for me to frame everything
43:43so that the palace functions as it should.
43:45Well, as you wish.
43:46But make sure that attending to me is your top priority.
43:49She's an excellent personal maid.
43:52Of course she is, ma'am.
43:55Anything else? Or have you only come for this?
43:57No.
44:00I wanted to ask you if you know
44:02how long Miss Julia is going to stay in the palace.
44:05Miss Julia?
44:06Yes, I would like to be informed
44:08so that I can organize myself with the service.
44:11Not only for the matter of the dormitory,
44:13but also for the food and the laundry.
44:16Who is that Miss Julia you're talking about?
44:19The girl to whom your niece, Miss Martina,
44:22has invited to keep the promise, ma'am.
44:25The one who came to bring the earring she had stolen?
44:27That's right.
44:28Apparently, as soon as she arrived here,
44:30she suffered a ...
44:32a disappointment.
44:34And both Miss Martina and Mr. Curro
44:37thought it appropriate that she stayed here that night.
44:41What accounts does she know how to shoot with the king's gunpowder?
44:44The next morning,
44:46Miss Martina and Miss Martina became such good friends
44:48that her niece decided to invite her to stay
44:51for a season and the promise in gratitude for the earring.
44:55But she seems like a wild and discreet girl.
44:59Yes, so discreet that I haven't met her yet.
45:02Does the lady want her to come?
45:04No, thinking about it, not better.
45:07I have no desire to meet anyone.
45:10And how long are you going to stay?
45:12I don't know, ma'am.
45:14I remind you that I have come to ask you that.
45:19Again with those?
45:20You come to me again with unanswered questions?
45:24I don't think neither she nor Miss Martina
45:26have made anything concrete about it, ma'am.
45:28Well, I'm tired of everyone in this palace doing whatever they want
45:31without asking permission from anyone.
45:33That Martina invites a stranger to stay in the palace
45:36or that Catalina shows up with Pelayo without warning.
45:40I understand, ma'am, that the reason for your anger
45:42is that of your stepdaughter and Count de Añil.
45:45You are always so sharp.
45:47Well, at the service floor, we were all very surprised
45:50that the doors were opened to Count de Añil
45:53after all the turmoil that was formed
45:55and the damage that the family has done to him,
45:57especially to Miss Catalina.
45:59I don't care about that.
46:01I know, ma'am.
46:02What matters to me is the family.
46:04If it were up to me, that girl could go to the end of the world with her count,
46:07married or unmarried.
46:10I'm so eager to get rid of her
46:12that I'm willing to suffer another scandal,
46:14the same or greater than the previous one.
46:18I understand what you're saying, but ...
46:20I have the impression that what worries you is something else.
46:25Your impression is correct.
46:28And what is it, ma'am?
46:30Oh, no.
46:31There's something else, but I'm not going to tell you.
46:34Look.
46:35Maybe I'll tell Teresa later.
46:59Good afternoon.
47:01What are you doing? Brushing your boots?
47:03They are mine. They were a bit dirty.
47:06I see.
47:07The new boy, Marcelo, has already joined.
47:09I have given him his uniform and he must be in the middle of work.
47:11And how do you see it?
47:12Very green.
47:14So green?
47:15The good part is that it rises to the sea of disposal.
47:18It's something.
47:19Did you want anything else?
47:20No.
47:25To tell the truth,
47:28I wanted something else.
47:30Well, you tell me.
47:33What's going on, Romulo?
47:35What do you mean, what's going on?
47:37I don't know what you mean.
47:38Your behavior.
47:39Lately, it's the strangest thing.
47:41My behavior is still the same.
47:43I don't know why you say that.
47:45I'm talking about your meetings with Hanna, with María Fernández, with Don Manuel.
47:48About your going out at night at many o'clock.
47:50That's probably why you're wearing dirty boots.
47:53I mean that behavior.
47:55It's clear that something is happening that you haven't told me, Romulo.
47:59And so far I haven't told you anything.
48:00I expected it to come out of you, to trust me, but it seems that's not the case.
48:06And I've had to lie several times for some of those meetings,
48:11so that Petra wouldn't follow the trail.
48:14But I can't keep doing this forever if you don't tell me the truth.
48:18What's going on, Romulo?
48:19I'm sure.
48:30María, wait a moment, I'll help you.
48:33I don't know what these pumpkins will have that are bigger than me.
48:36And that's not difficult.
48:39You don't have to smile at me without wanting to.
48:41I know you have to be in a hurry.
48:44Well, so that Listilla knows that I smile to make myself happy.
48:48Well, then smile all you want.
48:53I stayed inside, Hanna, when he left.
48:56Because I didn't want him to say goodbye to me at the door, because I said it was going to be more painful.
49:02And I think it still hurts.
49:06But now you have to think that he's not going to the war, nor is he going far.
49:09He's in a stone house from here.
49:11Yeah.
49:12Yeah.
49:15And you also told me that you are going to be able to see each other often,
49:18because you are going to be able to see each other on the days off.
49:20Yeah, Hanna, but that does coincide.
49:22Our day off.
49:24Well, I'm sure you're going to make it coincide.
49:27For the first time.
49:29And when you see each other, you're going to die of desire to be together.
49:32That didn't say bad things about each other to comfort us.
49:36And because it's the truth.
49:38Hopefully, Hanna.
49:39Hopefully.
49:41Because then things get complicated and nothing goes the way you want it to.
49:49Well, speaking of complications, could you talk to Mr. Baeza?
49:53About Mr. Manuel and you.
49:55Well, yes. And this time it has gone much better than the previous time.
50:00Really?
50:02Mr. Baeza has told Manuel and me that he is not going to intervene.
50:05And that he wants us to be happy together.
50:07Well, with Mr. Baeza, it has been difficult for him to take that step.
50:11He is a very rigorous man.
50:13But at least he has given it.
50:15And bless him.
50:16Yes, bless him.
50:18And now Mr. Manuel and Mrs. Hanna will have the path cleared.
50:22And how far along the path are you?
50:25Well, much more advanced than we thought.
50:29Manuel, without telling him who he was, has managed to get the new priest of the town to marry us in secret.
50:35In secret?
50:36Yes, in the hermitage, without telling anyone.
50:39Well, there with the new priest, right?
50:40The same thing he cleans your house in Solico, he makes you a secret wedding ...
50:45Well, although Manuel will have given him a good donation.
50:48I imagine.
50:51What's wrong with you?
50:53Well, now you'll have to tell Manuel the truth, right?
50:56What truth?
50:58Well, what truth is it going to be, Hanna?
51:00You wanted to tell him before the war was over.
51:02And in the end you decided that you were not going to do it so as not to complicate things.
51:06No, I didn't tell him because you told me it was not the time.
51:08Well, but now it is.
51:10That you have to step on the altar with a clear conscience.
51:14You have to tell Mr. Manuel how and why you came to the promise.
51:18I don't know.
51:30I shouldn't have come back.
51:32And I never intended to come back.
51:34It doesn't seem so.
51:36If I have returned, it is because Catalina came to look for me.
51:39Catalina, the parsley of all sauces, right?
51:43What other single woman shows up alone at a man's house and stays there for days,
51:48unconcerned about her honor and what they can say about her?
51:51I give you my word that Catalina's honor is intact.
51:55Do you think your word has any value at this point?
51:58And Catalina's honor, I don't give a damn.
52:02What bothers me is that this shameless woman still cares about the reputation of the family.
52:05I don't think that's the case.
52:08Catalina came to see me because she needed it.
52:11And this time has served for the two of us to realize that the love we have for each other deserves another chance.
52:17The love you have for each other?
52:19As if you had ever felt anything for her.
52:24Or have you not told her the truth yet?
52:26The truth is that I fell in love with her.
52:29And you know that.
52:31If that were true, you would have told her the other truth.
52:36Didn't you tell her that I was the one who knocked on your door to bring you to the palace?
52:40Didn't you tell her that our agreement was that you two would get married and she would take you away from here?
52:45Because among other things, I don't think anyone in their right mind could stand her.
52:51Tell me, what will the intelligent and integrate Catalina think
52:56when she discovers that the only boyfriend she has had in her life
53:00I had to buy it for her.
53:02What do you have against Hanna, María Fernández and Don Manuel?
53:06Don't insist, please.
53:08Come on, man, tell me.
53:10I thought there was great mutual trust between the two of you.
53:13And I value it a lot.
53:15That's why I ask you to please let me keep quiet.
53:18I don't understand.
53:20Maybe I could help you.
53:22At the last minute, he has decided to go out to have dinner in Luján.
53:25I hope he has managed to get Count de Añil out of his cave and has not left alone.
53:28They have gone together.
53:30I am sure that your daughter and the count have been very responsible
53:33and have gone with a clear face.
53:35From now on, in addition to his tasks as lackey and attending to Mr. Curro,
53:40he will be in charge of instructing Mr. Rodríguez.
53:43He has just joined and it is always good that he works alongside an experienced lackey
53:47who serves as an example.
53:49You will be the godfather for him to learn this noble trade.
53:51Okay, I'll show you everything you need.
53:54What do you have there?
53:55Let's see.
53:57Yes, he has a very irritated neck.
53:59It's red, like a tomato. What's wrong with him?
54:01Is it possible that the cake we took as a dessert had nuts in it?
54:04Yes, because it was an apple strudel. Why?
54:09I was writing a letter of salvation.
54:11But he just left.
54:13Yes, but I have missed him since the first minute he left.
54:16And I wanted to tell him.
54:18Well, it's nice that you do it.
54:20You don't leave anything inside.
54:22And you don't miss him?
54:23I'd better not bring that up, right?
54:26Yes, better.
54:28It still hurts a lot.
54:31I have something to tell you.
54:33Yes.
54:35I also have something to tell you.
54:37Hanna, you can't imagine how happy I am.
54:41Sorry.
54:43I cut you off. You had something to tell me.
54:45The marmalades of promise were a symbol of modernity,
54:49exquisiteness, good taste.
54:50Now you can't qualify that sugary, insipid paste.
54:53I had a confrontation with him about this issue.
54:56And I spoke clearly to his face.
54:58You don't usually go around with people.
55:00Well, no. I told him I would do everything possible to recover the company.
55:03As you understand, my duty is to inform you of your visit to the lady.
55:07And I insist that there is no need.
55:10So you can receive her as she deserves.
55:13Ma'am, I'm sorry, but I can't lose you.
55:17I'm sorry, but I can't allow you to access the palace through this entrance.
55:23If you come with me to my office.
55:26Spending the whole day with Marcelo
55:31can foster a kind of trust between the two of us
55:37that would be beneficial for you.
55:41And also for me.
55:47Yes.