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La Promesa Ep 417 Completo:
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00:00♪♪
00:30They should say she's an idiot.
00:31Come on, don't get carried away and tell me what you want from me.
00:35The same thing I wanted from the beginning.
00:37For you to marry her and take her away from here.
00:40Do me the favor of getting rid of that rude one in the middle.
00:43Don't force me to fulfill my threat.
00:45From now on, in addition to your tasks such as
00:48taking care of Miss Curro,
00:50you will be in charge of instructing Mr. Rodríguez.
00:52You will be the godfather for him to learn this noble trade.
00:56All right, I'll teach you everything you need.
00:58Ask him what he doesn't know and don't venture to act without criteria.
01:02Yes, I will.
01:03Let's see if this cold compress lowers his inflammation.
01:06He's got his neck as if he had been bitten by a swarm of bees.
01:10I'm sorry, I should have warned you about my intolerance to dry fruits.
01:13No, no, no, please, don't apologize for that.
01:15But yes, for the scare I just gave you.
01:17All he cares about is getting money out the door.
01:20In exchange for the minimum expense.
01:22Yes, but profits are also important in a business, don't forget that.
01:26Yes, but it's not the only thing.
01:27I told him that I would do everything possible to recover the company.
01:33Maybe it wouldn't be a bad idea.
01:34That's why I'm willing to do whatever it takes to find out what foot that guy takes.
01:40I think the time has come for you to do something for me now.
01:46I want you to get any information about Marcelo.
01:49First hand, Santos.
01:51Don't you want to start with my sister's business?
01:55It's not that I want to or I don't want to, Catalina.
01:58After everything that has happened, you already know that my situation in this house is not simple.
02:07I don't want us to argue, kid.
02:10I understand your position, but I'm going to go for all of them.
02:13I told you a moment ago that they have to be small points.
02:17Well, that detail must have happened to me.
02:19Take it, hammer it.
02:25Wrong! Marcelo, wrong!
02:27I wanted to go for a walk with the first lights.
02:30Mrs. Pia, but they are very dangerous.
02:32Maria, there is no one at home now. I was very busy and I just wanted to take a walk and do a little exercise, nothing more.
02:37But a group of foreigners passed by the river path and the truth is that I panicked when I heard them,
02:43that I almost fell for a trap.
02:45Do you get injured every day?
02:46I don't go out anymore until this is solved.
02:48As you understand, my duty is to inform you of your visit to the lady.
02:53And I insist that there is no need.
02:56So you can receive her as she deserves.
02:59Ma'am, I'm sorry, but I can't allow you to access the palace through this entrance.
03:06If you accompany me to my office.
03:08But I understand that this excess of work is being rewarded in some way.
03:13Not exactly.
03:14Well, sir, in the end it is a business, right?
03:16If the capital is trying, its benefits are not good.
03:19Lowering wages and the quality of the fruit?
03:21Sir, I'm sorry not to be of more help.
03:23It is enough.
03:24The truth is that I don't think it is more appropriate for a person of your rank to walk around my kitchens, Mrs. Duquesa.
03:30What I am offering you is a magnificent opportunity.
03:33An opportunity of what?
03:35To clean the good name of your house, of course.
03:38And when my recipe is published, the friendship that unites us will be patented.
03:42Manuel has taken me to a place that is related to that call.
03:45And we have gone to Villalca.
03:47And we have gone to Villalca.
03:49To Villalca for what?
03:53Come, come here.
04:06But this ... this is a beauty, Ana.
04:09But come on, touch it, it won't bite you.
04:13Look.
04:17Look.
04:21Let's see.
04:25I love it! I love it, I love it!
04:27Do you really like it?
04:29More than the churros for breakfast, I like it.
04:31But this beauty, where did you get it from?
04:34Don't tell me you stole it.
04:36María, how could I have stolen it?
04:37Manuel gave it to me.
04:39On the phone they said they had already received it because a fashion designer from Madrid had asked for it.
04:43I know then why you told me you were very excited.
04:47And how did they do it to you?
04:48If you couldn't go to Madrid, what did they do to you?
04:50Well, I don't know.
04:52Manuel has told me my height and more or less my complexion and the man has done what he could.
04:56I see. And that's why he sent you to take it to Villalquino.
04:59Because it was less suspicious to go pick it up, right?
05:01Exactly.
05:02How smart Manuel is.
05:03And he has a good eye, come on.
05:05For what interests him.
05:11You are so beautiful, my friend.
05:16Although it's not what matters to me the most right now.
05:18Well, you say that because you have a bet with your cousin.
05:21No, because ...
05:24I still don't think I'm going to marry the man of my life.
05:28That I'm going to swear love and respect to him until death do us part.
05:33Well, this will take a long time to arrive.
05:35Have a dozen churrumbeles on the way.
05:38Yes, at least.
05:42What's up?
05:44Hanna.
05:46What?
05:47Hanna, you can't wear that dress.
05:49Why not?
05:51Because no.
05:52Because ... Do you want to get along with Manuel?
05:55Yes, of course.
05:59Well, we'll sew something together. But you have to give that back.
06:02María, what are you saying? I didn't put the dress back on.
06:05Hanna, haven't you heard that if the groom sees the bride's dress before the wedding, he gives him the fario?
06:11Huh?
06:12Yes, you laugh, laugh. If he calls him to see it, imagine if he has also chosen it.
06:17Well, don't worry, María. Because the groom hasn't done well with the size either.
06:21So some arrangements have to be made.
06:23And you'll see that when I get to the altar, Manuel will be like seeing him for the first time.
06:29Are you going to help me with the arrangements or not?
06:33Of course. I help you with whatever you ask of me.
06:37Besides, you already know that I handle myself better with the needle.
06:42I just hope that nothing changes when I tell him all this.
06:46Of course not.
06:48And you'll see how he's going to take a weight off your shoulders.
06:51A weight that I'm going to put on him.
06:54Well, but when you get married, things get mixed up.
06:58Well, you're right there.
07:00Of course.
07:01And when you finish with one, you're going to talk to the other.
07:05And what other?
07:06Or who else? Mr. Curro.
07:08Don't you think you deserve to know a couple of things?
07:12I do.
07:42I do.
08:12I do.
08:13I do.
08:14I do.
08:15I do.
08:16I do.
08:17I do.
08:18I do.
08:19I do.
08:20I do.
08:21I do.
08:22I do.
08:23I do.
08:24I do.
08:25I do.
08:26I do.
08:27I do.
08:28I do.
08:29I do.
08:30I do.
08:31I do.
08:32I do.
08:33I do.
08:34I do.
08:35I do.
08:36I do.
08:37I do.
08:38I do.
08:39I do.
08:40I do.
08:41I do.
08:42I do.
08:43I do.
08:44I do.
08:45I do.
08:46I do.
08:47I do.
08:48I do.
08:49I do.
08:50I do.
08:51I do.
08:52I do.
08:53I do.
08:54Settle down, Galicia.
08:58They said you were looking for me.
08:59Not necessary, it will be short.
09:02I want a report about the jam business.
09:05Costs, margins, clients, suppliers.. everything.
09:08Get on with it because I'm in a hurry.
09:11Why is this spontaneous interest in the marmalade business?
09:16I am co-owner of a business that uses my family's shield as a trademark.
09:21I am in my right.
09:22I understand.
09:24Although there must be another reason.
09:27And I can think of two.
09:29You can save your theories, Lorenzo.
09:31I could, I could, but I'm not going to do it.
09:33Either it's for Catalina or it's for Maria Antonia.
09:37There is no other reason than the one I told you.
09:39You know?
09:41That's the reason why you're not a businessman.
09:45You're very bad at lying.
09:47Think whatever you want.
09:49I want the report tomorrow.
09:52And why don't you tell me the truth face to face?
09:55Whether it's for your daughter or for Maria Antonia, it's very clear what you're up to.
10:00You want to surprise me in vain.
10:02Find some excuse to kick me out of the business, but you're not going to find anything.
10:08And you know, I should be offended by your request.
10:12I remind you that it has been me who has kept this business afloat all these months,
10:16since your daughter and her boyfriend's green floor abandoned it.
10:20I've already told you that you can think whatever you want.
10:24Do you have a moment, Marquis?
10:26Sorry, I didn't know you were meeting.
10:29We just finished.
10:56What's wrong?
10:58My mother is back.
11:00What do you mean she's back? Is she in the palace?
11:02No, no. She has already left.
11:04But why is she back this time?
11:06I don't know. Don Rómulo took care of her and apparently she had a snack with Mrs. Marquesa.
11:11That's bad news.
11:13Did she tell her anything about you?
11:15No. No, my mother hasn't told me.
11:17How are you so sure?
11:19Because if Mrs. Cruz knew who I am, I wouldn't be here and it wouldn't have taken me long to break my promise, don't you think?
11:25And I also don't think she's going to expose herself to such a scandal.
11:30I see.
11:32But I can't take it anymore, Lupe. I can't take it anymore.
11:35When are they going to realize that I want to continue living my life without them?
11:39Vera, for a mother it doesn't have to be easy to accept it either.
11:41I don't care.
11:43She doesn't have the right to come here whenever she wants.
11:45The first thing you have to do is calm down and calm down.
11:50Listen to me, so far everything has gone well.
11:52Yes, but what if next time it's not like that?
11:55What if all this is discovered because of her imprudence?
12:01Lupe, I'm afraid of losing you.
12:03My love, you're not going to lose me.
12:07But what is clear is that your mother doesn't want to lose you either.
12:13But she should respect my decision.
12:15I know.
12:17And she may be right.
12:19But maybe she has a weighty reason that makes her reject your prohibition.
12:23Like what?
12:25Well, I don't know.
12:27Maybe something has happened in your family or with your brothers.
12:30Well, whatever it is, I can't ask her anymore.
12:33And I'm not going to go in her search.
12:36But what is evident is that your mother is not going to give up not coming.
12:39Not coming to see you.
12:42That's why we have to be prepared for when she comes back.
12:45What do you mean?
12:49Well ...
12:51I don't know.
12:54Yes, I know.
12:56I'm going to talk to Don Rómulo.
12:58And I'm going to ask him to let me know when I step on the promise.
13:00Let you know? But why would he do that?
13:03The last time he didn't come back with the excuse of a recipe.
13:06Yes.
13:07Well, I'm going to tell him that the instructions you wrote were wrong.
13:10Well, but then you'll have to write them down on a piece of paper and send it to my parents' palace, Lupe.
13:14No.
13:15But if I tell him that it is important to explain it in person, given its complexity.
13:20And you think you can fool him with that?
13:24That will depend on your mother.
13:27But I trust that yes.
13:33I don't know what I would do without you.
13:40Everything will be fine.
13:42You'll see.
13:54So that's the reason for the captain's anger.
13:58You have the right to ask for accounts when you please.
14:01That's right.
14:03But I guess he didn't come to talk to me about Lorenzo.
14:06In part, yes.
14:07Well, not about your brother-in-law, but about the jam business.
14:12What is your request?
14:14I think ... I think my words have been misinterpreted.
14:17Well, explain yourself better.
14:19My concern for the production of jams starts and ends with Catalina.
14:24Your daughter has already told me that you are thinking of returning her position.
14:28Do you think it's wrong?
14:29No, no, no. On the contrary.
14:31In fact, I wanted to show you my support and offer you my help.
14:34If necessary, of course.
14:36I would also give up being part of the business if that leaves you calmer.
14:41Marqués, that company is very important to Catalina.
14:45I am aware that you know it, but ...
14:48I don't know if you don't know how vital it is to her.
14:53You see, when your daughter and I started the jam distribution,
14:58she confessed to me that she saw in the business a unique opportunity to show her worth.
15:03My daughter had already shown before her ability to run a complex company.
15:07The farm, for example.
15:09True, but always in the shadow of you.
15:12Or Manuel.
15:14And in the case of the jams, it was something completely hers.
15:18That is why every small advance she saw as a great success.
15:22Catalina has devoted herself to that company, I would say, almost like a mother for her child.
15:27And I am convinced that if you return the command, you will not let her down.
15:31Catalina has never let me down.
15:34I just want her to be happy.
15:36Look, it took you a long time to get the real purpose of this conversation, but in the end you did it.
15:41It is not a fake statement. My love for Catalina has always been ...
15:44Words are words, Conde.
15:46The acts so far have said quite the opposite.
15:49And tell me, what can I do to regain your trust?
15:52I don't know.
15:54But trying to manipulate me using my daughter's name, I don't think it's the best way.
16:01I'm sorry if that was the impression you gave her.
16:06Good night.
16:26Grease the molds of the cookies well.
16:29And hurry up, the Marquises are about to wake up.
16:32Have you already put the cookies in the oven?
16:34Better, because I have here the nuts, the hazelnuts and the almonds.
16:37Then take that where you came from.
16:39And that?
16:40What do you want? To kill the guest of Miss Martina?
16:43If she doesn't want me to take them, but she doesn't have to deprive herself of the others.
16:46Candela, take that away from here if you don't want your hands to be cut off.
16:49Don't put it on me like you almost put it on me with Mr. Eugenia in his day.
16:52Oh, but that happened at least a century ago.
16:55Don't be spiteful. Besides, you have to see one thing with the other.
16:58Candela, this is the same as yesterday's talk with Hanna, which is very serious.
17:01Take them away.
17:02It's fine, it's fine. I take the nuts, I open them, I don't sell them anymore.
17:05Where are you going?
17:06A telegram from Salvador.
17:07Oh, that's great, isn't it?
17:09What do I do? Do I open it?
17:10It's your thing, isn't it? Because it's closed, it's not worth it.
17:13And if something bad has happened to him, Candela?
17:15But how is something going to happen to him?
17:16Well, don't you know that a telegram like that, all of a sudden ...
17:18He will have shouted at you to tell you that he has arrived well.
17:20What a fool.
17:21But telegrams are very expensive, Candela.
17:23And my savior of the brotherhood, the closed fist.
17:26Come on, open it, read it, and so we get out of doubt.
17:29Open it.
17:32Open it.
17:35What? What does Maria say?
17:43I have arrived well.
17:47Period.
17:53And now what's wrong with you, girl?
17:58I don't know.
18:00You could tell me something else, right?
18:03Not so much, not so expensive, Maria.
18:05It is written because it is written.
18:07If you don't do it, why don't you do it, Maria?
18:09No one understands you.
18:10You said it yourself.
18:11Telegrams are worth a lot of money.
18:13Very serious.
18:14You could have told me something else.
18:15I don't know, we don't do much.
18:17You drown in a glass of water.
18:19The boy will have time to write you a letter as God commands.
18:23Or better not wait for him.
18:25Poor thing.
18:26Because you know that your savior is more stopped than a lizard.
18:29Well, yes.
18:30You write him.
18:31It will make him happy and so he won't miss us so much.
18:33What will he miss?
18:34We are already with the Simonas.
18:36Oh, yes, Candelilla.
18:37They all leave and here we stay.
18:40Hey, I haven't left yet.
18:42He will do it.
18:43Don't say it with pity, Maria.
18:45If young people are what they have.
18:47Because they leave to progress.
18:49Young and poor.
18:50Because if we were fourth, another rooster would sing.
18:54You're right, Candelilla.
18:55As always.
18:56Come on, take the nuts.
18:58We're not going to have a fair day here.
19:00What about the fat ones?
19:01I didn't remember that.
19:05Ma'am.
19:06What do you want, Petra?
19:08I come to consult with you for a minute, ma'am.
19:11Well, you'll have to wait because I'm busy.
19:15So do you like this dress, Teresa?
19:17I think you look beautiful, ma'am.
19:20But I think I would like it even more if I cut it a little.
19:24Do you think?
19:25Won't it be too daring?
19:27It's not what you get in America.
19:29And I can confirm it because I was with the Duchess of Abrantes in New York.
19:32Don't listen to her, ma'am.
19:34That dress looks like a glove to her as it is.
19:37I wouldn't give her the slightest hint.
19:39Has anyone asked you for an opinion?
19:42Ma'am, do you want me to pick it up and see how it would look?
19:45Yes, do it.
19:48Be careful with the pins.
19:50Don't nail one to the lady.
19:54I assure you that I do it with the greatest care that I can.
19:57And I give faith, Teresa.
20:05That's it.
20:11Is this really what they wear in America?
20:14It's the most modern there.
20:16And the most vulgar.
20:18But here we are in Spain, which we are much more decent.
20:21Besides, I don't think that's the style of the lady.
20:24I say that I know better than you what my style is or not.
20:28So do you see me well like this?
20:30I think you are very favored.
20:32Well, no more talk.
20:34I'm not going to be less than the ladies of those Lares, right?
20:36So do you want me to fix it or cut it a little?
20:38But only a few centimeters.
20:40I think, ma'am, that you have made an excellent decision.
20:43Thank you very much, Teresa.
20:46Let's look at the minute later.
20:48Now I have to change.
21:06Do you really still keep that book?
21:08How can I not keep it?
21:10You made it with a lot of love, right?
21:12Yes, all over the world.
21:14It's still a poetry book with dried flowers.
21:17In fact, I don't understand how the ants haven't finished eating it.
21:19Hey, I'm really telling you that I have it in good handling.
21:22I thought it was a beautiful gift.
21:24Come on, Martina. Stop making fun of yourself.
21:26I'm already ashamed enough just to remember it.
21:29I don't understand why.
21:31And I'm not making fun of you, really.
21:33I know you took care of every detail.
21:35And you picked up those flowers in our corner.
21:39Yes.
21:41Don't you think it's been an eternity?
21:44It's as if everything had changed since then.
21:48The same. The ones who have changed have been us.
21:59Julia!
22:01How did you sleep? I asked the servants not to bother you.
22:04Did you sleep well?
22:05Great. Thank you, Martina.
22:07Wonderful.
22:09Well, I'm going to ask them to serve you breakfast.
22:12We could go to the dining room, but I think we'll be more comfortable here, right?
22:18Julia, are you really okay?
22:22Yes, it's serious. Is something wrong?
22:27I apologize.
22:29Why?
22:30Since I arrived, I have only caused you problems.
22:33First with my fainting, last night with the cake ...
22:35Well, I'm not going to let you say that, really.
22:37Yes, none of what happened is your fault.
22:39But I should have told you before my allergy to nuts.
22:42But you were going to know that that cake had nuts in it.
22:44Yes, and the important thing is that we are now aware.
22:46And that she has recovered soon.
22:48I think it was thanks to the gifts of that maid, Hanna.
22:53I don't usually trust these scoundrels, but she insisted so much that I agreed.
22:57And you did very well.
22:59Yes, Hanna knows all the plants in the world.
23:02The sick ones and the ones that heal.
23:04So you can trust her blindly.
23:06Yes, thanks to her scoundrels, there is no trace of the reaction.
23:10And even better. I would have died of shame if they had notified the doctor because of me.
23:14Let's see Julia, you are our guest.
23:17So our greatest wish is that he is comfortable here, in La Promesa.
23:20And if he is not, then he tells us and we correct what is needed.
23:24I admit that they are getting it.
23:27I am very happy in La Promesa.
23:30By the way, do you like poetry?
23:33You were talking about that before I arrived.
23:35Yes.
23:36I have a compendium of romantic poems in my room that you will love.
24:04Who do you think you are to insult me like that in front of the Marquise?
24:08And you to attack me?
24:09That's not true.
24:10Of course it is.
24:12I was trying to make myself look bad in front of the Marquise.
24:15You are proud of yourself if you think you already know everything.
24:18Not everything, Mrs. Arcos.
24:19But I do know something about sewing.
24:21And also about wedding, because I have been lucky enough to travel.
24:24In fact, the Marquise was very happy with my advice and not so much with yours.
24:29Sorry, I didn't mean to say that.
24:32But you said it well.
24:33I apologize, Mrs. Arcos.
24:35I just said it because I'm nervous.
24:39Go away.
24:40I will forget what happened.
24:47No.
24:49In fact, I think it is better that we talk about it.
24:52Because since I arrived, the only thing I have received from him has been hostility.
24:56As if he had something personal against me.
24:59Of course I have something very personal against you.
25:06This is for Marcelo.
25:09You said it.
25:12You have no right to meddle in my marriage.
25:16Your marriage should have been with my son.
25:19You have already forgotten about him.
25:21I swear to God that I have not stopped thinking about Feliciano for a single day.
25:25Don't say goodbye as a witness to a lie.
25:29It is impossible for you to love my son and return to the little time hanging from anyone's arm.
25:35Tell me.
25:37Did you remember my son when you married Marcelo?
25:40Did you remember him when you fell asleep for the first time?
25:44Tell me.
25:55Tell me.
26:26Have you seen Mr. Baeza?
26:36Mr. Baeza.
26:37I was glad to find you, Mr. Ruiz.
26:39The order of flours that I requested has just arrived, including the special flours for pastry, which arrived from Madrid.
26:45That's great. That flour will make the difference.
26:47Well, I hope so, because for what they have cost, the expense must be justified.
26:50Don't worry, the gentlemen will pay for it with great pleasure.
26:53In fact, I'm going to bring that flour to the cake we will serve tonight.
26:57Well, as long as it doesn't bring nuts, go ahead.
27:00Of course not, we are on alert.
27:02Be careful that none of the cooks will bring nuts while Miss Julia is here in the palace.
27:07All precaution is little.
27:08Well, tell me, what were you looking for?
27:10I wanted to tell you something about desserts.
27:13Has the menu of the week changed or do you need a special ingredient?
27:17No, no, no.
27:18I wanted to talk to you about the pastries I served at Mrs. Margarita's snack bar.
27:22Yes, yes, yes. And what about that? Why didn't it arrive? I liked the guests very much.
27:27Yes, that's right. Mr. Ricardo sent me the good news.
27:30In fact, one of the guests, the Duchess ...
27:33López!
27:35You don't have to bother Mr. Badeza, I've already found out what I wanted to know.
27:39Thank you very much, Mr. Rómulo, and sorry for the inconvenience.
27:42No, no, wait, wait, you have aroused my curiosity. What about those pastries?
27:47No, nothing important.
27:49Well, it will be something when you show so much interest in the guests.
27:53What López wanted to know was what flavor I liked the most.
27:57Yes, that's it.
27:58And you know the answer.
28:00Yes, Mrs. Margarita herself just told me.
28:03The first ones to fly off the plate were the chocolate ones.
28:05Well, mystery solved. I just know what I have to do next time.
28:10Prepare many chocolate pastries.
28:12Sorry for entertaining you with this nonsense.
28:20But what happened? I was about to ask you.
28:22Precisely for that, López.
28:24Wasn't that what you wanted?
28:26I've thought about it better.
28:28And I think I'm getting too obsessed with the subject of my mother.
28:33And no matter how much we talk to Mr. Rómulo, we will not be able to prevent him from returning.
28:37Sorry for getting you in this hurry.
28:39You trust me very little because I almost had you in the boat.
28:43It will be better this way, López, believe me.
28:45Yes, you think so.
28:47You have put me on a very serious commitment.
28:50Now I'm going to have to get fed up of preparing chocolate pastries.
28:54How stupid you are.
29:02Look how perfect.
29:03So that later you say that I don't give a damn about needles.
29:06Of course. As if it were the same to patch up a sheet that your girlfriend wore.
29:11Lower it a little bit.
29:13I still don't know how she manages to keep the triple.
29:17Well, are you okay, miss?
29:19We already thought the two of us that you had abandoned us.
29:22With all these sheets to patch up.
29:24Forgive me.
29:25No, if you forgive.
29:27If we understand that in certain companies, time flies.
29:30I wasn't with López.
29:31Well, yes.
29:33But it's not what you think. Mr. Baeza was also there.
29:35Oh well, I don't see Mr. Baeza very well.
29:39And speaking of boyfriends.
29:40I have already found out about the telegram that Salvador has sent you.
29:43Salvador has sent you a telegram and you haven't told me?
29:46Because there wasn't much to tell.
29:48It has arrived well, period.
29:50And?
29:51And that's it.
29:52Well, María, you know that telegrams are very expensive.
29:55Yes, but it was hard for him to put a I love you very much.
29:58Or a roof of less.
29:59Well, look, exactly twice.
30:03Teresa, what's wrong with you?
30:04Well, it happens to me that first I had to go up to fix Mrs. Marquesa's dress.
30:08Then change, come down and patch up sheets.
30:11This quadrant is driving me crazy.
30:12But let's see, have you argued with someone?
30:14Why are you like this?
30:15Don't say anything.
30:17María Mandrago.
30:19I don't want to speak ill of her.
30:20No, if that's why the others are already here.
30:22Well, let's see what happened.
30:27Well, she has told me horrible things.
30:29She has told me that I never wanted Feliciano and that is why I married Marcelo.
30:33That ...
30:34Yes, when I go to bed with my husband, I remember him.
30:36For God's sake.
30:37The evilness of that woman has no limits.
30:39You have that woman to get them into trouble, you see.
30:43I didn't love Feliciano with all my soul.
30:45We already know that, Teresa.
30:48Although I am not to argue, but Mrs. Petra has a little bit of reason.
30:53María.
30:54It is what we all think.
30:56That we were stunned when you appeared in La Promesa with that man in the arm.
31:02I didn't look for him, María.
31:04It just happened like that.
31:06So suddenly?
31:07Well, that's it.
31:08Now you are the one who is getting into other people's lives.
31:11And everyone has their times.
31:14Teresa, I am sincerely very happy that you have found a person to make your life again.
31:19And me too.
31:20I barely knew Feliciano, but I'm sure he was a great man.
31:24The best.
31:25Look.
31:27And I have not stopped thinking about him, not a single day.
31:30As much as Mrs. Petra says otherwise.
31:32Well, let's not start again.
31:33That María Mandrago does not pinch or cut.
31:35Exactly.
31:36And if she tells you something again, you come and tell us.
31:38Yes.
31:39And we tell Don Romulo.
31:40Or Almarqué.
31:41Let them put her in her place.
31:57Bianqué cake?
31:58Biané cake.
32:01But so far we are making like a chocolate cake.
32:03Or that German cake.
32:05The sachet.
32:07The sachet is Austrian.
32:08But yes, they are very similar, although they have some difference.
32:13Try it.
32:15Can I try it too?
32:18Miss Catalina.
32:21Thank you, Candela.
32:22Amanda.
32:24She should have told us about her visit and so we would have it prepared.
32:30This is delicious.
32:31I could eat it all in spoonfuls.
32:34We will serve it later.
32:36I will exercise patience.
32:38Very good.
32:39And what is the reason for your visit?
32:42Lope.
32:43What will this be again, Candela?
32:46I have been told that you had a little chat with my father.
32:48But I don't know more than that.
32:50What did he want?
32:51If it can be told, of course.
32:53Yes.
32:54Yes, it can be told, miss.
32:55There is no problem.
32:56And less because you are one of the suspects.
32:59I suspected it.
33:01So it has to do with the jams, then.
33:05Mr. Marquez asked me what my opinion was about the current jams.
33:11And what did you answer?
33:13The truth.
33:14Lope.
33:15Look, the captain is a bad guy, huh?
33:17To have the enemy.
33:19I didn't say anything against the captain.
33:22I assure you that.
33:23But I did say that if they bought low-quality raw material, it would be noticeable.
33:27Well, not to have said it, they didn't crown you, huh?
33:29Don't worry, Lope.
33:30You said what you should.
33:32Do I ask you anything else?
33:34Yes, I also wonder about the women of Wuhan.
33:37The hired ones, if they were happy.
33:39And you would tell them, for what they know, that they are in the Wuhan market, that they are complaining about the captain, right?
33:44Miss, what I told them is that they were not happy.
33:48Miss, what's going on?
33:51I guess nothing happens if I tell you.
33:54My father is considering putting me in charge of the jam business.
33:57Oh, but that's wonderful.
34:00Yes.
34:02We could recover the old recipes.
34:04And a leg?
34:05In the captain's ass.
34:07And back in charge, I would like to count on you again.
34:11Come on, I thought we were going to say no.
34:14Well, of course we would come back to you.
34:17But when you say recover the command, do you mean yourself?
34:22Well, my plan is also that Pelayo be reinstated.
34:25I understand your reluctance.
34:27The last time we left you at the stake.
34:29No, that's not why, miss.
34:32What scares us is that the count will hurt him again.
34:37For nothing in the world do we want that calamity to happen again.
34:40Don't worry, Simona, that's not going to happen.
34:42I promise you.
34:44And because we celebrate with a little more sponge cake.
34:47It's going to take a while to tell him.
34:49One moment.
34:51If it's about celebrating,
34:52One moment.
34:54If it's about celebrating, I have something better.
34:56Oh yeah?
35:15Hanna, do you have a second, please?
35:18I'll take care of all this.
35:29What do you need?
35:32How are you?
35:34I haven't seen you all day.
35:36Well, I haven't stopped for a minute.
35:38And yesterday we barely coincided.
35:40Don't you want to see me?
35:41Or have I done something that has bothered you?
35:43No, Corro, it has nothing to do with that.
35:45It's just, well ...
35:48You know, the tasks that Mrs. Petra assigns me.
35:53So, is everything okay between us?
35:58There's one thing I want to tell you.
36:01Okay.
36:02Well, here I am.
36:05Do you remember when we distanced ourselves for hiding secrets?
36:11Yes.
36:12Do you think I'm hiding something from you?
36:14No, not at all.
36:15Look, Hanna, I learned the lesson.
36:17And if I did it, it wasn't with bad intentions,
36:18but I read Ramona's letter and I didn't know how to handle it.
36:20Corro, I know, I know.
36:21What I'm saying is that ...
36:22Yes, I know why you say it.
36:23Hanna, it was a serious thing.
36:24That I attacked you too and I should have told you.
36:26It was a mistake.
36:27But that's in the past.
36:28No, no, no, it's not in the past, Hanna.
36:30They almost kick you out of the program because of me.
36:32No, it has nothing to do with that.
36:33Hanna!
36:34I don't hold a grudge against you for this,
36:36nor do I think you're hiding anything from me.
36:37It's something else.
36:38It has nothing to do with it.
36:40So what's going on?
36:42Well ...
36:44Hanna!
36:46This woman must have gotten into you.
36:49I have to go.
36:51Hanna, Hanna, tell me, please.
36:55Don't worry, Corro.
36:56It's not that important.
37:01I'm coming, Mrs. Petra, I'm here.
37:22Oh ...
37:23This coffee is reviving me.
37:25The meals here at La Promesa are so abundant and so excellent
37:29that they invite you to a good nap.
37:31Well ...
37:32As if we were going to deprive ourselves of it.
37:35Which leads me to make you an indecent proposition, Cruz.
37:38Put a price on your cook.
37:40I want him to work for us when we get married.
37:42I don't think he would like to work for you.
37:44He would never betray us that way.
37:46Well ...
37:47Who less than you expect can surprise you.
37:50Wow.
37:51It seems that I have touched on a sensitive topic.
37:53Ignacio, they never told you as a child that you shouldn't play with food?
37:57My childhood is getting further and further away and there are things that I am forgetting.
38:01By the way, have you already thought about where you are going to live when you get married?
38:05Wow, it seems that you are throwing us out, Cruz.
38:08Well, we haven't made a firm decision yet.
38:11But it will surely be in my palace.
38:13That way I will be able to dedicate myself better to my business.
38:15The truth is that it is bigger and more comfortable than my house in Madrid.
38:18And what are you going to do with it?
38:20Because I understand that keeping it will cost you a lot of money.
38:22Well, for now, nothing.
38:24The rent pays for the expenses, so ...
38:27I didn't know it was rented.
38:30Wow, it seems that you are a little scattered lately, Alonso.
38:36Well, regarding your question, I will probably end up getting rid of it.
38:40My children live in Canada and I don't think they will need it.
38:43And with what it is costing your daughter to find a husband, neither does she.
38:46Ignacio, don't say that, because my daughter is young and she will end up getting married.
38:49And if she does, she will go with her husband. It is the law of life.
38:53I wouldn't sell the house so soon, sister-in-law.
38:56Right now you don't need it, but in the future, who knows.
39:00I don't think my children will demand it from me.
39:02No, if I don't say it for them, I say it for you.
39:06Marriage, at first, promises happiness.
39:08But then, who knows.
39:11Wow.
39:12Who knows.
39:14Wow.
39:15And that pessimism?
39:17It is clear that for you this marriage is something new.
39:20But I'm sure Margarita knows what I mean.
39:22You didn't have any crisis with Fernando, did you?
39:26Yes, of course I had them, but we always solve them.
39:31Yeah, until there comes a day when they are no longer solved.
39:36Well, thank you for the warning.
39:40No problem. After a thousand loves.
39:44I don't want you to make any mistakes.
39:55But you didn't understand anything I told you.
39:57Have you seen the sole? It protrudes from the shoe.
40:00It is badly glued.
40:01I should have adjusted it a little more.
40:03No, it has to be perfectly adjusted.
40:05I used fine tips, as you told me.
40:07But I never told you to use fifty.
40:10I have to repeat this.
40:12And I hope this time you put a little more interest.
40:14It was not out of disinterest, I promise.
40:15Well, you put it worse for me.
40:17If you are not even able to fix the sole of a boot ...
40:19I just didn't understand your instructions.
40:21And why don't you ask me? Instead of doing that nonsense.
40:24Fix it.
40:26And let it be the last time I give you a second chance.
40:30Understood?
40:37Yes.
40:50What are you giving me for the game, Curro?
40:53You're strong, aren't you, Martina?
40:54I'm going to win, as always.
40:56Well, actually, no.
40:58If I can avoid it.
41:02This cake is delicious.
41:03And without nuts.
41:05Why? Don't you like them?
41:06She is allergic.
41:08We had a scare yesterday.
41:10Sorry, I didn't know.
41:11If you spent more time with us, instead of being with your airplanes, it would be better.
41:17And is she feeling better?
41:19Yes. She barely ate a little and only suffered a small reaction.
41:22And Hanna gave him one of her ointments and she's like new.
41:26I didn't know you were a pilot.
41:28And one of the best in the country.
41:29Come on, he builds his own airplanes himself.
41:32Is that true?
41:33No, no, don't say it with admiration.
41:35I've ridden on one of these and I can tell you it's an incredible fear.
41:39Besides, I wouldn't do it again, not even crazy.
41:41Well, I would love to.
41:42It's a unique experience to be able to touch the clouds up there.
41:45And I'm sure Manuel loves to be accompanied on some of his flights.
41:51Yes, but ...
41:53For that, he should have a plane.
41:56What happened to the old one?
41:58It's in a friend's hangar.
42:01Was that what he did in the war? Air combat?
42:05No, we ended up in the infantry.
42:08And for what reason? There must not be many men with his talent.
42:14Well, it was actually where they assigned us to all the Spaniards.
42:18We were volunteering.
42:20Did you coincide with many Spaniards then?
42:24Um ...
42:27Some. It depended on fate.
42:31I'm sure they have a lot of very interesting stories to tell.
42:38Sorry, I just realized it's something you don't want to remember.
42:42Sorry for my lack of tact.
42:46Don't worry.
42:49It's natural to be curious.
42:54Is something wrong?
43:00I don't know.
43:03Look ...
43:05Now that I look at it, I have the feeling that we've seen each other before.
43:09That's quite unlikely, isn't it, Manuel?
43:12Yes, I know.
43:14But your face looks familiar to me.
43:18It's not the first time you've told me.
43:20You always find me similar to a well-known French actress.
43:24Which one? I can't remember right now.
43:27Oh, I'm terrible with names.
43:30But if you don't remember, I'll read it.
43:51Hello.
43:53Can you tell me what just happened with Santos?
43:56I just ran into him and he was cursing you.
43:58Nothing, just nonsense.
44:00Well, it's clear that it wasn't for him.
44:02That I was wrong when I fixed the lid of these boots.
44:09And do you really think this is well done?
44:12I've had enough of a fight.
44:14Look, Marcelo.
44:15Do you know what would happen if any of the gentlemen saw this?
44:18That you would be on the street.
44:20Yes, I understand.
44:22I'll really do it right now, this time Santos has explained himself.
44:26So all this is because you didn't understand.
44:28And why didn't you ask?
44:31It's obvious that I should have done it.
44:35Look, I understand that Santos respects you.
44:38Because he is very strict.
44:40But you can always ask me.
44:43I know, Teresa.
44:44Calm down.
44:45I can't calm down, Marcelo.
44:47One more mistake like this and the job will last you less than a sigh.
44:51I will not make any mistakes again.
44:54I hope so.
44:56I hope so.
45:17Are you okay, Catalina?
45:20You haven't said a word all afternoon.
45:22In fact, you haven't opened your mouth since you came down to the kitchen.
45:25Which surprises me.
45:26Because normally your visits to Simona usually have the opposite effect on you.
45:30Has something happened?
45:34Do you know why I love Simona so much?
45:37I know what you told me.
45:38That she is like a second mother to you.
45:41Yes.
45:42But besides that, she is one of the wisest and most prudent people I know.
45:49I understand.
45:52She warned you against me, didn't she?
45:55No. Don't judge her, please.
45:58Look how I was going to do it.
46:00I understand her perfectly.
46:02She wants the best for you and I have hurt you in the past.
46:05Although we have agreed to bury that past, right?
46:08Yes.
46:10But I want to see you again with good eyes.
46:15It is important to me.
46:18And as you said, Simona is like my second mother.
46:22If I am going to be an impediment to the marmalade business, I will leave without a problem.
46:26No, but it's not about the marmalades anymore.
46:29It's just that the cooks are like my family.
46:32Well, you don't always fit in with your political family, right?
46:34Look, if not your stepmother.
46:36You don't even understand.
46:39Okay, I'll talk to her and I'll earn her appreciation again.
46:43Really?
46:45I won't get it with you.
46:52No.
47:08Teresa told us that Mrs. Arcos had thrown a rag at her for marrying Marcelo.
47:13Apparently, she told him some nonsense.
47:15That's why Marimandrajo is unique, she knows how to leave a bad body.
47:19And I can't give her the reason, but a girl does have it.
47:22And I admit that I told Teresa that she hadn't expected Tudano to get married so soon.
47:27María, one day you could learn the art of silence.
47:30I prefer the art of speaking. Notice what I tell her, Simona.
47:32You already dominate that.
47:34What did Teresa say?
47:36Well, Teresa said that she hadn't forgotten about Feliciana and that she kept reminding her every day.
47:40Come on, you're even excited to tell her.
47:42Poor thing.
47:44Teresa has a big heart to love so much.
47:46María Fernández.
47:48Well, if I love her, so does everyone else.
47:50But after what happened to her, with Feliciana's death, it's hard for me to understand her wedding.
47:56And what is it that you don't understand exactly?
47:59That she married that man.
48:01When she keeps saying that she remembers every single day of Feliciana.
48:04At first, I was also surprised.
48:06But come on, she married the one who is alive.
48:08Or did you want her to marry the dead one?
48:10She might not have gotten married.
48:12Or maybe she's waiting for another girl.
48:14If you're not in a hurry to get married, it doesn't mean the others don't have her.
48:16Look at how we are with the girls, huh?
48:19Let's see, if Teresa has decided to move on with her life, I'm sure getting married to this boy has helped her.
48:25Well, yes, because a man can entertain you.
48:27Although there are times when they bore you in a bad way.
48:30Besides, Feliciana died a long time ago.
48:33I think that Mrs. Margarita expected much less time for Count Dayala to start flirting with her.
48:39You're right about that.
48:40Like Red Sardicho, the widow is not healthy or married or buried or walled up.
48:48Yes, you don't have to get lost.
48:50Time flies and the flesh is soft.
48:54Don't tell me that, I'm still a very young widow.
48:57I had the flesh.
48:59Of course, that's why it was in everyone's mouth.
49:01Well, there were three or four vegetables that took an hour and a half to cook.
49:05I wasn't going to stay quiet.
49:07As if you were going to stay quiet.
49:10What did he tell them?
49:12Remember, right?
49:14I remember once, look, I found it in the market in my town.
49:16I went to her and I told her.
49:18Because of the death of her husband, the widow lost her love.
49:20And because of the bad tongues, she lost her honor.
49:23But a widow, honest and honest, does not fit in the mind of people with bad tongues.
49:27What?
49:29They would look good together.
49:31No, no, there was more.
49:33Of course, since they had started, I was not going to stay there.
49:34I told them that if they accused me of flirting with one or the other,
49:39it was because that was precisely what they wanted to do.
49:42Seeing how ugly Mario was.
49:44My mother, did he tell them that?
49:46He didn't say anything else because I dragged her out of there before they got married.
49:50It would not have been wrong to give one of them a slap in the face.
49:53Then they tell me that I talk too much.
49:56She doesn't talk too much, she talks as much as she wants.
49:59Look, but since that day the rumors are over.
50:01I don't know if they would end,
50:02but they tried not to get to my ears.
50:05Like to say something else to you?
50:07It's not talking, it's what is said.
50:10Returning to the subject of Teresa,
50:13I am not surprised that she got married.
50:15What surprises me is that she married that man.
50:17Yes, that man does not seem like him to Teresa.
50:20Or doesn't it seem strange to you that no one has seen her kiss him or make out with him?
50:24That they are just married.
50:26That marriage is weirder than a green dog.
50:28I don't know if they are too discreet.
50:30Or if they miss each other.
50:32Manuel.
50:53Manuel.
50:55Jane.
50:56You are here.
50:58My God.
51:00No.
51:02Jane, are you okay?
51:05I just wanted to be with you.
51:11My love.
51:15You know we're getting married, right?
51:18And whatever happens, you can tell me.
51:25Well, I'm all ears.
51:30You're going to be late for dinner, Manuel.
51:45They are used to waiting for me.
51:48So don't worry about them.
51:51Tell me.
51:53I don't know.
51:55I don't know.
51:56Don't worry about them.
51:58Tell me.
52:03It was yesterday.
52:05It was a wonderful day.
52:07Did I do something that ruined it?
52:09No, no, it has nothing to do with that.
52:12It was a wonderful day and I had a lot of fun with you.
52:17I had so much fun that I was not able to tell you something that I should have told you a long time ago.
52:22Jane, you're giving me a lot of wrinkles.
52:26Tell me anything, I'm not going to be scared.
52:28I wouldn't be so sure.
52:34Okay, now you're worrying me.
52:37What's going on, Jana?
52:41My name is not Jana, Manuel.
52:47The time has come for you to know the truth about me.
52:56I love you.
53:01Julia doesn't stop talking about the war.
53:03And not only does she talk, but she also asks questions.
53:05And I assure you that it is the last thing I would like to talk about.
53:07I can't believe it.
53:08The next time I bring up the subject, you tell her to stop.
53:10As if that would help.
53:12No, and there is something else that I still don't understand.
53:14Why is she still here?
53:16Maybe it's time to tell her kindly that she has to go.
53:19And she's not going to be calm.
53:21I'm going to be the one who betrays her.
53:23You did the right thing, Mr. Baeza.
53:24Look, it's a true love story.
53:26And love is such a precious thing that you have to cultivate it.
53:29Yes, I think that too, but ...
53:31But nothing.
53:33What good would it do to tell Mr. Márquez? Tell me.
53:35But it's my obligation, I have to do it.
53:37Do you think we can put this dish in the dining room?
53:39That must have happened to me.
53:41Come on, Marcelo, a lot of things happen to you.
53:43I really don't understand how they hired you,
53:45with how demanding they are with the service.
53:48Hey, you can always learn.
53:50Nobody is born knowing.
53:52Yes, but to learn you need attitude.
53:54What have I done that bothers you so much?
53:56Better let it bother you.
53:58No, don't throw the stone and hide your hand.
54:00Tell me.
54:02Lorenzo told me that you want to take the jam business from him
54:04to give it to your little daughter Catalina.
54:06I haven't made a decision yet, but I'm thinking about it.
54:09Well, look, for once,
54:11it will be better for you to continue like this, without making a decision,
54:13as you always do.
54:15Above all, I want to make Catalina happy.
54:17But so far, she has been made a wretch.
54:19Simona will be able to forgive me for the evil I did to her.
54:21Look, think that she is in front of a man who loves her madly.
54:24And that I would do anything for her.
54:26Anything?
54:28Yes, that's what I said.
54:30Okay, come to the kitchen.
54:33I doubt the Marquise has swallowed the excuse
54:35that she wanted the recipe for the cakes.
54:37What lady is she interested in cooking?
54:40They are more interested in eating well.
54:42Yes.
54:44Go and see what excuse he gave her to get out of the way.
54:51What are you doing, María Fernández?
54:52What are you doing, María Fernández?
54:54Here, patching up the sheets.
54:56Go upstairs to fix the men's bedrooms.
54:58They have already gotten up from nap time.
55:00Now?
55:02Of course now.
55:04You'll patch that up later.
55:06Leave that for a moment and go up to the music room.
55:08Mrs. Marquise is waiting for you.
55:10And that?
55:12What happened?
55:14Well, don't worry. Have they done something wrong?
55:16No, no, as far as we know.
55:18But whenever Mrs. Marquise calls you upstairs,
55:20it's to throw a rag.
55:22But she'll do it if they don't leave soon.
55:35And as for secrets,
55:37how long can a very fat secret
55:39that a friend told you hold up?