蜜蜂と遠雷 Listen to the Universe (2019) Movie EngSub
Category
🎥
Short filmTranscript
00:00:00You
00:00:30Can I
00:00:32Get it
00:00:34So I got my dad I can't stop I can't even
00:00:37Hold on. I'm not gonna get out of the sky
00:00:44He's gotta go free society
00:00:50I got a good job. Yeah, you know, I'm sick. I don't know what to do
00:01:00You
00:01:30You
00:02:00I
00:02:30I
00:03:00I
00:03:30I
00:04:00I
00:04:30I
00:05:00Was
00:05:20We are coming to you from the tens Yoshi guy piano competition
00:05:24In a period of two weeks and after three selections only six will proceed to the finals
00:05:31This year there were a record-breaking
00:05:34512 applicants from 53 countries and one region
00:05:38The 24 conferences that were selected for stage 2 will be announced after the jury meeting today
00:05:48Well, well
00:05:50Isn't it the jury chairperson herself?
00:05:55I
00:05:58Recently I've read an article that even pianists can lose stamina by excessive smoking
00:06:06You are the one that needs to keep it to pay the alimony be careful
00:06:24By the way
00:06:27You're a favorite disciple
00:06:30He is quite a job pure perfection just like your
00:06:38Pianism
00:06:42But more can we expect the perfection
00:06:47In the end my son is going to win
00:06:54Oh
00:06:58Yes, okay, Nikita, I don't care Julia doji
00:07:07Yeah, they will be only to show the conclusion
00:07:10Yeah, it's a
00:07:12Couple you could use your stucco got a key to stardom. No, she's secure. No, you're gonna see
00:07:17Do you want to show right away right here?
00:07:20Hey, I'm sorry. Oh, yeah, don't you think the high notes were flat on the piano? Oh, really?
00:07:29Didn't notice it
00:07:31Yesterday was better
00:07:33definitely
00:07:34You know the tuna, right? Oh, yeah, I know him tell him I'm not happy
00:07:38I cannot afford to sound like the rest of these on the drawers
00:07:43Okay
00:07:44Thanks
00:07:49Oh
00:08:19I don't want people to see this.
00:08:21I've been worried about this for a long time.
00:08:24What is this about?
00:08:25I'm going to ask you a question.
00:08:27It's okay, Akashi.
00:08:30It's not okay.
00:08:33Wait a minute.
00:08:35Are you going to use this photo on TV?
00:08:38Akashi Takashima, who is a third-rate in the age limit.
00:08:43He is the last contestant to work at the Iwate instrument store.
00:08:48Most of them are students.
00:08:50He has to balance work, home, and music.
00:08:56How important is the music of everyday life?
00:09:02I'm a little embarrassed.
00:09:04I don't hate it like Rocky.
00:09:06It was hard to plan.
00:09:09Mr. Takashima is ready.
00:09:11Wait.
00:09:19There's another Japanese.
00:09:22The one who abandoned her concert seven years ago.
00:09:27The girl genius who disappeared.
00:09:30Aiden Aya.
00:09:32She's already 20 years old.
00:09:36For her, it's a comeback, as well as her last chance to shine.
00:09:43I'm sure she'll pass stage one.
00:09:47But her glory days are over.
00:09:55The concert is about to begin.
00:09:59The audience is waiting in the lobby on the 18th floor.
00:10:07Please take your seats in the lobby.
00:10:18Aiden.
00:10:24It's time.
00:10:54A-chan.
00:11:08Ma-kun.
00:11:10Ma-kun.
00:11:12Ma-kun?
00:11:14Why?
00:11:15You really were A-chan.
00:11:18When I saw your pamphlet, I thought it was you.
00:11:21It's been over 10 years since then.
00:11:25A-chan.
00:11:27So you were playing the piano as you promised.
00:11:30Of course.
00:11:32How are you?
00:11:37My mom passed away seven years ago.
00:11:40So...
00:11:43I'm sorry.
00:11:49It's okay.
00:11:51It's all right.
00:12:00Do you remember we used to play together?
00:12:02Of course.
00:12:04Your mom taught me how to play the piano.
00:12:10Thank you.
00:12:13It was fun.
00:12:15Really.
00:12:17Ma-kun is so small that he cries a lot.
00:12:22He's not a crybaby now.
00:12:24Really?
00:12:25I'm sure he's not.
00:12:27I was looking for you.
00:12:29That tuner is making a joke out of me.
00:12:32You need to come with me.
00:12:36Come.
00:12:37I'm sorry, A-chan.
00:12:38Wait a minute.
00:12:41I was surprised.
00:12:44It's a classic stream.
00:12:46Can you say something?
00:12:48I'm sorry.
00:12:55Okay, everyone.
00:12:59Now for the final contestant.
00:13:02Kazama Jin.
00:13:04Him?
00:13:06I don't believe it.
00:13:08Horrible.
00:13:09You think so?
00:13:10Truly horrible.
00:13:12Does he think Beethoven belongs to the Romantics?
00:13:15His performance was almost blasphemy.
00:13:18I think he has enormous talent.
00:13:21At least I want to listen to his performance in the next stage.
00:13:25That's out of the question.
00:13:27He's still 16.
00:13:28So what?
00:13:29What more could you hope for?
00:13:31He should get a better teacher.
00:13:33What is this?
00:13:41Letter of recommendation.
00:13:45From Yuji von Hoffman.
00:13:51Is the letter authentic?
00:13:53Yes.
00:13:54It's definitely his handwriting.
00:13:59Dear jury, I give you Kazama Jin.
00:14:04He's literally a gift.
00:14:07Most likely from heaven to us.
00:14:36However, make no mistake.
00:14:39He's not the one who is tested.
00:14:45It is I and every one of you.
00:15:03When you experience him, you will understand what I mean.
00:15:08He's not of sweet grace.
00:15:12He's poison.
00:15:17To accept him as a true gift or to conclude him as a disaster, it is up to you.
00:15:23Or rather, all of us.
00:15:29From Yuji von Hoffman.
00:15:58The sound is completely different.
00:16:01Look.
00:16:03It's like this.
00:16:04That's right.
00:16:06The sound changes depending on the pianist.
00:16:10But how can it be so different?
00:16:12Do you have a list of contestants?
00:16:15Here it is.
00:16:17The last one to play Yamaha was...
00:16:21Oh, sorry.
00:16:23Kazama Jin.
00:16:54What do you mean?
00:17:00Looking for someone?
00:17:04Nope.
00:17:05Nothing.
00:17:08Are you nervous?
00:17:31Thank you for your hard work.
00:17:35Your level is very high.
00:17:37Technically, you are almost equal.
00:17:40That's our impression.
00:17:42So even if you fail in this competition,
00:17:47it doesn't mean that your musicality is denied.
00:17:51Please be aware of that.
00:17:58Now, I will announce the contestants who passed the preliminary round.
00:18:04Next, I would like to introduce...
00:18:11The first one to pass is...
00:18:19A bit lower.
00:18:20Lower?
00:18:21Right, right.
00:18:22Right?
00:18:23No, the other way around.
00:18:25This one.
00:18:26Okay, I got it.
00:18:28Here you are.
00:18:31Thank you.
00:18:33Send it to Machiko.
00:18:37Right.
00:18:39Family is the most troublesome.
00:18:43Everyone is proud of you.
00:18:47Good luck, dad.
00:18:49Don't call me dad.
00:18:50See you tomorrow.
00:18:51See you.
00:19:08Congratulations.
00:19:11You are back.
00:19:13It's normal for you to pass the preliminary round.
00:19:18Actually, I've been listening to your performance for a long time.
00:19:24I especially liked the third part of Proco.
00:19:29Thank you very much.
00:19:33I managed to pass the preliminary round.
00:19:36The age limit is just around the corner.
00:19:39This is the last round of the competition.
00:19:42Musically speaking, this is the last round.
00:19:48I feel the same way.
00:19:52If I fail this time, the piano competition will be over.
00:19:57So I decided to try the competition.
00:20:05I used to enjoy playing the piano more.
00:20:11I was happy.
00:20:18I'm very happy.
00:20:24It's fun.
00:20:27I'm happy to be back here.
00:20:55If I were you, I wouldn't hang out with such an unlucky girl.
00:21:00She might steal your luck away.
00:21:06Just meeting her, I remember something that I forgot about.
00:21:13In the past, there was something beyond perfection.
00:21:44I'm sorry.
00:21:47I'm sorry.
00:21:50I'm sorry.
00:21:53I'm sorry.
00:21:56I'm sorry.
00:21:59I'm sorry.
00:22:02I'm sorry.
00:22:05I'm sorry.
00:22:08I'm sorry.
00:22:11I'm sorry.
00:22:14I'm sorry.
00:22:17I'm sorry.
00:22:20I'm sorry.
00:22:23I'm sorry.
00:22:26I'm sorry.
00:22:56I'm sorry.
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00:23:02I'm sorry.
00:23:05I'm sorry.
00:23:08I'm sorry.
00:23:11I'm sorry.
00:23:14I'm sorry.
00:23:17I'm sorry.
00:23:20I'm sorry.
00:23:23I'm sorry.
00:23:53I'm sorry.
00:23:56I'm sorry.
00:23:59I'm sorry.
00:24:02You're sorry?
00:24:16I'm sorry.
00:24:19I'm sorry.
00:24:22I haven't decided anything yet.
00:24:25That's unexpected.
00:24:27I thought you were good at this.
00:24:30You used to improvise with your teacher's accompaniment.
00:24:35No, no.
00:24:36What do you call that?
00:24:38It's like playing with my mom.
00:24:42It was amazing just playing.
00:24:46If your teacher was alive,
00:24:48I feel like you would have decided to improvise.
00:24:52It looked like a toy box with all kinds of sounds.
00:25:05A toy box, huh?
00:25:10I wonder where that sound went.
00:25:17You're so mean.
00:25:22You didn't have to make it such a difficult song.
00:25:27It's not a big deal.
00:25:29I'm telling you I'm good at this.
00:25:31You don't have to worry about it.
00:25:45Why?
00:25:46Because I'm good at it.
00:25:49I made it well.
00:25:51I'm sorry.
00:26:13Anytime.
00:26:17Okay.
00:26:21Thank you.
00:26:51I'm sorry.
00:26:52I'm sorry.
00:26:53I'm sorry.
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00:29:15I'm sorry.
00:29:16I'm sorry.
00:29:17I'm sorry.
00:29:43Ed, brother.
00:29:46I told you, it would be too risky to take octave passages in stage two.
00:29:52Oh, yeah, sure, but I was able to pull it off, right?
00:29:57You think you've become a Horowitz or a Richter?
00:30:02No.
00:30:04Throw away a naive narcissistic ego you have,
00:30:07and make a perfect performance.
00:30:10That is what's demanded of pianists.
00:30:13Yeah, I know.
00:30:25Who would you...
00:30:29Who would you...
00:30:31Who would you...
00:30:34Ryoichi.
00:30:38Ryoichi.
00:30:39Are you sure?
00:30:40We only have two months left until the competition, and you're asking me to pick you up?
00:30:44Of course. We're both busy with work.
00:30:47You could say, why don't you take a break from practice once in a while?
00:30:54If you take a day off from practice, you'll understand.
00:30:57If you take two days off, you'll understand.
00:30:59If you take one day off, you'll understand.
00:31:04You have to fight against the problem students who practice all day.
00:31:07You can't take a day off.
00:31:13Haruto Shura.
00:31:16There's a famous line, right?
00:31:18Oh, there it is.
00:31:20Ame yuju totechite kenja.
00:31:23What does that mean?
00:31:25Ame yuju means snow.
00:31:27Totechite means bring it.
00:31:29Kenja means give it to me.
00:31:31On the day my sister died, she probably didn't want to show her dead brother her face.
00:31:36So she asked him to bring the snow from the garden.
00:31:41So that's what it meant.
00:31:44Ame yuju totechite kenja.
00:31:48Ame yuju totototo kenja.
00:31:55What did you say?
00:31:58Totototo kenja.
00:32:01That's a little different, isn't it?
00:32:05Ame yuju?
00:32:07Totototo kenja.
00:32:17Music is something that exists in our daily lives.
00:32:24Musicians should be able to live a normal life, right?
00:32:32Well, it may sound like an excuse for someone who's lost their dreams.
00:32:39But I guess it's the music of everyday people.
00:32:46People who only listen to music should never reach that level.
00:32:53Ame yuju totechite kenja.
00:32:55Ame yuju totechite kenja.
00:33:14Well, that's about it.
00:33:23I've done a lot of research, but I feel like it's a bit too heavy.
00:33:37I see.
00:33:40It's a bit too heavy.
00:33:44But I think my ears are bad.
00:33:47I'm an amateur.
00:33:48Don't say that. You're a pianist.
00:33:50It's okay. I can play both Argerich and Akashi.
00:33:54No, it's not like that at all.
00:33:56I want to play the piano that an amateur like Machiko or Akihito can play.
00:34:11I'm sorry.
00:34:15I was a little irritated because the competition was coming up.
00:34:20It's okay. I can do it alone.
00:34:23Thank you.
00:34:50Thank you.
00:35:14I'll do my best.
00:35:20Thank you.
00:35:50Thank you.
00:36:20I'll do my best.
00:36:50I've been thinking about what it means to be a living person.
00:37:14I really wanted to put in the music that I could do because I was the one who set foot on the ground.
00:37:31So the last cadenza is...
00:37:44The last cadenza is...
00:37:47The last cadenza is...
00:37:50The last cadenza is...
00:37:54The last cadenza is...
00:38:14The last cadenza is...
00:38:17The last cadenza is...
00:38:20The last cadenza is...
00:38:23The last cadenza is...
00:38:26The last cadenza is...
00:38:29The last cadenza is...
00:38:32The last cadenza is...
00:38:35The last cadenza is...
00:38:38The last cadenza is...
00:38:41The last cadenza is...
00:38:44The last cadenza is...
00:38:47The last cadenza is...
00:38:50The last cadenza is...
00:38:53The last cadenza is...
00:38:56The last cadenza is...
00:38:59The last cadenza is...
00:39:02The last cadenza is...
00:39:05The last cadenza is...
00:39:08The last cadenza is...
00:39:11The last cadenza is...
00:39:14The last cadenza is...
00:39:17The last cadenza is...
00:39:20The last cadenza is...
00:39:23The last cadenza is...
00:39:26The last cadenza is...
00:39:29The last cadenza is...
00:39:32The last cadenza is...
00:39:35The last cadenza is...
00:39:38The last cadenza is...
00:39:41The last cadenza is...
00:39:44The next room is about to close.
00:39:46What time is it?
00:39:47But the next contestant's reservation is due soon.
00:39:50It might be a little difficult today.
00:39:53Tomorrow morning would be fine.
00:39:55It has to be right now.
00:39:57It has to be today.
00:39:58It has to be right now.
00:40:00I'm sorry.
00:40:01It might be a little difficult today.
00:40:03I'm sorry.
00:40:14Yes.
00:40:23What's the matter?
00:40:26Thank you for your hard work.
00:40:28Thank you for your hard work.
00:40:30I was looking for a practice room, but it wasn't open.
00:40:34I'm sorry.
00:40:36It's okay.
00:40:41Well...
00:40:43If you don't mind,
00:40:45if you don't mind,
00:40:47if you don't mind,
00:40:50I'd like to introduce you to a place where you can play the piano.
00:41:12I'd like to introduce you to a place where you can play the piano.
00:41:38Well...
00:41:39Oh!
00:41:40It's Akashi-kun's.
00:41:42Yes.
00:41:47I saw it on the Internet.
00:41:49Akashi-kun was playing well.
00:41:53How should I put it?
00:41:55The corners were taken in a good way.
00:41:57Yes.
00:42:07Compared to a piano for competitions,
00:42:09it's a little vague,
00:42:11but it's soft and sounds pretty good.
00:42:17It's like a sound that's been permeated all the time.
00:42:20It's like an old furniture.
00:42:24Well, I'm working in the workshop.
00:42:27Let me know when you're done.
00:42:29Yes.
00:42:30Thank you.
00:42:54My furniture.
00:42:58My Haruto Shura.
00:43:14Excuse me.
00:43:15What?
00:43:19I thought you were going to play the piano somewhere,
00:43:22so I brought it with me.
00:43:28Can I play with you?
00:43:53This kept ringing in your head, didn't it?
00:43:56That's why you wanted to play it.
00:43:59So did I.
00:44:08You like the piano, don't you?
00:44:11Yes.
00:44:12I like it.
00:44:14What about you?
00:44:16I like it.
00:44:18How much?
00:44:22Why?
00:44:24Did it look like you didn't like it?
00:44:28I don't know.
00:44:32But when I got off the stage,
00:44:35it looked like I was always hesitating.
00:44:43I like the piano.
00:44:48How much?
00:44:52I don't know.
00:44:54If there was only one person in the world
00:44:57who played the piano,
00:44:59I'd like to keep playing it forever.
00:45:02Even if no one listens to it?
00:45:05Yes.
00:45:06That's what music is all about, isn't it?
00:45:09Yes.
00:45:13Even if you were the only person in the world,
00:45:17I think you'd sit in front of the piano.
00:45:20Do you think so?
00:45:22Absolutely.
00:45:46It's beautiful.
00:45:50Yes.
00:46:20It's beautiful.
00:46:50It's beautiful.
00:47:20It's beautiful.
00:47:50It's beautiful.
00:48:20It's beautiful.
00:48:50It's beautiful.
00:49:20It's beautiful.
00:49:22It's beautiful.
00:49:35My father is a medical researcher.
00:49:38When I was four years old,
00:49:40I moved to France for my father's work.
00:49:44My father travels all over Europe.
00:49:48I always practice with a wooden keyboard
00:49:52that I got from Mr. Hoffman.
00:49:57My father said he'd buy me a piano
00:50:00if I won the competition,
00:50:02so I thought I'd do my best.
00:50:04Is that why you applied?
00:50:08No.
00:50:09There's another reason.
00:50:12Another reason?
00:50:18Yes.
00:50:20Let's see.
00:50:22Let's see.
00:50:24First, let me tell you,
00:50:26your performance was amazing.
00:50:28Really?
00:50:29It really is.
00:50:30Did you like it?
00:50:31It was great.
00:50:32Thank you.
00:50:33You must have felt it.
00:50:35Thank you.
00:50:42This way.
00:50:44This way.
00:50:46This way.
00:51:16Thank you.
00:51:47Is that why you applied?
00:51:49No.
00:51:51There's another reason.
00:51:54Another reason?
00:51:56I made a promise to Mr. Hoffman.
00:52:01A promise?
00:52:03Mr. Hoffman used to say,
00:52:07ikut jin tonogae,
00:52:11sekai wa ongaku ni ufureteru kara.
00:52:15It means, listen.
00:52:20Mr. Hoffman used to say,
00:52:22play that kind of music.
00:52:25Find someone who can play that kind of music.
00:53:07Yes, sure.
00:53:09Thank you.
00:53:37Thank you.
00:54:07Thank you.
00:54:37Thank you.
00:54:49It felt really good.
00:54:52I realized how much fun it is to play in a hall.
00:55:00Ms. Hayden, are you ready?
00:55:02Yes.
00:55:08Have a good day.
00:55:10Goodbye.
00:55:12I'll be waiting for you in the audience.
00:55:37I'll be waiting for you in the audience.
00:55:57I'm going to the audience.
00:56:07I'm going to the audience.
00:56:37I'm going to the audience.
00:57:07I'm going to the audience.
00:57:09I'm going to the audience.
00:57:37I'm going to the audience.
00:57:39I'm going to the audience.
00:57:41I'm going to the audience.
00:57:43I'm going to the audience.
00:57:45I'm going to the audience.
00:57:47I'm going to the audience.
00:57:49I'm going to the audience.
00:57:51I'm going to the audience.
00:57:53I'm going to the audience.
00:57:55I'm going to the audience.
00:57:57I'm going to the audience.
00:57:59I'm going to the audience.
00:58:01I'm going to the audience.
00:58:03I'm going to the audience.
00:58:05I'm going to the audience.
00:58:07I'm going to the audience.
00:58:09I'm going to the audience.
00:58:11I'm going to the audience.
00:58:13I'm going to the audience.
00:58:15I'm going to the audience.
00:58:17I'm going to the audience.
00:58:19I'm going to the audience.
00:58:21I'm going to the audience.
00:58:23I'm going to the audience.
00:58:25I'm going to the audience.
00:58:27I'm going to the audience.
00:58:29I'm going to the audience.
00:58:31I'm going to the audience.
00:58:33I'm going to the audience.
00:58:35I'm going to the audience.
00:58:37I'm going to the audience.
00:58:39I'm going to the audience.
00:58:41I'm going to the audience.
00:58:43I'm going to the audience.
00:58:45I'm going to the audience.
00:58:47I'm going to the audience.
00:58:49I'm going to the audience.
00:58:51I'm going to the audience.
00:58:53I'm going to the audience.
00:58:55I'm going to the audience.
00:58:57I'm going to the audience.
00:58:59I'm going to the audience.
00:59:01¶¶
00:59:31¶¶
00:59:37¶¶
00:59:39¶¶
00:59:44¶¶
00:59:52¶¶
00:59:54¶¶
00:59:56¶¶
00:59:59I'm going to start the interview.
01:00:01Yeah.
01:00:04It's okay.
01:00:05It's okay?
01:00:06Yeah.
01:00:07How do you feel right now?
01:00:14Well...
01:00:29I fell.
01:00:43Um...
01:00:49I lost to the music of my life.
01:01:03So...
01:01:09This is the beginning of my music life.
01:01:28The end.
01:01:32The end.
01:01:43I just need to focus on my next performance.
01:01:47Probably at Queen Elizabeth competition.
01:01:53And I'll prove myself.
01:02:02Why you?
01:02:23I practiced so hard while you're gone for seven fucking years.
01:02:28This isn't fair.
01:02:31Think of a small number that will make it as pianist.
01:02:55Those who don't make it become teachers.
01:03:02Just live for fun or just quit.
01:03:08So...
01:03:11Where are the true geniuses then?
01:03:15And what is this obsession trying to find prodigies?
01:03:20Where does this guilty feeling come from?
01:03:31That's easy.
01:03:33It's inferiority complex.
01:03:40We are not the geniuses that made history.
01:03:44That's it.
01:03:49Indeed.
01:03:54That's a harsh one.
01:03:58Yeah.
01:04:20It's him.
01:04:31Mozart.
01:04:34Mozart?
01:04:38That's him.
01:04:45It's my turn.
01:04:52What is it?
01:04:53I have no idea.
01:04:55No way.
01:04:58What a world.
01:05:01What?
01:05:03It's a world of pianists.
01:05:08But I'm an amateur.
01:05:14I've devoted most of my time to the piano since I was a kid.
01:05:20I've spent my life trying to be a pianist.
01:05:30I don't get it.
01:05:36It's frustrating but I don't get it either.
01:05:42What is that world?
01:05:51I can hear something.
01:06:12What?
01:06:15I can hear something.
01:06:45This way.
01:07:15The world is ringing.
01:07:44What is it?
01:07:45I don't get it either.
01:07:46I don't get it either.
01:07:47I don't get it either.
01:07:48I don't get it either.
01:07:49I don't get it either.
01:07:50I don't get it either.
01:07:51I don't get it either.
01:07:52I don't get it either.
01:07:53I don't get it either.
01:07:54I don't get it either.
01:07:55I don't get it either.
01:07:56I don't get it either.
01:07:57I don't get it either.
01:07:58I don't get it either.
01:07:59I don't get it either.
01:08:00I don't get it either.
01:08:01I don't get it either.
01:08:02I don't get it either.
01:08:03I don't get it either.
01:08:04I don't get it either.
01:08:05I don't get it either.
01:08:06I don't get it either.
01:08:07I don't get it either.
01:08:08I don't get it either.
01:08:14I don't get it either.
01:08:15I don't get it either.
01:08:16I don't get it either.
01:08:17I don't get it either.
01:08:18I don't get it either.
01:08:19I don't get it either.
01:08:20I don't get it either.
01:08:21I don't get it either.
01:08:22I don't get it either.
01:08:23I don't get it either.
01:08:24I don't get it either.
01:08:25I don't get it either.
01:08:26I don't get it either.
01:08:27I don't get it either.
01:08:28I don't get it either.
01:08:29I don't get it either.
01:08:30I don't get it either.
01:08:31I don't get it either.
01:08:32I don't get it either.
01:08:33I don't get it either.
01:08:34I don't get it either.
01:08:35I don't get it either.
01:08:36I don't get it either.
01:08:37I don't get it either.
01:08:38I don't get it either.
01:08:39I don't get it either.
01:08:40I don't get it either.
01:08:41I don't get it either.
01:08:42I don't get it either.
01:08:43I don't get it either.
01:08:44I don't get it either.
01:08:45I don't get it either.
01:08:46I don't get it either.
01:08:47I don't get it either.
01:08:48I don't get it either.
01:08:49I don't get it either.
01:08:50I don't get it either.
01:08:51I don't get it either.
01:08:52I don't get it either.
01:08:53I don't get it either.
01:08:54I don't get it either.
01:08:55I don't get it either.
01:08:56I don't get it either.
01:08:57I don't get it either.
01:08:58I don't get it either.
01:08:59I don't get it either.
01:09:00I don't get it either.
01:09:01I don't get it either.
01:09:02Masayuki Onodera is conducting.
01:09:33He's still good.
01:09:34Very good.
01:09:35Not to me.
01:09:36That's arrogant.
01:09:37He's still good.
01:09:38Very good.
01:09:39Not to me.
01:09:40That's arrogant.
01:09:41He's still good.
01:09:42Very good.
01:09:43Not to me.
01:09:44That's arrogant.
01:09:45He's still good.
01:09:46Very good.
01:09:47Not to me.
01:09:48That's arrogant.
01:09:49Very good.
01:09:50Not to me.
01:09:51Not to me.
01:09:52Not to me.
01:09:53Not to me.
01:09:54Not to me.
01:09:55Not to me.
01:09:56Not to me.
01:09:57Not to me.
01:09:58Not to me.
01:09:59Not to me.
01:10:00Not to me.
01:10:01Arrogant prick.
01:10:04Why has he decided to take this competition offer?
01:10:09Because of Mr. Hoffman.
01:10:12Rumor has it that it was Mr. Hoffman who brought...
01:10:15because of Mr. Hoffman.
01:10:16Rumor has it that it was Mr. Hoffman who brought...
01:10:17Onodera from Berlin to harmonic.
01:10:18Onodera from Berlin to harmonic.
01:10:19Which means...
01:10:23Which means...
01:10:24Which means...
01:10:25Mr. Onodera is the second assistant...
01:10:27Mr. Onodera is the second assistant...
01:10:28which means...
01:10:30Piano God.
01:11:00It's an honor to be able to play with the best conductor in the world.
01:11:03Nice to meet you.
01:11:05So, where should we start?
01:11:07Have you ever played with Prokofiev No. 2?
01:11:11Yes, I have.
01:11:13This is the 4th movement, number 102.
01:11:18I want to make it a little bit of a rubato.
01:11:20I want you to be able to play it at my timing.
01:11:23I want you to shake it.
01:11:26Can I try to play it at your timing?
01:11:32Let's do it.
01:11:55Prokofiev No. 2
01:12:16Thank you.
01:12:18Thank you.
01:12:20It sounds like the flute and I are not in sync.
01:12:25Can I try again?
01:12:29Yes, from No. 102.
01:12:48Thank you.
01:12:52Can I try again?
01:13:01Thank you.
01:13:03Stop! Thanks.
01:13:16I want the flute here.
01:13:20Is that okay?
01:13:24Okay. No problem.
01:13:27Can you hear me?
01:13:31Yes, I can hear you.
01:13:33I can hear you from here.
01:13:41Why don't you play it at my timing?
01:13:50Yes.
01:13:58Thank you.
01:14:04How was the touch?
01:14:08It was okay.
01:14:10As far as I heard from the audience, there was no problem at all.
01:14:13It was a mistake. It's okay.
01:14:17Noe, Fuko.
01:14:23Thank you.
01:14:27Excuse me.
01:14:29I have to go to the music library.
01:14:31Your time is over.
01:14:34I'm sorry, but you have to go to the next rehearsal.
01:14:57Thank you.
01:15:09How was it?
01:15:15I was looking forward to it.
01:15:18I see.
01:15:23It's difficult to play alone.
01:15:27Why did you choose Prokofiev No. 2?
01:15:35I like all of Prokofiev.
01:15:42He can dance.
01:15:46He can dance?
01:15:48Yes.
01:15:50If I were a dancer, I would like to dance.
01:15:53Prokofiev No. 2 was very popular when it premiered.
01:15:57After hearing that, I immediately asked him to play a ballet song.
01:16:01I think he's great.
01:16:03Great.
01:16:05Dance with Prokofiev?
01:16:07No.
01:16:09I've never thought about it like that.
01:16:13How about you, Ma?
01:16:15Why did you choose Prokofiev?
01:16:19Prokofiev is a great composer and pianist.
01:16:27Yes.
01:16:29I haven't told anyone about this.
01:16:33I want to be a composer-pianist in the future.
01:16:38Composer-pianist?
01:16:41I wonder why there are no composers-pianists now.
01:16:46At that time, young people like us listened to pop music.
01:16:51We listened to Rachmaninoff's new songs.
01:16:54I feel that classical music is stuck in the frame.
01:17:01I want to break through and go out again.
01:17:07Yes.
01:17:09New classical music.
01:17:12I have a dream to do that.
01:17:18I think it's great.
01:17:24How about you, Ma?
01:17:26Why did you choose Prokofiev?
01:17:29My dream is...
01:17:37homework.
01:17:47I'm glad.
01:17:49I'm glad.
01:17:52Can I start after 20 minutes?
01:17:56Yes.
01:17:57Thank you.
01:17:58Get ready.
01:18:00Yes.
01:18:07I didn't play anything.
01:18:11I wonder if Kazama will be okay.
01:18:14It's his first concert.
01:18:16I don't know what to do.
01:18:18He is a chess player.
01:18:20He is very brave.
01:18:23Yes.
01:18:36Thank you.
01:18:52Do you have any requests?
01:18:57Do you want to play at a faster tempo?
01:19:00Or do you want to focus on a specific song?
01:19:04Well...
01:19:08I don't have any requests.
01:19:12Okay.
01:19:13Thank you.
01:19:14Thank you.
01:19:16Number 18.
01:19:34Number 19.
01:20:04Excuse me.
01:20:05I thought you stopped playing the piano.
01:20:17Again, number 18.
01:20:34Again, number 19.
01:21:04Again, number 20.
01:21:20Five minutes left.
01:21:24Finale, number 131.
01:21:34Five minutes left.
01:22:04Congratulations.
01:22:11Can I say congratulations?
01:22:16Yes.
01:22:17Thank you.
01:22:20I think this is my last chance.
01:22:23I'll do my best next time.
01:22:26Even if you quit, this is your last chance.
01:22:30Yes.
01:22:34It's a tragedy to become a concert pianist without being prepared.
01:22:52Can I be honest with you?
01:22:55The sound of your piano now...
01:23:02It sounds like the sound of my youth.
01:23:08I don't like that desperate sound.
01:23:13I don't like the sound of death.
01:23:25Well, this is my personal advice from a genius girl who lost her chance to quit.
01:23:43Thank you.
01:23:53There is only one song left for the 10th anniversary concert of the Yoshinoya Piano Concert.
01:24:06This year is not only the 10th anniversary,
01:24:13but also the year of the death of a very important person for us musicians.
01:24:21It's U.G. von Hofmann.
01:24:36When I listen to his music, I think it's a strange music.
01:24:46What he plays is a small individual there,
01:24:51and what is born from the fingertips is a note that disappears in a moment.
01:24:59But at the same time, there is something that is almost the same as eternity.
01:25:14We have been touching eternity through music,
01:25:20which is a transient, one-time thing.
01:25:28U.G. von Hofmann
01:25:33The only thing that reminds me of that is the real performer.
01:25:38Undoubtedly, U.G. von Hofmann was such a pianist.
01:25:43U.G. von Hofmann
01:25:58U.G. von Hofmann
01:26:08U.G. von Hofmann
01:26:28U.G. von Hofmann
01:26:41U.G. von Hofmann
01:26:58U.G. von Hofmann
01:27:29We will be starting soon.
01:27:32All participants, please gather at the entrance.
01:27:58U.G. von Hofmann
01:28:03U.G. von Hofmann
01:28:08U.G. von Hofmann
01:28:13U.G. von Hofmann
01:28:18A-chan, what's wrong?
01:28:22I can play the second piano.
01:28:28I've played the second piano of the Prokofiev.
01:28:36But I'm sorry, A-chan will be on stage soon.
01:28:41It won't be that long.
01:28:44I'll just take the fourth movement.
01:28:59U.G. von Hofmann
01:29:04U.G. von Hofmann
01:29:09U.G. von Hofmann
01:29:14U.G. von Hofmann
01:29:19U.G. von Hofmann
01:29:24U.G. von Hofmann
01:29:31See, I did it.
01:29:34You did it?
01:29:40I see.
01:29:43I see.
01:29:46I see.
01:29:52Take a deep breath.
01:29:56Take a deep breath.
01:29:59I can't believe that Makunouchi-kun...
01:30:03...could play such a big...
01:30:07...and sea-like piece of music.
01:30:14I was just chasing after your back.
01:30:21I was just chasing after your back.
01:30:41Ma-kun.
01:30:44Are you all right?
01:30:52A-chan.
01:30:56You'll be back, won't you?
01:31:01What?
01:31:06I'll be listening.
01:31:09Have a good day.
01:31:21Have a good day.
01:31:51U.G. von Hofmann
01:31:56U.G. von Hofmann
01:32:01U.G. von Hofmann
01:32:06U.G. von Hofmann
01:32:11U.G. von Hofmann
01:32:16U.G. von Hofmann
01:32:21U.G. von Hofmann
01:32:26U.G. von Hofmann
01:32:31U.G. von Hofmann
01:32:36U.G. von Hofmann
01:32:41U.G. von Hofmann
01:32:46U.G. von Hofmann
01:32:51U.G. von Hofmann
01:32:56U.G. von Hofmann
01:33:01U.G. von Hofmann
01:33:06U.G. von Hofmann
01:33:11U.G. von Hofmann
01:33:16U.G. von Hofmann
01:33:21U.G. von Hofmann
01:33:26U.G. von Hofmann
01:33:31U.G. von Hofmann
01:33:36U.G. von Hofmann
01:33:41U.G. von Hofmann
01:33:46U.G. von Hofmann
01:33:51U.G. von Hofmann
01:33:56U.G. von Hofmann
01:34:01U.G. von Hofmann
01:34:06U.G. von Hofmann
01:34:11U.G. von Hofmann
01:34:16U.G. von Hofmann
01:34:21You know, when I saw you guys, I felt like I was being told that I didn't have to keep going.
01:34:36I don't think I'll ever hear that again in front of this big audience.
01:34:40As I thought, I love piano so much that I can't help it.
01:35:10I...
01:35:36I...
01:35:40I...
01:36:11I...
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01:39:19The world is sleeping.
01:39:48The world is sleeping.
01:40:18The world is sleeping.
01:40:48The world is sleeping.
01:40:50The world is sleeping.
01:40:52The world is sleeping.
01:40:54The world is sleeping.
01:40:56The world is sleeping.
01:40:58The world is sleeping.
01:41:00The world is sleeping.
01:41:02The world is sleeping.
01:41:04The world is sleeping.
01:41:06The world is sleeping.
01:41:08The world is sleeping.
01:41:10The world is sleeping.
01:41:12The world is sleeping.
01:41:14The world is sleeping.
01:41:16The world is sleeping.
01:41:18The world is sleeping.
01:41:20The world is sleeping.
01:41:22The world is sleeping.
01:41:24The world is sleeping.
01:41:26The world is sleeping.
01:41:28The world is sleeping.
01:41:30The world is sleeping.
01:41:32The world is sleeping.
01:41:34The world is sleeping.
01:41:36The world is sleeping.
01:41:38The world is sleeping.
01:41:40The world is sleeping.
01:41:42The world is sleeping.
01:41:44The world is sleeping.
01:41:46The world is asleep.
01:42:44♪♪
01:42:53♪♪
01:43:01Look.
01:43:04Do you hear it?
01:43:05♪♪
01:43:09The sound of the clock.
01:43:11Yes, the sound of the clock.
01:43:14What is it?
01:43:16It's a bird's voice.
01:43:18Oh it's a bird's voice.
01:43:20It's the sound of a fireplace.
01:43:22Fireplace?
01:43:24Yes, it's the sound of a fireplace.
01:43:26It's the sound of a fireplace.
01:43:28It's a sound of a rain.
01:43:32It's a rain.
01:43:36It's a sound of a rain.
01:43:38What does it sound like?
01:43:40It's a sound of a rain.
01:43:42The sound of the rain.
01:43:52I picked up a nice sound.
01:44:12The sound of the rain.
01:44:22Good morning.
01:44:27The world is always overflowing with music.
01:44:42The world is always overflowing with music.
01:44:46Amazing. It became music.
01:44:49The world is always overflowing with music.
01:44:54The world.
01:44:58The world.
01:45:01The world.
01:45:04The world becomes music.
01:45:08The world is ringing.
01:45:15You are ringing the world.
01:45:22You are ringing the world.
01:45:29The world is ringing.
01:45:36You are ringing the world.
01:45:59The world is ringing.
01:46:17The world is ringing.
01:46:27The world is ringing.
01:46:37The world is ringing.
01:46:42The world is ringing.
01:46:52The world is ringing.
01:47:02The world is ringing.
01:47:22The world is ringing.
01:47:39Welcome back.
01:47:45Next up is Mr. Aiden.
01:47:59Sensei, I found it.
01:48:10Mr. Aiden.
01:48:16It's time.
01:48:46Welcome back.
01:48:51Welcome back.
01:49:21Welcome back.
01:49:31Welcome back.
01:49:41Welcome back.
01:49:51Welcome back.
01:50:01Welcome back.
01:50:11Welcome back.
01:50:41Welcome back.
01:50:51Welcome back.
01:51:01Welcome back.
01:51:11Welcome back.
01:51:21Welcome back.
01:51:31Welcome back.
01:52:01Welcome back.
01:52:11Welcome back.
01:52:21Mr. Aiden, I think I understand now.
01:52:34What?
01:52:36What Mr. Huckman's letter meant.
01:52:44It's up to all of us whether he's a gift or a disaster.
01:52:58He's given us so many wonderful gifts, hasn't he?
01:53:05Absolutely.
01:53:35Absolutely.
01:53:55Absolutely.
01:54:15Absolutely.
01:54:43Absolutely.
01:54:53Absolutely.
01:55:13Absolutely.
01:55:33Absolutely.
01:55:53Absolutely.
01:56:03Absolutely.
01:56:13Absolutely.
01:56:33Absolutely.
01:56:43Absolutely.
01:56:53Absolutely.
01:57:03Absolutely.
01:57:13Absolutely.
01:57:23Absolutely.
01:57:33Absolutely.
01:57:43Absolutely.
01:57:53Absolutely.
01:58:03Absolutely.
01:58:13Absolutely.
01:58:23Absolutely.
01:58:33Absolutely.
01:58:43Absolutely.
01:58:53Absolutely.