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00:00And how did Mr. Manuel react?
00:10Well, you can imagine.
00:13The poor man didn't give credit.
00:15In fact, he almost got his eyes out of the gills.
00:17Not at all.
00:19You don't even have your suspicions left in the inkwell.
00:22What do you mean, my suspicions?
00:24What do you call accusing without evidence?
00:27I think the man in the gills was a scoundrel of the worst kind.
00:30And that's why I'm convinced that he's the cause of my mother's death.
00:33And also of Tomás'.
00:35Well, yes, but they may be your things.
00:37Because the only thing you're sure of is that Mr. Tomás knew something very fat.
00:40About your mother's death.
00:42And that's why they killed him, remember?
00:44Well, yes, but the others are possibilities.
00:47And you can imagine that Mr. Manuel was displeased without having the confirmation.
00:51Well, let's see, María, you were the one who encouraged me to tell him.
00:56Anyway, his grandfather's death wasn't what impressed him the most.
01:03I also told him to fire my brother.
01:05Wow.
01:06You haven't been left for marriage, like the one who says.
01:10Because of the hug in his ponzi scheme.
01:12Because he has put his world upside down.
01:14Well, yes, the truth is yes.
01:20Well, I'm glad.
01:21Because you've done what you had to do.
01:23And I'm very proud.
01:26And now I don't know if I should have told him everything.
01:30He was much happier without knowing anything.
01:33Well, being ignorant doesn't mean being happy.
01:35Yeah, but it often goes hand in hand.
01:37And living in a lie, Hanna?
01:39Aren't you the one who always says you have to go with the truth first?
01:42Yes, and I say it, but ...
01:45I don't know, don't think that after telling him I feel very good.
01:49Oh my God.
01:52You should have seen the face he put on.
01:57What if I've ruined everything, María?
01:59But what are you going to ruin everything, Hanna?
02:01That's it, huh?
02:02Stop complaining about the milk you spilled.
02:04If you've done it, you've done it.
02:06If you haven't done it, you haven't done it.
02:08And you had to let it go before everything went to hell.
02:10Well, the mess was big enough.
02:13If what worries you is that your wedding is going to go to hell because of this,
02:16imagine if you had married without telling anyone.
02:19It would have been worse.
02:21Yes.
02:22Because lies have very short legs.
02:25Besides,
02:26your Manuel is a good man and he's hot.
02:28He'll put up with this and whatever they throw at him.
02:31I hope so.
02:35And do you also know why?
02:37Because he loves you madly.
02:41And if he's taking advantage of your wedding,
02:43it's because your love wasn't as strong as he thought.
02:46And if he's taking advantage of your wedding,
02:48it's because your love wasn't as strong as he thought.
02:50And he does you a favor.
02:51María.
02:52Come on, put on a smile.
02:54Huh?
02:55And with this dress, you're going to be the most beautiful bride in Spain.
03:05This woman is not going to leave me alone.
03:07Well, apparently it won't be so easy for you to get rid of her.
03:11Well, neither you,
03:13nor the cooks,
03:15nor myself.
03:18What do you mean?
03:20That she's going to be with us in the kitchen.
03:22Vera.
03:23And with you, of course.
03:24What?
03:25But that's nonsense, Lope.
03:27What does my mother look like in the kitchens?
03:30Apparently she's a kitchen enthusiast, Vera.
03:33And she wants to collect recipes from the area.
03:35What?
03:36That's what she said.
03:40But my mother hasn't even gone down to her own kitchens.
03:43I don't want her to know where they are.
03:45It will be an excuse.
03:46Yes, rude and incredible.
03:50Well, Mrs. Márquez swallowed it.
03:53She's the one who gave her permission.
03:56That's why she came the other day.
03:59This is nonsense, Lope.
04:00Where have you seen a duchess entering the palace
04:02to go to the kitchen of the Márquez family?
04:05Well, in the promise she's going to start seeing.
04:07But of course, what you don't see is the promise.
04:09Well, I assure you that my mother doesn't care about the kitchen,
04:11not even the slightest bit.
04:12But what I don't understand is,
04:13what does she want to achieve with all this?
04:19Well, being close to her daughter.
04:21No, yes, that's obvious.
04:23But I don't work in the kitchens.
04:26It's just that you're going to have a very specific function.
04:30You're going to be in charge of transcribing the recipes we cook.
04:33What?
04:34What you've heard.
04:36Apparently the fame of your calligraphy
04:38has exceeded the limits of the promise.
04:40I'm not kidding.
04:42Well, it would be better to take it that way, right?
04:45In the end, you've managed to be above me.
04:49What can I do?
04:51If you want to keep your job,
04:54obey the orders.
04:55Man, of course I want to.
04:56Of course I want to.
04:58But then you have no choice but to listen
05:00to what Mrs. Marquesa says.
05:02And attend to your mother in everything she wants
05:04and in everything she asks.
05:07I can't believe he's dating her.
05:25No, I'm not going to play cat and mouse with you.
05:28Not in my own house.
05:29What do you mean?
05:30I can't stand us being angry.
05:33And much less that we treat each other as if we were two strangers.
05:36I wish we were, but it's not like that.
05:38Cruz!
05:39What?
05:40You're the one who came to talk to me.
05:42And I'm explaining the reasons to you.
05:43And you don't even ask me if I want to listen to them.
05:49Be reasonable.
05:51Look, you know what?
05:52I'm going to do something better.
05:53I'd better go to bed.
05:54Don't go, please.
05:56I don't want to argue.
05:57Me neither.
05:58I just want to talk.
05:59Very well, then talk.
06:00Come on, tell me what you have to say.
06:02I want a truce.
06:04I need it and I think you do too.
06:06Speak for yourself, please.
06:07See? This is what I'm talking about.
06:09Why do we have to argue for no reason at all?
06:12We can talk calmly and get closer.
06:14Do we really have to have this conversation again?
06:16Seriously?
06:17I don't know, maybe it's my fault.
06:19I haven't been clear enough.
06:20Alonso, this is going to be like this from now on.
06:23From now on and forever.
06:25Well, I know that time will fix things
06:28and that we will recover what is ours.
06:31We can talk if you want,
06:32but only about how our coexistence will be from now on.
06:35What do you mean by that?
06:37I propose a non-aggression pact.
06:39I will not bother you again and you will stop making my life impossible.
06:42Which means not to attack the allies of one and the other,
06:46as in my case is the captain of the Mata.
06:48I have not attacked anyone.
06:50Because I arrived on time and prevented it.
06:53And on top of that you intend to take away a business
06:55in which he has dedicated time and effort.
06:57You know perfectly well that that business was Catalina's.
06:59You said it, it was.
07:01I don't understand that you want to favor Lorenzo
07:03by going over a member of the Lujan family.
07:06I remind you that Lorenzo is married to my sister,
07:09so he is also part of the family.
07:11But of course, it is mine,
07:12which may not be as important as yours.
07:14I have never said that.
07:15Look, Alonso, I think we've talked enough.
07:17So if you don't mind, I'm going to rest.
07:19Good night.
07:22Good night.
07:40Well, I guess some of you will be aware of the novelty.
07:43For example, by Mrs. Martínez and Mr. Ruiz.
07:46Does it have to do with the Duchess of Carril?
07:48That's right.
07:49The Marquess has given permission to visit the service plant.
07:52And specifically, the kitchens.
07:54I'm also aware, Mr. Pellicer.
07:56If Mona told me,
07:57I don't know after meeting with the Marquess
07:59and the Duchess of Marras.
08:01Me too.
08:02Lope had told me.
08:03Wow.
08:04It seems that everyone here was aware,
08:06except me.
08:07Even if it's in the lockers of this palace.
08:09But we have quoted that at the first hour,
08:11Mrs. Arcos,
08:12to convey to you the guidelines
08:14due to the chaos of usual information.
08:16Right.
08:17And what is that lady here for?
08:20Well, it seems that the Duchess is a great fan of the kitchen.
08:23And she wanted to know firsthand
08:25how our dishes are made.
08:27And why do you want to know something like that?
08:29To compile them in a recipe book.
08:31We know it's strange,
08:32but it has the approval of the Marquess.
08:34And we are no one to contradict it.
08:36Of course not.
08:38But something like that is still unheard of.
08:40And very uncomfortable.
08:42Because we are not going to be able to do what we like,
08:44having her around here.
08:45I suppose that what you like to do in the kitchen,
08:48Mrs. García,
08:49is to cook.
08:50Yes, of course.
08:51It's a way of speaking, Mr. Baeza.
08:53It has already become clear to me.
08:55I understand that the presence of the Duchess in the kitchens
08:58may be uncomfortable,
08:59but there is nothing to say about it.
09:02What do you think?
09:04Take it for the good side.
09:06It is an honor that the Duchess has noticed you.
09:09It is a recognition of the good work
09:11of the kitchen service of this palace.
09:12That's right.
09:14And when is the visit of the Duchess expected?
09:16Well, as far as we know,
09:18it may be this afternoon.
09:20We'll have to have everything ready then, right?
09:22No, no, no.
09:23The lady does not want anything special to be done.
09:26The idea is that she sees the kitchens in their usual environment.
09:29Except for one thing.
09:31Vera,
09:32she must be present in the kitchen at all times
09:34while the visit of the Duchess lasts.
09:36I'm on it.
09:37And what does she have to do in the kitchen?
09:40Because if I have to do without any of my maids,
09:43at least I would like to know the reason.
09:45Look how she protests when it's her turn.
09:47The Duchess requires the presence of Miss González
09:51to transcribe the recipes
09:53and thus give a written statement of them.
09:55Ah, look,
09:56Vera working as a writer.
09:58That sounds important.
10:00In that case,
10:01the Duchess will be able to dispose of my office
10:03to be able to pass her notes to Limpio.
10:05Marimandra is already on the boat
10:07in case something happens to her.
10:09Does anyone have any questions?
10:11Any proposals?
10:14Well, I will inform the maids and the maids
10:16to spread their modalities on the service floor
10:19while the visit lasts.
10:21Good idea, Mrs. Arcos.
10:23Yes, because one thing is that the Duchess
10:25wants to contemplate that usual environment,
10:27as you say,
10:29and another very different is that we do not take care of the shapes.
10:31Well, we do our own thing with the lackeys and the mozos,
10:34although in this case it is clear
10:36that the responsibility falls on the shoulders of the cooks.
10:39And of course, Vera.
10:41Don't worry, we'll be up to it.
10:43That's what we're here for.
10:45For the hard and for the mature.
10:47Well, if there is no doubt,
10:49let's go back to our workplaces.
10:51Thank you all.
10:58Hello, Lope.
10:59Look at that face.
11:01You'll see how the Duchess is going to be delighted.
11:04Well, don't be too delighted.
11:06Let's see if all the ladies from the region are going to pass through here.
11:19By the way, Julia.
11:21I have learned that you have offered to restore the portrait
11:24in the tea room.
11:25That's right.
11:26It will be a way to compensate for the kindness of your family
11:28to welcome me here these days.
11:30We are winning, I assure you.
11:33We all have a lot of appreciation for that painting.
11:35It is a memory of my dear mother.
11:37I am aware of your sentimental value.
11:39I hope I am up to that task.
11:41Well, yesterday I told Manuel
11:43that it was not the first time that he embarked on something like this.
11:45Yes, I have faced similar jobs before,
11:48although never alone.
11:49But if you know the technique, you can face it alone, right?
11:52I admit that my passion is art
11:54and although I do not consider myself an expert,
11:57I do have the skills necessary to return to painting
12:00the splendor it had.
12:01That would be wonderful.
12:03Yes.
12:04It would be like having my mother here,
12:06even if it were for a moment.
12:09Well, maybe we are setting a little high expectations
12:12for our guest and she is going to back out, right?
12:15If she is as good as they say,
12:17I wish her a promising future.
12:19She would be surprised by the number of paintings
12:21that accumulate in the army warehouses.
12:23Because of her poor state of conservation?
12:25That's right.
12:26Well, in that case, I could recommend her.
12:29I will do so.
12:31If her work is worth it, I will do so.
12:34I will contact my army people.
12:36Wait a minute, Lorenzo.
12:38Before your people, I'll go myself.
12:40Well, dear, I don't know if our guest
12:42is capable of restoring people.
12:45Well, for that we already have our maid,
12:47right, dear Cruz?
12:49I was referring to two paintings that I have in my house in Madrid.
12:52I would like you to take a look at them.
12:54Let's start with the portrait of the ancient Marquis.
12:57Yes, it seems a very sensible idea.
12:59If you have to destroy a painting, let it be Carmen's.
13:01Cruz, please.
13:03Well, sorry.
13:05Well, the truth is that I don't have much to say about it.
13:08I've never liked that painting.
13:10I've always found it very cheesy and reminiscent.
13:13But what are you supposed to propose with those comments?
13:16Well, I'm just warning you.
13:19Let's see.
13:20It is clear that Miss Valdés has very good disposition.
13:23But if it is the first time that she undertakes such a task alone,
13:26it is very easy for unexpected things to arise.
13:29I think she will do a great job.
13:32Well, do whatever you want.
13:34It seems to me that it is evident that she is very young
13:36and that she will have restored what? A painting or two?
13:38An oil from the Martyrdom of Santa Bárbara,
13:40a cellar and some other small work.
13:44There you have it.
13:45There you have what?
13:47Well, if you want your mother to look like a decapitated saint.
13:50Enough, Cruz.
13:51The painting will not be at any risk.
13:54I will only remove the dirt and the old varnish
13:57and then I will apply a new one.
13:59Wow, so she's going to fill our house with smells of oils and guerras.
14:03I also talked to Manuel and Alonso about that matter
14:06and they agreed to lend me their hangar to do my job.
14:10That way I won't bother anyone.
14:12You've already heard it.
14:13It's not going to bother you at all, so let's leave it at that.
14:24Mr. Rodríguez, do you have a moment?
14:26Of course, sir.
14:27Do you already have the dress that the Count of Añil will wear
14:30for tomorrow's outing?
14:31Yes, sir.
14:32It is an important event.
14:34Nothing more and nothing less than a request.
14:37I am aware, sir.
14:38And I understand that Miss Martina will go with you.
14:41Miss Catalina.
14:43Sorry for the absurdity, sir.
14:45It's just that the names have danced me.
14:47I've been here for a short time.
14:48Do you understand?
14:49Yes, sir.
14:50Sorry for the absurdity, sir.
14:51It's just that the names have danced me.
14:53I've been here for a short time.
14:54Do you understand?
14:57And then?
14:59As I told you, sir, everything is ready.
15:01I just need to light the shoes.
15:03I'll leave it for the last moment.
15:04That way they will look brighter tomorrow.
15:06Very well.
15:07Thank you, Mr. Rodríguez.
15:08You're welcome, sir.
15:16Marcelo, is everything okay?
15:18Of course, yes.
15:19Yes?
15:20Have you already prepared Mr. Pelayo's clothes?
15:22Is Mr. Pelayo the Count of Añil?
15:24Of course.
15:25Marcelo, for God's sake.
15:27What a chance study, Teresa.
15:29Well, less chance and more seriousness.
15:31Let's see what you've prepared for him.
15:33Well, the one he usually wears, a suit,
15:35with his vest, his pants.
15:36Wait a minute.
15:37What do you mean, the one he usually wears?
15:39Yes, I didn't want to interfere.
15:41But haven't you heard Mr. Pellicer?
15:43It is an important event.
15:46More reason not to make a mistake.
15:48As such, he has to wear a special wardrobe.
15:51Really?
15:53Well, of course, Marcelo.
15:54That's what the label dictates.
15:55Why else would Mr. Pellicer ask you
15:57if you already had the clothes prepared?
15:59Maybe you're right.
16:00Of course I have it.
16:02The ladies are already preparing Miss Catalina's dress.
16:04And it's the prettiest she has.
16:08Miss Catalina is the one who accompanies her.
16:11Marcelo.
16:12There are many gentlemen in this house.
16:14Too many, I would say.
16:15What Mr. Pellicer was trying to ask you
16:17is whether you already have Gala's clothes prepared
16:19for Conde de Añil.
16:20I've told you I've prepared the usual.
16:21That man goes to Gala everywhere.
16:23No, Marcelo.
16:24He always dresses elegantly.
16:26But for an event like this,
16:27it's important that he wears a distinguished
16:29and aristocratic wardrobe.
16:30No one has explained it to me.
16:31You're supposed to know.
16:33And if you don't,
16:35I'll tell you.
16:37My God, what do I do now?
16:40Well, first, stay calm.
16:42And second, find out if he wants to wear a jacket or a frac.
16:44And then, prepare it as soon as possible.
16:47How do I know that?
16:49How are you going to know?
16:50By asking him.
16:51Come on, hurry up.
16:55Teresa.
16:59You told me I have to ask him
17:01if he wants to wear a frac or a jacket.
17:04You can't tell, can you?
17:09Okay, I'll go with you.
17:10But it's important that you talk to Mr. Pellicer.
17:13Yes, just tell me exactly what I have to tell him.
17:17Let's go.
17:21Is something wrong?
17:23No.
17:24I was just accompanying Marcelo
17:26to show him where the cleaning products are.
17:31Let's go.
17:44And all of you, without exception,
17:46must wear the uniform.
17:48I won't tolerate another stain.
17:50Excuse me, Mrs. Arcos.
17:52And when the Duchess of Carril arrives,
17:54you must show her an impeccable image.
17:56Is that clear?
17:57Go on, I'm going to change your uniform.
17:59And let it be the last time I see you in that guise.
18:01It won't happen again, ma'am.
18:03You'd better.
18:04Mrs. Arcos.
18:05Santos.
18:07Judging by that smile of yours,
18:09it looks like you have something to tell me.
18:11Come on.
18:12Come with me to my office.
18:19I can see that she's getting to know me.
18:26I'm sorry.
18:27I'm sorry.
18:28I'm sorry.
18:29I'm sorry.
18:30I'm sorry.
18:31I'm sorry.
18:32I'm sorry.
18:38You don't know
18:39who I just saw running out of the courtyard.
18:43Teresa and Marcelo.
18:45She didn't tell me not to take my eyes off that man.
18:50And where do you think he was going so fast?
18:54Well, according to Teresa,
18:55to show her husband some cleaning products.
18:59And was it that urgent?
19:01It seems so.
19:02Because he left the laundry half done.
19:04Did he really do that?
19:07How strange.
19:08I would have expected it from anyone else.
19:10But Teresa ...
19:11Teresa would never leave a job
19:13if it weren't for a weighty reason.
19:16I don't know her very well,
19:17but that's exactly what I thought.
19:20And why do you think she did it then?
19:23Well, to fix her husband's carelessness.
19:26It's obvious.
19:27That clumsy man doesn't know how to do anything right.
19:30He doesn't even know where the wind blows him.
19:32He's useless.
19:34So Teresa is trying to cover up
19:36her husband's clumsiness.
19:38I'm sure of it.
19:41What a shame.
19:44She changed my son Feliciano
19:45for an incompetent man
19:46who doesn't even get the smell of his shoes.
19:50I think it's time to make public
19:53her incapacity and her impudence.
19:58Have you talked to anyone else about this?
20:02Not yet.
20:03I was going to do it with Don Rómulo.
20:06No, no.
20:07Don't do it.
20:08Don't talk to him or your father.
20:11So what?
20:13Hang in there, Santos.
20:15Hang in there.
20:16Because now everyone understands
20:18that Marcelo makes mistakes.
20:21But there will be a moment
20:22when he really gets it.
20:24And then,
20:25that's when we'll have to end him.
20:29Okay.
20:30You know more about this than I do.
20:33Yes.
20:38What are you laughing at now?
20:40I just remembered something else.
20:43Yesterday I went to the ironing and sewing room
20:45for a brush.
20:46Did you also have an emergency
20:48with any of the gentlemen's clothes?
20:50Absolutely.
20:51In fact, I had all the time in the world
20:53to enjoy the beauty of what I found.
20:56What?
20:57A notebook of notes
20:59full of stories and supposedly literary annotations.
21:02Some young lady who thinks she's a writer.
21:06I know.
21:07I know who it belongs to.
21:09Who?
21:10María Fernández.
21:12It's been a while since she got into the habit of writing.
21:15But since I hadn't seen her again,
21:17I thought it had happened to her.
21:18Well, apparently not.
21:20Forgive me,
21:21but I can't help it.
21:23I find it tremendously daring
21:25that a person who barely knows how to speak properly
21:27dares to write.
21:30Let's say, saints,
21:31that in this palace
21:32there are too many
21:34extravagant behaviors
21:36between servants.
21:39Between you and me.
21:43Well, this is the hangar.
21:46We have left this space
21:47so that you can work comfortably.
21:49Thank you very much.
21:50I asked you not to direct sunlight, right?
21:52That's right.
21:53Direct sunlight ruins certain products,
21:55but artificial light
21:57alters the colors,
21:58so it would be risky to work with it.
22:00Wow.
22:01I didn't know that.
22:02And although there are wonderful painters
22:04like Caravaggio who work in the light of the candles,
22:06this would not be suitable for restoration.
22:11As you can see, we have left the stool
22:13and on this table
22:14it has all the products that are missing.
22:16Varnish, brushes of various sizes,
22:18scrapers, clean baths ...
22:21Indeed, everything is necessary.
22:23Thank you very much.
22:24Thank you for undertaking this task.
22:26I will do it with pleasure.
22:27And more in this comfortable environment.
22:30I know it is also your workplace.
22:34Yes, but ...
22:35I also have a studio.
22:38I will try to bother you as little as possible.
22:40Julia, your presence in this hangar
22:42is not a nuisance.
22:43Don't worry about it.
22:46I had never been to a place like this.
22:48I don't think there are many in this area.
22:51Of course not.
22:53This was an abandoned and unused place
22:55until I convinced my parents to renovate it.
22:57So you are also a restorer.
23:00Airplane builder, I prefer to be called.
23:02It is your passion, of course.
23:04It is.
23:06I couldn't even tell you
23:07how many hours I've spent locked up here,
23:10lighting up the birth of my airplane.
23:13It sounds fascinating.
23:14It is.
23:15Designing it,
23:16manufacturing it,
23:17assembling it.
23:21I understand that this is your refuge.
23:24Yes.
23:26It was before the war.
23:29And since when did you return?
23:34Since I returned,
23:35I am stuck in the new designs of my new airplane.
23:38And as I have already told you,
23:39I have a studio inside the palace.
23:41So,
23:42anyway,
23:43for the plans I just need paper and pencil.
23:45And let your imagination fly,
23:47never better said.
23:49Yes.
23:51And what about you?
23:52Where did you get that passion for art from?
23:55A good friend introduced me to it.
23:57So you can say that friend is a good influence,
24:00judging by his knowledge and skills.
24:02I think so.
24:03I consider that friendships
24:04are one of the most important things in life.
24:08Whoever has a friend has a treasure.
24:10Is it so difficult to create a solid friendship?
24:13I think it is based on common experiences,
24:16on living complex situations,
24:19one next to the other.
24:22Yes, that can help, of course.
24:24Sharing a complicated event with another person
24:27forges very strong bonds.
24:29I can't even imagine
24:31how united you will be now
24:33with your peers,
24:34with whom you fought side by side,
24:37risking your lives for each other.
24:45There are people and moments
24:47that can never be forgotten.
24:51Yes, they are already part of us.
24:54If you don't need anything else,
24:56we'll leave.
25:37The garment must be a little wet.
25:41Pay close attention to the small details,
25:45such as the neck,
25:48fists and folds.
25:51The front is the most important part.
25:56What are you doing?
25:58I'm ironing Count Añil's coat.
26:01He's going to ask for a hand
26:03with Miss Catalina,
26:04and he must be the most elegant guest.
26:06I see.
26:07But you shouldn't be ironing.
26:09That's the job of my maids.
26:12I admit that I forgot to tell them in time,
26:14and that's why I'm doing it.
26:16Well, your responsibility is
26:18to take care of them so that they are on time.
26:20I know.
26:21I had a little misunderstanding with the task.
26:24I didn't understand it very well.
26:25It is also your responsibility
26:27to know things well,
26:29because you are paid for something.
26:31Don't worry, Mrs. Petra.
26:33This time I'm going to be scorned,
26:35but this is under control.
26:37No.
26:38You have nothing under control.
26:40And the worst thing that can happen to you now
26:43is that you burn that shirt.
26:47I'm not going to lie to you.
26:49It's not the first time that a ...
26:52relative
26:54or someone close to an employee is hired here
26:56to compensate for their loyalty.
26:58In the end, if we don't support each other,
27:00who will support us?
27:02But for years,
27:04many years, no one as incompetent
27:06and unprepared as you had arrived.
27:08Me?
27:09You would have to be born twice
27:11to be a good lackey.
27:13But Mrs. Arcos, what you are saying is an exaggeration.
27:16I'm not exaggerating.
27:19Did you know that my son Feliciano
27:21took the position you have now?
27:24But he begs to grow his lack of experience
27:27with his ...
27:29with his effort and his humility.
27:31And what do I have to do with it?
27:34You are an insult to everything he represented
27:38and to all the dignity that is in this world,
27:40unworthy and sinful.
27:42Really, Mrs. Arcos ...
27:43That you have taken her place in Teresa's heart
27:45only shows that she was not up to it.
27:48But I will not allow you to take her place in this house.
27:52I don't intend such a thing.
27:54I didn't even know Feliciano.
27:56You are not up to it.
27:58And Teresa neither.
28:01And I tell you,
28:03that I know Teresa well
28:04and she will never be able to love someone like you.
28:21So you have already made a hole in the hangar.
28:24That's right.
28:25We have taken everything necessary.
28:27And the place is adequate, right?
28:28It's perfect.
28:29I am very grateful to Manuel.
28:31He has been very considerate in giving me a space in his hangar.
28:33That's how my cousin is.
28:39Have you heard her?
28:41Sorry, what?
28:43What are you thinking about? Let's see ...
28:46Well, I think I can guess.
28:48Are you thinking about a new design of airplane wings
28:52to make them lighter and faster?
28:56Exactly that.
28:59Do you want lemonade, sir?
29:01Yes? Thank you very much, Hanna.
29:03Well, then he has everything ready to remodel the painting.
29:07In fact, this afternoon I started the first cleaning processes.
29:11Nothing transcendental, of course.
29:13But I'm very happy.
29:15Well, I really want to see the result.
29:18You'll have to be a little more patient.
29:20My mother says that's one of my biggest flaws.
29:23Perfect. Impatience.
29:25I would be unable to deal with a task as meticulous and slow as yours.
29:29I guess everyone does.
29:31Well, and interest is also a lot, right?
29:33Where does it come from? His passion for art?
29:39I asked you something inappropriate.
29:42No, but it's the same thing that Manuel and Curro asked me a while ago.
29:46It can be seen that everyone has the same curiosity.
29:48Yes.
29:50Yes.
29:51But I don't mind repeating it a thousand times.
29:53Actually, the passion came to me through a friend.
29:56Something older than me.
29:57She was a painter.
29:59Daughter of a well-known collector.
30:01Well, that's playing with advantages.
30:03And what's her friend's name?
30:04Ángela.
30:05And I have to say that she is the real expert.
30:08She taught me everything about pigments and materials to use.
30:12Anyway, everything I know.
30:14Well, how generous of her.
30:16She changed my life.
30:18I think I met her by chance through another friend.
30:22I have to admit that before I had never stopped to look at a painting carefully.
30:26Well, it's amazing how people around us can make us change our perception of things.
30:31Well, I think the experts here are Curro and Manuel.
30:40Excuse me, why?
30:43I'm convinced that your experience on the front has generated very strong friendships and unbreakable bonds.
30:50You know, we also talked about that this morning.
30:53But yes.
30:55They were very complex situations.
30:58And we depended on each other to survive.
31:03I can't think of a stronger bond than putting your own life in the hands of another.
31:10No, I guess not.
31:19Come in.
31:25Mrs. Duquesa.
31:27Don't tell me you weren't expecting me.
31:29Mrs. Cruz told me you were aware of my visit.
31:32That's right, Duquesa.
31:34Mrs. Marquesa is delighted to receive you.
31:38And not only today, but also the rest of the days that you are welcome.
31:43Well, I trust that this situation will not last forever.
31:47Well, I suppose you will be eager to complete the recipe as soon as possible.
31:51Yes.
31:52And above all, not to abuse the generosity of Mrs. Marquesa.
31:58Mrs. Marquesa is delighted to have you here, Duquesa.
32:02And as for me, I want you to know that you have me at your disposal.
32:07Thank you very much. Is there really something that I would like you to do for me?
32:11Whatever you order, ma'am.
32:13That I go look for Vera, the maid.
32:15I understand that she will be in charge of transcribing the recipes.
32:19Yes, that's right.
32:21Well, in that case, let me tell you that this office is also at your disposal.
32:26Here you will feel more at ease than in kitchens to carry out those tasks.
32:30They had already done this to me.
32:32And now go, go look for the girl I want to meet with her.
32:36How are we going to organize ourselves?
32:38Of course, ma'am.
32:40Immediately.
32:54I can't take that spoiled brat Catalina anymore.
32:56You have to take her out of here as soon as possible.
32:58Well, if it were up to me, I would do it and with pleasure.
33:00She has exceeded all my limits.
33:02Come on, she's even giving me urticaria.
33:05Doesn't that friend of Martina have an allergy to walnuts?
33:08Well, I have Catalina.
33:09You are a bit exaggerated, aren't you?
33:11I already told you no.
33:12So please, get her out of my sight.
33:14All I want is to regain your love and trust so that we can leave here.
33:18Well, you can hurry up now.
33:19And you think I don't try?
33:21I've even gone down to the kitchens to apologize.
33:23Wow, it seems that lately everyone wants to go down to the kitchens.
33:27Catalina has always felt a predilection for those cooks, especially Simona.
33:32Yeah, she likes to deal with this surreale.
33:35Don't be offended.
33:36No, no, I'm not offended.
33:38But I'm going to make one thing clear to you.
33:40Don't get confused.
33:42I'm no longer under your orders.
33:57Ma'am, I brought Vera here.
34:00Ma'am, how are you?
34:04Fine, ma'am.
34:08I suppose you will have many things to do, right?
34:11Yes, of course.
34:14I'll leave you alone then.
34:21How long is this going to last, mother?
34:23What else is she going to do?
34:24Whatever it takes to get you back, daughter.
34:27A mother never gives up.
34:29Well, I think you should loosen up a bit and let me live my life.
34:32Loosen up?
34:33Is this how you talk now?
34:34Like a market slacker?
34:35Enough, mother!
34:42Honey, you don't know how much I've suffered for you.
34:49I don't want to cause you any suffering, but I need you to know that I'm much better alone.
34:55How can you say that to me?
34:58Leave this horrible life you have and come back home with me.
35:02I don't want to do it.
35:04And no matter how much you tell me, I know that father would never forgive me.
35:08In fact, sometimes I think he's the one behind your insistence.
35:12No.
35:14I would never betray you.
35:16Because you know perfectly well everything that can happen to me.
35:21But I'll make him reconsider.
35:24I'll talk to him like I'm talking to you now.
35:28Adri, stop coming, please.
35:31With his presence, he will simply get father to find out where I am.
35:36I can't.
35:38I'm not going to rest until we become a family again.
35:51Mr. Count.
35:55I was just looking for you.
35:58Me? Why?
36:00I don't understand that you and Catalina are going to attend a party.
36:04That's right, tomorrow afternoon.
36:06Is it an important event?
36:08The request of an old friend.
36:10And does she know or is it a surprise?
36:13How was the representation of the magician for Catalina?
36:17Well, in any case, I'm very happy that you are going to recover part of your social life.
36:22Thank you very much.
36:23I think it is an advance that is seen in society after everything that has happened, right?
36:27Yes, of course it is.
36:29Well, I don't erase a new account, as they say.
36:32And precisely, Catalina likes accounts a lot.
36:35What are you saying, sister-in-law?
36:37Well, don't worry because the count is immune to sarcasm, right?
36:40Yes, one ends up getting used to receiving it so much.
36:43Yes, I see.
36:44For something in particular?
36:46Well, I think in the end time was right, don't you think?
36:50Yes, I think so, it seems so.
36:53Well, I'll leave you alone,
36:56I see that you were having a lot of fun before I came to bother with my sarcasm.
37:15Excuse me, Mrs. Arcos.
37:18Can I talk to you for a moment?
37:20What do you want, Teresa? It's too late.
37:23It will only be a moment.
37:26Yes, but I have already wasted a precious time
37:29putting your husband where he belongs.
37:32That's exactly what I wanted to talk to you about.
37:35Wow, I see that you haven't wasted much time going to cry and stay.
37:40I see that you haven't wasted much time going to cry and stay.
37:43And it is not for less given the level of rudeness that you have dedicated to him.
37:47I assure you that I have not told him anything that was not true.
37:50That damn thing of yours is a real incompetent.
37:55Look, Mrs. Arcos, I know that Marcelo makes mistakes,
37:58but that only happens because the promise has just arrived again.
38:01And I don't deny it, it's new.
38:05But you, for example, had no problem adapting when you got here.
38:10But when I got here, there was a keymaker who was kind
38:14and who made an effort for everyone to be comfortable in the palace.
38:17Wow, what luck.
38:21But it turns out that now the keymaker is me.
38:24He has no right to treat you like that.
38:27Marcelo is doing everything he can.
38:31Tell me something, Teresa.
38:33Why isn't he here defending himself?
38:36Because he is preparing the clothes of the Count of Añil for the hand request.
38:40Okay, I'll ask you another way.
38:44He is not a man who needs his wife to defend him.
38:47Enough already!
38:50Marcelo does not have to show his manliness to you or to anyone.
38:54As you can imagine, that is not something that interests me either.
38:58No, of course not.
39:00It is something that attracts him.
39:02Because I am the one who bothers her, but it is much easier to attack him,
39:05even if you have the problem with me.
39:09Is that clear?
39:11For God's sake, when are you going to stop crushing him like this?
39:16What happened to you, Teresa?
39:19You were so desperate to forget my son that you had to sleep with the first idiot who crossed your path.
39:25For God's sake, don't be vulgar.
39:27No, you are not vulgar.
39:30I'm going to try to replace my son with that ...
39:34With that fool.
39:35Enough! Stop insulting him.
39:38Be brave and tell me what you have to tell me.
39:41I can't stand seeing you here like this.
39:46You swore eternal love to my son on his deathbed.
39:49And you were as broken as me when Feliciano died.
39:54I thought your pain and your love, Teresa, were sincere.
39:57They were sincere, Mrs. Arcos.
39:59Of course they were sincere.
40:02A part of me broke when Feliciano died.
40:05In fact, a part of me died with him.
40:08Don't lie to me anymore, Teresa.
40:10I'm not lying to you.
40:12I'm telling you the truth.
40:14What do you know about my pain?
40:18But I have the right to redo my life.
40:20In fact, Feliciano asked me to do it.
40:24Do you have anything to object to that?
40:28Absolute.
40:31Being with that useless man is your best way to redo your life, Teresa.
40:40Go ahead.
40:43And take advantage of it.
40:57A month later.
41:03You saw how she got.
41:05The restoration of the mother's painting was like a confrontation for her.
41:08Well, it wasn't that bad either.
41:11As always, you defending your wife.
41:14It's not true.
41:16What happens is that maybe you provoked her a little.
41:19Remembering my mother with affection is not a confrontation against her.
41:22You're right. I understand you.
41:25But you also have to understand that for her it doesn't have to be easy.
41:28To have a painting of the former Marquise of Lujan on top of the fireplace.
41:31That painting was long before she arrived.
41:34Yes, but she could have asked me to remove it.
41:37And she didn't.
41:40On that occasion, I managed to convince her.
41:42We were just married and she didn't want to take the opposite from me.
41:46Well, it's probably because I was aware of her value.
41:49And if I don't end up burning the fireplace, that's why.
41:52Because I knew it was painted by a renowned artist.
41:55Anyway, the painting is there.
41:57No, the painting is in the hangar.
41:59We'll see if when it's restored, Cruz allows me to preside over the tea room again.
42:03Daughter, you're never going to give up, are you?
42:06You know I don't.
42:08And that's why I'm not going to give up a palm in the jam business.
42:11I want to recover what is mine.
42:17Regarding that, Catalina ...
42:19Regarding that, will she have a plan?
42:21No, we have to save the business from the captain's clutches.
42:24It won't be that easy.
42:26Why?
42:27I've talked to Lope, Pelayo and even the captain.
42:30And you know this can't go on like this.
42:33I've also talked to Cruz.
42:42I admit that Julio makes me nervous with so many questions.
42:45Well, I think he's a tremendously curious person.
42:48Yes, especially when it comes to war.
42:50Which is precisely what I'm trying to forget.
42:53I'm sorry, I just see her as a kind person.
42:58One thing doesn't take away the other, Hanna.
43:00Yes, Julia is charming.
43:02But it bothers me that all the time she's asking me about the front.
43:05And I understand you.
43:08On top of that, there's something in her questions,
43:12in the way she looks at me when she does them,
43:14that is disturbing to me.
43:16Yes.
43:18Well, I don't know.
43:19Maybe it's me who is more sensitive with the whole war thing.
43:23And it would be understandable.
43:25No, but there's something else, Hanna.
43:28It's as if Julia was thinking about something she doesn't say.
43:35We all hide things sometimes.
43:37No.
43:39It's as if Julia wanted to know something she doesn't dare to ask me.
43:44Let's see.
43:45Has she told you or done something that makes you think that?
43:50No, she hasn't.
43:52But it's a heart attack.
43:54Well, maybe you're right.
43:57Maybe you're more sensitive than usual.
44:00Yeah, because I'm the one with the problem, right?
44:03Everything points to it.
44:05Look, yes, it's true.
44:07Because I notice everyone is very strange, including you.
44:11Wow, me too.
44:13You're going to tell me that lately you haven't been behaving in a strange way with me, right?
44:17I just don't know what you're talking about.
44:19I'm telling you that yesterday you wanted to tell me something.
44:22And you didn't come looking for me to talk about it.
44:25We're talking now, right?
44:27Come on, Hanna.
44:28I almost had to force you to stay.
44:32I work and work, I'm absorbed.
44:34It's just that.
44:36And I don't doubt that, Hanna.
44:38But you used to have the same job.
44:41And that didn't stop you from seeing me.
44:44Corrado.
44:47What?
44:50Look, it's okay.
44:52It's me.
44:53I'm the only one who sees the problem.
44:54I wasn't going to tell you that.
44:55No, but you think so.
44:57You think your brother has gone crazy, right?
44:59No, I don't think so.
45:01I don't think so.
45:02At least not when it comes to me.
45:05What?
45:07Well, you're right.
45:09And I'm hiding something from you.
45:12So I understand that you find me strange.
45:15But it's for a good reason.
45:18What?
45:23I've talked to Manuel.
45:26And I've told him the whole truth.
45:32What truth have you told him?
45:36Our origins.
45:38Who we are, who our mother was.
45:43But then he knows that...
45:45Yes.
45:49Manuel knows that you and I are brothers.
46:01What do you mean?
46:03That I replaced Feliciana too soon?
46:06Because if that's what you think, it would be very good if you said it openly.
46:09That there are already many insinuations.
46:11And in this house we love to get into other people's lives.
46:14Tell them how they have to feel, what they have to think.
46:16But we don't realize what those people are feeling inside.
46:19Or how it affects our comments.
46:21You left the business.
46:23And now you want to get it back because you want to.
46:27But that would be giving in to the whims of a spoiled girl.
46:30Look, Catalina.
46:31I'm sure that if your father could, he would put the business in your hands.
46:34And not because you want to.
46:35But because it's the best thing for the business itself.
46:38It's just that it doesn't depend only on your father.
46:40If only we could get her out of there.
46:42We've been looking for her for a long time, sir.
46:44And we haven't found any place where she can be safe.
46:47We want to make that man crazy and neutralize him.
46:49Mrs. Martínez.
46:50I see you.
46:51Why don't you show the Duchess how the tripes are prepared?
46:55Holy Virgin.
46:56Before I would have to know what that is.
46:59A traditional recipe from Cayos, Mrs. Simona.
47:01We're done.
47:03I've heard the Duchess say it's the Duke's favorite dish.
47:07I wanted to ask you, when is Julia leaving?
47:10I didn't care if she stayed for a few days, but this is taking too long, isn't it?
47:13No, I didn't know she was uncomfortable with his presence.
47:16How he is so ... so kind, so nice and above all so discreet.
47:20Martín, I'm sure that and much more.
47:23But this is not a hotel, dear.
47:25Although it starts to look like it.
47:27What? It can't be.
47:28You know that Manuel and I want to get married in secret.
47:31And that means that no one can know where or when it will be.
47:36So you can't come either.
47:38I can't believe you don't want me to go to your wedding, huh?
47:41He says that some French soldiers will be able to return home after 11 months of absence.
47:47And it's a lot to ask him to stop talking about war.
47:50This is a painful matter.
47:51It's not a matter of social conversation or entertainment.
47:55And I'm tired of trivializing it every time your little friend talks about it.
47:59I want to know if something has changed between us.
48:01I know I've told you a very big secret.
48:04But I also know that ...
48:06that a marriage can't start with a secret like that.
48:10I'm very confused.
48:12And I think that, as things are, it would be an option to postpone our wedding for the moment.