DRАG RАСЕ ВЕLGIUМ S02Е06 (2024)
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01:00Top 5.
01:02I'm very happy to stay with you.
01:04I'm in the top 5, but at the same time, I didn't expect it.
01:08Who would have believed it?
01:10Let's go for the top 5.
01:12Nice to meet you!
01:14And now to the left.
01:19Alida, you forgot one of your songs.
01:22I forgot one of my songs.
01:24Go for it.
01:27My God, it's getting emptier and emptier.
01:29We survived the Snatch Game, we survived the Rollers.
01:32It was a bit like the week of death.
01:34The week of death.
01:35You challenge the Rollers.
01:37What a week.
01:38It's not over yet.
01:39In three weeks, we're in Finland.
01:55The star is gone.
01:58Nice to meet you!
02:01We're not going to lie.
02:02Weeks go by.
02:03The rhythm is intense.
02:06We're starting to feel it.
02:07More and more space.
02:09Your studio is getting emptier.
02:11And less and less clean.
02:15How many weeks of captivity do we have now?
02:17Six.
02:18Six already.
02:19Six hundredth.
02:20Six hundredth.
02:21Day 189.
02:23What do you think we'll have today?
02:26Not a Snatch Game, but I'm happy.
02:29This season, we're doing a second Snatch Game.
02:32Where we have to sew at the same time.
02:36Snatch is done.
02:37Dance is done.
02:38Sewing is done.
02:39This week, I hope we'll have an acting challenge.
02:42If you please, Rita.
02:43No more dancing.
02:44No more dancing.
02:45No more dancing.
02:46Musical or acting, I think.
02:48These are the only things we haven't done yet.
02:51I think acting.
02:53If it's acting,
02:54I know it's going to be a little difficult for me
02:57to memorize all the text
02:59and to do it on stage.
03:08I'm scared.
03:09In Drag Race Belgium,
03:10there are two things we don't joke about.
03:13The quality of the cosmetics.
03:15Hello, Nyx.
03:19And the products.
03:21And yes, you need a good laundry
03:23to wash your dirty laundry in the family.
03:26Wash the laundry, I'm fine.
03:27It doesn't bother me.
03:28Always at 30 degrees.
03:29Wash your dirty laundry in the family.
03:31It's the day of cleaning.
03:34Wash your dirty laundry in the family.
03:36No need to say more.
03:37We're going to settle our accounts.
03:39It smells like the Reading Challenge.
03:42How do you do that?
03:47I heard something crack.
03:51Rita, get ready, I'm ready.
03:57Hello, hello, hello!
04:00Come on, again, again!
04:02And always more!
04:05Rita?
04:06Yes, I'm talking to you.
04:08Hello to you!
04:09Hello!
04:11Miss, what would you say about a little culture?
04:15And if we left out the fireworks
04:17for a little spiritual food?
04:21To the French fries!
04:25Hello, hello, welcome.
04:29French fries again!
04:31It's always nice.
04:33You never get enough of this beautiful view.
04:37And yes, the library is open!
04:42This week's mini-challenge is the Reading Challenge,
04:45or the Vip Language.
04:47So, for this challenge,
04:48each of you is going to have to
04:50tease all your friends.
04:52And the one who's the funniest and the spiciest,
04:54in short, the Vip Language,
04:57will win the mini-challenge.
04:59The new vest,
05:00it's your turn.
05:01Girls, I'm the first to go.
05:03Get ready, the addition is going to be salty.
05:05So, Gabban,
05:08you've been the queen of comedy
05:10during this famous mini-challenge.
05:13Who would have thought?
05:14Well, I always knew
05:16that you knew how to make fun of yourself.
05:18Why are you dressed like that?
05:24Laver!
05:25I rarely use this adjective,
05:28but lugubrious, yes, lugubrious,
05:30it suits you well.
05:31And I know what I'm talking about when I say lugubrious.
05:33I saw Chloe Clark's tux up close.
05:39Chloe Clark,
05:41you're so boring
05:43that a ten-minute conversation with you
05:45makes you want to sink into Morpheus' arms.
05:47Not the depressed alien,
05:49the other one.
05:52I'm listening,
05:53but I don't understand anything.
05:55Thank you, the new vest, thank you.
05:58Lulu, get out of here.
05:59Leave that, she's a professional.
06:00You're too nice for that.
06:01We're going to try to do this.
06:02I can never do that.
06:03I'm not annoying, I'm not mean.
06:05We're going to try anyway.
06:06Oh, that's not what I was told.
06:07We're going to try, we're going to try.
06:08Gabban always says
06:09that she's the mean one this season.
06:11So we're going to see if she's going to clash with us.
06:14Maybe it'll be natural for you.
06:16I really have no idea.
06:18Lulu Velvet.
06:20A few days ago,
06:21that means yesterday,
06:22you told us that people told you
06:24that your make-up was a bit bitchy.
06:26But I think your make-up
06:28is not so good for the place where you work.
06:31What's it called?
06:32Oh yes, the North Station.
06:34Chloe Clark.
06:35I had a riddle for you in French,
06:37but in fact,
06:38you're going to win the time
06:39and you're not going to understand either.
06:41So Chloe, she takes the lead.
06:42It's okay, I don't understand.
06:45Hello, my little Chihuahua.
06:47You look like a model.
06:48You look like Linda Evangelista.
06:50With a bit of baldness since three days after.
06:52But like Linda Evangelista.
06:54Gabbana, shut up.
06:58Lulu Velvet.
07:00She sewed everything by hand.
07:02She's the queen of needles.
07:03There are as many in her clothes as in her face.
07:06I hear Rita May's alarm.
07:08Oh no, it's Gabbana singing.
07:16The first genocide in the history of Drag Race.
07:1825 pairs of tampons in 1 minute 30.
07:20What talent.
07:24Next.
07:25Gabbana.
07:26I want to die on stage.
07:30And I'm sure the judges agreed with you.
07:34Alvida.
07:35The biggest competition
07:38I'm not talking about your size.
07:41She's joking.
07:45Chloé Clark.
07:46Chloé Clark doesn't understand anything.
07:48Chloé Clark is so stupid
07:49that I saw her throwing bread in the toilet
07:50to feed the duck.
07:53I don't understand.
07:54Blah, blah, blah.
07:55I don't understand anything.
07:56I don't care.
07:58Gabbana.
07:59We all understood here
08:00that Gabbana's favorite phrase was shut up
08:02and you should have said it
08:03at the end of your talent show.
08:05Rita, do you know the difference
08:06between an epilepsy crisis
08:07and the dancing widow?
08:08No, not yet.
08:09In an epilepsy crisis,
08:10at least there's rhythm.
08:14What a bitch.
08:16There you go.
08:17Bravo.
08:18Bravo to all of you.
08:20Well, well, well.
08:21We don't walk these words here.
08:24There is no doubt
08:25that our queen of VIP languages
08:30is you, the widow.
08:33Bravo.
08:34What?
08:35Me?
08:36I won?
08:37Oh!
08:38I didn't expect that.
08:39Bravo, the widow.
08:40This victory is well-deserved.
08:43You win the mini-challenge
08:44and a considerable advantage
08:45for the rest of the adventure.
08:48We have already seen
08:49that you were
08:50true queens of improv.
08:52Now,
08:53we want to discover
08:54the Tragediennes
08:56that sleep in you.
08:58Does a Tragedienne sleep in me?
09:00I don't know, Rita.
09:02For this week's maxi-challenge,
09:03you will play
09:04in the Crime of the Drag Express,
09:07a freely inspired parody
09:09of Agatha Christie's work
09:11where we find
09:12the most beautiful detective game,
09:13Hercule Poirot.
09:15I love Agatha Christie.
09:16I love this universe.
09:17I'm so, so eager to start.
09:19The widow,
09:20as you won the mini-challenge,
09:22you will assign the roles
09:23to each queen.
09:25So,
09:26are you ready to rock the screen?
09:27Yes.
09:28Are you ready to rock the screen?
09:29Yes!
09:31Action!
09:33Action!
09:34Action!
09:36Bravo, the widow!
09:40Well,
09:41let's discover these characters.
09:42We have the Countess,
09:45Henrietta,
09:46the Manager,
09:47Hercule,
09:48and the Duchess.
09:51Thanks to the mini-challenge,
09:52it's up to me
09:53to assign the roles.
09:57And it's a bit like a poisoned gift.
09:59No one blinks,
10:00she approaches the two women
10:01at the end of the screen
10:02and looks at them.
10:04Hercule Poirot.
10:05It was ruined,
10:06but to buy it,
10:07it was the only way.
10:11It's really hard.
10:12The French,
10:13it's not for me.
10:14It means that my character
10:15must be very strong
10:16and...
10:18Well,
10:19the Countess,
10:20Hercule,
10:21are clearly the two characters
10:22with the most texts.
10:23The Manager,
10:24Henrietta,
10:25are the ones with the least texts.
10:27The scenario
10:28is very well written,
10:29it's funny,
10:30it's going to be great.
10:31I think there's a way
10:32to have fun on this challenge.
10:33Well, girls,
10:34I think it's time
10:35to see the casting manager.
10:36Yes!
10:37Courage!
10:38I'm alone in my corner
10:39and it's not easy
10:40to make a decision.
10:42On one hand,
10:43there's the strategy of the game
10:44that could make me want
10:45to destabilize my opponents,
10:46and on the other hand,
10:47there's the desire
10:48to make a good movie.
10:50I read everything.
10:51I understood everything.
10:52You understood everything?
10:53I understood everything.
10:54Me too, I understood everything.
10:55I tried to get an idea
10:56of who would be good in what.
10:58So, you,
10:59what do you think?
11:00So,
11:01I like the countess a lot.
11:03And I like the duchess a lot.
11:05OK.
11:06These are my two choices.
11:08Laveuve, remember
11:09that we are friends for life
11:10and that I love you very, very much.
11:11Kisses.
11:13Laveuve!
11:14Chloe!
11:16How are you?
11:17I'm fine, and you?
11:19I think the roles
11:20with the longest texts
11:21are going to be a little difficult
11:22for me.
11:25But that doesn't mean
11:26that I want, for example,
11:28La Responsable.
11:29For me, it's a little...
11:30It's too small.
11:31Yeah.
11:32If there's something like
11:33La Duchesse, for example,
11:37or Henrietta,
11:40I think for me...
11:41Yeah, it's a little more
11:42medium roles.
11:43That's what I think.
11:44OK.
11:48Chloe only asks me
11:49for roles with a lot of texts.
11:51I don't know if it's
11:52the best choice for her.
11:53How do you feel?
11:55Good.
11:56I've been doing
11:57very dramatic plays
11:58for eight years.
11:59Ah, OK, cool.
12:00My things are actually
12:01in Spanish.
12:02Yeah, of course.
12:03It's a bit of an advantage, but...
12:04Yeah, in terms of memory
12:05and acting.
12:06In Spanish, yes.
12:08Have you seen anything
12:09you're interested in?
12:10Yeah, the Countess, especially.
12:11OK, everyone wants
12:12to play the Countess.
12:13That's good.
12:14Anything else?
12:15La Duchesse too,
12:16because the characters
12:17are more or less the same.
12:18Yes, everyone wants
12:19to play the Duchess too.
12:20That's great.
12:21Well, good luck then.
12:23Yeah.
12:24OK.
12:25How do you feel
12:26when you read the text?
12:27I can imagine you
12:28feeling responsible.
12:29There aren't
12:30too many texts.
12:31It's the character
12:32I hate the most.
12:34Yes, but I think
12:35you have a bit of a bossy side.
12:37I can imagine you
12:38feeling like a train boss.
12:40Oh, please!
12:41The Countess!
12:42Not the responsible one!
12:44Is it true
12:45that we have to sleep
12:46to have a role with you?
12:47Couch promotion.
12:48How do you feel?
12:49Actually, I'm pretty excited
12:50about this challenge.
12:51It's cool, right?
12:52Totally in my vibe.
12:54I like all the roles,
12:56except for Herculea.
12:59OK.
13:00No one except for Herculea.
13:02I like the Duchess.
13:04Everyone likes the Duchess
13:05and everyone likes the Countess.
13:06I know, I thought I understood.
13:07There are only two of them
13:08and you're four.
13:09I don't know.
13:10If I had to choose
13:11a character,
13:12I'd say the Duchess
13:13or Henrietta,
13:14or the responsible one.
13:15OK.
13:17I tried to take
13:18everyone's advice into account.
13:19It's not easy.
13:20I'm a bit tense.
13:21But it'll be fine.
13:24Oh, ladies!
13:25I've made my decision.
13:27Oh, well said.
13:29Here she is.
13:30The verdict is out.
13:32The Director is here to talk to me.
13:34What a presence.
13:35OK.
13:36So, tell us.
13:37Let's start with Alvilda.
13:38Yes.
13:39Alvilda will be the Countess.
13:43That's the role I want.
13:44Thank you, the Duchess.
13:46Chloé, you'll be Henrietta.
13:48OK.
13:50Gabadda,
13:52you'll play the Countess
13:53because you'll be the Duchess.
13:54That's good too.
13:55Gabadda has the role of the Duchess.
13:57She was more convincing
13:59than I was with the widow.
14:00Good for her.
14:01I'll be the responsible one.
14:02Loulou,
14:03you'll be the responsible one
14:04and I trust you
14:05to live it
14:06from my point of view.
14:07I have the least text
14:08I need to give.
14:09A big tragedy.
14:12I'm disgusted.
14:14Which means
14:15that the character
14:16no one wants
14:17and is in every scene
14:18is you.
14:19It's me.
14:20So I'll be
14:21Herculea Poirot.
14:23Apparently,
14:24in the end,
14:25they're all happy.
14:26Let's go.
14:27Let's go.
14:28Time to learn.
14:30Hello.
14:31Hello, Rita.
14:32Hello, my tragedies.
14:35Sit down,
14:36sit down comfortably.
14:38Tell me,
14:39this Drag Express is beautiful.
14:40Hashtag budget.
14:41I've never worn
14:42a retro look.
14:43I've never worn
14:44a vintage look
14:45but in the end,
14:46it's fine.
14:47I think it's beautiful.
14:48The Duchess,
14:49of course,
14:50you have in front of you
14:51the entire casting
14:52of the crime
14:53of the Drag Express.
14:54Starting with
14:55the Countess,
14:57Alvilde.
14:58Accompanied by her aide,
15:00Henrietta.
15:02In front,
15:03we have
15:04the Duchess.
15:05So,
15:06the Duchess of Havana
15:07is a bit bipolar.
15:08She's a bit
15:09crazy crazy.
15:11Behind her is
15:12the person in charge
15:13of the Drag Express
15:14as well as myself.
15:15I'm on vacation.
15:17Herculea Poirot.
15:19Ah yes.
15:20The look of the Duchess
15:21is perfect for Herculea Poirot.
15:22The little hat,
15:23the moustache,
15:24the Duchess,
15:25it's 100%.
15:26So,
15:27we're going to assess
15:28your ability
15:29to embody a character,
15:30to appropriate it,
15:31to make it unique.
15:32Also,
15:33your eloquence
15:34as well as
15:35your sense of listening.
15:37And the last thing
15:38was to memorize
15:39the text.
15:42And now I know
15:43that I'm going
15:44to lose points.
15:45I'll stop you
15:46if it doesn't work
15:47and have fun.
15:48And above all,
15:49make us laugh!
15:51Action!
15:53Help!
15:54Help!
15:55Cleo has been massacred!
15:57Calm down, Madam.
16:00Let's go again.
16:01Let's go again.
16:02Come on.
16:03So, Chloé,
16:04you fail
16:05from the first sentence.
16:06I told you
16:07that you shouldn't
16:08take a role
16:09with a lot of text,
16:10but we didn't listen to me.
16:11Cleo!
16:12It's the Duchess,
16:13the worst enemy
16:14of the Countess.
16:15Mount.
16:16My God.
16:17The Countess.
16:18Let's go again.
16:19My God.
16:20What's wrong with her?
16:24I don't know.
16:25I always forget.
16:26It's the Duchess.
16:27The Duchess.
16:28Chloé,
16:29are the socks
16:30of the Duchess
16:31dry?
16:32The Duchess?
16:33No, sorry.
16:34The socks?
16:35The Duchess?
16:36It's the Duchess,
16:37the worst enemy
16:38of the...
16:39of the...
16:40Shit!
16:42Chloé?
16:44Can someone here
16:45help us
16:46to solve this crime?
16:48I'm on vacation.
16:49You don't seem to understand.
16:50It's not a murder,
16:51but a massacre.
16:53A wig!
16:55How can we be in the dark?
16:56We're in a car
16:57and we have to go outside.
16:58Let's do that again.
16:59How can we
17:00be in the dark?
17:01How can we be in the dark?
17:02How can we be in the dark?
17:03Ah, okay.
17:04It's a question.
17:05Okay.
17:06There.
17:07But who is this lady?
17:08Show me your face!
17:10Stop!
17:11So, the responsible
17:12could be a little more nuanced
17:13because she's already crazy.
17:14For example,
17:15you could be more authoritarian.
17:16Oh my God!
17:17Show me your face!
17:18There.
17:19Let's do that again.
17:20Rita gives me advice
17:21for the character.
17:22I've never done theatre
17:23so I take,
17:24I accept
17:25and I apply.
17:26But who is this lady?
17:27Show me your face!
17:30Let's continue.
17:31So,
17:32it's now the turn
17:33of Henrietta's interrogation.
17:34Yes.
17:35So you're more...
17:36more shy,
17:37more embarrassed.
17:38Yes.
17:39Are you ready?
17:40Yes.
17:41Action!
17:42The Countess was absent
17:43during the meal.
17:46Yes.
17:47No.
17:48No?
17:49The answer is no.
17:50Oh.
17:51Oh yes, sorry.
17:52You left your car
17:53from 11.30 to 1.00
17:55to restore yourself.
17:56No.
17:57That's correct.
17:59Oh sorry, that's correct.
18:00What do you inspire this wig?
18:02Nothing.
18:03You should take care of it.
18:05She, she takes care...
18:06No, sorry.
18:10Chloé, by losing all your text,
18:12you end up destabilizing everyone.
18:13Take three thousand.
18:14No.
18:15She is too precious to her eyes.
18:17Everything that...
18:18I am not.
18:20And...
18:23Sorry.
18:24Chloé, when it's not the text,
18:25it's the game that's hard to follow.
18:26When it's not the game,
18:27it's the text that doesn't come.
18:28So,
18:29it's really complicated.
18:30Scene three.
18:31Take eight thousand,
18:32seven hundred and fifty-eight.
18:35I just have the right
18:36to take it out of my hand
18:38in the morning.
18:39Oh God.
18:40And shit.
18:41I just have the right
18:42to take it out of my hand
18:44in the morning
18:45and put it away in the evening.
18:47Cut!
18:49And that's it.
18:50Oh my God.
18:53Let's move on.
18:54How are you, my girl?
18:55How are you?
18:56I'm fine.
18:57I have a sore throat.
18:58That's why I didn't put on a corset.
18:59So,
19:00it's now the Duchess's interrogation.
19:01Action.
19:02Look,
19:03I'm here,
19:04chilling,
19:05licking my recipe.
19:06And now for her.
19:07When it's done,
19:08I will prove to you
19:09that I am
19:10under the stage
19:11of my sacred
19:12power.
19:13Cut!
19:14I find myself
19:15suspicious
19:16and not sucked.
19:17That's a very difficult word.
19:19How do you say it?
19:20Sus?
19:21Suspicious.
19:22Okay, fine.
19:23Let's do it again.
19:24I'm here, chilling,
19:25licking my recipe.
19:26And now for her.
19:27When it's done,
19:28I will prove to you
19:29that I am
19:30suspicious.
19:32Cabana,
19:33repeat after me.
19:34Suspicious.
19:35Soup?
19:38I don't remember.
19:39Damn,
19:40this is so hard!
19:41Suspicious.
19:43Wow.
19:44Soup?
19:45Sound.
19:46Soup?
19:47Sound.
19:48Soup?
19:49Sound?
19:50Soup?
19:51Sound?
19:52Soup?
19:53Sound?
19:54Soup?
19:55Sound?
19:56Soup?
19:57Sound?
19:58Soup?
19:59Sound?
20:00I'm mistaken!
20:01Suspicious!
20:02Ah, shit!
20:03Cabana!
20:04Ah!
20:05Oh, my.
20:06When it's done,
20:07I find myself
20:08suspicious.
20:09I'm here, chilling,
20:10licking my recipe.
20:11And now for her.
20:12When it's done,
20:13I will prove to you
20:14that I am
20:15suspicious.
20:16Cabana,
20:17repeat after me.
20:18When it's done,
20:19I find myself
20:20suspicious.
20:21Ah, shit!
20:22Soup?
20:23Sound?
20:24Sound?
20:25Sound?
20:26Sound?
20:27Sound?
20:28Sound?
20:29Sound?
20:30Sound?
20:31Sound?
20:32Sound?
20:33Sound?
20:34Sound?
20:35Sound?
20:36Sound?
20:37We didn't clean up.
20:39Oh my God.
20:41I can't take it anymore.
20:43That's it, today is the day of elimination.
20:45We're tired, we're exhausted, but we keep going.
20:49Oh, we're starting to see the effects of this show on our faces.
20:53Well, we're exhausted, but we're a little happy, aren't we?
20:56Yes, of course!
20:58Well, actually, I'm happy with what we did yesterday.
21:00It was great, it was cool.
21:01That's true.
21:02We had a lot of fun, I think, on this challenge.
21:04I can't wait to see the result.
21:06Same.
21:07Me too.
21:08Yes, me too.
21:09What do we do with this face?
21:11Let's hide it, Cabana.
21:13We have to, we have to.
21:14That's all we have left.
21:15Yes.
21:16Do you miss the others?
21:18Yes.
21:22Well, are we ready to renew ourselves?
21:24Yes.
21:25What are you going to do when you get out of here for the first time?
21:28Work.
21:30Be blinded by the light of day.
21:33Collapse.
21:34What do you miss the most about the outside world?
21:38What do I miss the most?
21:41My friends.
21:43My phone.
21:45My cat.
21:46A little bit of sex.
21:47What we're missing here are the others.
21:50That's what I thought, Chloé Clark.
21:52I'm not really interested in it.
21:54I'm not really into it.
21:55I'm not in the mood to meet people.
21:58I've never had that side of me.
22:00So, I can stay a year without a sexual relationship.
22:05It wouldn't be a problem.
22:06My God.
22:07Loulou says she can stay a year without a sexual relationship.
22:10Personally, I have a little less patience.
22:13Not possible.
22:14I think we very quickly tend to fall into an overconsumption in our community.
22:19Something that pushes us to always be stronger, more partners.
22:24However, I think we're not really prepared for that,
22:27especially in the LGBTQIA community.
22:29Personally, where I learned my sexuality,
22:35where I really started to discover it,
22:37it's precisely with these dating apps.
22:38And it's thanks to these ass shots that I learned to know what I liked,
22:44what I didn't like, what my limits were.
22:49And I'm not ashamed of that, of the ass shots,
22:54because that's what shaped me.
22:57That's where I learned to protect myself, to protect others.
23:03And it's really in all these experiences that I developed in sexuality,
23:07because I'm the only homosexual in my family.
23:10I have no one to talk about it in my family,
23:13because no one is concerned, no one knows.
23:16And it's really with these people that I met,
23:20that I spoke and asked questions.
23:22At first, I must have looked stupid, because I was asking questions.
23:25And it's especially in gay sex, even more.
23:28Because even at school, you're taught the basics,
23:31the banana and the condom,
23:33where the teacher is even more embarrassed than us.
23:35But nothing more.
23:37And then, yes, when you don't know,
23:39you're just taught the way of working for Adam and Eve.
23:42I take the prep every day.
23:45The prep is hidden that we will take before sexual intercourse.
23:49The prep will just prevent you from developing HIV before the exposition.
23:52No one around me at work knew,
23:55and every time I had to tell them,
23:57you too can take it, it's a way to protect you.
24:00I think we don't know enough,
24:02and I discovered the prep late.
24:04The prep is really for everyone,
24:06whether we are gay, straight, bi.
24:08So find out and take the prep.
24:10What is also necessary is not to be afraid to talk about it,
24:12to be tested, to be able to detect things in time,
24:15and avoid transmitting even more to other people.
24:19In any case, the only thing you shouldn't have about sex is shame.
24:23I think we have to accept our desires, our desires,
24:26that it's OK, and that you have to have fun too.
24:29Yes, exactly.
24:31Have fun respecting each other and respecting others.
24:34So, let's get out of here.
24:36Yes, let's have fun.
24:38Just have fun, girl.
24:43Welcome to the Drag Race Belgium!
24:45Yes! Yes! Yes!
24:47Thank you, thank you.
24:49This week, we're going to try to find out
24:51the mystery of the crime of the Drag Express.
24:54And for that, I can count on the one who can't escape,
24:57Lio. Good evening.
24:59Good evening.
25:01I'm going to look everywhere,
25:03and I'll find the killer.
25:05But tell me, who has Hercule Poirot in you?
25:08Mustaches, I think, as a Portuguese.
25:11So, thank you for being with us.
25:13Thank you very much.
25:14Fortunately for him,
25:15dying on screen is not a crime.
25:17Without that, he would have been arrested a long time ago.
25:20Musty, good evening.
25:21Good evening, Rita.
25:22Tell me, what do you think would be the perfect crime?
25:26Usually, I use sulfuric acid,
25:28but when I don't have any anymore,
25:29a nice screwdriver or a screwdriver.
25:31Thank you for the advice.
25:32Next to you, an inspired and inspiring woman,
25:35Coralie Barbier, the artistic director of the creative label Mozart,
25:39makes us happy to be with us.
25:41Good evening, Coralie.
25:42Good evening.
25:44So, tell me,
25:45does the drag world feed your imagination and your creations?
25:48I think the drag world is a world that covers all creative professions,
25:52and it's quite rare.
25:53So, make-up, styling,
25:55hair, dance, performance, artistic direction,
25:58and it's something we love to do.
26:00Find a coherence in the middle of it all.
26:01And so, yes, I'm very, very happy to be here.
26:04Thank you for the invitation.
26:05Before we dive into the crime of the Drag Express,
26:08it's time for the show.
26:10Tonight, our queens will pay tribute to another Belgian icon,
26:13Adolphe Sax, the inventor of the sexiest instrument in the world,
26:17the saxophone.
26:19The category is Sexy Outfits.
26:22So, heat up your engines,
26:24and may the best drag queen win!
26:27Yes!
26:38The category is Sexy Outfits.
26:43Loulou Velvet.
26:46Oh.
26:48Oh, the saxophone is out of tune, tell me.
26:51For this show, I'm wearing an outfit inspired by Dorothy Valens,
26:55the main character of the film by David Lynch, Blue Velvet.
26:58A blue velvet dress,
27:00an 80s make-up,
27:02black hair,
27:03a leopard saxophone.
27:05Aha!
27:06The saxophone is out of tune!
27:07Ha, ha, ha, ha!
27:08Is that really it?
27:09Hmm.
27:11I walk in a sensual and sexual way.
27:14The jury is completely enraptured.
27:16I'm chic,
27:17I'm shocking,
27:18and I'm sublime.
27:19Let's see a little tail wag.
27:20Ah, there he is, hop!
27:21A little tail wag, like Coralie.
27:23Come on, let's wag the tail!
27:25Ha, ha, ha, ha!
27:30Oh, Gabana!
27:33Oh, hey!
27:35So, my runway is inspired by Moschino,
27:38Jean Partition, a roulette around me,
27:40and a big saxophone that does the cap,
27:42two and a half meters behind me.
27:44It's the way it floats on the floor, I love it.
27:46Yes, that's what's incredible.
27:47Is it on roulette?
27:48Yes.
27:49Was the patent last week?
27:50Hmm.
27:51I'm looking for a fake note.
27:52Ha, ha, ha, ha!
27:53I come to this runway with a formidable wig,
27:56with a very, very, very striped floor key.
27:59Very striped.
28:00And the colors are all gold, black, white.
28:03That's my color.
28:04Oh!
28:05Oh, oh, oh, oh!
28:06Ha, ha, ha, ha, ha!
28:07When I challenge, I try to be very funny,
28:10to make jokes with the jury,
28:11to have an attitude that I've never shown.
28:14Me be mine!
28:15Ha!
28:17Au revoir!
28:18Bye, bye!
28:19Alvilda!
28:22Oh, hey!
28:23Oh, my God!
28:24And every time, the shoes!
28:26It's beautiful.
28:27For my runway, I was inspired by Jean-Paul Gaultier.
28:29I deconstructed the saxophone.
28:31I had fun putting the shapes of the saxophone all over.
28:34I have like an armor on me.
28:36I represent myself, the beak.
28:38And behind me, there is the shape of the saxophone,
28:40which could also be my spine.
28:42The way the saxophone moves behind,
28:44the way it bounces,
28:45everything is really, yeah, you know, yeah.
28:46I am a creature who walks on this runway,
28:49in music.
28:50I love this destructuring of the saxophone,
28:53what, on it.
28:55Every time she takes out her saxophone,
28:57I can't take it anymore.
28:59I love the detail,
29:00all the way to the end of the nails.
29:03Superb, Alvilda!
29:04She is still breathtaking.
29:08The widow!
29:12Metronome!
29:13This way!
29:14I wear an oversized tailcoat,
29:16so oversized that it turns into a skirt.
29:19On the head, I have a turban,
29:21and around the waist,
29:22a structure composed of trumpets,
29:24horns, pieces of various and varied instruments,
29:26and in the center, of course,
29:28the famous saxophone.
29:30This is not your first bite!
29:32No, I don't think so.
29:34We have a lot of experience.
29:36I was inspired by the clothes for men
29:38of the Victorian era,
29:39which I twisted to make them more modern.
29:41The little button of the bustier below.
29:43It's really beautiful.
29:45Put this wand away!
29:47Where it should be!
29:50Chloé Clark!
29:53Oh la la!
29:56I wear an oversized outfit,
29:58which gives the illusion that I am naked,
30:00with above notes of music,
30:02and integrated in it,
30:03there is a large saxophone
30:05that goes down to the bottom of my leg.
30:07What a hairstyle too!
30:08Yes, that's sexy!
30:10Oh, it's so sexy!
30:12I wear a wig that I like a lot,
30:14and it's the same color as my outfit.
30:17I was inspired by Moschino,
30:19but a little more classic.
30:21It's the outfit where I think
30:22that the saxophone is the best integrated.
30:24She has a nice leg.
30:25What an ass!
30:26What an ass!
30:27What an ass!
30:28Body to body with you.
30:32Bravo!
30:33Bravo!
30:34Bravo!
30:35Bravo!
30:36Again!
30:39What a beautiful show!
30:40Congratulations, my queens!
30:41Bravo!
30:42Bravo!
30:43Now, the time has come
30:45to see the result of the Maxi Challenge.
30:48Ready?
30:49Yes!
30:50What?
30:51Ready!
30:52Let's go!
31:01Help!
31:02Help!
31:03Cleo has been massacred!
31:04Calm down, Madam Countess!
31:06I beg you!
31:07Calm down?
31:08In front of this criminal?
31:12But what's going on here?
31:14Madam, a criminal has been committed in your train!
31:17We must find the culprit!
31:18Oh my God!
31:19Let me see what I can do!
31:22We have to find someone!
31:23Could someone here help us solve this crime?
31:27But why no one answers me?
31:29Could someone here help us solve this crime?
31:32I'm on vacation!
31:34Solving a murder does not interest me.
31:37You don't seem to understand.
31:38It's not a murder,
31:39but a massacre.
31:40A wig!
31:42Your master is in the dark.
31:43We are in a wagon.
31:44It's a golden day.
31:46A wig?
31:48I can't let such a hideous crime remain unpunished!
31:54Herculea Poirotte,
31:56at your service.
31:58Poirotte?
31:59Poirotte!
32:00I'm not sure it's better.
32:03Who is this lady?
32:04Show me your face!
32:08She's so ugly!
32:10And on top of that,
32:11she's the Duchess,
32:12the worst enemy of the Countess!
32:15Aha!
32:16Now that's interesting!
32:18I'm going to interrogate everyone here!
32:22You,
32:23including you!
32:24Me?
32:25You!
32:26You!
32:27Me?
32:28Yes, you!
32:29You!
32:30You!
32:31It's you!
32:32It's you!
32:33You!
32:41The wig was on its support in my wagon.
32:43It's too precious to be crushed in a simple suitcase.
32:47You see,
32:48it was made with Cleopatra's hair.
32:50Cleopatra's hair?
32:52You probably don't know me,
32:53since Asterix and Cleopatra haven't been published yet.
32:56I can see who you're talking about.
32:58But her grave hasn't been added yet!
33:00You're naive!
33:02Very well.
33:03Let's start from the principle
33:05that you're telling the truth.
33:06How did she acquire you?
33:10I bought it from my friend Sarah Bernardo.
33:13The starlet of the musical Mûsée
33:15tragically disappeared six years ago.
33:17When did you see Cleo in her normal state for the last time?
33:22Around 11.30.
33:24When Henrietta and I were heading to the restaurant wagon.
33:28And on our way back, she was...
33:31She was...
33:34Ah!
33:37At what time?
33:38At what time did you find her like this?
33:42Around 1.30.
33:43Very well, thank you.
33:46You're welcome.
33:48Let's shake hands.
33:49Of course.
33:56You confirm the Countess' words.
33:59You left your wagon from 11.30 to 1.00 to restore yourself.
34:03That's right.
34:04Was the Countess absent during the meal?
34:07No.
34:08How long have you been working for her?
34:11About six years.
34:13What inspired you to make this wig?
34:15Nothing.
34:16You had to take care of it.
34:18No.
34:19It's too precious to her eyes.
34:20Everything I'm not,
34:22I just have the right to take it out of my hand in the morning
34:25and put it away in the evening.
34:28The wig, not the Countess.
34:30Of course.
34:33You can have it.
34:35Just one last question.
34:37And you, were you absent?
34:39Sorry?
34:40Me?
34:41During the meal.
34:42I was just absent to go to the toilet.
34:44Very well.
34:55Madame Poirot,
34:56I don't understand why you want to question me as well.
34:59I can't ignore any clue.
35:03So I'm a potential culprit in your eyes?
35:07Why would I have committed this crime?
35:09Yes.
35:10Why?
35:12Stop it.
35:13You're not my clue.
35:14Where were you between 11.30 and 1.00?
35:18I was taking care of the passengers in the caravan.
35:21It's true that I went to the kitchen a few times.
35:23Can anyone confirm that you were in the kitchen?
35:27Well, no.
35:28No?
35:29No.
35:30Nobody wanted the role of the cook.
35:34Well, you can have my attention.
35:38You have ink on your hand.
35:41It's the stamp of my cook who ran away.
35:45I beat him alone.
35:53What are you doing in this train?
35:55What? It's illegal.
35:57Is it a coincidence?
35:59Yes, it's true that yes.
36:00Normally, I have to take the previous train,
36:02but it was canceled.
36:04Why?
36:05Do people pretend that you are the worst enemy of the countess?
36:09Me?
36:10The worst enemy?
36:11Because she is the worst enemy of the countess.
36:14Look, I was so calm reading my essay.
36:17For her.
36:18For her fault.
36:19I found myself alone.
36:22I massacred a poor man.
36:24A poor man.
36:26It was not a poor wig.
36:30Oh my God.
36:31And why this story of being the master?
36:33They are impatient for the legible.
36:35I find them so, so vulgar.
36:38And on the other hand, there is no one who believes in this story.
36:40Just her.
36:41But her passion for Egypt will lose her.
36:44Well, we're done.
36:47But don't go too far.
36:49Where do you want me to go?
36:52Oh.
37:22How dare you?
37:23It was a simple subterfuge of Sarah Bernardo,
37:27who was in nothing.
37:29Your friend.
37:30I paid this wig a fortune.
37:32False.
37:33The one who paid dearly is Sarah Bernardo,
37:37because you stole her.
37:39But it's false.
37:40It's true.
37:42How dare you, Henrietta?
37:44She dares because she knows.
37:46Isn't it, Henrietta Bernardo?
37:51Well, maybe we shouldn't do this every time.
37:53What's the point of fighting?
37:54This wig was made in Brussels.
37:56But if it wasn't made of Cleopatra's hair,
37:59it was of good quality.
38:01And Sarah, my sister, was too proud of it.
38:04Shut up, ship. Stop.
38:05You laughed so much at her and her mute cabaret,
38:08she decided to take revenge by inventing this story of Cleopatra's hair.
38:12How did you know?
38:14Your brush left protective plastic balls in the wig.
38:19I also noticed that the wig had been rubbed
38:23by the ink of your tampon.
38:25Madame, the responsible.
38:27Because Sarah was your best friend, wasn't she?
38:31You deserve your reputation, Madame Poirot.
38:36Well, yes, I participated in this crime.
38:39Sarah was my best friend.
38:41And that bitch killed me.
38:44I didn't do it for nothing. She killed herself.
38:46No, she killed herself because of you.
38:49You stole her wig.
38:51Without her, Sarah couldn't honor her contracts anymore.
38:55She ended up depressed to the point of committing suicide.
39:00I still have a non-elucidated mystery.
39:05Madame the Duchess.
39:08I felt your lake on the wig.
39:13Which tells me that you are involved in this massacre.
39:17But I didn't manage to link you to Sarah Bernardo.
39:19Because I didn't want to.
39:21I participated in this masquerade just to enjoy it.
39:23Because I didn't want to miss this opportunity
39:26to ruin the voyage of the Countess.
39:30Another case solved with serenity.
39:34I think it's time to move on.
39:44Congratulations!
39:47It was very successful.
39:51Let's move on to the jury's comments.
39:53We start with Loulou Velvet.
39:56Good evening, Loulou.
39:57Good evening.
39:58For the Renoué, I find that you pay tribute to yourself.
40:01And at the same time, a tribute to one of my favorite movies,
40:03called Blue Velvet.
40:04So I'm already very seduced.
40:06It can only work for me.
40:07I found it very classy, as usual.
40:09I was a little more perplexed about the acting challenge.
40:11I had the impression that you didn't know very well what you were playing.
40:13A little on the side.
40:14A little too cerebral, in my opinion.
40:16Léo?
40:17Really, it was a crazy elegance.
40:19Your show.
40:20It was just subtle, precise.
40:23And it was beautiful.
40:25For the maxi challenge,
40:27it's as if you were half-tinted.
40:29You were just below what you could give of the best.
40:33Okay.
40:34Coralie?
40:35Me, for your Renoué,
40:36I admit that I have a little heart attack for the dubbing.
40:38In Leopard, I think it's subtle.
40:40It was a good idea.
40:41I love the hairstyle.
40:42I love the makeup.
40:43For the maxi challenge,
40:44there were little moments of overplay.
40:46But I had the impression that you were having fun.
40:48Okay.
40:50And now, Gabana.
40:51Good evening.
40:52Good evening.
40:53How are you?
40:54I'm fine.
40:55Do you suspect that I'm not?
40:58Yes.
40:59Coralie?
41:00What did you think of Gabana?
41:01I loved your entrance,
41:02because we had the impression that you were floating.
41:04Or even that you were sliding on the floor.
41:06We had the impression that you had wheels under your dress.
41:08I found that really super elegant.
41:09And then, for the maxi challenge,
41:11well, bravo.
41:12Frankly, I found it very fun.
41:14I think we laughed a lot during the maxi challenge.
41:17So, we discover another side of you,
41:19and I appreciate it.
41:20Bravo.
41:22Now, for your look,
41:23there are elements that I like.
41:24The hairstyle, in particular.
41:25I love this hairstyle with the key sole.
41:29On the other hand,
41:30the fact that you have an illusion of nudity,
41:32it's dangerous sometimes,
41:34because you can see the bottom very well.
41:35So, I can see the corsage.
41:37And also, in terms of proportions,
41:39I think it could have been more adjusted,
41:41and it would have been flatter.
41:43Alvinda!
41:44Alvinda, I really, really liked
41:46the way you unstructured the saxophone.
41:49I think it was modern.
41:51The idea, too, of making the choice
41:52not to wear a wig,
41:53to have these hoods,
41:54well, I think it's very modern.
41:55I really like your makeup, too.
41:56I think it's very well done,
41:58that it works really well with the look.
42:00I think this idea of a saxophone
42:03like a dinosaur spine
42:05that surrounds you
42:06and is perfectly in the shape of the saxophone,
42:10I'm amazed.
42:12And for your acting,
42:13well, you're good, Alvinda.
42:16But for me, today,
42:17you weren't the best.
42:19For the challenge,
42:20I loved the scene you had with the widow.
42:22Your chemistry between the two
42:23doesn't explain itself.
42:24It shows.
42:25You were very anchored in your character.
42:27And there are close-ups, at times,
42:29on your face,
42:30where you make faces like...
42:33Very pretty, very pretty.
42:34Very pretty.
42:35Perfect.
42:37The widow!
42:39She was deadly, the widow, tonight.
42:42You were excellent.
42:44You had the most lines.
42:46You were so much with your partners
42:48that you were extraordinary in the acting.
42:52The widow, bravo for the week.
42:53She is, overall, very mastered, I think.
42:55So, what I'm going to say now
42:56is really to make you...
42:57shit.
42:58Make me shit, too.
43:00I'm going to make you shit.
43:01After that, you can hurt the balls and all that.
43:03You know very well.
43:04This story, now...
43:05Read in it.
43:06Read in it.
43:08It's the next step.
43:09I'm going too fast.
43:10I think the week is mastered.
43:12In fact, it's really details.
43:13For example, on the Renoué,
43:14I would like the instruments to be much longer,
43:16the structure to be much more imposing.
43:17I imagine it's already very heavy.
43:19On the acting, well,
43:20you are also an actress.
43:21You master, you hold,
43:22you are really the stature of the whole scene.
43:25If there is another acting challenge,
43:26I would also like to see
43:27a kind of total setback.
43:29I would be interested to see that, too.
43:30It's purely, once again, a fantasy.
43:32The challenge was completely mastered.
43:33So, it's really to go get the little beast.
43:35Thank you, Dabeu.
43:37Chloé Clark.
43:38Let's talk about your look.
43:39I love the idea of continuing everything in boots.
43:43And I like the surprise effect.
43:44When you came in, I said to myself,
43:45ah, what is she wearing?
43:46And there, ah, here, ah.
43:48In addition, in holographic fabric.
43:50And I find you beautiful.
43:53For the Renoué,
43:54I admit that I really liked it.
43:55It's a little heart attack.
43:56Because I think that, again,
43:58it's a difficult theme.
43:59It's well done.
44:00The body is of good quality.
44:02I also have a little heart attack for your wig.
44:04And the make-up.
44:05Really, I think it's very successful.
44:07Congratulations and thank you for this Renoué.
44:08I'm a little less sensitive to what happened
44:11during the Clean Challenge.
44:12I didn't really get what character you wanted to present to us.
44:15There was a bit of a blur compared to the others.
44:17It was difficult to find your place.
44:19That's what stands out, anyway.
44:20I think that sometimes,
44:21we would like to dare something
44:23that will shake everything and we don't dare.
44:26And maybe that's the only place where you can do it.
44:29It's the artistic side.
44:30I can see your panic.
44:32It must be awful to hear that every week.
44:36All of a sudden, you don't know your text in French.
44:38But go ahead and play.
44:40Mix Flemish and French.
44:42Just put the scene together.
44:44Go ahead, swing.
44:45Don't be afraid, especially.
44:47Because fear is the little sister of death.
44:49And it's true that you were a little off
44:52in this Maxi Challenge.
44:56So, thank you all.
44:57You can now go to the studio
44:59while the jury delivers.
45:02Well done, girls.
45:08Oh, my God.
45:09Oh, my God.
45:10This thing weighs a ton.
45:13My feet.
45:17Oh, my God.
45:18Now, Mini Challenges.
45:20Mini, Maxi.
45:27We're really comfortable.
45:28Thank you, my little darling.
45:30Cheers, my queens.
45:31Cheers.
45:32Cheers, my queens of the Saxons.
45:34What a runway, Dadang.
45:36Oh, yes, I'm amazed.
45:37I have no arms or shoulders.
45:38What an adventure.
45:39What an adventure.
45:40Congratulations to all.
45:41Congratulations.
45:42Congratulations.
45:43We look depressive.
45:44Yes.
45:46Lulu is in her head
45:48because she's sure she's in the bottom.
45:51And in regards to the comments,
45:53I think it's me and Lulu
45:55who are going to do the lip sync.
45:56Anyway, we're at the competition stage
45:58where they have to be tougher
46:01and really look into the details.
46:03So it was expected.
46:05I'm going to burn this saxophone right after.
46:09And the widow in the bottom too, right?
46:10Yes, I think I'm going home tonight.
46:12Yes, the widow wins the challenge.
46:13Yes, that's for sure.
46:14Yes, it's for the widow.
46:15Great.
46:16I think so.
46:17Yes, and it would be more than deserved.
46:21That's all I have to say.
46:23But since we're in the top five,
46:25I think we can be proud.
46:27Cheers.
46:34So it's time to officially announce.
46:36I think, I think, I think.
46:37Here, we started with Lulu Velvet.
46:39Coralie.
46:40For me, there was...
46:41In relation to the others,
46:42in relation to the level of the others,
46:43I think she was a little below.
46:45Too much subtlety, almost.
46:47You're going to dim the light a little too much.
46:49Even on the runway,
46:50there's a little clash, I think,
46:51compared to the others.
46:52It's as if,
46:53when we think of the five that are left,
46:55we unfortunately forget.
46:56Yes, indeed,
46:57in half-time, it's for me too,
46:58it's Tim Linz.
46:59And now, Gabana.
47:01I loved her.
47:02She had the role a little easier,
47:04it's true,
47:05but what she did was magnificent.
47:07Now, for the runway,
47:09I think the image deserves a thousand words.
47:11I like the idea that she said,
47:12ah, I'm going to do something more camp.
47:14Yes.
47:15If you want to do camp,
47:16go for it, 100%, not 70%.
47:18There you go.
47:19Yes, there,
47:20just in the finishing touches,
47:21I think it was a little messy,
47:22and I think it was the least clean
47:24of all the looks of tonight.
47:26Let's move on.
47:27Alvilda now.
47:28I have a little crush on her.
47:29Yes.
47:30I think it's the one
47:31who had the most modern vision of the theme.
47:32It's the most modern, indeed.
47:34It's a shame it wasn't my favorite.
47:36I like it when it shines the most.
47:38It's true that Alvilda
47:39has already been more flamboyant,
47:40but despite everything,
47:41the runway, sobriety, modernity,
47:42and then in Latin Challenge,
47:43I think she's one of the best actresses
47:45of this season.
47:46She was funny.
47:47It's mastered, it's sharp.
47:48Now, let's analyze the case of the widow.
47:51I think she was the most constant
47:53in both challenges.
47:55She was there, present,
47:57and we didn't leave her alone.
47:59She was omnipresent in the Maxi Challenge.
48:01If she had been bad,
48:03it would have been very long,
48:05but it was the rails of the train.
48:07It's a very good week for the widow.
48:08I think it might have deserved
48:09a little more extravagance
48:10on the runway,
48:11at least for me.
48:12It's noted.
48:13And behind, we say,
48:15Chloé Clark.
48:16In terms of outfits,
48:17in Latin Challenge,
48:18it's a big bravo.
48:19I think it was well realized
48:21and well thought out.
48:22I found it much, much more erased,
48:24on the other hand,
48:25in the Maxi Challenge, unfortunately.
48:26You can have a beautiful outfit
48:28for the show,
48:29if you messed up.
48:30You messed up in the Maxi Challenge.
48:32Yeah, same.
48:33It's a yes for the widow.
48:34I think the organic side,
48:35the fact that she does Chloé
48:36with the instrument,
48:37it's a great idea,
48:38but a no for Latin,
48:39because it's very difficult
48:40even to judge,
48:41because she was a little absent.
48:43Yes, it's true that it's very difficult.
48:45It's true, she blames herself all the time,
48:47and then she agrees,
48:48while Alisa has not said all that
48:49and agrees with me.
48:50Not enough glitter.
48:51Not enough glitter.
48:52I say it's mostly the widow
48:54who didn't have enough glitter.
48:55No, but I'm very happy
48:56that you're here.
48:57Silence!
49:01I made my decision.
49:02Let me bring my queens back.
49:06Back.
49:08The time has come now
49:10to announce the verdict.
49:12And my queens,
49:13two of you
49:14have made it this week.
49:18Alvilda.
49:21The widow.
49:23Congratulations,
49:24you are at the top of the rankings.
49:30But the one who wins
49:31this week's episode
49:35is you, the widow.
49:36Congratulations.
49:38And I win the second
49:39Maxi Challenge.
49:40Yes!
49:42And you also win
49:43a thousand euros!
49:47Congratulations,
49:48you can go and brag
49:49backstage.
49:51Thank you all.
49:56Gabana.
49:58Who would have guessed
49:59that you were
50:00such a great actress?
50:02But is your outfit
50:03going to ruin
50:04your chances
50:05of avoiding elimination?
50:07The velvet wolf.
50:09Your manager
50:10was rather half-naked.
50:11So,
50:12is the future
50:13to be feared?
50:16Chloé Clark.
50:18Your fashion show
50:19was wonderful,
50:21but your Maxi Challenge
50:22should have been
50:23much better.
50:25Gabana.
50:28You are safe.
50:29Congratulations.
50:35The velvet wolf.
50:36Chloé Clark.
50:38You know the rules.
50:39My two last queens
50:40must face each other
50:41in the dreaded
50:42lip-sync challenge.
50:46I'm up against
50:47Chloé Clark,
50:48the lip-sync killer
50:49of the season.
50:51No pressure,
50:52no pressure at all.
50:53We've seen
50:54Loulou lip-sync
50:55all by herself.
50:56Now,
50:57we'll see
50:58what she's worth
50:59against who.
51:00Two queens
51:01are up against me.
51:04Tonight,
51:05you'll have to perform
51:06the song
51:07Trust Fall
51:08by Pink.
51:12It's time
51:13to perform
51:14the lip-sync
51:15of your life!
51:21I'm Zen.
51:22The semi-final
51:23is here.
51:24I don't want to miss it.
51:26Good luck.
51:27And above all,
51:29don't screw up.
51:34I'm going to fight
51:35to the end
51:36and give you,
51:37Chloé Clark,
51:38your spot.
51:39Anytime.
52:07Tonight,
52:08close your eyes
52:09and leave it all behind.
52:12Go with love
52:13on our side.
52:15It's a trust fall,
52:16baby.
52:18It's a trust fall,
52:19baby.
52:23You and I
52:24and everyone
52:25have a life.
52:27We can run
52:28to the fire.
52:29It's a trust fall,
52:30baby.
52:32Yeah,
52:33it's a trust fall,
52:34baby.
52:37Close your eyes
52:38and leave it all behind.
52:41Go with love
52:42on our side.
52:44It's a trust fall,
52:45baby.
52:47It's a trust fall,
52:48baby.
52:50What if we just go?
52:53What if we just go?
52:57What if we just go?
53:01What if we just go?
53:05What if we just go?
53:08What if we just go?
53:12What if we just go?
53:18Bravo!
53:21Wow,
53:22I cried.
53:25I've made my decision.
53:31The new beast
53:33Chante Youssef.
53:35Congratulations,
53:36you're still in the race.
53:37I have my place in the semi-finals!
53:39Chloé Clark.
53:42I'd like to take a minute
53:43to thank you
53:45for everything you've brought,
53:46wonderful,
53:47brilliant
53:48and glamorous
53:49in this competition.
53:51Great looks
53:52and a very nice personality.
53:54Unfortunately,
53:55I have to tell you
53:57go away.
53:59Bravo.
54:00Bravo.
54:02Look at this ass.
54:03I'm going for the last time.
54:05Well, look again
54:06so you're sure
54:07you don't forget.
54:08Oh, thank you, my dear.
54:09I thank you again.
54:10And now,
54:11I'm going to smoke.
54:13Bye.
54:14Goodbye.
54:22Ah, the mirror text.
54:26It was a very beautiful adventure,
54:28a lot of emotions,
54:30ups and downs,
54:32but it was very cool.
54:35I was fifth,
54:36so that's not bad.
54:38And I'm very proud.
54:40Over and out.
54:41Ciao, ciao.
54:42See you next time.
54:43That's it.
54:45It's over.
54:46Ciao, ciao.
54:54And here are our semi-finalists.
54:56Congratulations.
54:58Bravo.
55:00You're still in the race.
55:02Closer to the crown than ever.
55:04And you know what they say,
55:05union makes strength and love.
55:07That's right.
55:09And now, DJ, press play.