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00:30You eating his dick?
00:53Yeah, I always eat their dicks.
00:57OK, look, guys. Third quarter turnover is down, and even though there's probably no surprise, that's 60%.
01:12Hi, Mike. It's Richard Trump.
01:13No, it's no problem, Charlie.
01:14Sue, just wondered if you were free for a bit of a flirt?
01:17Oh, er, yeah. I should be able to fit one in.
01:21Great. You look nice. Have you done something to your hair?
01:24Yes, I had it cut on the weekend.
01:26That really suits you. Makes you look like Cameron Diaz.
01:29Oh, right, thanks. Thanks very much.
01:31OK, cheers, Mike.
01:32No problem, Charlie. So, yeah, profit margins. It's all about maintaining integrity.
01:39Oh, hi, Sally.
01:40Hiya, Charlie.
01:41Yeah, I've just been flirting with Sue in the boardroom.
01:43Oh, yeah?
01:44It went really well, actually. I'm on fire.
01:47What about you? Fancy a bit of a flirt?
01:49Oh, I'd love to, Charlie, but I'm actually just about to have one with the new guy.
01:52Who?
01:57MUSIC PLAYS
02:08Hey, Sally. Sorry I'm late. Have you still got time for that flirt?
02:11Oh, I'm sorry, I thought we'd already started.
02:14You're ridiculous. Now...
02:16Wait a minute. I'm the office flirt around here.
02:19Oh, well, be my guest.
02:22Hey, Sally. You look healthy.
02:25Your tanks are on a detox.
02:27Well, it's obviously working for you.
02:29Are you done?
02:31Yes.
02:33Look, Sally, I'm not going to lie to you.
02:35I'm not going to blow smoke up your arse, cos that's not what I'm about.
02:38But every time I'm near you, it's like my heart is racing at 1,000 beats per minute, bar none.
02:43It's like I'm on a rollercoaster ride and I just want you to be on that ride with me.
02:47Kiss me.
02:56Oh.
03:08You're amazing.
03:09Maybe I am.
03:19Yo, what's up? My name is Switch.
03:21I'm a spoken word poet.
03:23And this one is called Runaround.
03:26Check it.
03:28OK, I understand I can't use Dad's merc.
03:31But the Runaround was parked in the driveway, Mum. You don't even take it to work.
03:34Cos of just one time when parking, I had to call Dad.
03:37So now what? You're telling me that this driver is bad?
03:41Now society will judge me as a man who can't park.
03:44But do you forget, Mum, that I had to park in the dark?
03:48So now what? You're just going to walk away?
03:50You know I hate asking for lifts every day.
03:52But just you wait till Thomas passes his test.
03:54We got it all planned out. You won't see me for dust.
03:57Dust. Peace.
04:00Two weeks.
04:02OK, can I have, um, Justin?
04:04Dustin.
04:05Cool. Um, do you want to follow me?
04:07Did you find it all right?
04:09Yeah, yeah.
04:10It's freezing, isn't it?
04:11Yeah.
04:12It's horrible. It would be much better off being in here all day.
04:14Really. Um, Justin, this is Ben, the director.
04:16Justin.
04:17Dustin.
04:18Justin, nice to meet you.
04:19Did you have a chance to look at the script at all?
04:21Yeah, I had a look at it.
04:22Cool. It's a new campaign for a fizzy drink called Fiery Hawk,
04:25and it's a really silly, playful idea.
04:27So what we're going to be doing on the day
04:29is that there's going to be a big green screen behind you
04:31and all the surroundings around you are going to be changing.
04:33Oh, yeah, cos I wondered how you'd do all that.
04:35Exactly.
04:36So what I want from you is a big, over-the-top animated performance,
04:39but keep it kind of naturalistic and subtle at the same time.
04:41OK?
04:42So I'll tell you what's happening around you
04:44and you just sort of follow my lead.
04:45Right, cool.
04:46Just have fun with it, enjoy it, and just be really loose.
04:48Yeah.
04:50OK, you're walking along
04:52and you're in this beautiful Arctic landscape.
04:56You've never seen anything quite like it.
04:58Absolutely stunning.
05:00And you've been walking for days,
05:02so you're really, really tired
05:04and you're really, really thirsty.
05:06Yeah, thirstier than that.
05:08That's really nice.
05:10And you're really excited cos it's beautiful surroundings.
05:13So you're really, really excited but you're nervous
05:15cos you don't know where you're going.
05:17And you're inquisitive to all the little things around you.
05:20Yeah, slightly more aloof.
05:23That's nice, yeah.
05:24So you're a little aloof, pompous, but sexy.
05:29So you're a sexy, aloof, pompous traveller.
05:31That's really nice.
05:33And then suddenly it just starts raining fizzy drinks all around you.
05:36They're cans of fizzy drinks.
05:39And you grab one of the cans
05:42and you pull the ring pull open
05:44and you just take a tiny little sip.
05:46Lovely.
05:47And then you just start floating very gently into the air.
05:50Really, really slowly.
05:53Actually floating.
05:56Up into the air.
06:01I literally want to see your feet leave the ground.
06:08OK, mate.
06:09And then suddenly you just hear...
06:12And you look up and you see this giant hawk
06:15and it's just circling above your head
06:17and it lands onto your back, digging its claws in
06:20and then very violently just slams you down on the ground.
06:23And he just lands right in front of your face
06:25and you look up and you see he's wearing little red underpants
06:28and he just tiptoes around you and flips you onto all fours.
06:32And very gently just pulls down your underpants
06:35and puts himself inside you.
06:42Now, remember, you're still thirsty.
06:44You're still quite excited by your surroundings
06:46but not as much as before.
06:48That's it. And he's really going for it.
06:50And then suddenly you hear...
06:52And you look up and it's another giant hawk.
06:55He just swoops right in front of your face
06:58and he's wearing little green underpants
07:00and then he just proceeds to put himself in your mouth.
07:05That's it.
07:06And he's a teenage hawk, so he's got a lot of energy,
07:08he's got a lot to prove.
07:10The other hawk is slightly older,
07:12so there's a sort of strange rhythm thing going on.
07:15And they're really going for it.
07:17You're still stimulated by your surroundings, but you're scared.
07:21You don't want to show the hawks you're scared.
07:23If anything, you want to show them you're having a good time.
07:26That's really nice.
07:27And then very gently the hawk with the red underpants
07:30just pulls himself out and comes all over your back.
07:36That's great. Thank you, Justin. Really nice.
07:38Yeah, great. Really natural.
07:40Thanks. Thank you, mate. Cheers.
07:42OK, see you then. Thank you so much. Bye-bye.
07:47What do you think?
07:49A bit too Jewish-looking?
07:52Hi, my name's Rachel and I grew up in Gothaming in Surrey.
07:55But now this fish is moving to London
07:57to start an internship with one of the country's leading fashion designers.
08:00I'll be living in a brand-new apartment with two brand-new friends.
08:03These are our dreams and they're young dreams.
08:06You say the time I'll make a place
08:08Let's start it up, don't walk away
08:11For life to shine like a southern guitar
08:14We'll shoot the stars from the back of your car on a Sunday
08:18These streets are yours and mine
08:23These streets are yours and mine
08:27It's so nice to meet you.
08:30Oh, my God.
08:34Hi. Hi.
08:37Here's to, like, best of friends.
08:39New beginnings. New beginnings.
08:43I've got wine teeth.
08:45OK, let's play a game.
08:47You have to name something about your appearance that you really don't like.
08:50Like, the thing you least like about your appearance.
08:52OK, you go first.
08:54OK, um, I hate that question.
08:56I guess, like, if anything,
08:58I wish I looked a little bit less like Kristen Stewart.
09:03Yummy, your turn.
09:04Uh, maybe, uh, my nose.
09:08This is a really nice nose.
09:10Olivia, what about you?
09:12Come on!
09:14I don't know what I've done
09:18Or if I lied
09:21That is so not cool, Yummy.
09:24Best friend of the year, love, right now.
09:26Rachel! Rachel!
09:29Please!
09:31Are you OK?
09:36I think it's really important that you make peace with your mole.
09:40I know. It's just really hard.
09:43I know, it must be. It's really massive.
09:46Do you think that you might get it removed?
09:48I can't believe she'd say that.
09:51I don't think she meant to hurt you,
09:53but I think there's probably a really strong chance that she did.
09:56It's going to be so hard living with her now.
09:59I know.
10:01Olivia.
10:02Next week on Young Dreams.
10:04You say that time will make a place
10:07New faces.
10:08Hi, I'm CJ, and I'm going to move flat now.
10:12New dramas.
10:13Stop it, stop!
10:14It's just top.
10:15Stop! Stop it, stop!
10:16No, it's top shot.
10:17And new directions.
10:18Further.
10:20I'd like to come home, please.
10:30OK, what am I doing now?
10:32You're running your hand through your hair.
10:34That's right. And how does it make me look?
10:36Pretty cool.
10:37And what does cool get you?
10:38Pussy.
10:39Exactly. And what have I done with my hair?
10:41Spiked it up at the front.
10:43Why?
10:44To make it look cool.
10:45And?
10:46To make it look young.
10:47That's young and cool, isn't it?
10:50Oh, pussy!
10:52You're good.
10:55Hey, when do we learn about the collars up?
10:58Don't run before you can walk.
11:00You're flirting with me.
11:01Maybe I am.
11:06What have we got?
11:07One adult male.
11:08Homicide.
11:11The victim's name is Mike Ridley.
11:13By the look of him, he's been here for some time.
11:15Note the cipher on the south wall.
11:17Looks like our man's getting restless.
11:32Any witnesses?
11:33No, sir.
11:39And this is how you found the body?
11:41Yes, sir. Nobody's touched him.
11:42Good, good.
11:45Oh!
12:03Anything, Prince?
12:04We're working on it.
12:16Good.
12:18Our victim is a white male.
12:20Approximately 30 years old.
12:24190 pounds.
12:26Appears to be having some sort of vomit.
12:39So what were we thinking?
12:41It was definitely our guy.
12:46HE COUGHS
12:50We should get some blood and hair samples.
12:52Yeah.
12:55Breakfast?
12:56Yeah, let's go and get some.
13:08My name is Banksy, and I'm a street artist.
13:11And I live with my wife, Jill,
13:13and our three children here in Hadley Woods.
13:15Come on, James, finish your crispies, yeah?
13:18Come on, James.
13:19Do as Mummy says. Chop, chop.
13:21The reason why I wear a disguise
13:23is, of course, to protect my anonymity.
13:26Well, this one here is of a protester.
13:28And what I've done is I've replaced his petrol bomb
13:31with a bunch of flowers.
13:33More to amuse myself than anything else.
13:36And then this is myself and Jill on holiday in Stuttgart.
13:41That was before the kids came along.
13:43And then this is simply to call you a policeman.
13:47Today's a big day for me,
13:48as I've found a lovely little spot to do one of my street pictures.
13:51It's right in the heart of Hemel Hampstead.
13:53Have you seen my cagoule?
13:55Have you looked under the stairs? It's probably under mine.
13:57It's not under the stairs. I've already checked.
13:59Well, why don't you just wear mine, then?
14:00I don't want to wear yours. I want to wear mine.
14:02Well, why don't you just wear your fleece, then?
14:04I'm wearing my fleece.
14:05Well, why don't you just wear your coat, then?
14:06Yeah, I suppose I will.
14:08Oh, morning, Daniel.
14:11Daniel's Jill's son from a previous marriage.
14:16First stop is home base.
14:17I need to top up on supplies.
14:25Lime zest, kiwi burst, got it, willow creek, green parrot,
14:28Grecian garland, granada green, forest falls.
14:30Ooh, they've got new reds.
14:35I don't have minty glory,
14:36and I certainly don't have a Venetian crystal.
14:40I'm in heaven. I'm actually in heaven.
14:51Okey-dokes.
15:11No. That's not happening.
15:14I judged it wrong.
15:16Mission aborted, I'm afraid.
15:20OK, guys, we're now on to scene 11B,
15:22which is Margot at her laptop.
15:24Margot, this is the scene where you're at the laptop
15:27and you become distracted by the fly, OK?
15:29And I'm distracted by the fly.
15:31And I'm distracted by the fly.
15:33And I'm distracted by the fly.
15:35And I'm distracted by the fly.
15:37And I'm distracted by the fly.
15:39OK.
15:40This is Jean-Claude, our fly trainer.
15:42Jean-Claude, nice to meet you.
15:43Nice to meet you, Margot.
15:45So, Jean-Claude, in this scene, Margot is sat at her laptop, OK?
15:49OK.
15:50The fly comes in, lands on her sandwich,
15:52flies up and loops around twice,
15:54then moves over to the window and hits it three times,
15:57then buzzes back over, lands on the table,
16:00then Margot brings her hand down, squashing the fly.
16:03OK, so what I can do for you is I can get the fly to come in,
16:08you land on the sandwich...
16:10Jean-Claude, when I bring my hand down,
16:12do I actually make contact with the fly?
16:14No, no, no, no, Margot.
16:16What I would ask of you is you bring your hand down at an angle.
16:19Therefore, instinctively, it knows to fly just under your hand
16:22and there will be no contact, no problems,
16:25and the scene will be really, really nice, like this.
16:28OK.
16:29OK, let's get the fly out.
16:30OK.
16:31OK.
17:02No.
17:19OK, I don't mean to rush you, but we're in a rush.
17:21Yes, I'm talking to my fly.
17:23Well, final checks, guys.
17:32HE GROANS
17:34OK, stand by, let's shoot this.
17:36Sound speed.
17:37BELL RINGS
17:38And turning and...action.
17:47Erm, it's...
17:48Cut.
17:49BELL RINGS
17:50OK, so what's going on, guys? The fly only did one loop.
17:53OK, sorry, this is my problem.
17:56Just two minutes, please.
17:59But, Jean-Pierre...
18:01HE SPEAKS FRENCH
18:25OK.
18:26BELL RINGS
18:27Quiet on set, guys.
18:28And...action.
18:32HE WHIMPERS
18:39And...cut.
18:41BELL RINGS
18:42I'm sorry.
18:43OK, can we get a tissue for Margot, please?
18:45No, no, no, it's OK.
18:46That was beautiful, Margot.
18:47Great work, guys. I'm moving on.
18:49Can we get a warm coat for Margot?
18:50Can we get a coat for Margot, please?
18:52We're doing the scene in the bathroom.
18:54Jean-Pierre!
18:55HE SINGS IN FRENCH
19:02Why?!
19:03Why, Jean-Pierre?!
19:07Oh, Jean-Pierre...
19:15Yo, what's up? My name is Switch.
19:17I'm a spoken word poet.
19:19And this one's called Ghetto Life.
19:22Whoop, whoop, whoop!
19:23Go, the police sirens.
19:25My very own urban lullaby.
19:28Another night of violence.
19:31Hell, it's just another typical night round these ends.
19:34This concrete jungle, the endless CCTV
19:37that conveniently turns a blind eye to the police brutality.
19:42The oppression is like a noose around the necks of the working classes.
19:47The fat cats sat on their arses up in their ivory towers
19:50abusing their powers whilst round here.
19:52Cats sat in stairwells smoking crack, wasting away their hours.
19:56Dog shit everywhere.
19:58Rubbish bins filling up the square.
20:00Old ladies stinking of piss, robbed of their pensions by the local kids.
20:04Thank God I don't live here.
20:07One love.
20:16What's that?
20:17A tea strainer.
20:18Where did you get that from?
20:19I took my old dear up back in the Palace Garden party, didn't I?
20:23Cos she turned 100 in a week.
20:25That's got to be a nice day out for you then, innit?
20:27It was all right, yeah.
20:28We got there, they had a little spread laid out.
20:31Nothing too special, but they'd made it nice.
20:33And they had a tarpaulin there cos there was a threat of rain.
20:35All right, sensible.
20:36Yeah, I thought so.
20:37So, like, what's she like, then, the Queen?
20:39She's all right, but she's got no awareness of personal space.
20:42Oh, no.
20:43Yeah, right in your line-out, you know what I mean?
20:45And I'm going to be honest with you, Terry, she smells a bit.
20:47What of?
20:48TCP.
20:49Oh, I know it, yeah.
20:50Reeks of it.
20:51So what did you say, like, small talk, was it?
20:53I made a little bit of small talk.
20:55I was like, oh, I like your house and everything,
20:57I love what you've done with it and all that sort of stuff.
20:59Then I made a little joke.
21:01I said, I wouldn't like to have your heating bill.
21:03She's pissed herself, right?
21:04She's cracking it up, she's all over the place.
21:06She goes, oh, you're a funny bloke, you are, like that.
21:09She goes, big old dear, I'll give you a tour of the house.
21:12So we're going round, room after room,
21:14every bloody room's a pageant of some machine nose or something
21:17or whatever, or a granddad or something like that.
21:20Anyway, we get to this one room,
21:22and she's done it up like a bar she'd been to in Dubai.
21:25That's a drink, does she?
21:26Oh, yeah, she reckons she's a bit of a pisshead,
21:28but she's quite sprightly, she's quite quick on her feet.
21:31She goes like this, see that fire exit sign?
21:33She goes, you reckon I can touch it?
21:35Then she's jumped up about ten feet, she's gone right like that,
21:38whack, just slaps it round with her hand.
21:40She goes, you didn't think I could do that, did you?
21:42She sounds a bit big-headed, Phil.
21:43She's not big-headed, Terry,
21:44but she definitely lets you know who she is, do you know what I mean?
21:46She's a queen, isn't she?
21:47She's a queen, she can do what she likes.
21:49So where does she sleep then, Phil?
21:50Wherever she falls, she says.
21:52She has these two footmen, they come along, they pick her up,
21:54they take her bra off and they put her in a long T-shirt.
21:56Oh, lovely.
21:57Anyway, the tour comes to an end, we must have covered miles.
22:00Eventually...
22:02PHONE RINGS
22:04Eventually, right, she takes us up on the roof,
22:07she sparks up a fag, she's like this.
22:09Right, she goes, you've got to fuck off now.
22:11Just like that?
22:12Just like that, yeah.
22:13So by the time we found our way out,
22:14they'd started packing everything away.
22:16You must have been starving.
22:17We were starving.
22:18So I took my mum to Bella Pasta, didn't I?
22:20So now you've met the queen, and you've met her and you've done all that,
22:23how do you feel about it now you've met her?
22:25Terry, she's just like all of us, she's a human being.
22:28It's not like her fart's very stinky.
22:30And she will be the first to admit it.
22:32God bless her.
22:33I need to bring J'amouche.
22:36MUSIC PLAYS
23:06MUSIC CONTINUES
23:36MUSIC FADES