EIGHT-JAM 2024年9月15日 aiko特集

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EIGHT-JAM 2024年9月15日 aiko特集
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Transcript
00:008 JUMP UP
00:13Aiko's special feature!
00:19Here she is, Aiko!
00:21Hello.
00:25So, how often do you appear on the show?
00:28I've seen it.
00:29Oh, is that so?
00:30What is it?
00:31I'm afraid of it a lot.
00:32Today, too, I really don't like it.
00:38Such a comment from a gorgeous guest who loves Aiko.
00:44For the living story, Yoshioka Kiyoe,
00:47Aiko-san is my youth, even if it's a street live.
00:53The poet, Miyazaki Asako,
00:56Aiko-san's lyrics make the feeling of love many times bigger.
01:01And Ryujin Kiyoshi,
01:04I don't need anything but Aiko for a love song.
01:10It's not easy.
01:12I can't sing it all at once.
01:14Is that so?
01:15Is that so?
01:16Isn't it amazing?
01:18It's almost a festival.
01:20A festival without singing.
01:22I'm sorry. Thank you.
01:25We're floating.
01:28You've been covered since the street live.
01:32I grew up with Aiko-san's song.
01:37I really admire her.
01:39I want to be cute like this.
01:40I want to sing like this.
01:41I've been thinking about how to be like this.
01:44Miyazaki-san, too.
01:46I was surprised to sit here.
01:49You've been smiling all the time.
01:50That's right.
01:51I can't stop smiling.
01:53When you talk about the members, you make a serious face.
01:56You look serious today.
01:58You always talk about the members.
02:01It's not serious.
02:03Kiyoshi-san,
02:05I was born and raised in the same town as Aiko-san.
02:09I've been close to her since a long time ago.
02:12I'm glad to meet her today.
02:14You love her, don't you?
02:15I'm sorry.
02:16I'm sorry.
02:17Don't apologize to me.
02:19I'm sorry to all Aiko fans all over the country.
02:22I'm sorry.
02:23I'm sorry.
02:24I'm a fan, too.
02:25I'm sorry.
02:26I really don't look good.
02:28I'm a fan of Aiko.
02:31Aiko, who is respected by many professionals.
02:36In the past,
02:38I found it more interesting to write lyrics based on Aiko's existence.
02:43That's nostalgic.
02:45Aiko's song, which was influenced by the official Higedan rhythm,
03:02Aiko's lyrics are working on your senses.
03:06She told me the reason for the existence of lyrics for the first time.
03:15Aiko's song, which was influenced by the official Higedan rhythm,
03:29Aiko's song, which was influenced by the official Higedan rhythm,
03:36Aiko's song, which was influenced by the official Higedan rhythm,
03:42Aiko's song, which was influenced by the official Higedan rhythm,
03:49Aiko's song, which was influenced by the official Higedan rhythm,
04:01Aiko's song, which was influenced by the official Higedan rhythm,
04:07Aiko's song, which was influenced by the official Higedan rhythm,
04:23Aiko's song, which was influenced by the official Higedan rhythm,
04:27Why do you attract so many professionals?
04:32So this time, the three guests ask Aiko a direct question.
04:37Have you ever fallen in love to make a song?
04:41I was so angry.
04:45The recording of Kabutomushi was in a harsh environment.
04:49I couldn't sing the E of Shougai.
04:53She had a hard time until the birth of a famous song.
04:58I've been active for a long time, so I don't run out of stamina.
05:02I'm more afraid of being bored.
05:04Aiko's true feelings are clear.
05:06I'm not bored.
05:11Professionals ask Aiko a direct question.
05:14First of all, such a direct question.
05:17Is it always love that comes first in the order of love and song making?
05:22Have you ever fallen in love to make a song?
05:40Speaking of Aiko...
05:52Kiyoshi Ryujin
05:58She has created many love songs that will remain in her memory.
06:03Among them, Ryujin said,
06:05I like the moment when love turns into love.
06:16It's been 23 years.
06:23Aiko's love song is not a self-indulgent type of love.
06:32There's always someone you love in your heart.
06:36There's only one true love song that sings her feelings of love.
06:53If this blue sky turns black,
06:58Take me out of here.
07:01And let's get out of here.
07:04Because we're lovers.
07:11And a direct question from Ryujin.
07:14What is Aiko's answer?
07:17I've made a love song before.
07:21I usually make songs based on my own experience.
07:29But sometimes I reach the limit.
07:32For example, when I'm sitting in front of the piano at night,
07:35I can't think of anything.
07:38When I drink a nutritious drink,
07:42I keep in touch with a girl.
07:44I'm like, let's start with love.
07:48I'm trying to create an environment.
07:51Do you keep in touch with a girl?
07:56Yes, I do.
07:57Is there a voice that starts from there?
07:59Yes, there is.
08:00That's great.
08:02How many people can you keep in touch with?
08:06It depends on the person.
08:08Yes, yes, yes.
08:10It's amazing.
08:11It's as if Aiko is being chased.
08:15By the way, how many people can you keep in touch with?
08:17Quite a few.
08:19How many?
08:21How many?
08:23I can't count with both hands.
08:25That's amazing.
08:27I'm trying to distract her.
08:30But when I do that,
08:33I feel like I can't do anything.
08:36So I keep in touch with her to comfort her.
08:40Including friends?
08:41Yes, of course.
08:42That's amazing.
08:43How about you, Aiko?
08:44Have you ever been chased by that situation?
08:48I don't have anyone to keep in touch with.
08:51Even if I did.
08:53Of course, I start with love.
08:55And then I create a song.
08:58Is it easier when you like someone?
09:00Or is it easier when you're in a relationship?
09:02I can do both.
09:05So when you're in love and you're doing well,
09:09you can't make a song when you're in a relationship?
09:11I make a song when I feel like it's going to end badly.
09:15I see.
09:17When I get into a fight,
09:19I make a song when I feel like it's going to end badly.
09:22When I'm having a good time with someone I like,
09:27I can make a song when I feel like it's going to end badly.
09:32One time, I was so angry.
09:36Angry?
09:38I wrote a song that was as long as the road.
09:41That's a long song.
09:42You mean you were so angry?
09:43Yes.
09:44There's a song called Bye Bye.
09:47I wrote a very long song at that time.
09:51Did you get angry because you felt like you were in a relationship?
09:55Yes, I did.
09:56You were so angry that you couldn't cry?
09:59I was so angry that I couldn't cry.
10:02I thought, how many chapters do I have to write?
10:05You were so angry that you couldn't cry.
10:07We broke up.
10:10You said, Bye Bye.
10:11Yes.
10:13You can't say bye bye to your girlfriend.
10:15You can't.
10:16You can't.
10:17You can't say bye bye to your girlfriend.
10:18You can't.
10:19I called SHA.
10:22I said, you're in a relationship with your girlfriend.
10:25Did you have a boyfriend?
10:27Don't make fun of me.
10:28I was so angry.
10:30I asked him to give me back my girlfriend.
10:32I asked him to give me back my girlfriend.
10:34He was like, wow.
10:36What happened?
10:37I was like this in the middle of the night.
10:40Didn't you get pulled by the negative lyrics?
10:44I think I can feel it deep in my heart.
10:48If I listen to the lyrics once, I can feel it.
10:52You can deal with it.
10:53And the couple also have a great love song.
10:58First is a song that Kiyoe Yoshioka listened to over and over again, and it's her favorite song.
11:06I like it.
11:07Kiyoe Yoshioka's favorite song.
11:21The lyrics that start with,
11:26The lyrics that start with,
11:36I thought it was because I was experiencing this kind of thing.
11:46Here is the song that Yoshioka sympathized with.
11:51Kiyoe Yoshioka's favorite song.
12:09There was such a thing, Kiyoe.
12:11Kiyoe Yoshioka's favorite song.
12:20I have a lot of memories.
12:26Next is Miyazaki Asako's favorite song.
12:35Miyazaki Asako's favorite song.
12:46Miyazaki Asako's favorite song.
13:08Miyazaki Asako's favorite song.
13:33Miyazaki Asako's favorite song.
13:43Miyazaki Asako's favorite song.
14:05Miyazaki Asako's favorite song.
14:22Miyazaki Asako's favorite song.
14:38Miyazaki Asako's favorite song.
15:06Miyazaki Asako's favorite song.
15:23Miyazaki Asako's favorite song.
15:52Miyazaki Asako's favorite song.
15:57This is the sound that fell on the futon.
15:59It's the sound that fell on the sheets.
16:02I want to escape from that kind of sad feeling.
16:06An incomprehensible echo comes out.
16:09I see.
16:10If I think it's really hard now, it's going to fall more and more.
16:15So I'm going to make it a lyric.
16:18I see.
16:20Certainly, when I had a very hard relationship, it was a very negative thing for me.
16:25It's a minus for my life.
16:28But I don't think that's the end of it.
16:30I see.
16:32I think I can make 10 songs with this.
16:35I feel like I know how to make it a plus.
16:39I think it's a weak ending.
16:40I think it's a weak ending.
16:42I think it's a weak ending.
16:44I think it's a weak ending.
16:46Did that happen?
16:48I feel empty.
16:50Even in this situation, I feel like I'm going to make it a lyric.
16:56I feel a little sad.
16:58Mr. Akiyoshi, what is Ayako's answer?
17:00I feel a little pathetic.
17:03It's okay.
17:04You can contact me as soon as you can.
17:07It's okay.
17:08This is fusion.
17:11I can only make it this way.
17:16Next, Miyazaki asks a question about lyrics.
17:20If I say it in my daily life, I'm just a really scary woman.
17:26I wonder if it's the first and last love.
17:38Aiko answered the question directly.
17:40Next, Miyazaki asks a question about lyrics.
17:45When I thought of the lyrics of Aiwakatte, I thought it was a good idea.
17:53Here is Aiwakatte.
18:09Miyazaki paid special attention to the lyrics of Sabiatama.
18:14How do you deal with your stolen heart?
18:18The chorus starts with how much you think of yourself when you're not with the person you love.
18:28I think it's interesting to express it in words like this.
18:34If you're in love, you have to think deeply about what everyone thinks.
18:55How do you deal with your stolen heart?
19:02It's cute.
19:04I think of this kind of lyrics.
19:07How much do you think of me when you're not with the person you love?
19:13I think of this kind of lyrics when I'm in love.
19:16I think Aiko expresses this kind of lyrics.
19:20I wrote the lyrics myself.
19:24I thought there were lyrics that I thought were amazing.
19:28This is Aiko.
19:31Aiwakatte is a special song for me.
19:36When I'm happy, I can't write a happy song.
19:41I think it's a negative song.
19:45I made this song to express that I'm very happy now.
19:53The phrase, I'm swimming in a pool full of feathers, is a phrase that I don't use much.
20:01I imagined it in my head.
20:04I wrote a happy feeling like swimming in the pool.
20:12I think it's cute because it's a song.
20:17But I'm really scared when I say it in words every day.
20:21When you say it in words, it's a catchphrase.
20:25I thought the song was amazing.
20:28How did you come up with the melody?
20:30When I say it in words, it's a catchphrase.
20:35But when I say it in words every day, I'm just a scary woman.
20:40But I say it in words every day.
20:47You say, I'm swimming in a pool full of feathers.
20:52It's an example.
20:54Why are you smiling?
20:56I'm not saying all the words.
21:00It's not a word.
21:02Don't make a weird cut.
21:04You're smiling a lot.
21:06I imagined it.
21:08It's an example.
21:10There are such words.
21:13You're saying you won't touch me, right?
21:16Yes, I am.
21:18I think it's a good idea to add a melody to a killer word.
21:25Melody?
21:27How many times will you touch me?
21:31How should I put it?
21:33Is it natural?
21:37It's always a line.
21:40The lyrics call the melody.
21:45It means that the words and phrases have notes.
21:49Yes.
21:50Like liking and hating, the intonation is different.
21:53The melody also has different words.
21:57Aiko gave me this song.
22:01The lyrics called the melody.
22:10What does Aiko think about this butterfly knot?
22:15It's a great change in the chorus.
22:19It was very pleasant.
22:21The phrase, even in the past of the lyrics,
22:24seems to have taken me to that melody line.
22:40Even in the past, we were together.
22:49We met and fell in love.
22:58In addition, the song says that the melody was born from the desire to make the lyrics memorable.
23:06In the spring that has been repeated,
23:10you are not next to me.
23:14I ate a different flower.
23:18I want to say that it doesn't taste good without you.
23:22I want to make that phrase impressive.
23:26She read this melody line.
23:30In the spring that has been repeated,
23:35you are not next to me.
23:40I want to say that it doesn't taste good without you.
23:47There is also a secret in the lyrics.
23:52While writing the lyrics,
23:56did you change the phrases?
23:59No, I didn't.
24:00You didn't change it?
24:02Did you change it at the beginning?
24:04It's a first trip.
24:05If the melody and the lyrics don't fit well,
24:08doesn't that happen?
24:10It fits.
24:12Does it fit the melody?
24:14It fits the melody.
24:16That's why it's complicated.
24:18I want to go to various places.
24:23Do you use the lyrics as much as you can?
24:28Yes.
24:29I write the lyrics in the first place.
24:34I make a song with those words.
24:37If I put the lyrics on the piano,
24:39I can make a song with various patterns.
24:42I ask the staff to listen to the most exciting part.
24:49Do you have a lot of songs with different melodies?
24:53Yes.
24:54That's great.
24:56Have you ever been chased by the staff?
24:59I haven't.
25:00The staff made the environment for me to make songs.
25:09They only tell me the deadline vaguely.
25:14They don't tell you the exact date.
25:16They tell me it's around spring.
25:19Is that so?
25:21That's why they don't tell me the exact date vaguely.
25:29If it's around spring...
25:31I want my staff to be patient.
25:38It's spring.
25:40That's right.
25:42I think I know what you mean.
25:45I think I know what you mean.
25:47I think I know what you mean.
25:49I think I know what you mean.
25:52I think I know what you mean.
25:54I think I know what you mean.
25:57That's right.
25:58Next, let's hear the lyrics of Aiko from Yoshioka.
26:03Why don't you use vibrato in the love letter?
26:09First, let's listen to the love letter.
26:22In the chorus part,
26:24normally everyone wants to use vibrato.
26:28Actually, it's easier to use vibrato,
26:32but Aiko is probably singing with a mixed voice.
26:37It's cool that she doesn't use vibrato.
27:08Why doesn't Aiko use vibrato in this song?
27:13Even if I sing Aiko's song like this,
27:17the long tone here is high.
27:21It's not a lively voice, it's not a thin voice,
27:24it's just the right strong voice.
27:27It's normal.
27:29You don't have to use vibrato.
27:32You don't have to use vibrato,
27:35or you use it.
27:37You sing it like this.
27:39It's cool.
27:41As a singer,
27:43I've done this many times in this song,
27:46so I wonder if there's a policy
27:49not to use vibrato.
27:51That's what I thought when I heard this song.
27:53Maybe it's a rule not to use vibrato.
27:59Is it your own rule?
28:01Why is it your own rule?
28:03When I use vibrato,
28:05the scenery of the song I want to convey changes.
28:09I get angry like this,
28:12and when I sing like this,
28:15I feel like I'm getting angry.
28:20The theme of my song is
28:23strong, sad, and painful.
28:26I want to take good care of that feeling.
28:29When I use vibrato,
28:31it feels like it's spreading.
28:34I don't want to sing without vibrato.
28:38Do you want to leave the world of the lyrics as it is?
28:43Yes, I want to leave it strong.
28:46By not using vibrato,
28:49she conveys the lyrics strongly.
28:52Let's pay attention to the lyrics again.
29:00I've been drunk many times.
29:04I'm okay, but I'm so drunk.
29:08I hate you, so many times.
29:12I was wondering if it was a rule
29:15to use vibrato to convey the lyrics.
29:20Is that a rule?
29:22I think it's not a word,
29:24but a rule that makes the song too beautiful.
29:28That's right.
29:30That's right.
29:32That's why the lyrics resonate strongly.
29:36In addition,
29:37Aiko gave us a song
29:39that she was particular about
29:41not using vibrato.
29:48Aiko sang this song
29:51in a very high-pitched voice.
29:56In this song,
29:58she sang the lyrics
30:00with the same volume
30:02as a single hoarse voice.
30:04She did her best
30:06to make a voice full of ingredients.
30:11I thought I'd be careful
30:13because it would be a completely different song
30:15if I used vibrato.
30:17Here's the part.
30:27Aiko's part
30:38If I use vibrato in Aiko's song,
30:42I think it will be more like a pop song.
30:45I think it's a good idea
30:47to make the song feel more like a pop song.
30:50Aiko's song is good
30:52because it's genre-less
30:54compared to other songs.
30:56I think the lack of vibrato
30:58and the feeling of garbage
31:00affect the song.
31:02I see.
31:04Next, we have a question from Yoshioka.
31:07The recording of Kabutomushi
31:09was in a harsh environment.
31:11Why?
31:13The feeling of the voice
31:15is a bit husky
31:17compared to other songs.
31:24Kabutomushi
31:35Yoshioka was especially interested
31:37in Kabutomushi.
31:40In the last part,
31:42she took a deep breath
31:44to emphasize the breath.
31:46Then, she became stronger
31:48and sang for a long time.
31:52She sang from a low voice
31:54that normal people can't reach
31:56to a strong voice
31:58that she was determined to sing.
32:00Kabutomushi
32:18You can hear the breath clearly
32:20when you take a deep breath.
32:22You can hear the breath clearly
32:24when you take a deep breath.
32:26In the middle of the song,
32:28the voice comes back.
32:30I think the feeling of husky
32:32makes the song more painful.
32:34I wonder how it was like
32:36when I recorded Kabutomushi.
32:38I wonder how it was like
32:40when I recorded Kabutomushi.
32:42I wonder how it was like
32:44when I recorded Kabutomushi.
32:46It was very harsh.
32:48What was the situation like?
32:50I recorded Kabutomushi
32:52in three different studios.
32:54in three different studios.
32:57I needed a voice
32:59that sounded like a vocal.
33:01I needed a voice
33:03that sounded like a vocal.
33:05You didn't have a strong image
33:07in the studio?
33:09It was a short time
33:11since I made my debut.
33:13It was a short time
33:15since I made my debut.
33:17It was a short time
33:19since I made my debut.
33:21I didn't know why
33:23Kabutomushi was chosen
33:25But the staff said, let's go with this, and we recorded it, but it didn't reach the voice of the beetle that everyone was looking for.
33:39When I noticed it, I was singing about 60, 70, 80, and it became like a beetle hips.
33:50I don't know which one is good.
33:54I couldn't sing the E of my life.
34:00When I was recording, I was singing desperately, but that's what it meant, and my voice was hoarse.
34:09I don't know what's going on, but I'm singing desperately.
34:16After that, I got a little sick of beetles.
34:19It's a little dramatic.
34:21Next is a question that is different from the song.
34:26The distance between you and the fans at the live show is crazy. Why are you so close?
34:31It's like a close friend.
34:34I want a certain distance.
34:37Because I'm not a friend.
34:40That's right.
34:42I'm glad that Aiko's fans sometimes come to the live show.
34:50I can feel the difference between Aiko's live show and Shishamo's live show.
34:56Aiko's live show is so close, but Shishamo's live show is a little far away.
35:01After the live show, I looked at SNS and it was scary.
35:10When I go to Aiko's live show, I think it's abnormal.
35:16Is Aiko's live show strange?
35:19I think it's because the fans are so strong.
35:23If you get used to Aiko's live show, you'll be in trouble.
35:27Asako Miyazaki says that the distance between her and her fans is crazy.
35:32At Aiko's live show,
35:37Aiko holds the fans' hands while singing.
35:40Furthermore,
35:44Aiko even touches Aiko's hair.
35:50Furthermore, at the live show,
35:53Why did you take a break?
35:55I'm talking.
35:56Did you have to take a break?
35:58Until what time did you go to school?
36:03I'm talking.
36:05How old are you?
36:07Don't slack off.
36:09This is fun.
36:11Mom, what did you eat last night?
36:13Curry rice.
36:15What did you eat last night?
36:17It's shige soup.
36:21Didn't you go to school?
36:24You went to school, didn't you?
36:26I feel sorry for you.
36:28I took a picture of you when you were a beetle.
36:31Do you want me to change it?
36:33Did you change it?
36:34I'm glad.
36:36Aiko talks like a friend with her fans.
36:39Why is the distance between her and her fans so close?
36:44What does Aiko think about it?
36:50I want to go there.
36:53When I was a child,
36:55I used to go to the concerts of KAN-CHAN and UNICORN.
37:03When KAN-CHAN and UNICORN were in Osaka,
37:06I thought they might come to Higashimikuni.
37:11I used to go there at night.
37:15I went to eat at a party and took a walk.
37:19I thought they might come to Higashimikuni.
37:21It's hard to go to Higashimikuni.
37:23I was nervous.
37:26I want to realize what I wanted to happen to me when I was a student.
37:34I see.
37:35You want them to come close to you.
37:37Yes.
37:38After the concert,
37:40I wear Aiko's goods and go to concerts.
37:46I stop the car and scream.
37:50That's terrible.
37:52I love it.
37:54That's terrible.
37:56It's like an old prank.
37:58I don't want them to forget it.
38:02I don't want them to forget it.
38:04I want them to think they are close to me.
38:09I talk to people on the second floor.
38:14I talk to them one by one.
38:17I talk to the class president.
38:21I feel like a classmate.
38:23I want a miracle like this to happen to me.
38:28I want to experience it.
38:30It's like a dream to be able to do it.
38:33I'm doing it now.
38:35And it's fun.
38:38That's great.
38:39I'm embarrassed.
38:41That's not true.
38:43She has her own style.
38:46The next question is for her, who has been active for 27 years.
38:53You've been active for a long time.
38:55Don't you feel like you're running out of stamina?
38:58It's my 15th anniversary this year.
39:02I'm still excited.
39:05Of course, I'm trying to make something good.
39:09I think it's very difficult to make a song like a representative song.
39:14KABUTOMUSHI was born in 1999.
39:17STRO was born in 2018.
39:19SOUSHITOUWA was born this year.
39:22I think it's amazing that you can constantly make a song like this.
39:29Do you have any difficulties?
39:32I want to make a song with all my heart.
39:36I want to make a place where everyone can listen to it.
39:41My goal is to become the singer I want to be.
39:49So I don't think I'm tired.
39:54Don't you feel like you're working?
39:57No.
39:59Has the image of a singer you want to be changed?
40:02When I clear one, I have another goal.
40:07It's a challenge.
40:09My goal is to keep changing.
40:14I don't know why, but I want to be a strange singer.
40:21That's my goal.
40:25Don't you get bored?
40:27I'm afraid I'll get bored.
40:30I'm afraid I'll get bored.
40:32I don't get bored, but I'm afraid everyone will get bored first.
40:36I'm really worried about that.
41:06I don't know why, but I want to be a strange singer.
41:11I don't know why, but I want to be a strange singer.
41:16I don't know why, but I want to be a strange singer.
41:21I don't know why, but I want to be a strange singer.
41:26I don't know why, but I want to be a strange singer.
41:31I don't know why, but I want to be a strange singer.
41:36I don't know why, but I want to be a strange singer.
41:41I don't know why, but I want to be a strange singer.
41:46I don't know why, but I want to be a strange singer.
41:51I don't know why, but I want to be a strange singer.
41:56I don't know why, but I want to be a strange singer.
42:01You came to the starry sky.
42:10I realized that I liked you at that time.
42:19You came to the starry sky.
42:27You scattered the world in front of me.
42:38You scattered the world in front of me.
42:48You scattered the world in front of me.
42:58You scattered the world in front of me.
43:06You scattered the world in front of me.
43:15You scattered the world in front of me.
43:24You scattered the world in front of me.
43:33You scattered the world in front of me.
43:41You scattered the world in front of me.
44:03You scattered the world in front of me.
44:33Next week.
44:35Oomori and...
44:37The famous percussion group, Las Egas.
44:41The first percussion special.
44:47How did you do that?
44:49And Sazan.
44:51Kuroi.
44:52More and more great percussion songs.

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