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00:30Unlike you, Emily, I don't have much time for shopping.
00:34And I'll be away next week.
00:36Oh, is it a work trip?
00:38Or a girls' trip?
00:40Femme voyage?
00:41Well, actually, it's none of your business trip.
00:44We have those in America, too.
00:46Well, you deserve a vacation.
00:47And you can count on me to make sure everything runs smoothly while you're gone.
00:51Oh, I could help with the fautee flagship party this week.
00:55Oh, no, no, no, no.
00:56I don't need another problem right now.
00:58Well, given that there's an American actress hosting the event,
01:01I just think that you should be utilizing the American in your office.
01:05You really think you're up for the task?
01:07Absolutely.
01:08Javier, then you babysit the actress, but don't come to me with any stupid questions.
01:12If you're doing it, you should be saving me time and energy.
01:16On it.
01:19I have Routine Clark's travel itinerary and her talking points for the party.
01:23Sylvie says this is your problem now.
01:25Problem?
01:26I love her.
01:27I've seen all of her movies.
01:28I can't believe Sylvie's letting me do this.
01:30I think she's in a good mood because she's going on vacation.
01:32Yes, to St. Bart with Antoine.
01:34But you didn't hear it from me.
01:36I'm going to pretend like I never heard it at all.
01:38Heard what?
01:39Mm, nothing.
01:40I'm going to pretend like I never heard it at all.
01:43I'm going to pretend like I never heard it at all.
01:45I'm going to pretend like I never heard it at all.
01:47Heard what?
01:48Just that I'm running point for Brooklyn Clark at the Foti launch.
01:51What, you're not a fan?
01:53She's a big movie star.
01:54Yeah, in America.
01:55In France, she is so-so.
01:56Her genre of movies are seen as a little bit foolish.
02:00Really? Why?
02:01American romantic comedies, they are so dishonest.
02:04He would like more of a French ending.
02:07Which is what?
02:08Tragic.
02:09More like life.
02:10He dies or loses a limb or she prefers to be a lesbian, which happens.
02:15Yeah, happy endings are very American.
02:17But they give you hope and the hero wins in the end.
02:20Don't you want to see the hero win?
02:21No, I want to see life.
02:23The hero tortured for his love and the actress naked.
02:26But don't you want to go to the movies to escape life?
02:29Thinking you can escape life is your problem.
02:32You can never escape life.
02:36Never.
02:38Welcome to the French ending.
02:46No, no, no, no.
02:51No, no, no, no.
02:53Bonjour. I'm here to see Brooklyn Clark.
02:55I'm sorry you don't have anyone stinking about that name.
02:57Really? I was told that she was here.
02:59No.
03:00It's fine, Ratatouille. She's with me.
03:02You're coming?
03:05You have to use the alias.
03:06I'm under Marie Curry or Marie Callender.
03:09Which one's pie?
03:10I'm Emily Cooper from Savoir.
03:12I'm such a huge fan of yours.
03:13I just wanted to tell you that now in case I blurted it out in the middle of a conversation.
03:16You're so sweet.
03:18Do you have any weed?
03:19Um, not on me.
03:21Actually, marijuana is highly illegal in France.
03:23I'm just kidding.
03:29Oh, my God.
03:31Okay, so I thought that we could go over the agenda for the fortier party.
03:34Thank God.
03:35First off, I have nothing to wear.
03:37Uh, yeah.
03:39I can see that.
03:40I mean, usually I just, like, unzip whatever they sent to the hotel,
03:43which is how I ended up in that atrocious romper at the VMAs.
03:46What?
03:47No, no. You looked great.
03:50I looked like a camel-toed toddler.
03:52Well, um, I have a connection at Pierre Codeau.
03:56Huh. Isn't he dead?
03:58No. No, he's definitely alive.
04:00Oh, I love that for him.
04:02Feels a little dusty for me, though.
04:04No, he's not dusty.
04:06He's sophisticated, he's classic,
04:08and certainly never designed a romper.
04:10Yes.
04:12I mean, I see your point.
04:14Give me your phone bucket hat.
04:18Just text me the details tomorrow.
04:20I'm free from 3 to 5.
04:22Oh, and don't tell my fat publicist.
04:24I hate her.
04:26Great. Okay. Sounds like a plan.
04:28Um, but really, about this fortier agenda...
04:31I'm so sorry. Can you give me, like, 15?
04:33I have to masturbate after a long flight.
04:36Kidding.
04:40Okay.
04:42Well, I'll just, like, put this on the table, then, for you.
04:44Okay. Thanks. You're the best.
04:56Oh, my God, I can't believe you saw
04:58Maid of Dishonor's Boots.
05:00Wait, who?
05:02It's one of Brooklyn's most popular movies.
05:04You know, the one about the widowed wedding cake baker
05:06who all the grooms fall in love with,
05:08and then we find out that they're actually ghosts.
05:10Oh, yeah. That was stupid.
05:12Uh, I cried.
05:14It was so sad. They were ghosts.
05:16Hey, guys.
05:18Hey.
05:22I know. I'm exhausted.
05:24What are you guys talking about?
05:26Oh, Emily saw a movie star naked today.
05:28Almost. Naked.
05:30Cool. Who?
05:32They're our client.
05:34Actually, you guys should come.
05:36It's gonna be super fancy, and I control the guest list.
05:38Oh, damn. I can't.
05:40Nanny duty's in Provence all weekend.
05:42Yeah, me too. I mean, I have to go to Brussels
05:44and meet a collector.
05:46But Gabriel is in town. You should go, honey.
05:48No pressure.
05:50Oh, sure. Sounds fun.
05:52And also, you need to celebrate.
05:54Can I tell them the news?
05:56Oh, there's nothing to tell.
05:58Okay, Gabriel's boss has finally agreed
06:00to sell him the restaurant.
06:02Oh, my God! Congratulations!
06:04So he will be able to do everything
06:06he wants to do with the place.
06:08Except that's not what's happening, Camille.
06:10Uh, I can't afford it.
06:12The down payment alone is completely out of my reach.
06:14Yeah, but my parents are happy to loan him the money,
06:16so it can work, actually.
06:22I have to get back to the kitchen.
06:26Is everything okay?
06:28Yes, it's fine.
06:30It's just, um,
06:32Gabriel really wants to buy this place
06:34and, um, getting help
06:36is the only realistic way it's going to happen.
06:38I hear you,
06:40but mixing family and money is tricky.
06:42I know firsthand.
06:44Oh, I'm super rich.
06:46No, really.
06:50Oh, my God, am I being that annoying
06:52girlfriend just right now?
06:54No, you're being supportive.
06:56Okay, you know what?
06:58Maybe it's good for Gabriel and I
07:00to have some time apart this weekend.
07:02Just make sure he has a fun time
07:04at the party, okay?
07:06I'll do my best.
07:18Kate.
07:20Helen Mirren.
07:22Yeast infection.
07:24054, oh.
07:26This bitch is coming with me.
07:28Follow me.
07:30Oh, I don't need
07:32underwear to try these on, right?
07:46Brooklyn Clark.
07:48Matthew Caddo.
07:50Pleasure.
07:52Every bit as beautiful in person
07:54as in your movies.
07:56Really? Which one's your favorite?
07:58Uh, the, uh,
08:00beauty, beauty, love,
08:02the rathiness.
08:04Busted.
08:06You're not Brooklyn Clark.
08:08Emily Cooper. I work at Savoir,
08:10the marketing agency Pierre hired.
08:12My uncle may have jumped the gun.
08:14He doesn't make those kinds of decisions.
08:16His name is on the door.
08:18If he doesn't, then who does?
08:20Okay, my uncle, like many
08:22brilliant artists, can be a victim
08:24of his own whims.
08:26Not sure we actually have a deal here.
08:28Mm, oh, I'm sorry.
08:30I thought that he wanted to be relevant
08:32and sexy and appeal to a young consumer.
08:34Mm, my bad.
08:36Emily, get in here. I need a
08:38normal's opinion. Be right there.
08:40Celine's been
08:42begging for Brooklyn, but I steered her
08:44here. Obviously a big
08:46mistake. I'm so sorry to have wasted
08:48everyone's time. All right, we'll give your
08:50company a one-month trial to create
08:52a social media presence for us,
08:54but please, please, nothing
08:56cliche. My uncle is very
08:58particular. Oh, I know. He chose
09:00me personally.
09:02Hello?
09:04One month.
09:06And I want a memorable
09:08post of Brooklyn in Pierre's dress.
09:10You'll be getting all that and more.
09:12Excuse me.
09:18Mm,
09:20très
09:22élégante.
09:24She's wearing
09:26Pierre Cadot.
09:28She is, and I made it happen.
09:30We're going to cross-promote on both brands' social
09:32accounts. Synergy!
09:34Put your hand down.
09:36Mm.
09:38Mm.
09:40Mm.
09:42Mm.
09:44Mm.
09:46Mm.
09:48I have Michel from Fortier with the
09:50waiver. Bonsoir.
09:52Will you please sign
09:54this? Oh, it's all in
09:56French, Julien. What am I signing?
09:58Yeah, they just need someone from Savoie to sign
10:00the insurance waiver for the 2-million-euro
10:02watch.
10:06And this one. Thank you.
10:08And this one. Wow.
10:10I know. And the last one.
10:12Okay.
10:14Have a good evening.
10:16Merci beaucoup.
10:18Oh, no. Look.
10:22Antoine and his
10:24wife.
10:26Yes, I saw
10:28them. Bonsoir et
10:30bonne chance. Wait, wait,
10:32wait. Do you think Sylvie knows? I don't plan
10:34to be around to find out.
10:36Oh.
10:42Can I
10:44talk to you? What is it?
10:46Antoine's here with
10:48his wife. Yes, they were
10:50on the guest list. Do you have a problem with that?
10:52Oh. Then
10:54everything's okay? Didn't I tell you not
10:56to come to me with stupid questions?
10:58Just do your job, Emily, please.
11:06You good with the speech?
11:08Be cool. The hottest guy at this party's
11:10walking over here. How's my
11:12tape game? What?
11:14Uh, strong?
11:16You made it.
11:18Yes, of course. Gabrielle, this is
11:20Brooklyn Clark. Enchanté.
11:22Damn, boy.
11:24Despy party?
11:26How about you do the speech
11:28in front of everyone?
11:30I don't know.
11:32Oh.
11:34How about you do the speech and
11:36we'll worry about the partying?
11:38You sound just like Kinkles.
11:40Who's Kinkles? My fat publicist.
11:42Trap.
11:46So this is America's
11:48sweetheart, huh? Maybe
11:50she has jet lag?
11:52Oh.
11:58Hi. Nice to meet you.
12:00Yeah, it's two million
12:02dollars. Can you believe it? Your work is very glamorous.
12:04This event is.
12:06I was really on edge about it, but so far
12:08everything's going really well.
12:10Quick,
12:12put your armor on me. What? Please, now.
12:14You look
12:16stunning. Oh, thank you.
12:18You remember Gabrielle?
12:20Of course, the chef from the restaurant.
12:22Memorable night. It was for me, too.
12:24Oh, I'm in trouble here.
12:26Oh? My wife
12:28has her eye on a very expensive watch.
12:30She's discussing a discount
12:32with Sylvie. Antoine,
12:34what do you think of the rose gold? Oh, it really
12:36compliments her skin. So kind,
12:38but I'm really not sure I need it. Oh, it's
12:40so beautiful. No, she must have it.
12:42Catherine, you remember Emilie from Savoie?
12:44Oh, yes, of course I do. Nice to see you again.
12:46Antoine speaks so highly of you.
12:48It's so nice to hear.
12:50Oh, Chef
12:52Gabrielle. Oh.
12:54Oh, unforgettable.
12:56Oh, you
12:58all had dinner. We were just
13:00entertaining a client. His tartare de veau
13:02helped close the deal.
13:04We should come and have dinner at your restaurant sometime.
13:06Maybe after we get back.
13:08Back from where, chérie?
13:10Antoine thinks he's so good at keeping
13:12secrets, but his assistant
13:14accidentally copied me on an email
13:16for the hotel booking. You can
13:18stop pretending, chérie.
13:20He's surprising me
13:22with a trip to Saint Barthes next week.
13:24Let's see.
13:26Fantastic.
13:28I hear it's very beautiful.
13:30What a shame. Now the surprise
13:32is spoiled. One can never spoil
13:34Saint Barthes.
13:36Have you ever been there, Sylvie?
13:38No, never.
13:40Never, but I'm sure you two will have a wonderful
13:42time.
13:44Excuse me.
13:48Sorry.
13:50Let's go.
13:52Sylvie, are you okay?
13:54I'm fine, Emily.
13:56The event was a success,
13:58and now the party's over.
14:00Of course, but I know that you were excited about that
14:02trip. I'm sorry.
14:04You know nothing,
14:06Emily.
14:12Bonsoir, Bucket Hat.
14:14Wait. Stop. Where are you going?
14:16Text me.
14:18I'm sorry.
14:20Text me.
14:22Is everything okay?
14:24No. No. I just lost that crazy
14:26movie star that I'm in charge of
14:28and a two million euro watch, and I'm going to lose
14:30my job, and I wish that I was wearing a
14:32Bucket Hat that I could just throw up in.
14:34Why don't you call our driver?
14:36Genius.
14:40Hi. Hi.
14:42Bonsoir. It's Emily Cooper
14:44from Savoir. Who are you going to vet?
14:46Brooklyn Clark.
14:48Wait a minute.
14:50I'll explain.
14:52Hello?
14:54Yes.
14:58Okay. I know where they're going.
15:10Oh my god!
15:12You're here! And you brought a snack.
15:14Do you have cash? Brooklyn, you can't just
15:16leave without telling me.
15:18I said bonsoir. The party was over.
15:20Come on, girl. Let me buy you a drink.
15:22You just said you didn't have any money.
15:24Oh, right. He's buying.
15:26Great. Okay. Just one
15:28fun drink, and then we have to get out of here.
15:30Just one?
15:32Honey, look around.
15:34We didn't come here to be who we are
15:36back home. We came here to lose
15:38ourselves and find adventure.
15:40This isn't just a drink.
15:42We're not just at a bar.
15:44We're on the precipice of the rest of our lives.
15:46I can't believe you just quoted
15:48your own movie at me. You quoted it too, babe.
15:50Skol!
15:52Skol!
16:06God, I just live
16:08for trap music, you know?
16:10Totally. Are you okay?
16:12Oh, yeah. I just took something to help me relax.
16:14See? I'm relaxed.
16:16And horny!
16:18Woo!
16:20I think she took Molly.
16:22What? I think she took
16:24Molly. Oh, she did.
16:26And now she gotta pee.
16:30She's fun.
16:32She's not supposed to be that fun.
16:34She's voicing Mother Goose in a
16:36Pixar movie. Well, it's a good thing
16:38no one's paying attention here.
16:40Yeah, at home she's the good girl,
16:42but here...
16:44She can get away with everything.
16:46It's just Paris. It's not some alternate universe
16:48where rules don't apply.
16:50You don't come to Paris to be good.
17:06Uh...
17:08Um...
17:10I'm sorry.
17:12I'm gonna...
17:14I'm gonna text Brooklyn
17:16and we should get out of here.
17:20Oh, my...
17:22Oh, my God.
17:24Ah!
17:26Hello? Hello?
17:28It's Michel from Fortier, remember?
17:30Oh!
17:32Hi! Hi, is everything okay?
17:34I think there was some miscommunication.
17:36We needed the watch back as soon
17:38as the party was over,
17:40which was over two hours ago.
17:42Oh, you did?
17:44Well, don't worry. The watch is
17:46with Brooklyn and she's here with me.
17:48And where is that?
17:50In a club.
17:52It's more like a bar. It's a restaurant.
17:54Honestly, it's just a little loud.
17:56Put her on the phone!
17:58She's in the bathroom right now,
18:00but I will have her call you back.
18:02ASAP.
18:04Bye! Bye-bye!
18:08We have to find Brooklyn
18:10and get out of here now.
18:16Brooklyn?
18:20Brooklyn?
18:22Oh! I'm sorry.
18:24You're not Brooklyn.
18:28She's not in the bathroom.
18:30The bartender hasn't seen her
18:32The bouncer has no idea if she is.
18:34She's gone.
18:36I'm so screwed.
18:42The only thing to do is go back to the hotel
18:44and pray.
18:46Okay, so the Uber was two minutes away,
18:48but now it's seven minutes away.
18:50How is that even possible?
18:52Oh, God! Now he's 12 minutes away!
18:54Why is he driving backwards?
18:56Cancel it. I have a better idea.
19:02I'm sorry.
19:04I'm sorry.
19:06I'm sorry.
19:08I'm sorry.
19:10I'm sorry.
19:12I'm sorry.
19:14I'm sorry.
19:16I'm sorry.
19:18I'm sorry.
19:20I'm sorry.
19:22I'm sorry.
19:24I'm sorry.
19:26I'm sorry.
19:28I'm sorry.
19:30Bonsoir.
19:32We need to be let up to Marie Curie's suite.
19:34We have no such person.
19:36Marie Callender? No.
19:38Marie Antoinette? No.
19:40Marie Osmond? I'm sorry, there's no one under any of those names.
19:42Oh, she must have changed her alias!
19:44Come on, you know who we're talking about!
19:46Mademoiselle, please lower your voice. I'll have to ask you to leave.
19:48Est-ce qu'on peut attendre au bar?
19:50Oui. What did you ask him?
19:52Come on, before they kick us out.
19:54You have to stop beating yourself up.
19:56She ran away, and you're here,
19:58and you're going to fix it.
20:00But I'm not this person.
20:02I'm the girl who shows up,
20:04not the girl who makes bad decisions.
20:06You're not the only one making decisions here.
20:08Well, I'm the only one
20:10who's getting fired tomorrow.
20:12Maybe losing your job wouldn't be so bad.
20:14Take a year to travel,
20:16eat good food,
20:18fall in love.
20:20You're going to have to let me eat for free at your restaurant.
20:22I'm not going to have a restaurant.
20:24What about the loan from Cummings' family?
20:26If I take money from them, they own me.
20:28I don't want to be owned by anyone.
20:30Even if it means
20:32putting my dreams on hold for a while.
20:34That's better than seeing them go out the window.
20:42Bonsoir.
20:44Emily, why are the footie people calling me at 2 a.m.,
20:46asking me about Brooklyn Clark
20:48and a two-million-euro watch?
20:50Sylvie, I'm handling it.
20:52Mm-hmm. I see what you're handling.
20:58Merde!
21:06She ditched me at the club.
21:08She was definitely on to something.
21:10She changed her alias, so now I can't get up to her room.
21:12Bonsoir, madame.
21:14We need to get into a room, and I think you know which one.
21:16It would be my pleasure to help you,
21:18but as I've told your associate,
21:20the privacy of our guests...
21:22A girl could be dead in that room,
21:24and not just any girl, an American girl.
21:26A very famous American girl
21:28with over 14 million Instagram followers.
21:30So how do you think that would make you look?
21:32That is quite a leap.
21:34Yeah, but if it's correct,
21:36you'll have a PR nightmare on your hands.
21:38Not just the hotel's hands, your hands.
21:40Is this job really that important to you?
21:42Are you willing to be destroyed over this?
21:48Follow me.
21:54I think I hear music, or voices.
21:56That's a good sign.
21:58Should we knock?
22:02Or not.
22:08Brooklyn!
22:14Where is the watch?
22:16Excuse me.
22:18You can't just barge in here. I'm calling my lawyer.
22:20This is beyond.
22:22Stop talking.
22:24Your voice is crazy.
22:26Oh, it's on the nightstand.
22:28Let me do it.
22:30I was gonna bring it back.
22:32I wasn't gonna wait all night for you to come.
22:34Unlike him.
22:38Hey, don't post my tits.
22:40I'm not.
22:42Stop calling me Bucket Hat!
22:44Still friends?
22:52Can I say how amazing that was?
22:56You were total badass,
22:58not taking anybody's bullshit.
23:00I'm truly in awe.
23:02I guess I just needed to vent.
23:06Are you happy?
23:08With him?
23:10Do you really believe most people are happy all the time?
23:14Of course you do.
23:16I don't know. I just think that...
23:18you could have more.
23:20You could have 100% of somebody
23:22instead of...
23:24I don't want 100% of anyone,
23:26and I don't want anyone to have 100% of me.
23:28And if you're committed or married,
23:30that never happens anyway.
23:32It's a...
23:34It's a fairy tale.
23:36Bad movie.
23:38Do you really believe that?
23:40You believe in happy endings, don't you?
23:42The knight on the white horse
23:44is gonna come and save you from everything.
23:58Oh,
24:00I see why you think the way you do.
24:02He's not my knight.
24:04Mm-hmm.
24:06But he's here.
24:08Goodnight, princess.
24:12Goodnight.
24:16I just wanted to make sure you got home.
24:18Or, if you're hungry,
24:20to a little crepe stand in Montmartre.
24:22It's the best place in the city to watch the sun come up.
24:24If you want.
24:26If I want?
24:28Of course I want.
24:30But I also want more than that.
24:34I'm not somebody who can share a crepe.
24:38I need the whole crepe.
24:40I don't think we should see each other anymore.
24:42It's not good for any of us.
24:44I was just offering you a ride home.
24:46A sunrise.
24:52Thank you again for your help.
24:54I can get myself home.
24:58Goodnight, Gabrielle.
25:10Goodnight.
25:20Almost 200,000 lives.
25:22Not bad.
25:24Do you think it's too risqué for Pierre Cadeau?
25:26Not according to Mathieu.
25:28He just DMed you.
25:30Hmm.
25:32Turns out it was just risqué enough.
25:34Okay, I'm not going to apologize again for last night,
25:36even though I'm very sorry.
25:38You know you're doing it right now.
25:40I'm stopping.
25:42Anyway, I was just thinking that since you're free now,
25:44what about a girls' trip this weekend?
25:46St. Bart's is a little outside my budget,
25:48but maybe Disneyland Paris?
25:50Get out of my office.
25:52Okay.
25:54Yeah, didn't think so.
26:04Yeah, didn't think so.
26:34Yeah, didn't think so.
27:04Bye.
27:06Bye.
27:34Bye.
28:04Bye.