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00:00I have to go pick up my things.
00:07I'm sorry.
00:08Hi, how are you?
00:09I'm Beatriz Vega, and I wanted to announce that today I'm going to be doing a live broadcast
00:20to talk about how to overcome a rupture and the tools that can help us in these cases.
00:28I invite you to leave in the comments any questions you have about it.
00:33It's very interesting to see two girls from different generations debating about taboo topics.
00:38Popeye was a bastard.
00:40Absolutely.
00:41We agree on that, right?
00:42Yes.
00:43I'm glad.
00:44And not only because he wouldn't let us hit you, but because he wouldn't let us ask you for help.
00:49You didn't write romantic letters like that?
00:52Then come with me, Romeo, because we have a lot of work to do.
00:59I'll be waiting for you at six.
01:01Did he throw the trash at you?
01:03Yes.
01:04Just that?
01:05God, what a scare you gave me.
01:07What?
01:08You really don't care that your wife throws the tiles at your uncles?
01:12Not anymore, Elsa.
01:14Why don't we try to be a conventional couple again?
01:17We could try again.
01:19What's wrong with the lawyers?
01:21Either they can't, or they don't care about the case.
01:23I'm playing the future of my son.
01:25And the trial is in two days.
01:27I don't know what to do.
01:28Oh, I'm thinking of something that might be a little crazy, but...
01:33But it doesn't matter, I'm desperate.
01:35I know a lawyer.
01:36Who?
01:39Diego.
01:46What's up, John?
01:47How are you?
01:49What's up? Here with your letter.
01:51Very good, the reference of Lorca.
01:54Lorca and Pringatula, man.
01:56Yes.
02:00He doesn't even know who he is.
02:10This is my cell.
02:13Are you my partner?
02:15Yes, I think so.
02:17Hi, my name is Norberto.
02:19I'm John.
02:21Do you like role-playing games?
02:23Yes.
02:24Do you like the Orc-Dragon saga?
02:26Do you know it?
02:27I love it.
02:28Who are you?
02:29I'm Master.
02:30Hi.
02:31Do you think we could play a game?
02:33No, but we have plenty of time.
02:38Do you know why I'm here?
02:41No.
02:42Do you want me to tell you?
02:45I had a little problem with a friend I was playing with.
02:49A little problem in the game?
02:51The usual.
02:53He stole all my experience points.
02:55And of course, I had to burn his house.
02:58So you burned your friend's house?
03:00In the game, John.
03:01I burned it in the game.
03:09My colleague, Florent, had a giant medieval fortress.
03:12So I destroyed it as revenge.
03:14Sure, sure.
03:15You threw some archers at him, right?
03:17No, no, no.
03:18I sent him a level 12 dragon.
03:21Then he sent a horde of goblins to conquer my fortress,
03:24but he couldn't do it.
03:25It always happens to me with the goblins.
03:27I underestimate them and they end up winning the games.
03:29It's hard to manage, but he couldn't do it with me.
03:32Anyway, things got out of hand,
03:34and in the end I had to stab him with a knife.
03:37Very good.
03:38I always do this as a finale.
03:40A sharp dagger, right?
03:41Or an axe of dark orcs.
03:43So I have to say that I like to finish with the beauty.
03:46No.
03:47A ham knife from my mother.
03:50Here.
03:52In the chest.
03:57I'll tell you something, Jorg.
03:59The judges in Spain don't have any training in role.
04:03But don't worry, Florent will recover.
04:07That was just a warm-up he gave me.
04:10Can I come in?
04:20Yes.
04:50THE POLYAMOR
05:14We start the second episode of Conversexo,
05:17and today's topic is polyamory.
05:19Don't confuse it with having a boyfriend who's a cop.
05:22Oh my God.
05:23Anyway, polyamory is a non-monogamous relationship
05:26between two or more people,
05:28established in a consensual and responsible way.
05:30That's why it's very important to be mentally and emotionally prepared.
05:35Jesus Christ.
05:38Hey, hello.
05:41What's up?
05:42A stop for a coffee?
05:44Would you like some?
05:45Well, I see you're not commenting yet.
05:48You know you can participate at any time,
05:50from the chat.
05:51We're live.
05:52With the TV?
05:53Yes.
05:54Oh, that's great.
05:55Can I stay?
05:57I'm so excited.
05:58I've always liked what's on TV.
06:02Be quiet, okay?
06:04I'll say hi.
06:05Hi, Ale.
06:06You'll be seeing us.
06:07Your niece, your...
06:10And me, your sister.
06:12We love you so much.
06:13Angelita, it's not the time or the place.
06:16Angelita, she says.
06:17Since when do you call your mother that, girl?
06:24What are you talking about?
06:25We're talking about polyamory.
06:27Let's go back to the topic.
06:29Polyamory?
06:30Yes.
06:31No way.
06:32Let's see.
06:33No, polyamory is when,
06:35in a relationship between several people,
06:37there's consent from all of them.
06:40That's right.
06:41Whatever you say.
06:42But polyamory never brings anything good.
06:45Police, polyps, polyamory.
06:47As you can see,
06:48this humorous break
06:51reflects the thought
06:53that we should all avoid.
06:55Let's take a short break
06:57and we'll be right back.
07:00Mum.
07:01Please, Angelita, we're working.
07:04Let's see, we have to cheer up.
07:06You're not cheering up enough.
07:08Okay, I'll go back to the taxi.
07:10But you're not in a position
07:12to despise one of the few listeners you have.
07:16Aren't you?
07:20Let's go.
07:33Let's go.
07:34Let's go.
07:35Should I put it live again?
07:36Okay, but you have to apologize or something.
07:39I mean, this...
07:40No, no, why should we apologize
07:42if there were 48 people watching us?
07:4448?
07:45Alone?
07:46Well, look,
07:47we already knew that social media comments
07:49are difficult.
07:50Yeah, but 48 is very sad.
07:52Let's see, the important thing is
07:54that we have quality content
07:56and we're going to die with it, right?
07:58Yes.
07:59That's it?
08:00Who cares if it's 48 or 48,000?
08:02Let's see, man.
08:04The 48 are our loyal fans.
08:06They're all there with us,
08:08they don't know us or anything.
08:09That's true.
08:10Of course.
08:11That's true.
08:12Yes.
08:13Let's go with the 48.
08:14Come on.
08:15Come on.
08:16Let's go.
08:17That's smart.
08:18Okay, we're...
08:19You're...
08:20Well, after this little introduction,
08:22we want to see your first impressions,
08:25so let's read some of them.
08:30But one thing,
08:31we haven't entered yet,
08:32because I don't see anything.
08:33Yes, there are no comments.
08:35What?
08:36There are no comments.
08:38Ah!
08:39Your first comments are coming in.
08:41Let's see, for example,
08:43Mariló67 says,
08:44let the lady from the other day come back,
08:46she was very funny.
08:47She was very funny.
08:49Thank you, Mariló, for your message.
08:51I'm afraid it won't be possible at the moment,
08:53but you never know.
08:55Let's go with the next comment.
08:57Let's see.
08:58Raimundo Crack says,
09:00I would make a polyamorous trio of those.
09:04Let's see.
09:06Let's go with Marifran,
09:07who seems to be a pain in the ass.
09:10Rosy De Vera says,
09:12either the lady from the other day comes back,
09:14or I stop watching the show.
09:18There are some who don't know Marifran, right?
09:21There aren't.
09:28Let's see, John,
09:29what I need from you right now
09:30is for you to be calm, okay?
09:32Relax, rest well,
09:33tomorrow is an important day.
09:35I have a surprise for you.
09:36Your parents are here.
09:37Do you want to talk to them?
09:38Hi, son!
09:39Honey!
09:40What's up?
09:41You see what a great lawyer we found you?
09:43We've been thinking about you all the time, honey.
09:45And I've been thinking about you, mom, a lot.
09:47Really, a lot.
09:48How are you?
09:49How's it going in there?
09:51Are you okay?
09:53Well...
09:55What are you worried about?
09:57Yes, okay, look,
09:58I have bad news, okay?
10:03And that?
10:04I've put in a friend from Celta
10:06who's mad, okay?
10:07He has a mental disorder.
10:08He has something, okay?
10:09Because he's crazy.
10:10He's crazy.
10:11But I arrested him too.
10:13No, no,
10:14he was arrested in Madrid.
10:15Okay, and why is he in jail?
10:17Norberto is in jail because...
10:21he stabbed a friend of his
10:23playing a role-playing game.
10:24Okay?
10:25And tonight I have to play
10:26a role-playing game with him.
10:27Do you understand?
10:28Wait, wait, wait a minute.
10:29Are you sure about that?
10:30100% sure.
10:31He confessed it to me himself.
10:32Yeah, but you have to realize
10:33that all prisoners lie.
10:35They try to look worse than they are.
10:37Yes, listen to Diego,
10:38that's true.
10:39They try to impress
10:40and scare, that's it.
10:41Right, son?
10:42Look, I'm going to ask the judge
10:44to transfer you to a low-risk module.
10:46Okay?
10:47The weird thing is
10:48that they put him in a jail
10:49with such dangerous prisoners.
10:51We're already on it, okay?
10:52John, don't worry.
10:56Hello?
10:57John!
10:58John!
11:01Fuck, did he do this again?
11:08Fuck, why does he always hang up?
11:10I don't understand.
11:11This is torture, Diego.
11:13This is fucking torture.
11:14I'm really sorry for the others.
11:16What I need is to know
11:17that he's going to be okay,
11:18that he's protected,
11:19that nothing's going to happen to him.
11:20He's going to be okay.
11:22Do you want to see him?
11:23Now?
11:24Can we?
11:26I don't know.
11:27Do you have anything better to do?
11:28Only one can come, that's for sure.
11:30No, no, I'm coming with you.
11:32Yes?
11:33Yes, yes, yes.
11:34But do you think we'll be able to see him?
11:35Trust me.
11:37Let's go.
11:39I'm going with him.
11:40I'm telling you.
11:41Give him a kiss.
11:42Calm down.
11:43Fuck.
11:51I'm not going back.
11:52I just said it.
11:53I'm not going back.
11:54No, I can't believe it.
11:55Forgive me, forgive me.
11:56Forgive me.
11:57I'm really sorry.
11:58I'd help you get up,
11:59but for whatever reason,
12:00it's a bit complicated.
12:01This hasn't been a revenge
12:03for what happened before,
12:04even if it looks like it,
12:05isn't it?
12:06It's my fault.
12:07I have to learn to be careful on the street.
12:08Well, your phone's ringing.
12:09If you want, I can...
12:11I think the phone is the least of it.
12:14Fuck.
12:16Fuck, fuck.
12:17I'm really sorry.
12:18I'll pay you.
12:19No, it's my fault.
12:20I can't.
12:21I'm distracted.
12:22No, no, no.
12:23It's normal to get distracted
12:24when you're talking to someone important.
12:25It's normal.
12:28Fuck.
12:30Are you okay?
12:41Look.
12:42What happened?
12:43I feel...
12:46How are you?
12:47Good, good, good.
12:48Don't worry, I'm fine.
12:49If nothing happened,
12:50everything's fine, okay?
12:51Everything's fine.
12:53It's a new environment, isn't it?
12:54Look at this prison.
12:55How romantic.
12:56Everything's fine.
12:57What's wrong?
12:58Are you in love?
12:59All this is for me.
13:00For you.
13:01Yes, yes.
13:02Now I'm an idol here.
13:03I mean,
13:04they ask me to write love letters
13:05to all the prisoners.
13:06They call me Romeo.
13:07Romeo?
13:08I swear, I swear.
13:09I'm an idol here.
13:10Let's see, the important thing.
13:11You're here because of Norberto, right?
13:12Yes.
13:13Okay.
13:14What, what?
13:15Are there any news?
13:16There are news.
13:17Okay.
13:18I've managed to get him transferred to the cell.
13:19To him?
13:20Yes.
13:21He's going to be in the cell tomorrow
13:22with a low-risk module.
13:23I'm sorry, but we haven't managed to do it.
13:24The judge hasn't agreed to that,
13:25but he does agree to change him from the cell.
13:26Okay, okay.
13:27That's it?
13:28Tomorrow morning,
13:29they've moved him.
13:30No, tomorrow morning, not today.
13:31Things in prison take their time.
13:32You know that the schedules here are very strict
13:33and the transfers are made at 9 am.
13:34That's it.
13:35I have a role-playing game today.
13:36I'm not going to wake up,
13:37because if I give him a prosthetic,
13:38he's going to stab me in the face.
13:39Don't worry, listen to me.
13:40Diego has managed to get him
13:41to be in the cell,
13:42very well guarded.
13:43He's a good guy.
13:44He's a good guy.
13:51You're going to be watched all night.
13:52Nothing's going to happen to you.
13:53Look, I have an idea.
13:54What you can do is,
13:55now when you get there,
13:56instead of seducing her,
13:57give her a present,
13:58give her a friend.
13:59Norberto already had a friend.
14:00And you know what happened to him?
14:01He stabbed him.
14:02He tried to kill him
14:03to do that.
14:04Okay, don't give me that.
14:05Don't give me that.
14:06Don't give me that.
14:07Don't make that gesture.
14:08Come here.
14:09He's right.
14:10This can't be, Diego.
14:11It can't be.
14:12You can't spend more time with that guy.
14:13You can't.
14:14You can't.
14:15You can't.
14:16You can't.
14:17You can't.
14:18You can't.
14:19You can't.
14:20You can't spend more time with that guy.
14:21Man.
14:22Okay.
14:23The only thing I can think of,
14:25and I shouldn't tell you this,
14:26because I'm your lawyer,
14:29what would you like to spend the night in the infirmary?
14:35In the infirmary, if it's okay.
14:37In the infirmary, you're going to be careful,
14:38watched, everything's fine.
14:39Well, okay.
14:40Yes, of course.
14:41Perfect.
14:42Perfect.
14:43Then you just have to lie.
14:44When you get to the cell,
14:45pretend your head hurts.
14:46Let him.
14:47Let him.
14:48But, Diego,
14:49my lawyer doesn't know how to lie.
14:50He doesn't know how to lie.
14:51He doesn't know how to lie.
14:52He doesn't know how to lie.
14:53Everyone knows how to lie.
14:54I don't know how to lie.
14:55I don't know how to lie.
14:56Fuck, not even once.
14:57I can't get it.
14:58I start to move and I don't know how to lie.
15:00I'm starting to sweat just from imagining it.
15:02Fuck, I can't lie.
15:04There has to be another solution.
15:05Fuck.
15:06It's giving me...
15:07Yeah, well,
15:08go to the infirmary.
15:09Of course.
15:10You can't think about this.
15:12Stop, stop, stop.
15:13Stop, stop.
15:16Maybe it's crazy, okay?
15:17But...
15:18What if...
15:19I go there with a...
15:22Eh?
15:23Eh?
15:24I give myself a blow, a cut,
15:25I pretend I have an injury,
15:27a little blood,
15:28I say I'm dizzy
15:29and they keep me there all night,
15:31in observation.
15:33That's fine,
15:34but...
15:35I'm not going to tell you
15:37that you injure yourself.
15:38It's like that.
15:42But it's a small cut and that's it.
15:44But small, very small.
15:46Well, not so small,
15:47because otherwise it won't take you to the infirmary.
15:49Yes, Dad, Dad, please.
15:50Be very careful, John.
15:52Please.
15:57How's your brother?
15:59Well, apparently he has a new cellmate
16:01who is obviously a criminal.
16:03Oh, God.
16:04Yes, yes.
16:05But hey, we're in the trial
16:06and my parents trust Diego a lot.
16:08Yeah, let's see,
16:09if Diego has a good thing,
16:10he's the best lawyer in Spain.
16:11Yes, yes.
16:12He's going to try to change his cellmate this afternoon,
16:13so it's good.
16:14Oh, really,
16:15what's going on with him?
16:16No, no, you don't deserve him,
16:17he's a kid.
16:18Oh, look, isn't this Aira?
16:19Yes.
16:20Hi.
16:21Hi, girls.
16:22How are you?
16:23How are you?
16:24Did you hear about the podcast?
16:25Yes, yes, well, I loved it.
16:26What podcast?
16:27Sara, honey,
16:28you always want to get into everything.
16:29Well, girls,
16:30bye.
16:31Bye.
16:32She's so big, the sister, right?
16:33Yes.
16:38Oh, hello, Enrique.
16:39Hi, girls, how are you?
16:41What should I put on?
16:42The usual.
16:45Hey, what podcast?
16:46Well, nothing,
16:47a podcast about real people.
16:48Real people?
16:49Yes.
16:50Oh, about Maribela from the kiosk,
16:51that she likes to talk,
16:52that you don't see.
16:53No, no, no,
16:54it's about sex.
16:55About sex?
16:56Yes, yes.
16:57And who does it?
16:58Desivea.
16:59I can't believe it.
17:00Yes.
17:01And what's it called?
17:02It's called Conversexo.
17:03Let's see.
17:04Oh, look, yes,
17:05I have it here, yes.
17:06And do you know who else?
17:07Who else?
17:08Marifrana Interrupted.
17:09I can't believe it.
17:10Yes.
17:11Well, Marifrana appeared
17:12in the first episode,
17:13and then in the second episode
17:14she wasn't there
17:15and everyone was asking her to come.
17:16And then, in the end,
17:17it was just three generations
17:18together.
17:19It's great, really.
17:20Hey, it's great.
17:21I'm going to listen to it
17:22when I get home.
17:23Yes.
17:24Oh, Marifrana.
17:25Yes?
17:26Absolute fan of your podcast.
17:27Oh, don't tell me.
17:28Really?
17:29Yes.
17:30But, well,
17:31this was something that was good
17:32to come and, you know,
17:33a coincidence,
17:34because the stars are her, huh?
17:35No, but think about it
17:36seriously,
17:37professionally, really.
17:38Really?
17:39Yes.
17:40I don't know how to do
17:41what you're telling me.
17:42It's great.
17:43I'm not sure
17:44if I would be so proud
17:45to show my voice
17:46in front of Monish
17:47and for that,
17:48it's very cool.
17:49Thanks a lot.
17:50It has made me
17:51completely happy.
17:52We have already
17:53done the woman's day.
17:54And it doesn't help
17:55that one day
17:56she's telling me
17:57that we need time
17:58and the next day
17:59you have to be
18:00dirty with him again.
18:01Yeah.
18:02But have you been like this
18:03for a long time or...?
18:04Well,
18:05it's not the first time.
18:06Sure.
18:07But do you know
18:08what you want now?
18:09Not at all, of course.
18:11I don't think it's going to be easy, is it?
18:14No.
18:15Not really.
18:16Have you been together a lot?
18:19A lot.
18:21He's great, and I like him.
18:23I mean, you don't get me wrong, but...
18:26I feel like it's time to move on.
18:30I'm still young, right?
18:32Tell me yes or I'll kill you.
18:34Yes, yes, of course.
18:35You're super young.
18:37No, but...
18:38I don't know, I...
18:40I have the opportunity to meet new people,
18:43and sometimes you have to shut the door to open another one.
18:48Yes.
18:49I feel like I'm running you over.
18:52Why?
18:53I'm being really annoying.
18:54No, what are you saying?
18:55No, no, no, no.
18:57In fact, I'm loving the conversation, and it's helping me a lot because...
19:00Fuck, I mean...
19:01I've also been a little stuck for a while, right?
19:04It's a novelty.
19:05Besides...
19:06Hey, would you like to have coffee?
19:08I've been told about a place on the outskirts,
19:10and it's pretty good.
19:12Eh...
19:14I mean, now?
19:15Well, my phone's broken.
19:17I don't have anything better to do.
19:18I see.
19:19Eh...
19:21Well, I'd love to.
19:22Really.
19:23But you know what?
19:24Well, we don't have an elevator at home.
19:26I have to help my uncle get on the stairs.
19:28Yes, yes, no, no.
19:29Another time, then.
19:30Eh... yes.
19:31Yes.
19:32Of course.
19:33Don't worry.
19:34No, no, no.
19:35Really.
19:36Yes, yes, for you.
19:37I'll give it to you as a gift.
19:38That way, you'll also learn Spanish customs.
19:41Goodbye.
19:56Paco, Paco, Paco, Paco, Paco, Paco.
19:58Tell me, tell me.
20:00What happened?
20:01Tell me.
20:03What happened?
20:04What happened at the hotel with Elsa?
20:06Well, it was...
20:09It was what we needed, man.
20:11A sincere conversation between adults.
20:13No hot baths.
20:14Okay, okay.
20:15I mean, the pee-pee thing was fine, but...
20:18What about the other thing?
20:19The other thing?
20:22I don't want to lie to you, Arturo.
20:24The other thing was...
20:27spectacular.
20:29Spectacular.
20:33That's how my night with Paco was.
20:35Do you remember how I met Elsa?
20:38Of course, of course.
20:39Eh... at that hotel you were working at,
20:41by the lift, right?
20:42Yes, I was at a concert, man.
20:44I saw her in the audience.
20:46Wow, I fell for her right away, man.
20:48And then, at that moment,
20:50I decided to sing her
20:52the most romantic song in my repertoire.
20:55No.
20:56Angel de Miel?
20:57Angel de Miel, man.
20:59And I fell in love with her at that moment.
21:02Don't surprise me, Paco.
21:03I'm remembering it, and look.
21:05Hair like a scorpion.
21:07I had an idea yesterday, man.
21:09What did I say?
21:11I'm going to sing her the same song.
21:13The same song.
21:15He sang the same damn song
21:1730 years ago.
21:19Wow.
21:22And it's okay that at the time it was funny.
21:24But Paco,
21:26well, well, he's never sung,
21:28and he's lost his voice over the years.
21:31Imagine how it was for you, man.
21:34It was a beautiful moment, man.
21:36Beautiful.
21:37At the hotel, they must have thought
21:39we were mistreating Gato.
21:41You know what's best?
21:43I think it's the first moment of many.
21:45Really?
21:46A horror?
21:47I see her better and better in town, man.
21:49I don't know how you can live in this town.
21:51Yesterday, man,
21:53the magic returned to my marriage.
21:55Don't drown yourself.
21:56I felt a passion,
21:58a connection
22:00that I hadn't felt in a long time.
22:02I hadn't felt
22:04such a big emptiness in a long time.
22:08It's like
22:10a spark of life
22:12had disappeared.
22:17Man, Mabela.
22:19How are you?
22:20What can I get you?
22:21A coffee.
22:22To take away.
22:23Very well.
22:24But if you don't mind,
22:25Arturo says I have to attend to the terrace.
22:27Look, you know what?
22:29It's very late.
22:30I'm in a hurry.
22:31Leave it.
22:32No, no, no.
22:33I'll take a...
22:34Really.
22:35The woman who puts Arturo in a second.
22:37Right?
22:38Yes, yes.
22:39Besides, you don't know how well he makes coffee.
22:41What we have improved in the handling of the coffee maker.
22:45What do you want to take away?
22:47Yes.
22:51Okay.
22:55How are things going?
22:57What do you think?
22:58Bad.
22:59Very bad.
23:00They are crucifying me with the issue of Ecuador.
23:02I see, I see.
23:03It's just that this...
23:04This is how it is.
23:05And this town hall is a jungle.
23:07I know.
23:08But I didn't expect them to devour me so soon.
23:10At least because of...
23:12Because of me.
23:13Yes, yes.
23:14You can say it.
23:15Quietly.
23:16Yes.
23:17Yes.
23:26It takes time, but it tastes very good.
23:33Bea, what do we do then?
23:35I don't know.
23:36I'm...
23:37I don't know what to do.
23:38Me neither.
23:39But we have to decide now, because...
23:41Oh my God.
23:42Come on, hit the button and we'll start.
23:43Come on.
23:44Shall we?
23:45Of course.
23:46Come on.
23:50We're live.
23:51Well, and we start another edition of Conversexo.
23:54And since we like to listen to your messages so much,
23:58we've had an internal debate and we've decided that...
24:00Oh, please.
24:01Come on.
24:02A little bit of music.
24:03Hello, hearts.
24:04You have me here.
24:05You missed me, didn't you?
24:07Well, you should know that today I have a super surprise.
24:11We're going to have, among those you call,
24:13a wonderful trip to a paradisiacal place.
24:17Wow.
24:18I was surprised.
24:20I didn't know anything.
24:21Of course.
24:22Otherwise, it wouldn't have been a surprise.
24:26Well, this trip is to my farm.
24:32It's wonderful.
24:33And so, well, I can get some performance out of you,
24:35because apart from the tomatoes and medicinal herbs,
24:37I don't need anything else.
24:39Marifran, but...
24:40If no one comes to collect the prizes...
24:43But there are people who do collect the prizes.
24:46What sound is that?
24:48People, people who want to participate.
24:50I knew it.
24:52Oh, we're getting a call.
24:54Come on.
24:56Hello, who are we talking to?
24:58Hello, yes.
24:59Hi, I'm Scorpio.
25:02Hi, Scorpio.
25:03Tell us.
25:04Yes, I was calling because...
25:06Let's see, it's not that I need help, much less,
25:10but in these cases you always have to ask for a second opinion.
25:14Okay, go ahead.
25:15Okay, let's see, the problem...
25:17The problem is that a friend has it.
25:19Well, he's been caught by a woman who has rejected him.
25:24Well, unrequited love is a classic.
25:27I think we've all been there at some point.
25:29Sure, and the problem is that this woman also has a little problem
25:35and this friend of mine doesn't know if he has to help her or not.
25:39And why did he reject her?
25:41He rejected her and in addition to rejecting her, he called her a drag.
25:47It's a situation...
25:49Well, it's a fucked up situation, Scorpio.
25:51Why would we tell you anything else?
25:53Marifran, we're going to...
25:55It's okay, sorry.
25:57A fucked up situation doesn't mean you don't have a solution.
26:01Really?
26:02Let's see, write it down.
26:03Tell your friend that this is what he has to do.
26:06First, he has to help that woman
26:08because not only is he going to look like a fucking grudge,
26:12but he's going to be a drag for the rest of his life.
26:15A drag, a drag, a drag.
26:17We hope we have been of great help to your friend Scorpio
26:21and we thank you very much for your call.
26:23One moment, one moment, before I say goodbye,
26:25I wanted to publicly thank the person who made this program possible.
26:31This program is made thanks to you,
26:35you put a lot of hope in it.
26:37We also put a lot of hope in it.
26:39No, no, but I was referring to...
26:43The former mayor, Arturo Pérez Ayudo,
26:46who is the one who made this possible.
26:50Why? Because he put optical fiber in the town
26:53and that's why a program like this can be broadcast.
26:56Okay, Scorpio, we'll say goodbye to you.
26:59A hug.
27:00See you later.
27:01Hello?
27:03He hung up.
27:04Okay, next call.
27:07Hello, who is this?
27:10Hello, hello, how are you?
27:12My name is Jiménez.
27:14Ah, well, hello Jiménez, how are you?
27:16What's wrong? Tell me.
27:18Yes, well, Vera, it turns out that I got married recently
27:23and well, we're going to be parents.
27:26Oh, congratulations.
27:28Thank you, thank you, yes, yes.
27:30Well, the thing is that I'm worried that our sexual life
27:34will be reset.
27:36You know that, well, that my wife and I,
27:39with the arrival of the babies,
27:41we kind of lose our motivation.
27:44Well, it is clear that you are facing a very important change
27:48that does not necessarily involve a loss of motivation.
27:51Let's see, wait a minute, I have an incoming call.
27:53Well, Marifran, we are live with a listener.
27:57If you want to go out and...
27:59Sorry, but I think this call has to do with Jiménez.
28:02I'll put it on.
28:03Let's see, please, who are we talking to?
28:05Again?
28:06Menchu, Marifran, I'm Menchu.
28:09Hi, Menchu, how are you? Tell us.
28:11Well, let's see, I want to make it very clear to Martínez
28:14that our sexual life will continue to be just as spicy or more.
28:18Don't call me Martínez, Menchu, I'm Jiménez, I'm Jiménez.
28:22Please, I don't care, Martínez or Jiménez,
28:24it doesn't matter to me, it doesn't matter to me.
28:26For me you are who you are and vice versa,
28:29what will happen will happen.
28:31Eh, Jiménez, have you been more relaxed with this?
28:34Relaxed? He will be relaxed as soon as he enters through the door
28:38with the jerk I'm going to give him, come on.
28:40Not even the circus of the sun, acrobat.
28:42Menchu, Menchu, for God's sake, don't tell me these things in public,
28:46I get red.
28:47Please, open your mind and enjoy what people enjoy in life.
28:51You're going to end up redder tonight,
28:53after the shiver I'm going to give, come on,
28:55and after listening to you with that Turkish soap opera flavor,
28:58come on, I'm going out.
29:00Eh, well, Martí, eh, Jiménez, eh,
29:03I hope our help has been useful to you
29:06and thank you very much for participating.
29:09Yes, thank you very much, and goodbye, chick.
29:13Well, after this last consultation,
29:16we say goodbye to Versexo until the next live.
29:20See you later.
29:22We're out.
29:23Oh my God, oh my God, the chick.
29:26Oh my God.
29:27How are you? 48?
29:2848? How did it go this time?
29:30Where are we going?
29:31Wow, 5,000 people.
29:34Really?
29:35Yes.
29:36What do you mean 5,000?
29:37Yes, yes, yes, 5,000.
29:385,000?
29:39Okay, it's that Nayara has uploaded us.
29:42No.
29:43The singer?
29:44Nayara has uploaded us.
29:45What are you telling me?
29:46Of course.
29:47So what's up? Are we already Tendytropic?
29:48Let's see, she already has half a million followers,
29:51so we're up there.
29:53But how good.
29:55We're viral.
29:56I don't believe it.
29:57I don't believe it.
29:585,000.
30:02Yes, yes, here in an earthquake.
30:04Well, well.
30:05How strong.
30:06Tell me, how's the trial with John?
30:08Well, it's a bit like that, but fine.
30:11Fuck, really, he doesn't deserve it.
30:13If there's someone who doesn't deserve this, it's my nephew.
30:15Of course.
30:16He's better.
30:17At least we've already managed, at least,
30:19to change the psychopathic jerk in the cell.
30:21Really?
30:22Yes, yes, yes.
30:23Silvia told me, thank you very much.
30:24No, no, no, no.
30:25It was the first thing we had to get done.
30:27Tomorrow morning they'll take him away and...
30:29and Sadar will have to put up with him tonight.
30:31He's brave.
30:32He'll get it.
30:37I'm very glad you're here.
30:39Really?
30:40Well, yes.
30:41Yes.
30:42Fuck, that you left everything,
30:44that you came so fast from Santander,
30:46that you took care of John.
30:48I mean, he literally saved our lives.
30:50Come on.
30:51Yes.
30:52I don't know how to thank you, really.
30:54I don't know either.
30:55If I can think of anything...
30:56Yes.
30:57Yes.
30:58We could meet for dinner one of these days I'm going to be around.
31:01We can have a drink, I don't know, take a walk.
31:05Ask for the room service.
31:08The usual.
31:11I have a lot to tell you.
31:13But my sister is calling me.
31:14I don't know, maybe it's urgent.
31:15Excuse me.
31:16Don't worry.
31:17Silvia!
31:25Do you like Aunt Marta or what?
31:30Why do you ask that?
31:32It's for you.
31:33Oh, yeah?
31:34To save you time.
31:38Because nothing's going to happen between you two.
31:43What's your name?
31:44Pablo.
31:45Pablo.
31:46Look, Pablo.
31:47Huerta and I have known each other for a long time.
31:50And a lot of things have happened between us.
31:52But now he's with me.
31:54He's with you.
31:57What am I doing arguing with a child?
31:59It doesn't make sense.
32:01Sorry if I was bothering you.
32:03Pablo, what are you doing here?
32:04I've been looking for you for a while.
32:05You can't leave like that.
32:06Are you the father?
32:08I'm his father, yes, Jorge.
32:09And you are?
32:11Sorry, he's Diego.
32:13Do you remember I told you about him?
32:14Diego, the one who's taking care of John at John's house.
32:18Nice to meet you.
32:20We've decided to go to the park.
32:22Great.
32:23But you're not invited.
32:24Hey, Pablo.
32:25Pablo, yes.
32:26You have to be polite with people, okay?
32:28We're in a moment where we all let go without filters, you know?
32:31Of course.
32:32Don't worry.
32:33Hey, why don't you go?
32:34I'll catch up to you.
32:35Sure.
32:36Let's go that way.
32:37Let's go.
32:38Bye, Pablo.
32:39Bye.
32:40Bye.
32:46So you and...
32:47Jorge.
32:48Jorge.
32:49Yes.
32:50You're...
32:51Yes, it was a surprise, really, yes.
32:53Are you okay?
32:55Very well.
32:56With him and with the boy.
32:57I love him.
32:58You're right, El Drano.
32:59In the end.
33:00What?
33:02Nothing.
33:04I'm glad to see you happy.
33:06Thank you very much.
33:08Fuck, I'm so sorry.
33:09I didn't understand.
33:11No, don't worry.
33:12It's nothing.
33:14But, well, I appreciate you coming here.
33:19Thank you very much.
33:21And...
33:22It's nothing.
33:23See you tomorrow at the trial.
33:24Yes.
33:25Yes.
33:26Okay.
33:27I'm going with them, okay?
33:28I don't want to keep you waiting.
33:29But we can have dinner whenever you want.
33:30We can have dinner.
33:31Okay?
33:32Of course.
33:33I want to tell you a lot of things and you too.
33:34Deal.
33:35See you tomorrow.
33:36Bye.
33:40Can you give me a little more of this?
33:43Yes.
33:52Come on, Martínez.
33:53It's not the time to be like this.
33:55I haven't done anything wrong.
33:57I don't know.
33:58No, I think we have to talk with sexual freedom.
34:01I haven't put our intimacy on sale.
34:03It's something...
34:04I don't know.
34:05No, let me talk.
34:06Let's do something.
34:08Send me a photo.
34:09A photo?
34:10No, a photo.
34:11You know what photo.
34:12Come on.
34:13Suddenly...
34:15Come on.
34:16Send it.
34:17Sorry.
34:19Sorry.
34:20I interrupted.
34:21It's interrupted, but it's my fault.
34:22Because I thought you were alone at home.
34:23I was on WhatsApp with Martínez, but I hung up without anesthesia.
34:26Come on.
34:27It's okay.
34:28It's okay.
34:29No, I didn't want to.
34:30I'm going to take advantage that you're here, okay?
34:31To ask you for advice.
34:32Can it be?
34:33Well, it can be.
34:34Come on, there's no problem for me.
34:35That's what we're here for.
34:36Yes, of course.
34:39Shall we sit down?
34:40Yes.
34:42Well?
34:43You see, it's just that...
34:45Do you know about the money that...
34:47The trial?
34:48Yes.
34:49Yes, yes, yes.
34:50Well, I still don't know what to do with that money.
34:53Let's see, Blanca.
34:54I don't know.
34:55Do you allow me to tell you what I think then?
34:56Please, please.
34:57Well, flow with life.
34:58I don't know.
34:59Rest.
35:00Take a break.
35:01A break.
35:02Go do a brunch in the morning.
35:03A godfather massage.
35:04A pilates class on the machine.
35:06Or what has been a break in life.
35:07To be relaxed, open.
35:09I'm neither a break nor a brunch.
35:11It's not my thing.
35:12Well, a lot of people would like to be in your place.
35:14Come on.
35:15I see.
35:16But I have to be very active, you know?
35:18Without stopping.
35:19Come on, I get up and go.
35:20Wow.
35:21Well, there has to be everything in the vineyard of the Lord.
35:22I don't know.
35:23Yes.
35:24In addition, all these years I have been traveling from one country to another, you know?
35:26Without stopping.
35:27Looking for what I need so much.
35:29And...
35:30And where?
35:31And looking for what?
35:32Sorry.
35:33Well, look.
35:34Find a place where I feel at home.
35:36Yes.
35:37And there is something that I think I have already found that is true.
35:40That I may want to start here.
35:43You know?
35:44And invest.
35:45Invest here.
35:46It may be.
35:47Do you know who you are reminding me of?
35:48No.
35:49Doña Rita.
35:50Come on.
35:51Doña Rita, my lady, your sister.
35:52Come on, yes.
35:53Yes, yes, yes.
35:54I was looking at you and I say ...
35:55The same energy.
35:56The same energy.
35:57Two women with two ovaries.
35:58Empowered there.
35:59With worries.
36:00That they don't fit.
36:01That they don't fit.
36:02That they don't fit.
36:03That they don't fit.
36:04That they don't fit.
36:05That they don't fit.
36:06Yes.
36:07I am helping you.
36:08You are helping me.
36:09Come on, you have helped me.
36:10Well, not a lot, huh?
36:11You have done.
36:12Because you just gave me an idea.
36:13Oh yeah?
36:14Yes.
36:15How nice.
36:16I'm going to invest with Rita.
36:17That.
36:18Man.
36:19No, let's see.
36:20I have not given that idea.
36:21That idea ...
36:22You have invented it, sorry.
36:23You just gave me.
36:24You lit the spark.
36:25No, I didn't light the spark.
36:26You were carrying the spark on fire.
36:27I'm going to tell him.
36:28Thank you very much.
36:29Beware of the S.L.
36:31A S.L.?
36:32Oh, my God.
36:34This was about Parda, and I'm not to blame.
36:40Hey, John!
36:42You're not avoiding me, are you?
36:43Norberto, no, no, no.
36:44You're avoiding me.
36:46No, no, no, no. I'm not avoiding you, Norberto.
36:47You seem like a wonderful partner to me, don't you?
36:51Really? Yes.
36:53Fuck.
36:55I'm sorry, man. I'm sorry.
36:56It's just...
36:57It's these bad ideas that sometimes get into my head, you know?
37:00It happens to you, too. Yes, yes, yes.
37:02Hey, we have a game tonight. Remember?
37:04Absolutely. I'm really looking forward to it.
37:06I'll wait for you in the cell. I still have to finish preparing it.
37:10Something tells me that tonight...
37:12I'm going to slaughter you.
37:19Oh, my God, oh, my God, oh, my God.
37:21Fuck.
37:36Don't be afraid.
37:52Fuck.
38:05Ugly.
38:08You have a cucumber face.
38:10You're a cucumber.
38:13And a fag.
38:17Oh, oh, oh.
38:18Hey, hey, hey, hey, hey.
38:21Vulcan, Vulcan, Vulcan, man.
38:23Calm down.
38:24Look at the boy, he's a bit disoriented.
38:31What do you want, Romeo? Do you want me to cut your mouth off or what?
38:34Fuck, I need to get rid of the madman in my cell.
38:37I'm serious.
38:38The new one? Yes, yes, yes.
38:40He looks like a stuffed animal.
38:41No, no, he doesn't look like it, but he's not.
38:43He's crazy. Fuck.
38:44If I sleep with him tonight, I swear he'll kill me.
38:45No, I won't wake up.
38:46Okay, we'll cut a couple of fingers and that's it, right?
38:48No, no, no, no, no.
38:49Stop, stop, stop.
38:50Okay? Stop.
38:53No, that's why you're looking for a fight, isn't it?
38:55Come on, man.
38:57You wanted Vulcan to give you a couple of punches
38:59and end your illness, didn't you?
39:00Yes, yes.
39:02Fuck, because you could hit me a little.
39:04No, no, no, no, no.
39:05If you give me a punch, if...
39:07No, nothing, a blow of...
39:08Stop, stop, stop.
39:09There's another way to end your illness
39:11without getting a blow in the mouth.
39:12Which one? Tell me which one, please.
39:14Tell me which one.
39:15Antoña, Antoña, I know you.
39:16What's this? What's this?
39:18That's an extra strong laxative from the brand of the house.
39:21For cases like yours.
39:22Yeah, well, if I need to shit,
39:23I swear I don't need any more help.
39:25I'm telling you, I'm shit, damn it.
39:27Listen, you take the laxative and wait for it to work.
39:31The point is to make the doctor believe
39:33that you have gastroenteritis.
39:35That way, he'll separate you from the rest
39:38and you'll end up in the infirmary.
39:39Damn, very good.
39:40Did you like it?
39:41This is very good, huh?
39:43Of course.
39:44Okay, okay, thank you very much, that's it.
39:45That's it, solved.
39:46What are you doing, what are you doing, what are you doing, asshole?
39:48What am I doing? Taking a laxative, you told me.
39:49A couple of drops would have been enough.
39:51Go to the infirmary, you're not coming.
39:53Shut up, shut up, shut up.
39:54You're taking the piss, aren't you?
39:55Five, four, three, two, one.
39:56Stop, stop, stop, you're taking the piss.
39:58One.
40:00It's working, huh?
40:01Run.
40:02It's working already?
40:03What are you going to do?
40:04You're going to have a shit night.
40:09I haven't seen you laugh in a long time.
40:11Let's see.
40:14I've run out of laughter.
40:18What do I do, do I turn on the alarm?
40:19Yes, right?
40:20At seven, for example, we have an hour.
40:23Yes.
40:25As if we weren't going to sleep.
40:27Yeah, but...
40:29Put it on.
40:31That's it.
40:33I have there...
40:35I have, I don't know,
40:36twenty messages to answer.
40:38I just can't do it right now.
40:41It's already released.
40:42But you have to put it on.
40:43I have to put it on.
40:44I have to put it on.
40:45I have to put it on.
40:47But the hotel?
40:48Yes, but...
40:49But everything is fine?
40:50I don't care.
40:53Shall we sleep?
40:54What?
40:56That I love you.
40:59Everything will be fine.
41:01I swear.
41:03Well, that's it.
41:08May I?
41:09What's going on?
41:10Come in, my love.
41:12I went to Jona's room for a pyjama
41:15and I saw the console.
41:17And I don't know how to turn this on.
41:21I have no fucking idea.
41:22Because, come on,
41:23I never...
41:25I never...
41:26I've told you a thousand times,
41:27but I'm so bored with this machine.
41:32Come on, it doesn't work with the shit, the console.
41:35What a joke.
41:38We'd be in trouble now for listening to it.
41:46Well...
41:49Do you remember when he was little,
41:51when he lost the console,
41:52he was very angry because he thought
41:54the little people had stolen it?
41:57The little people.
41:58Yes.
41:59They're little people.
42:00Well, the little people of your story.
42:02They're super-endowed beings.
42:04They're beings...
42:05It's a legend.
42:07What was it like?
42:08It's...
42:09Well, the real legend of the game.
42:11I don't know.
42:12I don't know.
42:13I don't know.
42:14It's the legend of Vera del Rey.
42:16Tell me a bit about it.
42:17Let's see.
42:19From very distant times...
42:22That's it.
42:23...in Vera del Rey, there's this legend
42:27that says that in Vera del Rey
42:31there are two parallel worlds.
42:37One is this world,
42:38the world we know,
42:39the world we see,
42:40the world we feel,
42:42in which all the things that happen to us happen.
42:45Yes.
42:46In this world, in this room.
42:49But then there's that other world,
42:56a world that no one sees,
43:00but which is the one that makes sense to us.
43:04And thanks to that world and its inhabitants,
43:07we have this light,
43:10we have this voice,
43:13we have this look,
43:16the things that happen to us happen to us,
43:19we have the houses we have.
43:25Thanks to that world and its inhabitants,
43:30ours is so beautiful.
43:32I ask that world to put an end to this nightmare.
43:47Come on, let's go to sleep.
43:49Or at least try to.
43:51Okay.
43:54Good night.
43:55Good night.
43:56Good night.
43:57Good night.
43:58Good night.
43:59Good night.
44:00Good night.
44:02Let's go to sleep.
44:06Come on.
44:17It's true.
44:18She made a hole in me.
44:28Hello.
44:29Are you drunk?
44:31I'm going to have a hangover, I guess.
44:33But how come you have a hangover
44:35the day you have to defend our son, Diego?
44:37Diego, are you in condition to defend John, yes or no?
44:40He's going to be.
44:41This is it.
44:42Here, you, drink.
44:43This is a resurrection of the dead.
44:45This is something a classmate taught me.
44:48Yeah!
44:49Ha!
44:50Ha!
44:51Yeah!
44:52Ready?
44:53Yes, sir.
44:54Very good.
44:55Let's get John out of here.
44:56Good luck.
44:57We are the queen of video podcasts.
44:59It's time to get him out of this.
45:01Why don't you do the show with an audience
45:03and charge for tickets?
45:04I wanted to invest in the compensation
45:07for Ron's trial.
45:08Mm-hm.
45:09Rita doesn't think so.
45:10The only thing she has in mind is the kings of the tango.
45:13You can do it alone or with partners.
45:15Do you know who the person is who has a suitable place
45:18in the center of town?
45:19During this procedure, I will prove that any evidence
45:22that presents the accusation is false, non-existent,
45:25or is simply manipulated.
45:27Or is simply manipulated.
45:29I'm going to prove that...
45:33Ah!
45:34Diego, it's on the right side.
45:36It's appendicitis.
45:37You have to take him to the hospital.
45:38There's a job that suits you like a glove.
45:40Where?
45:42In Ecuador.
45:43In exchange for what?
45:44Because this isn't free.
45:45How about tonight?
45:46We have a drink.
45:47I invite you.
45:48And I'll tell you quietly what's going on.
45:50How about doing the show in a professional way?
45:53I mean, with the media, charging a salary.
45:55Really?
45:56You have to take them to Madrid, but it's worth it, right?
45:59No, of course.
46:00For me, it's wonderful.
46:01I'll talk to Bea and Marifranja right now.
46:03No, no. Don't tell Bea.
46:04Why?
46:05She's not included in the offer.
46:07I'm interested in the generational gap.
46:09The trial is postponed until in three weeks.
46:13We can't predict how long the lawyer will be out.
46:16Isn't there a way to avoid unnecessary suffering?
46:19There is.
46:20Bringing a lawyer to defend him.
46:22Myself.
46:23But...
46:24But you're a lawyer.
46:25Yes, I am.
46:26I, Romania, have a new lawyer.