• 3 months ago
Remington Steele S02E11

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TV
Transcript
00:00All of New York, all of Paris, is trying to steal my designs.
00:10Stop that man!
00:11Voila.
00:12The guy was a spy.
00:18Your job is to find the film.
00:21My job is to find the murderer.
00:24The film's worth bub, because it's the blazer he wants.
00:27The blazer?
00:28Not a chance, Carl.
01:28It's the blazer.
01:29It's the blazer.
01:30It's the blazer.
01:31It's the blazer.
01:32It's the blazer.
01:33It's the blazer.
01:34It's the blazer.
01:35It's the blazer.
01:36It's the blazer.
01:37It's the blazer.
01:38It's the blazer.
01:39It's the blazer.
01:40It's the blazer.
01:41It's the blazer.
01:42It's the blazer.
01:43It's the blazer.
01:44It's the blazer.
01:45It's the blazer.
01:46It's the blazer.
01:47It's the blazer.
01:48It's the blazer.
01:49It's the blazer.
01:50It's the blazer.
01:51It's the blazer.
01:52It's the blazer.
01:53It's the blazer.
01:54It's the blazer.
01:55It's the blazer.
01:56It's the blazer.
01:57It's the blazer.
01:58It's the blazer.
01:59It's the blazer.
02:00It's the blazer.
02:01It's the blazer.
02:02It's the blazer.
02:03It's the blazer.
02:04It's the blazer.
02:05It's the blazer.
02:06It's the blazer.
02:07It's the blazer.
02:08It's the blazer.
02:09It's the blazer.
02:10It's the blazer.
02:11It's the blazer.
02:12It's the blazer.
02:13It's the blazer.
02:14It's the blazer.
02:15It's the blazer.
02:16It's the blazer.
02:17It's the blazer.
02:18It's the blazer.
02:19It's the blazer.
02:20It's the blazer.
02:21It's the blazer.
02:22It's the blazer.
02:23It's the blazer.
02:24It's the blazer.
02:25It's the blazer.
02:26It's the blazer.
02:27It's the blazer.
02:28It's the blazer.
02:29It's the blazer.
02:30It's the blazer.
02:31It's the blazer.
02:32It's the blazer.
02:33It's the blazer.
02:34It's the blazer.
02:35It's the blazer.
02:36It's the blazer.
02:37It's the blazer.
02:38It's the blazer.
02:39It's the blazer.
02:40It's the blazer.
02:41It's the blazer.
02:42It's the blazer.
02:43It's the blazer.
02:44It's the blazer.
02:45It's the blazer.
02:46It's the blazer.
02:47It's the blazer.
02:48It's the blazer.
02:49Call him back.
02:50Tell him I've been meaning to surprise him.
02:53Money would surprise him.
02:55You got it, Mitzi.
02:57A few alterations to the check-in count.
03:00A nip here, a tuck there in the deposit and the withdrawal slips.
03:04And before the computer digests its mistake,
03:06our money will be there to cover.
03:09What money, Bullock?
03:10From our new summer line, Mitzi.
03:13Mitzi, I got a feeling we're gonna have the greatest season yet.
03:18Hmph!
03:19I love days like this.
03:23Huh!
03:24My good man.
03:26And what can a humble tailor do for you?
03:28Bullets, Blaustein.
03:30Formerly Prince of Fleets.
03:32Yeah.
03:33Well, uh, a friend of mine told me you could make me a coat.
03:36Just one of our many services.
03:38May I show you a fine rayon tweeter?
03:41Uh, no, no.
03:43If you don't mind, I'd like you to use this.
03:46Boilap mufflers?
03:48Uh, blazer.
03:5042 long.
03:52I, uh...
03:54I need it by noon tomorrow.
03:5642 long.
03:59It's a birthday present.
04:01For my father.
04:03I don't know.
04:0524 hours is not enough time.
04:08But who am I to disappoint the customer?
04:11Name and address.
04:14Pryne.
04:15Mark Pryne.
04:16806 Surf Street, Santa Monica.
04:21Okay.
04:22Until tomorrow, then, you won't be disappointed.
04:44Lila?
04:53Lila, that you, babe?
05:04The claim check. Let's have it.
05:06What?
05:07The claim check for the coat.
05:09How do you know about the coat?
05:11Now, what difference does it make?
05:13Did Lila tell you?
05:15She said you'd be a good support.
05:17Now, don't disappoint me.
05:20Yah!
05:22Oh!
05:49Yah!
06:20Yah!
06:32Slip battle ribbons in our pay envelopes.
06:34Your first major?
06:36Not exactly, but it may be my last.
06:42Oh, wonderful texture, beautiful sheen.
06:45So sleek, so... so touchable.
06:48Touch it, bastard.
06:49Easy, honey, the buyer's always right.
06:51Just testing your material love.
06:53After all, if I'm gonna buy, I have to know what I'm buying, don't I?
06:56This is what you're buying.
06:58And you're buying a short career.
07:00Oh, ladies, ladies, lovely ladies,
07:02if it were up to me, I'd take you all back to Birmingham
07:04and introduce you to the Queen by myself.
07:06Oh, you chaps from England.
07:09You're all so friendly.
07:11Oh, Sam St. Cloud, my dear, eh?
07:13Marks and Spencer.
07:15Do look me up the next time you're on the alley.
07:17Oh, sure. You're not forgetting me, are you?
07:20Ah, do I sense the room has warmed, eh?
07:22Spare me the pranks.
07:24It's enough that I have to slither through that meat line out there.
07:27Duty first, Laura.
07:29It's demeaning, it's degrading.
07:31Yes, indeed, I'm sure it is.
07:33Eyes front, St. Cloud.
07:35Are you two on top of things?
07:37Oh, rest assured, Mr. Barron,
07:39I have personally checked the credentials of every buyer here.
07:42Um, Miss Holt has also done the same with the models.
07:44Well, that's not enough.
07:46Even as we speak, everyone in this building,
07:48all of New York, all of Paris,
07:50is trying to steal my designs.
07:52I am sure that Halston has tried to bribe my sketch artists.
07:56I am convinced that Blass sends flowers to my cleaning lady.
07:59And I am positive that Valenti...
08:02Valentino has tried to hide hidden cameras in this theater.
08:06Mr. Barron, your worries are over.
08:08The Steel Agency is known for its competence,
08:11its class, and...
08:13Stop that man!
08:17Big buyer from New York. Unlimited credit.
08:22Oh! Oh! Take it!
08:24Excuse me. Sorry.
08:47Oh, sorry.
09:09Mitzi, stow it.
09:11You want it double-stitched?
09:14Yes, young man. Can I help you?
09:17Prime. Prime. With a turtle shell, right?
09:20He asked me to pick it up for him.
09:22He did?
09:24Does that, uh, present a problem?
09:27No, that's no problem. That's a pleasure.
09:30It's the gabardine twill with the elbows, with the patches.
09:33Yeah, right.
09:35Have I got a question for you, Mr. Barron?
09:37Sure.
09:40What's Mr. Prime going to say
09:42when he finds out he's got the wrong coat?
09:44Mitzi, wait with me.
09:46There's a man out there that wants something
09:48that does not belong to him.
09:50That's what I love about you, Bull.
09:52It's always thinking of the other fella.
09:56Huh? Huh?
09:58Huh?
10:00Huh?
10:02Huh?
10:04Huh?
10:06Huh?
10:08Huh? What do you think?
10:10Huh?
10:12Quality like that you wouldn't even find on Rodeo Drive.
10:15You! Me! Him!
10:18Me? You!
10:20I'll just, uh... Wise decision.
10:22Remington Steel, Mr. Blaustein.
10:24Of Remington Steel Investigations.
10:26A gumshoe?
10:28He hired a gumshoe?
10:30Given the circumstances,
10:32I'd say the decision was warranted, wouldn't you?
10:34All right. All right.
10:37He wins.
10:39He always wins.
10:42Okay.
10:44Take it and go.
10:50I'm sure Mr. Barron will be very grateful.
10:52Grateful?
10:54Julian wouldn't know grateful
10:56if it jumped up and kicked him where he sits.
11:02Pleats. Pleats, Mr. Steel.
11:0525 years ago, this was my calling card.
11:08The original design was Barron's.
11:11But the hope, the vision,
11:14the dream, that was mine.
11:17That filter stole my dream.
11:20The day he walked off with the designs,
11:22designs that I paid for,
11:24sent him to school for,
11:26wiped his nose for,
11:28and now he begrudges me a lousy roll of film?
11:31Boo!
11:34One gets the distinct impression
11:36there's more between you and Mr. Barron
11:38than mere, uh, acquaintances.
11:40Bite your tongue, Mr. Steel!
11:42We were brothers.
11:44Nothing more.
11:48Notice the subtle symmetry.
11:50The artist's skillful use of subterfuge.
11:56The elusive mystery of unexposed film.
11:59Mr. Barron,
12:01Mr. Perriot, I'm sure that there's
12:03a logical explanation here somewhere.
12:05Explanation?
12:07Let's face it.
12:09Mr. Steel has been schnorred.
12:11Schnorred? Is that a technical term?
12:14Uh, finagled.
12:16To rob Peter, but not quite pay Paul.
12:20The simple truth is, the man did, um, schnorrer me.
12:24He gave me a cock-and-bull story
12:26about Mr. Barron being his long-lost brother.
12:29Well, he is my brother.
12:31That's what worries me.
12:33By tomorrow morning, 600 illegal aliens
12:36slaving by candlelight
12:38will have converted my $7,000 originals
12:41into $7 rags.
12:43The women in Beverly Hills, to whom I sell,
12:45will be viewing my greatest collection
12:47on the backs of their hired help.
12:49Julian, don't upset yourself.
12:53You see, in the world of fashion,
12:56word travels fast.
12:58Word of success, word of failure.
13:00I would just hate to think
13:02what the other potential clients in the mart would say
13:05if the Remington Steel Agency
13:07failed to retrieve that film.
13:09Your meaning cuts me to the quick, Mr. Perriot.
13:12I hope so, Mr. Steel.
13:14I hope so.
13:16Gossip can be so destructive.
13:18All right, Blaustein, Frank and Santa.
13:22Mr. Steel, is that you?
13:25Is that you?
13:28What happened?
13:30He hit me from behind, that's what happened.
13:32Very convincing, Blaustein,
13:34but we're not leaving without the film,
13:36every last roll of it. Where is it?
13:38In the plaid garment bag.
13:40Missy sewed it in the lining of the blazer for safekeeping.
13:43Empty.
13:46Thieves! Ghanafs!
13:48They stole my season!
13:55If this is another one of your tap dances, Mr. Blaustein...
13:58Miss Holt, you know me for almost an hour.
14:00You still don't trust me?
14:02Hardly the home of a man who traffics
14:04in high-fashion espionage, is it?
14:14I'll check the bedroom.
14:16Blazer, 42 long.
14:18I'll check the kitchen.
14:26Mr. Prine left his I.D. at home.
14:29Apparently, he works for a company called Overdyne.
14:32Whoever they are.
14:34The moon.
14:36The old devil one?
14:38Overdyne helped get us there. They're very big and high-tech.
14:41Leads one to wonder what the bytes and roms
14:43have to do with the latest hemlines, doesn't it?
14:45Have a look at this. Perhaps Lila can tell us.
14:48Oh, Lila, yes.
14:50Those old-ass English channels.
14:53Those old-ass English chaps were so friendly.
14:57The line to the hemlines grows clearer.
15:00And who better than a model to infiltrate a showroom?
15:03I speak from bitter experience.
15:09Finding everything we need, are we, Bullets?
15:19Forty regular in there.
15:21Yeah. Not very pretty.
15:23Excuse me.
15:43Mark Warren Prine.
15:45Damn it!
15:47A skull fracture.
15:49Crude, but effective.
15:51Then who's the other guy?
15:57Some stalker comes to me with the Prine kid's claim check.
16:01Admits he had just sewn the film in the lining.
16:04So naturally, I couldn't give him the right coat.
16:07Naturally.
16:09But he returns.
16:11Bops me in the noggin, runs off with the blazer.
16:13How did he know the film is in the lining?
16:16Perhaps we're dealing with something more than Julian Barron's latest creations.
16:20Couldn't be the blazer. The material was lousy.
16:23It's a good guess that whoever stole that blazer...
16:26also stuffed Mr. Prine in the icebox.
16:28And he's expecting no one to find him.
16:30So for now, we'll close the door and...
16:33Return to the world of sequins and feathers.
16:387.30 tomorrow, Sharpen.
16:40And do you think we can get a little sleep tonight?
16:43If this means you, Francesca.
16:47All right.
16:50Funny.
16:52I thought the streets in L.A. would be paved with rich men.
16:55Must be time for a repaving.
16:57Of course, there is that English bias.
16:59Clod or cloud.
17:01Sam. Sam. From Birmingham.
17:03Yeah? Well, a lot of bucks to press out of that suit.
17:06How'd you do?
17:08Oh, meso, meso.
17:10What about you?
17:12Anybody special?
17:14I'm what they call a player, honey.
17:17Long relationships cramp my style.
17:22Oh, well, there is a guy.
17:24Treats me pretty good.
17:27He's not going anywhere.
17:29He's a $28,000-a-year man...
17:32with an outside shot at 30.
17:35That doesn't sound so bad.
17:38At your age, nothing sounds bad.
17:42You got time.
17:44You get hurt, you got time to recover.
17:47Time to move on.
17:50At my age, you run out of time.
17:54So...
17:56when luck smiles...
17:59and the brass ring just happens to come up a second time...
18:03you got to grab it and hold on to it with everything you've got.
18:08That's for me. I'll get it.
18:11I got to run.
18:13I'll see you soon?
18:15I don't know.
18:17If I don't, remember what I said, huh?
18:24Hello?
18:31Taxi! Taxi!
18:39Where's Mr. Steele?
18:41He went up to look for Julie.
18:43Perfect. Follow that cab.
18:45I love that kind of talk.
18:53Me, Julian Barron, a murderer?
18:56You must be out of your mind, Mr. Steele.
18:59It is your memo paper.
19:01Yes, of course, it's my memo paper.
19:04But you don't recall the handwriting.
19:07Is that correct?
19:09My door is open to every Tom, Dick and Murray...
19:12who traipses into the Mart.
19:14Any one of them could have scribbled that note.
19:17Mr. Barron, a man was murdered.
19:19If my client was involved, I have a right to know.
19:23Bullets put you up to this?
19:26Why would Mr. Blasting do something like that?
19:29Because he hates me, that's why.
19:31Two brothers should have fallen out...
19:33simply because one of them was a trifle ungrateful.
19:36Ungrateful? Is that what he told you?
19:38Oh, yes, and I'm sure he told you...
19:40how he put me through school, too.
19:43Well, I paid him back five times over for that.
19:46Churned out my designs gratis...
19:48only to watch him sabotage my reputation...
19:51by using the cheapest fabrics available.
19:53Shortcut after shortcut.
19:55Seamstresses who couldn't sew straight.
19:58I gave him custody of a world-class talent...
20:01and he tried to ruin me.
20:04So now Bullets...
20:07snores on Santee Street...
20:09while his younger brother creates two blocks away.
20:12Hmm?
20:14What happens between my brother and me, Mr. Steele...
20:17is just that.
20:19Your job is to find the film.
20:22My job...
20:24is to find the murderer.
20:35Circle the block, and then let's park.
20:43Look, this time it better be the right jacket...
20:46or Mark's going to catch up with me.
20:48Don't worry about Mark.
20:50So what are we looking for?
20:52I'll let you know when I find it.
20:54Did your client tell you?
20:56Don't worry about me.
20:58I'm going to find it.
21:00I'll let you know when I find it.
21:02Did your client tell you?
21:04Don't worry about my client.
21:06It's not your territory.
21:08Aha!
21:16Voila.
21:18Mark must have been taking pictures at Overdyne.
21:21Naughty pictures.
21:23Guy was a spy.
21:25At least we know about what's on this film.
21:28It's not about me.
21:33There goes Lila.
21:35Uh, where do you think you're going?
21:38Just think of me as your muscle, Miss Holt.
21:41Following people in a limousine, you do very well.
21:44But at 110 pounds, Sam Spade, you're not.
21:47It's a sweet thought, Bullets.
21:49But trust me, stay.
21:59Pretty lady.
22:01Oh, hello.
22:03A friend of mine from the Mart, Lila,
22:06she sent me over.
22:08She said to ask for, um...
22:10Carl?
22:12Carl, yes, yes, that's it.
22:14Do you know where I might find him?
22:16You're looking at him.
22:18Oh, hello.
22:20You're looking at him.
22:22You're looking at him.
22:24You're looking at him.
22:26Oh, hello.
22:28Your own best advertisement there.
22:31And you're, uh...
22:33Um, Laura Holt, yeah.
22:35Um...
22:37Selenium yeast?
22:39We always seem to get a rise out of that.
22:42A can or a box?
22:44Um, perhaps a case.
22:47A case of yeast.
22:50It's your body, baby.
22:57You know, I think that soy protein isolate
23:00would be just the ticket for me.
23:02Ticket to what?
23:04I'll take a case.
23:07You can't make the wheat germ smoothies
23:09without the wheat germ.
23:11A case.
23:13Make it two.
23:15A case.
23:17A case.
23:19A case.
23:21A case.
23:23A case.
23:25A case.
23:27A case.
23:29A case.
23:31A case.
23:33A case.
23:35A case.
24:00I swear to you, Mr. Steele,
24:02the last time I saw that film,
24:04Mitzi was sewing it into the lining of this coat.
24:07Well, if we don't have it and you don't have it...
24:10And young Mr. Prime doesn't have it...
24:12Then who has it?
24:14They do.
24:16The film's worth bub,
24:18because it's the blazer he wants.
24:20It's right over here.
24:22Just a second.
24:28Oh.
24:31It's gone!
24:36Your friend. She's the only one that was near it.
24:39Friend? What friend?
24:41Uh, good-looking brunette, health nut,
24:43said she knew you from the mart.
24:45Uh, Laurie. No, Laura. Laura Holt.
24:48Friend, my toe.
24:52She's been pumping me for information.
24:55Well, she's gonna need all the health food she can get.
25:00Deeply, Laura.
25:03From the heart.
25:05You're very good at this, you know.
25:08It comes naturally with the right person.
25:19You know,
25:21if Lila had it,
25:23she'd have it.
25:25You know,
25:27if Lila has done something desperate,
25:30I'd almost understand it.
25:32That meat line at Julian's
25:34would drive any woman to distraction.
25:37From a sore feet?
25:39Sore hearts.
25:41Sore souls.
25:43A man is seen as many things, doer, thinker.
25:46A woman,
25:48bottom line,
25:50flesh.
25:55Nobody told you what to be when you grew up?
25:58You're a man. You smoke cigars.
26:01Oh.
26:03They used to come by the office in droves.
26:05Steal away with me, Laura.
26:07How's Palm Springs sound, Laura?
26:09Oh.
26:11But handle a case?
26:13Better let Mr. Steele handle that, Laura.
26:18But you didn't, did you?
26:20Thank the Lord.
26:22We'd both be scrounging for the rent.
26:25No one's ever gonna treat you as just flesh.
26:30Flesh, yes.
26:32But never
26:34just flesh.
26:43I took a chance, Miss Hall.
26:47The caviar was going bad.
26:49Oh, I see.
26:51Well, to the conqueror goes the spoils, eh?
26:55Same to you, Mr. Steele.
27:02Why can't I find the courage to tell that little man about his brother?
27:07Because you'd like to see them back together again.
27:09Laura,
27:11makes me sound like a sentimental fool.
27:13Never.
27:16Well,
27:18I guess I own the truth.
27:21Whatever that leads to.
27:38Problem?
27:39Not enough color.
27:41The honeymooners wasn't made in color.
27:43Remember?
27:45Happens to be the only show I never tire of.
27:47Americana around the kitchen table.
27:49Jackie Gleason roaring.
27:51Amy Bullock Connie.
27:53My Miriam.
27:55She was so partial to Connie.
27:57Something in his eyes, I think.
27:59You were married?
28:0131 years.
28:04God rest her.
28:08You ever lose anybody, Mr. Steele?
28:13Hmm.
28:15Once.
28:17Long time ago.
28:19I thought so.
28:21Your eyes tell more than you know.
28:26You've lost someone twice, though, Bullock.
28:28Lost? Save your sympathy.
28:33There was a time
28:35when I could have connected with Julian Barron again.
28:37Oh?
28:39In the beginning, Francoise came to me with a proposition.
28:42If I stop calling him a slimy momser,
28:45at least in front of Julian,
28:47I had a job for life.
28:49I gather you refused.
28:51The Prince of Pleats
28:53pressing fabric for that bum Periot?
28:55I told him as much.
28:57Oh, boy, did I tell him.
28:59He broke you, didn't he?
29:01Yes.
29:03Cut 90% of my jersey business.
29:06In New York,
29:08the reps wouldn't even speak to me.
29:10Miami dried up.
29:13Chicago...
29:15Did you talk to your brother about it?
29:17Don't you think I was entitled to the first call?
29:20You know...
29:22You know, Bullock,
29:24whatever's wrong between you,
29:27I mean,
29:29Julian Blaustein is still your brother.
29:31Surely there must be some common ground.
29:33If there is,
29:35Stanley and Livingston couldn't find it.
29:43Damn it, Francois, it was your handwriting!
29:46So what does that prove?
29:48That I tried to send your brother a little business?
29:50A little business?
29:52A little business?
29:54A man was killed over that business.
29:56Didn't you know that?
29:59Didn't you?
30:01No.
30:03Julian, do I kill?
30:06I don't know everything about you.
30:10You want to know everything?
30:181974.
30:20The unfortunate line of miniskirts.
30:23Who will raise the money for the next season?
30:2677.
30:30The tailored look that nobody wanted.
30:33Again, we recovered.
30:36Did you ever ask how?
30:39Did you ever give it a thought?
30:44And the houses.
30:46The fortune in houses.
30:48The villa in Marrakech.
30:50The chalet in St. Moritz that you just have to have!
30:56Oh, Francois,
30:58take care of the details.
31:00Don't bother me with your problems.
31:02I trusted you!
31:05Oh, Julian,
31:07you still want the problems to go away,
31:10don't you?
31:35I found her.
31:37The hat heading in our direction.
31:39Ah, Holt, wasn't it?
31:41Oh, what a marvelous surprise!
31:43Mmm!
31:45Lila just made you.
31:47Ah.
31:49The hunk that's with her?
31:51That's Carl.
31:53Hunk?
31:54Hulk.
31:55Bullets gave him the first jerkin'.
31:58Do you understand?
32:00Yes.
32:03The young one?
32:05It's trouble.
32:06No problem. He's a buyer.
32:08Buyer, huh? It's Remington Steel.
32:10Carl's mine.
32:12He's been?
32:13A duck.
32:15Steel's yours.
32:17She's mine.
32:22Well, what an unexpected surprise!
32:25Sweet.
32:26At least.
32:27Busy tonight?
32:28Funny, you should ask.
32:30Yeah, no, sure.
32:32Book me.
32:33I'd love to.
32:34Who's on makeup?
32:35I'll be there.
32:36Sam!
32:37Sam!
32:38From Birmingham.
32:39Ah, yes.
32:40Let me guess.
32:41Don't tell me.
32:42Lila.
32:43Lila Calder.
32:44We met at Julian.
32:45Ah, yes.
32:46Brainy Fetterman.
32:48Chicago employee.
32:50Perhaps you would care to join us this evening?
32:53You guys from Chicago.
32:55You're all so friendly.
32:57Brainy Fetterman.
32:59Brainy Fetterman.
33:00Brainy Fetterman.
33:29So, Sam, your own line of dresses.
33:43How exciting.
33:44You should have seen us 30 years ago.
33:46Fleets.
33:47What we did with fleets.
33:49Yes, who could forget them?
33:51Tell me, Lila.
33:52What would you say to a management position in my new enterprise?
33:56Not just another model on the line, mind you.
33:59But the model.
34:00Above the line.
34:02Time off your feet.
34:04People working for you.
34:05Oh, where do I sign?
34:07Another bottle of wine, sir?
34:08Champagne, my good man.
34:10Rothschild, if you got him.
34:1232 is the year I remember.
34:14Champagne, I don't believe it.
34:16Excuse me, Lila.
34:18Your memory just cost me $600, old boy.
34:23Isn't he great?
34:25Yes, yes, dining with Bernie is always such an unexpected pleasure.
34:29So, about this job, where do I sign?
34:33Well, Lila, as it happens, you already have.
34:38I don't think I understand.
34:44I'm not sure who you're working for, Lila.
34:47But you may be in deeper than you think.
34:49At the moment, the authorities will show some leniency.
34:53Leniency?
34:55For what?
34:56Why not start with Mark Prine's murder,
34:58then work our way back from there, eh?
35:01Mark?
35:04Murdered?
35:07You're lying.
35:09You're just trying to shake me.
35:12Believe me, Lila.
35:14Then perhaps I'll be able to believe you.
35:20Oh, a little dancing, a little takeout,
35:23a couple of cold ones.
35:25What more could you ask for?
35:27Some ice, if you have some.
35:30For your beard?
35:31Oh, well, you know how it is.
35:33Family tradition.
35:37Ah.
35:51Oh, thank you very much.
35:55Oh, excuse, I'm sorry.
35:59Um, the bathroom's right over there.
36:02Ha, ha, ha.
36:05Oh.
36:09Look, I really don't know whether I want to go through with this.
36:12What am I going to say to Mark if he walks in on us?
36:15Look, Mom, I really don't know.
36:16This is just a matter of time.
36:17I don't care if you say you're going to take it or not.
36:20I can't just go on living without you.
36:22I wouldn't want to be a part of this.
36:24You know, it's been a lot of trouble.
36:26This is not the kind of life I want.
36:29Lisa, come on.
36:30Come on, listen to me.
36:31I don't give a damn about you.
36:32I don't care if you take it or not.
36:34I don't know whether I want to go through with this.
36:36I mean, what am I going to say to Mark if he walks in on us?
36:38If Mark Ryan walks anywhere, medical science will rewrite itself from the top.
36:41Go on, Miss Colbert, open it.
36:43What?
36:44Go on.
36:55Is that what you guys dragged me over here to see?
36:58A pot roast?
37:00Slice it.
37:02I saw him, too, Mr. Steele.
37:32The blazer.
37:40It was never the film.
37:43All this time, it was the jacket everybody wanted.
37:47No more talk.
37:49I'll tell you what I saw.
37:51I saw the blazer.
37:53I saw the blazer.
37:55I saw the blazer.
37:57I saw the blazer.
37:59I saw the blazer.
38:01I want that blazer.
38:03Now.
38:07Not a chance, Carl.
38:32There's so many things I wanted to tell you.
38:37There's so many things I should have told you.
38:40I'm sorry.
38:42Carl, come here.
38:44Carl, come here.
38:46Oh, baby.
38:48Oh.
38:50Oh, baby.
38:54Oh, baby.
38:56Oh, baby.
38:58Oh, baby.
39:01I hate to interrupt while I'm ahead.
39:08Laura?
39:10Laura?
39:12Help me.
39:18Wait a minute. Wait a minute. Listen.
39:20I think it's beginning to make sense.
39:22Nothing makes any sense but the fact that you're alive and well.
39:25Laura, why are you alive and well?
39:28How are you alive and well, huh?
39:35This blazer, Mr. Steele, it's Steele.
39:39What?
39:40This is some fabric.
39:42Miss Hope, are you okay?
39:44Carl and Lila didn't want to get Julian's film.
39:47This jacket, they wanted the jacket all the time.
39:50That's what Mark was killed for.
39:52You mean bulletproof?
39:54Exactly, top of the line, yet light and stylish.
39:59And I think I know just the man
40:01who can tell us all about it.
40:03Oh, oh, quite a lady.
40:06Takes a licking and keeps on ticking, eh?
40:09Yes.
40:13I'm amazed the FBI isn't beating down your door.
40:16Classified fabric?
40:18Silicone conductive chemo.
40:21One of the top body armors in the world today.
40:24Not only lighter than plastic,
40:26it has a flex strength greater than forged steel.
40:29Stronger than steel?
40:31Oh, Milton and I always did see eye to eye.
40:34Would anyone kill for this?
40:36Your franchise, not mine.
40:38But what you do have here is a special mutation.
40:41Something the Russians would give up vodka to get.
40:45We are talking superconductor now.
40:47Virtually free of all resistance.
40:50You get the formula from this sample,
40:52make enough for an airplane skin.
40:54The plane could absorb any free currents in the skies.
40:58Now, wait a minute, Milton.
40:59You're saying that a radar beam like this,
41:03striking the chemo skin, would be gobbled up
41:06rather than bounce back to its source?
41:08Not only gobbled up, Binky.
41:11Converted and returned with a bang.
41:16Binky?
41:18You have your secrets, I have mine.
41:20I'm afraid someone else has got theirs.
41:21Milton!
41:22Oh, chap, that was most enlightening.
41:24Thank you very much.
41:25Oh, any time.
41:26Thank you, Milton.
41:30Russians, FBI, whoever we're after,
41:33they're in big, big trouble.
41:35Bullets, old mate, sit down for a second.
41:37There's no easy way to tell you this.
41:41We found this on Mark's body.
41:45The blazer bullets.
41:47Whoever hired Mark to steal the Kim La
41:49must have pointed him in your direction.
41:52Julian.
41:54Jackets are a very clever way
41:55of getting the fabric out of the country.
41:57I took the liberty of observing your brother's jacket size.
42:0142 long, I'm afraid.
42:04Afraid?
42:06Let's fit him for a matching noose.
42:17I thought we were partners.
42:18I want my share of the money.
42:21Without the blazer, what money?
42:23Stop.
42:25Watch it!
42:31Like it's my bus ticket, all right?
42:36You owe me.
42:42Mark is dead, isn't he?
42:46I hired you to steal a claim check.
42:49And you killed him.
42:51We've got more than one death to worry about.
42:54And I'm getting out,
42:56if I have to sell you to the cops to do it.
43:04Going someplace, Carl?
43:15Jack!
43:20Ah!
43:25You okay?
43:26Yeah, how about you?
43:27Oh, great.
43:37Mr. Perriello.
43:39Perhaps you do me the kindness of an explanation.
43:41If you'll just stop.
43:42No, no, no, no, no.
43:43I mean, a hysterical model, a thug on the showroom floor.
43:47In a few moments.
43:47No, no, no.
43:49No.
43:57Mr. Steele, it's rather late to be calling, isn't it?
44:00Bullets, what are you doing here?
44:01As the adage goes, better late than never, eh?
44:07Schmutz, nitwit!
44:08You got two minutes, run!
44:10Run?
44:11It wasn't enough to sell overpriced dresses.
44:13You had to sell state secrets.
44:16I knew it would come to this,
44:18with your fancy clothes and your fancy friends.
44:21Stay barren, what you have done to the name Bloustein.
44:26Oh, Bullets, help me.
44:27I just did help you.
44:29I betrayed the best of men.
44:32So forget your top secret, Mr. 42 Long, and run!
44:37When was I a 42 Long?
44:4140 regular.
44:42Has it been so long, Bullets?
44:45Then, then who's the 42 Long?
44:50Julian, Julian, this time I'll do
44:53more than hide your car keys.
44:55This time I'll find the dirtiest prison in this country,
44:59and you will call it home.
45:05Francois.
45:14Wake up, Mr. Steele.
45:16It was only taffeta.
45:18What a perfect cover.
45:21Your job, respected international businessman,
45:24traveling to all the fashion centers of the world,
45:27Paris, Milan, Hong Kong for fabrics.
45:31My employers are very demanding.
45:33I thought you were self-employed.
45:35You're the one who's been working for me.
45:37You're the one who's been working for me.
45:39You're the one who's been working for me.
45:41I thought you were self-employed.
45:44We all have to report to someone, Miss Holt.
45:47You set Mark up with Lila, didn't you?
45:48Women's work, softening him up.
45:50May I have the blazer, please?
45:53Would a man really as elegant as you
45:54carry a gun in that pocket?
45:57It might ruin the drape of the jacket.
45:59Ah!
46:02Lila!
46:10Holt, bullets.
46:12All right, stay right there.
46:13Stay right there.
46:15No way.
46:28Ow!
46:52Julian's dresses look terrific,
46:54but I can't find that slender brunette
46:56with the knockout legs.
46:57Oh, you mean I missed my chance at a Vogue cover?
47:00Afraid so.
47:01Oh, good.
47:05Enter.
47:06Ah, welcome, gentlemen.
47:09Hello.
47:10Hi.
47:12From the Brothers Blaustein.
47:14Oh, Bullets, I'm so touched.
47:18An original, Mr. Steele.
47:19Oh, thank you.
47:20But with a touch of tradition.
47:23Really?
47:24Oh, dear, what can it be, eh?
47:28Oh, 25 years, I imagine, eh?
47:34Here you go.
47:36Oh!
47:37Saves the wrapping paper.
47:48Oh, a pleated muffler?
47:51My inspiration.
47:53My creation.
47:54My idea.
47:55Oh, you English chaps, you're all so friendly.
47:58Yeah.
48:25© BF-WATCH TV 2021