Remington Steele S04E02
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00:00Last week on Remington Steel, John Murrell, France, Paul Fabrini, Italy, Douglas Quintain,
00:09England.
00:10Oh, how much do you know about the boss?
00:13I mean, before you two hooked up.
00:15To S.J. from K.O.
00:16One of these must be your father.
00:17I have a feeling that I never knew who my father really was, that I've never even seen
00:22my birth certificate.
00:24Scotland Yard is after me.
00:25Well, it sounds like you've been a naughty boy.
00:27I haven't done anything.
00:29Peter, I'd like the number of Scotland Yard, please.
00:32I'm afraid I can't look the other way on these.
00:36I do hope he has a passport in his real name.
00:38I've come up with a name for one of the initials on the watch.
00:42Kevin Landers.
00:44He's the Earl of Claridge.
00:45Wouldn't that be a corker if it turned out I was related to royalty?
00:49I hope you're prepared.
00:50Prepared?
00:51For what?
00:52Why, darling, you're going to kill the Earl of Claridge.
00:59You're going to kill the Earl of Claridge.
01:00You're going to kill the Earl of Claridge.
01:01You're going to kill the Earl of Claridge.
01:02You're going to kill the Earl of Claridge.
01:03You're going to kill the Earl of Claridge.
01:04You're going to kill the Earl of Claridge.
01:05You're going to kill the Earl of Claridge.
01:06You're going to kill the Earl of Claridge.
01:07You're going to kill the Earl of Claridge.
01:08You're going to kill the Earl of Claridge.
01:09You're going to kill the Earl of Claridge.
01:10You're going to kill the Earl of Claridge.
01:11You're going to kill the Earl of Claridge.
01:12You're going to kill the Earl of Claridge.
01:13You're going to kill the Earl of Claridge.
01:14You're going to kill the Earl of Claridge.
01:15You're going to kill the Earl of Claridge.
01:29You're going to kill the Earl of Claridge.
01:50You're going to kill the Earl of Claridge.
02:19You're going to kill the Earl of Claridge.
02:48You're going to kill the Earl of Claridge.
03:09Who are they?
03:19New friends.
03:22What's all this gibberish about my killing the Earl of Claridge?
03:25Aren't you even going to thank me for saving your life?
03:30I didn't know it was in danger.
03:32I want some answers, Felicia,
03:34and you can begin by telling me why you set the coppers on me.
03:38They were coming back.
03:39Who?
03:40Hawkins and Bloor.
03:42They were already suspicious of me.
03:44If they'd found out that you were the great Detective
03:46Remington Steele, it would have been over for both of us.
03:51As it is, they saw you make your unceremonious exit
03:54from my flat.
03:55So naturally, they wanted to know who you were
03:57and why Scott and Yarbrough was after you.
03:59I have a feeling we are getting to the interesting part.
04:02Come on, tell me.
04:03Well, if I hadn't given the right answer,
04:06we'd have both been dead on the spot.
04:08I see.
04:09And what did you tell them, Felicia?
04:14That you were the man we were waiting for.
04:15I see.
04:16And who exactly is that?
04:21The finest assassin in Europe.
04:27Let's go.
04:28Come on.
04:35Fellas, let's back this up and talk it through, shall we?
04:37You'll do your talking to the head man.
04:40We don't have to bother him, do we?
04:41I mean, surely the three of us can settle this.
04:44You don't come up with the right answers, mate.
04:46We'll settle things.
04:53Daniel?
04:54Harry?
04:55You're the head man?
04:58You're the assassin?
04:59If it's not too much trouble, would you
05:01mind telling me what the bloody hell I'm doing here?
05:04By heaven, it's good to see you again.
05:07It's been too long, far too long.
05:09I see.
05:11What have I stumbled into this time, Daniel?
05:12The sweetest opportunity to come down the pike in years.
05:17Delighted you could be a part of it.
05:18Cheers.
05:19Cheers.
05:21I see you're eager for details.
05:23Good sign.
05:24Who are those, for want of a better word,
05:27gentlemen outside?
05:28Miners.
05:30Until recently, they toiled for the Earl of Claridge.
05:33However, there were strikes and general unpleasantness.
05:37Rather than give in to their demands,
05:39the Earl closed the mines.
05:41So wanting merely to return to work in peace and harmony,
05:45they decided to kill him.
05:48How would that help get the mines reopened?
05:51Logic of that escapes me, too.
05:54But then social protest never was my strong suit.
05:56At any rate, being new at this sort of labor negotiation,
06:00they needed someone to mastermind the undertaking.
06:03No pun intended.
06:04I hadn't realized that you'd graduated to murder, Daniel.
06:08Then you don't know me as well as you think, Harry.
06:10Murder is far too primitive for my taste.
06:13The fact is the Earl's impending wedding
06:15will assemble under one roof the finest array
06:18of jewels on the continent.
06:20My dear Harry, why not use these poor misguided souls
06:25to help Felicia and me pull off the robbery of the century?
06:29Oh, dear me.
06:32Tell me, um, how did you and Felicia meet?
06:38Kismet.
06:41Lovely lady.
06:42Don't you agree?
06:43Yeah, she's had her moments.
06:45I hope the two of you will be very happy together.
06:51Now, if you'll make my apologies,
06:55I'll be on my way.
06:56Oh, I'm afraid it's not as simple as that, Harry.
06:58You see, I agreed to supply these labor
07:02negotiators an assassin.
07:05Just tell them I'm not the one you were expecting.
07:07But unfortunately, there is no assassin.
07:10I mean, they never would meet with a man for obvious reasons.
07:13And he had this great need to keep his identity secret.
07:16And once you and Felicia took off with the jewels,
07:17what were they going to do, complain to the police
07:19that you didn't live up to your end of the bargain?
07:20Is that it?
07:21Your arrival puts a slight crimp in the plan.
07:24Daniel, I have no intention whatsoever
07:27of assassinating the odd.
07:28He could be a very close relative of mine.
07:30Do you realize that?
07:32Really?
07:34You don't have an invitation to the wedding, do you?
07:37One way or another, you, sir, are going
07:39to straighten this whole thing out.
07:42Outside.
07:44What is it?
07:45Move.
07:46Move.
07:53They call us radicals.
07:57They call us terrorists.
08:00They call us thugs.
08:02Our union has expelled us.
08:05The authorities hunt us.
08:07But do we quit?
08:09No.
08:10Because we're right.
08:12Our cause is just.
08:14Our target's clear.
08:20But there's someone here who would destroy all
08:25we're trying to accomplish.
08:27Someone who came to us under false pretenses.
08:30Someone who tried to worm his way into our confidence.
08:34And then at the first opportunity, betray us.
08:39Well, there's only one answer for someone like that.
08:43Have you anything to say?
08:47Stirring speech.
08:49You agree?
08:50Well, there are a few portions I'd like to mull over.
08:52No time.
08:53You're probably wondering what I'm doing here, aren't you?
08:54I know what you're doing here and what you will do here.
09:06Take him.
09:07Take him.
09:17You were going to the coppers, weren't you, Wilson?
09:19You were going to tell them all about our plans
09:20for his lordship.
09:22Trade your hide for our lives.
09:25Wasn't that it, Wilson?
09:26No, you've got it all wrong.
09:37Do the honours.
09:39Me?
09:40It's your stock in trade, isn't it?
09:44Go on.
09:46We might think you came to us under false pretenses.
09:54I can't.
09:56Why not?
09:58I, uh, I make it a rule never to pull the trigger
10:01unless I'm paid to do it first.
10:04You've spoken like a true professional.
10:07Only talk's cheap.
10:09And you've got to prove you're who you say you are.
10:19Toodle-oo, Wilson.
10:20Ah!
10:28If you can't convince them you're the assassin,
10:30they'll be saying toodle-oo to us too.
10:35In that case, get me a watermelon.
10:38Watermelon?
10:39A water-mellon.
10:57Miss Holt, where are you going?
11:00He's done it to me for the last time.
11:02Done what?
11:03Left me in the lurch?
11:05Hung me out to dry?
11:06Let me twist in the wind?
11:08You're welcome to join me, Mildred.
11:10We're on the road back to sanity.
11:12Wait a minute.
11:13Hold the phone.
11:15You promised to tell me what's going on with Mr. Steele.
11:19The bar.
11:20Him.
11:21You saw those passports.
11:23You did a background check on those names.
11:25Michael O'Leary, art thief.
11:27Richard Blaine, jewel thief.
11:29And the rest, Lord only knows.
11:31But none of them Remington Steele.
11:34And you know why none of them is Remington Steele?
11:36I'm staying tuned.
11:38Because Remington Steele doesn't exist.
11:45I invented him, made him up out of whole cloth.
11:49He's a figment of my imagination.
11:52I'm not really stupid if none of this makes sense, am I?
11:56No one would take a female private detective seriously.
12:00Sam Spade, Philip Marlowe, Charlie Chan, for God's sake.
12:05That's everyone's perception of a private eye.
12:08A woman couldn't possibly function in that world.
12:12So I invented a superior, a decidedly masculine superior.
12:20And it worked, Mildred, brilliantly,
12:26until he showed up with his blue eyes
12:29and mysterious past.
12:31You know how I met him?
12:32I'm afraid to ask.
12:34You should be.
12:35He was attempting to steal the collection of jewels
12:38I was hired to protect.
12:40And before I knew it, he found me out and assumed
12:43Remington Steele's identity.
12:45Well, who is he?
12:48A fraud.
12:49The man you worshipped, adored, fawned over
12:52is a sham, a fake, a phony.
12:56You sure know how to let a girl down easy.
13:00I hated to do it, Mildred, but it's time to face facts.
13:03He's gone again.
13:06And this time, even if he comes back,
13:09beg him, plead for a second chance, no way, Jose.
13:15I've done it once before without Remington
13:17Steele in the picture.
13:18And I'll do it again.
13:20Mm-hmm.
13:25Yes, uh, this is Laura Holt. Can you
13:28have my bill ready, please?
13:30Yeah.
13:32OK.
13:33Oh, I got to tell you, Miss Holt, I am absolutely shocked.
13:39Good.
13:40Disillusioned.
13:41Terrific.
13:42Outraged.
13:43At you.
13:43Me?
13:44Yes, you.
13:47I'm not the fraud.
13:49You're worse.
13:51Something kept him from meeting us.
13:53And he's out there alone without a passport
13:56and probably in some kind of trouble.
14:00Do you think so?
14:01Oh, you can't turn your back on him, honey.
14:06Watch me.
14:09This is a lot lighter than when I arrived.
14:12No matter who he is or what he was,
14:15you got to admit one thing.
14:16He's been one damn good Remington Steele.
14:19And he deserves more than Au Revoir, Auf Wiedersehen,
14:22and So Long, sucker.
14:25I know.
14:27But it felt so good there just for a minute.
14:32All right.
14:33I think I know one place to find him.
14:36You man the phones in case Captain Chameleon
14:38Daines to call in.
14:41Mildred, would you mind unpacking for me?
14:45You got it.
15:04Uh, Laura Holt?
15:05Oh.
15:14Miss Holt?
15:26What's going on?
15:29His lordship has received some threats to his life.
15:31Surely you don't suspect me.
15:33Inspector Lombard's orders.
15:48Your lordship.
15:49How pleasant to see you again, Miss Holt.
15:52I was wondering if a friend of mine has been here.
15:56He's tall, rather good looking, with dark hair.
16:01No, but what would he want with me?
16:05He came to England to trace his past.
16:08It can best be described as murky.
16:10He did, however, have one tangible link.
16:13Someone sent it to him with a note.
16:15Your father always wanted you to have this.
16:17Um.
16:26The inscription is a little difficult to read.
16:29To S.J. from K.L.
16:34I know on occasion you've used the name Kevin Landers.
16:41This friend of yours, how old is he?
16:44Early 30s.
16:46Raised where?
16:48Ireland, for the most part.
16:54Do you know who he is?
16:55Very likely.
16:57My son.
17:00Your friend, where is he?
17:03I, I don't know.
17:05I'm trying to find him.
17:07All these years.
17:09All these wasted years.
17:16I was no more than a boy myself.
17:19There was a young Irish girl, worked on the estate.
17:22Terrible disgrace.
17:23She took the child back to Ireland, refused any help.
17:27Eventually, disappeared.
17:30I only saw my son once.
17:36Sorry to intrude, Your Lordship, but there's
17:38a gentleman to see you.
17:39Something about a presentation at the wedding reception?
17:42Yes, yes, I'll be along in a minute.
17:45May I have that for a little while?
17:51Of course.
17:57Thank you, Your Lordship.
18:18There he goes.
18:19There's your humble servant, sir.
18:21I'm sorry, Your Lordship, a bit of the black lung, you know.
18:25I'm proud to have got it in one of your minds.
18:28I understand that you're here about the presentation,
18:30Mr. Carstairs.
18:32I am, sir, there I am.
18:33It'll be my privilege to lead a delegation
18:36of the loyal and faithful.
18:38I'll speak a few words extolling the many wonderful things
18:41you've done for us all.
18:43Then, on behalf of all the miners,
18:45at least wise, they must say now to kill you,
18:48I'll present you with a gold-plated shovel.
18:55A symbol, you might say, of our gratitude to you
18:58for allowing us to dig your coal.
19:00As I'm most appreciative, Mr. Carstairs,
19:02not only of your fine gift, but also your spirited support.
19:06I only hope and pray, Your Lordship,
19:08that I can help make your wedding the most
19:10unforgettable day of your life.
19:18DOOR SLAMS
19:48DRAMATIC ORCHESTRAL MUSIC
20:18DRAMATIC ORCHESTRAL MUSIC
20:37I hope one of us knows what you're doing.
20:39They're the Jackal.
20:41Jackals? We'll be feeding on our carcasses
20:43if you don't pull this off.
20:44Edward Fox, Michael Lonsdale Universal, 1973.
20:49Fox portrays a master assassin.
20:52In order to test the accuracy of his weapon, he uses a melon.
20:58Trust me, the effect is stunning.
21:00Yes, darling, but first you have to hit the melon.
21:11Shall we?
21:13Get it.
21:33What do you propose I do?
21:36Beat his lordship to death?
21:38Security's so tight, you couldn't slip
21:40a toothpick into that place.
21:42So?
21:47Breach, muzzle, trigger.
21:56Cost us a pretty penny, this, didn't it?
22:01You get one shot.
22:02Done correctly, that's all it will take.
22:13DRAMATIC ORCHESTRAL MUSIC
22:35GUNSHOT
22:43Ahem.
22:45Adjustment.
23:03DRAMATIC ORCHESTRAL MUSIC
23:13DRAMATIC ORCHESTRAL MUSIC
23:20GUNSHOT
23:25Ahem.
23:26Adjustment.
23:43Bullet.
23:58Last chance, mate.
24:02DRAMATIC ORCHESTRAL MUSIC
24:13GUNSHOT
24:25That's wonderful.
24:27Congratulations.
24:29Knew you'd do it.
24:32Hold it on down, love.
24:36GUNSHOT
24:40Come on.
24:42DRAMATIC ORCHESTRAL MUSIC
24:59GUNSHOT
25:03Looks good to you like your associate, Linda.
25:06Lisa.
25:07Laura.
25:13DRAMATIC ORCHESTRAL MUSIC
25:20Ah!
25:21Shh, shh, shh.
25:22Oh, you sneak up behind me in the middle of all this
25:24and you say, shh.
25:26You'll never believe what I've been through, Mildred.
25:28Come on.
25:29Oh.
25:34I found you-know-who by following Daniel Chalmers.
25:38He's here, too?
25:39He bought a watermelon.
25:41Uh-huh.
25:42And took it to this...
25:44this compound filled with armed men.
25:47And then you-know-who...
25:50Oh, look, um, Miss Holt,
25:52can't we call in Mr. Steele just for the sake of clarity?
25:56Mr. Steele shot the watermelon with a shovel.
26:03Look, let me see if I can get you some water.
26:05I know how it is.
26:07I'll get you some water.
26:08I know how it sounds, Mildred, but believe me,
26:11I saw it with my own eyes.
26:13Then the armed men chased me,
26:15but I didn't want to come back to the hotel
26:17until you made sure it was safe.
26:25Whatever's going on has something to do
26:27with the Earl of Claridge.
26:29He's received death threats.
26:31Oh, but you don't think Mr. Steele...
26:33I don't know.
26:34But regardless of that, he's a royal bastard.
26:37Oh, Miss Holt.
26:39I know that you're angry with him,
26:41but I think that's out of line.
26:43No, Mildred.
26:44He's literally a royal bastard.
26:46The Earl fathered an illegitimate child,
26:49and as strange as it may seem,
26:51Mr. Steele appears to be it.
26:53Does that mean we have to call him Your Lordship?
26:56There are a great many things I'd like to call him,
26:59but that's not on the top of my list.
27:01There she is.
27:02Right.
27:03Two of the men who were chasing me.
27:05Okay, go ahead. I'll handle it.
27:07We'll regroup at the hotel.
27:08Okay.
27:13Aah!
27:16Aah!
27:30You won't call it off.
27:32Apparently, we're all in this to the death,
27:34even if it's ours.
27:38I have to know if Laura made it, Daniel.
27:40Men on back, Ed. That's a good sign.
27:42I'll need to know more than that, mate.
27:45Don't do anything foolish, Harry.
27:47Not only isn't Armstrong playing the full deck,
27:50he can't even find the cards.
27:55Don't worry about it.
28:07Gentlemen,
28:09we have yet to settle one minor detail.
28:14What's that?
28:15My fee.
28:16Name it.
28:18One million pounds.
28:23A million?
28:24Take it or leave it.
28:25We ain't got nowhere near that.
28:29Then the deal's off.
28:30But we'll get it.
28:33You will?
28:36Nothing's gonna stand in the way of you killing the Earl.
28:48Miss Holt, have you managed to locate your friends?
28:51I have a good idea where he is,
28:53but I haven't been able to put my hands on him yet.
28:56Now, Catherine must know nothing of this
28:58until I can sort things out with my son.
29:00I understand you, Lord Chip.
29:02About these threats against your life.
29:05Disgruntled miners.
29:07Lunatic fringe, if you ask me.
29:09They wanted me to give them half ownership of the mines.
29:13When I refused, they began a reign of sabotage.
29:16Even blew up some of the tunnels.
29:18A great many innocent people were killed.
29:20Rather than risk more deaths, I closed the mines.
29:23Then they accused me of throwing them out of work
29:26and vowed to kill me.
29:28Perhaps it would be wise
29:30if you postponed your marriage until these people are caught.
29:33Miss Holt, there was a period,
29:36a bleak, dark period,
29:38when I was afflicted by drink and unhappiness.
29:42Then I met Catherine and fell in love.
29:46Have you ever been in love, Miss Holt?
29:49I'm working on it.
29:51Like being reborn.
29:53I cannot do anything to give Catherine
29:56the slightest reason to doubt me.
29:59No reason to doubt my love.
30:02That's why the wedding must go forward as planned.
30:13Another fine mess.
30:15Where there's a way in, there's a way out.
30:21Nice and quiet.
30:23They won't even know what hit them.
30:30All right, everybody, this is a robbery!
30:32Put your hands up!
30:34Over to that corner. Come on, everybody in that corner.
30:37What the hell did you do that for?
30:40I just got carried away. I'm sorry.
30:42Open the safe.
30:44He can't. No one can.
30:46Once it's closed, for any reason,
30:48only someone from the main office can reopen it.
30:51Rotten luck. Shall I just put it off?
30:54Put it off.
30:59You've got till the count of five.
31:01Then I'll open him up.
31:03I told you, it's out of my hands.
31:05Really, gentlemen, this is not cricket.
31:08One, two...
31:10You heard him. He can't open it.
31:12Three, four...
31:14Let me have a crack at it!
31:16Hold it. I can put it back.
31:18OK. It's fine.
31:20Just hold it.
31:22Excuse me, sir, could you turn off the alarm?
31:25It makes it a bit difficult to hear.
31:27Only the police can do that.
31:29Dreadfully sorry.
32:18Congratulations.
32:20Congratulations.
32:29Tell me, darling,
32:31if there were no Laura in your life...
32:34See, I got it right that time.
32:36Would there be room for me?
32:39Well...
32:41Laura is in my life.
32:44At least, I think she is.
32:46I must admit, though not for publication,
32:49you're being quite empty without you, Michael.
32:52Or rather shabby,
32:54no matter how sumptuous a setting or generous the partner.
33:00I should never have let you go.
33:02I should have clung to you.
33:04I should have fought for you.
33:09Will you give me that opportunity now?
33:12I'm flattered.
33:15But uninterested.
33:19Let's just say...
33:23previously committed.
33:25No.
33:27Odd.
33:29That's the one thing that none of the rest of us could ever squeeze out of you,
33:32no matter how persuasive we were.
33:36Believe me, Felicia,
33:38I wasn't planning on it.
33:50Good night.
33:53Sleep well.
34:00I'm all for social reform,
34:02but to tell you that God's honest,
34:05I'd rather have the million.
34:07Why can't we have both?
34:09You've got to pay the man for his work.
34:12Not if he's dead, we don't.
34:14All set.
34:16All set.
34:17He pulls the trigger,
34:19and the whole works blows up in his face.
34:23Then who's going to do the Earl?
34:25Me.
34:35I'm going to rub some of this on his lordship.
34:38And when our big-time killer blows himself to smithereens,
34:43you douse the lights,
34:46I'll hustle his lordship out to protect him,
34:49and I'll be waiting,
34:52sighting in on that nice, big target,
34:55glowing in the dark,
34:57just begging to be hit.
34:59With what?
35:00Can't get no weapons into that place.
35:02Don't have to. They're already there.
35:07Here's to the best kind of social reform,
35:11the kind that pays a million quid.
35:16So, in conclusion,
35:18let me say without fear or contradiction
35:21that the Earl of Claridge and his handsome new bride
35:25will live in peace and harmony till death do them part.
35:31Hurray! Hurray!
35:37Her ladyship and I will always treasure
35:40this truly remarkable gift.
35:48That's the right fine piece of material, your lordship.
35:52Wall blend, I'd say.
35:54Yes. Yes. Thank you.
35:56Now, why don't you gentlemen avail yourself
35:58of whatever we have to offer?
36:05What are you waiting for? Arrest them.
36:08Unless they make some overt move against his lordship,
36:11I'm afraid I can only charge them with the bank robbery,
36:14in which case your Mr. Steele will probably also go to prison.
36:20How long do you think he might get?
36:24Get behind, Armstrong.
36:26When I fire into the ceiling, you clobber him.
36:29I'll take care of Hawkins and Law, OK?
36:32Look at all those baubles.
36:34Daniel, allow me my pain.
36:45Canape!
36:47Creep.
36:49Mildred?
36:52How could you?
36:54I believed in you, revered you,
36:56followed you around like a faithful puppy.
36:58If I had had a tail, I would have wagged it
37:00every time you came into a room.
37:02Mildred, this is no time to talk about pets.
37:04Is Miss Holt in attendance, too?
37:06She told me about you.
37:08You fake. You phony. You fraud.
37:11Mildred, can we talk about my deceit at a less awkward moment?
37:22Linda, good to see you again.
37:26Let's have lunch soon?
37:28You and your star pupil are in over your heads this time.
37:32You don't know half of it.
37:34Well, I'm through fighting with you for him.
37:36When this is finished, you can have him.
37:39At the moment, that's hollow consolation.
37:52Some people don't know when to pack it in.
37:55He's through with you, darling.
37:57He told me so right after we'd made love by a beautiful little lake.
38:03For what?
38:05For giving me the incentive to keep on fighting.
38:08Now move it, Blondie, before I dent your grill.
39:22No!
39:32Best get you out of here, my lord.
39:43What the hell are you doing?
39:45I want to get out of here.
39:47I want to get out of here.
39:49What the hell are you doing?
39:51I wasn't going to let you kill your own father.
39:53I was trying to save...
39:55My father?
39:57The Earl of Claridge is my father?
40:00Happy birthday.
40:20You'll lose him!
40:27It's Armstrong.
40:50Oh!
41:13Toodle-oo, Armstrong.
41:20Toodle-oo.
41:30Relax. Everything's going to be just fine.
41:34Laura, it isn't every day you get to meet your father.
41:37I mean, for the first time.
41:42Wonderful man, the Earl.
41:44His gratitude was boundless.
41:48He's thinking of putting me in charge of security for the estate.
41:52Nothing definite. We're merely discussing it.
41:55Well, my boy, good luck.
41:58I hope this brings you everything you've always wanted.
42:01Linda, my dear, I'm afraid we shall have to postpone our luncheon.
42:06I shall be extremely busy.
42:09Looking at alarm systems, laser beams, light sensors.
42:14You know, the stuff of security.
42:23Well...
42:25All right.
42:29Don't slouch.
42:45Hello.
42:53You have no idea how many years I've waited for this.
42:57I, uh...
43:01I think I do.
43:05Ever since I was a little boy,
43:08I've been waiting for this.
43:12Ever since I was a child,
43:15I realized that I wasn't like other children.
43:18Well, in the sense that...
43:21I had no parents, no real parents, no true home.
43:26I was always trying to...
43:29imagine what my real father was like.
43:33Creating, recreating his image.
43:36You know, how he talked, how he walked.
43:40How he smiled.
43:42I regret many things, but none more severely than losing you.
43:47There's time.
43:50There's much time.
43:54Let me look at you.
43:56What firms your...
44:01blue eyes?
44:04Your lordship?
44:07What is it?
44:09Your eyes.
44:11What about them?
44:12They're blue.
44:14Is... Is that a problem?
44:17My son has hazel eyes, like his mother.
44:21Are you sure? You said you only saw him once.
44:26I, uh...
44:28I don't think a father could make that mistake so easily.
44:34Could he, your lordship?
44:36No.
44:39Are you saying he isn't...
44:42But he's the right age.
44:45And he was raised in Ireland.
44:47And the watch. What about the watch?
44:49Well, the initials SJ stand for Sean James.
44:52The boy's name.
44:54I gave it to a friend to make sure he received it when he came of age.
44:58Well, there you are.
45:00However, the watch was lost or stolen.
45:04When you turned up with it,
45:06I naturally assumed that it would find its way back to my son.
45:09Well, that would make sense.
45:12What does?
45:14My father probably stole the watch.
45:19I'm truly sorry, Mr Steele.
45:23For both our sakes.
45:34Shall we, Miss Holt? I think we have a long way to go.
45:37Good day, sir.
45:41I'm so sorry.
45:52Ironic, isn't it?
45:55I come here to find out my real name.
45:59Offer it to you as proof of my commitment.
46:03And now, not only are we still in the dark as to who I am,
46:10but I no longer know who I was.
46:15I tried, but Inspector Lombard won't give back your passports.
46:21Do you like London, Laura?
46:24I haven't exactly hit the usual tourist attractions.
46:29Well, it seems to me,
46:32if our relationship is to continue,
46:35it'll have to be here.
46:41Miss Holt, what...
46:52It seems you haven't forgiven me my deception yet.
46:59To tell you the truth, I don't know how I feel.
47:03I guess it's going to take some time to straighten all this out.
47:09Anyway, here you go.
47:12Oh, thank you.
47:14What is this?
47:16It's sort of a consolation present from us
47:19for not ending up the son of an earl.
47:22Just what I need to get over my trauma.
47:24Your shirt.
47:27A handkerchief.
47:30Socks, maybe?
47:36I guess you earned it.
47:47Many happy returns, Mr Steele.
47:53Oh, God.
47:56Touched.
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