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00:01:21This is Los Angeles, our Lady, the Queen of the Angels,
00:01:24as the Spaniards named her,
00:01:26the fastest growing city in the nation.
00:01:28It's been called a bunch of suburbs in search of a city,
00:01:31and it's been called the glamour capital of the world.
00:01:34A mecca for tourists, a stopover for transients,
00:01:38a target for gangsters,
00:01:40a haven for those fleeing from winter,
00:01:42a home for the hardworking.
00:01:44It is a city holding the hopes and dreams
00:01:46of over two million people.
00:01:48It sprawls out horizontally over 452 square miles
00:01:52of valleys and uplands,
00:01:54of foothills and beaches.
00:01:57Because of that vast area,
00:01:59and because of a population made up of people
00:02:01from every state in the Union,
00:02:03Los Angeles is the largest police beat in the country,
00:02:06and one of the toughest.
00:02:09We're going to take you into the city hall
00:02:11where police headquarters are located.
00:02:13Here in communications are the ears and voice of the police,
00:02:17the lights on the complaint board flash 24 hours a day,
00:02:20citizens reporting a prowler, a lost child,
00:02:23a man molesting a woman, an auto accident, a wild party.
00:02:26Spend an hour or two here,
00:02:28and you will think the whole city has gone berserk.
00:02:31Minute by minute, the orders go out to the radio cars
00:02:33and the far-flung divisions.
00:02:35Watts and Wilshire and West Los Angeles,
00:02:37Hollywood and Hollenbeck Heights in North Hollywood.
00:02:40The work of a police like that of woman is never done.
00:02:46This is the case history of a killer
00:02:48taken from the files of the detective division.
00:02:51The facts are told here as they happen.
00:02:54The story properly starts here in Hollywood division headquarters
00:02:57at 1 o'clock of a June morning last year.
00:03:00Officer Robert Rollins had finished his tour of duty and signed out.
00:03:04It had been a tough day. He'd be glad to get home.
00:03:07His wife would be waiting up for him, as she always did.
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00:04:56Hey, fella.
00:04:58Come here.
00:05:03What were you doing back at that radio shop?
00:05:05Just looking. I was on my way home.
00:05:08Live around here?
00:05:10Yeah, a couple blocks down.
00:05:12Let me see some identification.
00:05:14Sure.
00:05:18Yeah, I guess I forgot my wallet.
00:05:20Look, lad, I've got to see some identification.
00:05:23How about my army discharge? I got it right here.
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00:06:03Police department. Operator 27.
00:06:06I want to report the shooting of a policeman.
00:06:08Hold on, please.
00:06:10Give me that again, please.
00:06:12I'm calling to report the shooting of a policeman.
00:06:14What's the address?
00:06:155057 State Street, just west of Santa Monica.
00:06:18Just a minute.
00:06:20Receiving hospital. Operator 2.
00:06:23Operator 27, 5057 State Street.
00:06:275057 State Street. An officer has been shot.
00:06:305057 State Street. An officer has been shot.
00:06:32Send an ambulance.
00:06:34All units, all units in the vicinity of State Street,
00:06:36Santa Monica Boulevard,
00:06:38proceed at once to 5057 State Street.
00:06:415057 State Street.
00:06:43An officer shot. Code 3.
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00:07:08ADK to Control 1.
00:07:10Control 1 to ADK. Go ahead.
00:07:12This is Breen.
00:07:13Instruct homicide to throw out a dragnet
00:07:15and pick up all suspicious characters in the area of the shooting.
00:07:18Also notify Sergeants Marty Brennan and Chuck Jones
00:07:21to report to me at the scene of the crime.
00:07:23Control 1 to ADK. Roger.
00:07:38I see. Well, what have you got so far?
00:07:40Well, not much, Captain Breen. A couple of cartridge cases.
00:07:45Oh, Marty, Chuck. Hi, Captain.
00:07:47Eyewitnesses? Who was first on the scene reported?
00:07:50I was. I live here.
00:07:52I'm a light sleeper, but my hearing is good.
00:07:55Did the officer say anything before he collapsed?
00:07:58Yeah, he gave a description of the fella.
00:08:00On the shooting of the officer,
00:08:02suspect is a white male American,
00:08:04age 26 or 7,
00:08:065 feet 10 or 11,
00:08:08155 to 165 pounds,
00:08:11brown hair,
00:08:13regular features,
00:08:14pencil mustache.
00:08:17Repeat broadcast. All units.
00:08:20Is that about it?
00:08:21Yes, sir, exactly.
00:08:22And the officer kept saying,
00:08:24he looked like such a nice kid.
00:08:26He looked like such a nice kid,
00:08:28as if he couldn't believe what had happened to him.
00:08:32I see. Is that all?
00:08:34Yeah.
00:08:35Thank you very much.
00:08:36Yeah, well, anything else I can do, I'd be glad to help you.
00:08:39We may call you.
00:08:40Get his name and address for you, Bob.
00:08:45This door been checked, Lee?
00:08:46Yeah, it's okay, Captain.
00:08:52Find anything?
00:08:53Nothing but some smudges so far.
00:08:56Found this in the glove compartment.
00:08:58I think it's nitroglycerin.
00:09:01It doesn't look quite right.
00:09:03Well, check it down at the lab.
00:09:05Hmm.
00:09:12Open this up, Joe.
00:09:14No key, Captain.
00:09:15Try it open.
00:09:16Give me that bar, Frank.
00:09:33Hmm.
00:09:34Regular arsenal.
00:09:35Yeah, get a load of that.
00:09:37What is it?
00:09:38I don't know.
00:09:39It looks like some kind of an electrical device.
00:09:42United States Navy.
00:09:45It's either stolen or war surplus.
00:09:48Send all this stuff down to the lab
00:09:50and check the serial number on that Navy equipment.
00:09:52Yes, sir.
00:09:53Captain Breen.
00:09:54We found these in the weeds over by the radio store.
00:09:57Hmm.
00:09:58What do you got?
00:09:59A pair of cloth gloves, Captain.
00:10:01Well, he thought of everything, didn't he?
00:10:04All right, give them to one of the technicians.
00:10:06Yes, sir.
00:10:07Marnie, you and Chuck come along with me.
00:10:09Let's go downtown and see what they picked up in the dragnet.
00:10:11Right.
00:10:25You know him, Marnie?
00:10:28Yeah.
00:10:30I know his wife, too.
00:10:32Ever since high school.
00:10:37Captain, I wish you'd let Chuck and me handle this case.
00:10:44All right.
00:10:45I don't want any dead heroes.
00:10:48I just want the man who shot Rawlins.
00:10:53The suspects began to arrive at headquarters in droves.
00:10:56The police tossed every motel and hotel and many private homes
00:10:59in a four-square-mile area around the scene of the shooting.
00:11:02Every available radio car and patrolman and detective
00:11:05was out on the dragnet.
00:11:07The strings were being drawn tighter and tighter.
00:11:09Many a man returning from a date or a late party or a poker game
00:11:13surprisingly found himself in a squad car,
00:11:16its siren screaming as it brought him to the detective bureau.
00:11:20The dragnet gathered in some strange fish,
00:11:23and many ordinary ones.
00:11:25All the rest of that night, the detectives probed,
00:11:28needled, questioned, quizzed.
00:11:32Everything was checked.
00:11:34Fingerprints, names, addresses, stories.
00:11:37Every fish in the net was examined,
00:11:40most of them thrown back into the sea, not worth keeping,
00:11:43except a few parole violators and slightly shady characters
00:11:46whose stories needed a lot of verifying.
00:11:49I wasn't prowling no cards.
00:11:51Just taking a walk, you know, getting in condition.
00:11:54You were running when the radio car picked you up.
00:11:56Yeah, maybe that's why the guy's called me Punchy.
00:11:59He's got a point there.
00:12:01Two felony convictions, no want, no warrant.
00:12:03He's on parole. Book him, violation of parole.
00:12:06Let's have the next one, Joe.
00:12:08What were you doing in that vacant lot?
00:12:11The vacant lot?
00:12:13Lot?
00:12:14What were you doing at that time of night?
00:12:27You say your name is Ralph Henderson?
00:12:29So what?
00:12:31Well, you know, it's a funny thing, Ralph.
00:12:33There's a guy around this town that's been wearing your fingerprints.
00:12:36Only his name is Pete Hammond.
00:12:38Okay, so I'm dead.
00:12:41So what's one more confession in my life?
00:12:45Now you're talking, Hammond.
00:12:47Okay, Andy.
00:12:49Hello, Harry.
00:12:51What have we got here?
00:12:53Oh, some robbery suspects.
00:12:55Candidates for San Quentin.
00:12:57Handsome here is the big shot.
00:12:59He runs the outfit.
00:13:02Have a gander at his record.
00:13:04Car theft, escape from reform school, robbery,
00:13:08assault with a deadly weapon.
00:13:10Not bad.
00:13:11Look at the heater we found on him.
00:13:13German Luger, fully loaded.
00:13:15Redhead here tried to carve up one of the arresting officers
00:13:18with this pretty toy.
00:13:20Nice boys.
00:13:22By dawn, many minor wrongdoings had been uncovered
00:13:25and a few incipient felonies.
00:13:27The checking of the suspects had been thorough,
00:13:29painstaking, and tedious.
00:13:31But all the work was for nothing.
00:13:33The man who had shot Officer Rollins was not among them.
00:13:36He remained no more than a description,
00:13:38a shadow of a man,
00:13:40mysterious, elusive, deadly,
00:13:43hidden away somewhere in the vast city.
00:13:47As for Rollins himself, he couldn't help.
00:13:50He was in a coma at receiving hospital.
00:13:53Mrs. Rollins waited out the long, tense hours
00:13:56while her husband fought to live.
00:13:58Many another officer's wife had so waited.
00:14:01Many another will.
00:14:03The word came shortly after sunup.
00:14:06The word came shortly after sunup.
00:14:30A white male American, 26 or 7,
00:14:345 feet 10 or 11,
00:14:36155 to 165 pounds,
00:14:39brown hair, regular features,
00:14:42pencil mustache.
00:14:45This was no frightened fugitive.
00:14:48What went on in his mind?
00:14:50Why had he set his hand against his fellow men,
00:14:53taken the life of another, of a stranger,
00:14:56of a man who was merely doing his duty?
00:14:59He must have some plan,
00:15:01some goal that called for sudden death
00:15:04to anyone who got in his way.
00:15:32The White Man
00:15:52Good morning, boys.
00:15:53Morning, Lee.
00:15:55Hi, Professor.
00:15:57Well, I thought this was safecracker soup.
00:16:00You gonna drink it, I hope?
00:16:02I'm really a nice guy.
00:16:04Stick around. I'll prove it.
00:16:06Come over here.
00:16:08Hold this for me, will you, Chuck?
00:16:15Now, if you'll hand me that hammer, Marty.
00:16:18I'll get it.
00:16:20I'll get it.
00:16:22I'll get it.
00:16:24I'll get it.
00:16:26I'll get it.
00:16:28I'll get it.
00:16:30I'll get it.
00:16:32I'll get it.
00:16:34I'll get it.
00:16:36I'll get it.
00:16:37Hand me that hammer, Marty.
00:16:51Well, nitroglycerin.
00:16:54I didn't ask for a collection of fingers, just fingerprints.
00:16:57All those nice fingerprints on the car
00:16:59belong to the man it was stolen from, Captain.
00:17:02Nothing on the guns or pick locks?
00:17:04Not even an interesting smudge.
00:17:06Common type, worn by undertakers.
00:17:09I'll check on them. They won't show anything.
00:17:11What did your scientific test show?
00:17:13A couple of little things.
00:17:15Tool identification on these pick locks.
00:17:18I got one under the scope. You want to take a look?
00:17:20Yeah.
00:17:31Take a look.
00:17:36I see.
00:17:38Well, it seems to tie the tool up with the lock.
00:17:42Well, if that microscope could only tell us who did it.
00:17:45I'm working on that.
00:17:48Not only an amateur would carry that liquid dynamite in a car.
00:17:51This boy's no amateur.
00:17:53Took the precaution of desensitizing it so it'll take normal shock.
00:17:57Took a lot of other precautions, too.
00:17:59No fingerprints, no identification, nothing definite.
00:18:02Except he's scientific.
00:18:05Knows electricity.
00:18:07He's inventive.
00:18:09Yeah, and happy on the trigger.
00:18:16This is Captain Breen. Get me Captain Stevens of burglary, will you?
00:18:20I hate to disappoint you, Lee, but I think you've come up with something.
00:18:24Uh, hello, Steve?
00:18:26How are you?
00:18:28Did your daughter's marriage come off all right?
00:18:31Good.
00:18:33Look, Steve, on those burglaries of electrical equipment lately,
00:18:37were there any where pick locks were used to gain entry?
00:18:43Good.
00:18:45Well, let me know if there's another report of one, will you?
00:18:48I've got an idea the Rawlins killer may be tied in with those.
00:18:52Fine. And, uh, give my regards to the newlyweds, too.
00:18:56So long, Steve.
00:18:59Well, what are you waiting for?
00:19:01You've got a job, haven't you? Get going.
00:19:03Yeah, let's go, Junior.
00:19:05Hold this for me, will you, Lee?
00:19:07Thanks.
00:19:11And so, with no fingerprints and only a vague description to go by,
00:19:14Sergeant Brennan turned to the modus operandi file.
00:19:17A criminal, like any human being, has his own habit patterns,
00:19:21unconscious traits that can lead to his downfall.
00:19:25Here they are, Junior.
00:19:27A list of burglars who used pick locks for entry.
00:19:29Oh, great.
00:19:31This narrows it down to just a couple of hundred suspects in this area.
00:19:34Give me a match, will you?
00:19:38That may not be so bad.
00:19:40This guy's improved on the system.
00:19:42Maybe he's left his trademark on some other job.
00:19:44Well, here we go, legging it all over town, asking a million questions.
00:19:48What you paid for, isn't it?
00:19:50Am I paid to associate with you, too, Junior?
00:19:52You could do worse.
00:19:54Not this year. Come on.
00:20:09Car 12. Car 12.
00:20:12In the 10,000 block on Mississippi.
00:20:14A 394.
00:20:16In the 10,000 block on Mississippi.
00:20:18A 394-15 disturbance.
00:20:26Car 80K. Code 1.
00:20:47All units.
00:20:49On the broadcast of the suspect arrested in the shooting of Patrolman Rollins.
00:20:53Cancel the cancellation.
00:20:55Suspect released from custody.
00:21:17Oh, hello, Mr. Martin.
00:21:19You'll find Mr. Reeves in the machine shop.
00:21:46Hello, Roy. Glad to see you.
00:21:49How are you, Mr. Reeves?
00:21:50Fine. I was hoping you'd drop in.
00:21:52I wanted to thank you for showing us how to handle that repair job.
00:21:56Helped a lot.
00:22:05Well, what have we got this time?
00:22:13A siligraph.
00:22:17There are plenty of these around, Roy.
00:22:20Not like this one.
00:22:22Yes, I see.
00:22:24I suppose, as usual, you've added your own improvements.
00:22:29You know, it seems wrong that a man of your talent...
00:22:32should bother consigning equipment for rental.
00:22:36I'd like to see you devote yourself entirely to experimental electronics.
00:22:41That'll come one day.
00:22:43It'll come one day.
00:22:46I'll have a place like this.
00:22:48Why wait? I've got a pretty good set-up here.
00:22:52You'd have modern equipment to work with,
00:22:54a lab,
00:22:56and my confidence.
00:22:58Thanks, Mr. Reeves.
00:23:00I have other plans.
00:23:01But, Roy, you can't tell where to lead.
00:23:03Might even work your way around to a percentage of the business.
00:23:08I like it this way.
00:23:10You just rent out my equipment.
00:23:12All right, Roy, all right.
00:23:14But if you should change your mind...
00:23:16I'm not likely to change my mind.
00:23:19I suppose you want me to set this up for rental, too.
00:23:24Mr. Reeves,
00:23:26you've already got five pieces of my equipment.
00:23:29And you'd like to know what results I've had from the rental so far, hmm?
00:23:33Well, I can't say as I blame you.
00:23:36I think you'll find this satisfactory.
00:23:40Satisfactory.
00:23:42Goodbye, Mr. Reeves.
00:23:44You'll come back again soon, won't you?
00:23:46Sure.
00:23:48Oh, incidentally,
00:23:50how's that television projector coming along,
00:23:52the one you said would reflect a 12-foot image?
00:23:54Still working on it.
00:23:56I just wanted you to know I've already set up a rental on it.
00:23:59In fact, I think they'd like to buy.
00:24:02It'll come pretty high.
00:24:04Oh, money's no consideration with this customer.
00:24:10Tell him he can pick it up tomorrow.
00:24:12I thought you said it wasn't finished yet.
00:24:14It'll be finished.
00:24:23It uses an image fixer
00:24:25and then projects by ordinary incandescence.
00:24:29Roy,
00:24:31this is the best television projector I've ever seen.
00:24:34Let's hope that your customer thinks so.
00:24:37He will.
00:24:42Yes?
00:24:44Send him right in, Charlotte.
00:24:47There, you see, our customer is here,
00:24:50begging for the privilege of buying.
00:24:53Better be running along. I'm not much good at business.
00:24:56Oh, but Roy, he'll want to congratulate you.
00:24:59Just see that the price is right.
00:25:02All right, Roy.
00:25:04I'll get you a good deal.
00:25:06So long. See you.
00:25:13Well, Mr. Dunning, come in.
00:25:18Isn't it a beauty?
00:25:32It's a beauty, all right. You like it?
00:25:35I certainly do like it.
00:25:37You see, it's mine.
00:25:38What do you mean?
00:25:39Let me have the police.
00:25:41I built it. Spent years on it.
00:25:43Oh, you must be crazy. Roy built this machine himself.
00:25:46Your friends are crook, Paul. You've been taken in.
00:25:49Hello? Give me the burglary detail.
00:25:53Dear Jim,
00:25:55regarding your inquiry on the .38 caliber Smith & Wesson...
00:25:58Oh, come in, boys.
00:26:01Burglary detail just sent this report through.
00:26:04A man named Dunning reports tracing a stolen television projector...
00:26:07to the Reeves Electronics Lab.
00:26:10Think it's a tie with the Rawlings case?
00:26:12Well, take a look at this fellow Reeves and see what gives.
00:26:15I'll notify burglary we're following up on it.
00:26:18Right. Come on, Junior.
00:26:22What else did he place with you for rental?
00:26:24Oh, a number of things.
00:26:26All war surplus that he bought on his veteran's radio.
00:26:29Oh, is this more of his equipment?
00:26:31Yes. Yes, he left it here on consignment.
00:26:34I'm sure that Roy can explain everything.
00:26:37Well, maybe he can, Mr. Reeves, if you'll tell us where he lives.
00:26:40But I don't know.
00:26:42Mr. Martin's on the phone, sir.
00:26:45I'd better talk to him. I think so, Mr. Reeves.
00:26:48I'll take it in the superintendent's office.
00:26:58Tell him that you sold the set and his money's waiting for him here.
00:27:01Find out what time he's coming by.
00:27:07Put Mr. Martin on.
00:27:13Hello, Roy?
00:27:17Yes. Yes, I've sold it.
00:27:19Your money is waiting here for you.
00:27:23Yes, I'll be working late tonight.
00:27:25What time will you be by?
00:27:27First thing in the morning.
00:27:30Well, maybe you'd better come in tonight, Roy.
00:27:32A couple of things I want cleared up.
00:27:34Like what?
00:27:36Oh, technical things.
00:27:39Besides, I don't like to leave the money in the plant overnight.
00:27:46How about 8.30? Fine. Fine.
00:27:49I'll see you then.
00:27:51I'll leave the front door unlocked.
00:27:54You'll be here at 8.30.
00:28:04Well, I'll just run along home and get some dinner.
00:28:07Uh, we'd like you to stay, too, Mr. Reeves.
00:28:10Why? For company.
00:28:12You want to cooperate, don't you, Mr. Reeves?
00:28:14Certain.
00:28:16Good. Now, you just wait in your office. We'll be around.
00:28:19Very well.
00:28:23This way, gentlemen.
00:28:53Good night.
00:29:23Good night.
00:29:50Reeves.
00:29:54Is that you, Roy?
00:30:03Go outside and block that alley door.
00:30:20Where are you, Roy?
00:30:24Who's in here?
00:30:26No one.
00:30:28I'm alone.
00:30:35Come on in. I've got your money for you.
00:30:38Bring it out here.
00:30:42All right.
00:30:46Just a minute.
00:30:53All right.
00:31:23All right.
00:31:53Oh!
00:32:23All right.
00:32:53All right.
00:33:23All right.
00:33:53All right.
00:34:23All right.
00:34:35No.
00:34:37None of them even looks like Roy Martin.
00:34:40He had such a fine face.
00:34:44Didn't keep you from carrying a gun.
00:34:47Or didn't you know that?
00:34:49No, I didn't.
00:34:51I've told you all I know. All he ever told me.
00:34:54What about his friends? Didn't he have a girl?
00:34:57No. No, I don't think so.
00:35:00He had no interest in anything but electronics.
00:35:04Where'd he pick up the subject?
00:35:06Books, magazines.
00:35:09Mostly from the Signal Corps. He was attached to a radar unit.
00:35:13Get a teletype off to the War Department. That might help.
00:35:17Yes?
00:35:19Ready on your call to receiving hospital, Captain Breen.
00:35:22Hello, this is Captain Breen.
00:35:25What is the latest report on Sergeant Jones?
00:35:33I see.
00:35:35Well, let me know if there's any change, will you?
00:35:41Thanks.
00:35:44Chuck's in pretty bad shape, Marty.
00:35:47He's paralyzed. May never walk again.
00:35:56Oh, I'm sorry.
00:35:58It's funny that Martin showed up at 7 when he told you he wouldn't be there until 8.30.
00:36:03I don't know why. Except he was always unpredictable.
00:36:07I'll tell you why. Because you warned him.
00:36:09That's why he came early. That's why he came in the back way.
00:36:11But you heard me tell him the front door would be open.
00:36:13And the kid didn't let him in the back way?
00:36:14He must have had one made.
00:36:15Why don't you tell us the truth?
00:36:16Marty.
00:36:26Now look, Paul.
00:36:28You can make it a lot easier for us to believe your story if you'll just give us some facts.
00:36:33Something that might help us.
00:36:35I told you all I know.
00:36:39I've been gullible, all right. Letting him make a fool of me.
00:36:44But I'd do anything to make up for what he did to Detective Jones.
00:36:49Sure. Sure you would.
00:36:53You can go now.
00:36:55Oh, thanks.
00:36:58Thanks.
00:37:01My friends. They can vouch for my character.
00:37:04That's good. We'll call you if we need you. Thank you very much.
00:37:08I think he's telling the truth, Marty. I think he's just gullible like he said.
00:37:12What about the stolen stuff he was trying to peddle for Martin?
00:37:14We'll use it for bait.
00:37:16Maybe Martin will come back for it. Then we can ask him.
00:37:20Here.
00:37:22Nevertheless, I want a 24-hour tail put on Reeves and I want a watch on his home and his factory.
00:37:26Right.
00:37:28You can keep those.
00:37:31Okay, Captain.
00:37:37And now the killer changed his tactics, his modus operandi.
00:37:41It would baffle the police.
00:37:43They always expected burglars to remain burglars.
00:37:46Not go in for stick-ups.
00:37:48They'd never tie this up with him.
00:37:50So wearing a variety of disguises, coming and going like a shadow,
00:37:54ready to kill if cornered,
00:37:56he struck the bottle stores in a one-man blitz that had the robbery detail dizzy.
00:38:12The killer, always resourceful, always thinking along lines that would baffle his hunters,
00:38:16had discovered an ideal avenue of escape.
00:38:19Under Los Angeles is a vast and intricate system of huge storm drains
00:38:23built to siphon off the flash floods of the rainy season.
00:38:26Many of the tunnels are large enough for two cars to drive abreast.
00:38:30Here, with 700 miles to go,
00:38:32the killer had to make his escape.
00:38:34He had to make his escape through the tunnel.
00:38:37Large enough for two cars to drive abreast.
00:38:40Here were 700 miles of hidden highways.
00:38:43Ideal for the use of someone who needed to hurry from place to place without being seen.
00:38:48Ideal as a hiding place for guns and supplies in case of emergency.
00:38:56Well, the reason I ask you to come over is I think I've hit on something.
00:38:59An identification?
00:39:01No, not quite, but a tie-up.
00:39:03Now, these are the shells from the gun that killed Rawlins.
00:39:06These were fired in the liquor store holdup in which the bandit got away.
00:39:10And these were fired at Chuck.
00:39:13Now, as you know, every ejector, even in guns of the same model and caliber, is different.
00:39:19Each one leaves its own markings on the cartridge casing.
00:39:23Now look at these fine striations.
00:39:26This deep gouge.
00:39:29The same on all three.
00:39:33Hmm.
00:39:35In other words, the man who killed Rawlins,
00:39:38and the man who shot at Jones and Brennan,
00:39:41the stick-up who was bitching the liquor stores are all the same man.
00:39:43Right.
00:39:45All we need to know is what that man looks like.
00:39:51Get me Chandler and robbery, will you?
00:39:54I've got an idea about that.
00:39:56Also, it'll give us a chance to see if Reeves is on the level with us.
00:40:00Uh, Steve. Green.
00:40:03About those blitz holdups you're on.
00:40:05Round up all the victims and have them down here tonight, will you?
00:40:09Oh, it's just a little scheme.
00:40:12Thanks, Steve.
00:40:17Hmm. That's good.
00:40:19Now sketch another one of the same type, only this time thin it out a little, huh?
00:40:22All right. Hi, Lee. How's it coming?
00:40:24You ready for tonight? We'll be ready.
00:40:26Think it'll work? It should.
00:40:28Where'd you get the idea?
00:40:30From a kidnapping case in Chicago.
00:40:32But I thought these slides might be an improvement over the method they used.
00:40:35Could be. Captain thinks so.
00:40:42Good evening, ladies and gentlemen.
00:40:44May I have your attention for a moment, please?
00:40:47You've all been asked to sit in on a little experiment tonight.
00:40:50We're gonna try to build a picture of a face.
00:40:54The face of a man who's cunning, resourceful, and deadly.
00:40:59He's a man who killed a police officer.
00:41:02Now, some of you, he held up at the point of a gun.
00:41:05You may have seen his face, remembered something about it.
00:41:09And we want you to tell us exactly what you remembered.
00:41:13Whether it's his hair, eyes, nose, or mouth.
00:41:18And we're gonna try to put those pieces together...
00:41:21so that they add up into a picture of the face of the man we want.
00:41:25Now, you can see how we're depending on you.
00:41:29Right?
00:41:31Now, first, we're gonna concentrate on the type of hair our man had.
00:41:36And if the picture looks anything like his hair, I want you to speak right up.
00:41:41All right, the first slide, please.
00:41:44His hair had waves in it. Well-groomed.
00:41:47That's the idea, Miss Smith.
00:41:55Is that any closer?
00:41:57No, it was parted on the side.
00:42:05Oh, that's more like it. Except it was thicker.
00:42:10Oh, that's very close.
00:42:12Yes, that's the way his forehead looked. It was broad and high.
00:42:16All right, hold that slide.
00:42:18On the next series of slides, we'll take into account his eyes.
00:42:29All right, hold that slide.
00:42:31Now, the next series of slides, we'll take into account his eyes.
00:42:40Oh, one minute, please. Wait. One minute.
00:42:43His eyes were a little like that.
00:42:45Maybe a little smaller.
00:42:47Like beads.
00:42:50Go on, Lee.
00:42:58Now. Now you've got it.
00:43:00Now, hold that slide, Lee.
00:43:03Anyone else?
00:43:06That looks like him, only a little madder.
00:43:08He had a patch over one eye when he came into my place of business.
00:43:12I remember noticing that the one showing was blue.
00:43:15Well, the guy that stuck me up had on horn-rimmed glasses.
00:43:18He was wearing a band-aid across his nose when he knocked me over.
00:43:21Uh-huh.
00:43:23All right, hold that, Lee.
00:43:25Well, so much for the eyes.
00:43:30Go ahead.
00:43:36Yes, Ms. Montalvo?
00:43:39Ay, ¿cómo se dice en inglés?
00:43:42Hace su orden, señorita.
00:43:44Ah, qué bien.
00:43:46En este bandido, la nariz fue chata.
00:43:48Como aquella.
00:43:50Pero un poco más chata y más ancha.
00:43:53Like that, Captain, but more snubbed.
00:43:55Mucho chata.
00:43:57Mucho chata.
00:43:59Mucho chata.
00:44:01Mucho chata.
00:44:03Like that, Captain, but more snubbed, wider.
00:44:06Try another one, Lee.
00:44:11Como aquella. Casi la misma.
00:44:14She says that's about it.
00:44:16Thank you very much, Ms. Montalvo.
00:44:18Get Reeves.
00:44:21Any more comments?
00:44:23That's pretty close, all right, pretty close.
00:44:25Perfect.
00:44:26All right, now we'll start on the mouth and chin.
00:44:28The next series, Lee.
00:44:33I think his lower lip stuck out more.
00:44:35The mouth was thin and mean, like it never laughed.
00:44:40Go ahead.
00:44:42Something like that, but thicker lips.
00:44:48There, that's it.
00:44:50That's him.
00:44:51All right, now hold that right there, Lee.
00:44:55Oh, come in, Mr. Reeves.
00:44:58Good evening, Captain.
00:45:00Did you ever see that face before?
00:45:04Why, it's Roy.
00:45:06Except for the hair being a little lighter and the eyebrows heavier.
00:45:10It's Roy.
00:45:12You're sure?
00:45:14I'm positive. I'd know him anywhere.
00:45:18Lee, I want a retouched photograph.
00:45:20Now lighten the hair and give more body to the eyebrows.
00:45:24Right.
00:45:25Lights.
00:45:28That's all.
00:45:29Thank you very much. You've been a great help.
00:45:31It's positively amazing how you found out what he looks like.
00:45:34Well, we're looking for an amazing criminal, Mrs. Johnson.
00:45:37Thank you and good night.
00:45:38Good night, Captain.
00:45:40And so the face of the unknown killer, built up from fragments of evidence,
00:45:44was sent out all over the country.
00:45:46To chiefs of police, to sheriffs, to county constables and county jailers.
00:45:52To the wardens of prisons.
00:45:55To all postmasters and postal inspectors.
00:45:58To the agents of the treasury department.
00:46:01To the FBI.
00:46:03They showed that picture to the inmates of jails and prisons.
00:46:07To men with a wide acquaintance among the cat burglars and the violence boys.
00:46:11Informers and con men and sharpshooters were quizzed.
00:46:14Those on the fringe of crime and those deep in the rackets.
00:46:17Many wanted to help.
00:46:19Nobody could.
00:46:21No one in the underworld recognized that mysterious face.
00:46:24He was as unknown as if he had lived in the 16th century.
00:47:55Reeves.
00:47:58Roy.
00:48:00Listen carefully, Reeves.
00:48:04Control yourself.
00:48:06I know you're alone in the house.
00:48:08Act like you're alone.
00:48:10Cops are watching every move you make.
00:48:13I'm not alone.
00:48:16I'm not alone.
00:48:18I'm not alone.
00:48:20I'm not alone.
00:48:22Cops are watching every move you make.
00:48:24The police here?
00:48:26I got you staked out like a muskrat hide.
00:48:28Watching you around the clock.
00:48:30Here at your plant, tailing your car.
00:48:34Sit in that chair.
00:48:40Pick up three books.
00:48:46Don't look up and don't answer me.
00:48:49All right.
00:48:52A glance at the books.
00:48:59Pick one of them.
00:49:05Okay.
00:49:07Now that's the book you want to read before you go to bed.
00:49:11Now, get up and turn off the lamp.
00:49:20Come here.
00:49:22Come here.
00:49:32Go in the den.
00:49:41Apollo's gravestone.
00:49:49Apollo's gravestone.
00:50:07Take it away from him.
00:50:14What do the cops know about me?
00:50:17Not very much, Roy.
00:50:19No fingerprints. They haven't even got a picture of you.
00:50:21They're trying to make one.
00:50:28How much cash you got in the house?
00:50:31None. I never keep any cash in the house.
00:50:33It isn't good business.
00:50:35I suppose you think it was good business,
00:50:37letting me walk into that trap.
00:50:39No, Roy, no. Don't do anything you'll regret.
00:50:41Now, listen to me. It isn't too late.
00:50:43Give yourself up. Come to your senses before you kill someone else.
00:50:54What do you mean, someone else?
00:50:56What do you mean?
00:50:57Nothing. I...
00:50:58The two officers, they said one of them might die.
00:51:02But he's still alive, isn't he?
00:51:06Reeves?
00:51:08I never thought you'd stooge for the police.
00:51:11You almost got me killed.
00:51:13Don't cry. You know the police are right outside.
00:51:15You'd never get away with it.
00:51:22That's right.
00:51:25Now you're being sensible.
00:51:31I know there's money here.
00:51:33Where is it?
00:51:34Don't, Roy. I'll get it.
00:51:40I'll get it.
00:51:58It's not enough.
00:52:00The stuff you've got of mine is worth thousands.
00:52:02I'll get more.
00:52:05Get it and keep it handy.
00:52:07I'll be back next week and next month.
00:52:09Just give me time.
00:52:21Look.
00:52:23I don't want policemen outside my house following me around.
00:52:26That's what made Roy suspicious.
00:52:29I'm leaving in the morning.
00:52:31I'm afraid I'll have to disappoint you, Paul.
00:52:33Unfortunately, you're our bait.
00:52:36I won't do it.
00:52:38I've done enough.
00:52:40Look, no one's done enough...
00:52:42until we find this killer.
00:52:46I asked you to keep a sharp lookout on this house, Marty.
00:52:49I did.
00:52:50Two of the best undercover men in the department were assigned here.
00:52:53That didn't keep Martin from getting in.
00:52:55What's the matter? You tired?
00:52:58You got any idea how long you've been on this case, Marty?
00:53:01Months.
00:53:03Long enough to have come up with something by this time.
00:53:08Do you know any more about the Rawlins killer than you knew the first week?
00:53:11Yeah.
00:53:13He's about the toughest nut I've ever had to crack.
00:53:17That's what I told the chief.
00:53:19He said he was going to kill you.
00:53:21He said he was going to kill you.
00:53:23He said he was going to kill you.
00:53:26That's what I told the chief when he called me in this afternoon...
00:53:28and wanted to know why the case hadn't been broken.
00:53:32Look, Captain.
00:53:34Rawlins was a friend of mine.
00:53:36So was Chuck.
00:53:38I've got a bigger stake in this than the chief knows.
00:53:42I'm doing everything I can.
00:53:46I'm afraid it's not enough, Marty.
00:53:51Maybe you're too close to it to see it clearly.
00:53:54Maybe it needs a fresh team, a new viewpoint.
00:53:59I think you'd better take a couple of weeks off, Marty.
00:54:02Starting tomorrow.
00:54:06Anything you say, Captain.
00:54:09Hiya, Marty.
00:54:11Hiya, Chuck.
00:54:12Meet Miss Scanlon, my new bodyguard.
00:54:14He's the one I've been telling you about.
00:54:16Oh, you mean the one with the steel-trap brain?
00:54:18How do you do?
00:54:19Hello.
00:54:20Has this guy been behaving?
00:54:21After a fashion.
00:54:22See? She takes me out in my go-kart, puts me to bed, wakes me up,
00:54:25dresses me up, puts me to bed.
00:54:27I've got a lot of work to do.
00:54:29You've got a lot of work to do?
00:54:31I've got a lot of work to do.
00:54:33I've got a lot of work to do.
00:54:35She takes me out in my go-kart, puts me to bed,
00:54:37wakes me up, dresses me.
00:54:39You're perfectly capable of dressing yourself now, Mr. Jones.
00:54:42I'll be back in a few minutes.
00:54:47Well, how's it been going, Junior?
00:54:49Oh, pretty good, Chuck, pretty good.
00:54:53Is that why you're off the case?
00:54:56How'd you know?
00:54:57Breen was in to see me this morning.
00:54:59Oh.
00:55:00I suppose he also told you they'd put a new team on the case.
00:55:03He told me everything.
00:55:04Yeah, let's see what his new boys dig up.
00:55:06Well, maybe they'll examine the facts of the case a little more carefully.
00:55:10What facts?
00:55:11That our man's sharp, that he's intelligent and works alone,
00:55:14that he has no record, never leaves a fingerprint, knows every move we make?
00:55:18Sure, plenty of facts, only they add up to nothing.
00:55:20Sure, forget it.
00:55:21You got yourself a ten-day vacation.
00:55:23Go on down to the beach, get a suntan.
00:55:25By the time you get back, the case will be broken.
00:55:27Isn't that what you want?
00:55:29You know it better than that.
00:55:30All I know is what I hear.
00:55:31You sit there batting your gums about how the old man let you down.
00:55:34Maybe he's trying to wake you up.
00:55:36He's got a funny way of showing it.
00:55:38There you go, flying off the handle.
00:55:39Always taking things for granted.
00:55:41I wish I could get up and boot some sense into you.
00:55:43He knew what this case meant to me.
00:55:45He still does.
00:55:46That's why he's trying to get you mad enough to do something about it.
00:55:52You don't really figure that's his idea, do you?
00:55:54I know it is.
00:55:56Ah, it's a tough case, Chuck.
00:55:58Not an angle, nothing to go on.
00:56:00You'd know what I meant if you were out working with me.
00:56:02I have been working with you.
00:56:04That's all I've had to do lately.
00:56:06Just sit around studying what little facts we have.
00:56:08Trying to figure out who he might be.
00:56:10You know the kind of a guy we're up against, then.
00:56:13I tell you, Chuck, this guy's a genius, the way he operates.
00:56:16As if he were right there with us every time we go out after a lead.
00:56:20Oh, sure.
00:56:21Breen's been tipping him off just to make you look bad.
00:56:23Yeah, almost like that.
00:56:25Oh, he beats us to the punch every time.
00:56:27There's your angle.
00:56:29You just hit it on the head, but you don't see it.
00:56:31Look, start adding.
00:56:32One, he's unknown to the underworld.
00:56:35Two, he beats you to the punch, right?
00:56:37And three, it's almost as if he were with you.
00:56:39Isn't that what you said?
00:56:40Yeah.
00:56:41Well, tie that up with a lot of other little things,
00:56:43like the fact that he uses a police gun,
00:56:45and the accuracy of his shooting.
00:56:47Well, anybody could buy a police gun,
00:56:49or the Army could have taught him how to shoot.
00:56:51Yeah, but who taught him how the police operate?
00:56:56Oh, I know what you're driving at, Chuck.
00:56:59But a cop?
00:57:00Those things happen.
00:57:03Yeah.
00:57:04Now, if I were still in the case,
00:57:05I'd start with our own department first,
00:57:07then Santa Monica, Culver City, Burbank, Pasadena.
00:57:10See you later, Junior.
00:57:11Hey, don't let him out of your sight, beautiful.
00:57:13It's the first time in years he's used his head.
00:57:24But you get a print of every mug we take?
00:57:26We always send L.A. a copy, Sergeant.
00:57:27It's personnel photos I want.
00:57:29You mean of our boys?
00:57:33That's Rollins' killer, isn't it?
00:57:35That's right.
00:57:36You've checked your own department.
00:57:38We did that first.
00:57:45And so the tedious quest went on.
00:57:47Sergeant Brennan wore out his shoes and his patience,
00:57:50going from police station to police station,
00:57:52checking photos until his eyes were blurry.
00:57:55For police work is not all glamour and excitement and glory.
00:57:58There are days and days of routine,
00:58:01of tedious probing,
00:58:03of tireless searching,
00:58:05fruitless days,
00:58:06days when nothing goes right,
00:58:08when it seems as if no one could ever think his way
00:58:11through the maze of baffling trails a criminal leaves.
00:58:14But the answer to that is persistence
00:58:17and the hope that sooner or later something will turn up,
00:58:21some tiny lead that can grow into a warm trail
00:58:24and point to the cracking of a tough case.
00:58:40Well, that does it, boys.
00:58:42Can't say I'm sorry you didn't find him in here.
00:58:45I'd hate to think it was a cop.
00:58:47Doesn't seem to be anybody.
00:58:49Just a lot of pieces of a face that never existed.
00:58:52Do you mind if I see that again?
00:58:54Sure, Raymond.
00:58:56Put it on your dresser.
00:58:58Wait a minute.
00:58:59He wasn't a cop.
00:59:01He was a radio technician right here in our dispatch office.
00:59:04What did you say?
00:59:05I'm saying he worked here in 42.
00:59:08Well, come on, give!
00:59:09I remember the kid well.
00:59:11He was sort of strange,
00:59:13never bothered with anyone in the department,
00:59:15just kept to himself.
00:59:16He was in line for a promotion when he was drafted.
00:59:19Where was he living at the time?
00:59:21I don't remember.
00:59:23Try the dead files.
00:59:29He never asked for his job back after the war.
00:59:32I remember writing to him about it, though.
00:59:34He was an excellent worker.
00:59:35Oh, yeah, here we are.
00:59:37Yeah, this is it.
00:59:39Took a while before he answered,
00:59:40but like he says in the letter, he wasn't interested.
00:59:44Hmm?
00:59:46Postmarked Hollywood.
00:59:48No return address.
00:59:50What do you want us to do, call the work?
00:59:52Oh, thanks a lot, Freddy.
00:59:55Remember, he was a civilian employee.
01:00:14Well, how about it, anybody recognize him?
01:00:17Not on my route.
01:00:20I never saw him before.
01:00:23Okay, fellas, thanks very much.
01:00:29I thought for a minute...
01:00:34And yet that face...
01:00:36I wonder...
01:00:37Yeah?
01:00:39Well, this may not mean anything,
01:00:40but he looks like a guy that's on my route.
01:00:42He never gets any mail,
01:00:43but I see him around here all the time.
01:00:45He lives in one of the courts.
01:00:47Where?
01:00:48Come on, I'll show you.
01:00:49It's not that easy.
01:00:52What time does your route take you past those courts?
01:00:54About 9 o'clock.
01:00:56Why?
01:00:57Just thinking.
01:01:13You got any chocolate milk?
01:01:14Sure have, buddy.
01:01:17Here you are.
01:01:18Thanks.
01:01:20Which apartment?
01:01:22Straight on back.
01:01:26The second to Miguel.
01:01:29Number 7.
01:01:30Right.
01:01:32Kind of warm today, huh?
01:01:34Oh, it's not too bad for this time of the year.
01:01:37Good morning.
01:01:39Morning.
01:01:40You're new in the lot, aren't you?
01:01:42We had a substitute.
01:01:43What happened to the other fellow?
01:01:45Sick.
01:01:46Oh, what's the matter with him?
01:01:48I don't know.
01:01:49I catch everything.
01:01:51Hear about it on the radio,
01:01:52and next morning I got it.
01:01:54Too bad.
01:01:55You aren't very social.
01:01:57The regular fellow always stops and talks to you.
01:01:59Sorry, lady, I'm a little late this morning.
01:02:01I was hoping maybe you could help me.
01:02:04There's something very funny going on in this court.
01:02:07Yeah?
01:02:08I was scared to go to the police with it.
01:02:10I thought maybe I might get poisoned.
01:02:12What?
01:02:13Yeah.
01:02:14By the manager.
01:02:16She's a witch.
01:02:17She's a what?
01:02:18A witch.
01:02:19She puts poison in my milk.
01:02:22Oh, I see.
01:02:25Look.
01:02:26You switch the bottles once she isn't looking, see?
01:02:29Drink her milk.
01:02:30Then you go to the police.
01:02:32Drink her milk.
01:02:33Then you'll be safe, right?
01:03:03Well, I had a little accident.
01:03:05Got a mop.
01:03:06I'll clean it up.
01:03:08Leave it be.
01:03:09I'll clean it up myself.
01:03:12OK, mister.
01:03:33The place is called Bellevue Court.
01:03:35I drew this to memory, but it's pretty close.
01:03:37That's where he's hiding out, right there.
01:03:40You're sure he's our man, Martin?
01:03:42Captain, I couldn't go wrong on that face.
01:03:44He's our man.
01:03:46The building department plan will show you the whole layout.
01:03:49We'll see if that's all right.
01:03:50OK, let's go.
01:03:51I'll go with you.
01:03:52I'll go with you.
01:03:53Let's go.
01:03:54Let's go.
01:03:55Let's go.
01:03:56Come on.
01:03:57Let's go.
01:03:58Go.
01:03:59Go.
01:04:00Come on.
01:04:01Let's go.
01:04:02Go.
01:04:03Go.
01:04:04Go.
01:04:05Go.
01:04:06Go.
01:04:07Go.
01:04:08Go.
01:04:09Go.
01:04:10Go.
01:04:11Go.
01:04:12Go.
01:04:13Go.
01:04:14It's bounded on three sides by Fuller, Santa Monica, and Poinsettia.
01:04:18Now the court is partly surrounded by a high wall.
01:04:23Breen, homicide.
01:04:26Thought you'd keep your eyes open until we get there.
01:04:29Morgan has just gone into his bungalow alone.
01:04:32Any questions?
01:04:33All right, you all have your instructions. Let's go.
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01:05:59Oh.
01:06:15We're out on time.
01:06:17Wait five minutes, go around and block the side entrance.
01:06:20Keep your lights off.
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01:11:14I want a map covering the storm drain system in this area.
01:11:25Get it and meet me at Bennis and Garfield.
01:11:27Jones, Miller, you stay here in case he comes up for air.
01:11:30I want a man at every other drain entrance along this line.
01:11:33He's got to come up somewhere.
01:11:35Come on, Marty.
01:11:36You're driving.
01:11:37Keep this drain covered.
01:12:03He's liable to pop out anywhere.
01:12:05Why Bennis and Garfield, Captain?
01:12:17It's the main intersection of the system.
01:12:31We can head him off that way.
01:12:32ADK to Control One.
01:12:34We're at frequency seven.
01:12:35This is an emergency.
01:12:36Control One to all cars on frequency seven, stand by.
01:12:39Control One to ADK, go ahead.
01:12:42Notify homicides.
01:12:43Send the following to Bennis and Garfield.
01:12:45Four squads, battle lanterns, gas masks, tear gas.
01:12:49Urgent.
01:12:50This is a code three.
01:12:51Control One to ADK, roger.
01:12:52And he'll probably head down this main drain to where it comes out at the Rio Hondo.
01:13:19Now, you take your squad and cover that exit.
01:13:21Right.
01:13:23We've got radio cars cruising back and forth along this main street.
01:13:25Watch the curb inlets.
01:13:26We'll go in here.
01:13:27Any sign of him?
01:13:28No.
01:13:29And we've searched every foot between here and the Rio Hondo outlet.
01:13:30Then he must be up ahead.
01:13:31Let's go.
01:13:32We've got radio cars cruising back and forth along this main street.
01:13:53We've got radio cars cruising back and forth along this main street.
01:14:22We've got radio cars cruising back and forth along this main street.
01:14:50We've got radio cars cruising back and forth along this main street.
01:15:18We've got radio cars cruising back and forth along this main street.
01:15:46We've got radio cars cruising back and forth along this main street.
01:16:14We've got radio cars cruising back and forth along this main street.
01:16:42We've got radio cars cruising back and forth along this main street.
01:17:10We've got radio cars cruising back and forth along this main street.
01:17:38We've got radio cars cruising back and forth along this main street.
01:18:06We've got radio cars cruising back and forth along this main street.
01:18:34We've got radio cars cruising back and forth along this main street.