Classic Movies by CineTV
Classic Movies by CineTV
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Transcript
00:00:00© BF-WATCH TV 2021
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00:02:13My Chris!
00:02:15Oh, hello, Janet.
00:02:20Explain yourself.
00:02:22Explain what?
00:02:23Rooting on the balcony.
00:02:24Just isn't being done this season.
00:02:26What are you doing?
00:02:27Lying to one's sisters after season two.
00:02:30He's got a voice out over the ocean, calling my name.
00:02:33Next time he calls, ask him if he has a friend for me.
00:02:36I'm serious.
00:02:37How can you be serious?
00:02:39Well, there's a wind.
00:02:40Are those foghorns?
00:02:41Perhaps.
00:02:43But it sounded like...
00:02:46Paul.
00:02:50It's been two years now, Christine.
00:02:52I know.
00:02:54But for a moment, out over the ocean,
00:02:58I felt very close to him again.
00:03:02He used to love the ocean, you know, especially at night.
00:03:05He'd go racing down to the beach for a swim,
00:03:07no matter how late it was.
00:03:10And usually I'd be fool enough to go with him.
00:03:13If any husband of mine ever chased me into the ocean
00:03:16in the middle of the night, I'd shoot him.
00:03:19He did a lot of crazy things.
00:03:21Some of them bad.
00:03:24But I don't think I could ever love another man
00:03:26like I loved Paul.
00:03:28Chris, you've got to stop talking like this.
00:03:31You're getting morbid.
00:03:33Oh, it's not as bad as all that rattle.
00:03:36It is bad.
00:03:38Look at this dress.
00:03:40You can't wear black when you're going out on a date.
00:03:43Looks as if you were still, well...
00:03:47Morning?
00:03:48Well, yes.
00:03:49I just happen to like black, that's all.
00:03:52I know.
00:03:53But a night, it isn't exactly appropriate.
00:03:56And Chris, don't wear your wedding ring tonight either.
00:04:01Why not?
00:04:03It might make it awkward for Martin.
00:04:05Oh, is Martin going to propose again tonight?
00:04:08Well, he might.
00:04:11And he can't very well put an engagement ring on your finger
00:04:13if that's already there.
00:04:14By the way, what kind of a ring has Martin bought for me?
00:04:18Enormous diamond with...
00:04:20Oh, Chris, you will say yes tonight, won't you?
00:04:22I suppose I better.
00:04:23Otherwise, he might sue you for breach of promise.
00:04:26Oh, darling, I'm so excited.
00:04:28And I've got just the right dress all picked out for you.
00:04:32Will you wear it?
00:04:33Anything you say.
00:04:34And bring out my new ermine, will you?
00:04:40You know, Chris, I think your cloak with the sequins
00:04:43might look better on you tonight.
00:04:45I take it you have a date for tonight too.
00:04:48As a matter of fact, I have.
00:04:50All right.
00:04:51I'll wear the sequins.
00:04:52You wear the ermine.
00:04:53Well, if you insist.
00:04:55Thanks.
00:04:56I like your hair like that.
00:04:58But you could do with a little more lipstick.
00:05:01And you could do with a little less.
00:05:09Do you suppose it's Martin?
00:05:10You know Martin would never honk a horn at a lady.
00:05:13It's probably your young man.
00:05:15By the way, which young man is it tonight?
00:05:17It's...
00:05:18You know, I've forgotten.
00:05:19Have a good time and come home early.
00:05:21Well, I can't do both.
00:05:22Then you come home early.
00:05:24You come home engaged.
00:05:39Mrs. Faber's residence.
00:05:43Yes, sir.
00:05:47Mrs. Faber.
00:05:53It's Mr. Abbott, ma'am.
00:05:55Thank you, Emily.
00:05:56I'll take it here.
00:05:58Hello, Martin.
00:05:59Don't tell me you're standing me up.
00:06:01No, no.
00:06:02It's just that some idiotic client came into the office
00:06:05at the last minute and I...
00:06:07Well, no.
00:06:08I know it's not serious.
00:06:09But I particularly didn't want to have anything
00:06:12interfere with tonight.
00:06:14Well, no.
00:06:15I'm not always the lawyer with his mind on cases
00:06:18and affidavits.
00:06:20No, I'm really the romantic type with my mind on you.
00:06:24Yeah, I thought it was a nice beach.
00:06:26I dreamed it up this afternoon in felony court.
00:06:29It doesn't matter if we're a little late, Martin.
00:06:31The first act's no good anyway.
00:06:33I'll walk over along the beach to your house.
00:06:35Then you won't have to waste the time driving over here.
00:06:38Oh, I wouldn't do that.
00:06:40But I want to walk over, Martin.
00:06:42I'll enjoy it.
00:06:44Of course it's safe.
00:06:45Now stop talking like an old maid.
00:06:47Goodbye.
00:06:49It is dark down there, ma'am.
00:06:51And you, Emily, stop talking like Martin Abbott.
00:06:54Lock the patio door after me, will you?
00:06:56Good night.
00:07:14Good night.
00:07:45Good night.
00:07:46Good night.
00:07:47Good night.
00:07:48Good night.
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00:09:40Good night.
00:09:41Good night.
00:09:42Good night.
00:09:43I don't blame you for being frightened.
00:09:49You made a decision tonight that angered him,
00:09:53and now you're fighting to sustain it.
00:09:56You have all my help fighting with you, madame.
00:10:00I felt you were married.
00:10:03I saw your husband dead and you moving toward a new marriage...
00:10:08And I see I was wrong.
00:10:10Sometimes I am.
00:10:12Good night, and goodbye.
00:10:20Wait.
00:10:22You weren't mistaken.
00:10:24My husband died two years ago.
00:10:26I felt I could not be wrong.
00:10:28I saw him dead, and his car in flames.
00:10:32I'm sorry.
00:10:35I don't understand.
00:10:37I don't understand how you know all this.
00:10:40I suppose people do talk.
00:10:42Do you live around here?
00:10:43No, I wish I did live on the ocean.
00:10:46Here is my name and where I live.
00:10:50Alexis, psychic consultant.
00:10:55Oh.
00:10:56I see you place me in the same category
00:10:58with fortune tellers, snake charmers, and magicians.
00:11:02Oh, well, many people do.
00:11:04But you must know who I am.
00:11:07How else would you know all these things?
00:11:09Perhaps because we are very much alike.
00:11:12You and I, free spirits, both of us, like my friend here.
00:11:18We like the night, the mist of the ocean.
00:11:21The wind whispers to us, and the sand
00:11:24feels cool under our feet.
00:11:27We're not like, I don't know, I have his name now, like Martin.
00:11:32There's nothing wrong with Martin.
00:11:33Of course not.
00:11:35If only he would understand how little he understands.
00:11:39Well, Martin is very logical.
00:11:42Yes, that's why you should marry him.
00:11:46Even free spirits have to come in out of the night
00:11:48sometimes and put on their shoes, pay their bills,
00:11:51go to the dentist, and of course,
00:11:53family dinners on Sunday.
00:11:56You really shouldn't be so irritated
00:11:57by his little mannerisms, like when he clears his throat,
00:12:03announcing that he's going to kiss you any minute,
00:12:05or when he counts off all his plans
00:12:07on the tips of his fingers.
00:12:10How?
00:12:11I can't tell you how I know these things.
00:12:14But it hardly matters, does it, since we're
00:12:17not going to meet again.
00:12:18Christine?
00:12:22Chris?
00:12:23Oh, over here, Martin.
00:12:27Oh, hi.
00:12:28Hello.
00:12:33Well, you certainly had me scared.
00:12:35What kept you so long?
00:12:36Well, I was talking to this man.
00:12:38Well, he was here.
00:12:41Could I have imagined him?
00:12:43He was fantastic enough.
00:12:46Well, let's get going.
00:12:48Oh, I, I've torn my dress, Martin.
00:12:50I'll have to go back to the house.
00:12:52All right.
00:12:53We'll go to your house first, skip the theater,
00:12:56directly to the Blue Angel.
00:13:00What's the matter?
00:13:01Nothing, it's, it's just that it's so late,
00:13:03and I'm a little upset.
00:13:04Could we make it some other night?
00:13:07Of course.
00:13:09You sure you understand?
00:13:10When it concerns you, Christine,
00:13:12there's nothing I don't understand.
00:13:23Uh, here, you better take this off my hands,
00:13:25or I'll have to wear it to the office tomorrow.
00:13:27Fix yourself a drink.
00:13:28I've got to change this torn dress.
00:13:29Right.
00:13:30I've got to change this torn dress.
00:13:31Right.
00:14:01Martin, how flattering.
00:14:02I should have thought of this in the first place.
00:14:04This is much better than any nightclub.
00:14:06Yes, and just think, no head waiter, no smoke, no people.
00:14:10And at the end of the evening, no check.
00:14:12Oh, Martin, you think in such practical terms.
00:14:15I'm a very practical man.
00:14:17For instance, I just said that to make you pout.
00:14:21But better to do this.
00:14:26I've been trapped.
00:14:27Right.
00:14:28Now, if you'll just step over here to the sofa by the fire.
00:14:31Another trap?
00:14:32Definitely.
00:14:59Darling, what's the matter?
00:15:01That music.
00:15:02Well, it's just the phonograph.
00:15:03But we don't have that record.
00:15:04Of course you do.
00:15:05It was right on top of the cabinet.
00:15:08That's strange.
00:15:10What's the matter, Chris?
00:15:12I'm sorry, but that was Paul's favorite prelude.
00:15:16I've heard him play it 100 times right here in this room.
00:15:20Turn it off, will you?
00:15:23I know it.
00:15:24I know it.
00:15:25I know it.
00:15:26You're supposed to be at peace here.
00:15:28Oh, of course.
00:15:29Why not?
00:15:30Why not?
00:15:31Well, where would you be if you weren't here?
00:15:34No, I won't.
00:15:39Look, darling.
00:15:41Paul's been gone too long for you to act like this.
00:15:44I know.
00:15:46Chris, I'm not saying this for my sake.
00:15:50But your whole life's ahead of you.
00:15:53Well, find someone else who can.
00:15:56You're right, Martin.
00:15:58I'm sorry I acted like a child.
00:16:01Would you get me a drink?
00:16:03Right here, ready for you.
00:16:09So you think I should go find somebody new?
00:16:15Only if it's absolutely necessary.
00:16:17But I've been so out of touch with people lately,
00:16:21especially men.
00:16:22What do you expect me to do, bring some around?
00:16:24Well, that would be very nice of you.
00:16:27You know how hard it is for me to meet new people.
00:16:33Well, I can see I'll just have to propose to you.
00:16:36Oh, Martin, I talked you into it.
00:16:38And you sure did.
00:16:39And very fortunately for you, I just
00:16:41happen to have an engagement ring on me.
00:16:52Martin, it's lovely.
00:17:23Well, it is very nice of you to help me, Martin.
00:17:26Well, I'm certainly happy to do that.
00:17:29I'm very grateful.
00:17:30And I'm certainly going to propose to you.
00:17:34But you know, I'm not going to ask you to propose to me.
00:17:37I'm not going to ask you to propose to me.
00:17:39Well, then ask me.
00:17:40Let's go.
00:17:44Well, it's late.
00:17:46I can't push it.
00:17:47What do you think I'll ask you?
00:17:49Well, I was thinking of a couple of things.
00:17:50Can't you hear the ocean calling?
00:17:53Come on, Chris.
00:17:55Race you to the beach.
00:17:58That's when it's a coward.
00:18:20♪♪
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00:20:29Ahhh!
00:20:34Ahhh!
00:20:36Chris!
00:20:54Chris!
00:20:56Darling.
00:20:59Janet.
00:21:00What happened?
00:21:01I don't know.
00:21:06Music.
00:21:07Paul.
00:21:08Let me help you up.
00:21:13Look, darling, you must have had a nightmare.
00:21:16It's all right now.
00:21:17It's over.
00:21:18You're awake, and I'm here.
00:21:20Janet, it wasn't a dream.
00:21:23The windows blew open.
00:21:24What's so unusual about a window blowing open?
00:21:27My engagement ring was gone.
00:21:29The flowers were all with it.
00:21:31Grace, look.
00:21:37But the picture, Paul's picture.
00:21:45You see, just a bad dream.
00:21:48I was awake.
00:21:50My wedding gown, there in the closet.
00:21:52It came toward me.
00:21:54I swear it did.
00:21:58It's just your bathrobe.
00:22:00You probably pulled the door open like this,
00:22:03and it flung out like that.
00:22:07My wedding dress isn't there.
00:22:09How could it be, Chris?
00:22:11It's been locked in the trunk room for years.
00:22:16It wasn't a nightmare.
00:22:17I tell you, I saw those things.
00:22:19I think it was Paul, and he doesn't want me to marry.
00:22:22You've got some feeling that it's not
00:22:23loyal to Paul if you marry again.
00:22:25It's on your conscience, and it makes you dream.
00:22:28Why don't you talk it over with an analyst?
00:22:30He wouldn't understand.
00:22:31He'd think I was losing my mind.
00:22:33Nobody would understand, except perhaps Alexis.
00:22:38Alexis?
00:22:39Just somebody I once met.
00:22:41Come on.
00:22:45Get to bed.
00:22:48It's after 3.
00:22:49You haven't got time for any more dreams tonight.
00:22:56Janet, while you're up, would you get me a glass of water?
00:23:14Thanks.
00:23:15Janet, I thought I was supposed to be the baby in the family.
00:23:20Here, give me that water.
00:23:22Move over.
00:23:25Baby?
00:23:30Night, Chris.
00:23:31Night.
00:23:56I'm sorry.
00:23:57I'm sorry.
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00:25:51I'm sorry.
00:25:55I'm sorry I've wronged you.
00:25:58Yes.
00:25:59Yes.
00:26:00Yes.
00:26:01You're childish after all.
00:26:03Do you?
00:26:04And the third group?
00:26:06The third group is those of us who honestly
00:26:08explore the secrets of the talk.
00:26:13I feel that you have come here today to join that group.
00:26:16You know, I did want to talk to you about something.
00:26:20Maybe I should repel him, not bring him closer.
00:26:24Why?
00:26:26His presence is so strong, it might be dangerous.
00:26:31How could Paul's presence possibly be dangerous to me?
00:26:34To your plans.
00:26:37You want to get married and lead what is termed a normal life.
00:26:43But if Paul is trying to reach me, then I want to help him.
00:26:47Have you thought what people will think?
00:26:50What Martin will think?
00:26:53I'm not afraid to think as I choose.
00:26:57Then, Christine, if you have the courage and the will to explore, I will help you.
00:27:02Now relax.
00:27:04Let your mind be free and receptive.
00:27:13Janet, you do have a tendency to dramatize and...
00:27:16Stop treating me like a child.
00:27:18I tell you, she's been going to see him for weeks and...
00:27:25Now do you believe me?
00:27:32She's been reading psychic books too.
00:27:35Talking about Paul as if he were still alive gives me the creeps.
00:27:40Let's go.
00:27:42Now what are we going to do?
00:27:43I'm going to get a detective to see what he can find out about this...
00:27:46...this spook chaser.
00:27:49For 20 years I've been operating among these phony mediums as a private detective.
00:27:53And I've yet to find one concrete bit of evidence of communication with the dead.
00:27:57But my sister is absolutely convinced.
00:28:00He's told her things he couldn't know unless he were psychic.
00:28:03He's probably gone to a lot of trouble to investigate her past.
00:28:06They're thorough and clever.
00:28:08What I can't understand is Christine falling for such a drivel.
00:28:13You'd be amazed at the people who do.
00:28:16There's a millionaire right in this town...
00:28:19...who wouldn't buy a bag of popcorn without consulting his medium.
00:28:23What's this one's name?
00:28:24Alexis.
00:28:28There's a new one on me.
00:28:30Don't they change their names often enough?
00:28:34How about a description?
00:28:37There's a picture of him in this pamphlet he wrote.
00:28:44How about this?
00:28:46I used to be a magician.
00:28:48That's how I got into this racket.
00:29:01I know all their tricks.
00:29:06Alexis.
00:29:09I was called to Chicago on a case once.
00:29:11A young man named LaRue...
00:29:13...swindled a society lady out of a whole hatful of money.
00:29:17If that's Alexis, he certainly looked corny.
00:29:19If that's Alexis, we can report him to the police.
00:29:22What charge?
00:29:23He served his stretch and that's that.
00:29:26At least Christine will be through with him.
00:29:28I mean, if we can prove he's a crook.
00:29:30How can we identify him?
00:29:31I could go out there and try to get his fingerprints.
00:29:35But I think the only time these fakes are really psychic...
00:29:38...is when there's a detective around.
00:29:41They look in their crystals and see you coming.
00:29:44Maybe we could send somebody you wouldn't know.
00:29:47Oh, no. I think that...
00:30:05Come on.
00:30:35No!
00:31:05Come on.
00:31:35Come on.
00:32:05Come on.
00:32:36Your name, please.
00:32:38Harper.
00:32:40Mrs. Charles Harper.
00:32:42Not Mrs. Charles. G. Harper.
00:32:44Yes.
00:32:46I mean, no.
00:32:59Now concentrate and soon your thoughts will merge with mine.
00:33:04Perhaps both hands would be better.
00:33:08Yes.
00:33:10Yes.
00:33:12So much better.
00:33:14I can feel your vibrations much more clearly now.
00:33:18Oh, but...
00:33:20But your pulse is racing.
00:33:23Are you excited? Nervous?
00:33:26No.
00:33:27Oh, but of course. This problem is troubling you.
00:33:31The question you wrote comes to me, but...
00:33:35...but faintly.
00:33:37Almost as though it were...
00:33:39...false.
00:33:44But another question comes through...
00:33:46...with all the power and strength of love and truth.
00:33:50You are concerned about someone you love.
00:33:53A woman. Your sister.
00:33:55Is it your sister?
00:33:57Yes.
00:33:58She is older than you, but still you have a maternal, protective feeling about her.
00:34:04In many ways, you are more mature than she.
00:34:08Darling, I'm glad somebody finally realized that.
00:34:12Of course, you didn't always feel that way.
00:34:15Once you were jealous of her.
00:34:17You envied her popularity and her pretty clothes...
00:34:20...and you used to try them on when she went out.
00:34:23Of course, there is an air of maturity and sophistication about you.
00:34:28In many ways, especially intellectually...
00:34:31...you are much older than the many young men who admire you.
00:34:34You know, I'd notice that.
00:34:37Does this feel...
00:34:39...uncomfortable to you?
00:34:41I...
00:34:44I think I'll have a cigarette.
00:34:49Mrs. Harper?
00:34:54Mrs. Harper?
00:34:58May I?
00:35:24Hmm.
00:35:27What an attractive case.
00:35:48Did you know why I wanted them?
00:35:50No.
00:35:52Nor do I need to.
00:35:54It is enough for me to know that you wanted them.
00:36:05Alexis, I hope that nothing you've done to help my sister...
00:36:08...will get you into trouble with the police.
00:36:11I mean, if they should investigate you or your past life...
00:36:15...would they find anything that would make trouble for you?
00:36:18Well...
00:36:20...there are many things in my life of which I'm ashamed.
00:36:23But, and this may sound strange...
00:36:27...the memory that I cherish is a term in prison.
00:36:31Oh.
00:36:33There are many brave men who were imprisoned in their fight for science and truth...
00:36:38...and I'm proud to be one of them.
00:36:41I think you may be able to understand this.
00:36:46Oh, but anyway...
00:36:48...do with this as you think best. I trust you.
00:37:18Hey, Janet.
00:37:20Oh, hello, Martin.
00:37:22Did you get the fingerprints?
00:37:24Yes.
00:37:26Well, let's go.
00:37:28Come on.
00:37:30Come on.
00:37:32Come on.
00:37:34Come on.
00:37:36Come on.
00:37:38Come on.
00:37:40Come on.
00:37:42Come on.
00:37:44Come on.
00:37:46Did you get the fingerprints?
00:37:48Yes.
00:37:49Good.
00:37:50I erased them.
00:37:52Oh, Martin, he isn't at all the kind of a man we thought he was.
00:37:56Come on.
00:38:23Oh, hello, dear.
00:38:24Did you get the day off?
00:38:25About time, too.
00:38:27Yeah, Mrs. Faber, an old Mrs. Faber.
00:38:30I'm getting sick of it.
00:38:32And how is our client?
00:38:34She's hooked good.
00:38:35Mm, good she is.
00:38:37And does she feel that her beloved husband is close to her?
00:38:41I'm surprised she hasn't asked me to lay an extra plate for the dinner table.
00:38:45Here's a photograph of her parents.
00:38:47It was in the trunk where I found the wedding dress.
00:38:49Oh, that will be very useful.
00:38:54When are you going to put the bite on her?
00:38:56Oh, Vivian, you put things so crudely.
00:38:59I imagine that very soon Mrs. Faber is going to press money on me to continue my psychic research.
00:39:04Good.
00:39:05I'm getting sick of this Swedish haggling.
00:39:07I need a new role.
00:39:08Oh, I have a new assignment for you.
00:39:10Straight from the obituary column.
00:39:12A lonely millionaire who...
00:39:16I had no more appointments today.
00:39:18Oh, here.
00:39:20Help me get these things out of the way.
00:39:22What do you pay for those chunks of glass these days?
00:39:25Three dollars a piece.
00:39:26It used to be a dollar ninety-five.
00:39:28You know, somebody ought to do something about this high cost of living.
00:39:31You should complain.
00:39:33You're selling them for 25 bucks to your psychic students.
00:39:37I used to.
00:39:38But who am I to fight inflation?
00:39:40I'm charging 50 now.
00:39:44Hmm.
00:39:45Expensive car.
00:39:49Expensive clothes.
00:39:51I would say no brains and lots of money.
00:39:54So long as you're here, Vivian, you might as well check the car for me.
00:39:57There might be some papers or something in the glove compartment.
00:40:00Okay.
00:40:01And I'll use a turban in case you find out something.
00:40:21Okay.
00:40:51Oh!
00:40:52Oh, this is such a pleasure.
00:40:54I mean, I've heard...
00:41:22I'd rather not tonight, Martin.
00:41:24Really, I'm much too tired.
00:41:28Well, let's decide about Friday later.
00:41:30Call me tomorrow.
00:41:33Good night.
00:41:34Well, that'll be all, Mrs. Faber.
00:41:38That's all, Emily.
00:41:39Thanks.
00:41:47Chris.
00:41:48Hmm?
00:41:49Let you and I spend the evening together.
00:41:51If you're tired, we could go to a movie.
00:41:53Actually, I'm busy tonight, Janet.
00:41:55I have an appointment.
00:41:57Chris, don't see Alexis tonight.
00:42:00Don't see him ever again.
00:42:02Janet, I thought we agreed not to discuss this.
00:42:04I'm not attacking Alexis.
00:42:06Honest, I think he'd be very...
00:42:08for certain people.
00:42:10But not for me?
00:42:12Well, you see, when some people meet a fascinating personality,
00:42:16they're swept right off their feet.
00:42:18Like me?
00:42:20Yes.
00:42:22But other people can be more objective.
00:42:24Like me.
00:42:26It's true, Chris.
00:42:28In many ways, I'm more mature than you are.
00:42:31Janet, I have lived through most of your growing pains,
00:42:34and oftentimes you've been insufferable.
00:42:36But tonight, this is...
00:42:37You see? You can't be objective.
00:42:39You're getting sore just because I'm trying to give you some good advice.
00:42:42Give me advice, Janet.
00:42:44Give me advice, Janet, please.
00:42:46It is good advice.
00:42:48Alexis agrees with me.
00:42:50Alexis agrees with you?
00:42:54You see,
00:42:56I've talked to him a few times
00:42:58about your problem.
00:43:00I...
00:43:02I went to his house.
00:43:05How did you find him?
00:43:08Fascinating.
00:43:10Absolutely fascinating.
00:43:15You know,
00:43:17he has one of the most vibrant personalities.
00:43:21And you came to this conclusion while discussing my problem?
00:43:26Well, we talked a little about me, too.
00:43:29Janet...
00:43:32Good night.
00:43:34I'll leave you alone with your objectivity.
00:43:44Good night.
00:44:14Good night.
00:44:30Alexis, I had to see you.
00:44:32Don't pay any attention to her.
00:44:34I feel a disturbance.
00:44:36If we are to reach the outer world tonight,
00:44:38we must leave behind us all thoughts that are hostile
00:44:42on a low emotional level.
00:44:47Now, Janet, this is your first séance.
00:44:49There must be some skepticism in your mind.
00:44:51Oh, no.
00:44:52Perhaps only in your subconscious mind.
00:44:54But nevertheless, we shall proceed under test conditions.
00:44:57If you will be good enough to hold this key for me.
00:45:00And, Christine, will you tie my wrists together securely?
00:45:03Oh, there's no need to do that, Alexis.
00:45:05I have every faith in you.
00:45:06Oh, but I insist. For my own sake.
00:45:08Here, Chris, you take the key. I'll tie his wrist.
00:45:11All right, Janet. Start with the right one.
00:45:15Tie one knot in the center.
00:45:18Tightly.
00:45:20That's good.
00:45:21Now tie my hands behind my back.
00:45:25Very tightly.
00:45:35Now lock the cabinet...
00:45:38so that you know that I cannot possibly move from this chair.
00:45:48Now, Christine, will you switch off the light?
00:45:51The switch is right in behind you.
00:45:57The room must be completely dark.
00:46:00Sit down on the table.
00:46:03And clasp your hands together tightly...
00:46:06with the key between your palms.
00:46:13If you see anything at all...
00:46:15do not move around...
00:46:17or cry out.
00:46:32Chris, look.
00:47:03I remember him very well.
00:47:05Isn't that...
00:47:08Yes, Janet.
00:47:10That's Dad.
00:47:26Do you feel it, Janet?
00:47:28The chill?
00:47:33A cold breeze...
00:47:35like ice.
00:48:02I don't know what's going on in there.
00:48:04If he's staging a séance...
00:48:06there would be a good opportunity to prove he's a phony.
00:48:08Let's sneak around back.
00:48:10There may be a window we can look through.
00:48:12Or climb through.
00:48:16We must be on the right track.
00:48:18If we find the key, we will get it.
00:48:20We must be on the right track.
00:48:22We must be on the right track.
00:48:24We must be on the right track.
00:48:26We must be on the right track.
00:48:28We must be on the right track.
00:48:30♪
00:48:57Paul...
00:48:59♪
00:49:18Martin, what are you doing?
00:49:19Showing you what a pony this man is.
00:49:20Where's the key?
00:49:24If you think he's still in here...
00:49:26Okay.
00:49:40What is it?
00:49:43He's quick on his feet, I'll say that for him.
00:49:44How could he get out when I locked him in?
00:49:46He could show you if he wanted to.
00:49:48You tie a knot like this, and then...
00:49:53Martin, this is dreadful.
00:49:55Yes, it is.
00:49:56I'm afraid I must insist you don't come here again.
00:49:58Insist?
00:50:00By what right do you insist?
00:50:01Well, we're engaged.
00:50:02Well, even if we were married, I'd think as I pleased.
00:50:06And I won't close my mind to truth just because you
00:50:08don't happen to understand them.
00:50:09Truth, poppycock.
00:50:10Be logical, Chris.
00:50:11Be logical.
00:50:13Pardon me, Mr. Abbott.
00:50:14Do you think you could possibly
00:50:15defer your discussion long enough to untie this rope?
00:50:19Oh, I'm sorry, Alexis.
00:50:21I'll do it.
00:50:21I happen to understand more about these things than you do.
00:50:24Do you realize that man has a criminal record?
00:50:26Alexis told us he was once in prison,
00:50:28if that's what you mean.
00:50:29Sometimes a prison record is something to be proud of.
00:50:31I'm terribly sorry about this interruption, Alexis.
00:50:34I saw him.
00:50:35I saw Paul.
00:50:37We would bring him back.
00:50:38Even if you could bring him back,
00:50:40she'd be better off if he stayed where he is, dead.
00:50:42She never meant anything to him but money.
00:50:44Martin.
00:50:45He'd been married and divorced before,
00:50:47each time with cash settlements.
00:50:48If he'd lived, he'd have made you miserable
00:50:50and ended up where he belongs, in jail.
00:50:54I never thought you'd attack a dead man
00:50:56with lies he can't answer.
00:50:57Yes, it's in the records.
00:50:59When Martin disappeared, did you or did you
00:51:00not ask me to investigate?
00:51:02Yes.
00:51:03Well, in the course of my snooping,
00:51:06I found a second Mrs. Faber, divorced in Las Vegas
00:51:09just six months before he married you.
00:51:11I think he went over there to see her.
00:51:14I never could find her, though, and Paul was dead, so.
00:51:17Seems very strange that, if it were true,
00:51:19you didn't find it necessary to tell Mrs. Faber.
00:51:22I suppose it is strange.
00:51:25Very silly to try and protect the girl you love.
00:51:29She only runs as fast as she can to another phony like you.
00:51:34Come on, Hoffman, let's get out of here.
00:51:36Going so soon?
00:51:37I thought we might stay around a while.
00:51:39We should stay.
00:51:40We'd soon learn what amazing powers Alexis has.
00:51:43I'm always willing to learn.
00:51:45Perhaps you'd like to resume the séance.
00:51:47Yes.
00:51:49Under real test conditions.
00:51:53Have you reported me for conducting a séance?
00:51:56I should say not.
00:51:58He probably could report you now.
00:52:00But if you'll sit down here at this table,
00:52:03and while we all hold hands like real good friends,
00:52:06if you can make any of your spirits walk or talk,
00:52:09I think Mr. Hoffman will let it ride this time.
00:52:12It's ridiculous.
00:52:13Show them, Alexis.
00:52:14Yes, Alexis.
00:52:17Do.
00:52:18I'm afraid, under such hostile circumstances,
00:52:20the spirit world would be practically impossible.
00:52:22Yeah, yeah, I've heard that patter routine before.
00:52:25I know it's easier when you can run
00:52:26around the room in the dark.
00:52:28He doesn't run around in the dark.
00:52:30Go on, Alexis.
00:52:31Let them see for themselves what you can do.
00:52:35OK, let's go.
00:52:51Ah.
00:52:55You know, you really ought to have an assistant on the premises
00:52:57for tight spots like this.
00:52:59We checked, you see, to make sure you hadn't.
00:53:01Shh, be talk so loud.
00:53:03You mean we'll frighten the ghosts?
00:53:05Ha, ha, ha.
00:53:06Alexis, I'm afraid I have to go.
00:53:08See you later, dear.
00:53:09See you later, dear.
00:53:11Oh, but it's just a long walk.
00:53:13It's a long walk.
00:53:14Yeah, it's a long walk.
00:53:15It's a long walk.
00:53:16It's a long walk.
00:53:17OK, OK.
00:53:18Well, take care.
00:53:19I can count on you for a long time, Alexis.
00:53:23OK.
00:53:24Good-bye.
00:53:25I can count on you.
00:53:26Good-bye.
00:53:27Good-bye.
00:53:28Good-bye.
00:53:29Good-bye.
00:53:30Goodbye.
00:53:31Oh.
00:53:32Oh, it's such a thing to me.
00:53:34Good-bye.
00:53:35I didn't mean to frighten you, but I had to get through to you somehow.
00:54:00I've always loved you.
00:54:01You know that.
00:54:03Yes, Pa.
00:54:11And if you could only believe, we could be together for always.
00:54:32There wasn't anybody out there.
00:54:3420 years, never anything like this.
00:54:38If everybody will excuse me, this has been a terrible strain.
00:54:46Come on, Chris.
00:54:47I'll take you home.
00:55:02Come on.
00:55:28What are you so startled about?
00:55:31You're used to raising the dead, aren't you?
00:55:34Although I guess with me it was a little easier, because I'm only legally dead.
00:55:41You know, I've been watching you ever since my widow started coming to you, Alexis.
00:55:46I find your methods quite amusing.
00:55:53Excellent.
00:56:01How do you get out of that rope thing?
00:56:04Manipulation.
00:56:06But how did you...
00:56:07The cabinet?
00:56:13Just push a button and the idiots reach for their checkbooks.
00:56:16It isn't quite as simple as all that.
00:56:19There's a lot of psychology involved and research.
00:56:22Sounds dangerously like work.
00:56:25However, your bag of tricks can be useful to us in our present plans.
00:56:31Have plans?
00:56:34I didn't help you out tonight just for the fun of it, my friend.
00:56:37I can use you.
00:56:39You see, I need money.
00:56:41A lot of it.
00:56:43I don't understand.
00:56:45If you went back to Christine, you could have anything you want.
00:56:48You don't seem to have a very analytical mind.
00:56:50No, but Christine still loves you.
00:56:52She...
00:56:53Oh.
00:56:55You mean if you weren't dead, the police might want to know
00:56:57who it was they found burnt to death in your car, hmm?
00:57:00Exactly.
00:57:04Have I been using the wrong piece of music?
00:57:06What?
00:57:07Oh, no, no.
00:57:08You have the right one for Christine.
00:57:11I used this one for my first wife.
00:57:15Was it her ashes they found in the car?
00:57:18If it was me they found in the car, don't forget it.
00:57:23Perhaps I should point out that I'm in a very curious position.
00:57:27Since I'm believed dead, I could even kill a man.
00:57:30Nobody would think of looking for me.
00:57:33You're in a curious position too, Alexis.
00:57:36You can't tell anybody I'm alive without exposing yourself.
00:57:39That's right, I can't.
00:57:41It is a very curious position.
00:57:43And a profitable one.
00:57:45I don't think it's too premature to congratulate you
00:57:48upon an extremely advantageous marriage.
00:57:51Marriage?
00:57:52Come, come, my friend.
00:57:54You must be prepared to make some small sacrifice.
00:57:57You don't expect me to marry Christine.
00:57:59No, no, the little one, Janet.
00:58:02She's still young enough to be dazzled by you.
00:58:06From then on, getting that estate will be like taking candy away from a baby.
00:58:10I don't think Christine will allow it.
00:58:13I'll take care of Christine.
00:58:21I'm a little rusty on this one.
00:58:23I'll have to practice.
00:58:26Have this piano tuned, will you?
00:58:51Oh, no, ma'am, not for you.
00:58:53Not after the night you've been having.
00:58:56Yes, that's for you.
00:58:57Hot milk?
00:58:58Yes, ma'am.
00:58:59I'd rather have the coffee.
00:59:05I'll see that she drinks it, Emily.
00:59:09All right, I'll take it, but it won't do any good.
00:59:11You should really try and get more sleep, Christine.
00:59:14But I just can't.
00:59:17I'm never alone anymore.
00:59:19I keep hearing his voice now and seeing his face.
00:59:25It should comfort me, I suppose, but it's been frightening.
00:59:29Drink your milk while it's hot. It'll help.
00:59:33Alexis, do you suppose we've made a mistake?
00:59:37That first day when I came to your house,
00:59:39you said it might be better to repel Paul's spirit instead of bringing it closer.
00:59:45Perhaps you were right.
00:59:47Perhaps I was right.
00:59:48Then would it be better to try to break the contact now and not go...
00:59:51It's too late.
00:59:53At this stage, I could never break the contact.
00:59:56We'll have to finish what we started.
00:59:59It would only bring me rest.
01:00:04Well, let's begin the seance now.
01:00:09I think that before we start, you should relax.
01:00:13And I should be more familiar with the surroundings.
01:00:17It is very difficult for me in a strange house.
01:00:19Perhaps if I walked around the outside for a while...
01:00:21I'll show you. We can even go to the ocean.
01:00:25Go ahead, Janet. I'm feeling rather tired.
01:00:49Watch your step. It's very steep.
01:01:20You know, I think I have a talent for spirit lines.
01:01:24You do?
01:01:25Yes. I've been reading and studying.
01:01:27I think maybe I'm mediumistic.
01:01:29Oh.
01:01:30You know that seance we had at your house when Paul appeared?
01:01:33Yes.
01:01:34Was that Paul's first visitation?
01:01:37I don't know.
01:01:38I don't know.
01:01:39I don't know.
01:01:40I don't know.
01:01:41I don't know.
01:01:42I don't know.
01:01:43I don't know.
01:01:44I don't know.
01:01:45I don't know.
01:01:46I don't know.
01:01:47Was that Paul's first visitation?
01:01:50Alexis.
01:01:51Oh.
01:01:52Oh, yes, it was.
01:01:54You see? Maybe it's because I was there.
01:01:56All tuned in and sensitive.
01:01:59Well, it could be.
01:02:00Did you ever see a better spirit manifestation?
01:02:04No, darling.
01:02:05That was an all-time record.
01:02:18Are you thinking about my sister?
01:02:21Yes.
01:02:23She's very attractive, isn't she?
01:02:26Most men admire Chris.
01:02:28But Christine will always belong to Paul.
01:02:32I suppose that's true.
01:02:35I wish she wouldn't be so unhappy.
01:02:39Do you suppose they'll be joined together someday
01:02:42in celestial companionship through all eternity?
01:02:47Like it says in the books.
01:02:49Yes, I'm sure they will.
01:02:52Alexis.
01:02:55Do you think I'd make a good celestial companion?
01:02:58Darling, I think you'd be wonderful.
01:03:00And we'd love each other through all eternity?
01:03:03Oh, even longer.
01:03:05Alexis.
01:03:07Why don't we start right here on the earth plane?
01:03:17THE END
01:03:47© BF-WATCH TV 2021
01:04:17© BF-WATCH TV 2021
01:04:48I'm afraid.
01:04:50There's nothing to be afraid of.
01:05:18THE END
01:05:31Paul.
01:05:34I'm afraid.
01:05:37I'll take you to the beach.
01:05:42The last one is a coward.
01:05:47THE END
01:06:17© BF-WATCH TV 2021
01:06:47© BF-WATCH TV 2021
01:07:06Alexis, she's badly hurt.
01:07:08Is she okay?
01:07:10I think she's okay.
01:07:17THE END
01:07:28What are you doing here?
01:07:30I'm opening the door.
01:07:32But not wide.
01:07:34You're not welcome here.
01:07:36Where's Emily?
01:07:37It's Thursday, Mr. Abbott.
01:07:39Her day off.
01:07:41Where's Frida?
01:07:42Frida left yesterday.
01:07:43She said she thought the house was haunted.
01:07:46I see what you mean.
01:07:48I want to talk to Mrs. Faber.
01:07:50I don't think she wants to talk to you.
01:07:54Janet.
01:07:56Chris.
01:07:57She's not bad.
01:07:58She's making herself sick with this nonsense.
01:08:01It's not bad.
01:08:02Chris fell on the cliff last night.
01:08:04She could have killed herself if Alexis hadn't caught her.
01:08:07What was she doing on the cliff?
01:08:09Well...
01:08:11She thought she heard Paul calling.
01:08:14Janet.
01:08:16We'll always be together, Chris.
01:08:21Together, always.
01:08:23Yes, Paul.
01:08:26You'll always be mine, Chris.
01:08:36Chris.
01:08:37I'm waiting.
01:08:41I know, Paul.
01:08:44I know.
01:08:46We'll be together, Chris.
01:08:48Together, always.
01:08:50Together.
01:09:04What did the doctor say?
01:09:06Chris wouldn't have a doctor.
01:09:09You have to be logical about this.
01:09:11She's not badly hurt.
01:09:12She's just bruised and shaken.
01:09:14In the first place, she's in a state of hysteria.
01:09:16In the second place, she shouldn't be in this house.
01:09:18Everything in it reminds her of Paul.
01:09:20And finally, she shouldn't be left alone for a second.
01:09:23There's no telling what she might do.
01:09:24But I'm with her all the time.
01:09:26I haven't left...
01:09:31Chris.
01:09:35Chris.
01:09:38Martin.
01:09:44Chris, are you all right?
01:09:45Yes, of course.
01:09:46What's in that bottle?
01:09:49It's just aspirin.
01:09:51I've got a headache.
01:09:54Chris, it's dangerous for you to stay here.
01:09:58You need rest.
01:10:00I can't go on.
01:10:02I'm sorry.
01:10:04I can't go on.
01:10:05I can't go on.
01:10:06I can't go on.
01:10:07I can't go on.
01:10:08I can't go on.
01:10:09I can't go on.
01:10:10I can't go on.
01:10:11I can't go on.
01:10:12I can't go on.
01:10:13You need rest and care, perhaps in a hospital.
01:10:16You're trying to separate us.
01:10:18I won't go to a hospital.
01:10:20I won't leave this house.
01:10:21Only until you're better.
01:10:22No.
01:10:24You're trying to drive him away again.
01:10:26Now get out.
01:10:27Get out.
01:10:33I'll leave before I upset her anymore.
01:10:35I'll see you tomorrow, Martin.
01:10:44They've left the room.
01:10:46Then you can resume the treatment.
01:10:48If you hadn't tried to play the hero last night,
01:10:50all this wouldn't be necessary.
01:10:52I had to save Janet, didn't I?
01:10:54You're not falling in love with her, are you?
01:10:56Look, if I'm going to marry into this estate,
01:10:58there's got to be somebody for me to marry.
01:11:01Just by way of making conversation,
01:11:03that wife of mine in Las Vegas,
01:11:05the one who tried to back out on me
01:11:07and wanted her cash settlement back,
01:11:09I settled with her, but not for cash.
01:11:12Now if you should back out on me,
01:11:14I wouldn't hesitate to settle with you either, Alexis.
01:11:16I know.
01:11:17Because you're in such a curious position.
01:11:31Paul.
01:11:37Paul.
01:11:39Paul, you're back.
01:11:41How long, Chris?
01:11:43How long must I wait?
01:12:08How long must I wait?
01:12:10How long must I wait?
01:12:12How long must I wait?
01:12:14How long must I wait?
01:12:16How long must I wait?
01:12:18How long must I wait?
01:12:20How long must I wait?
01:12:22How long must I wait?
01:12:24How long must I wait?
01:12:26How long must I wait?
01:12:28How long must I wait?
01:12:30How long must I wait?
01:12:32How long must I wait?
01:12:34How long must I wait?
01:12:36How long must I wait?
01:12:38How long must I wait?
01:12:40How long must I wait?
01:12:42How long must I wait?
01:12:44How long must I wait?
01:12:46How long must I wait?
01:12:48How long must I wait?
01:12:50How long must I wait?
01:12:52How long must I wait?
01:12:54How long must I wait?
01:12:56How long must I wait?
01:12:58How long must I wait?
01:13:00How long must I wait?
01:13:02How long must I wait?
01:13:04It's getting worse.
01:13:06They've given it to you just to get rid of it.
01:13:08Paul!
01:13:10Yes, I'm alive.
01:13:12Legally, I'm at risk of death.
01:13:14I will stay there.
01:13:16If you're alive, I won't be able to.
01:13:18It's too bad you're here, Janet.
01:13:20Too bad you're here, Janet.
01:13:22Janet!
01:13:34I have to look it over.
01:13:36Safety 계 relatives.
01:13:38They're in the corridor.
01:13:39Yes.
01:14:00I'm ready to get me bread.
01:14:02Just 7.25.
01:14:04I'm ready.
01:14:12Chris!
01:14:13Chris, wake up!
01:14:16I can't explain.
01:14:17Quick, we'll take the back stairs.
01:14:32Power.
01:14:35Chris!
01:14:46You forgot, Paul.
01:14:48My profession is raising the dead.
01:15:04You're losing quite a bit of blood, aren't you, Alexis?
01:15:29Spirits don't need any blood.
01:15:35Do you think bullets can harm us ghosts?
01:15:58Too bad you missed.
01:16:00Those were your last two shots.
01:16:11The police are here, my friend.
01:16:14Your gun is empty.
01:16:16But at least you have been privileged to witness my best performance.
01:16:21You made one little mistake.
01:16:23I started with seven shells.
01:16:26I have one in the chamber.
01:16:28Alexis, you were wonderful.
01:16:32I guess there must be a better side to my nature.
01:16:36But now you must forgive me.
01:16:38No, never.
01:16:40I don't need a crystal to see that your future is bright, Janet.
01:16:44I'm sorry.
01:16:46I'm sorry.
01:16:48I'm sorry.
01:16:50I'm sorry.
01:16:52I'm sorry.
01:16:54I'm sorry.
01:16:55Your future is bright, Janet.
01:16:57Don't you go clinging to the past.
01:17:00I lived by feeding people's desire to escape the present.
01:17:07But you can't escape for long.
01:17:11Alexis, I'm afraid for you.
01:17:14I'll be all right.
01:17:16I'll find some spirits that want to contact people.
01:17:25Open the window, Janet, please.
01:17:35Fly away, my friend.
01:17:38I don't need you anymore.
01:17:55© BF-WATCH TV 2021