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00:00🎵Lalalalalalala🎵
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00:03Pajaro Soñador
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00:08🎵Lalalalalalala🎵
00:17Ah, Engine!
00:18What are you doing?
00:19Making a handsome man pose.
00:21Oh yeah?
00:21You're going to look great!
00:25How are you kids?
00:27Sir, we want to be in the ad.
00:30You want to be a TV star and succeed in advertising?
00:33Well, ask your parents for permission to be in the commercial.
00:35If they give you permission, I'll put them in. Go!
00:39Hey, Mr. Juseyin, can we film in your beautiful house?
00:42But I would have to wash the entire facade.
00:45Get out of here.
00:46Go.
00:47This neighborhood is a good location.
00:49Every corner is artistic.
00:51Your name, please?
00:53Sanille.
00:54Sanille, good.
00:55Would you shave your mustache?
00:56Yes, of course.
00:57Very good.
00:58Then I'll explain.
00:59Where is she?
01:00Do you copy me?
01:01Musa, Musa.
01:02I hear you.
01:03Over.
01:04J.J., I just wanted to find you.
01:05Over and out.
01:06Very good.
01:07At this time, I'm with the casting.
01:08Over.
01:09Very good.
01:10Over and out.
01:11Now, I want to see her sad.
01:13I want to see her depressed.
01:16She must be very worried.
01:19She has no hope of life in the future.
01:21She feels a great fear.
01:23But suddenly and without warning, everything changes.
01:26And now she is happy.
01:28Everything is happiness in her life.
01:31Now she feels peace overflowing.
01:34That's all.
01:35Very good.
01:36She is happy and she feels very happy.
01:37Smile.
01:43That's good.
01:47And that's enough.
01:48Don't make me laugh.
01:49Please come in and sit down if you are so kind.
01:52We call him.
01:54But what a laugh with that chubby.
01:57Shut up.
01:59Next.
02:00Well.
02:01Good morning.
02:03What is your name?
02:04Nefise.
02:05Mrs. Nefise.
02:06First, I want you to act happy.
02:08I'm very happy.
02:10Yes.
02:11So I'm happy.
02:12Enough.
02:14Now I want you to show your dramatic part.
02:18Get sad.
02:20That's it.
02:21Worried.
02:23Anxious, ma'am.
02:25Terrified.
02:28Do I do it right?
02:29Yes, in the coconut.
02:30In the coconut.
02:31Do I do it like this?
02:32No, no, no, no.
02:34Please, no.
02:36What's wrong?
02:38It's just a casting, ma'am.
02:39Don't do it like that.
02:40Calm down.
02:41It can't be.
02:42I think he's really doing it.
02:44Don't make a drama.
02:46Sit on this side.
02:47Retire.
02:49I'm amazed.
02:50This neighborhood has a lot of talent, Musa.
02:52He kept crying while he left.
02:54Did you see him?
02:55Yes, the people of this neighborhood are very good actors.
02:58You weren't even born here.
02:59Is it true?
03:00Yes, I forgot.
03:02Look who's here.
03:05Hello.
03:06Hello.
03:08Hello.
03:09Hello.
03:11Good afternoon.
03:12I came for a few things.
03:14What things?
03:16No.
03:17You don't care.
03:18Of course I do.
03:19Because this is our neighborhood.
03:21We're filming an ad.
03:22And if Mr. Nesim sees him around here, he'll ruin everything.
03:25I won't get close to the filming.
03:27Don't worry.
03:28Mr. Nesim doesn't have to see me.
03:30We have to get him out right now.
03:31You're right.
03:32But it's not necessary.
03:33Yes.
03:34Look, sir.
03:35I'll tell you in a good way.
03:36Get out.
03:37Take him to the exit, Musafer.
03:38But I had to pick up a few things.
03:40Now I feel more powerful than ever.
03:42I became the master of the neighborhood.
03:44Yes?
03:48What do you want?
03:49I'm here for the casting.
03:51Oh, yes.
03:52Are you in love?
03:53Of course I am.
03:56If that's your face of in love, I can't imagine you angry.
03:59Act in love.
04:01No, it doesn't work.
04:02You look strained.
04:04It's not what we're looking for.
04:06Okay.
04:07Very well.
04:08Did you solve the problem?
04:09Of course.
04:10We have one less problem.
04:11I've kicked him out of the neighborhood.
04:14You're excellent, Musa.
04:15You don't serve me outside.
04:16Goodbye.
04:18There are no more actors.
04:20Slowly.
04:21Do it slowly.
04:22It can't be.
04:24Mr. Yan, these are the accessories.
04:25Very well.
04:26I see them.
04:29That's enough.
04:30Don't follow us.
04:31Calm down, Evelyn.
04:32For Mevkibe this.
04:33For Melat.
04:34And for Miriban.
04:35It's fine.
04:36Oh, no, no.
04:37I don't like what I see.
04:38I don't like it.
04:39This one is very pretty.
04:40Put it on.
04:42Isn't it great?
04:43This is yours.
04:44I don't like it.
04:45I don't like it and I'm not going to put it on.
04:48Why don't you put it on, Mom?
04:49If the director decides that, not you.
04:51Now it turns out.
04:52Not even my husband orders me to put it on.
04:54I'm not going to put it on.
04:55But Mom.
04:56Wait, wait.
04:57No.
04:58Don't put so much makeup on me.
04:59Hey.
05:00Can you let the professionals work at ease?
05:03How crazy.
05:04It's amazing.
05:05It looks like you have a needle in your head.
05:07Give me that.
05:08Melat, don't meddle.
05:09Give me that.
05:10He's doing his job.
05:11He has no idea what he's doing.
05:12But I didn't want to.
05:13It's horrible.
05:14I'm so sorry.
05:15I'm sorry.
05:16Please, let me do my job.
05:17What's going on?
05:18What's going on?
05:19Enough.
05:20I told you.
05:21It's okay.
05:22Listen, this filming is just a rehearsal.
05:23In the real thing, they'll be perfect.
05:26They have a lot of energy.
05:27Look at them.
05:28It's too much for me.
05:29What's going on?
05:30I need to take some pictures.
05:31I told you she would do it.
05:32Seriously.
05:33Someone help me comb my hair.
05:34Look.
05:35She wants to take some pictures.
05:36Wait a minute.
05:37I'm almost done.
05:38Give me that.
05:43I'm here.
05:48Mrs. Melat?
05:49Is that you?
05:52Do you think I look like Melat?
05:53How can you confuse me?!
05:55What's wrong with you?
05:56I'm Melat.
05:58I'm Melat's.
05:59I said no.
06:00I said no.
06:01I'm Melat's.
06:02I'm Melat's.
06:03I said no.
06:04I'm Melat's.
06:06I said no.
06:07I said no.
06:08I said no.
06:09I said no.
06:10I said no.
06:11Oh, you're so cute!
06:13With a lot of love for my love.
06:15Oh, how cute!
06:17They're from a secret admirer!
06:19We have to start filming now!
06:20Come on, girls!
06:21We have to start filming!
06:22Move!
06:23Move, admirer!
06:24If I have it, I'll tell you later.
06:26Move!
06:27They're beautiful!
06:28Yes, they are!
06:29Of course they are!
06:30Where are you going?
06:31Over there!
06:32You've had a secret admirer!
06:34Okay, I'm going over there.
06:42Mrs. Melas!
06:43What?
06:44Hurry!
06:45Okay!
06:46Melas!
06:47What are you waiting for?
06:48I'm coming!
06:49Don't touch them!
06:51Oh!
06:52Jealous!
06:53Now I'm jealous!
06:54What happens is that Jan gets very nervous.
06:56I'm essential in all the filming.
06:58Yes, of course.
06:59You can see us from there.
07:01Of all the handkerchiefs they brought, I don't have any left.
07:04The director decides.
07:06Okay, fine.
07:07Okay.
07:08How much are we going to spend?
07:10I don't know.
07:16Melas, walk!
07:18What are you doing here again?
07:21We didn't tell you to leave.
07:23Get out of the neighborhood!
07:26It's just that...
07:27I don't think I understand.
07:29Get out!
07:31What did he say?
07:32I don't understand anything.
07:34I'm leaving!
07:35Catch him!
07:36Come here!
07:37Catch him!
07:38Catch him!
07:39Catch him!
07:40Where are you going?
07:41Come here!
07:42Catch him!
07:47Can I say something?
07:49Of course.
07:50I hope it goes well.
07:56She's not gone yet.
07:58Look over there.
08:00Who is she?
08:01Don't you know her?
08:02No.
08:03It's Aisha, Mr. Nesim's niece.
08:06She's in charge of the campaign.
08:08She has the same style.
08:10It's true.
08:11She could really be his twin.
08:16There they are.
08:18Welcome.
08:19Let's go.
08:20Hi.
08:21Aisha.
08:22Hi.
08:23Hi, how are you?
08:24Good morning.
08:25Let's sit here and I'll tell you all the details.
08:28Go ahead.
08:31Sanem, can you come here for a second?
08:33Good afternoon.
08:35You can do whatever you want here.
08:37You're the store and the boss.
08:39I want to speak as your admirer.
08:41Will you sign your book for me?
08:42You'll make me happy if you do.
08:45Really?
08:46Aisha.
08:48Really?
08:49Did you read it?
08:50And I liked it a lot.
08:51I read it in two days.
08:53And I really loved meeting the protagonists in person.
08:57Oh, but it's all fiction.
09:00Please, you're not even described in this story anymore.
09:04Is it a coincidence or did you get too involved in the story?
09:08Well, the love story surprised me a lot more than the book.
09:12They are two people from very different worlds.
09:15How did they fall in love so much?
09:18That's what impressed me.
09:23We're going to film.
09:24To your positions.
09:25Sorry, I have to go back to work.
09:27Here.
09:34Hi.
09:35Hi.
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12:18We got a dance of my favorite star.
12:23I'll turn it on.
12:24Chop-chop-chop.
12:26Hi.
12:27Hi.
12:28Hi, where are you?
12:31I can see you clearly.
12:33What nonsense, where are you?
12:35In front of you, look.
12:37I already saw you, but what are you doing in there?
12:41Oh, a selfie, I want to go out.
12:43Okay, come closer.
12:45How many more times?
12:46Give it to me, I can do it.
12:48Hey beautiful, do you like to act there?
12:50Yes, I like it a lot, but I'm here as a star of an ad and you're hiding there.
12:55What are you doing there hidden? Why don't you go out?
12:58Well, I came to do what you ask.
13:00Ah, good.
13:01Melat, now what I want is to go and give you a sweet kiss on your beautiful cheek.
13:07If you come closer, I assure you that I give you a kiss.
13:10It's just that there are many people, you'll see us.
13:13Very well, then I'll go give you a kiss over there.
13:17I'm coming.
13:18What are you doing? Don't come, don't Melat, don't come closer, please.
13:21Why do you close?
13:23Open the door, open the door, already open.
13:26What are you doing Melat?
13:28It's just that it's closed.
13:30Why don't you open this door?
13:32Melat, please don't do it.
13:34Enough Melat.
13:36Please open.
13:38I told you I can't, it's stuck.
13:40Open, open, open.
13:42Enough games, life is short, I'm not going to be hidden.
13:46But my love, I haven't talked to Uma yet.
13:49You told me you were going to leave her.
13:51Yes, of course, but she is depressive.
13:54I can't tell you without prior notice.
13:56It's time to talk to her, let's go.
13:58Wait, no, no, no.
13:59Now, of course, let's go.
14:01Wait a minute, Melat.
14:02Come out, come out, tell me the truth.
14:05Tell him, there you have her, tell him the truth.
14:09But, where?
14:10Come on, there you have her.
14:11Selim.
14:12Uma.
14:13Selim, but weren't you on a trip?
14:15And what does he have to tell me?
14:17He didn't go anywhere.
14:19Tell him, tell him you love me.
14:21What?
14:22We're in love.
14:23I didn't know.
14:24Don't interfere, Uma.
14:26Selim, what is this woman saying?
14:28Oh, no.
14:34I can't express myself.
14:36You don't interfere.
14:38Selim, he declared himself to me in the kitchen of Mekibe.
14:42And we're made for each other, right?
14:46Uma.
14:47Oh, no.
14:48Oh, no, no, no.
14:49Mom.
14:50Mom, you have to put her down.
14:53But, no.
14:54Do you see anything?
14:55Isn't that your stepfather?
14:57That man is, but he was with Uma, right?
14:59It can't be.
15:00I don't understand anything.
15:01Oh, but what are you doing with Melat?
15:03But.
15:05You tell him, tell him the truth.
15:07Now he knows that we love each other.
15:09Melat.
15:10What are you doing here?
15:11Who's that?
15:12Let her pass, it's my sister.
15:13Let me go.
15:14Please, what's going on?
15:15Do you choose to pass out, Mom?
15:17What are you doing?
15:18But what happened?
15:19That our brother swindled us, Melat.
15:21What?
15:22Our own brother.
15:23But he's here.
15:24He's safe.
15:25How sad.
15:26That's right.
15:27There is no inheritance.
15:28What?
15:29Huh?
15:30Yes, the story of the inheritance was invented to steal.
15:32But what are you saying?
15:33And the lawyer's money and all the money I've paid him.
15:36He has swindled us.
15:37Oh.
15:38What a thing.
15:39Oh.
15:40Oh.
15:41Be careful.
15:42Oh, another failure.
15:43Melat.
15:45Oh, no.
15:46It wasn't my money.
15:47I feel my legs as if they were...
15:48Oh, no, JJ.
15:49Calm down.
15:50We have to help her.
15:51Give her some water.
15:56There's no money.
15:57There's nothing.
15:59Well, if you'll excuse me.
16:01Sister.
16:02What are you doing?
16:03Look at him.
16:04Don't run because I'm going to kill you.
16:06Come back here.
16:07Come back.
16:08I think I understand less and less.
16:11What did Melat do?
16:14When will I be on the plane?
16:17Very well.
16:18Yes, okay.
16:22If that bastard was a swindler, why didn't you warn us before?
16:26Huh?
16:30Okay, okay.
16:31I'm upset.
16:32Excuse me.
16:35I heard you talk.
16:37Okay.
16:43I put you in this situation.
16:47And all this shame has been just my fault.
16:51I'm sorry.
16:53Mom, that man...
16:54I know.
16:56He's a swindler.
16:57I know.
17:00And I'm not the first.
17:03What a shame.
17:05It's also our fault for not noticing.
17:07Yes, it's true.
17:08We should have noticed.
17:10Don't be silly.
17:12I'm the mother.
17:13But a very bad mother.
17:16Forget it.
17:17He's not worth it, Mom.
17:20I'm going to change the page and start a new life.
17:25I already have my suitcase ready.
17:27No, Mom.
17:28Let's sit down.
17:29Emre.
17:30Please.
17:32I can't even look them in the face after everything that's happened.
17:41So I'm going to Austria.
17:48I need to try it somewhere else, kids.
17:51Try to understand me.
18:02Very good.
18:03The tea is ready.
18:05Here it is.
18:08I have to confess that this ad made me feel good.
18:11And it distracted me.
18:13You have to see it.
18:14It was excellent.
18:15Really?
18:16Was it good in the end?
18:17Of course.
18:18But I wish Melati and Uma hadn't fought.
18:21Don't even remind me.
18:22It's amazing.
18:24Too bad Selim got away.
18:25I'll kill him when I see him.
18:28One question.
18:29Didn't you know that Selim was a living thing?
18:33How was I supposed to know?
18:34Last time he was a heartbreaker, but I didn't know he was after his money.
18:39Yes, I don't like Uma.
18:40But if I had known, I would have told her.
18:42She deserves a beating.
18:44But she hasn't answered me.
18:45You'll see when I find her.
18:47Ha!
18:48Get ready.
18:49She's going to meet me.
18:51I remembered our party night.
18:53What?
18:54I remember everything we said.
18:56And...
18:57I think...
19:01I think we were a little mean to Jan.
19:12What are you doing?
19:13Take it.
19:15Take what?
19:16You like it, and he likes it.
19:18Take it.
19:19Take what?
19:20The tea.
19:21Ah.
19:24I'm taking it.
19:26Excellent idea.
19:28Don't say anything.
19:29I won't.
19:32Our tea will be pending.
19:34Don't worry.
19:36Good luck!
19:41I had my knees bleeding and I was hanging,
19:44but I had one of my fingers broken and a hand injured.
19:48I don't know what to do.
19:49The Tibetan was looking at me, and I was looking at him,
19:51and I didn't remember how to ask for help in Tibetan.
19:53You're kidding, right?
19:54Seriously, that was horrible.
19:56Ah, Sanem.
19:58Good evening.
20:00Hi.
20:01Hi.
20:02I didn't know you had guests.
20:04Otherwise...
20:05Don't worry.
20:06They're from Aisha's climbing group,
20:08and we just met a few hours ago.
20:11We have the same style, although he's very special.
20:14Then you have to tell us all those adventures in K2.
20:17K2?
20:18They call the police dogs K9.
20:20Did you know that?
20:21Are you kidding?
20:22Is it a joke?
20:23I'm sure it is.
20:24What are you laughing at?
20:25No, no.
20:26K2 is a mountain that's between Pakistan and India.
20:29When we're done with this campaign, we're going to climb it.
20:32Right, Aisha?
20:33That's right.
20:34I miss climbing a lot, and I'd like to go.
20:36It's normal.
20:37You've been living a very different life than the one you had, Jan.
20:41Uh, are you going again?
20:43No, we're just going together.
20:45We're all going together.
20:47Do you mind if Sanem comes climbing with us, friends?
20:50No, no.
20:51It's fine.
20:52See?
20:53Sure.
20:54It could be the first stage.
20:55And then I'll wait in the camp while we go up.
20:58Excellent idea.
20:59What do you think?
21:01Guys, I couldn't sleep much last night, so I'm going to rest.
21:05No worries.
21:06Thank you very much.
21:07We'll see you another day, right?
21:08What do you say?
21:09We're all leaving.
21:11See you, Sanem.
21:12Bye.
21:13Bye.
21:16See you soon.
21:17See you.
21:18Jan.
21:21Don't you forget anything?
21:22No, we don't forget anything.
21:25Uh-huh.
21:29Why would I go?
21:31What do you mean?
21:33The other day, we ate together because I'm your partner.
21:36But, what about this excursion?
21:40I want you to go.
21:43So, who am I in your life, Jan?
21:45Am I a friend?
21:47Your girlfriend?
21:51Your fiancée?
21:52Your forgotten love?
21:55Who is Sanem?
22:02You don't have an answer, do you?
22:06Answer me.
22:09You don't do it because I'm not in your heart.
22:11Sanem, we already talked about that.
22:13But we haven't been able to solve the problem.
22:17Emre told you that I was in psychiatric for you.
22:22You knew about our love thanks to the book you read.
22:26And now you feel guilty, Jan.
22:29You want to complete our love story to calm your conscience.
22:35You better not do it.
22:38Sanem.
22:53Sanem.
23:05Jan.
23:14You don't have to do it anymore.
23:17Not that way.
23:22No.
23:39Thank you very much.
23:47Mirivan.
23:49Thank you very much for everything.
23:53It's been a pleasure.
24:05Here is your home.
24:08You can come whenever you want, okay?
24:11Mirivan, I'm so sorry for you.
24:17We have to say goodbye.
24:19We have to make it short.
24:21If it's long, it'll be worse.
24:22This is not a goodbye.
24:24I don't want to.
24:25We'll see each other often.
24:27Although I think it's best if I stay away from here for a while.
24:33But I'll be back someday.
24:35Very well.
24:39Sanem.
24:42You have a huge heart, honey.
24:45You'll see how your dreams will come true.
24:50Go.
24:52Your home is my home.
24:54It is.
25:04And don't drink that.
25:11How did it go?
25:12Could you finish the demo?
25:14Yes, but it took us all night.
25:16In a little while I'll go to the office.
25:18Okay, I'll stop by Sanem and we'll go there.
25:20Very well.
25:21You seem a little serious, Jan. Is something wrong?
25:23No, no, I'm fine.
25:24Fine? See you later.
25:49Why did you leave the office without me?
25:51What's wrong, Sanem?
25:58Oh God, if only this was in Croissant.
26:01I know that boy, but I don't remember where.
26:03He looks like that man who appeared in a romantic comedy.
26:07That boy?
26:08Yes.
26:09You just put the cup on top of the photo.
26:11Anyway, I'm going to ask you something.
26:14Answer.
26:15You know what a hedgehog is, don't you?
26:17Yes, I know.
26:18They're very nice animals.
26:19That's right.
26:20And when they're cold, they hug each other.
26:22And when they hug, they hide their fangs,
26:24and that way they don't get hurt.
26:29And?
26:30Well, when you and I have problems,
26:32we have to try not to hurt each other.
26:34Of course.
26:35I understand.
26:36You used that example to refer to our friendship.
26:39Yes.
26:40Of course.
26:41I understand.
26:42You used that example to refer to our friendship.
26:44I'm impressed.
26:45It's poetic.
26:46It's like a documentary from National Geographic.
26:50Yes, exactly.
26:51Well, I'm going to add an extra point to our friendship,
26:54and I'll pay the bill, but we'll keep our distance.
26:59Engine.
27:00What?
27:01Engine.
27:02Engine.
27:03Tell me, Muzafer.
27:04I'll leave this here.
27:06Very well, thank you.
27:08Come here, my king.
27:09Hug me.
27:12But let's keep our distance.
27:14So we don't get hurt with our fangs.
27:17Let's go.
27:18I feel like dancing a cumbia.
27:23It's this way.
27:24You can leave it here.
27:26Here you go.
28:08Are you going home?
28:12Where else?
28:19Come in, my dear.
28:20Come in.
28:28Listen, the story is clear.
28:30I don't know what you're talking about.
28:32I don't know what you're talking about.
28:35Listen, the story is clear,
28:37but we still don't have a good slogan.
28:39Friendship is the most important thing.
28:41But what's going on?
28:42What do you mean no one has come up with a slogan?
28:44We already have one.
28:45Deren, don't worry.
28:46The union makes the force.
28:47What does that have to do with anything?
28:48Listen, even if it's not related to the project,
28:51my brother talks about a universal concept.
28:53It's fine.
28:55I see you're friends again.
28:57I'm glad, but I don't want you to stress me out.
29:00Good morning, everyone.
29:01Good morning.
29:02Good morning.
29:03Do you think we can all see the demo?
29:05Yes, yes, of course.
29:08And Zanem?
29:09He hasn't arrived yet.
29:10What do you mean he hasn't arrived yet?
29:16I knew it.
29:17I knew something bad was going on.
29:18I knew it.
29:19Don't worry.
29:21I can't breathe.
29:22I'd better go to the fire escape.
29:24I need fresh air.
29:25But where are you going?
29:26I don't know, but I'm going to calm him down.
29:28But what?
29:30We haven't seen the demo yet.
29:32Jan's call.
29:38So you're staying, huh?
29:40You're not leaving?
29:42You're going to sleep in your room,
29:44and you're going to wake up in your room?
29:47Yes, Dad.
29:48But stop talking to me like I'm a little girl.
29:51Don't listen to him.
29:52We have to go to the store, organize the shelves.
29:54Yes, it's true.
29:55Let's go.
29:56So Zanem will be home when we get back, right?
30:02And you, don't get jealous.
30:04I love you too.
30:06Mia, let's go.
30:07It's getting late.
30:08I'm going, I'm going, I'm going.
30:10Bye, Dad.
30:11Bye, son.
30:12Now your wife will kiss you.
30:13See you later.
30:14Let's go.
30:15Zanem has come back to stay with us.
30:18Yes, he will stay.
30:19It's not a good sign that you're back home.
30:21Did you fight with Jan?
30:24The truth is, I don't care about Jan,
30:26the agency or the campaign.
30:29Everything I've been through lately has been a lot for me.
30:32That's why I'm staying.
30:34I can't stand it anymore.
30:36So you're leaving the agency?
30:38Yes.
30:39I'm back at the starting point.
30:41My neighborhood.
30:45I'm telling you, please.
30:46If the girl didn't have a big problem,
30:49I wouldn't go back to her parents' house, Nihat.
30:52I'm sure something's wrong with Zanem.
30:55Engin, thank you very much.
30:57You're welcome, Nihat.
30:58Well, it's okay.
30:59She may have problems,
31:00but the most important thing is that our daughter is back home.
31:03She'll tell us what happens to her when she's ready.
31:05You'll see.
31:06You're right.
31:07Good morning.
31:08Good morning.
31:09Hey, Mekibe.
31:10You don't know how grateful I am.
31:11If you hadn't advised me,
31:13I would have lost the hairdresser and the house.
31:15I'd be on the street right now, can you imagine?
31:17We'll talk later, Melat.
31:18Oh, sure.
31:20So you've been running around just to tell her that.
31:23And there's nothing else?
31:25Oh, Melat.
31:26Let's get to know each other.
31:27What do you want?
31:28I hope it's good news, really.
31:31They say they saw Zanem.
31:33And that he was carrying a suitcase.
31:34Oh, please.
31:35I can't believe this.
31:36Yes, he's back.
31:38I knew it.
31:39And that's why I asked them to make us coffee.
31:41Come on.
31:42Let's go talk to the hairdresser.
31:43Come on.
31:44I'll be back in ten minutes.
31:45Yes, of course, Mekibe.
31:46Yes, I'll be back.
31:57I'm looking at it.
31:58Soften your skin.
32:02It's very well done.
32:09Oh, Jan.
32:10We also have that shot from another angle,
32:13in case you prefer that one.
32:15No, that's fine.
32:16I like that one.
32:17Jan, you're not even listening to me.
32:19What's going on?
32:20You seem absent.
32:21No, no, Deryn.
32:22It's okay.
32:23I'm fine.
32:24Oh, Jan.
32:25Good morning.
32:26Good morning.
32:27Deryn, can you come here for a moment, please?
32:29I want to ask you some questions about the campaign.
32:31Yes, of course.
32:32Of course.
32:33Totally.
32:34For what we're doing, there's no problem.
32:39It's too obvious that they want to leave us alone.
32:41What's going on?
32:42You can tell me.
32:43Sanem came home, brother.
32:45Well, good.
32:47I guess she's tired and needs to be alone for a while.
32:50What's wrong with that?
32:51You don't understand.
32:52She came home forever.
32:54She says she'll leave the agency, the campaign, even the creams.
32:58She came back to stay.
32:59She's probably just confused.
33:02You don't understand, Jan.
33:03Sanem came back to the neighborhood.
33:07It's true, brother.
33:08I don't understand anything.
33:15I didn't know.
33:16I knew something bad was going to happen.
33:17Don't be like that.
33:18Breathe, brother.
33:19Breathe.
33:20I can't breathe.
33:22JJ.
33:23Stop behaving like a child.
33:25I'm going to have to punish you.
33:26Then tell me something positive.
33:29JJ, calm down.
33:30No panic attacks.
33:31Calm down.
33:34I'm thinking of going to see her.
33:35Maybe she'll cheer up a little.
33:37I don't think I want to see anyone from the agency, Musa.
33:39But Leila, you're from the agency too.
33:41Do you understand?
33:42I'm her sister, Musa.
33:43Yes, it's true.
33:44Excuse me.
33:45You're right.
33:46I'm sorry.
33:47I don't feel very well.
33:48The truth is horrible that this has coincided with Aisha's arrival.
33:52Bad luck is following us.
33:54I'm fed up.
33:55His negative energy is making me very angry.
33:58JJ.
33:59Go for a walk and calm down.
34:01Get out.
34:03Oh, this can't be happening.
34:05Hey, what are you doing?
34:06JJ, where are you going?
34:07You're making me very nervous.
34:09Wait for me, JJ.
34:10He's going to fall.
34:12We already have cheese.
34:15Oh, I see the cheese has arrived.
34:17How nice.
34:18Hi, daughter.
34:19What are you doing here?
34:20You didn't have to come.
34:21You should be resting at home.
34:24Of course not.
34:25I'm fine.
34:26I'll take care of it.
34:27Do you want to take care of the store?
34:29What do you say?
34:31Don't say nonsense.
34:32Will you be a waitress again?
34:33Why not?
34:34A couple of years ago you didn't think the same.
34:36But that was two years ago.
34:37And what's the difference?
34:39Like now I write books, I make creams and I'm an advertiser.
34:42I don't know.
34:43I'm the same, Zanel.
34:44What do you say?
34:46Do you think I lost my identity?
34:48But daughter, I haven't said anything about your identity.
34:51Take it.
34:52Here you go.
34:53All right.
34:54I'll take care of it.
34:58The cheese has arrived at the store.
35:01What a joy.
35:03Hey, daughter.
35:04I'm going to the hairdresser's to see what they're doing.
35:08See you later.
35:11Mefkivep.
35:20Mefkivep.
35:51I have two dreams.
35:53One is to be someone important.
35:56And the other is to live in the Galapagos.
36:01Oh, Zanel.
36:02Welcome home.
36:03You're back to the neighborhood.
36:05Oh, yes.
36:06Thank you very much, ma'am.
36:07Tell me, what are you going to take?
36:09A little cheese.
36:10We just got it.
36:11And it's very good.
36:12Yes, only.
36:13How much do I give you?
36:14Three hundred and fifty grams.
36:15I'll give it to you in a moment.
36:17Here you go.
36:19Oh, don't you write it down until I get the pension?
36:21Of course, ma'am.
36:22I'll write it down right now.
36:23Don't worry.
36:24Thank you, Zanel.
36:25Goodbye.
36:26Have a nice day.
36:27Hello, Zanel.
36:28Good morning, sir.
36:29I didn't believe it when they told me.
36:31But, Yamil, I didn't go to love you.
36:33What do I give you?
36:34Just some candies.
36:35Oh, and your grandchildren are around here.
36:37I know.
36:38Yes.
36:39Well, I'll give you a little, too.
36:41A little.
36:42A little.
36:43A little.
36:44A little.
36:45A little.
36:46A little.
36:47A little flour.
36:49Because I'm sure your wife will make you some cookies.
36:51You're still the same.
36:54But yes, of course I am the same.
36:55Here it is.
36:56Good.
36:57Have a great day.
36:58Goodbye.
37:00Hello, Zanel.
37:01How are you?
37:02Fine, thank you.
37:03Give me a tomato sauce.
37:04Very well.
37:07It's very hot, don't you think?
37:18Oh, I see.
37:19You saw the neighborhood, ma'am.
37:20Now the rest of us have to do it in an on-site study.
37:24We don't have to go into technical details.
37:27Very well.
37:28As you say.
37:29Ah, you want to work with professionals, ma'am.
37:32So we're preparing for the casting.
37:35Yeah.
37:36Leila brought it.
37:37Ah, Aisha, now that you saw the demo.
37:39What do you think?
37:40I liked it a lot.
37:42I think we'll do it in an on-site study, ma'am.
37:44What do you think?
37:46I liked it a lot.
37:47I think we'll cover a large part of the market like this.
37:49Well, then everything is perfect,
37:51and if there are no more details,
37:52we'll end the meeting.
37:54Have a good day.
37:55We're in touch.
38:01Well, everything is ready.
38:03See you later.
38:04Very well.
38:05Hey, Teren, can we talk for a minute?
38:07Ah, of course.
38:09What's up?
38:10Zanem didn't attend the meeting.
38:11Why?
38:12Ah, she wanted to come.
38:14Ah, well, I just hope this doesn't end up being a scandal
38:17like Arthur Capello's.
38:19Zanem owns the product and isn't here.
38:21That's a problem.
38:22Oh, no, no.
38:23Of course there's no problem.
38:26Ah, Zanem decided she doesn't want to continue
38:29participating in the campaign creation process.
38:32She won't be our interlocutor anymore?
38:35As far as the agency is concerned, she will cease to be.
38:39All right.
38:40Thank you very much, Teren.
38:42I'll walk you out.
39:08Zanem, I'm missing three pounds.
39:10Don't worry, I'll write it down.
39:39Hello, what are you bringing?
39:41The store.
39:43I want it.
39:45Prepare everything.
39:46I want to buy it.
39:48What are you doing here?
39:49What do you want?
39:50I can change jobs too.
39:52Why did you come?
39:55What do you think?
39:58Are you just going to leave like that?
40:00Without saying anything?
40:01I'm going to tell you.
40:03I'm going to tell you.
40:06Are you just going to leave like that?
40:08Without saying goodbye to me or your colleagues?
40:10You didn't say goodbye to me when you left either.
40:13Maybe now you understand better.
40:17I don't remember any of that.
40:19I'm tired of having to remind you of everything.
40:23I'm tired of having to fight to get you back.
40:26I'm tired.
40:28Look who I am.
40:29A neighbor girl who works at her father's store.
40:33That's what you were, now you've changed.
40:36And you wanted to travel the world by my side,
40:39and now you don't.
40:45Did I change that much?
40:48The truth is no.
40:50You haven't changed.
40:52You're still the same.
40:54But it's your life.
40:56Live it however you want.
40:58But please let me be the same.
41:00You're right.
41:02You've suffered a lot because of me.
41:05I haven't been able to correct my mistakes.
41:07It's not your fault.
41:10Look, you and I have worked really hard.
41:14But it doesn't work.
41:21I hope you find what you're looking for.
41:26Just like you.
41:56I love you.
42:26I love you.
42:56I love you.
43:20Thank you very much.
43:21You're welcome.
43:25Who would have thought that little one would destroy the ring?
43:28I thought you wouldn't make it.
43:31Are you crying?
43:35It was very nice how he killed his friend in the end.