永野&くるまのひっかかりニーチェ 2024年10月02日 最近の芸能界は「陰キャ」が もてはやされすぎてひっかかる

  • 2 days ago

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TV
Transcript
00:00We're finally here.
00:02We're finally here.
00:04I'm nervous.
00:06Do you feel like you're finally here?
00:08Yes, I do.
00:09The number of staff...
00:12I feel like I have to destroy them.
00:15You do?
00:16Yes, I do.
00:17It's like Sazan is carrying Amuse.
00:20It's like that.
00:21It's like Amuse and Kuwata-san.
00:24I was doing Sazan as a student band,
00:29and it was a huge success.
00:31I can see the future.
00:34What?
00:35The number of staff is going down.
00:39It's going down?
00:41It's going down to Golden?
00:43It's going up.
00:44It's going up?
00:45It's going down.
00:46What do you mean?
00:48I don't know.
00:50We're on the morning show.
00:52We're on the morning show.
00:54We're on the morning show.
00:56No, no, no.
00:57It's going up.
00:58It's going up to Golden.
00:59I'm so scared.
01:00Nagano-san is getting attention in the entertainment world.
01:06He's getting attention on the internet.
01:10And he's starting to show his true self.
01:14Mr. Shinshinkie.
01:16Mr. Shinshinkie.
01:18Do you say it yourself?
01:19Mr. Shinshinkie.
01:20It's Mr. Shinshinkie.
01:22Mr. Onko Chishin.
01:24Mr.
01:25Mr. Onko Chishin.
01:27It's like, what are you trying to do?
01:30You're just showing your true self.
01:33I thought it was nostalgic.
01:35It's quite different.
01:36Mr. Matsumoto Shinsuke.
01:39Oh my god.
01:41We've been talking about each other's value.
01:45To be honest, I was like, what is this?
01:50It's so bright.
01:52Who is it?
01:53Mr. Shinsuke.
01:55What?
01:56Mr. Matsumoto.
01:58It was like that in the first episode.
02:00It's a small scale.
02:04If you compare it.
02:09It's summer vacation.
02:11Yes.
02:12Isn't it amazing?
02:13Yes.
02:14You go to Thailand, take a day off, and go to a festival.
02:17Festival?
02:18I've seen it.
02:19Oh my god.
02:20You don't feel doubt.
02:22What do you feel doubt?
02:24When you go to a festival, you wear a straw hat.
02:28And you see people picking up trash.
02:31I wonder if they're picking up trash from the back.
02:35You're wearing Asao.
02:37You're wearing Asao clothes.
02:39You wear Asao too much.
02:41I don't wear Asao in Tokyo.
02:44You don't?
02:45But you wear it strangely.
02:47When you go to a festival with a foreign band.
02:50You want to see the band or the artist.
02:53But you listen to foreign music.
02:58You wear Asao and go to a festival.
03:01I wonder why you go to a festival.
03:05I can't enjoy it.
03:07You don't like Sazan.
03:09Sazan was in my dad's car.
03:11I can't forgive you.
03:12I really like Sazan.
03:14When I was young, I didn't have money.
03:16I lost a lot of opportunities.
03:18There were a lot of young people.
03:22I have a lot of memories with Sazan.
03:24Why don't you go to Sazan?
03:26I want to go to Sazan if it's just me and Sazan.
03:32It costs 700 million yen.
03:34I don't like the people around me.
03:36I understand that.
03:38I understand that.
03:39I want to laugh and sing.
03:42I want to sing with people in their 20s.
03:46I want to hear your voice.
03:48It's noisy.
03:49The name of the band is similar to the name of the axis.
03:53It's called Tsumugi.
03:54It's the center.
03:57What do you call that?
03:58Tsumugi.
03:59I'm sorry.
04:00I called it Tsumugi.
04:02I thought it was an axis.
04:04It's scary.
04:05It's a language ability.
04:06It's a language ability.
04:08What is Tsumugi?
04:10It's a language ability.
04:11You can't read kanji.
04:12You're talking in the original language.
04:14Let's go.
04:15Here are the questions you sent us.
04:18Please choose one question.
04:21There are a lot of questions.
04:24Can I choose one?
04:25Yes.
04:26I'm curious about this one.
04:28You're too popular these days.
04:31This one.
04:33You're too popular these days.
04:3817 years old.
04:40Female, high school student.
04:42I'm caught up in the fact that I'm too popular these days.
04:47People who are active on TV and YouTube.
04:51Creators such as cartoonists.
04:54When I was a student, I often expressed my popularity.
04:59I've always been popular.
05:01I don't feel comfortable.
05:04On the contrary, when I was a student, I was popular.
05:07There aren't many celebrities who reveal that.
05:11What is this feeling of being popular among the popular?
05:16That's right.
05:17I think it's because there are too many people who are popular.
05:24There are no celebrities.
05:26There are celebrities and comedians.
05:28It's a different feeling from YouTube.
05:32There are more ways for people who are popular to appear on YouTube.
05:35Aren't YouTubers popular?
05:37I'm shooting in my room.
05:39YouTubers are dark.
05:41HIKAKIN and HAJIME are from Niigata.
05:48It's a snowy country.
05:50I'm scared.
05:52Niigata.
05:54What are you talking about?
05:56It's Niigata.
05:58I thought it would be okay.
06:00Other famous creators are from Tohoku and Hokuriku.
06:05There are many.
06:07I see.
06:09There is a lot of snow.
06:11It's more fun to play outside.
06:13I really said this.
06:15I often watch TV at home and talk to my family.
06:18It's fun to play alone.
06:20It's fun to play with friends and siblings.
06:22The magic of YouTube came to me.
06:27The revolution happened.
06:29It was released to the world.
06:31I thought it might be regional.
06:36You are from Miyazaki, right?
06:38Kyushu people are independent.
06:42There are many independent comedians.
06:46KUMOTA.
06:48I'm in the same high school.
06:50IWAKURA.
06:52MIYAZAKI.
06:54HANAMARU.
06:56TETSUYA.
06:58Everyone is independent.
07:02I thought it was a party comedy.
07:06It's a party.
07:08One person comes forward and says,
07:10I'm like this.
07:12There is an old man who makes fun of a toast.
07:14There is a person who says,
07:16Stop it.
07:18It's a power balance like that.
07:20Kyushu comedy duo.
07:22It's a regional discrimination.
07:26It's Niigata.
07:28KITA-OWARAI is KITA-OWARAI.
07:32Minami-Owarai is Minami-Owarai.
07:36Minami-Owarai is Minami-Owarai.
07:40Boke is a common word.
07:44Kansai comedy is different.
07:46It's a conversation.
07:48It's a comedy that makes people laugh.
07:52It's a comedy that makes people laugh.
07:56Taiwan comedy is the main.
07:58Minami-Owarai is a person.
08:02It's a comedy atmosphere.
08:04I understand.
08:06I've been hit.
08:08I also think that the West is a bright place.
08:12When I go to Minami-Owarai, I think it's a different story.
08:16In Minami-Owarai, people laugh when they do stupid things.
08:20I often say that they are not head-on.
08:22I'm gonna say it, Osaka people always say,
08:24one thing, remember, right?
08:26So, here...
08:27One thing, remember?
08:28One thing, remember...
08:29One thing, remember is worse than Osaka's one thing, remember, right?
08:32One thing, remember...
08:34Osaka comedians from all over the country say,
08:37my hometown didn't have tsukkomi,
08:40and here, we didn't have it either.
08:42Everyone says that, but there is no tsukkomi other than Osaka.
08:45Other than the west.
08:47There is no tsukkomi other than Kansai.
08:49Who would tsukkomi in the country?
08:51Who would tsukkomi in the country?
08:53Southern Yonkans are the worst.
08:55Southern Yonkans stay in their hometown.
08:57That's right.
08:58They stay in their hometown.
08:59After all, they get married and have a car.
09:01They like cars.
09:02That's right.
09:03There's a reason why I came out.
09:05I don't have any bad feelings about Miyazaki because it's this year.
09:07But at first, I had it.
09:08I want to go out like this.
09:09I want to go to Tokyo.
09:10I didn't feel like I should go out.
09:12After the break, I was invited to the biggest festival in my hometown.
09:17At that time, when I went out on the 30-minute stage,
09:20I was told to go home.
09:22From a young man.
09:23That's great.
09:24I don't go home.
09:26I understand.
09:27Why?
09:28I don't go home.
09:29Did you guys support me?
09:31That's right.
09:32In the past 20 years.
09:34I thought I came here only with my ability.
09:36I think so.
09:37At the end of the 30-minute stage, I announced it to the audience.
09:40So I announced it on TV.
09:42You can't see it, can you?
09:43I can't see it.
09:44You can't see it.
09:45That's probably a technique that Yonkans can do.
09:48Yonkans say,
09:49I'm home.
09:50That's right.
09:51They say,
09:52This is delicious.
09:53That's right.
09:54I think it's a comedy to resist that.
09:58But as a Yonkan, there is data.
10:01I'm a Yonkan.
10:02I'm an entertainer with a bright heart.
10:04That's right.
10:05This member is a Yonkan.
10:07Look.
10:08I'm a local entertainer.
10:12Mr. Moriyama.
10:13That's right.
10:14I was dancing in Tokyo.
10:16You were dancing.
10:17I was dancing in Tokyo.
10:18I was dancing and gathering adults and giving them sponsors.
10:22You don't do that.
10:24I gave sponsors to the dancing.
10:26I can't believe it.
10:28Mr. Ota is about 190 cm tall.
10:33I know.
10:34I know.
10:35I know.
10:36I know.
10:37I know.
10:38I know.
10:39I know.
10:40I think there is a parent's education.
10:42That's great.
10:43I think it's a parent's education.
10:46It's related to the first community of education, parents, and family.
10:50If you have a problem with your family, you lose your foundation.
10:53You don't know your own rules.
10:54You don't know if you live on the basis of conversation or yourself.
10:56That's right.
10:57You can't get in there.
10:59That's why you're in your father's car.
11:01That's right.
11:02It's a pure expression.
11:03I was on YouTube the other day.
11:06I said I was a family member.
11:09It's been a long time since I came to my parents' house.
11:12I said I wouldn't say my family's name as a comedy.
11:15I was wondering what I was doing my best for.
11:19I said I wouldn't say my family's name as a comedy.
11:23My parents cheered me on.
11:25That's right.
11:26Do you understand?
11:27Yes.
11:28I hate it.
11:30I hate it.
11:31I hate it.
11:32I hate it.
11:33I hate it.
11:34I hate it.
11:35I hate it.
11:36I hate it.
11:37I hate it.
11:38I hate it.
11:39I hate it.
11:40I hate it.
11:41I hate it.
11:42I hate it.
11:43I hate it.
11:45Yoshimoto, Moriyama, and other comedians are attracted.
11:56They talk like you.
12:00That's right.
12:01It's like a waste.
12:07Is it a waste?
12:11It's a natural thing.
12:13It's a natural thing.
12:15It's a physiological phenomenon.
12:17It's like breathing.
12:19It's like breathing.
12:21But, in terms of the number of words,
12:23we have a lot of words.
12:25But, it's the opposite.
12:27The content and the thoughts.
12:29The content and the thoughts.
12:31So, it's a little different.
12:33I don't feel like talking,
12:35so I'll just write it down.
12:37Actually,
12:39I'm talking.
12:41I'm talking.
12:43I'm not talking.
12:45What's the difference between talking and talking?
12:47I don't know the correct Japanese.
12:49But, talking is not like
12:51two people making one thing.
12:53You stop the conversation
12:55halfway through.
12:57And, you start talking
12:59halfway through.
13:01That's the conversation of the Yoka.
13:03I see.
13:05I can understand the sentence in a good way.
13:07But, I'm talking from the beginning
13:09to the end.
13:11From the beginning to the end.
13:13Like this, like this, like this.
13:15Like this, like this, like this.
13:17Like this, like this, like this.
13:19That's why people sometimes praise you.
13:21Nagano-san, you were
13:23very independent.
13:25That's right.
13:27You were independent.
13:29People who can talk
13:31just listen to you.
13:33We're not good at communicating.
13:35But, you managed to talk.
13:37That's what it is.
13:39I noticed it later.
13:41You were talking in a good way.
13:43You looked like you just got out of the bath.
13:45No, you looked around
13:47and you were like this.
13:49I looked like I had a different body temperature.
13:51That's right.
13:53I don't think I've ever had a conversation like that.
13:55Because, I can't wait.
13:57It's like a big recording.
13:59There are so many people
14:01who can talk at the same time.
14:03It was really helpful.
14:05There wasn't a program like this.
14:07I'm sure there wasn't.
14:09It's not good.
14:11People who can talk are in trouble now.
14:13Will you come back in that era?
14:15I'm sure you'll come back.
14:17I think it's coming soon.
14:19It's coming soon.
14:21What will happen to us?
14:23We'll be gone in an instant.
14:25We'll be gone in an instant.
14:27We'll be gone in an instant.
14:29We'll be gone in an instant.
14:31We'll be gone in an instant.
14:33We'll be gone in an instant.
14:35We'll be gone in an instant.
14:37We'll be gone in an instant.
14:39It's been a long time.
14:41It's been a long time.
14:43It's about time to talk about this topic.
14:45Like a great philosopher Nietzsche,
14:47please summarize it in a word.
14:49It's just that
14:51the age of conversation
14:53is declining.
14:55The distance between conversation and conversation.
14:57I can't do it.
14:59I don't make the space between words.
15:01I talk with people all the time when I eat.
15:03I talk with people all the time when I eat.
15:05But we can create a space between words.
15:07We can make space between words.
15:09We can re-run everything in the middle.
15:11But we're able to calm down
15:13while thinking that the sun will rise again.
15:15Because we're able to calm down
15:17thinking that the sun will rise again.
15:19So there should be a space between conversation.
15:21Can I say that the sun doesn't set.
15:23Can I say that the sun doesn't set.
15:25From the Nietzsche perspective.
15:27Shizumanu Taiyou!
15:29It sounds like it has a lot of meaning.
15:31There's nothing in it.
15:33It's the same as the word for Yoka.
15:35Shizumanu Taiyou.
15:37Shizumanu Taiyou.
15:39This era is called Shizumanu Taiyou.
15:41I see.
15:43Well then,
15:45thank you very much.
15:47It's not scary at all.
15:49It's not scary at all.
15:51It's not scary at all.
15:53It's really moving.
15:55It's time to balance with the main story.
16:02It's Matsui Kemuri.
16:04It's Matsui Kemuri.
16:08It's fluffy.
16:10It's cute.
16:12What are you doing?
16:14Are you sitting?
16:16Are you sleeping?
16:18It's cute.
16:20Are you relaxing?
16:26It's cute.
16:29I'm sorry I said so much.
16:31I'm sorry I said so much.
16:33I'm sorry I said so much.
16:35We're looking for people who are caught up in the story.
16:39Why don't you try and hit a car in Nagano?
16:42If you're chosen,
16:44we'll give you the original sticker of the show.
16:46You can apply for it on the Various Great Operations website.
16:49Next time,
16:51we'll be caught up in an adult's anger.
16:54It's a conspiracy theory.
16:56It's like the first generation.
16:58The first generation.

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