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00:00But how is it that Marcelo and you are brothers?
00:08That is the pure truth.
00:09And why didn't you make me believe that you were married?
00:13Because we thought it was for the best, Maria.
00:15It's best to never go with lies for life.
00:17And more to your friend, Teresa.
00:19I know.
00:21I'm sorry.
00:24Don't worry.
00:26I knew I couldn't have forgotten you so soon, Feliciano.
00:31Never.
00:33I'll tell you what this lie is about.
00:35Explain it to me so I can understand.
00:38Well, the thing is that I had no choice
00:40if I wanted them to hire Marcelo at La Promesa.
00:42I had no references and no experience.
00:45And that's why we thought it was best to pretend
00:48that we were married.
00:51And I also trusted everyone's good faith.
00:54I was wrong.
00:56Of course you weren't wrong.
00:58We weren't going to let you go, Teresa.
01:01What I don't understand is the need you had to look for
01:04a job at the same time and in the same place.
01:07Wouldn't it have been easier for Marcelo to get a job of his own?
01:12Yes.
01:13Yes, but it wasn't possible.
01:15Why?
01:16Because, no, Maria, I'm sorry, but I can't tell you.
01:19So you're keeping more secrets.
01:22But this doesn't belong to me.
01:24I'm sorry.
01:26All I can tell you is that neither of us acted in bad faith
01:30and that my only intention was to help my brother.
01:33I have no doubt about that.
01:35Because if you had acted in bad faith,
01:37they would have replaced me with Teresa.
01:39Well, your Teresa is still the same.
01:43And Marcelo is a peculiar boy.
01:46But he has a good heart.
01:48Of course he does.
01:50He has your blood.
01:52I love him very much.
01:54Although he doesn't stop meddling and taking me out of my boxes.
02:00You have to love your brothers the way they are.
02:04Anyway, I think the best thing is that you tell the rest the truth.
02:10What if they don't take it well?
02:13If you tell them how you told me, they have nothing to fear.
02:17Besides, I think Marcelo will end up taking the easy way out of this.
02:23I don't know, María.
02:26I'll tell you what I think.
02:30And if I don't, will you report me?
02:32Of course not.
02:33If you tell me that John is hiding your secret,
02:36I'll keep quiet.
02:40Although I'm dying of curiosity,
02:42I will not ask more questions about Marcelo.
02:45Whatever is happening between you two.
02:48And do you think you will be able to?
02:50It's hard for you to keep your mouth shut.
02:52Of course.
02:54If I propose it, I can be the most discreet maid in Andalusia.
02:58Maybe less.
02:59I'm telling you, I won't leave the first ten.
03:02I have experience, John.
03:04Who can hear you?
03:06I'm sorry.
03:15May I come in?
03:17It depends.
03:19If you're going to argue with Manolche, you'd better go back to where you came from.
03:23That's not my intention.
03:25In fact, I apologize.
03:28I shouldn't have left like that.
03:31That's right.
03:32You have every right to be against Ariadna.
03:35I'm sorry.
03:36Apologies accepted.
03:39It's true that I took a hit on you,
03:41but I also ask you to try to put yourself in my place.
03:44I will.
03:46And I understand how complicated all this has to be for you.
03:49Yes.
03:51It's not easy for the woman you're deeply in love with
03:54to act in such a way.
03:56You'd better save yourself the adjectives if it's going to hurt.
04:00Your silence is quite expressive.
04:06I put myself in your shoes, but you put yourself in mine.
04:09Time passes.
04:11And sooner or later, Miriam, the pregnancy will be noticed.
04:14Then it won't be a secret to anyone anymore.
04:17I prefer that we are the ones who guide the course of our lives.
04:23What do you want me to do, Catalina?
04:26Tell me if we're going to face this new stage together
04:29or if I'm going to have to face it alone.
04:33Well, I don't know. I still don't have an answer.
04:37Try to understand.
04:39It's not a decision that can be taken lightly.
04:42It can't or should not be.
04:44A child is for the rest of our lives.
04:50Maybe you should act like when you approached my palace.
04:54What do you mean?
04:57Like you talked to me, you should talk to that man, Adriano.
05:02Don't bring that up again, please.
05:05He's the child's father and he has the right to know,
05:07no matter how simple the cover.
05:09It wouldn't be prudent.
05:10It's not a matter of prudence, Catalina.
05:12It's a matter of right.
05:14It's not a decision of two people, but of three.
05:17The father of the child you have inside has to be aware of everything.
05:23Look.
05:25You asked me to put myself in your shoes.
05:28And I'm trying to do that.
05:30But I also put myself in the shoes of that Adriano.
05:33Of course, if it were me, I would like to be informed.
05:39Okay.
05:41Okay, I'll look for him and talk to him.
05:44Good.
05:45So we can move forward on this matter
05:47before your prejudice is evident and then it's too late.
05:55THE CIVIL GUARDS
05:58What do you mean the Civil Guard has detained Don Manuel?
06:04But the guard?
06:05That's right, Mrs. Martínez.
06:07But he accused you of something.
06:09Of being suspicious of the murder of Gregorio Castillo.
06:13Jesus, Marí Jose.
06:16But if the gentleman is unable to do something like that,
06:19that's because that sergeant doesn't know Don Manuel.
06:23The point is not if he knows him more or less,
06:26but if there is evidence.
06:28And apparently there are clues against him.
06:31Yes, we have to have faith in justice.
06:33I suppose they will interrogate the gentleman
06:35and all this will be clarified.
06:37It's nonsense.
06:39Besides, Don Manuel barely had a deal with that bastard Gregorio.
06:43I give faith.
06:44That man always dispatched directly with Mr. Marquis.
06:47From what I say,
06:49that bad bug is causing problems even after he died.
06:53And we can know in what evidence such a drastic measure is sustained.
06:57I guess it's serious.
07:00To detain the heir of the Marquis of Luján
07:03is something very daring.
07:05And scandalous.
07:07If this goes beyond,
07:08Mrs. Marquise will scream in heaven.
07:11Unfortunately, I can't give you more details.
07:14The information I have is scarce and confusing.
07:18Yes.
07:19Better keep that information,
07:21that we are all quite confused.
07:23Let's trust that everything is a misunderstanding
07:26and Don Manuel will return soon to the palace.
07:28May God hear you.
07:29In the meantime, I ask you to inform your subordinates.
07:33Please,
07:35keep an exquisite discretion on this matter.
07:39Of course.
07:42Well ...
07:44Manuel is out of place.
07:46Apparently the parents are not going to give him their third arm.
07:49He didn't have to be very clever to know that his clothes were going to be torn.
07:52Yes, I know.
07:53Mrs. Cruz at a discount.
07:55But the Marquis, well ...
07:57Manuel didn't expect him to attack him so furiously.
08:00He was more of a hitman than Mrs. Marquise.
08:02Well, if he surpassed Mrs. Marquise,
08:04he had to ride a bullfighter.
08:08Of course Manuel is not having a good time.
08:11Oh, Hanna.
08:13I was naive when I tried to go up to talk to the Marquise.
08:17Well, yes.
08:18One should not get into the lion's cage.
08:20And less to gentile bodies.
08:21Yes, but I wanted to explain my reasons
08:23and see if I could understand it better.
08:25Yes, but you can't reason with beasts, Hanna.
08:27Especially when they are furious.
08:29The best thing you can do is to get to know the Marquise as little as possible.
08:32If only she would let me explain ...
08:34Well, Hanna, it's not the time either.
08:36Well, Hanna, it's not the time either.
08:38Because Mrs. Marquise, the only thing she understands now,
08:40is that her little son has wanted to marry a whore,
08:43and not a lady from Alcúrnia.
08:45Well, that's what she has to understand
08:47and accept it in a holy way.
08:48Yeah.
08:49But for the Marquise it will be as unnatural
08:51as if her son had fallen in love with a chair
08:53or a mountain goat.
08:57What you have to do now is be quiet and wait for him to escape.
09:02The worst part of all this is that after talking to the Marquise,
09:04I told Manuel everything.
09:06The other one.
09:08As if the water was not stirred, you go with Dime and with Direte.
09:11I know, I know.
09:13But Mrs. Marquise told you about everything but Bonica, right?
09:16She told me that she had been harassed for my own interest
09:19and that I only wanted her money.
09:23And you told Mr. Manuel all that?
09:26Yes. And the only thing I got is to irritate him more.
09:30And that he wants to face his mother.
09:33And?
09:34Because I think I have managed to contain him
09:36and it seems that the blood will not reach the river.
09:38Well, now the important thing is that you speak little and love each other a lot.
09:42We are already doing that.
09:44But more if it fits, Ana.
09:45You have to be united.
09:46More united than ever.
09:48And if your love is strong, you can do anything.
09:51We will fight against anyone as long as we are together.
09:55I will be here with you to cheer you up.
09:57It is what I need.
10:00Although I can hardly do anything other than cheer you up.
10:04That is already a lot.
10:09Manuel?
10:12Teresa?
10:14Teresa, what's wrong?
10:17The civil guard has arrested Mr. Manuel.
10:30No one could do anything to prevent the arrest of Manuel.
10:34Not my uncle, not the captain, saying that he knew the governor.
10:37If he is an undercover agent, he is one of those who do not let himself be intimidated.
10:43The more I think about it, the weirder it seems to me.
10:46Why would Manuel want to kill that mayor?
10:49Let's see.
10:50We know that this Gregorio was arrested for trying to kill Mrs. Pia.
10:55It is obvious that he is not clean wheat.
10:57And not even after he died, that he has taken in front of Manuel, who is innocent.
11:10Martina, are you listening to what I'm telling you?
11:12Of course, yes.
11:13What happens is that ...
11:15All this has me very shocked.
11:16I know that Manuel could have done something like that to me.
11:20Yeah, that's obvious.
11:23And I know that what is happening to him is horrible.
11:25And believe me, it worries me a lot, but ...
11:29We can't do anything.
11:32No.
11:33No, I'm sure there is something we can do.
11:36Well, let the guys take care of it and pray that everything goes well.
11:41No, because that's frustrating.
11:46I know.
11:50I'm sorry, Curro. It's just that ...
11:53I can't stop thinking about the conversation we had in the gardens, talking about Julia.
12:01What do you mean?
12:07I don't want to seem like a jealous girlfriend, because I'm neither the first nor the second.
12:15But I can't help but feel excluded every time the three of us are together.
12:22Martina.
12:24You know the nature of my relationship with her.
12:26Yes.
12:29It's different.
12:31Almost unfathomable.
12:35And that, I feel like it's something very special.
12:39And it makes me see our relationship as something ...
12:44vulgar.
12:46And I felt that we were in a very sweet moment, taking steps to recover what we had a long time ago.
12:54And that's what we are, right?
12:57Or we were.
12:59Before Julia arrived, that's what I feel.
13:07Martina.
13:09I don't know where you want to go.
13:11You're the one who has to make it clear to me.
13:13Curro, I need to know what to hold on to.
13:16I don't know what's going on between Julia and you.
13:19Are you putting an end to our story?
13:21No.
13:22Not at all.
13:23Be honest with me, please.
13:24I'm being honest, Martina.
13:28The only thing I can tell you is what I've already told you.
13:31I don't know how far I owe you with her.
13:33I don't know what to do to give her back the happiness that fate took away from her.
13:37You have to get rid of that guilt.
13:40It's not just that.
13:42There's a bond between her and me that...
13:45I can't describe to you.
13:47And that no one could understand.
13:49Because it has to do with love, with death, with friendship.
13:54I think you're magnifying it all.
13:56Yes, well, maybe.
13:58But I can't stop thinking about Paco dying in my arms.
14:01And that I was taking the place that Matilde should have taken.
14:08Besides, Martina.
14:10It's as if...
14:11that trance...
14:13would have stopped an unbreakable relationship between her and me.
14:20I just don't quite understand it.
14:24I don't intend to.
14:26Because I don't understand it either.
14:34Martina.
14:36Give me time.
14:38Please.
14:41You've had moments where you've needed distance.
14:44To think and clarify your feelings, right?
14:50Well, now it's me who needs that distance.
14:54Please.
14:55Please.
15:04I don't know exactly what Manuel would have found.
15:06Because the sergeant didn't tell me anything.
15:08But they must have something.
15:09Yes, the Civil Guard must have found a clue.
15:13And what could it be?
15:14I don't know, but we have to be patient.
15:16And let the events continue in their natural course.
15:20What if that sergeant has something clearly incriminating against Manuel?
15:24Because Manuel is going to meet with that criminal to...
15:27to try to make a deal with him and not get close to Mrs. Pia again.
15:30Well, but that meeting didn't take place, did it?
15:33No, because Gregorio appeared dead before, but...
15:35Manuel had already seen himself alone with him.
15:38I know Manuel didn't do it, he's innocent.
15:40Because I know he wouldn't kill anyone.
15:42Well, if he's innocent, then there's nothing to fear.
15:44We have to wait for his innocence to come to light.
15:48And when?
15:49Well, I don't know.
15:50You see how Don Manuel will be released soon.
15:52Free and without charges.
15:54Besides, he's the son of the Marquis of Lujan.
15:56I don't think the sergeant would dare to accuse him of murder if he doesn't have irrefutable and definitive evidence.
16:03I hope you're right.
16:05The guy will give it to me.
16:06Besides, knowing Gregorio Castillo, I'm sure he had a long list of enemies who wanted to see him dead.
16:17I hope they find that culprit as soon as possible.
16:20Yes, sir.
17:00Sergeant.
17:02A sausage sandwich and something to drink.
17:08Excuse me.
17:09You'll have to eat something.
17:11You're under arrest, but we don't intend to starve you.
17:16I appreciate it, I admit I'm hungry.
17:19I don't think it's the kind of food you're used to tasting in your palace.
17:23But everyone here eats the same thing without distinguishing it.
17:28But I'm sure I taste glory.
17:42I appreciate the treatment you're giving me, sergeant.
17:46You have a cell just for me, it's a luxury.
17:49I assure you that we only do it for your safety and to save us a problem.
17:56The people who are locked up here are the worst of the worst.
18:00With them, your titles would be useless to save your skin.
18:05It's better alone than badly accompanied.
18:09I'm surprised how calm you are.
18:13Would the opposite be useful?
18:15Of nothing.
18:16It's a good attitude, no doubt.
18:20I've been reviewing your history and I see it's not the first time you've been in these detentions.
18:30No.
18:38The first time I was here was for my brother's death, Tomás.
18:43But they let me go soon.
18:46As soon as they found the alleged culprit.
18:53Oh, yes.
18:54It turns out that an old despised lover killed him, right?
19:02If you don't mind, I would like to review the statements you made this afternoon when you arrived at the barracks.
19:11I've already told you that I have nothing to hide.
19:15Well ...
19:17I'm sorry to tell you that you have more and more evidence against you.
19:24Really?
19:26Like what?
19:28The taverner not only confirms that you delivered that letter to Mr. Castillo,
19:35but that he not only did it once.
19:37There were two.
19:45Yes, that's right.
19:48Does it benefit you at all to lie to us, Mr. Manuel?
19:52What is that gun exchange between you and the victim due to?
19:56In those envelopes there were quotes to meet him.
20:00Twice?
20:01Since he didn't come to our first meeting, I insisted.
20:05And did he come to that second meeting?
20:08Yes.
20:10And it was at that meeting that I offered him a generous amount of money in exchange for letting Pía go once and for all.
20:18And it was just that day, the day he was murdered.
20:23Coincidence?
20:26The only thing I can tell you is that I didn't kill him.
20:30In fact, we agreed to meet another day to make the final delivery of the money.
20:36I would say it was a violent meeting.
20:40It was ... unpleasant.
20:45And very tense.
20:48Tense enough for Mr. Castillo to carry a knife with him.
20:54Yes.
20:56Was he armed? You too?
21:01Yes.
21:03I have already told you that I have nothing to hide.
21:06He was carrying a gun.
21:08And he didn't use it?
21:09No.
21:11I didn't even take it out.
21:14I have to admit that Gregorio took out his knife to intimidate me, but ...
21:19I kept calm and I think I convinced him to accept the money and leave Lujan so as not to return.
21:25And as I have already told you, when I left there, Gregorio was still alive.
21:38Shouldn't Manuel be back by now?
21:41It seems that things are going for a long time. That Sergeant Burdina is a tough nut to crack.
21:47Do you mean Íntegro?
21:49Yes, that impression has given me.
21:51Then Manuel has nothing to fear. I am completely convinced of his innocence.
21:56Well, we are all convinced of it.
21:58Ask the Marquess to excuse you. She is exhausted.
22:01I'm not surprised. Too many emotions.
22:03Too many emotions.
22:04Wouldn't it be better if she came with us to have a little fun?
22:07She's not in the mood.
22:09Well, I'm with Margarita. Being alone, all she's going to do is turn her head.
22:14Yeah, but when she's like that, it's better not to insist.
22:17You say it from experience.
22:23I want to call the governor again by phone.
22:26Have you managed to talk to him? I've been trying all afternoon and there's been no way.
22:29He is on a trip, but I have spoken to his assistant and he has been receptive and kind.
22:34And apart from good words, has he committed to get Manuel out of the dungeon?
22:39Well, he says that first he has to be well informed about the matter.
22:43But yes, it seems that he is willing to help in whatever is necessary.
22:47Good words then.
22:49We should think about going to the high spheres of the Civil Guard.
22:54I have a good relationship with General Officer Don Gabriel Pita,
22:56although it is late, I can try to contact his house right now.
23:01Lorenzo, I appreciate your good intentions,
23:04but I think that at this time it is better to leave things as they are and not spend all the cartridges in one go.
23:10You're right.
23:12If the management we have done does not yield results,
23:15we will think about knocking on other doors to free Manuel.
23:18That's it. I hope he soon realizes that all this is a terrible misunderstanding.
23:23And that it does not transcend.
23:25The last thing missing from the promise is another scandal.
23:28We do not win by fright.
23:30When all this is over, someone will have to pay for this mischief.
23:33Well, it would not be bad.
23:36Let's go to the dining room.
23:54THE CRIME
24:16What are you doing here?
24:18I saw you go up, ma'am, and I thought you might need my help.
24:22And why would I need it?
24:24It's because you never go into these rooms.
24:31You're right.
24:33In fact, I don't even know what I'm doing here.
24:39What's more, it brings me bad memories.
24:42The last time I went up here was to have an unpleasant discussion with Manuel.
24:50That time it was because he didn't want to accompany me to a conference in Lujan.
24:55A mess compared to everything that has come after.
25:05Why is my son so determined to lock himself in this room instead of being with his family?
25:11I don't know, maybe ... maybe he needed to find some peace after all those terrible things he had to live through in the war.
25:19And what better place to heal those wounds than next to those who love him?
25:25I love my son more than anything else in the world, Petra.
25:29I'm sure of it, ma'am.
25:32And it hurts me that he doesn't appreciate my love.
25:36My son can't even imagine everything I've suffered because of his whims.
25:40Ma'am, the stronger the love, the more pungent the suffering.
25:46First with his passion for aviation, and his subsequent accidents that almost cost him his life.
25:57Then, his marriage failure with Ximena.
26:02Then, the absurd decision to go to war, following the kid from Curro.
26:11I really didn't think things could get worse.
26:16And much less now, that he comes to me and wants to marry that whore.
26:21And on top of that, he says it's pure and true love, when it's nothing more than a hot bed with a maid.
26:27I assure you that I understand your disgust.
26:33But they took him, Petra.
26:37They took him, and it's the worst thing they could have done to me.
26:42At least you're lucky to know that your son is still alive.
26:50Leave me alone.
27:12I'm sorry, ma'am. I saw the lights on and I thought it was Manuel.
27:18I wanted to believe it was Egol.
27:20You shouldn't be here.
27:22Unless you've come to clean, which is the only duty you have in this palace.
27:27Ma'am, I...
27:28I don't want to listen to you. Leave.
27:41Leave.
28:02Julia.
28:04I left the dining room in a hurry because I had something to tell you.
28:08You could have done it during breakfast.
28:10No, no. I'd rather do it in front of everyone.
28:14Ah.
28:15Besides, the atmosphere is a bit strange, after my cousin Manuel's arrest.
28:20Yeah. Maybe my presence at the prom, given the circumstances, is more than inopportune.
28:25No, no, not at all. I already told you that you could stay here as long as you want.
28:30Well, then, what is it about?
28:34You know, you're very pretty, Red.
28:39Paco was right when he said that color favored you especially.
28:46Yes, he always told me. I have his words engraved on my head.
28:56Why did it take you so long to tell me everything that happened?
28:59Why didn't you come to get me when you returned from the war?
29:03Wasn't that what you promised Paco to do in his last moments?
29:05Yes.
29:08That's right.
29:14I confess that ...
29:17I didn't dare.
29:21I was a coward.
29:24I couldn't face the loss of my friend again.
29:34And there is also another reason.
29:38Which one?
29:41I didn't want to face Jose Juan.
29:44I knew he would continue to blame me for everything that happened.
29:49Well, he's still digesting everything that happened. It's not easy.
29:53You told me yourself.
29:55Since Paco died, I haven't missed a chance to face him.
30:00And imagine, it already hurt me to see him die in my arms.
30:04And on top of that, to bear the guilt.
30:12But I promise you for the most sacred thing.
30:16That since I returned, every day I thought of coming to see you.
30:20Only that I needed to gather the courage to do so.
30:26Well, it took you so long that I had to come see you.
30:30Yes.
30:32I'm sorry. That wasn't my intention.
30:55They barely ate anything.
30:56The trays came as they were.
30:58They didn't even bite the buns with how delicious they were.
31:01There's no appetite for buns up there, Candela.
31:03And with the arrest of Don Manuel, he lost all his appetite.
31:08I haven't eaten anything since yesterday.
31:10What? But that can't be. You have to eat something.
31:13Take it.
31:14I don't know, Lope.
31:15Take it.
31:24Hanna, you can't be fasting. You're going to run out of strength.
31:27Besides, how have these sweets turned out?
31:34I don't know what's going to happen to Manuel.
31:37And I don't know what's going to happen to me either, because ...
31:39Yesterday I met Mrs. Marquesa in the studio and she made me feel like I was alone again.
31:45What you should have done was turn around as soon as you saw her.
31:48And take your hands to your ears.
31:50Because in other words, deaf ears, stubborn ears.
31:53I understand you, Hanna.
31:54Because you are still serving in the palace and you are not in a position to face Mrs. Marquesa.
32:00But there is no right.
32:03And that you are the promised of the Lord.
32:07But Manuel is not here now.
32:10Cheer up, Hanna. You'll see how Don Manuel will be back very soon.
32:15Everyone who knows Don Manuel knows that he has nothing to do with Gregorio.
32:19Why would he want to kill him?
32:21If Mrs. Pia were still alive ...
32:24But with Mrs. Pia dead and Dieguito far from Lujan ...
32:28That man is no longer a danger to anyone.
32:30Isn't it?
32:36Let's finish packing.
32:38I'll take this.
32:40And don't touch it.
32:52Ah ...
33:11Can you tell me what is so emotional that you are reading?
33:15The news of a couple from Paris.
33:18And what happened to that couple from Paris that has moved you so much?
33:23Well, it turns out that Miss Potion, who was a school teacher, was engaged to Messier Cantera,
33:28who was an employee of the prefecture of Marseille.
33:30But he was mobilized to the front and they had to separate in a very tragic way.
33:34So much for one story like so many others.
33:36Well, are you going to let me finish, Lorenzo?
33:39Messier Cantera is true that he showed great courage in battle,
33:42he even received the cross of the Legion of Honor for his heroic attitude.
33:46About honor?
33:48But well, bad luck.
33:49He wanted a grenade to reach him and not only did he go blind,
33:52but they also had to amputate his left arm.
33:56Those wounds will credit his courage for the rest of his days.
34:00Well, given the circumstances, he decided to break the engagement with his beloved, but she refused.
34:06So they ended up contracting marriage in Paris, surrounded by other crippled soldiers and a large audience.
34:11Well, you've been interrupting me all the time and now you can't think of saying anything.
34:16It seems like a beautiful love story.
34:19Yes, it's very moving, but from there, until your tears come out ...
34:23Well, that's what it's like to be a sensitive person.
34:26I'm impressed by what can be done for love.
34:29Margarita, don't let yourself be carried away by sentimentalism.
34:32Lorenzo, I'm talking about pure love.
34:34Sincere love.
34:35Lorenzo, I'm talking about pure love.
34:37Sincere love.
34:39Like the one that Manuel Porjana and his nephew have.
34:42Do you also call love the refuge between a man and a maid?
34:45Look, really, you can't talk to yourself.
34:47It's like talking to a wooden doll that neither feels nor suffers.
34:50Hey, we military people feel and we military people suffer.
34:54But on the inside.
34:58Changing the subject,
35:00I am struck by the frequency with which the Duchess of Carril visits us.
35:06Do you know something?
35:08Well, she does it with Cruz's permission. She's talking to the cooks.
35:11Well, I've been told.
35:12That she's making a recipe book.
35:15She's writing a book about the best recipes in the area.
35:18Emilia Pardo Bazan style, yes.
35:21I don't think there's enough boredom in the world to do something like that, honestly.
35:25It's true that it's an eccentricity, but it doesn't hurt anyone.
35:29No, stupidity only hurts oneself.
35:32Cooking recipes. What will be next?
35:35Competitions on how to starch a shirt?
35:38Of course, you're not going to see me there.
35:42It's strange that the Duchess has lost her mind in such a way.
35:46So much so that it is strange that the interest in recipes is what has attracted her to the promise.
35:52You're insinuating, Lorenzo.
35:54No, I'm not insinuating anything, I'm just emphasizing how strange the situation is.
35:57So much so that it's hard for me to believe that I don't have a hidden objective.
36:00If it were a scam, you would have come up with a smarter excuse, I mean, don't you think?
36:04It depends on the objective, right?
36:06Besides, what other interest besides that can have such a distinguished Duchess in being in the kitchens?
36:14You see, yes.
36:21Well.
36:23Quiet, stop. Where are you going?
36:26Well, I have laundry clothes in the laundry.
36:30But why? Do you need something?
36:32Yes.
36:34And are you going to tell me?
36:37Hanna, why don't we tell the truth about Doña Pia?
36:39It's getting harder and harder for me to hide every time they talk about her.
36:43I know.
36:44One day I'm going to tell the truth without realizing it.
36:46With Simona before, I had to bite my tongue and almost bleed.
36:49I've noticed.
36:51But you have to be calm and not advance the events.
36:54The biggest event is that the bastard of Gregorio is already dead.
36:57There is no longer any sense or reason to maintain this farce.
37:01I know.
37:03Why don't we tell the truth about Doña Pia, Hanna?
37:06It will be a relief for everyone to know that she is still alive.
37:09Maria, a relief and a good scare.
37:11The people who see her will think that she has resurrected from among the dead.
37:16Well, yes. Yes, she's going to fall on her ass.
37:19That's why it's something that can't be said just like that.
37:22I see.
37:23But at some point we'll have to put the cat in the bag, I say.
37:26No.
37:27We can't do anything on our own.
37:30This is a very delicate matter.
37:33Hanna.
37:34No, Maria, no.
37:35This has to be consensual with Mr. Baeza.
37:38And we have to respect the times he sets.
37:41Yes or no?
37:51Yes.
37:59Father, can I talk to you for a moment?
38:03May I know why Mr. Baeza says that my mother did not die of tuberculosis?
38:07Where does that come from?
38:08Don't answer me with another question.
38:10I heard Mrs. Arcos tell Mr. Baeza.
38:15Mrs. Arcos told you?
38:17I don't want any more questions, I want answers.
38:19The important thing about that version is that it contradicts what you have always told me.
38:23According to Mr. Baeza, my mother did not die of tuberculosis, but of appendicitis.
38:29I have to deliver this correspondence.
38:31No, really, you're not going to tell me anything?
38:33Yes.
38:34That you should not be influenced by bad companies.
38:36It is not convenient for you to be so close to Mrs. Arcos.
38:38No.
38:40Don't load against the messenger.
38:41But don't you realize that that woman is only looking to separate us?
38:44But that's a lie.
38:45That's a lie.
38:46That Mrs. Arcos is good to me and cares for me.
38:49And I can't say the same about you.
38:51Besides, I don't want to talk about Mrs. Arcos with you, I want to talk about my mother.
38:56Okay.
38:57What do you want to know exactly?
39:00Well, the truth.
39:01You already know the truth.
39:02You have always known it.
39:03And if Mr. Baeza has mentioned another disease, it is a mistake that you do not have to pay attention to.
39:08And now, if you don't mind, I have things to do.
39:11And you too, pick up that table.
39:15Yes.
39:29Yes, I'm very sorry.
39:31I promise I will call again to fix a new appointment.
39:36Well, thank you very much.
39:40Mother, what time did we have the bride's dress test?
39:45I just canceled the appointment right now.
39:48And that? I thought you were excited to go with me.
39:51Well, because all this Manuel has put my body upside down.
39:55I have no strength or desire, daughter.
39:58It's more than trying on a bride's dress, it has to be fun and exciting.
40:02And right now it's neither one thing nor the other.
40:05Well, I confess that I didn't want to either, so ...
40:08Well, don't think you're going to get rid of yourself.
40:10When I try on the dress, you're going to have to come with me.
40:13Yes, I give you my word.
40:15I don't know, all this about Manuel has me very confused.
40:19But I don't want to ask the Marquises either, so as not to worry them any more.
40:22It's just that the uncles are the ones who have to suffer the worst.
40:25But what is it that you don't dare to ask them?
40:28Well, if they know how that Gregorio got out of jail with everything he did.
40:31I just can't understand it.
40:33No, it's very disturbing that they release a criminal like that.
40:37I don't understand, daughter.
40:39Being how he was, obsessed with Mrs. Pia.
40:42And besides, I don't think Manuel had any dealings with him either.
40:46From what I've heard, they were not in a relationship,
40:49nor were they seen together while he worked here at La Promesa.
40:52Yes, it's very strange.
40:54What worries me the most is not having news of Manuel since last night.
40:59But I know that the uncle is moving heaven and earth to get him out of jail.
41:03That he has been making phone calls to very influential people.
41:06Yes, but he hasn't got anything.
41:12And what about Manuel?
41:14I don't know, daughter.
41:16But I don't want to lie to you either.
41:19I think very serious problems are coming his way.
41:23I don't know, I have mixed feelings.
41:26But why?
41:27Are you suggesting that Manuel may have something to do with the death of that old man?
41:31Because he is not a murderer.
41:32Of course not.
41:34But that you and I believe it means nothing.
41:37Because we have to prove his innocence.
41:38Well, it will be done.
41:40It's not that simple, Martina.
41:42It seems that the Civil Guard has evidence that they incriminate him directly.
41:46Yes, I've heard that too, but it has to be a mistake.
41:50Well, whatever it is,
41:52we can only wait and pray that we can't do anything else.
42:07Ramiro.
42:08Ricardo, I don't have time right now.
42:10Can I know who and why you told him that Santos' mother died of appendicitis?
42:15Lower your voice.
42:16I can't talk to you at that time.
42:18I'm sorry, you're right.
42:19Forgive me.
42:20Answer my question, please.
42:22I'm sincere, I just don't know what you're talking about.
42:24Well, I know you've been talking about the matter.
42:27And someone heard you and told my son the story.
42:29That someone is Mrs. Arcos.
42:31That's it, Mrs. Arcos, yes sir.
42:33So answer me, please.
42:35What story do you have to talk about my late wife?
42:38It was an interspersed conversation.
42:40Mrs. Martina asked me about Santos' mother
42:43and I simply told her.
42:45And I didn't tell her anything.
42:47You told her that she died of appendicitis, not tuberculosis.
42:50It could be.
42:51It was a confusion.
42:52But what does that matter?
42:53Well, look, she has it.
42:54She has it for me and for Santos too.
42:56And this innocent conversation of yours has aroused the boy's suspicions.
43:00And now he accuses me of lying to him.
43:02Well, it wasn't my intention.
43:03Well, whether it was or not, the truth is that you've gotten me into a good problem.
43:06Look, I can't keep talking now because I have to go to town.
43:10There are some things that I have to take care of.
43:13What things?
43:14Some things.
43:15Besides, we're here.
43:16The gentlemen can leave at any time.
43:17We'll talk about this later.
43:19Well, when are you coming back?
43:20When I come back, I'll let you know.
43:32I'll let you know.
43:41A lackey has just informed me that you have canceled your visit to the modesto.
43:45Yes.
43:46I didn't ...
43:48Well, I didn't feel like trying on a wedding dress.
43:52You didn't feel like it.
43:54Are you aware of how much it has cost this modesto to accept the commission?
43:59I don't know, but I just didn't have the time.
44:01It seems that anything that happens around you is more important than your own wedding.
44:04No.
44:05No, of course not.
44:06But I don't understand why you get like this either.
44:09Because neither the modesto nor the seamstresses have taken it badly.
44:12In addition, they have told me that I could delay the test of the dress for a week or ...
44:15Well, as long as it was a menester.
44:17What are they going to tell you?
44:19Ignacio, frankly, I think you are taking everything too seriously.
44:22You are taking things out of proportion.
44:24Come on, we don't even have a wedding date.
44:26Almost all preparations are organized.
44:29Your attitude seems to me to be an absolute lack of respect for the people who are taking care of everything being prepared.
44:34And the truth, towards myself.
44:38Well, I'm sorry.
44:41But put yourself in my place a little.
44:43It seems an absolute lack of delicacy that while the family is broken, I'm going to see the modesto.
44:50I'm sorry.
44:59I'm sorry.
45:20Hanna?
45:21I swear to God, my heart almost came out of my mouth.
45:24Sorry, I didn't mean to scare you.
45:27I thought you were Mrs. Marquesa.
45:30Last night I found her here.
45:32Here? And what was she doing?
45:34Well, I guess the same thing I'm doing.
45:36Missing Manuel.
45:39I see.
45:40Yes, we are all very affected after Manuel's arrest.
45:45But I imagine you miss her more.
45:48Do you know anything new?
45:51No.
45:53I've been looking for you all morning.
45:56I wanted to know how you were.
45:59Not bad.
46:01But now that you're here, I feel a little better.
46:05I have tried to avoid the area of the gentlemen at all costs.
46:08Because I don't want to see anyone.
46:11And the truth is that without Manuel here, I feel alone and helpless.
46:18Hanna, I'm here to protect you.
46:21If you are close to me, nothing bad will happen to you.
46:24But you have to be strong.
46:26And don't let yourself be overcome by pessimism.
46:28I know, Curro, but it's very difficult.
46:30I know.
46:32But I also know that this story has a happy ending.
46:35I hope you're right.
46:36I'm convinced.
46:38You have no proof that I incriminated Manuel.
46:42Manuel is innocent.
46:44He is not a murderer, Curro.
46:46Of course not.
46:47Do not doubt it.
46:51And now what will happen to me?
46:55I'm afraid, Curro.
46:56I'm very afraid.
46:59Come here, sister.
47:10Thank you for coming to my call, Mr. Baeza.
47:12It must not have been easy to escape the promise.
47:14It doesn't matter.
47:15The important thing is to see her too.
47:17I brought you some rosquillas from the taona.
47:19Come on.
47:21It smells good.
47:22Sit down, please.
47:24Well, tell me.
47:26How is Badajoz?
47:28Well, it has been wonderful to see my old lady hug again.
47:32And her smile says it all.
47:34Of course.
47:35Besides, I won't have to go back to Badajoz,
47:37because Beni and the boy, Alojan, have come back with me.
47:40And so you can see them very often.
47:42Every day and at all hours.
47:44I really want to go back to normality and ...
47:47and leave this nightmare behind.
47:50And what are you going to do?
47:52Well, Beni offered me to go with them to live a season at his house.
47:56That woman is a blessing.
47:58Of course, she is an angel from heaven.
48:00But I think it's better if I stay in the cabin for now.
48:03Yes, I think it's a very good idea.
48:05At least until everything is clear.
48:07Well, yes.
48:08You have to think that, in theory, I'm dead,
48:10so I prefer that people don't see me for Lujan
48:13until all this is over.
48:15But let's stop talking about me and tell me,
48:17how's everything going for the promise?
48:19Well, bad. Very bad.
48:21The Civil Guard has arrested Don Manuel,
48:25accused of the murder of Gregorio.
48:27But that can't be!
48:28Well, it is.
48:30But why? What proof do you have against him?
48:33Well, in principle ...
48:45I don't know.
49:04You should never have come to the promise.
49:06I know why you say that.
49:07But really, little by little I'm doing my homework.
49:10I'm not talking about work, Marcelo.
49:12I'm talking about the fact that we should never have lied and pretended that we were a marriage.
49:16But you know perfectly well why we did it.
49:18But I don't know how long we're going to be able to keep this secret.
49:21You remember Adriano, right?
49:25How could I forget?
49:26The slacker you invited to dinner to make La Vía de la Cruz angry.
49:30Is something wrong with him?
49:32I know you've been to the farm,
49:34asking about a certain slacker in particular.
49:37What I can't understand is,
49:39how do you benefit from this situation?
49:41First of all, nothing.
49:43So?
49:45With a decision like the one I have to face,
49:47there is no choice but to think in the long term.
49:50How long are you going to keep me here?
49:52From what I've told you, it's clear that I didn't kill him.
49:54Until we contrast your testimony,
49:56you are still the main suspect.
49:59Do you know the consequences it would have
50:01for Manuel to be arrested for being a suspect in a murder?
50:04Manuel is innocent.
50:06What does it matter what others say?
50:08I don't even know why I'm trying.
50:09If he wanted to get Manuel out of the dungeon,
50:12instead of controlling the liars,
50:14maybe he would be back by now.
50:15The first thing you need to know is that
50:17if there is so much secret around this matter,
50:20it is to safeguard the safety of that person.
50:23But what secret is that, Mr. Baeza?
50:25That, or that you were announcing the resurrection of Jesus Christ.
50:29Well, something like that.
50:36You knew?
50:37We had to fake his death
50:39and hide it from Mr. Castillo.
50:41What do you mean, we had to? Who?
50:43His colleagues and I.
50:45He's going to help me.
50:47Yes, but you have to be careful.
50:49If my father and Cruz find out...
50:51I know.
50:52And that's why I'm talking to you,
50:54because you're the one who knows your father's agenda
50:57and I think you're the best person to help me.
50:59Manuel isn't here to defend Hanna.
51:02It's not the ideal time.
51:03I don't know if we should focus on that right now.
51:06We'll find a better time, Alonso.
51:09And we don't just have to get Hanna to break her promise.
51:12We have to make her do it forever.