Joko_Anwars_Nightmares_and_Daydreams_S01_Ep03
3. Poems and Pains
Nightmares & Daydreams Poems And Pain. Marissa Anita as Rania And Laras in Nightmares & Daydreams Poems And Pain. Cr. Courtesy of Netflix © 2024Marissa Anita sebagai Rania dalam episode 4 Nightmares & Daydreams, Poems And Pain.
Rania (Marissa Anita) merupakan penulis novel hit yang telah menerbitkan sebuah buku best seller. Suatu hari, ia berambisi melanjutkan novel hit itu dengan segudang risiko.
Rania ternyata menemukan bahwa ia merupakan cerminan kehidupan karakter utama yang dia tulis. Ia pun berjuang menghadapi segala ancaman demi ending terbaik bagi karakter tersebut.
Marissa Anita hingga Restu Sinaga dipercaya menjadi pemeran utama untuk episode ketiga berjudul Poems and Pains tersebut.
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PeopleTranscript
00:00Oh
00:30The story is more explorative, so if you don't have a lot of readers at first, no worries.
00:35All my books are quite explorative, Bang.
00:38Poetry and Wounds.
00:39Critics too.
00:40This one is out of the box.
00:42But you really like it, right?
00:43If you don't like it, why are you so stubborn?
00:45I'm not just your producer.
00:47You're my sister.
00:48Whatever you want to write, I'll definitely support you.
00:49Thanks.
00:50Besides, I still hope you will write a sequel to Poetry and Wounds after this.
00:55Come on, Bang. It's time for me to go to class.
00:58You're always writing pop.
01:01Have you reviewed it yet?
01:02I just did it yesterday.
01:03What's the title?
01:05Bulat or Titik?
01:12Titik.
01:13Okay, I get it.
01:14You're trying to show your readers
01:18don't judge a book by its cover.
01:22Right?
01:23Huh?
01:46Okay.
01:49Huh?
01:54The new book confuses me.
01:56And it raises a question.
01:59Which one is more important to you?
02:02The readers' recognition, like me,
02:05or the critics' recognition?
02:07Here's the thing.
02:08I don't try to get recognition from anyone.
02:12Writing, for me, is like breathing.
02:14So I have to do it all the time to stay alive.
02:17It's that simple.
02:19But...
02:19Oh, I'm sorry.
02:20This bookshop will be used for another event.
02:23So let's book-signing.
02:24Come on, ladies.
02:28Hi, Warania.
02:35Today's book is Titik, right?
02:37I heard it's a literary book.
02:40I'm a book freak. How do you know it's a literary book?
02:45I don't think so.
02:47Here.
02:49Ladies and gentlemen,
02:50this book is for sale.
02:55Does anyone have a Titik book?
02:57Let me sign it.
03:01Okay, let me sign it.
03:05The review of Katul Istiwa is out.
03:07Really? And?
03:10It doesn't matter.
03:11Which review is more important than Katul Istiwa?
03:17Okay, then.
03:47Katul Istiwa
03:49Katul Istiwa
03:51Katul Istiwa
03:53Katul Istiwa
03:55Katul Istiwa
03:57Katul Istiwa
03:59Katul Istiwa
04:01Katul Istiwa
04:03Katul Istiwa
04:05Katul Istiwa
04:07Katul Istiwa
04:09Katul Istiwa
04:11Katul Istiwa
04:13Katul Istiwa
04:16Katul Istiwa
04:18Katul Istiwa
04:20Katul Istiwa
04:27What about the review?
04:29Rania's latest book,
04:31Popcorn Sensational, Poetry and Wounds,
04:33which is called Titik,
04:35is not honest.
04:37It's more about style than substance.
04:39They also wrote a very banal review.
04:41What about their literary magazine?
04:43This time, Dewi's book can be considered as a sample.
04:45It's boring and effortless
04:47to communicate with the reader.
04:49Well, they also mocked my books.
04:51What about the social media?
04:53Good book reviews?
04:55They didn't post about your book.
04:58Really?
05:00Maybe they haven't read it yet.
05:03But they talked about it on social media.
05:05Didn't you check the social media?
05:07When did I have time to check the social media?
05:09Open the hashtag, novel, titik.
05:13Okay.
05:24At least I can be a creative person.
05:26Your plan is to share your selling point
05:28with all kinds of people, right?
05:30It looks like you're going to fail.
05:32Calm down.
05:34It's okay if I didn't have money.
05:36You used to buy a big house
05:38and a big car every month.
05:40I've thought about it.
05:43I've done the credit restructuring this morning.
05:45The interest can be lower
05:47even if the payment is longer.
05:49Or you can write a sequel to Poetry and Wounds.
05:51No.
05:53I won't write a sequel to Poetry and Wounds.
05:55But why?
05:57I want to quit
05:59exploitative popcorn writing.
06:01You like reading, don't you?
06:03Yes.
06:05I don't want to get out of an abusive relationship.
06:07So what?
06:09You give them the entertainment they need.
06:12What else do you want to try?
06:15March 30, 2019.
06:17Ten days since I started writing Poetry and Wounds.
06:21The main character is Laras Andini.
06:23After two months,
06:25she found out that her husband
06:27is an abusive and possessive man.
06:29Laras was locked in a basement
06:31and started to suffer.
06:34I was writing and fell asleep last night.
06:36When I woke up,
06:38I found out that I had written ten pages.
06:40The part where Laras was hurt by her husband.
06:42Now I feel really sick.
06:44Just like what Laras experienced
06:46in my writing.
06:52It happened again.
06:54Last night, I lost my mind.
06:56All I know is that there was a writing
06:58about Laras being hurt by her husband.
07:00He was beaten on the left side of his face.
07:06This morning, I woke up
07:09and I felt really sick.
07:11Maybe I started to feel nauseous.
07:17So I looked for information.
07:19There were some cases where the writer
07:21was so emotionally close
07:23to the character they were writing
07:25that they could really feel
07:27what their character was writing.
07:29Why didn't I write a character
07:31that is so charming and charming every day?
07:35The novel Poetry and Wounds is finally finished.
07:37But the story is not finished yet
07:39because my body is not strong enough.
07:42But I think this ending is suitable.
07:44Laras received her destiny
07:46and was trapped forever in the underground.
07:49I hope my body aches
07:50and I can be paid for it.
07:51May the novel be successful. Amen.
07:53New Diary video.
07:55New laptop.
07:56New HD camera.
07:57And next, new room.
07:59The novel Poetry and Wounds
08:01has been a bestseller for seven months.
08:07New Diary video.
08:33Are you sure if I write
08:36Poetry and Wounds will be successful?
08:38Cut my head off.
08:40If I write
08:42can I get advance payment?
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11:31♪
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13:06I can't stop reading. 30 pages, only 15 minutes.
13:10I can imagine...
13:11Wait, wait, wait.
13:12Where did you read it?
13:13I didn't give you a copy.
13:14If you write, it's disgusting.
13:16You gave me the access, too.
13:18Seriously, it's really good.
13:20I showed it to the office workers.
13:21They jumped on it.
13:23It's exciting.
13:24It shouldn't be that kind of entertainment, Bang.
13:26KDRT is a serious matter.
13:27KDRT is a serious matter.
13:29Right, Tirna Levan.
13:31Your book, Titik.
13:32No.
13:33It's for yourself.
13:35You're a writer.
13:36You have to be relevant.
13:37If not, you'll lose readers.
13:39Many people will forget about you.
13:41Aliyat was talking about the toilet.
13:44It's low-pitched.
13:46But it's relevant.
13:47People can relate.
13:49What are you looking for?
13:53Just write what you've been doing.
13:56You don't have to be someone else.
13:58Just be yourself.
13:59That's enough.
14:02Can you see it?
14:04Yes.
14:06Okay.
14:07Open the app you installed.
14:10Enter the username and password I gave you.
14:12What are you doing, Ran?
14:14Are you done?
14:15Yes, I'm looking at you.
14:16Now, I want you to see me writing.
14:20This is weird.
14:22Just do it, Bang.
14:23If you see me writing in an unusual way,
14:26call me.
14:27What's unusual?
14:29You won't be weird, right?
14:30I'm at home.
14:31I'm with my husband.
14:32If you do this, he'll get mad.
14:35Maybe.
14:37I'm turning off the phone.
14:39Can you see me from the CCTV?
14:41If you see anything unusual,
14:43call me.
14:47Do you want me to write?
14:48Yes.
14:49Okay.
15:00Okay.
15:30Okay.
16:01Why do you always make me angry?
16:07Can't we just get back together?
16:15I don't know what I should do to you.
16:19Hasty.
16:20Mom.
16:23Hasty didn't eat anything because I fed him.
16:27Rania.
16:29Rania!
16:30What's wrong with you?
16:32I rushed here at 12.
16:34I saw you from the webcam for half an hour.
16:36You're still like this.
16:37What's wrong?
16:39I'm hungry.
16:40I'm hungry.
16:41I'm hungry.
16:42I'm hungry.
16:43I'm hungry.
16:44I'm hungry.
16:45I'm hungry.
16:46I'm hungry.
16:47What's wrong?
16:48Are you sick?
16:49Stroke?
17:12When you wrote your first poem and poem,
17:14you were like this.
17:17For the first time,
17:18I experienced and saw what Laras experienced.
17:23I didn't realize it before.
17:24Suddenly, the writing was already there.
17:26I used to just feel the pain.
17:29Now my body really hurts.
17:31You don't take drugs, do you, Ran?
17:32If so, I can take you to rehab.
17:34Did you see me rubbing my own neck just now?
17:38Where did this come from?
17:42You're too intense, Ran.
17:44So you can feel what your character feels.
17:47I thought so too, Bang.
17:49But this time, it feels so real.
17:51I think,
17:52I believe that Laras really exists.
17:55Next time, if I see his face,
17:56I can find out who he is.
18:05That's enough.
18:06Stop writing first.
18:07You can save the money for the book later.
18:10But what if Laras really exists, Bang?
18:12What if he really experiences what I saw?
18:15What if this really happened,
18:17and it happened in the past?
18:19There's nothing you can do.
18:20No.
18:21I can feel it.
18:23It's happening right now.
18:25If it's true, it's dangerous.
18:26That woman was still pinched.
18:28If she's mutilated,
18:32you could also die.
18:43Allah.
18:56Who are you?
19:12What are you doing?
19:25Is this real, Mom?
19:34My dear son.
19:38It's real.
19:39It's perfect.
19:40Now, tell me more about the outside world, Mom.
19:44What do you want to tell me?
19:46When you gave me a ring.
19:48I already told you, dear.
19:50It was in a French restaurant.
19:52In a restaurant, you can choose what you want to eat, Mom.
19:55I can.
19:56I can also choose what I want to drink.
19:58Were you still a good boy, Mom?
20:05When you gave me a ring,
20:07were you still a good boy?
20:11Yes.
20:12I was still a good boy.
20:14Why are you so scary now?
20:18Why can't we go out?
20:22I love you so much.
20:25I love us.
20:26I don't want to lose us.
20:30Why do you think that way?
20:33Because...
20:36I know what he really is.
20:39What is he, Mom?
20:43Asti.
20:44My ring.
20:45Where did you put it?
20:48I was washing my hands.
20:50It was so dirty.
20:53Asti.
20:54Help me find my ring before Dad comes.
21:06What's going on?
21:09I'm tired.
21:11Why aren't you happy?
21:17Asti, why are you crying?
21:20Asti, what's wrong?
21:25What happened to your hand?
21:29Did you hide something?
21:31No.
21:32Surprise?
21:34For me?
21:35Let me see.
21:46You took your ring off?
21:49No.
21:50What?
21:51No.
21:52You took your ring off because you don't love me anymore?
21:54No.
21:55Then why did you take it off?
21:57No.
21:59Fight me.
22:01Fight me.
22:03Why?
22:09Why do you keep changing?
22:13Do you want me to lose my life and live with Asti?
22:17Until he grows up?
22:19Maybe he's better than you think.
22:22I'm sorry, son.
22:24I know!
22:25Fight me.
22:33Fight me.
23:03No!
23:28Ayu.
23:30Ayu.
23:32Ayu.
23:49Oh, my God.
24:02Do you need an MRI or a CT scan?
24:05I'm fine, Doc.
24:06It's just a face injury.
24:08Who are you working for?
24:10I need to accompany you to the police station.
24:12I have an acquaintance.
24:13Which acquaintance?
24:14I don't know.
24:15A patient.
24:17A patient needs to be an acquaintance.
24:18Enough.
24:19I'm fine.
24:20Mr. Hendra will tell you later, Doc.
24:23I'm not working for anyone.
24:25Let's continue our conversation at home.
24:28You're a nurse, right?
24:29No.
24:30You used to have a broken bone.
24:31You're a night owl.
24:33I'll give you a painkiller.
24:35We'll check on you in two days.
24:37Thank you, babe.
24:46Fran, I'm serious.
24:47I'm really worried about you.
24:49Please don't write first.
24:51So you don't trust me?
24:53I do.
24:54But it's normal for me to have a hard time accepting it.
24:57This is not a normal case.
24:58But what you're saying is true.
25:01You shouldn't be involved in what happened last night.
25:04So I have to stay quiet as a spectator?
25:10You're involved.
25:11He's the one who's in trouble.
25:12You're the one who's in trouble.
25:14But I have to find out who he is.
25:18How?
25:19Every time I go to...
25:20How?
25:27Every time I go to his body,
25:30my vision becomes clearer.
25:33At least I have to see his face.
25:36If what happened this time...
25:37That's why I'm asking you to accompany me to write.
25:41Please.
25:42Please.
26:13Mom.
26:15Will we be able to see the outside world one day?
26:20One day, yes.
26:22Mom, please tell me more.
26:25What do you want to tell me?
26:27About death.
26:33If we die,
26:36will we be able to see the outside world?
26:40If we die,
26:42where will we be able to go?
26:46You can't die.
26:49You have to live until you grow up.
26:52Outside.
26:54School.
26:55College.
26:57Traveling.
26:58Right, Mom?
26:59I'm afraid of death, Mom.
27:01Who are you?
27:03Mom.
27:04Mom.
27:08Jermaine.
27:10You're not Jermaine, Mom.
27:12Mom.
27:15Mom!
27:16Jermaine.
27:27What's wrong?
27:28Who are you?
27:34How long have you not seen your parents?
27:3712 years.
27:39Why?
27:42I tried to drive my friend's car.
27:44Rama followed me.
27:45I hit a pole on the road.
27:47Rama died.
27:53Rama loves my parents.
27:56He's nice, smart, obedient, handsome.
28:00While I'm a spoiled brat.
28:03A rebel.
28:05A lowlife.
28:07My parents never forgave me.
28:32I'm sorry.
28:54So, I have a twin.
28:56Yes.
29:00Yes.
29:08And you gave him to someone else to adopt?
29:12We were in a difficult time.
29:16Economic problems.
29:19You worked as a journalist.
29:22In a media that opposed the new order.
29:26When you heard the news, you were arrested.
29:30We were worried.
29:32We couldn't take care of you.
29:35Why didn't I do it?
29:38Why didn't I?
29:39We gave you to someone else.
29:43A year later, we regretted it.
29:49We looked for you.
29:51We found you.
29:54But your twin brother didn't.
30:00So, I was given to someone else.
30:04Was Rama given to someone else too?
30:06No.
30:08I see.
30:09Because he's older.
30:11Do you know where my twin is now?
30:14We've been looking for him for years.
30:17We even paid someone.
30:19Even a few years ago.
30:22But we couldn't find him.
30:25Dad.
30:27Mom.
30:29We love you.
30:31We love all of you, our children.
30:34But we ran away.
30:37We have a lot of regrets.
30:40A lot of regrets.
30:42Do you regret giving birth to me and my twin?
30:45Yes.
30:47Because we couldn't give you to someone else.
30:51We love all of you.
30:55Rania.
30:57You were never wrong.
31:00We failed you as a parent.
31:04We thought of the people and the country.
31:08But we forgot to think of something important for you.
31:13Our children.
31:16I'm sorry, Rania.
31:19Forgive us.
31:22Forgive us.
31:34What do we do now?
31:35I have to find my twin.
31:37How?
31:43Thank you for your support.
31:47I know I'm not a smart or talented writer.
31:49But you've always supported me.
31:51I know you're sincere.
31:53Maybe it's because you like me.
31:56You don't like women.
31:58Are you sure?
31:59Of course.
32:00I saw my aunt at the book festival last year.
32:02But you didn't see her.
32:04I'm embarrassed to be seen by others.
32:07But it's true.
32:11If something happens to me...
32:14I want you to know...
32:17I love you.
32:20And you're a good person.
32:23I thought you were going to die.
32:26I have to stay there until I know where I am.
32:29But I don't know where I am.
32:31I don't know where I am.
32:33I have to stay there until I know where I am.
32:36Whatever the risk.
32:57Astri.
32:58Astri.
33:01Mama.
33:02Astri is so weak.
33:04She's cold.
33:06Astri, you have to be strong.
33:09Astri, I think I'm going to die.
33:13Astri, don't.
33:28Astri.
33:32Astri.
33:34Astri.
33:55How are you?
33:56I've been working all day.
33:57I need some rest.
33:59Astri, your daughter is still sick.
34:03Astri.
34:11Astri is always sick.
34:14She'll get better tomorrow.
34:16There's still a lot of medicine left.
34:18Her fever hasn't gone down.
34:20Her body is burning.
34:21Don't be dramatic.
34:23Please take Astri to the hospital now.
34:26Who should I tell?
34:29Astri, your daughter.
34:31She's sick.
34:32If you don't take her to the doctor now, she'll get better.
34:34Enough.
34:35Don't be dramatic with your daughter.
34:36Mas!
34:38What are you doing?
34:41Iblis can't do this to his daughter.
34:48What do you want now?
34:52Get up.
34:54Get up.
34:56Get up.
35:03Get up.
35:11Hold her.
35:12Hold her tight.
35:14Once you let her go, I'll teach you a lesson...
35:17...that you'll never forget for the rest of your life.
35:23Don't.
35:24You choose.
35:25Heaven or hell?
35:28Don't.
35:32Don't.
36:02Agartha.
36:15What's that, Agartha?
36:17Who are you?
36:19You're not Laras.
36:21Who are you?
36:33Who are you?
36:51Astri.
36:52Astri.
37:03Astri.
37:16I know where that man works.
37:18While I find out who he is and where he lives...
37:20...please take me to the center.
37:32ASTRI
37:52Do you know who you are?
37:57Take me to Widi Aduri Street, number three.
38:02Thirty-four minutes.
38:03We don't have thirty minutes.
38:05Our daughter will die.
38:06I'm going to die.
38:07You said you could get into Laras' husband's body.
38:09Why didn't you just get into his body and kill yourself?
38:11I can't.
38:12I can't control his body and I can't control Laras' body.
38:15We don't have a weapon.
38:17We need a weapon.
38:21Is that real?
38:22No, it looks real.
38:23Okay, hurry up.
38:25Hurry up now.
38:27What are you doing?
38:28Hurry up.
38:29Hurry up.
38:30Hurry up.
38:32Astri, wake up.
38:33Mom.
38:35Astri, don't leave me alone.
38:37Yes, Mom.
38:38Astri, please open your eyes.
38:41So that you won't die.
38:42So that I can hug you.
38:53What are you doing?
38:57Who are you really?
39:00What are you doing here?
39:04If I kill him,
39:08you'll die too.
39:13Adrian.
39:14Mom.
39:15Adrian.
39:17Adrian.
39:20Adrian.
39:21I know who you are.
39:25Adrian Rajah Sah.
39:27Minister of Industry.
39:32Laras is dead.
39:34You're dead.
39:45Dania.
39:49Why did I wake up?
39:51We're here.
39:56Let's go.
40:03What a big house.
40:05It's not locked.
40:06And there's a security guard.
40:08What is he doing?
40:09Maybe he doesn't know who we are.
40:26I'm sorry, I'm from the minister's office.
40:28I have to see Mr. Adrian.
40:29There's a file that hasn't been read yet.
40:30And he's dead.
40:32You don't turn on your phone when you're at work.
40:36Hey.
40:42Where's your office?
40:45Where is it?
40:50Mr. Hendra.
40:51Mr. Hendra.
40:53Hey.
40:55Over there.
40:57Hide over there.
41:00Come on.
41:02Laras.
41:05Laras.
41:08If you all stay quiet,
41:09nothing will happen.
41:13What can you do?
41:15If I get caught,
41:16I can do anything.
41:18Including killing children.
41:20That's too much.
41:30Kill him.
41:32Don't touch me.
41:33I'm not a fish.
41:39You're lucky that I let you...
41:42do whatever you want tonight.
41:45Why?
41:47Because I want to prove...
41:49that your law...
41:51can't stop me.
42:05Laras.
42:06Laras.
42:07What are you doing?
42:08I didn't do anything.
42:11I often...
42:13dream about you.
42:16I think...
42:18you're just my version...
42:21in my imagination.
42:26A free version.
42:28Let's get out of here.
42:31No.
42:32If I...
42:35get out,
42:38none of us...
42:39will be safe.
42:43But...
42:46they...
42:48are not human.
42:50They are alive.
42:52Alive.
42:54Pure.
42:56From us.
43:13Laras.
43:14Laras.
43:15Laras!
43:32You'll get your revenge.
43:35Idrian?
43:37Who's that?
43:43Who's that?
43:53I don't want to go home.
44:13You're moving out today.
44:17A new life.
44:19Even though Bajengan will be in jail,
44:22I still need to take Asli away from here.
44:29What's wrong?
44:36I was here three days ago.
44:38We've checked all the CCTVs,
44:40but nothing.
44:41I don't care!
44:42Ma'am.
44:43Ma'am.
44:44Ma'am.
45:10You're all going to pay for this.
45:14You're all going to pay for this.
45:44You're all going to pay for this.
45:45You're all going to pay for this.
45:46You're all going to pay for this.
45:47You're all going to pay for this.
45:48You're all going to pay for this.
45:49You're all going to pay for this.
45:50You're all going to pay for this.
45:51You're all going to pay for this.
45:52You're all going to pay for this.
45:53You're all going to pay for this.
45:54You're all going to pay for this.
45:55You're all going to pay for this.
45:56You're all going to pay for this.
45:57You're all going to pay for this.
45:58You're all going to pay for this.
45:59You're all going to pay for this.
46:00You're all going to pay for this.
46:01You're all going to pay for this.
46:02You're all going to pay for this.
46:03You're all going to pay for this.
46:04You're all going to pay for this.
46:05You're all going to pay for this.
46:06You're all going to pay for this.
46:07You're all going to pay for this.
46:08You're all going to pay for this.
46:09You're all going to pay for this.
46:10You're all going to pay for this.
46:11You're all going to pay for this.
46:12You're all going to pay for this.
46:13You're all going to pay for this.
46:14You're all going to pay for this.
46:15You're all going to pay for this.
46:16You're all going to pay for this.
46:17You're all going to pay for this.
46:18You're all going to pay for this.
46:19You're all going to pay for this.
46:20You're all going to pay for this.
46:21You're all going to pay for this.
46:22You're all going to pay for this.
46:23You're all going to pay for this.
46:24You're all going to pay for this.
46:25You're all going to pay for this.
46:26You're all going to pay for this.
46:27You're all going to pay for this.
46:28You're all going to pay for this.
46:29You're all going to pay for this.
46:30You're all going to pay for this.
46:31You're all going to pay for this.
46:32You're all going to pay for this.
46:33You're all going to pay for this.
46:34You're all going to pay for this.
46:35You're all going to pay for this.
46:36You're all going to pay for this.
46:37You're all going to pay for this.
46:38You're all going to pay for this.
46:39You're all going to pay for this.
46:40You're all going to pay for this.
46:41You're all going to pay for this.
46:42You're all going to pay for this.
46:43You're all going to pay for this.