開運！なんでも鑑定団 2024年10月15日 番組初鑑定！これは何だ!-＜謎の絵＞になんと超ド級鑑定額＆メジャーリーグ＜野球スター秘宝＞
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TVTranscript
00:00I need somebody
00:02It doesn't matter how you look at it.
00:04You know, I need someone
00:06What is the ultimate grilled food that the bone-in collector from Mexico has acquired all over China?
00:13It's 1,000 years old.
00:15It's very beautiful.
00:17It's beautiful.
00:18It's the first time on the show.
00:20It's a very unique painting by a Japanese master painter.
00:25It's a mess. I don't know what it is.
00:27It's a mess. I don't know what it is.
00:28However, the result is amazing.
00:31It's a mess.
00:33The audience is from Yokohama City and Oba Prefecture.
00:3750 years ago, they were surprised by a doll they bought for 350 yen.
00:44Today's guest is Takayuki Shimizu, a former professional baseball player.
00:52He admired Mr. Sadaharu, the king of the titans.
00:55He started playing baseball in the first grade of elementary school.
00:58After that, he went to Urawa Gakuin High School.
01:01He grabbed a regular position.
01:04His grades were all 5.
01:08He was a top student in both literature and martial arts.
01:13In the Toyo University days, he practiced every day until his right palm broke.
01:20When he was a fourth grader, he was the captain of the 4th division.
01:24He contributed to the winning of the Toto League.
01:27In addition, he was the representative of Japan in the Universiade.
01:31He played in two home runs in one game.
01:35In a draft meeting in 1995, he was nominated for the third place from the giants.
01:44In his first year as a professional baseball player, he was good at controlling the bat.
01:48He became a star as a hit-maker.
01:52This year, the team won the league with 11.5 points difference from Shui Hiroshima.
02:01It was called a make-up drama, and everyone in Japan was enthusiastic.
02:06In 2002, he scored 191 hits, and he is still the best hitter in the team.
02:13He won the title of the best 9 hitters.
02:17He led the team to the top of Japan as a center player.
02:22In 2009, he moved to the Seibu Lions and retired that year.
02:28After that, he became the striker coach of the Giants.
02:32He was the director of Samurai Japan U15.
02:36Now, he is active as a commentator.
02:40Here is the guest.
02:43He is Mr. Takaguchi, who came from Tokyo.
02:47Nice to meet you.
02:51He is very active.
02:54He remembers the make-up drama.
02:56How did you feel at that time?
02:59He said he would win.
03:02Do you have a reason?
03:04I don't have a reason.
03:06He often mistook me for Nissan.
03:09He said I looked like Shimizu to Nissan.
03:12I saw it on the bench.
03:15Let's take a look.
03:21He was active as a main player in the Yankees.
03:24This is a bat and spike from Bernie Williams.
03:29Is this a permanent bat?
03:31Yes.
03:33He asked me if I wanted to wear it.
03:36I said I couldn't wear it.
03:39This is a bat from 2002.
03:43Bernie Williams wore it.
03:46He also wore Barry Bones.
03:49He asked me if I could wear a bat.
03:54I wore it when the 7th game was over.
03:58Yankees.
04:00Yankees is cool.
04:03It's amazing that he signed it.
04:06The spike has dirt on the back.
04:09I think it was Nishibiya.
04:12It was a long time ago.
04:16Nishibiya wasn't popular at the time.
04:19Ohtani is a home run player now.
04:22He's ahead of Gaia.
04:25He can't beat him.
04:28Ohtani is amazing.
04:31What was Shimizu's score?
04:33I don't remember.
04:35I just thought he was amazing.
04:39Shimizu's score.
04:41Shimizu's score.
04:44Nishibiya's score.
04:46Shimizu's score.
04:49Shimizu's score.
04:51How much is the price?
04:53I put the number 51.
04:56It's 510,000 yen.
04:58Let's open the price.
05:01Shimizu's score.
05:04510,000 yen.
05:09Shimizu's score.
05:11Shimizu's score.
05:14Bernie Williams' bat and spike.
05:17Both have a very polite signature.
05:20It's amazing.
05:22From the 1990s to the early 2000s.
05:26He was the center of New York Yankees.
05:29He won the World Series four times.
05:32He was very active.
05:34It's a rolling bat.
05:37It's the DW20 that Williams used in 2002.
05:41It's a rare bat.
05:44It's a spike, but it's not Williams' custom model.
05:48I think he tried a model that he would wear next year.
05:54I think he tried a model that he would wear next year.
05:58If it was actually used in a baseball game,
06:02I think it would have been 2.6 million yen.
06:05I'm glad.
06:07I'll take good care of it as a souvenir.
06:10Next is from Yamato Koriyama City, Nara Prefecture.
06:14When I asked him right away,
06:17he was reading hard in a room full of things that he couldn't even step on.
06:24The next client is Keiju Kurata, 84 years old.
06:29Excuse me, but isn't it a little too scattered?
06:35I've had back pain for 10 years,
06:38so I put a lot of things in a close place.
06:42I'm looking forward to watching TV and reading books.
06:48What book are you reading now?
06:52It's a Chinese book.
06:55You can read Chinese.
06:58I can understand the meaning of it.
07:01I've been to China about 30 times.
07:04He's been to China for work,
07:07but he's completely absorbed in the tree.
07:10The scenery is very picturesque.
07:13It's interesting that Japan doesn't have it.
07:16I've been to almost every place.
07:19Now, Mr. Kurata, recommend three best spots.
07:23I want to know.
07:25Number three.
07:27Karakuri Lake.
07:29Karakuri Lake?
07:31It's pretty good.
07:34It's at an altitude of 3,600 meters.
07:36It's on the border of Pakistan.
07:38It's a lake made by melting mountains.
07:42That's amazing.
07:45Number two.
07:47It's a mine.
07:48The world heritage mine is a world
07:51with a very finite number of cliffs.
07:57Number one.
07:59It's Kyusai Lake.
08:01It's a beautiful lake
08:04where clear water flows
08:06through the back of the Shisen Shrine.
08:08If I were in such a beautiful place,
08:11I'd like to spend the rest of my life
08:13without having to work.
08:15That's right.
08:17By the way, what are the treasures?
08:20These are three pottery pieces I bought in China.
08:24These are the best three I have.
08:27I think they're worth 40 million yen.
08:3040 million yen?
08:32I think they're worth more than that.
08:36Mr. Kurata travels all over China.
08:39He has visited various museums
08:42and is interested in the pottery he saw there.
08:45He hopes to buy more pottery pieces in the future.
08:48I'm starting to see things more clearly.
08:51I'm starting to see
08:53what the real world is like.
08:56I'd like to prove that I can do it.
09:00I look forward to working with you.
09:03What are the treasures worth more than 40 million yen?
09:06Let's take a look at them in the studio.
09:09Here are the guests.
09:12Mr. Eiji Kurata from Nara.
09:18Nice to meet you.
09:20Nice to meet you, too.
09:22I heard your back is hurting.
09:24Let's get you out of the chair.
09:26Your back is really important.
09:28Excuse me.
09:30You went to the first-class school.
09:34How long did it take you to get there?
09:37It took me nine hours to get there.
09:40That's why your back is hurting.
09:44Let's open the treasures.
09:51This is worth more than 40 million yen.
09:54What is this?
09:56The first one is
09:58the Gyokukoshun Hei from the Northern Song Dynasty.
10:03It's about 1,000 years old.
10:051,000 years old?
10:08It's 1,000 years old.
10:10It's very beautiful.
10:12How did you make it?
10:14I've never seen it before.
10:16In the middle is
10:18Tosai Koro.
10:20It's a real fairy.
10:22It's the first half of the 1700s.
10:25There are a lot of pictures of children.
10:28It's cute.
10:30It's very beautiful.
10:33On the other side is
10:35the Seika Yuriko.
10:37It's a real sword.
10:39It's the second half of the 1700s.
10:41It's a picture of Kiku.
10:43It's a picture of Kiku.
10:45It's a good picture.
10:47How much did you buy it for?
10:49It's all 2.5 million yen.
10:51How much is the value of each self-judgment?
10:5410 million, 10 million, 20 million yen.
10:5610 million, 10 million, 20 million yen.
10:58I believe in myself.
11:00It's a collective system.
11:02I'm curious.
11:04This is the chest.
11:06It's called Yakuyoke in Mongolian.
11:08Today, I don't want to lower my self-judgment.
11:11Yakuyoke.
11:13Have you ever been saved by this?
11:15No, I haven't.
11:17No, you haven't.
11:20What is this request?
11:24Let's take a closer look.
11:27First, the Teiyo Hakuji Gyokko Shunhei.
11:32In the 10th century,
11:34Hakuji's techniques were at their peak in the Teiyo period.
11:38Hakuji's skin was baked at a high temperature
11:41by applying transparent oil to the white clay.
11:44The skin was slightly yellow,
11:47and it was beautiful as if it were a statue.
11:51It was called Gahaku-shoku.
11:55The patterns were called Kokka-mon,
11:59or Kakka-mon, which was cut into thin slices.
12:03There were also Inka-mon, which was used as a mold,
12:07but they were all delicate and beautiful,
12:10and the process of time was slow.
12:14This is Teki-ka-mon.
12:17After applying makeup to the fabric,
12:20only the pattern was left.
12:22This is the technique of scraping off white clay with a spatula.
12:27This technique was developed in the Jishu-ryo,
12:31which was originally used to bake daily necessities for the common people.
12:35However, when it was transmitted to the Teiyo,
12:38it was refined,
12:40giving it a high quality that Jishu-ryo did not have.
12:44The shape of the request is
12:46a container for storing sake,
12:49and it is called Gyokko-shunhei.
12:52In Shimobukure-no-do,
12:54a flower of a button is drawn by scraping off white clay.
13:01Next is the technique of Tosai.
13:05Tosai is a technique of coloring
13:08that bloomed in Keitoku-chin
13:11in the middle of the Minjidai period,
13:14during the Seikatei period.
13:17The color of green originates from the fact that
13:20it was a bright sky-blue color,
13:23but since each color is as beautiful as the Kisoka,
13:27the word Tatakau can also be used.
13:32The outline of the pattern is drawn with a light blue line,
13:36and the transparent oil is applied to correct it once.
13:40Then it is painted with red, yellow, and green pigments
13:44and baked at a low temperature.
13:47It is said to be one of the most famous items,
13:50and it is this chicken cup.
13:53It was used at a banquet in the palace,
13:56and it was worshiped at a height of 4 cm.
13:59In 2014, it was sold at an auction in Hong Kong,
14:03and it was sold for 3.7 billion yen.
14:09The requested item is a 31 cm high oven,
14:13and it is painted with a light green and red color
14:16with a thin line of dyeing,
14:19which is a lovely shell.
14:24And the cleaning pot of the Seika Yuriko.
14:29Seika is a so-called dyeing pot
14:32that is painted with cobalt pigment under the oil.
14:37Instead of cobalt,
14:40it is a technique to make it red with cobalt,
14:44and in Japan, it is known as Shinsha.
14:49Each was made more luxuriously than the current era,
14:53but Yuriko requires a much higher technology than Seika.
15:00This is because cobalt blackens when the temperature of the kiln is too low,
15:06and cobalt blackens when the temperature of the kiln is too high.
15:11The use of Seika and Yuriko is even more difficult,
15:16but in the era of the Shinno Yoseitei,
15:19Keitokuchin Kanyo's technique has reached its peak
15:23and has succeeded in this.
15:26The contrast between the vivid red and the calm blue
15:30is exquisite.
15:34The client uses the chrysanthemum flower on the front
15:38to dye the leaves and branches.
15:42The client uses the plum blossom on the back
15:46to dye the branches.
15:51If they are real, there is no doubt that they are made with high technology.
15:55How will it be judged?
15:59I'll just buy it.
16:20I feel that Nakajima-sensei's expression is always harsh.
16:25It's scary.
16:27It's a little scary.
16:29It's a little scary.
16:31It's a little scary.
16:33It's the first time I've ever said that.
16:35This is the price of his evaluation.
16:38It's 40 million yen.
16:40Mr. Ibara.
16:42In the words of Nakajima-sensei,
16:44I'm 20 million yen.
16:46Let's go.
16:47Open the price.
16:49Which one?
16:51Which one?
16:521, 2, 3, 4, 5, 6, 7, 8.
16:5630,000 yen.
16:5830,000 yen.
17:02It's a matter of balance.
17:06All three items were made in China in the modern era.
17:11The craftsmanship is reflected.
17:15The soil on the bottom of the pot is peeled off.
17:22The real thing is sprinkled with a thin layer of transparent oil on top.
17:27The glaze is too bad.
17:30And I'm putting a break on top of it.
17:35The combination is wrong.
17:38I think it's probably a loss of the bowl in between.
17:44The result is advantageous.
17:46It's a modern craftsmanship.
17:48I made it so that it can be used in a general household.
17:54It's a shame.
17:56Please cherish the memories of your trip.
17:59Yes.
18:00I'm in trouble.
18:02I'm in trouble.
18:04It doesn't matter if you're on a business trip.
18:06Yotohabashi Aobaku.
18:10This stage is Yotohabashi Aobaku, which celebrates its 30th anniversary this year.
18:16It is a popular area for children and young people
18:21because it is a town model of a park in the outskirts of London.
18:26The children's area is a popular place to go out with their parents.
18:31There is a huge slide that is 115 meters long.
18:36There is a farm where you can touch animals.
18:41There are many experience areas.
18:43You can enjoy it all day.
18:46The admission fee is 600 yen for adults and 200 yen for elementary and junior high school students.
18:51It's a great place to go.
18:54The specialty is Hamanashi.
18:57In recent years, it has been praised for its strong sweetness,
19:01deliciousness, and taste of happiness.
19:05It is harvested in a ripe state and is not shipped to the ground.
19:09It is sold directly in the garden.
19:12The production volume is small and it is called a phantasmagoria.
19:17Will there be a phantasmagoria like Hamanashi tonight?
19:22First of all, Sakata, who got married internationally when she was a medical student.
19:26Where are you from?
19:29I'm from Myanmar. I'm 14 years old.
19:32Where did you meet?
19:33Last year, I was picking up girls at Yokohama Station.
19:38Robert, who was working at a darts bar, was the one who picked up girls.
19:43They met and got married in three years.
19:47Today, they are cheering in the audience.
19:49I heard you met your husband by picking up girls.
19:53Well, it's not like that.
19:56It's not like that?
19:58I wanted to make friends.
20:01When you saw her, did you think she was beautiful and talk to her?
20:05Yes, I did.
20:06That's what you call picking up girls.
20:10Here are the treasures.
20:15Five tea sets of Minpei-yaki.
20:19Minpei-yaki was baked in Awaji Island in the late Edo period,
20:24mainly in Minpei, Kashu, Tokyo.
20:27She has been into picking up girls since she was a junior high school student.
20:32How did you start?
20:34I started with the Kanteidan.
20:37At first, I used my allowance to buy things.
20:42But as I grew up, I could use money freely,
20:46so I bought expensive things, too.
20:50She fell in love with a bright yellow tea set last year and bought it.
20:56How much was it?
20:58I bought a lot at that time,
21:02so I don't remember how much it was.
21:06How much was it in total?
21:08I don't remember.
21:10My husband is here, so I can't tell you.
21:14Your husband?
21:15I don't know him.
21:16I've never seen him.
21:17You've never seen him?
21:19Her estimate is about 100,000 yen.
21:24Although it's a secret,
21:26her estimate is about 100,000 yen,
21:28so if she gets more than that, she'll be happy.
21:31What's the result?
21:34Come on!
21:35100,000 yen!
21:36She did it!
21:39Wonderful!
21:41Minpei-yaki was baked in Awaji Island in the late Edo period.
21:46There's no doubt about it.
21:48This yellow color reminds me of the bright sunlight of Awaji Island.
21:54It's beautiful and nice.
21:57Tea sets are very rare.
22:00It's probably a model of a horse's handle.
22:06I see.
22:07It's hard to believe that you reproduced the details of a horse's handle
22:14and made it into a tea set.
22:18Please take good care of it.
22:20I'll keep buying a lot from now on.
22:25Next is Suzuki-san, a passionate toy collector.
22:30Do you like toys that much?
22:32I like toys, too.
22:34How many toys do you have in your collection?
22:36More than 1,000.
22:38More than 1,000?
22:40This is his collection.
22:43Wow!
22:45I haven't shown all of them yet.
22:47You still have more?
22:49I'm sorry.
22:52He never shows his favorite toys out of the box.
22:58I don't want to touch the dirty air of the human world.
23:04How do you enjoy it?
23:06I look at the box from the side and diagonally.
23:11But I don't show it out of the box.
23:13I can't see the back.
23:14You want to see the back?
23:15I want to see it.
23:16What do you do?
23:17Do you show it out of the box?
23:18No, I don't.
23:21Here are the treasures.
23:26This is a soft toy from the movie Godzilla vs. Hedorah.
23:33He got it when he was in the first year of middle school.
23:36He moved to Aobaku from Shinagawa at that time.
23:40He visited his mother in front of him.
23:44I was surprised that there was no toy store.
23:49I thought I was going to move to a difficult place.
23:55The next day, he hurriedly grabbed 15,000 yen.
23:59He went to five toy stores in Shinagawa.
24:02He bought 10 toys.
24:05One of them was this soft toy.
24:08The price was 350 yen.
24:11He brought the toy home that night.
24:14His mother was very angry.
24:17What are you buying?
24:19What is this?
24:22I bought this.
24:27It's a pollen.
24:28It's a pollen.
24:29It's a dog pollen.
24:30Excuse me.
24:31No problem.
24:34It's the first time I've ever seen a person bite a flower in the middle of a talk show.
24:39Every time I see Hedorah, I think of his mother.
24:44He bought it for 35,000 yen.
24:50He was still a child at the time.
24:52He threw away the vinyl that was being broadcast.
24:57What is the result?
25:00Come on.
25:02150,000 yen.
25:04This is amazing.
25:07150,000 yen.
25:15Hedorah, you did a good job.
25:18Hedorah was released by a company called Blue Mark in 1971.
25:24There are a lot of collectors who collect toys from overseas.
25:29The price has gone up.
25:33Children often play with soft vinyl toys on the beach.
25:37Then their tails come off and their fingers break.
25:41There are a lot of things like that.
25:43That's great.
25:44It's beautiful.
25:47Next is Ms. Atagi, the husband of the collector.
25:52Is your husband a collector?
25:54That's right.
25:55How many are there?
25:56I think there are about 100.
25:59Here is the collection.
26:02That's great.
26:04You've collected so much.
26:06It looks the same to me.
26:10Mr. Katsuyuki, the husband, is in the audience.
26:14Why isn't your husband here?
26:16My husband is a shy person.
26:20I have three daughters.
26:22If he comes out, I'll give this treasure to him.
26:26Then everyone will hate it.
26:30I love it.
26:31There is no such thing.
26:33I think it's very attractive to be different.
26:37It's not good for my daughters.
26:41My husband is talking so desperately.
26:44He doesn't look at me at all.
26:46He's looking down.
26:49Here is the treasure.
26:52It's a tea bowl from Kitaouji, Los Angeles.
26:57It's from Los Angeles.
27:00Four years ago, when her husband went to a familiar antique shop,
27:04he was recommended this tea bowl.
27:06According to the owner, the previous owner bought it for 3 million yen at the department store,
27:11but he bought it for 1.8 million yen because he wanted to let go of the money.
27:17He bought it especially for her.
27:19He always buys it for me, so I'll sell it to him for 8 million yen.
27:27Then her husband bought it with a part of his severance pay.
27:33He got angry.
27:35He said he would give it to me cheaply, so I was happy.
27:42My daughters don't look at me at all.
27:46They always look at my feet.
27:50He bought it for 800,000 yen, just like when he bought it.
27:56Everyone is half-hearted except for her husband.
28:01They are ready to be ashamed.
28:03However, after this, we will announce the results of the surprise evaluation.
28:16I think it's a good one.
28:19One, two, three.
28:21Oh, my God.
28:26Four years ago, her husband bought a tea bowl for 800,000 yen at the department store.
28:35What is the result?
28:37Come on!
28:381.8 million yen!
28:40Oh, my God!
28:45My daughter's smile!
28:48It's definitely the Kitagawa family.
28:52It says HIDATSUKI on the box.
28:56When you put it in a kiln and bake it, you wrap it with straw so that it doesn't stick to other vessels.
29:02Then the alkali in the straw and the iron contained in the soil react and a red line is formed.
29:10That's HIDATSUKI.
29:12The box is really good.
29:15There is a stamp on the back.
29:17It was made by Mr. Yusai Maeda, a craftsman in Kyoto, just for the sake of his own innovation.
29:25It was a good purchase.
29:27Please take good care of it.
29:29Next is Suzuki, who started swimming 20 years ago.
29:34How old are you now?
29:37I'm 83 years old.
29:3983 years old!
29:42It's over!
29:44Did you have a reason to start swimming?
29:46I couldn't even put my face on the kiln.
29:50At this age, I don't want to die without being able to swim.
29:56Since then, she has been going to swimming school every day to overcome the kiln.
30:02Wow, it's beautiful!
30:04Wow, it's amazing!
30:07Thank you very much.
30:11There are two treasures in Saito Kiyoshi's painting.
30:15What his mother got about 50 years ago.
30:19Actually, at that time...
30:21I was living in the same village where Mr. Saito Kiyoshi was born.
30:27One day, the hairdresser of his mother's home
30:31showed me these two things, saying that it was a work of his cousin who was a painter.
30:36Then his mother fell in love with it at first sight.
30:40I heard that he bought the winter scenery for about 50,000 yen.
30:44The painting he painted was about 100,000 yen.
30:47It's been more than 60 years since he left his hometown, but when he looks at this painting...
30:54It's very nostalgic.
30:56There is a washing machine like that.
30:59Even though there is so much snow, he still wants a washing machine.
31:04Aya-chan, what do you think?
31:05It's like a picture book. It has a cute atmosphere.
31:08I still want to take a picture of the washing machine.
31:12You want to take a picture, don't you?
31:14His mother's evaluation is about 500,000 yen.
31:19His mother always decorated this painting and missed her hometown.
31:26What is the result?
31:28100,000 yen!
31:29Come on!
31:30100,000 yen!
31:32This is amazing!
31:39Both of them are works by Kiyoshi Saito.
31:43They were both made when he was 70 years old.
31:46The work of persimmon is 700,000 yen.
31:49I think it's very interesting that the persimmon branches are bent and twisted in a complicated way.
31:55The persimmon branches are bent and twisted in a complicated way.
31:57And the fresh green color of the ground makes it more decorative.
32:02But unfortunately, it's burnt.
32:04Oh, is that so?
32:05If it was a beautiful sky, it would be 1 million yen.
32:10Aizu's winter is cute.
32:12This is 1.5 million yen.
32:14This is a piece of Aizu's winter series, which was a life work of a painter.
32:18There is a lot of thick snow.
32:21There is a washing machine in front of the washing machine.
32:24In the monotone, a very bright color is used.
32:27It's not a cold snow scene.
32:29It's a piece that you can feel the warmth of the local people's life.
32:34Please take good care of it.
32:37Next is Ms. Tsurumoto, who has been a lawyer secretary for 30 years.
32:42Are you a lawyer secretary?
32:45I investigate the case law and documents.
32:49I also copy a lot of evidence.
32:53You copy a lot of evidence.
32:57She works under a lawyer named Masunaga, who is known for his good case.
33:01The most difficult thing for her was the lawsuit against the blue-light diode.
33:06Ms. Nakamura had a former employer.
33:09She asked for a fair reward for her invention.
33:13In the end, she got a reward of 840 million yen.
33:18There are 10 or 20 other lawyers.
33:22This is Masunaga.
33:24That's me.
33:25That's amazing.
33:27He has a hobby of working.
33:30He doesn't understand that I'm having a hard time.
33:33No matter how many times I tell him, he doesn't understand.
33:38The treasure is a black Rakuja bowl made by Jokei.
33:43Who is Jokei?
33:46He is the second generation of Rakuja, the first generation of Chojiro.
33:51It's the era of Rikyu-san.
33:54It's about 400 years ago.
33:59He fell in love with this color and mold at an antique store that he stopped by about 20 years ago.
34:06He has been making tea since he was in high school.
34:09At that time, he was busy with work.
34:12I couldn't go to the tea shop for a long time.
34:15I was stressed.
34:17So I decided to buy it.
34:20How much did you pay?
34:21I was told 800,000 yen.
34:24It was a little expensive for a small-scale tea shop.
34:28When he poured the tea into the hot water to make it,
34:32At that moment, a strong smell came up.
34:37What kind of smell?
34:39I woke up 400 years ago.
34:44It smelled so bad that I named this bowl Kuchawan.
34:49It's delicious.
34:50I named it.
34:53The reason for the smell is probably mold.
34:56He stopped smelling at all while making tea several times.
35:01The estimated price is 800,000 yen as he bought it.
35:07I know it's rare, but I want to bet on a dream.
35:13What is the result?
35:16Come on!
35:17500,000 yen!
35:20It's a shame.
35:23It's not the second best in Rakuten.
35:28But this is a pretty good bowl.
35:31It was probably made by a tea man in the cultural and literary era.
35:37There is a trace of something in the bottom of the bowl.
35:41It's hard to read because of the medicine.
35:44I think it's probably a famous tea man.
35:48If it's a scene, it's more than 50 million yen.
35:54Kanteidan will be broadcast anywhere in Japan.
36:00Next is from Kusatsu City, Shiga Prefecture.
36:03Let's have a look.
36:07They were having a barbecue with their family.
36:11The next client is Jin Hatakeyama, 48 years old.
36:20It's delicious to eat together.
36:26It's a good meal.
36:29It's delicious to eat outside.
36:32So, the kids are always helping me.
36:36The kids are in charge of everything from cooking to preparing the ingredients.
36:42What is Leo doing?
36:46It's a rice cooker.
37:00How does it taste?
37:03It's chewy and delicious.
37:06It's perfect.
37:08Thank you for the wonderful summer memories.
37:13By the way, what is the treasure?
37:16It's a mysterious painting left by my father.
37:19His father, Takashi, was a cameraman of a film studio.
37:23He was especially good at taking pictures of art.
37:27However, he had a lot of work.
37:31When Jin was young, his parents got divorced.
37:35I was originally busy with work and didn't have a family.
37:39I don't have any impression of my father.
37:45When Takashi passed away two years ago,
37:48he found this treasure.
37:51His first impression was...
37:53I didn't know if it was a painting or not.
37:56When I looked at the back,
37:58I thought it was probably a person's name.
38:02When I searched on the Internet,
38:05I was surprised to find out that it was a famous painter.
38:08It may be amazing.
38:11I look forward to working with you.
38:14What kind of painting is it?
38:16Let's take a look at it in the studio.
38:19The great man is here.
38:21He is Jin Hatagiyama from Shiga Prefecture.
38:25Nice to meet you.
38:29First of all, barbecue.
38:32How fast do you cook?
38:34I cook at my own pace.
38:37Your family is here today.
38:39Everyone is great.
38:41I'm in charge of cooking.
38:43You are the best man.
38:45What is the key point?
38:47Don't overcook it.
38:50If you cook it for about 30 minutes, it will be delicious.
38:55That's great.
38:57How do you start a fire?
38:59Isn't it difficult to start a fire?
39:01It's difficult, but I'm getting used to it.
39:04Let's work together.
39:06It's really dazzling.
39:08Let's take a look.
39:10Open the treasure.
39:12What?
39:14I didn't mean to say that.
39:17I didn't mean to say that.
39:19Uemae Chiyu's painting.
39:21Uemae Chiyu.
39:24There was something like a name on the back.
39:28What is this?
39:30It says 71 years on the signature.
39:33This is very strange.
39:35There are many complicated colors.
39:39There is red and dark green.
39:43What color are you painting?
39:45It's a mystery.
39:47I was wondering if there would be something like flick art depending on the angle.
39:52I feel like it's a good thing.
39:54I feel like I can't imitate it.
39:57I don't know why this was at home.
40:01I've never heard of the hobby of collecting paintings.
40:05What do you think of this treasure?
40:07It's messy and I don't know anything.
40:09You don't know anything because it's messy.
40:11It's like paint.
40:14It's not sticky.
40:17I'm having a hard time because I'm doing it one by one.
40:21By the way, if you get a chance, do you want to use it like this?
40:26I'd like to go on a trip with everyone.
40:31That's good.
40:33The artist first drew a dot.
40:38Dot. Dot. Dot.
40:43Why?
40:47Humanity has been observing the starry sky since before the Cretaceous.
40:52However, when I look at the vast screen drawn on the dots of the stars,
40:58I forget the various events of human society and am enveloped in an elegant atmosphere.
41:06Chiyu Uemae.
41:09He is an artist who has continued to explore the formless.
41:15He was born in Kanson, Kyoto in 1920.
41:20His family was poor.
41:22After graduating from elementary school, he was sent to a kimono shop.
41:27However, he longed to be a painter.
41:29At the age of 18, he left his hometown and went to a painting school in Yokohama.
41:34However, he was expelled from the school within a week.
41:39He was thrown into a gambling den and was driven into bankruptcy.
41:45When he was 26 years old, he started painting again.
41:52He worked hard from early morning to noon.
41:58In the afternoon, he went to work.
42:02I have to work and eat.
42:05However, my life is maintained by painting.
42:12Uemae decided to work to paint.
42:15At the age of 28, he obtained a driver's license for a crane.
42:19He worked as a crane operator on a railway in Kawasaki, Kobe.
42:25The weather was just right at this time.
42:30At an exhibition of a department store, he saw a portrait of the former film maker Jiro Yoshihara.
42:36He was shocked and decided to separate himself from the portrait.
42:43In 1954, he joined the formation of the Gutai-Bijutsu-Kyokai, a group led by Yoshihara.
42:52The meaning of Gutai-Bijutsu-Kyokai is to express that the spirit is free.
42:59One of the members, Kazuo Shiraga, hanged himself on a rope and painted on the back of his feet.
43:07Shozo Shimamoto made a hole in the canvas.
43:12Among such Gutai, Uemae's works were colorful.
43:19Red, yellow, blue, purple.
43:23He filled the canvas with various colored dots.
43:28As if he was checking how he was going to leave his mark.
43:35After finishing his work in the scorching sun, he continued to paint every night.
43:43At an exhibition held in Osaka in 1958,
43:48Michel Tapie, an international art critic, praised Uemae's work.
43:58He knew that his painting would become a world-famous artist.
44:04Uemae went further.
44:08At one time, he put a large number of matches and engravings on the canvas.
44:18At another time, he carved lines on the paint with a palette knife.
44:26At another time, he put a large number of bread bags on the canvas.
44:31He pursued his own world.
44:35Sewing has been a challenge for him since he was 56 years old.
44:39Instead of a canvas, he used a rag.
44:42Instead of a paint, he sewed a variety of threads.
44:47This is a technique he learned as a child.
44:55Here, something is sewn in place of a rag.
44:59Oh, panties.
45:01Panties!
45:03Uemae thought that this would be a fine piece of art.
45:09Uemae did not stop painting.
45:12He worked with sweat every day and painted for himself.
45:17Yuji, Uemae's son, who saw Uemae closely, said...
45:25It must be fun to paint.
45:28It's like playing with paint.
45:31That's his job.
45:36My mother used to say,
45:40do only what you want to do.
45:44In 2012, Uemae was re-evaluated as a member of the Japanese Art Association.
45:51At the time, he was 92 years old.
45:54He went to exhibitions all over the U.S.
45:58He was well-received by the public.
46:03In 2018, he was sentenced to prison.
46:07He was 97 years old.
46:12Let's take a look at his work again.
46:15This is Uemae Chiyu's oil painting.
46:18At first glance, it looks like varnish.
46:21But if you look closely,
46:23you can see blue, green, and red paint from the fine yellow lines.
46:30It's not just paint.
46:32On the back, it says,
46:34Uemae Chiyu, April 1971.
46:39Uemae's works are very popular overseas.
46:43In recent years, his work has gained more and more recognition.
46:47How was he judged?
46:57Your father was a photographer.
46:59Yes, he was.
47:00It looks like he was awarded.
47:02Where did they meet?
47:05This is the price of the painting.
47:07How much is it?
47:08It's 750,000 yen.
47:09750,000 yen!
47:11Where did you get the money from?
47:13My sister decided it was about this much.
47:17I have three brothers.
47:19I think it was easy to divide the money.
47:22Your son is praying for you.
47:24Let's open the prize.
47:27The prize is 750,000 yen.
47:301, 2, 3, 4, 5, 6, 7, 8, 9, 10.
47:36It's 1,000 yen!
47:39It's 1,000 yen!
47:43I did it!
47:46Wow!
47:49That's a lot of money!
47:51Uemae Chiyu's work is real.
47:54It was painted on a board in 1971.
47:59He painted various colors with a painting knife,
48:02and then added lines.
48:04It's a very careful work.
48:06It can only be painted by Uemae.
48:08There is a depth that is born on the pile,
48:11so there is a great sense of the world.
48:13I loved Goho.
48:15I could see the characteristics of Goho's techniques,
48:18such as the characteristic of Himawari,
48:21which is a representative work.
48:23I could see the characteristics of Himawari,
48:26such as the characteristic of Himawari,
48:28such as the characteristic of Himawari,
48:30such as the characteristic of Himawari,
48:32This is a portrait of my father.
48:36It's a really precious work.
48:38I hope you will cherish it for a long time.
48:40But it's already 3.33 million yen.
48:45We are looking for a client.
48:48If you are looking for a treasure,
48:50or if you want to sell a treasure,
48:52please apply to the address you see,
48:55including the photo and episode of the treasure.
48:58We are waiting for you.
49:00For more information, please visit the program homepage.