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Daniel rescues Mirah Lapidoth from a suicide attempt and searches for her mother and brother in London. Grandcourt informs Lydia of his planned nuptials, and she sends to Gwendolen a package with a curse.
Daniel rescues Mirah Lapidoth from a suicide attempt and searches for her mother and brother in London. Grandcourt informs Lydia of his planned nuptials, and she sends to Gwendolen a package with a curse.
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00:00No more pain, no more pain
00:13In the happy time, in the misery
00:24In the happy time, in the misery
00:54In the happy time, in the misery
01:05In the happy time, in the misery
01:15In the happy time, in the misery
01:26In the happy time, in the misery
01:36In the happy time, in the misery
02:06In the happy time, in the misery
02:36Very close, yeah.
02:38Gorgiolo, qualche risuolo
03:02Al mio dolore, a miei sospiri
03:32I like to listen to the oars.
03:43So do I.
03:47If you had not come, I should have been dead by now.
03:51I hope you will never be sorry that I came.
03:57I cannot see how I should be glad to leave.
04:01I don't know anyone in this country.
04:05You speak English so perfectly.
04:08I was born in England, but I am a Jewess.
04:16Do you despise me for it?
04:19Why should I?
04:23Many Englishmen do.
04:26I came back to England to find my mother.
04:31I thought God would guide me, but then I despaired.
04:38But now, now I think I was meant to live.
04:46Perhaps I am going to her.
04:56Daniel, what's happened?
04:59This is Miss Lafferd. She's had an accident.
05:02She fell into the river, and I thought as you were near...
05:05Of course, of course. Come in, Miss Lafferdot.
05:07You're not well, are you? Kate, Mum, don't worry, Daniel.
05:11We'll soon have her warm and dry.
05:14Oh, you must be freezing. Come sit by the fire.
05:17I hope you don't mind. It's a dreadful imposition.
05:20After all you've done for Hans, of course I don't mind.
05:22I thought you'd like it better here.
05:23Lady Mallinger would have been kind,
05:25but Miss Lafferdot might have found it daunting.
05:27Of course, I'll pay all her expenses.
05:29No, Daniel, we can manage perfectly.
05:31Oh, please, I insist.
05:33You're too kind to us, Daniel.
05:35Well, I'll leave you to look after her.
05:37May I come again tomorrow and find out how she is?
05:39Yes, of course.
05:48Goodbye.
05:53The God of our fathers bless you
05:55and deliver you from all evil,
05:57as you have delivered me.
05:59I didn't believe there was any man so good.
06:09A letter and a package for you from Diplo.
06:12Oh.
06:18Should you like your breakfast sent up, dear?
06:20Please.
06:35Promises to pay Mrs. D'Avila 500 pounds.
06:46Please do me the honour of wearing this
06:48when you come to Diplo today.
06:50And if you care to look out of the window,
06:51you will see something I think will please you.
06:54Treat him well.
07:27Come on.
07:29I want to see everything.
07:38Have you come to see Mira?
07:40Yes, how is she?
07:42Much, much better.
07:44Did you know she was on the stage?
07:47Sarah.
07:49My mother was called Sarah.
07:52I remember her face.
07:54I was seven when my father took me away.
08:01But why should he do that?
08:06I think he thought he could make money out of me.
08:10And he had quarrelled with my mother.
08:14He wanted to hurt her.
08:17How dreadful.
08:19It wasn't so bad, you know.
08:21To be a musician.
08:23Or to live in so many places.
08:25And to be an artist.
08:27My father is a musician too.
08:29And we went all over.
08:31New York.
08:33Chicago.
08:35Hamburg. Vienna.
08:39But by then,
08:42he wasn't playing so much.
08:45Except in the gaming houses.
08:48He didn't mean to be unkind, but...
08:52he pushed me.
08:54Too hard.
08:56Too soon.
08:59You know, I heard my voice.
09:02I was still too young.
09:06And he brought me on too fast.
09:12Then...
09:13Then...
09:19When that didn't work, he...
09:24He tried to sell me
09:27to a rich friend of his.
09:30A count.
09:35Good God.
09:39I know we should always love our fathers, but...
09:44I ran away from him then.
09:48And came here.
09:50To try to find my family.
09:56But I didn't know London was so big.
10:01So stupid of me.
10:08You think I am strange, wanting to find her after all this time.
10:11Not strange at all.
10:15I never knew my mother.
10:20Would you like to find her?
10:26Yes, I would.
10:29Then...
10:31We are alike, after all.
10:33We are alike, after all.
10:41Yes, that's the one.
10:43See, Granport and Lush have me thinking about Diplo again.
10:48You don't want him to have it?
10:49Nothing I can do about it. He's the heir.
10:51I will go to him with the rest when I die.
10:54Unless I can buy him out now, you see.
10:58I'm thinking it would be the place for Lady Malindro and the girls when I'm gone.
11:03And of course there would always be a home for you there, Dan, whenever you needed one.
11:09I'm fond of the place. I grew up there.
11:12If Granport doesn't need it, the money would be far more used to him.
11:16Are you going to make him an offer?
11:17£45,000.
11:20It's a good offer, but he knows I want it, you see.
11:23Well, there's nothing for it but to go down to Diplo and try him.
11:28I can't stand the sight of him.
11:31I'll go.
11:33Would you?
11:34Oh, I'd be very grateful if you would, Dan.
11:36I know you don't like him any more than I do.
11:41Ah, now, doesn't that pretty gambler that we saw at Lloybrand live somewhere nearby?
11:48You might call on her while you're there. Why not?
11:52Hmm?
12:05What's that fellow doing here?
12:07Mr. de Ronda on a matter of business.
12:10You did remember he was coming.
12:12Matter of fact, I didn't.
12:14Afternoon, de Ronda.
12:16Afternoon, de Ronda.
12:20Miss Gwendolyn Harleth, my fiancée.
12:24I understand that you were never introduced at Lloybrand.
12:28Miss Harleth hardly remembers me, I imagine.
12:31I remember you very well.
12:33I don't think Mr. de Ronda liked my gambling.
12:37He cast an evil eye on me.
12:39I began to lose as soon as he came to look on.
12:43Roulette's a bore, and so is Lloybrand.
12:45He certainly found it a bore when I began to lose.
12:49Do you care for play yourself, de Ronda?
12:52No.
12:54And I don't like to see what it does to those who do play.
13:01That so.
13:04Let's go in, shall we?
13:06You go ahead.
13:08I want to speak to Mr. de Ronda, not you.
13:11Lush.
13:15I want to know why you object to my gambling.
13:19I have no right to object to anything you do.
13:22But you despise me for gambling. You do, don't you?
13:25You was good as said so just now.
13:27No, I don't despise you.
13:29What then? What do you think of me?
13:32At Lloybrand, I thought it was a shame you should lose.
13:36And so you thought you had a right to interfere?
13:38Yes.
13:44Why?
13:47I didn't like to see you lose.
13:51And...
13:54even if you had won, there's something revolting about seeking to gain from someone else's losses.
14:02But that's how things are.
14:05You can't always help it, can you?
14:07When you gain from another's loss.
14:10But you should help it when you can, don't you think?
14:15I think one must gamble.
14:18I mean, it's all a gamble. Everything. Life.
14:23I wish...
14:26What?
14:31No.
14:33It's impossible.
14:35Things happen and they can't be changed.
14:42But I wish that we could know each other better.
14:48That might not be very easy now.
14:51Oh, don't say that.
14:55Surely we could be friends. Not enemies, at least.
14:59No, certainly not that.
15:09Duronda.
15:11I understand you have some sort of business proposition.
15:20Sir Hugo was thinking of the situation of Lady Malinger and his daughters after his death.
15:26And he thought you might wish to realise your capital on Diplo now.
15:31Realise my capital? What a quaint phrase.
15:36Sell my birthright, I suppose you mean.
15:41This is the house I will inherit, Duronda. Do you understand?
15:46I am Sir Hugo's heir, not you.
15:51Sir Hugo is prepared to go as high as 45,000, but no higher.
15:57It's a very good offer.
15:59Well.
16:02Duronda, I don't discuss money with...
16:05You can talk to Lush.
16:06My business is with you, not Mr Lush.
16:12Do you think this gives me any pleasure?
16:16No, I don't suppose it does.
16:18Then may I have your answer?
16:22Not ready to give it.
16:24Not ready to give it.
16:29My dear.
16:48Oh, Daniel, there you are. We were expecting you home earlier.
16:52Hey, Daniel, where have you been?
16:55I called at the Merrick's on my way home.
16:57And how is your little dewess?
17:00She's better and better every day. I hope that you'll meet her yourself before too long.
17:05Were you thinking of inviting her here, Daniel?
17:08Would you object?
17:10Well, isn't she some sort of professional entertainer?
17:16She's a very remarkable young woman and she's quite fit to be received anywhere.
17:22I'm quite sure she is, if you say so, Daniel.
17:26Now, go and see Sir Hugo. He's waiting for you in the library.
17:30Come and play with us after, Daniel.
17:32It's past your bedtime now.
17:38I think Grandcourt will come round in the end.
17:41He's a tricky fish to play, though.
17:45So tell me, did you see Miss Harloth?
17:48Yes.
17:50She and Grandcourt are engaged to be married.
17:53Are they, big cat?
17:56He didn't waste much time then.
17:58I don't like to see them together.
18:00I hope you didn't flirt with her too much, Dan.
18:03If you make Grandcourt savage, it'll make this diplo business all the harder to pull off.
18:08I don't think you've ever seen me flirt.
18:11Oh, haven't I, though?
18:13You're always looking tenderly at the women and getting them to tell you their troubles.
18:18And then you pretend to be surprised when they come running after you.
18:22Even if that were true, which it isn't.
18:26I don't think there's much chance of it with Miss Harloth.
18:33Mama?
18:35How common is it for men to father children before they are married?
18:41Well, of course, sometimes it happens.
18:46But why should you think about that now?
18:50Mr. Doronda was at diplo today.
18:54Apparently he won't inherit anything at all when Sir Hugo dies.
18:58It does seem unfair.
19:01Well, life is unfair.
19:05But if Mr. Doronda is Sir Hugo's son, as everyone understands he is,
19:10then I'm sure he'll do something for him.
19:14It isn't wrong, is it, to want to be rich and have nice things?
19:19Of course not, darling.
19:22Even if others should suffer for it?
19:32We can't look out for everyone in the world, can we?
19:37No, I suppose not.
19:39Mama, is it very unpleasant being married?
19:45Not if you love your husband.
19:49And he loves you, dear.
19:52I'm not quite sure I know what love is.
19:59Your father made me very happy.
20:03And I'm very happy.
20:06Your father made me very happy, Gwen.
20:11Captain Davila was not a bad man, all considered.
20:15Mr. Grancourt seems very gentle and considerate.
20:21Yes.
20:24Yes, he is.
20:26He does everything I tell him to.
20:29My wish is his command.
20:31There, then.
20:34You're a very lucky girl.
20:36Yes, I suppose I am.
20:39But then, I deserve the best of everything, don't I?
20:44Yes, you do.
21:04Bravo.
21:06That was absolutely lovely.
21:08Isn't she wonderful?
21:10I think she's the best singer in the world.
21:12Oh, come, please.
21:14She should go on the stage, where everyone could hear her.
21:16Nobody wanted me, Kate.
21:18But isn't that just a matter of knowing the right people?
21:21Couldn't you help her, Daniel?
21:24Is that what you would like?
21:26Yes.
21:28Yes.
21:31Is that what you would like?
21:33Yes, if I could.
21:35I must start to earn my living again.
21:37Then let me see what I can do.
21:39No, no, I couldn't ask you that.
21:41It would be a pleasure.
21:43No trouble at all.
21:45Will you sing something else for us now?
21:47Oh, yes.
21:49Yes, if you like.
21:51This is a song my mother used to sing.
21:54Allelu
21:56Schlaf meine Kind
22:00Dein Mame hat
22:04Viel liefer dir
22:06Du hast schein deine
22:10Glück zu gemacht
22:14Du hast schein deine
22:16Glück zu gemacht
22:20Du hast schein deine
22:22I'm sorry, that one's not a good choice.
22:32Come sit down please, we've tired you out.
22:36Why didn't you play something?
22:39I mean, she's all right.
22:41How about that bit there?
22:44Oh no, what about this?
22:51It's just that I don't know if my mother is still alive or my brother.
22:56Their name is Lapidot.
22:57No.
22:58Cohen.
22:59Sarah Cohen.
23:00And Ezra Cohen.
23:02My father changed our name when we were in America.
23:06How much do you remember of them?
23:11Nothing that would help me find them again, but I do remember when I was a little girl,
23:19my mother would take me to the synagogue and she would help me to read and explain things
23:26to me.
23:28And I remember feeling very warm and safe there.
23:33And it comforts me.
23:40Do you remember your mother?
23:43Not at all.
23:52I've always had an image of someone very pure and sweet, and I think of her as being hurt
24:04by life, and I've imagined helping her, saving her.
24:14But what if she should turn out to be quite different?
24:19Sometimes I think it would be better if I never found out the truth.
24:23No, you would love her whatever she was like.
24:26And she would love you.
24:27I know she would.
24:34And you, you'd want to find your family whatever they were like.
24:40Of course.
24:41I could never turn my back on my family or my religion.
24:59I wonder if I should make some inquiries, but what if the brother should turn out to
25:06be like the father?
25:07And is the mother even...
25:10I know.
25:11I know you're fearful of what you might find.
25:16And she's such a dear girl, Dan.
28:29I don't know whether my mother is still alive, or my brother.
28:37Their name is Lapidus.
28:38No, Cohen.
28:40Sarah Cohen and Ezra Cohen.
28:57Can I help you, sir?
28:58What is the price of this book?
29:05What are you disposed to give for it?
29:08Don't you know its value?
29:10I know the value, but I don't know the market price.
29:13Are you interested in Jewish history?
29:18Yes.
29:19I'm interested in all kinds of history.
29:22But particularly Jewish history.
29:26Are you perhaps a member of our race?
29:29No, not at all.
29:30I'm simply curious, that's all.
29:34I beg your pardon?
29:42How much for the book?
29:43Whatever you like.
29:44Good evening, sir.
30:11I was just about to close up, but now you're here.
30:14We're all at your service.
30:15If it's not too much trouble, I saw some silver clasps in the window.
30:26I'll get some, Ezra.
30:27Mother, mother.
30:28See how she wants to do everything for me?
30:31I'm her only son, you see, sir.
30:34And there's my wife Adelaide, and these are my children.
30:37All come to see the fine gentleman.
30:39I hope you don't object, sir.
30:40No, not at all.
30:41There we are, sir.
30:42Fine gentlemen.
30:43Fine work, as you see.
30:46How much are we asking, Ezra?
30:48Only three guineas.
30:49You know silver, sir, I'm sure.
30:51You know a bargain when you see one.
30:53Mrs. Cohen, might I ask, did you...
30:59Do you have a daughter as well as a son?
31:06Mrs. Cohen, I beg your pardon, I had no idea.
31:08No, that's all right, sir, that's all right.
31:11So what about these silver clasps?
31:13Oh, they're very handsome.
31:18Could I come back tomorrow?
31:19Certainly, but tomorrow's our Sabbath.
31:21We should be closing early.
31:22I could be here by five, would that do?
31:24Shall I have my Sabbath fock on?
31:26She says she'll have her Sabbath fock on, sir.
31:29Oh, a sight not to be missed, I'm sure.
31:32Goodbye, Mr. Cohen.
31:33Goodbye, sir.
31:34Mrs. Cohen.
31:35Meow.
31:36Meow.
31:37Meow.
31:39It's no good,
31:40I can't go on if you're going to make me laugh like that.
31:49Please.
31:50I'll be very good this...
31:52Meow.
31:53I'll be very good this time, I promise.
31:58No more pussycat on my honor.
32:01Meow, meow?
32:05There you are, Daniel. Look at this.
32:07We hardly thought that Mira could laugh till Hans came back from Rome.
32:11Hans. Daniel!
32:12You seem in great force. How was Rome?
32:14Splendid. And it's splendid to be home as well.
32:17He's been just perfect ever since he came back,
32:20apart from his mischief-making.
32:21Little Mother, please.
32:24Good evening. How are you?
32:25I'm well. No need to ask how you are, I think.
32:28Oh, Hans has kept us merry all week.
32:31I love to hear them all laugh.
32:34I love to hear them all talking to one another
32:36about what they did when they were little.
32:38I never had that.
32:39No, nor I.
32:40No. No, of course.
32:42But Mr Hans said yesterday you thought so much of others,
32:46you hardly wanted anything for yourself.
32:49Oh, Mr Hans said that, did he?
32:51Perhaps Mr Hans has no idea what I might want for myself.
33:04There. You see, I shall always beat you.
33:07Only because you gave me criterion.
33:10But I shall always let you have whatever you like.
33:12Shall you?
33:14And nothing that I don't like?
33:19Because I think I dislike what I don't like
33:21more than I like what I like.
33:23And what don't you like?
33:25I don't like what I don't like.
33:27I don't like what I don't like.
33:29I don't like what I don't like.
33:31And what don't you like?
33:34I don't like your friend, Mr Lush.
33:41I'll get rid of him, then.
33:44You don't mind?
33:46Whatever makes you happy.
33:57No, no.
33:59I don't feel like that just now.
34:03Well...
34:05I can wait.
34:14Good evening.
34:16I hope I'm not too late.
34:18No, no, sir. Of course not.
34:20I'll get Ezra.
34:24Do you want to see my knife?
34:26Yes, if you show it to me.
34:28It's very impressive.
34:30Have you got a knife?
34:32Would you like to swap?
34:34I'm afraid mine's at home.
34:36Bring it next time.
34:38Now, then. I see you've made friends.
34:40Jacob, call Mordecai while I help the gentleman.
34:43Here are the clasps.
34:45Three guineas.
34:47Shall we say three pounds?
34:49As we're friends now.
34:51It's very good of you.
34:53First-rate workmanship, sir.
34:55I got them from Cologne.
34:58He was just coming.
35:02Mordecai's our lodger, sir.
35:06I thought that we would meet again.
35:09Perhaps you'd care to share our Sabbath meal, sir?
35:12We'd be honoured.
35:14I wouldn't wish to intrude.
35:16No intrusion. A pleasure.
35:18You're most welcome.
35:20And what do you call the baby?
35:22Eugenie, after the Empress.
35:24We went to see her at the Crystal Palace.
35:26What a crowd!
35:28Mother was near squash flat, weren't you, Mother?
35:31But it was worth it, you know,
35:33to be there and to see them.
35:35Do you know the Emperor
35:37is very much like my boy Ezra in the face?
35:40Please. It's embarrassing.
35:42Well, what's the matter?
35:44If he's not there,
35:46why should I be there?
35:48Well, what's the matter?
35:50If it's true, I shouldn't say so.
35:52What sort of a knife is yours?
35:54Shh!
35:58Rabbi Sinivore.
36:11Amen.
36:18Good night.
36:20Good night.
36:22Thank you again.
36:24Will you walk with me a little?
36:26Then I can show you where you can get a cab.
36:29Time for bed.
36:31Gladly.
36:39Do you know what brought you here tonight?
36:42I came for the silver clasps I saw yesterday.
36:45And that's all?
36:48When I came last evening,
36:50I asked Mrs. Cohen if she had a daughter as well as a son,
36:54and it seemed to distress her.
36:56Do you know what her trouble is?
36:58Nothing to do with you.
37:00That's not why you were sent here.
37:02I came of my own accord.
37:04Excuse me, but I believe you were sent here
37:07for a purpose, to find me.
37:09To find you?
37:11Why? What would I have to do with you?
37:14You don't begin to guess yet?
37:16Oh, well, it will all become clear in time.
37:21Good night.
37:29Park Lane.
37:31Yes, sir.
37:43So...
37:45I'm to cut and run, am I?
37:48To please your lady love?
37:51Are you so much enthralled to her?
37:54That's not what it's about, Lush.
37:57What is it about, then?
37:59The pleasure of mastering a woman
38:02who thinks she can master me.
38:05And who could master any other man but me, I dare say.
38:09Perhaps she's mastered you already.
38:15Don't worry, Lush.
38:17I shan't cast you off entirely.
38:20Just so long as you're out of her sight.
38:26Oh.
38:28I see.
38:30It's like schooling a horse, you see.
38:33They don't like it.
38:35They don't want to kneel and submit.
38:37Don't feel natural.
38:39You have to jolly them along a bit.
38:42Just at first.
38:45You can look after things in town
38:48and then creep back by and by.
38:58Would you like me to go to Cadsmere
39:01and break the news to Mrs. Gratia?
39:07No.
39:09No, I'll do that myself.
39:15I've been thinking about how we might help you get some engagements.
39:19Have you by any chance heard of Julius Klezmer?
39:22Julius Klezmer?
39:24But of course.
39:26I'll be seeing him over Christmas.
39:28I thought I might mention you to him, ask his advice.
39:31I'd like him to hear you sing.
39:33Klezmer?
39:35To hear me?
39:37Yes.
39:39To hear me sing?
39:41Yes.
39:43To hear me?
39:45You don't want me to?
39:47Yes. Yes.
39:49I must take this chance.
39:57Mira...
40:01Suppose you were to discover
40:03that your lost mother and brother were now...
40:08very lowly people
40:10with no particular distinctions.
40:13Would you mind very much?
40:19Should you want to know them
40:21if they were the sort of people society looks down on?
40:25Well, why not?
40:28If they had good hearts
40:31and they wanted to know me and to welcome me,
40:34wouldn't you feel the same?
40:36Oh, I don't know.
40:40Yes, I believe I would.
40:43Oh, Dan!
40:45You didn't say you'd call.
40:47I hope you're not trying to give me the slip.
40:50Not at all.
40:52So, what do you think of her?
40:54Doesn't she look well?
40:56Yes, she does very well.
40:58Ah, you must come up and see what I've been doing.
41:01And you, too, Mira.
41:03Oh, no, not me. I'd be embarrassed.
41:05Oh.
41:07Why would you be embarrassed?
41:09You've gone back to painting those classical nudes of yours,
41:12Amazons and Sabines and...
41:14Oh.
41:19She is wonderful to paint, Dan.
41:22Just to try to capture that...
41:25I don't know what it is that she has.
41:28It's fascinating.
41:32I can't get enough of her, Dan.
41:35As you see.
41:39I didn't bring her to this house
41:41to work as your unpaid model, you know, Hans.
41:44Well, I'm not exploiting her, you know.
41:46She's very glad to pose when she's not practising.
41:49And she's more than a model to me.
41:51Much more.
41:53I care more for her
41:55than any girl I've ever known.
41:58Oh.
42:00And does she return your affection?
42:03Well, she likes me.
42:06I think she feels she would need your permission
42:09before she allowed me...
42:11any more than friendship.
42:13I think perhaps I would need that permission, too.
42:23It's not that I don't like her.
42:25It's just that...
42:27it's not right, Hans.
42:29Why...
42:31Why not?
42:33Because she's under your roof.
42:36Indebted to you.
42:38Obliged to be grateful.
42:40That's all quite wrong.
42:42She's far more indebted to you.
42:44Far more obliged to be grateful to you, isn't she?
42:47But I'm not proposing myself as her lover.
42:53Are you sure?
42:57I've seen you look at her.
43:01What are your feelings for her?
43:03More to the point, what do you propose to do about the...
43:06I don't know, Hans.
43:08I trust you'll let me know when you've made up your mind.
43:11It is a matter of some concern to me.
43:13Oh, come on, Dan.
43:15Don't glower at me like that.
43:17We can still be friends, can't we?
43:28It's him.
43:29Who, my love?
43:31You know, you didn't say he was coming.
43:34I wasn't sure that you would.
43:43You will be good, won't you, Henley?
43:45You know we depend on him for everything.
43:48Promise.
43:50All right.
43:57Mr. Grancourt, ma'am.
44:14Good.
44:16Ah.
44:18It might be as well if the children were sent out.
44:21Oh, yes.
44:23Go and play in the garden.
44:26Go on. It's still warm outside.
44:28Go and see if there are any new ducks on the pond.
44:51I came to tell you I'm to be married to Miss Harlow.
44:54I came to tell you I'm to be married to Miss Harlow.
45:01No.
45:03You've met her, I understand.
45:09Don't make this more disagreeable than it need be, Lydia.
45:12You and the children will be provided for as usual.
45:15You care nothing for me and the children.
45:17That's not quite true.
45:19Why don't you go?
45:21I can see that you're sick of us.
45:23You want to get away and be with your Miss Harlow.
45:25Don't say things you'll repent of, Lydia.
45:29What friend have you besides me?
45:36There is one more thing.
45:42My diamonds.
45:46I want to make an arrangement for them to be delivered to someone.
45:53I'm sorry.
45:56I never expected you would ever ask for them.
46:00I'm sorry. I can see this must be a bore for you.
46:04I could take them now,
46:06or shall I arrange for Lush to collect them?
46:10I will make the arrangement.
46:14They will be delivered to her safely.
46:16No, that doesn't suit me.
46:20Please.
46:23Please, allow me this one request.
46:25If you...
46:27If you present yourself again
46:30and make a scene,
46:35I will never forgive you.
46:40Do you understand?
46:46Perfectly.
46:50Good.
46:53Good.
47:03Then tell me
47:05where will you be going after your wedding?
47:10To Rylands.
47:16The diamonds will be delivered there.
47:18Don't be angry.
47:21Come.
47:25Smoke your cigar.
48:18These diamonds,
48:20which were given with ardent love to me,
48:24I now pass on to you.
48:48Thank God you bear it so well, darling.
48:50Mama?
48:52Here I am, Mrs Grandcourt.
48:54What else would you have me be?
48:57You were ready to die with vexation
48:59when you thought I would not be Mrs Grandcourt.
49:01How could I help feeling it
49:03when I am parting from you?
49:05I can bear anything gladly
49:07if you are happy.
49:09How could I not be?
49:11I shall have everything at my beck and call.
49:13I shall enjoy everything gloriously.
49:16Splendid houses and horses
49:20and always loving you better
49:22than anybody else in the world.
49:24Oh, my sweet child.
49:26I shan't be jealous if you love your husband better.
49:31He will expect to be first.
49:33Rather a ridiculous expectation.
49:36But I don't mean to treat him ill
49:38unless he deserves it.
49:43I wish you were going with me, Mama.
49:56Come on.
50:02Take the cases.
50:26These will be our dens.
50:28You will like to be quiet here until dinner, I think.
50:31Yes.
50:33Good.
50:35We shall dine early.
50:39Till later, then.
50:56You can tell the maid to leave everything.
50:58I shan't want her again unless I ring.
51:00Very good, ma'am.
51:02Here is a packet just arrived, ma'am.
51:05Oh, good.
51:10These diamonds,
51:12which were given with ardent love to me,
51:15I now pass on to you.
51:19You have broken your word to me
51:21and chosen to injure me and my children.
51:25You will have your punishment.
51:27No!
51:30No!
51:33No!
51:35No!
51:37No!
51:40No!
51:54You will have your punishment.
51:57The man you have married has a withered heart.
52:01I am the grave in which your happiness is buried,
52:04as well as mine.
52:06The wrong you have done me will be your curse.
52:09The wrong you have done me will be your curse.
52:40No!
52:42No!
52:44No!
52:46No!
52:49No!
52:51No!