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00:32:32Wow.
00:32:42Mmm.
00:33:03Bonsoir.
00:33:05Bonsoir.
00:33:32Bonsoir.
00:34:02Ouais.
00:34:05Alors, j'aime une fille qui s'est succombé.
00:34:08C'est vrai?
00:34:10Oh, oui.
00:34:25Ah! Vous êtes là.
00:34:27Bonjour, Alice.
00:34:28C'est la nouvelle couverture?
00:34:29Oui.
00:34:30Parfait.
00:34:31Appelez-moi Harold Blake.
00:34:32Vous avez pu lire le texte de Karen Malone?
00:34:34Euh... non, pas encore.
00:34:36Le livre de Fischer fait un malheur.
00:34:38Vous le ferez cette semaine?
00:34:39Dès que j'aurai un moment.
00:34:40En fait, Milan s'est entretenue avec le service de presse.
00:34:43Voyez s'il y a des choses qu'on n'aurait pas encore entendues.
00:34:45Cette semaine?
00:34:46Pardon?
00:34:47Cette semaine?
00:34:48Oui, oui, bien sûr.
00:34:49Il faut vraiment que je parle à Harold.
00:34:52Harold, sur la une.
00:35:02La règle numéro un de l'écriture, c'est la générosité.
00:35:05Règle numéro un, générosité.
00:35:09Tu dois être prête à te livrer entièrement.
00:35:12Oh, j'ai un cadeau pour toi.
00:35:14C'est vrai?
00:35:15Oui.
00:35:17Un cadeau d'anniversaire.
00:35:19Je t'ai écrit un poème.
00:35:22J'ignorais que tu écrivais de la poésie.
00:35:24Je n'en écris jamais, mais tu m'as inspiré.
00:35:27Tiens.
00:35:31Merci.
00:35:54Qu'est-ce que tu en as pensé?
00:35:56C'est chouette.
00:35:59Chouette.
00:36:04Demain, j'ai un examen d'algèbre et...
00:36:07je déteste cette matière.
00:36:09Alice.
00:36:10Ça va.
00:36:13Ok. Contemple le poème, s'il te plaît.
00:36:19Vous avez trouvé quelque chose?
00:36:21Rien que nous n'ayons déjà entendu.
00:36:23Merde.
00:36:24Appelez-moi Suzanne de chez Simon & Schuster.
00:36:28Ok.
00:36:35Désolée.
00:36:36Alors, ça t'arrive d'être à l'heure?
00:36:38Non, mais...
00:36:40ça, c'est pour toi.
00:36:45Merci.
00:36:58Wow.
00:37:15Wow.
00:37:16Alfred Marx avait 28 ans quand il a commencé à travailler à la maison blanche.
00:37:19Tant mieux pour Alfred.
00:37:21I don't know.
00:37:26Louise Van Der Soey...
00:37:27Okay, stop.
00:37:29What?
00:37:30Is this what you do every Sunday morning?
00:37:33You stay here, jealous of other people's lives, is that it?
00:37:36I don't do that on Sundays. It's a full-time job.
00:37:40It's not very useful, you know that.
00:37:42Yes, I know.
00:37:43You don't have the right to write in front of me.
00:37:46What do you mean?
00:37:47If someone has to write in this apartment, it's me.
00:37:50So do it.
00:37:51Thank you for pressing where it hurts.
00:37:53Stop it.
00:37:54It's not as if there were a limited number of words in the room,
00:37:57that I was going to use them all and that there would be none left for you.
00:38:02Why do you always say sensible things?
00:38:06It's exasperating.
00:38:07Why do you always say sensible things?
00:38:09It's really exasperating.
00:38:13Okay, that's enough.
00:38:14Stop it now.
00:38:20Stop it.
00:38:27Do you see anyone right now?
00:38:31I wouldn't say that.
00:38:34You know, children are probably the greatest choice that life can give you.
00:38:41Yes.
00:38:43How is literature doing?
00:38:46Well, actually...
00:38:48I recently read a book that I think is extraordinary.
00:38:51Really?
00:38:52Yes, I'd like Jack to read it too.
00:38:54And?
00:38:55I was thinking that it might be good if you take a look at it.
00:38:58Maybe you'd like to meet the author.
00:39:01Jack hasn't read it?
00:39:02No, but I'll take care of that, that's not the question.
00:39:05No, I thought you might be interested in meeting her.
00:39:08Her name is Karen Malone.
00:39:09She wrote a beautiful novel, it's called Iowa.
00:39:11No, no, I'm going to call Jack, it's not possible.
00:39:14No, don't do that, that's not why I'm talking to you.
00:39:16But I just have to tell him.
00:39:18Dad, dad, I'll get there on my own.
00:39:20I just want your opinion.
00:39:22As you wish.
00:39:24I insist, dad, don't call him.
00:39:26Okay, darling, I won't call him.
00:39:28What's that?
00:39:30So, did you have fun?
00:39:32Yes.
00:39:45Very good job.
00:39:47Alice, do you have a moment?
00:39:51Listen, if you want, I can refund your registration.
00:39:56What?
00:39:57The official deadline has passed, but they can make an exception.
00:40:06I promise you I'll try.
00:40:09Why not re-register when you feel ready?
00:40:18Yes, I know he's very busy these days,
00:40:20but if he could attend the party for the release of Waking Ice...
00:40:25No, it hasn't been confirmed, but...
00:40:27Of course, I'll wait.
00:40:29Is this Jack Bowman's office?
00:40:31Yes.
00:40:32You are?
00:40:33Karen Malone.
00:40:37Karen.
00:40:38Hello.
00:40:39I'm Alice.
00:40:40Pleased to meet you.
00:40:41Nice to meet you.
00:40:42I'm Alice.
00:40:43Pleased to meet you.
00:40:44Nice to meet you too, Karen.
00:40:45Can you tell him I'm here?
00:40:47Hello, Karen.
00:40:48Come in.
00:40:49Hello.
00:40:50Jack Bowman.
00:40:51Nice to meet you.
00:40:52Alice, this is for me.
00:40:53Hi.
00:40:54Dad?
00:40:55I'm not late.
00:40:56Did you see the baby?
00:40:57I told you I'd take care of it.
00:40:59If you want, I'll take you to lunch later, okay?
00:41:01Ben, he wants to see you.
00:41:03Hello, Ben.
00:41:04Karen, how are you?
00:41:05Fine.
00:41:06Are you happy to be here?
00:41:07Yes, thank you.
00:41:12Come on.
00:41:13Come on.
00:41:14Come on.
00:41:15Come on.
00:41:16Come on.
00:41:17Come on.
00:41:18Come on.
00:41:19Come on.
00:41:20Come on.
00:41:21Come on.
00:41:22Come on.
00:41:23Come on.
00:41:24Come on.
00:41:25Come on.
00:41:26Come on.
00:41:27Come on.
00:41:28Come on.
00:41:29Come on.
00:41:30Come on.
00:41:31Come on.
00:41:32Come on.
00:41:33Come on.
00:41:34Come on.
00:41:35Come on.
00:41:36Come on.
00:41:37Come on.
00:41:38Come on.
00:41:39Come on.
00:41:40Come on.
00:41:41Come on.
00:42:11I'd like to see Tyler for a second, if you don't mind.
00:42:14Yes, come in.
00:42:37He's a great kid.
00:42:39Yes. In modern literature, we read this last year.
00:42:44Really?
00:42:45But I haven't finished it.
00:42:48You can keep this one if you want.
00:42:52It's a little old.
00:43:03What?
00:43:09What?
00:43:16Kiss?
00:43:24What are you doing here?
00:43:26You came home earlier.
00:43:28I decided to skip the relaxation class.
00:43:31Is someone with you?
00:43:33Oh, shit.
00:43:36Get out, Kiss.
00:43:38Okay.
00:43:42You owe me 40 dollars.
00:43:44Get out.
00:43:45Okay.
00:43:49What the hell?
00:43:51I don't know.
00:43:53He's a kid.
00:43:54I know.
00:43:55If Tyler had woken up, imagine the shock for him.
00:43:57I know, I know. I don't understand.
00:44:01Hi, honey.
00:44:02Mom?
00:44:03Where's my baby?
00:44:04Tata Alice!
00:44:05Yes, my angel.
00:44:06Tata Alice has a lot to do.
00:44:15Okay.
00:44:30Okay.
00:45:00Okay.
00:45:31I'm still waiting for the guest list.
00:45:33I'm working on it.
00:45:36You could have told me you'd read it, that you liked it.
00:45:40We're going to publish it.
00:45:42Really?
00:45:43I thought Dad would get the message.
00:45:45Who are you going to give this job to?
00:45:47I'll take care of it myself.
00:45:49That's not at all what I meant.
00:45:51I'm not going to give it to you.
00:45:53I'm going to give it to my son.
00:45:55I'm going to give it to my son.
00:45:57I'm going to give it to my son.
00:45:59It's not your kind of book at all.
00:46:01I've discovered it.
00:46:03Alice, it's your job.
00:46:05You sort it out, and I decide if it deserves to be published.
00:46:08But listen, I have a lot of ideas.
00:46:09No, Alice.
00:46:10I won't let an inexperienced young editor
00:46:12take care of the work of an author who's also inexperienced.
00:46:15I've been working here for two years.
00:46:16And how many books have you published?
00:46:17Not one, that's what I'm telling you.
00:46:19I'll send you copies of the emails,
00:46:20and you'll tell me all the remarks you think are necessary.
00:46:23Tomorrow, you'll accompany Milan to a recording.
00:46:25His last novel is a real disaster.
00:46:27Make sure he talks about Waking Ice, okay?
00:46:30You're the best.
00:46:39So it's been 15 years.
00:46:41You've written seven novels since Waking Ice?
00:46:44That's right.
00:46:45And not a single one has acquired this status of cultural icon.
00:46:50No, unfortunately.
00:46:52What do you think made this novel so popular?
00:47:02I think that we've all been teenagers once,
00:47:05and we all remember the trouble we can feel at this age.
00:47:14Yes, that's true.
00:47:15So you're going to decide to tell me if it's true or not.
00:47:18Okay, I trust you.
00:47:19Come closer.
00:47:20I don't want the others to hear.
00:47:28So?
00:47:29I have to go.
00:47:31Well, go ahead.
00:47:51Bye.
00:47:54It can wait.
00:47:56Great.
00:47:57So, like I said, it was summer,
00:47:59and my parents were away for a few days, and...
00:48:01The real question I'd like to ask you is...
00:48:04I've probably answered my own question, but go ahead.
00:48:07It's possible.
00:48:08How can a 40-year-old man
00:48:11grasp so well what's going on in a teenager's head?
00:48:16Uh...
00:48:20The first paragraph is way too pleasing.
00:48:22Writing is rewriting at 95%.
00:48:25You know that.
00:48:27And then there's a preposition that doesn't fit.
00:48:29The way you mislead the language is still a bit...
00:48:33Look at this.
00:48:34It's for you and me, the immigrants.
00:48:36I was with a friend. I forgot. There.
00:48:43I'm sorry.
00:48:44What do you want me to say?
00:48:50Je fais tout ça parce que je crois en ton talent.
00:48:53Oui, je sais.
00:48:57Approche.
00:49:08Je fais tout ça parce que je t'aime.
00:49:11Je sais.
00:49:12Oui.
00:49:13J'ai un copain.
00:49:16Ah, c'est chouette.
00:49:19Je suis content. Je veux ton bonheur.
00:49:25Qu'est-ce que je peux faire pour te rendre heureuse?
00:49:32Nous aimons les mystères,
00:49:33mais il n'y a aucun personnage mystère derrière ça.
00:49:35C'est une fiction.
00:49:37Et...
00:49:40À l'époque, je me promenais beaucoup dans la ville
00:49:43et je tendais l'oreille.
00:49:45Dans le métro, dans les bars...
00:49:48Dans la rue.
00:49:49Comme il m'arrive encore de le faire, d'ailleurs,
00:49:51pour voir si les filles ont changé.
00:49:53Oui, c'est ça.
00:49:54Elles ont changé?
00:49:56Sur certains points, rien ne change.
00:50:04Bonsoir.
00:50:05Bonsoir.
00:50:06Livraison spéciale.
00:50:07Qu'est-ce que tu veux?
00:50:10Non, non, tu ne peux pas rester. Va-t'en, j'attends quelqu'un.
00:50:13Tu veux que je repasse plus tard?
00:50:14Non, non.
00:50:15Pourquoi?
00:50:16Écoute, je viens d'avoir 29 ans.
00:50:18Ah ouais?
00:50:19Et c'est un peu le bordel dans ma tête.
00:50:21Et merde!
00:50:25Salut.
00:50:27Salut.
00:50:28Je te présente Geese.
00:50:31Ouais?
00:50:32Oui, c'est le baby-sitter de Sally.
00:50:35Ouais.
00:50:37Vous... vous êtes son mari?
00:50:42Non.
00:50:44Il était sur le point de partir.
00:50:47Oui, euh...
00:50:49Désolé, mec.
00:50:52J'ai acheté du vin.
00:50:57Alice.
00:51:00Je suis passée chez Sadie l'autre jour et j'ai oublié un livre.
00:51:05Et?
00:51:06Je lui ai dit qu'il pouvait l'emprunter.
00:51:09Avant ou après l'avoir oublié?
00:51:19Emmett.
00:51:21Est-ce que tu...
00:51:26Merde!
00:51:30Emmett, attends, je vais t'expliquer.
00:51:32Je t'en prie, c'était le jour de l'histoire de Karen Malone.
00:51:35J'étais vraiment furieuse.
00:51:39Je ne le reverrai jamais, ce gamin.
00:51:41Emmett!
00:51:42Attends, il faut qu'on discute.
00:51:47Emmett.
00:51:49Je ne te laisserai pas me rendre aussi cinglé que toi.
00:52:06Papa?
00:52:07Hé, championne!
00:52:08Viens, je te présente Alana.
00:52:10Bonsoir, vous devez être Alice.
00:52:13Bonsoir.
00:52:14Viens là, assieds-toi.
00:52:16Alana est une talentueuse chef d'orchestre.
00:52:18Les femmes sont en train de se faire une place dans ce métier.
00:52:24Tu as pensé à Maya?
00:52:26Mais je la verrai.
00:52:27Oui.
00:52:28Il faut juste attendre qu'Ellen se calme un peu.
00:52:32Papa...
00:52:34Hé...
00:52:36Tu sais comment c'est, pas vrai?
00:52:43Bon, désolée.
00:52:46Je vais rentrer, je me sens pas très bien tout à coup.
00:52:49Excusez-moi.
00:52:50Alice!
00:53:04Qu'est-ce que tu fais là?
00:53:06J'apporte à manger.
00:53:08Tu sais que j'ai besoin de beaucoup de sommeil.
00:53:13Il faut qu'on discute.
00:53:15Sadie...
00:53:16Emmett est mon ami.
00:53:17Et Kiss, le fils de nos voisins.
00:53:18Écoute, je suis désolée.
00:53:19Tant mieux.
00:53:23Je t'ai apporté de la confiture de lait.
00:53:27Tu sais que je t'aime plus que quiconque.
00:53:29À part Tyler, Rob et ma mère.
00:53:31Par moments.
00:53:34Mais je commençais à ne plus t'aimer autant.
00:53:38Et ça, jamais je te le pardonnerai.
00:53:47Cessons de nous voir quelques temps.
00:53:56Et le bouquin alors?
00:53:58Va te faire voir, Alice.
00:54:03Allons-y.
00:54:34Attends.
00:54:35Je crois qu'on va en rester là.
00:54:37Pourquoi?
00:54:38J'ai crevé.
00:54:42Non.
00:54:43Je crois pas.
00:54:47Ok.
00:54:49On a fait des choses.
00:54:51Des choses?
00:54:52Des choses.
00:54:57C'est quoi ça?
00:54:58C'est quoi ça?
00:54:59C'est quoi ça?
00:55:01C'est quoi ça?
00:55:03C'est quoi ça?
00:55:11Tu as couché avec lui?
00:55:13Oui.
00:55:24C'était merveilleux.
00:55:28Ça doit être merveilleux, ça l'était.
00:55:33Oui.
00:55:35Raconte-moi s'il te plaît.
00:55:38Je t'en prie.
00:55:39Comment c'était?
00:55:46Est-ce qu'il t'a fait jouir?
00:55:53Je veux.
00:55:54J'ai envie de te faire jouir.
00:55:57Je veux être la première personne à te faire jouir.
00:56:02Viens là.
00:56:32Viens là.
00:57:02Viens là.
00:57:32Viens là.
00:57:33Viens là.
00:57:34Viens là.
00:57:35Viens là.
00:57:36Viens là.
00:57:37Viens là.
00:57:38Viens là.
00:57:39Viens là.
00:57:40Viens là.
00:57:41Viens là.
00:57:42Viens là.
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00:59:27Viens là.
00:59:29Et soudain je me dis qu'est-ce qu'il a lui, il pourrait pas mieux s'y prendre ?
00:59:35C'est horriblement triste ce que tu dis.
00:59:39Je sais.
00:59:43Moi je pourrai, je crois.
00:59:50Oui.
00:59:58I don't know.
01:00:23Hey! Come here!
01:00:26Look at my lighter!
01:00:28Cool!
01:00:29Is it a biscuit?
01:00:31Where's my hat? Firefighters must be well protected.
01:00:34Here it is.
01:00:40I won't last another day without being your friend again.
01:00:43With friends like you...
01:00:49Be careful, darling.
01:00:52I guess if you can't see me anymore, I'll have to ask myself that question.
01:00:58Yeah. Good idea.
01:01:04Aunt Alice, watch out! It's an emergency! You're burning!
01:01:08Oh, really?
01:01:10Please, help me!
01:01:12Help me...
01:01:16Hello, my name is Alice Harvey.
01:01:18I'm a volunteer at Ensemble pour les Autres.
01:01:20And I'm calling because...
01:01:22These elections are crucial. It's important that you...
01:01:27Hello?
01:01:29Hey! You could come!
01:01:31Of course.
01:01:32Come on in.
01:01:33Good evening. Nice to meet you.
01:01:35Good evening. Nice to meet you.
01:01:37Well, I'm going to ask you for a few seconds of attention.
01:01:39We're going to take a five-minute break.
01:01:41Put down your phones.
01:01:42Let me introduce you to Emmett Grant, founder of Ensemble pour les Autres.
01:01:46It's thanks to him that we're all here tonight.
01:01:49I didn't bring you here. You came on your own.
01:01:51Look around you.
01:01:57I'd like to thank our hostess for her hospitality.
01:02:02What do you see?
01:02:04A lot of people in one room.
01:02:05Because we managed to reach you.
01:02:07And tonight, you're also trying to reach the others.
01:02:10And maybe, with a little luck, these other people will join us on election day
01:02:14and they'll make the right choice.
01:02:16And maybe, together, we'll change the political landscape.
01:02:34Please, I beg you, don't break the link.
01:02:38Thank you very much.
01:02:39Yeah!
01:02:43I should have known.
01:02:44I love you both.
01:02:45We're leaving in five minutes.
01:02:46Okay.
01:02:51You're excited to come here for personal reasons.
01:02:54It's not fair.
01:02:56I want to participate. I know it's important to you.
01:02:58Make a call.
01:03:01Emmett.
01:03:02Every action has consequences, Alice.
01:03:04Sorry, we have to go.
01:03:07I'll keep the link.
01:03:11I have to go.
01:03:36I love you.
01:03:37I love you.
01:03:39I love you.
01:04:04Please, I beg you, don't break the link.
01:04:08Thank you very much.
01:04:15What would you like, girl?
01:04:17To start, a rocket salad, please.
01:04:19No, the duck is fabulous.
01:04:21And then, I'll take a fillet.
01:04:24Bring him the duck.
01:04:26Dylan.
01:04:28So, you don't tell them?
01:04:31All the credit goes to me.
01:04:32You're kidding.
01:04:34The pre-orders for Wacky Guys are beyond our expectations.
01:04:38We might have to make a best-seller.
01:04:41You're a genius, man.
01:04:42It's the group's salesmen.
01:04:45We're all geniuses.
01:04:47Can I have the bread?
01:04:49Sylvio is talented, I know.
01:04:50But only if what he has to sell is solid.
01:04:53Can I have the bread?
01:04:54Could you stop wagging your tail and enjoy the moment?
01:04:57You need to be so considerate.
01:04:59And you need to be so sufficient.
01:05:00I'm happy.
01:05:02It's a feeling you've never felt before.
01:05:08I think I'm going to stay on the film.
01:05:11All right, girl.
01:05:13A duck for me.
01:05:14With spinach.
01:05:17So, can someone explain to me
01:05:20why he's so attracted to this guy?
01:05:23You know, the one who plays in the...
01:05:25the film that won the Oscar.
01:06:02Yes, I'm waiting, yes.
01:06:04Hello.
01:06:05Just a moment.
01:06:06Yes, I'll send it to you right away.
01:06:08Very good.
01:06:12My agent told me it was you who gave him my idea.
01:06:15I'm not sure you've done your job.
01:06:19Actually, I was working on a new project before all this, and...
01:06:24I'd like you to take a look at it.
01:06:26Really?
01:06:27It's the first chapter.
01:06:29With great pleasure.
01:07:00Come this way.
01:07:09Look at me.
01:07:11Can you see the camera?
01:07:12Yes, yes, they'll be there.
01:07:15That's great.
01:07:16How many girls are there?
01:07:18Okay, perfect.
01:07:25Alice?
01:07:27He's on the phone, he'll be done soon.
01:07:30Can I ask you out for lunch?
01:07:33Why?
01:07:36Sorry to keep you waiting.
01:07:37It's straight from the printing house.
01:07:38Here, for you.
01:07:40And for you.
01:07:41With the new dedication.
01:07:42Not bad, huh?
01:07:43Magnificent.
01:07:44Come, come in.
01:07:57She still haunts me, ghost radio.
01:08:01Alice, let's go under the sky.
01:08:04May the dream open before her eyes.
01:08:11Milan Daneker is now going to read us an excerpt from his latest novel,
01:08:15Waking Eyes.
01:08:16Over to you, Mr. Daneker.
01:08:21Thank you, Nathan.
01:08:22You're welcome.
01:08:23Thank you, Nathan.
01:08:26Excuse me.
01:08:35So...
01:08:39She was dragging herself under the weight of a cart that was too heavy for her.
01:08:44Making the chewing gum she chewed sound like a weapon.
01:08:50But her eyes seemed to scream.
01:08:54Love me, please, love me.
01:08:57We feel rather alone, she says.
01:09:00My mother has no idea who I am anymore.
01:09:03And maybe she never knew.
01:09:06She was swinging in a gracious step of two.
01:09:10A hateful dance.
01:09:12She was so small, invisible to their eyes.
01:09:15And it will always be so.
01:09:16As she was enjoying herself, her eyes were opening.
01:09:20Bigger and bigger.
01:09:23Overflowing with surprises.
01:09:27With pleasure.
01:09:28Illuminated by my presence.
01:09:47Alice?
01:09:55Alice?
01:09:57What's the matter?
01:10:01I need to talk to you.
01:10:07Great party.
01:10:08Yes, really.
01:10:09It looks like you've done this all your life.
01:10:10No, I terrorized you.
01:10:12It was great. What do you think?
01:10:13It turned out well.
01:10:14Even the critics of the New York Review of Books were there.
01:10:17It's crazy.
01:10:18She was very interesting.
01:10:19She was eating you in her hand.
01:10:21Ben.
01:10:26Alice.
01:10:29Your mother told me what you said.
01:10:32I couldn't do otherwise.
01:10:34Of course, it's nonsense.
01:10:38What?
01:10:39So it's false?
01:10:41You asked her the question, that's what she told me.
01:10:43It's incomprehensible.
01:10:44Yes.
01:10:45In one way or another,
01:10:47you may have misinterpreted things.
01:10:49Is that what happened, Alice?
01:10:51I think you would have liked it to happen, actually.
01:10:53Alice?
01:10:54Let me down.
01:10:56It's perfectly normal to feel feelings for someone you admire, you know.
01:11:00I'm flattered.
01:11:01I admit I don't know what to think anymore.
01:11:02He says he may have been able to use some details of your life.
01:11:05But he was writing non-stop.
01:11:07To give more body to the character.
01:11:09Stop! Let me down!
01:11:11Alice!
01:11:12Alice!
01:11:31Hello.
01:11:34What are you doing here?
01:11:36Are you okay?
01:11:40Alice?
01:11:42Alice?
01:11:48Are you okay?
01:11:51No, please, it's...
01:11:54It's...
01:11:56Is this your new book?
01:11:57Yes.
01:12:00Which life did you take this time?
01:12:02None.
01:12:06Well,
01:12:08there are little things here and there, you know what I mean.
01:12:12Yes.
01:12:24It was a long time ago.
01:12:27What?
01:12:31What?
01:12:32Alice.
01:12:33What? What happened a long time ago?
01:12:36Be precise, give details.
01:12:39You have to be very precise to make people believe it.
01:12:41At this age, trivial things can seem enormous.
01:12:45Your arms,
01:12:47warm and heavy around me.
01:12:50The taste of the smoke on your tongue,
01:12:53in my mouth.
01:12:54I was just trying to help you.
01:12:55The memory of your erection-free sex on my thigh.
01:12:57Nothing really happened.
01:12:58Of course it did!
01:13:00Yet at the time, you seemed to appreciate it.
01:13:02I had the impression that you were one of the few people
01:13:04who cared about me.
01:13:09You saw me as someone important.
01:13:11But it's true.
01:13:12You took advantage of me.
01:13:13Oh, no.
01:13:14You abandoned me.
01:13:15Alice.
01:13:16You sent me back to nothing.
01:13:18I was nothing.
01:13:20No, Alice.
01:13:22You were a wonderful character.
01:13:25I know, yes.
01:13:27And I lived in the shadow of this character for 15 years.
01:13:30Goodbye, Milan.
01:14:00Bye.
01:14:19Emmett.
01:14:21Yeah?
01:14:23Come and see.
01:14:27What? Jeff's still messing around?
01:14:30No, we just received a Google Alert.
01:14:41It's our audience that's telling them
01:14:43that this is what's going to work.
01:14:45So, please,
01:14:46please,
01:14:48don't break the link.
01:15:00Because I love you.
01:15:20Because I love you.
01:15:27Gentlemen.
01:15:28Hello.
01:15:29Where's Alice?
01:15:30I haven't seen her yet.
01:15:31Sadie.
01:15:35Do you know where Alice is?
01:15:36She had much better things to do tonight.
01:15:38Pardon?
01:15:39Who is she?
01:15:40Her best friend.
01:15:42Are you ready to read, Mr. Danica?
01:15:43Yes.
01:15:44Let's go.
01:15:45See you later.
01:15:49Sit down.
01:15:59Sit down.
01:16:08An old lady with a beard let me in.
01:16:14Madame Redburn.
01:16:17Oh.
01:16:25Emmett.
01:16:30I'm sorry I hurt you.
01:16:40I'm not sure I'm ready to face the world,
01:16:42but I think
01:16:44I'm now able to
01:16:46think of someone other than me.
01:16:49You think?
01:16:54I'd like it to be you.
01:17:00I'll think about it.
01:17:05All right.
01:17:07You're right.
01:17:08You're very convincing.
01:17:21You're the girl in the book, aren't you?
01:17:23No, not anymore.
01:17:54I love you.
01:17:56I love you.