ＮＨＫスペシャル 2024年10月19日
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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00:00:16This is the actual prince.
00:00:20Oh, here.
00:00:24I guess he was maybe 18.
00:00:28Who's Hebo?
00:00:30Johnny.
00:00:32But we always called him Hebo.
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00:00:38He was like a big brother to me,
00:00:41always kidding each other.
00:00:43Johnny is, you know, sexual abuse.
00:00:46That was a big scandal.
00:00:47Yeah.
00:00:49I didn't see anything like that.
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00:07:11My name is Minnie Takahashi.
00:07:15Many, many years ago,
00:07:17I was friends with Johnny and Mary.
00:07:23What is this?
00:07:25This is Koya-san.
00:07:29I was a bishop here for a number of years.
00:07:36My parents were members of Koya-san temple,
00:07:40and I'm sure that's how they became acquainted with the Kitagawa family.
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00:08:45My father put a lot of pictures in the album.
00:08:55Oh, this is Yasuko-san.
00:08:59Yasuko-san.
00:09:01Johnny, a sister, Kitagawa.
00:09:04Mary.
00:09:07Ah, Johnny, Kitagawa.
00:09:13So I must have been a teenager, huh?
00:09:17Every year we used to camp at the beach.
00:09:22It was fun.
00:09:25My brother and I, sometimes we invite a lot of people over for a party.
00:09:31Hibo would say, he's going to show me how to dance.
00:09:36It was fun.
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00:09:51And this is the house that Yasuko-nechan and Hibo, from Japan,
00:09:56after they landed in Los Angeles, they came directly to this house
00:10:00and lived here for some time.
00:10:04Hmm.
00:10:16The meals got cooked for Yasuko-nechan and Hibo and my boy on this stove.
00:10:23I believe that their father sent them here to maybe further their education
00:10:28and to get a better life here.
00:10:31They came alone, yeah.
00:10:34So that was pretty scary for them, I'm sure,
00:10:37coming to America when they had not been here for so long.
00:10:42Their personalities are kind of opposite Johnny and Mary
00:10:47because he's so quiet and she's so outgoing and very forceful.
00:10:52It's Yasuko, especially, that I think brought her brothers in.
00:10:58Under her wing, she took care of them,
00:11:00but she's the one that forged the path, forged the way
00:11:03so that they would be more comfortable here.
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00:11:35Yeah, just to fit into American society,
00:11:38I think it had to be very difficult.
00:11:41And that's why I probably, that's why she became so powerful in Japan
00:11:44because she had that strength, that drive, you know, to succeed.
00:11:48I think that's what it was, yeah.
00:11:52In my opinion, it's probably a combination
00:11:55of big sister and mother figure.
00:11:57Since they lost their mother at such a young age,
00:11:59I think she was kind of like taking over the family.
00:12:03That's why she was very self-confident,
00:12:05probably because of the way that she was raised
00:12:08and how she grew up, and she had to, had to be strong like that.
00:12:12And that experience, I think, only strengthened them,
00:12:15strengthened their bond together.
00:12:17And it doesn't surprise me that when they went back to Japan,
00:12:20they were still continuing to work together,
00:12:23you know, as a family unit.
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00:14:55I've come to Japan to investigate the story of Johnny Kitagawa.
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00:21:02Even among the four of us, Mr. Nakata was the quietest.
00:21:08I thought that if I told him, he wouldn't be able to move forward as a talent.
00:21:15I thought that if he did anything, he would become famous.
00:21:22I had that kind of feeling.
00:21:25In court, Mr. Nakatani was unable to tell the truth.
00:21:35After more than half a year of interviews, the results of his trial were revealed.
00:21:45Just a moment.
00:21:55The End
00:22:07I came to Japan in 1903 after my father had died.
00:22:11I thought it would be nice if he could tell me what kind of feelings he had
00:22:21when he heard my story.
00:22:26I am his younger brother, Ryo Nakatani.
00:22:29I think he was shining, and I am proud of him.
00:22:37When I heard his story, I was always on stage dancing.
00:22:42I was smiling brightly, as if nothing had happened,
00:22:51but my heart was in a mess.
00:22:53It was really a mess.
00:22:56I told him that.
00:22:59Mr. Nakatani had been sexually abused since he was in elementary school.
00:23:04Later, he started to go to a psychiatric hospital.
00:23:12When I saw the cover of his book, it was dark, and I didn't have a good impression of it.
00:23:21I wondered why he was publishing such a book, and I remembered the feeling of disgust.
00:23:28I received the book, but I didn't read it.
00:23:33I didn't know that he was sexually abused.
00:23:38When I read it, I found out for the first time.
00:23:41It was just recently.
00:23:43I read it for the first time when the issue of Johnny's was brought up.
00:23:50I don't think my younger brother had anyone to talk to about it.
00:23:57He couldn't sleep, and he took a lot of sleeping pills.
00:24:07He must have been lonely.
00:24:19I want you to take this up as a social issue as soon as possible
00:24:24so that the poor boy will not be harmed anymore.
00:24:29I want you to take this up as a social issue as soon as possible
00:24:35so that the poor boy will not be harmed anymore.
00:24:42I'm sorry that I couldn't help him.
00:24:48I couldn't help him at all.
00:24:54I'm sorry that I couldn't help him at all.
00:25:03In the 1980s, the Johnny's Group began to grow rapidly,
00:25:08creating groups that would gain national popularity one after another.
00:25:16In the 1980s, the gross domestic product, including related companies,
00:25:21was less than 100 million yen.
00:25:24However, in 1987, when Genji Hikaru made his debut,
00:25:29it surpassed 300 million yen.
00:25:32In addition, SMAP and Arashi continued.
00:25:36By the end of 2005, the total was over 1.4 billion yen.
00:25:49Mr. Johnny was a man who was very sensitive
00:25:54to how to give people the things that the times demanded.
00:26:04For example, when roller skating became popular in the U.S.,
00:26:09people started to dance and sing with Genji Hikaru.
00:26:19Mr. Johnny's brilliance and talent
00:26:25were like magic.
00:26:28I think his brilliance and talent
00:26:32made us unable to see the whole picture.
00:26:36I think his brilliance and talent
00:26:40made us unable to see the whole picture.
00:26:50Four Leaves' Egishi continues to perform more than 100 times a year.
00:27:11Thank you!
00:27:14Mr. Johnny was a man who gave people fear,
00:27:20but he also taught people how to dance and sing.
00:27:28It was like heaven and hell.
00:27:34Mr. Egishi, do you respect Mr. Johnny
00:27:38even though you know how serious sexual harassment is?
00:27:45Yes, I do.
00:27:48Why?
00:27:50Because he made me who I am now.
00:27:54I think that's what human beings are like.
00:27:58I'm grateful to Mr. Johnny for giving me the name Four Leaves.
00:28:07I'm sure there are some people who don't understand.
00:28:15I understand what you're trying to say.
00:28:20Sexual harassment is an abomination.
00:28:25I think the victims of sexual harassment
00:28:30have had a very difficult life.
00:28:38I don't know what they think about it.
00:28:44I'm just grateful that Mr. Egishi made me who I am now.
00:28:52As the people say,
00:28:56sexual harassment is the worst kind of harassment.
00:29:22It's been a while.
00:29:27Johnny came in.
00:29:30I was dancing around here.
00:29:37He came straight to me.
00:29:41He said,
00:29:43He came straight to me.
00:29:45He said,
00:29:48That was the first time I met him.
00:29:54I was about 14 years old.
00:29:58Were you already victimized?
00:30:00Yes, I was.
00:30:04I was victimized.
00:30:07I was blind.
00:30:10I've been living here for about two years.
00:30:13I've been victimized more than 200 times.
00:30:18I used to go to Johnny's house all the time.
00:30:22There were a lot of juniors there.
00:30:29While we were talking,
00:30:32it became normal.
00:30:35It's normal for everyone.
00:30:39Even when I'm having a hard time,
00:30:42I have a bright smile.
00:30:46I think that's what I've learned.
00:30:52For example,
00:30:56I took this picture when we were shooting at the camp.
00:31:06When I was shooting an idol program,
00:31:09I was in touch with them every day.
00:31:13When I was talking to them in the dressing room,
00:31:16I could picture it.
00:31:20Johnny came to me,
00:31:23but I ran away.
00:31:26I didn't let him touch me.
00:31:29Johnny came into the futon and said,
00:31:32I think I'm about to make my debut.
00:31:35I was talking to them like a prank.
00:31:40I shouldn't have missed it
00:31:44because they were suffering.
00:31:51At least,
00:31:54I was an adult.
00:31:57I think it's a bad thing.
00:32:00I think I have to say that.
00:32:04I think it's the responsibility of each adult,
00:32:07including myself,
00:32:10who was involved at that time.
00:32:28The main cause of the sexual harassment
00:32:31against Johnny's Jr.
00:32:34in the second half of the year
00:32:37is that there was a so-called paraphernalia
00:32:41in Johnny's personal personality.
00:32:48One day, he was driving,
00:32:51and I was in the passenger seat.
00:32:54He told me an old story.
00:32:59He said he had been to Wakayama with Mary
00:33:03during the war.
00:33:06He said he was loved by an old man
00:33:09who took care of him there.
00:33:14I felt that he didn't hate me.
00:33:19If he didn't like me,
00:33:21I don't think he would have said he loved me.
00:33:23I think that's what he was thinking.
00:33:28Even so,
00:33:31I don't think I should think about it.
00:33:45I've known his wife and Mary
00:33:48since they were in Wakayama.
00:33:51She was a good person.
00:33:54She told me that
00:33:57Johnny had been doing
00:34:01what he had been doing
00:34:04since he was a little boy.
00:34:07She said,
00:34:09My brother is a paraphernalia.
00:34:12That's what Mary told me.
00:34:22I'm going to ask you about your identity.
00:34:25Why did you hide it?
00:34:28I think it's because of the relationship
00:34:31between Mary's top down
00:34:34and the environment where
00:34:37she was in constant contact with others.
00:34:40I think that's why I was scared.
00:34:43If you look at it from the outside,
00:34:46you can see that
00:34:48Johnny is the president.
00:34:51If you look at it from the inside,
00:34:53Mary is the president.
00:34:55Everything is decided by Mary.
00:34:59It was an overwhelming dictatorship.
00:35:04The phone in the car
00:35:06said Mary.
00:35:09In my impression,
00:35:12he was the scariest person in his life.
00:35:17In terms of talent progression,
00:35:20he was like a big mama.
00:35:23I think that's why everyone relied on him.
00:35:37People often ask me
00:35:40what I think of the Mary Kitagawa
00:35:43and Johnny Kitagawa brothers.
00:35:46I think they were very lonely people.
00:35:51Johnny Kitagawa's Seikagai
00:35:54was something Mary knew very well.
00:36:00She was afraid that
00:36:03it would be exposed
00:36:06and that the victim would be exposed.
00:36:10She was afraid of that.
00:36:16Mr. Motoki, who was a magazine editor,
00:36:19was in charge of an article
00:36:22called Kitagawa Brothers' Disappearance in 1981.
00:36:26He also wrote a testimony
00:36:29about the victim who was attacked by Mr. Johnny.
00:36:34Johnny's Junior.
00:36:37Mr. Johnny Kitagawa,
00:36:40the president,
00:36:43said,
00:36:46I don't know how to say this,
00:36:49but I think it's a problem.
00:36:52If it's true.
00:36:55So I started interviewing him.
00:36:58Professor Asakura,
00:37:01who later became a writer at Nonhishon,
00:37:04he said that
00:37:07Mary was the only one in his office.
00:37:10When I heard about Mr. Kitagawa,
00:37:13Mary suddenly got up from her chair
00:37:16and said,
00:37:19I'm going to take off everything I'm wearing
00:37:22and call the police.
00:37:25If you do that,
00:37:28you'll get caught for sure.
00:37:31Asakura, who was 100 years old,
00:37:34was surprised.
00:37:37I was surprised.
00:37:40I couldn't ask any more questions,
00:37:43so I came back.
00:37:49At the same time as it was released,
00:37:52I got a letter from them.
00:37:55I warned them that
00:37:58I would not show my talent to the public.
00:38:01So for the public,
00:38:04I was the only one in my family.
00:38:07I was the only one in my family.
00:38:10There were a lot of others.
00:38:13It was very effective
00:38:16that I couldn't use idols there.
00:38:19How can I suppress a publisher?
00:38:22I think I got the first know-how
00:38:25from one of my girlfriends.
00:38:35This is a story I heard
00:38:38from the O.B. of TV Tokyo.
00:38:41I think it was one of the events
00:38:44that showed the power
00:38:47of the Journalism Office
00:38:50to many other companies.
00:38:55There is a magazine called Friday.
00:38:58The young boys of the Journalism Office
00:39:01made a big fuss
00:39:04with the girls.
00:39:10The assistant of the stylist
00:39:13of the TV Tokyo program
00:39:16took the boys around
00:39:19and made them drink alcohol.
00:39:24The director was called
00:39:27by the Journalism Office.
00:39:30He said,
00:39:33the article will be published tomorrow.
00:39:36What were you doing?
00:39:39He said,
00:39:42this is not our staff.
00:39:45He said,
00:39:48this is not our staff.
00:39:51He said,
00:39:54this is not our staff.
00:39:57He said,
00:40:00this is not our staff.
00:40:03Not one of the talents
00:40:06of the Journalism Office
00:40:09appeared on TV Tokyo.
00:40:12There was a period
00:40:15called the Winter of the Journalism Office.
00:40:18They made an offer
00:40:21to the manager of the office.
00:40:24He said,
00:40:27Johnny is not OK.
00:40:30He said,
00:40:33but it was you who did it.
00:40:36He said,
00:40:39but it was you who did it.
00:40:42He said,
00:40:45but it was you who did it.
00:40:48He said,
00:40:51The weekly article
00:40:54covered the Fragenheim case
00:40:57from 1999.
00:41:00On the reporting floor
00:41:03in the 14th floor,
00:41:06the journalists pursued
00:41:09the issues in the office.
00:41:13In 1999,
00:41:15the editor-in-chief of the weekly article
00:41:18In other words, I was in charge of all the interviews on the Johnny's case.
00:41:22I was in charge of almost all of the cases.
00:41:30After the fourth and fifth interviews,
00:41:33I came to the conclusion that
00:41:36the inside of the Johnny's office was in quite a mess.
00:41:40I had to figure out how much to keep quiet about
00:41:44what I should do as a member of the Johnny's office,
00:41:48and what I should do as a member of the Johnny's office.
00:41:52So I had a talk with the Johnny's office.
00:41:58They asked me,
00:42:00how many times do you think you can keep this up?
00:42:05I asked them,
00:42:07are you investigating this case?
00:42:10They said, no, we are not in a position to do that.
00:42:14Anyway, that company belongs to Mary and Johnny,
00:42:19so it's up to them to decide what to do.
00:42:23It was a conversation where they said,
00:42:27the common sense of the Johnny's office
00:42:31would become the common sense of the world.
00:42:37The director of the Johnny's office,
00:42:40who had a talk with Bunshun at the time,
00:42:43said the following at the end of the interview.
00:42:50After the conversation with Bunshun,
00:42:53Mary suggested that Johnny be fired,
00:42:57and he agreed.
00:43:04But the next day,
00:43:07he said he couldn't let his brother die.
00:43:34I really, truly did not know the success,
00:43:38the power, the heights that they gained
00:43:41when they were in Japan.
00:43:44Oh, here.
00:43:48This is before we went upstairs to the restaurant.
00:43:52In Tokyo?
00:43:54Yes, in Tokyo.
00:43:56My mother took us to Japan in 2005,
00:44:00and that's when Yasukuni-chan met us and greeted us
00:44:03and sent the limousine for us
00:44:05and treated us like royalty,
00:44:07and I was just awed.
00:44:09I was so shocked.
00:44:11It was a fabulous dinner, and I remember she said
00:44:14she's going to order lots of awabi,
00:44:17because that's her favorite.
00:44:19Oh, here.
00:44:22There was a large kabuki performance
00:44:25by somebody that was a very, very famous actor.
00:44:27We wanted to go, but of course it was all sold out,
00:44:30so we happened to mention it to Yasukuni-chan,
00:44:32and she said, oh, okay, you could go.
00:44:35So she sent a limousine for us again, a limo,
00:44:40took us right up to the entrance of the big theater,
00:44:43and then when we got inside, it was all sold out.
00:44:46There was no seats available,
00:44:48so the staff there at the theater
00:44:50put up these folding chairs at the end of each aisle,
00:44:53so there was like 10 chairs on each aisle,
00:44:55very close to the stage, and we sat in the aisle.
00:44:59So it was very good.
00:45:01She just went with the snap of her fingers,
00:45:03and there we were.
00:45:14My friend, who is born in Japan,
00:45:16she told me that, oh, there's this big scandal in Japan.
00:45:19Did you hear about it?
00:45:21And I said no, so she told me.
00:45:23I was shocked, very shocked.
00:45:29I guess things like that could happen,
00:45:31but I never imagined that it would be kibou.
00:45:35And then I heard the news that Yasukuni-chan
00:45:39was keeping the media from, you know,
00:45:43printing or airing anything about it,
00:45:46and that shocked me too.
00:45:49Yeah, but I believe that's why she did that,
00:45:51to protect him.
00:45:54Yeah.
00:45:56Because after all, he's still her little brother.
00:45:59She's trying to protect her brother and her family.
00:46:02Yeah.
00:46:06It's too bad. Yeah.
00:46:19NHK continued to increase the number of talent in the office.
00:46:27The Shounen Club, which began broadcasting
00:46:30shortly after the Weekly News.
00:46:34Most of the cast was talent from the Johnny's office.
00:46:41In the Taiga drama, he was the main character for two years in a row.
00:46:46And then there was the Kouhaku Uta Gassen.
00:46:50In the mid-2000s, there were only one or two cast members,
00:46:54but after 2009, there were more and more.
00:46:59In 2015, there were seven cast members, the highest ever.
00:47:07What happened behind the scenes?
00:47:1140 NHK staff and OBs were interviewed.
00:47:17There was testimony about the low awareness of the problem
00:47:20and the skill of the talent,
00:47:22but no one could speak clearly about the background.
00:47:27Meanwhile, the name of the person who had a deep relationship
00:47:31with the office was mentioned in the middle of the management.
00:47:36I wanted to create a windfall that could be called Taiga.
00:47:41Hisaaki Wakaizumi, a drama actor.
00:47:46In 2015, when the Kouhaku Uta Gassen was the highest ever,
00:47:50he became the head of the program production department
00:47:54and then the chairman.
00:47:58After leaving NHK, he moved to the Johnny's office
00:48:02and is now the advisor of the new company, Start Entertainment.
00:48:09Mr. Wakaizumi was asked to interview him
00:48:12for three times a year,
00:48:14but he was not able to talk to him in person.
00:48:33Excuse me, are you Mr. Wakaizumi?
00:48:36I'm Nakagawa from NHK.
00:48:38I wrote you a letter.
00:48:40Can I talk to you for a moment?
00:48:44Why me?
00:48:45I'm not your friend.
00:48:47I thought you would understand.
00:48:50As a person who belongs there,
00:48:52I have a duty to verify it.
00:48:55I need you to tell me about it.
00:49:00What I'm going to talk about here
00:49:03has nothing to do with NHK.
00:49:05I need you to tell me about Start Entertainment.
00:49:11After the interview with Start Entertainment,
00:49:16he received the following reply.
00:49:21I knew about the news,
00:49:23but there was no attention in the office.
00:49:26Neither did NHK.
00:49:30When I was the director of the drama,
00:49:33the number of contacts with NHK was decreasing,
00:49:37and there was a sense of crisis
00:49:40about whether or not I could survive as a public broadcaster.
00:49:45NHK decided on a management plan
00:49:48to increase the trust of viewers
00:49:51of a wider generation.
00:49:55In order to gain a wider generation,
00:49:58the former Johnny's office became an important partner
00:50:02and played an important role in supporting NHK.
00:50:08As a public broadcaster,
00:50:10I think NHK itself is asked
00:50:14what should be done to continue to be supported.
00:50:24Mr. Kitagawa, who founded the Johnny's office
00:50:27and was also active as a music producer and stage director,
00:50:31passed away yesterday afternoon due to pulmonary edema.
00:50:36He was recognized as the Guinness World Record
00:50:39for producing the most number one singles
00:50:42and the most number of concerts.
00:50:45I think he is a great person.
00:50:49He treated me warmly like a family.
00:50:52He is the person who made the current generation of male idols.
00:51:05I will change it to a smile-up.
00:51:10I think that it is the starting point
00:51:13for all victims to save the planet,
00:51:16to do it with sincerity,
00:51:19and to do it with sincerity.
00:51:23I think we need to go beyond the law
00:51:26to save the planet.
00:51:30Mr. Ryo Nakatani, who made a statement
00:51:33about the consequences of his actions.
00:51:37His sister, Ms. Sachiko,
00:51:39sought an apology from Mr. Nakatani
00:51:42and made a statement on behalf of her brother.
00:51:46I will change it to a smile-up.
00:51:50I want to give him a little bit of compensation
00:51:53for the sacrifices he made.
00:51:57I am the only one who can do that.
00:52:01I got a call from the person in charge of Johnny's
00:52:04at the very beginning.
00:52:08When I told him about Ryo,
00:52:11he said,
00:52:14Johnny's is bad.
00:52:17Johnny's is bad, no matter what you say.
00:52:20I will take over the company.
00:52:24I haven't heard from him since then.
00:52:28When I got another call,
00:52:31the person in charge of Johnny's
00:52:34said,
00:52:37I can't give you that much money.
00:52:40I'm not going to take money from you.
00:52:43He said,
00:52:46so we can't compensate you.
00:52:52I thought he didn't care
00:52:55about Johnny's at all.
00:52:58I thought he didn't care about Johnny's at all.
00:53:01I thought he didn't care about Johnny's at all.
00:53:04I thought he didn't care about Johnny's at all.
00:53:08The smile-up answer was
00:53:11that he had published a so-called back-up book
00:53:14and did not allow the policy
00:53:17of not making it a compensation.
00:53:25Hello.
00:53:28I would like to ask you a question.
00:53:31How do you apologize?
00:53:34I don't need money.
00:53:37I was wondering if you could apologize.
00:53:40I was wondering if you could apologize.
00:53:43I was wondering if you could apologize.
00:53:46I see.
00:53:49I'm sorry, I can't answer that easily.
00:53:52I don't know who apologizes to whom.
00:53:55I don't know who apologizes to whom.
00:53:58The victims are dead.
00:54:01The victims are dead.
00:54:04I apologize to the victims
00:54:07when I meet them.
00:54:10I apologize to the victims when I meet them.
00:54:13I understand what you're saying,
00:54:16but I'm sure you were hurt
00:54:19when you were written a book.
00:54:22I'm sure you were hurt when you were written a book.
00:54:25Were you affected by your brother's book?
00:54:28Were you affected?
00:54:31I don't know much about that time.
00:54:34If I was told that I had no apology,
00:54:37I was wondering if I should apologize.
00:54:40I was wondering if I should apologize.
00:54:43He's the one who apologizes.
00:54:46Does he go to the grave
00:54:49and pray in front of Buddha?
00:54:52Does he go to the grave and pray in front of Buddha?
00:54:55Does he go to the grave and pray in front of Buddha?
00:54:58Of course he does.
00:55:01Of course he does.
00:55:04He's dead.
00:55:07He's dead.
00:55:10He's the president.
00:55:13He's the president.
00:55:16He's the president.
00:55:19He's not dead.
00:55:22I can't apologize from the bottom of my heart.
00:55:25I can't apologize from the bottom of my heart.
00:55:28I can't apologize from the bottom of my heart.
00:55:31I can't apologize from the bottom of my heart.
00:55:34I can't apologize from the bottom of my heart.
00:55:37I can't apologize from the bottom of my heart.
00:55:40I can't apologize from the bottom of my heart.
00:55:43I can't apologize from the bottom of my heart.
00:55:47Really?
00:55:55♪♪
00:56:25They didn't say that we were taboos.
00:56:28We thought that if we did that, we would get hurt.
00:56:34So we started to create taboos more and more.
00:56:41The tendency to rely on people who can win a prize
00:56:45or are interested in winning has become stronger than before.
00:56:50If things work out,
00:56:56we might be able to create an agency like Johnny's.
00:57:06Johnny himself is a monster.
00:57:10But I don't think he would have been able to do it alone.
00:57:14It's the same for the people around him.
00:57:17It's the same for the times.
00:57:20It's the same for everyone.
00:57:23I think this problem will fade away in 5, 10, 20 years.
00:57:33We can't have a second Johnny.
00:57:40We can't have a child like us.
00:57:46We can't have a victim.
00:57:50♪♪
00:58:00After that, President Higashiyama of Smile Up
00:58:04had a meeting with Nakatani's sister.
00:58:07He apologized for the damage done to Johnny.
00:58:12♪♪
00:58:22♪♪
00:58:42♪♪
00:58:52♪♪
00:59:02♪♪
00:59:32♪♪
00:59:42♪♪
00:59:52♪♪
01:00:02♪♪