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00:00I'm Seiji Takahara from the company. Nice to meet you.
00:04Nice to meet you too.
00:17What are you doing? I told you not to aim at me.
00:21I didn't aim at you.
00:23Kanaka-kun.
00:24Can you be Takahara-kun's support?
00:27What?
00:29I feel like I've been cornered.
00:32Nice to meet you.
00:34Nice to meet you.
00:43Nice to meet you.
00:47Nice to meet you.
00:52I see.
00:54So that's your answer.
01:00Yes.
01:03I'm grateful that you invited me.
01:10But I can't dream with you anymore.
01:18I see.
01:23So that's your answer.
01:27I'm not here anymore.
01:36Once you make up your mind, don't look back.
01:42I understand.
01:45I pray for your happiness.
01:59I'm glad.
02:02I'm glad you're determined to write again.
02:06Kono.
02:12Can you go to Paris with me?
02:21Yes.
02:25Yes.
02:32I see.
02:33So this is how you felt about my lecture today.
02:39I'm sorry.
02:40No, no. It's interesting.
02:42We're on two different paths.
02:45I see.
02:46I have a question about marriage and work.
02:50Okay.
02:52This is the population curve of women working in the 20th century.
02:57Between the ages of 30 and 40, the labor population is temporarily decreasing.
03:02This is related to marriage, isn't it?
03:05Yes.
03:06It shows that women leave their jobs at the time of marriage and childbirth.
03:11I'm shocked.
03:12I want to have a job even if I get married.
03:15I want my partner to keep working, too.
03:21I think it's good to work instead of getting married.
03:26The manager of my part-time job is very nice.
03:32The next lecture is about to start.
03:34I have to go.
03:36Thank you for your invitation.
03:43Where's Mai?
03:45I have a part-time job.
03:47I see.
03:48See you.
03:49Bye.
03:53By the way, Sakura.
03:55Yes?
03:56The manager of your part-time job.
03:59Do you have a hobby?
04:02For example, do you like movies?
04:04Do you have a problem with music?
04:06Do you have a deep interest in art?
04:08I think it's best to ask the manager.
04:11What?
04:13Excuse me.
04:18If I can ask the manager, I won't ask you.
04:24Is it a project?
04:25Yes.
04:26What's wrong?
04:27No.
04:28Until now, I thought it was a job for employees.
04:32It doesn't matter.
04:33I'm here to support you.
04:35I want you to help me with the project.
04:38The woman who dropped the money is working.
04:41I think Mr. Tanaka knows the number of targets.
04:45Sakura.
04:47Yes.
04:49I'm looking forward to a good idea.
04:57I'm looking forward to a good idea.
05:05Why are you so happy?
05:08I'm happy.
05:10You promised not to aim for the worst.
05:13I didn't mean that.
05:15I was needed.
05:18What do you do when you are needed at work?
05:20Is it bad?
05:21Of course it's bad.
05:23You are the best candidate for marriage.
05:26It's meaningless if you don't work as a woman.
05:30I don't like that.
05:33Do you choose a job over marriage?
05:35I didn't decide that.
05:37What about you, Mariko?
05:38I quit my job as soon as I get married.
05:42You don't have to choose either.
05:47Do I choose a job or a marriage?
05:53When the throbbing wind blows,
05:57Fold your feelings
06:01Don't be afraid to fly
06:05Believe that love is a paper plane
06:20Do you choose a job or a marriage?
06:21Yes.
06:22Why do you say that?
06:24There are many people who want to get married now.
06:26But there are many young women who want to get married soon and quit their jobs.
06:31The times have changed.
06:33The dream of a young woman is to be a happy wife again.
06:39Does that mean that a woman like me who wants to get married has become an old type?
06:44That's not true.
06:46You are cool.
06:48I admire you as a woman.
06:53You are good at using people.
06:56I didn't praise you.
06:58Do you choose sugar or milk?
07:01Do I have to choose either?
07:04What?
07:05Do I choose a job or a marriage?
07:07That's right.
07:08But now I have to choose a job.
07:16But I didn't have a job in the middle of my career.
07:20I didn't have a goal.
07:22I thought I would become a contract worker and experience various things.
07:26But when I realized it, I was over 30 years old.
07:32I don't have time to be on other people's backs.
07:36Here you are.
07:40Well, sometimes you have to choose.
07:45Haruko?
07:47I chose one today.
07:50What?
07:52I refused my boss's invitation.
07:56Oh, I see.
07:58I was asked if I wanted to be independent.
08:03But I don't think so.
08:06I see.
08:09No matter what choice you make, you won't regret it.
08:29No matter what choice I make...
08:35Marriage or a job...
08:38Someone said that yesterday.
08:41What?
08:42Professor Tanigawa's lecture?
08:44Yes.
08:46You chose a job rather than a marriage, didn't you?
08:50That's right.
08:52I think I married a job.
08:56You are so cool.
08:58I want to do a job where I can be proud of myself like you became a garden designer.
09:04Well, I don't know what will happen in my life.
09:08But you didn't give up, did you?
09:11The job of a garden designer.
09:13What?
09:14I envy you.
09:16You got what you wanted to do.
09:22I have to find my dream now.
09:27A dream?
09:29It's been a long time since I heard that.
09:33I used to say that when I was a kid.
09:36What is an adult's dream?
09:39I don't know.
09:41I'm just happy to do what I want to do.
09:46Did you find what you want to do?
09:49Yes.
09:50I want to take a step forward again.
09:53Really?
09:54I want to go to Paris when I finish my painting.
09:57To Paris?
09:58Yes.
09:59I don't know if I can do it.
10:02I support you.
10:04Good luck.
10:08According to the survey data of women in their 30s,
10:11domestic travel is also popular these days.
10:14I think so, too.
10:17In Japan, hotel plans with a lot of estates and amenities are popular with women.
10:22I see.
10:23I think it will be more popular if we include the elements of nature.
10:29The elements of nature?
10:30I think this is a good idea, too.
10:33There are many women in their 30s who are attracted to the beauty of nature.
10:38So, for example,
10:40I think it would be nice to have a tour where you can swim in nature during the day and relax in the hotel at night.
10:46In other words, a plan that is urbanized and naturalistic.
10:50That's good.
10:52Can you summarize the plan in that direction?
10:55Yes.
10:56All right.
10:57That's all for today.
11:06I'm sorry I'm late.
11:08No problem.
11:10Do you want to eat something?
11:12What?
11:13Oh, yes.
11:16You're going to Mokutan, right?
11:18Yes, I am.
11:19What are you going to do with the canvas?
11:21Do you want to put it on yourself?
11:22I'll start with the canvas.
11:25It's the first step.
11:28Next, the paint.
11:31Which one do you want?
11:36Vermilion.
11:37Oriental Green.
11:39Ultramarine Blue.
11:45Naples Yellow.
11:48It's nostalgic.
11:50I thought I could talk to you again like this.
12:01I think this color suits you better.
12:05You used it well.
12:07Yes.
12:09What do you want to eat?
12:14I think the priority is to meet the needs of the customers.
12:18On top of that, it would be nice if you could make a suggestion.
12:22Yes.
12:23I'm glad to hear that you enjoyed the trip.
12:26So...
12:29I'm sorry.
12:31For what?
12:32I talked too much.
12:35No, it's fun.
12:37No, we're having a meal together.
12:40I have to ask you about Tanaka.
12:44Why did you come to this industry?
12:49Because I like to travel.
12:51It's embarrassing, but...
12:53So you've traveled a lot.
12:55Yes.
12:56I went to many places when I was a student.
13:00Cambodia, Nepal, Malaysia, Thailand.
13:05I've been to many places in Asia.
13:08Did you see the sunset in Malaysia?
13:11Yes.
13:12The sunset in Malacca.
13:14Did you see it, Takara?
13:16I saw it. It was so beautiful.
13:18Me too.
13:20The sunset in Ganges was wonderful.
13:23Did you go to India?
13:24Yes.
13:25That's how I got into yoga.
13:29I went to Thailand and fell in love with Muay Thai.
13:33I quit because I didn't want to do it anymore.
13:35That's right.
13:36You're too influenced by traveling.
13:38It's the same for everyone.
13:44I want other people to enjoy my favorite travel.
13:49I'm happy to work with someone with the same ambition.
13:55Me too.
13:57It's an honor.
14:02I love you.
14:32I love you too.
15:02I love you too.
15:36I see.
15:38I think it's good.
15:40I'll submit it to the manager.
15:42Really?
15:44Thank you very much.
15:45You did a good job.
15:48Did you finish it overnight?
15:51No, I didn't.
16:03You two look good together.
16:06What are you talking about?
16:09I'm sorry, but I'll submit it to Mr. Takahara.
16:12I think I have a better man in my 20s.
16:16No.
16:18Mr. Takahara likes you.
16:21Look at his eyes.
16:24He's in love with you.
16:26I just woke up yesterday.
16:29I don't think he's in love with you.
16:31I'm sure he's in love with you.
16:33A man and a woman meet and fall in love.
16:35Mariko.
16:37I don't want to hear that.
16:39What's wrong with you?
16:42It's nothing.
16:44You're getting married soon.
16:48You have to be strong.
16:50To be continued.
17:20The next day.
17:27Professor.
17:29Welcome.
17:31Thank you for the other day.
17:33Me, too.
17:34I didn't expect to see you there.
17:36Did you two meet somewhere?
17:38We met by chance.
17:41It's romantic.
17:44Yes.
17:45I don't know where we met.
17:47Where did you meet?
17:49It's a secret.
17:50What?
17:53It's not romantic at all.
18:02Are you going to visit your mother today?
18:05No.
18:07I want to give you something.
18:12Excuse me.
18:13Welcome.
18:14Welcome.
18:17Vice President Kobayashi.
18:22It's been a long time, Kirishima.
18:24It's been a long time.
18:27Are you looking for something today?
18:30If you don't mind, I'll look for it.
18:33No.
18:35Vice President Higuchi is going to quit.
18:40I'm the successor.
18:43I see.
18:46I'll tell you the truth.
18:49I'm going back to the design department.
18:52What?
18:54Professor.
18:55What kind of flowers are you going to give to your mother?
18:58Let me see.
19:00What should I give her?
19:04Is she from your company?
19:06Yes.
19:07She's from the design department of our company.
19:09Design department?
19:11Garden design.
19:12She used to work there.
19:15I see.
19:16Actually, Vice President Higuchi entrusted me to your design department.
19:23It seems that Vice President Higuchi persuaded the head of the company.
19:28After I'm gone, you're the only one who can support the design department with me.
19:36The official case will be next month.
19:39Before that, I'd like to know how you feel.
19:47Let me think about it.
19:52I see.
19:54I'm sorry to bother you while you're working.
20:01The manager said that he married his job.
20:06Did he really like the garden design job?
20:23Takara.
20:24Yes.
20:25Takaka.
20:26Yes.
20:31Thank you for letting me read the proposal.
20:35I think it's interesting.
20:37I'd like to try it.
20:38Really?
20:39I like the fact that you're trying to find something new from the customer's satisfaction.
20:43Your voice is well reflected.
20:45That's what I've felt since she started working in the counter business.
20:51I see.
20:52I can understand what you want.
20:58Why don't you start a project right away?
21:00As Takara, you're the leader.
21:04How about you, Morita?
21:06What?
21:07You're one of the young employees.
21:09I think you'll be a good leader.
21:11My subordinate is Mr. Tanaka.
21:14Of course, I'll ask Mr. Tanaka to support the office.
21:18But she...
21:19Morita.
21:20Yes.
21:22What is it?
21:23I'd like to ask you to support Takara.
21:26Yes.
21:29All right.
21:30Let's think about the theme of the tour.
21:34There should be a lot of problems depending on the time and purpose.
21:37Oh, right.
21:38Mr. Tanaka.
21:39Can you make three cups of tea in the meeting room?
21:42Yes.
21:43Let's go.
21:53Three cups of tea...
21:59Three cups of tea...
22:29Three cups of tea...
22:47Mr. Shiharu?
22:52I'm sorry.
22:53I didn't want to interrupt you.
22:55I couldn't talk to you.
22:57I was about to hang up.
23:08You really took a step forward.
23:13You're welcome.
23:21Did you decide to go to Paris with Mizuki?
23:26Yes.
23:27I see.
23:29Mizuki must have been happy.
23:31Well...
23:33Did something happen today?
23:36Huh?
23:37Because you came here.
23:39Oh, no.
23:42Is that so?
23:44Oh, no.
23:45Yes, yes.
23:48I decided to do my best, too.
23:52The person who came to me recently evaluated my project.
23:58And now I'm going to start working on it.
24:03That's great.
24:05No, it's not great.
24:10But I'm also trying to do my best not to lose to Junpei.
24:17Let's do our best.
24:21Yes.
24:24I'm going to go now.
24:26I'll walk you home.
24:28No, it's okay.
24:29I can go home alone.
24:34Do your best.
24:46I'm home.
25:06I'm home.
25:08Welcome home.
25:17I'm home.
25:18Welcome home.
25:21What's the matter?
25:23You all made the right choice, didn't you?
25:26Huh?
25:27I'm the only one who didn't make the right choice.
25:35I don't have a proper job or a proper marriage.
25:43I don't have anything to choose from.
25:48Then I can't choose, can I?
25:55I want to be able to choose my own life.
26:04Maybe you're trying not to choose on purpose.
26:07What?
26:08About Kudo.
26:10I heard he might go to Paris.
26:17Is that really okay?
26:22It's okay.
26:24But...
26:25It's like a hope for me.
26:30Hope?
26:31Hope?
26:33It's something that can make your dreams come true.
26:41So...
26:43I want you to keep going.
27:02Welcome.
27:04Are you going to give your mother a present again?
27:07No.
27:08I want to give you a present today.
27:11Me?
27:22This is a drawing of my parents' garden.
27:25Even though it's my parents' house, no one lives there anymore.
27:32Why are you giving this to me?
27:35I think what you want to choose is not where you're going to work, but what you're going to do there.
27:43I overheard your conversation with the person in charge.
27:46I'm sorry.
27:49No.
27:51I want you to design this garden.
27:54I want you to design this garden.
27:59I've been looking into your work since I came back yesterday.
28:04I'm sorry, but I didn't know anything until now.
28:09And I really wanted to ask you for a favor.
28:17But I...
28:19I don't know if I'll go back to design.
28:21I'll wait.
28:22I don't mind if you take it as a company job.
28:25Or I don't mind if you take it as an individual job.
28:33I don't mind if there's a job that doesn't stick to the title.
28:40Someone who carries the garden.
28:44What?
28:46That's what my mother calls me.
28:49For a mother who can't go out early,
28:52even a single flower is a garden.
28:57Even a single flower is a garden.
29:03I want you to design this garden.
29:08So I'll wait.
29:14It's okay.
29:16If it's the answer you're looking for,
29:18no matter what the result is,
29:21you won't regret it.
29:33So this is the present for you.
29:36Yes?
29:37No, it's nothing.
29:38This is for you.
30:08Chiharu.
30:09I'm sorry.
30:11Did I bother you again?
30:12No.
30:16Junpei, you're making good progress.
30:23No.
30:27Actually, I haven't started yet.
30:30What?
30:32I don't know what to draw.
30:38I'm so lost.
30:46Me too.
30:49I'm so lost.
30:52I don't know what to draw.
30:55I don't know what to draw.
30:59I'm so lost.
31:02Chiharu?
31:06Actually, I'm not an employee,
31:09so I was excluded from the project.
31:12Really?
31:14Yes.
31:19Here you are.
31:29I'm sorry.
31:37I'm so pathetic.
31:40I can't go to Paris like this.
31:47That's not true.
31:52You may be lost,
31:56but you have a ticket to escape from the maze.
32:01Do I?
32:05Yes.
32:08I'm sure.
32:25I'm sorry.
32:33I'm a stock now.
32:35A stock?
32:37It's called a love of faith.
32:39It's Astor's catchphrase.
32:46Lentenlose.
32:47It's an important person or a strong friendship.
32:51I found you.
32:54It's called Nippon.
32:56It's a flower of Gabella.
32:58If I could fly right away.
33:00Every little step I make today.
33:03Let me go toward another day.
33:13Now I see the light.
33:19Here I'm okay somehow.
33:22I stood in search of hope.
33:25Tomorrow will shine.
33:32Here I'm okay somehow.
33:35Cause I'm seeing you in my room.
33:44In my room.
33:52Yes?
33:53Haruko.
33:56Do you have a rose of Nobara?
34:00Nobara is a flower of Shoka.
34:03It's autumn.
34:06I see.
34:09I see.
34:14Hey.
34:16It has to be a flower.
34:19What?
34:26I'm done.
34:27Welcome back.
34:33This is from Chiharu.
34:35This?
34:36It's Nobara.
34:38Nobara?
34:39In this season?
34:40I didn't see any flowers.
34:43But why?
34:46Excuse me.
34:47Welcome back.
35:11I'm back.
35:13Welcome back.
35:19I gave it to Kudo.
35:23Is this?
35:24Yes.
35:25Nobara.
35:28It's white and cute, isn't it?
35:30Yes.
35:31It's small, but it's beautiful when there are many flowers.
35:36I wanted to see Nobara.
35:39It's a flower.
35:41Dinner is ready.
35:48Hey.
35:49Instead of cooking dinner,
35:52you should have waited at the restaurant.
35:55I don't care.
35:56I have to move on.
35:59Move on?
36:01It's not easy to move on.
36:05If you think so, you have to move on.
36:10You're right.
36:13Work or marriage.
36:16You can't choose.
36:18I thought it was pathetic.
36:21But if you think so,
36:24you can't move on.
36:26Yes.
36:30Someday,
36:32when the time comes,
36:34I have to move on
36:37so that I can choose.
36:42So,
36:43which one will you choose?
36:47Both.
36:48Both?
36:50I won't give up marriage and I'll work hard.
36:53Because,
36:55I have a choice to move on.
36:57Move on?
36:58Can you do that?
36:59Yes, I can.
37:03When the time comes.
37:04When the time comes?
37:07Let's eat.
37:08Let's eat while it's warm.
37:10Here you are.
37:16Thank you for the meal.
37:23It's delicious.
39:03Good morning.
39:04Good morning.
39:05Good morning.
39:06Good morning.
39:08Good morning.
39:09Good morning.
39:12Can we plan it again?
39:16No way.
39:17I've been working full-time until now.
39:26I joined the travel industry for the time being, but I avoided all the difficult things.
39:33But I thought I shouldn't do that.
39:38I want to do a job that I can be proud of.
39:43Tanaka-san.
39:45I don't mind if you don't hire me as a director.
39:48I'll do my office work, of course.
39:50So...
39:52Can you let me do the project again?
40:04That's the answer to the story, right?
40:06Yes.
40:08I think garden design is a change of job.
40:13I realized that after hearing your story.
40:17Then...
40:18But...
40:21I'll decline to go back to the head office.
40:27What do you mean?
40:29I don't think I belong here anymore.
40:36I was taught while I was working to send flowers.
40:43If you don't like to visit the garden,
40:46If you have a flower,
40:51You can feel the garden there.
40:56The garden?
40:58While connecting flowers and customers,
41:02I want to look at the design work again.
41:10I see.
41:16You've seen through everything.
41:22Director Higuchi said.
41:25Even if I invite you, you won't come back.
41:32At that time...
41:41He asked me to give this to you.
41:51Because this is your job.
42:07It's done.
42:21This is the tour list.
42:26I'm sorry to leave you alone.
42:28No problem.
42:29I'm the one who asked you to do it.
42:32Let's continue tomorrow.
42:36It's late, so I'll send you off.
42:38No, it's okay.
42:40I can go home alone.
42:41It's the same direction, so you don't have to worry.
42:45I'm sorry.
43:15I'm sorry.
43:45If you draw again, I'll be your number one fan.
44:12Open the door!
44:15I'm glad to hear that.
44:16I can't just feel it.
44:24If I draw again,
44:26I'd like you to see it.
44:56Chiharu!
45:00I'm sorry for sending you off.
45:02No, no.
45:03Thank you for your hard work until late.
45:05I'm sorry.
45:06I'm not a project member anymore.
45:08What are you talking about?
45:10This is Tanaka's plan.
45:13Make sure it comes true.
45:17Yes.
45:19I'm leaving.
45:20Good night.
45:21Good night.
45:51I'm sorry.
45:52I'm sorry.
45:53I'm sorry.
45:54I'm sorry.
45:55I'm sorry.
45:56I'm sorry.
45:57I'm sorry.
45:58I'm sorry.
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46:48I'm sorry.