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00:00So, I'm going to the factory.
00:19Yes, I was thinking of stopping by the store before going to the office.
00:22Well, then we'll talk.
00:26No, tell me. I have a couple of minutes.
00:29If you have enough with a couple of minutes.
00:32The truth is that I don't know.
00:34Well, try to see. You have a minute and a half left.
00:39Before I talked to my father and I found him a little weird.
00:42If by weird you mean ashamed and guilty,
00:45I think it's fair that he feels that way.
00:48Yes, and a little melancholic.
00:51Melancholic?
00:54We were talking about when we went on an excursion with our mother to the mountains of Toledo.
00:59I don't remember that anymore.
01:01Or maybe I'm trying to erase all the memories in which Father seemed like a normal father.
01:06Those were very happy times.
01:09It's called childhood, Andrés.
01:11Yes, I guess. Our family has never been so united since then.
01:15No, and Jesus and Father will take care of that.
01:17Totally.
01:20So?
01:22I am fully aware of what they have done.
01:25And I am the first to condemn him.
01:28But?
01:30Well, I can't help feeling pity for him.
01:35And I'm very angry because they don't deserve it.
01:38It's okay that you feel compassion for them.
01:41That's what sets us apart.
01:44But pity, pity, no, Andrés. Because they don't deserve it.
01:48It's the first time I've seen him aware of his mistakes.
01:51It's normal for him to realize.
01:53Because for a while now, all of them have come to light.
01:57Each one of them.
01:59I see.
02:01The point is that he mentions you as an example of having made a mistake.
02:06Me?
02:08Yes, and when he wanted to ask you what he meant, he didn't want to give details.
02:12It's as if he didn't want to talk about it.
02:14I see. Well...
02:17And I see that you don't want to talk about it either.
02:23Well, Marta, I won't bother you anymore.
02:25It's been two minutes. Don't worry.
02:28No, Andrés, wait.
02:30It's ridiculous for Jesús, the person who can hurt me the most in the world, to know.
02:35And for you not to know.
02:38Marta, you're scaring me.
02:41The truth is that if you don't want to tell me something, don't worry.
02:46I'm going to tell you because I love you.
02:50And because with Jaime I learned that sharing confidences with someone who also loves you is good.
02:59I hope you're up to it.
03:03I don't even know how to start.
03:08You see, I'm not the person you think I am.
03:13What does that mean?
03:15I don't understand, Marta.
03:17That I've fallen in love with a woman.
03:20And she with me.
03:31Gasparcito, can you get me a coffee?
03:42Is something wrong, Gaspar?
03:45I can tell you're a bit on edge.
03:48Well, more than on edge, I'm thinking about Dolores.
03:52And I'm disgusted, really.
03:54Oh, the newspaper ad?
03:56Don't worry, man. Do you know how many letters she received?
03:59She'll need time to read them all.
04:01No, no, but she already answered me and everything.
04:03What do you mean she answered you?
04:05Yes, come on. Like I have the letter here.
04:08But, and what does it say? Well, can I see it?
04:11Yes.
04:13Yes, I've read it so many times.
04:15I could even recite it to you from memory.
04:17Let's see.
04:23Gaspar, please, but she's telling you beautiful things.
04:27I especially like this part,
04:29that you've made me fly with my imagination to your corner.
04:32I see, I see.
04:36I've never made anyone fly,
04:38but not with my imagination,
04:40nor without imagination,
04:42not at all.
04:44Congratulations, Gaspar.
04:46Boy, cheer up, she answered you.
04:49Yes, that's the problem, Fina.
04:51That's the problem.
04:52After reading the letter,
04:54I think I've gone a bit too far
04:56and I think I've messed up.
04:59Why? What have you done?
05:02Have you written to her again?
05:04I sent her another letter yesterday.
05:06Well, it's fine.
05:08What did you write to her?
05:10Between the nerves and the excitement,
05:15I think I've gone too far.
05:18How far?
05:20A lot, Fina.
05:22A lot.
05:24I asked Tassio for advice
05:26and let's say he gave me wings.
05:28Come on, he insisted
05:30that I ask for his phone number,
05:32that he send me a recent photo of him,
05:34and all those things.
05:38I never imagined that you...
05:40Anyway, that...
05:42Well, it came up.
05:45I wasn't looking for it, I assure you.
05:48That's why I feel that it's...
05:50that it's a real love.
05:56For God's sake, say something,
05:57you're killing me with the silence.
06:00I admit that I have a lot of questions to ask you.
06:04But I'm going to sum it up in one.
06:08Are you happy with her?
06:11I've never been so happy in my life.
06:14Then there's nothing more to say.
06:16It's time for you to answer
06:18those questions that I have.
06:23Thank you for trusting me.
06:27You have all my support.
06:30You know that I'm a great defender
06:32of forbidden loves.
06:34In fact...
06:35In fact, you preach with the example.
06:41Marta, there's something else.
06:43Maybe I'm being imprudent,
06:45but...
06:47I know her.
06:51Of course you know her.
06:56It's Serafina Valero.
07:00Nuestra Afina.
07:02For God's sake.
07:05With how sensitive and observant you are,
07:07you hadn't noticed.
07:09I'm sorry, but your description
07:11exceeds my sensibility.
07:14Well, the forbidden is forbidden for a reason.
07:16We can't
07:18let the four winds blow
07:20as we'd like.
07:22I see.
07:26Come here.
07:29Come here.
07:34What a big heart you have.
07:37What would I do in this family without you?
07:46A photo, Gaspar?
07:48What a bad taste.
07:50When would you ask Tassio's Gagnan for advice?
07:52Well, ex-Gagnan,
07:54who is now married and transformed.
07:56That's what I'm saying.
07:58You can't deny
08:00that you at least know what's going on.
08:02He's had more girlfriends.
08:04What's on his mind?
08:06Maybe, but he hasn't met any of them
08:08by letter.
08:10Well, he wrote a very nice one to Carmen.
08:12And to me, with the letters to Sonsoles,
08:14I'm glad he helped me too.
08:16A poet.
08:18All you have to do is look him in the face.
08:20He's a troublemaker, Gaspar.
08:22He's a Don Juan
08:24with short distances.
08:26But a letter-to-letter relationship
08:28is very different.
08:30And what do you know about these things?
08:32What do you know?
08:34Well, I know more than you think, Gaspar.
08:38I'm sure this woman
08:40wanted a little more mystery,
08:44seduction,
08:46a little slow fire.
08:48Well, as it continues with the slow fire,
08:50I'm going to end up retired more than once
08:52in the drawer.
08:54Gaspar, stop, please. Don't be so exaggerated.
08:56I don't want that, Fina.
08:58I want a love now, now.
09:00I can't wait another year.
09:02Yes, but you could have waited a couple of weeks.
09:04Do you know how many idiots
09:06have written him letters?
09:08And I'm sure your first letter
09:10was one of the few that had reached his soul.
09:12Do you think so?
09:14Well, of course.
09:16And now with this second one...
09:18After reading it,
09:20I've sent it straight to the blacklist.
09:22He's pissed off with all the letters.
09:24Come on, and never better said.
09:26I don't know.
09:28Should I put a candle on Santa Rita or...?
09:30No, no, no, no.
09:32You better put a cross on Tassio
09:34who with sentimental issues is a zero on the left.
09:36Come on, what?
09:38Go to 12.
09:40It's just that when the need
09:42tightens, Fina,
09:44well, it tightens.
09:47Of course.
09:52Don Pedro.
09:54Good afternoon.
09:56Are you visiting La Colonia?
09:58Well, I came to see my son,
10:00but today he's too busy to see me,
10:02so I'm leaving.
10:04I have the car waiting at the door.
10:06It is true that great news
10:08that you have been hired here again.
10:10Yes.
10:12As you should know,
10:14it wasn't for you either,
10:16but once you've made the decision,
10:18the best thing to do is make the cash come in,
10:20don't you think?
10:22Well, yes, and you have to say
10:24that the Lord loses a model servant
10:26but wins a marriage that is loved
10:28in spite of everything.
10:30In spite of everything.
10:32A very elegant way
10:34to refer to an illegitimate son.
10:36Claudia is a good girl
10:38and very devoted, by the way,
10:40but unfortunately she will have to carry
10:42the burden of the family.
10:44It is strange that they have been so diligent and fast.
10:46Strange? I don't know, you will know better than me.
10:48No, I confirm it.
10:50A papal dispensation is never resolved
10:52in a few weeks, as has been the case.
10:54Does Mateo have a guardian angel
10:56who protects him?
10:58It could be.
11:00Or in more prosaic terms,
11:02perhaps that guardian angel
11:04is from this world
11:06and has interceded for him
11:08in the offices of the archbishop.
11:10Well, you flatter me.
11:12My influence there is minimal.
11:14Well, especially with the primate cardinal,
11:16who is the one who could have accelerated
11:18the procedures in the last instance.
11:20However, I know,
11:22by Mateo, that you have had
11:24a certain friendship with the cardinal.
11:26Well, we have met once in a beneficial act
11:28and we maintain a good relationship,
11:30but there is no friendship.
11:32Sometimes cordial relationships
11:34are more fruitful than intense friendships.
11:36True.
11:38It is evident that you are a great
11:40connoisseur of the human soul.
11:42Yes, and I also know what a father
11:44is capable of to help his children.
11:46Let's see, let's not confuse things.
11:48One thing is to bring up a certain topic
11:50in front of the appropriate instances
11:52and another, very different,
11:54to demand a certain treatment of favor.
11:56The latter would never be done
11:58by a gentleman of your class.
12:00I see that you have understood it perfectly.
12:02Let's leave it at that,
12:04it has been the work of an unknown guardian angel.
12:06Father, remember,
12:08the ways of the Lord are inexhaustible.
12:10Amen, son, amen. Amen.
12:20So you assure me
12:22that during the time that Julia was there,
12:24she did not have nightmares or wet the bed?
12:28Yes, Sir Perpetua, I understand that the girl
12:30did not want to participate in all the activities
12:32and that she was not very talkative in China,
12:34but I think it's normal,
12:36given the circumstances, don't you think?
12:38Well, anyway,
12:40that's what I wanted to know.
12:42Thank you, thank you, goodbye.
12:46Ready to go to the cinema?
12:48Yes, yes, I guess so.
12:50Who were you talking to?
12:52With the director of the Burgos boarding school.
12:54It is that Luz recommended that I call both centers
12:56to ask if Julia had also had
12:58some episode of neurosis there.
13:00Neurosis?
13:02No, she didn't wet the bed
13:04not a single day.
13:06And Luz doesn't know why I'm going to pass that on to her?
13:08No, well,
13:10Luz believes that it is likely that
13:12all that coming and going has caused her a great emotional fracture
13:14and that
13:16stepping on herself is only a symptom
13:18of her discomfort.
13:20But now they have told me in both centers
13:22that she didn't have any episode,
13:24so I don't understand it.
13:26I don't know why it happens to her just when she returns.
13:28Maybe her nerves are here again, nothing more.
13:30I understand that we have tried to protect the girl
13:32from everything that was happening in this house, but...
13:34Julia is not stupid.
13:36She is very moved by how little she is.
13:40I am very happy that she is at home,
13:42but...
13:44but I can't stop thinking that Jesus is also here.
13:46And that doesn't reassure me.
13:48I understand,
13:50but we are here with her.
13:52And we can protect her
13:54from him at all times.
13:56You know that Jesus is a manipulator.
13:58Let's do one thing.
14:00Let's give her time,
14:02all this, to see how it evolves.
14:04Maybe what happened this afternoon
14:06is a specific episode
14:08and it won't happen again.
14:12In fact, the only certainty we have
14:14is that right now
14:16she is waiting for us in the garden, playing
14:18in the sea of happiness.
14:20Really?
14:22Yes, and wait for her to be among us
14:24with a giant cartridge of plugs.
14:26Okay, you'll see.
14:30What are you going to do at the cinema with the girl?
14:32I just found her in the garden.
14:34Don't you realize
14:36the scandal that is supposed to see you together?
14:46Hi, Claudia. Do you want an infusion?
14:48No, thank you. But I have to go back to the store.
14:50Well, sit down.
14:52Yes.
14:56Did something happen to you, doctor?
14:58No, nothing.
15:00I just remembered
15:02that I have a procedure to do later at the dispensary.
15:04But look, tell me,
15:06what did you have to tell me so urgently?
15:08Well, you know
15:10that the works of the Kunal house
15:12are right in front of the store.
15:14Yes, and they have already told me that you come every two minutes.
15:16Any day they will make you angry.
15:18The truth is that I can't help it.
15:20But what I came to tell you
15:22is that today, before going to work,
15:24a friend of mine has told me
15:26that he has started to lift the floor
15:28and is in a much worse state than I thought
15:30and that he is going to need help.
15:32Well, let's see how he manages.
15:34Because we don't have a single peseta more of budget.
15:36Well, that's what I told him.
15:38But he told me that either we put a helper
15:40or that he abandons the work.
15:42It's not true.
15:44Well, yes, as I tell you.
15:46He says he has a work in Junquillo or something like that
15:48and that he can't be with us on Monday.
15:50Oh my God.
15:52This is a disaster.
15:54The project of the house of Cunha is screwed.
15:56I'm telling you.
15:58Well, I have to go back to the store,
16:00but I came to tell you that if you want,
16:02when I leave work, we can go there
16:04to try to convince him.
16:06Don't worry, we'll think of something.
16:08Well, I'm leaving
16:10and I'm also going to think
16:12to see if something happens to me.
16:14See you later, doctor.
16:16Hello, Alberto.
16:19Come on, father.
16:21Pegoña is his mother and I am his uncle.
16:23What are people going to think?
16:25That the girl is going to Carabino or something like that?
16:27Well, they can think that and much worse things.
16:29He's exaggerating.
16:31And you playing with fire.
16:33But why? I don't understand.
16:35I'm sorry, but you know I'm not making anything up.
16:37And if you go with the girl,
16:39people will think badly and rightly.
16:41That's absurd.
16:43It's not a good idea, Andres.
16:45And period.
16:47Pegoña, I understand your concerns.
16:49I really do.
16:51Well, make sure he understands them too.
16:53My son's big head.
17:00I'm sick of him.
17:02Who does he think he is to go around
17:04giving moral lessons?
17:06Andres, deep down he's right.
17:08What do you mean he's right?
17:10It's not a good idea for us to see each other in the cinema.
17:12There are people in scruples
17:14Andres, it's better if you go alone.
17:16No, not even talking.
17:18If the three of us can't go, I'll sacrifice myself.
17:20No, but that's not fair.
17:22It was your plan.
17:24Besides, the girl is dying to be with you and you with her.
17:26Pegoña, not more than you.
17:28Besides, Julia needs you now more than ever.
17:30I agree.
17:34I'll apologize to her and tonight
17:36I'll put her to bed.
17:38I'm sorry.
17:40I'll apologize to her
17:42and tonight I'll put her to bed
17:44and watch the movie.
17:54Good afternoon, doctor.
17:56Good afternoon, Alberto.
17:58Move that shoulder.
18:00Good, good, thank you.
18:02I'm sorry, but I couldn't avoid
18:04listening to the conversation you had.
18:06Well, I'd like to lend you a hand.
18:08Well, if you don't mind
18:10asking you how.
18:12I don't know if you know what the project
18:14of the Cuna house is about.
18:16Yes, but I see the workers in the square
18:18and I hear what they say at the loading dock
18:20and also what you said.
18:22And well, if they need an albanil.
18:24And what have you heard out there?
18:26What do the people of the Cuna house think?
18:28Well, there are opinions for everything.
18:30There are people who are very in favor
18:32and people who say that mothers
18:34should be with their children.
18:36And what do you think?
18:38I think the Cuna house is a very nice project
18:40because it will allow mothers
18:42to take care of their children.
18:44So, if they need an albanil...
18:46By chance,
18:48I don't know any of you.
18:50Be it good or fast and especially cheap.
18:52Well, it's not to throw flowers at me,
18:54but you have it in front of you.
18:56You?
18:58Yes, I've been an albanil, I've been a carpenter,
19:00a welder, even a plumber.
19:02You're all human.
19:04So, if you think it's okay,
19:06after my shift at the loading dock,
19:08I'm at your disposal for whatever you need.
19:10Are you sure?
19:12Look, you're going to have to work very hard
19:14for a few days for a miserable salary.
19:16Oh, no, well, if that's the case,
19:18then there's no way, I'm sorry.
19:20I'm sorry.
19:22We don't have a budget for more, but thank you very much.
19:24Doctor, doctor,
19:26what I wanted to say is that
19:28either I do it for free or I don't.
19:31Yes, well, it will be my way
19:33of putting my grain of sand
19:35in that beautiful project of the Kunas house.
19:37Really?
19:39I don't know what to say.
19:43I'm very glad
19:45that there are still men as supportive as you.
19:49Well, when I finish my shift,
19:51I'll get organized with the other albanil.
19:53Thank you very much, really.
19:55You're welcome.
20:00Hello.
20:15Hello, daughter.
20:20You don't have to leave
20:22every time I enter a room where you are.
20:24That's not why they called me that notification.
20:26Wait.
20:28Do you have a company?
20:30You can wait, I have to show you something.
20:32I hope it's important and strictly
20:34related to the company.
20:36If not, I'd rather you kept me out of it.
20:38Well, it's not strictly professional,
20:40but I think you deserve to make an exception.
20:42What is it about?
20:44What do you think?
20:50I haven't seen this photo in a thousand years.
20:52Where did you get it from?
20:54It was in the back of a book.
20:56Do you remember where I put it?
20:58And in another life.
21:02Of course I remember.
21:04How could I not?
21:06In your favorite corner of the world,
21:08as you used to say.
21:10Andrés had already told me
21:12that you were nostalgic.
21:14It was strange, on Saturday,
21:16that Mother didn't take us for a walk
21:18in those mountains.
21:20You left early in the morning
21:22and didn't come back until the sun set.
21:24I couldn't always go with you,
21:26but the times I spent with you
21:28are kept in my memory
21:30as something...
21:32I don't know, like a treasure.
21:34This day did come with us.
21:36I remember it.
21:38There was a huge flash of light
21:40at first, but then...
21:42Then a bright sun came out.
21:44That same sun
21:46could come out again for you.
21:48And in those same mountains.
21:50What is this about?
21:52Do you know Germán Hidalgo?
21:54The real estate agent.
21:58I asked him to take a look
22:00around that area
22:02and he found
22:04what I was looking for.
22:06And what were you looking for?
22:08A small house, not very big,
22:10with a garden, with a view of the mountains,
22:12and it also has two very good things.
22:14Do you want to know which ones?
22:16The first one is that,
22:18despite being in the countryside,
22:20it's not very expensive.
22:22And the second one?
22:24It's far enough away
22:26so that no one bothers you.
22:28Did you buy that house?
22:30Not yet, because I'm waiting
22:32for your answer.
22:34My answer?
22:36If you want it, the house is yours.
22:40What is this about?
22:42What does he want?
22:44Does he want to buy me?
22:46Does he want to buy my affection
22:48or my salary?
22:50He doesn't know how to do things
22:52in any other way, Father.
22:54I'm not forcing you to do anything.
22:56I'm just giving you the opportunity
22:58to have your own house in the countryside,
23:00away from the crowd of the factory
23:02so that you can share it
23:04with whoever you want.
23:06You know full well
23:08that the only person
23:10I would share that house with
23:12is Confina.
23:14Would he still be willing to buy it?
23:16I'm just giving you the opportunity
23:18to have your own house in the countryside,
23:20away from the crowd of the factory
23:22so that you can share it
23:24with whoever you want.
23:26He wants to keep me away.
23:28That's it, isn't it?
23:30Keep me away from people's eyes
23:32and suspicions.
23:34You can keep thinking badly of me,
23:36whatever you want.
23:38Maybe I've earned it,
23:40but this gift is from the bottom of my heart.
23:42Germán told me
23:44that I have a couple of days to decide.
23:46To decide on you, in this case.
23:48So when you're done throwing all your anger
23:50at me, think of you,
23:52of us,
23:54and give me an answer.
24:12CONFINA
24:24Good afternoon, Mrs. Marta.
24:26Confina.
24:28What's wrong? You're very serious.
24:30Well, more than serious,
24:32I think I'm confused
24:34to call it that, somehow.
24:36Why? What happened?
24:38That I've been talking to my father.
24:40Your father? About what?
24:42Didn't you make it clear that you only wanted to talk to him
24:44about work?
24:46Yes, well, he made me an offer
24:48that has nothing to do with work, really.
24:50An offer?
24:52Marta, I'm already
24:54shaking, just thinking about it.
24:58He wants to buy me a house in the mountains of Toledo.
25:02A house in the mountains?
25:04Yes, a little house with a garden.
25:06He says it's very close to here,
25:08but it's closed.
25:10Are you telling me that your father is trying
25:12to buy your affection and affection
25:14in such an obvious way?
25:16I think the offer goes much further.
25:18Because he has told me
25:20that the house is for me to live
25:22with whoever I want.
25:24Well, if it was necessary,
25:26he would check who you invite and who you don't.
25:28You don't understand.
25:30You don't understand.
25:32He already knows
25:34that I would only go to live with you.
25:38Without conditions?
25:40Without conditions.
25:44Well,
25:46it's an advance, isn't it?
25:48An advance is a Copernican twist.
25:52He offered us a house so that you and I
25:54could live together.
25:56I don't understand.
25:58He offered us a house so that you and I
26:00could finally be together.
26:02But then you accepted.
26:04I'm speechless,
26:06really, I don't know.
26:08Yes, it's normal for you to be speechless.
26:10Knowing your father,
26:12that house could be a poisoned gift.
26:14Yes, I know.
26:16But I've seen him so affected by our distance
26:18and so sad
26:20that deep down I want to think
26:22that it's not a Machiavellian plan.
26:28What are you thinking about?
26:30Oh, Marta, forgive me.
26:32I was dreaming awake.
26:34Can you imagine the two of us
26:36living in a house in the mountains,
26:38far from everyone,
26:40you and me alone, can you imagine?
26:42Look, it's been so long
26:44since I thought that this was never going to happen
26:46that now that it's within my reach
26:48I'm scared to death.
26:50Yes, we're already two.
26:52So what do I do?
26:54Do I accept?
26:56I don't know.
26:58He's your father, Marta, it's your decision.
27:00Because if I'm wrong,
27:02maybe in the end
27:04it's one of his tricks.
27:06Yes, let's see,
27:08it could be.
27:10You know him better.
27:12I can only tell you
27:14that no matter what you decide,
27:16I'll be here
27:18to support you.
27:20From the 22nd to the 29th
27:22you have to pack them up
27:24for that bonus.
27:26And the rest...
27:28No, the rest goes to the loading dock.
27:30So, let's go, Ignacio.
27:38Well, Mr. Damián,
27:40what are you doing here?
27:42I was looking for you.
27:44The truth is that the conversation
27:46we had this morning gave me...
27:48Really, Mr. Damián.
27:50I don't have a single complaint
27:52about my job.
27:54I'm very happy with it.
27:56Well, in that case,
27:58I can go now.
28:00But Mr. Damián,
28:02you just arrived.
28:04How are you going to leave?
28:06Yes, because I don't think
28:08you're interested in the offer I was going to make you.
28:10Especially considering
28:12that you're so comfortable
28:14in the place where you are now.
28:16But you're going to leave me in disgust.
28:18You see, the person
28:20chosen to be in charge of the factory
28:22has finally decided
28:24to accept a job offer
28:26they made for him in his hometown.
28:28Well, I didn't know.
28:30Anyway, Joaquín...
28:32Mr. Joaquín, sorry.
28:34You can rest assured. I'll take care of the shifts
28:36and talk to the suppliers until I find someone else.
28:38Do I have to tell you everything?
28:40What?
28:42That we've already found that person
28:44and that I have her in front of me?
28:48Me? In charge?
28:50Well,
28:52if you're willing to do it, of course.
28:54What's funny is that
28:56I didn't know I was being hired.
28:58The truth is that you weren't
29:00in any of the jobs.
29:04And Tassio?
29:06Tassio what?
29:08Tassio is doing a very good job
29:10as your assistant, isn't he?
29:12Yes, and we value him,
29:14but not... But what?
29:18Tassio has been raised in this factory,
29:20as they say.
29:22No one will trust him more.
29:24Leave Tassio where he is.
29:26He's fine there.
29:28Well, I think it's a good solution.
29:30A patch.
29:32Father, that position is essential.
29:34We can't risk it
29:36just because we're in a hurry.
29:38Right. I think it's worth waiting
29:40until I find the right person.
29:42And if you want, in the meantime,
29:44I can take care of everything.
29:46And what has changed?
29:48Well, the impetus
29:50and the desire I've seen this morning
29:52in the canteen have convinced me
29:54that you're the right person for this position.
29:56Well, thank you, Mr. Damián.
29:58And I assure you that I'm going to work
30:00and you'll see that I'm worth it.
30:02I take your word for it.
30:04I have a couple of ideas
30:06that I'd like to try.
30:08Don't get carried away.
30:10For now, we want you to do things
30:12as they've been done so far.
30:14Later on,
30:16we'll have time to talk about those innovative ideas.
30:18Is that clear?
30:20Perfectly. I'll come up with them with Gaseosa.
30:22Exactly.
30:24For a while, Joaquín will show you
30:26what you have to do and how you have to do it.
30:28Perfect.
30:30Tassio,
30:32I've given you the push to get here.
30:34But from now on,
30:36you'll have to convince
30:38Joaquín and Marta
30:40that they were wrong about you.
30:42Mr. Damián, I won't let you down.
30:44And I assure you that I'll work to prove it.
30:48I hope so.
31:06That hat man was like a shower.
31:08He kept buttering the clock.
31:10Of course.
31:12Why do you think he's called the crazy hat man?
31:14Julia!
31:16You look very excited.
31:18We went to the movies together
31:20to see Alice in Wonderland.
31:22I won't ask you if you liked it
31:24because you can see it in your face.
31:26We loved it. Do I look fat?
31:28A lot.
31:30Have you seen it?
31:32No, not yet.
31:34He was going to come with us,
31:36but he couldn't. He had to go.
31:38Andrés was going to the movies?
31:40Yes. I didn't know.
31:42I asked him.
31:44But they called him from the factory
31:46and he had to run.
31:48What a tragedy.
31:50You three would have had a great time
31:52in such a happy company.
31:54Julia, honey,
31:56why don't you go upstairs to change?
31:58You have dinner with the Merinos tonight.
32:00Yes, Indigna is going to pick me up
32:02and you have to go up and comb your hair.
32:04You have to look like a princess.
32:06But there's still a lot left for dinner.
32:08I can't rest for a while.
32:10Do you want us to look at the magazine together?
32:12You'll see how combed you are.
32:14Do you know who Gracia de Mónaco is?
32:16A princess?
32:18Yes.
32:20I'll go up to change.
32:22Okay, but I want you upstairs in 20 minutes.
32:24You don't want to make Indigna wait, do you?
32:26No.
32:28Come with me.
32:32Let's see.
32:38Good afternoon.
32:40Good afternoon.
32:42Do you know where Marta is?
32:44She's gone out.
32:46I closed two meetings for her
32:48and I wanted to confirm them with you.
32:50Great.
32:52One is this afternoon at 7
32:54with the glass supplier of Aranjuez
32:56and the other is tomorrow at 10
32:58with the owner of the Rocha warehouse in Cuenca.
33:00Very good, Miriam.
33:02I wanted to meet Mr. Rocha
33:04but you already did.
33:06That's part of my job.
33:08Not only to fix my predecessor's mess.
33:10No, please.
33:12No more fires.
33:14We've had enough with the quarterly accounts.
33:16Good job, Miriam.
33:30And there's something else.
33:32Tell me.
33:34I have something for you.
33:36You'll see it's nothing original
33:38but after thinking about it a lot
33:40I think it will be very useful in your day to day.
33:44And this?
33:46Not now.
33:48I hope you like it.
34:00JM?
34:02Searching among the contacts of the factory
34:04I found the store in Toledo where the serigraphies are made.
34:06Of course.
34:08But after what happened the other day
34:10I don't know how to take it.
34:12Take it as an apology.
34:14And as a gesture of gratitude.
34:16Well, thank you very much.
34:20Besides, I know the gift is not cheap.
34:22Well, don't worry about that.
34:24I've been appreciated.
34:26I'm glad.
34:28And above all that things have been clarified
34:30between us.
34:32Well.
34:34There is still one thing to clarify.
34:36Tell me, Mr. Joaquín.
34:38Wait a moment.
34:56I can't accept your pen
34:58if you don't accept mine.
35:00You're right.
35:02It wouldn't be fair if I didn't accept it.
35:04Thank you very much, Mr. Joaquín.
35:06You're welcome.
35:08I just ask you
35:10not to speak up for the company.
35:12I don't want the rest of the workers
35:14to come and claim yours.
35:18Don't worry. We'll be discreet.
35:28What do you think?
35:30I love the color pearl.
35:32Yes, but it doesn't match
35:34with that red hat, does it?
35:36I think it's a bold combination.
35:38I don't know.
35:40It looks like it was designed by Alicia's hatmaker.
35:46You know what I'd like?
35:48That we do something together.
35:50You and me.
35:52I've missed you a lot lately.
35:54I've missed you a lot too, Maria.
35:56Come here.
35:58Can we watch the new TV
36:00if you want?
36:02Yes.
36:04I've thought of something else.
36:06I've heard that this weekend
36:08there's an exhibition of birds in Toledo.
36:10Birds?
36:12There'll be eagles, hawks
36:14and even some owls.
36:16I love owls.
36:18Do you know who likes owls too?
36:20Who?
36:22Your uncle Andrés.
36:24We can tell him to come.
36:26He won't be able to say no this time.
36:28I'm sorry he can't come with us.
36:30That's a good idea.
36:32Your uncle has a lot of work.
36:34I'll convince him.
36:36He won't be able to say no after today.
36:38I'm sure he won't be able to say no to you.
36:50Come in, miss.
36:52Are you at home?
36:56The last time I was here
36:58there weren't so many photos.
37:00You're right.
37:02A lot has changed
37:04in this house since the last time you were here.
37:06My mother and you.
37:08And this?
37:10It's Luis and Joaquín's dad, right?
37:12Ah, Gervasi.
37:14My husband.
37:16He and your grandfather founded the factory.
37:18I know.
37:20Uncle Andrés told me.
37:26And these are Joaquín and Gemita.
37:28That's right.
37:30And this...
37:32is your son who went to Brazil, right?
37:34Yes.
37:36My son, Valentín.
37:38He's so handsome.
37:40Handsome, nice,
37:42intelligent,
37:44and as seductive as you.
37:46One of those people who seduce
37:48just by walking in.
37:50I'd like to meet him one day.
37:52I'm afraid that won't be possible, my love.
37:54We found out
37:56that he died a few months ago in Brazil.
37:58Dignified.
38:02I'm so sorry.
38:04It's okay, my love.
38:06Can I give you a hug?
38:08Of course.
38:10I'm telling you
38:14because of that idyll
38:16between Valentín and Clotilde
38:20a girl was born.
38:24A girl?
38:26No.
38:28It can't be.
38:30Julia is not the daughter of Jesus
38:32but of Valentín.
38:34She's your granddaughter.
38:40She's my granddaughter?
38:48Julia is an Amerino.
38:50Julia is an Amerino.
38:56I'm sure he's well-accompanied in heaven.
38:58My mother is there
39:00to take care of him.
39:02Of course.
39:04Now, help me finish what's missing.
39:06Have you made croquettes?
39:08Croquettes?
39:10I forgot.
39:12I've only been able to make
39:14some boiled cauliflower.
39:16Well, it doesn't matter.
39:18I like cauliflower, too.
39:20Liar.
39:22It was a joke.
39:24I know. It doesn't smell like cauliflower.
39:28I've made a kilo of croquettes
39:30and empanadillas.
39:32I hope you have enough.
39:34I can.
39:36I'm hungry.
39:38And for dessert,
39:40the surprise.
39:42Nutella.
39:44Thank you, Dignified. I love you.
39:46I brought you some of Toledo's
39:48croquettes that you like so much.
39:50But when I came by, they were gone.
39:52And I couldn't go to see if they were ready.
39:54Don't worry, Dignified.
39:56Nutella croquettes are spectacular, too.
39:58And they're delicious.
40:00But tomorrow you'll have the croquettes here.
40:02I promise.
40:04Hi.
40:06Hi, Luis.
40:08I didn't know we had breakfast for dinner.
40:10How are you?
40:12It's been an eternal afternoon.
40:14I can't wait to have dinner with you.
40:16I can't wait to see you, either.
40:18Yes, yes.
40:20Come see us and eat croquettes.
40:22Well, that too.
40:24You're a smart girl.
40:26I'm going to finish. Gemma and Joaquín are about to arrive.
40:28Let's sit down. You have to tell me a lot of things.
40:32Hey, did you make a new perfume
40:34while I was away?
40:36Of course. And in fact,
40:38I brought a sample so you can smell it.
40:40Give me your wrist.
40:44Tell me what you think.
40:46I love it.
40:48It smells just like the roses
40:50in my garden.
40:52You guessed it at first.
40:54I'm thinking,
40:56what if I make you a bottle
40:58and you take it home?
41:00Okay.
41:02What about you?
41:04How are you?
41:06Fine.
41:08Pedro is a great man.
41:10You can tell he knows what he's doing.
41:12And I know how to associate with him.
41:14And Pedro doesn't associate with just anyone.
41:16I'm not just anyone.
41:18I'm his son.
41:20And I've earned it.
41:22I just hope you don't let him down.
41:24And that you don't get involved
41:26in something big.
41:28Don't worry.
41:30I'm not going to let him down,
41:32or him, or you.
41:34Forget it.
41:36I'm going to have dinner.
41:38And who were you expecting?
41:40A vagabond serving you champagne?
41:42For God's sake, Santos.
41:44I won't be able to have my two children
41:46sitting at the same table as me,
41:48having dinner.
41:50Are you serious?
41:52And Andres? Where is he?
41:54Andres told me he couldn't come.
41:56He was very busy at the factory.
41:58By the way, I congratulate him
42:00for his good eye.
42:02What do you mean?
42:04He told everyone about his promotion.
42:06That's normal.
42:08He's excited.
42:10Joaquín and I are too.
42:12He'll learn fast, I assure you.
42:14Wait, wait.
42:16I'm getting goosebumps.
42:18Tassio García is the new factory manager?
42:20Uh-huh. I've made that decision.
42:22Unilateral.
42:24As usual.
42:26Is there a problem?
42:28Yes, many. And many types.
42:30Starting with Tassio.
42:32It's a matter of time.
42:34Good thing I'm no longer in charge.
42:36With decisions like that,
42:38you go straight to ruin.
42:40We'll see about that.
42:42Begoña and Julia are going down for dinner.
42:44Begoña is going down in a bit.
42:46Julia isn't.
42:48She's gone to the house of the Merinos.
42:52What?
42:54Who does she think she is
42:56to take my daughter whenever she wants?
42:58Whether you like it or not,
43:00she's my daughter's daughter.
43:02Don't you have a limit?
43:04You're asking me that?
43:06How dare you?
43:08Where are you going, Jesús?
43:10Get her out of there right now.
43:12She doesn't have to pay.
43:14She'll have dinner here with me.
43:16Don't be ridiculous, Jesús.
43:18It's been a while since she left.
43:20They'll be finishing dinner.
43:22Do you want her to have dinner twice?
43:24Yes. She'll have dinner as many times as I say.
43:26Jesús.
43:28Jesús.
43:34When we used to race on a bike
43:36in La Chupera when we were kids,
43:38he used to get about 100 meters
43:40ahead of us.
43:42What's he saying?
43:44You know why?
43:46Because he used to deflate my wheels.
43:48Who? Me?
43:50Of course.
43:52And he used to beat me on the radio
43:54so that I'd shut up.
43:56Come on.
43:58Please.
44:00I have a new bike.
44:02Can the three of us go to La Chupera one day?
44:04Sure. Whenever you want.
44:06Be careful with him.
44:08He'll deflate your wheels.
44:10Poor thing.
44:12Do you want more nuts?
44:14I'm full.
44:16I have an idea.
44:18How about we play a word game?
44:20Yes.
44:22Take it out while I get it.
44:24We'll teach you.
44:26It's a really fun game.
44:28Sara gave it to us.
44:30Do you remember Sara?
44:32Yes, of course.
44:34She was a great cook.
44:36And she also became Luis' friend.
44:38Yes, a great friend.
44:40Look.
44:42You have to pick up the letters.
44:48Good evening.
44:50What are you doing here?
44:52I came to pick up Julia.
44:54She has to go to bed early.
44:56I told Begoña I'd take her after dinner.
44:58Haven't you finished yet?
45:00Excuse me.
45:02You have to put...
45:04You're already at the table.
45:06Hi, Daddy.
45:08I hope you had a good time,
45:10but we have to go home.
45:12You have to get up early tomorrow.
45:14But we're going to start a game.
45:16We'll take her when the game is over.
45:18It's not good for her to get into bed so upset.
45:20Why don't we ask Julia?
45:22Darling,
45:24your father can take you home now.
45:26Or do you prefer to stay with us a little longer?
45:28Yes, come on.
45:30Let's mix the cards.
45:32Julia, get up, please.
45:34Come on, Daddy.
45:36Just one game and that's it.
45:38You can stay with us
45:40to play if you want.
45:42No, I can't stay.
45:44I have things to do.
45:46But I want you back home in half an hour.
45:48Yes.
45:50Thank you, Daddy. Let's start.
45:52I'll walk you to the door.
45:58One more thing before you go.
46:00I haven't told you in the last conversation.
46:02Julia is my granddaughter.
46:04So she and I
46:06will see each other whenever we want.
46:08Get used to it.
46:18Do you think they'll save you?
46:20They won't. I'm choosing them.
46:22That's cheating.
46:24What did you say?
46:26I'm going to crush them all.
46:28Really?
46:30Mother.
46:32I don't know.
46:34There were seven of them, right?