EXITV 2024年10月22日 ライブ途中退席アリ？SHOW-WA実体験告白
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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Short filmTranscript
00:00Uji TV
00:01Hihihihihihihi!
00:02I'm Lee Torodo!
00:03I'm Uji TV and I'm a new guest!
00:05Nice to meet you!
00:07Let's do the intro!
00:09You don't have to say Mr. Sanma.
00:11Today's opening talk is about Uji and his new outfit!
00:16So you've made one, huh?
00:17So... yeah.
00:19I finally made a new outfit.
00:23Actually, there are two outfits...
00:26But what's an outfit like?
00:29At first, I was too tight.
00:34Yeah, you were. That was your original plan, wasn't it?
00:37Yeah, I wanted to be tight and funny.
00:42Then I started doing yoga shorts.
00:45Yeah, yeah, yeah.
00:46I was like, is it okay to go out like that?
00:49You have to wear a skirt or something like that.
00:51Like, is it okay?
00:52You have to wear a skirt or something like that.
00:55So I thought that was crazy.
00:57Kanechika-san was Kanechika-san and he was so fat, right?
01:00No, no, no, I didn't. That's what I did.
01:03Oh, yeah?
01:04Did you do that on purpose?
01:05I did that on purpose.
01:06Oh, really?
01:07I was thinking of wearing something a little bigger like a tiero, so I did it on purpose.
01:12Oh, I see.
01:13But I don't like it. I dare to wear it, but they say it doesn't fit.
01:16No, no, no, no. There's no way I wouldn't fit it.
01:20It was an order made.
01:21I thought I made a huge mistake.
01:23Yeah, you made a big mistake.
01:25I thought it was Pierrot.
01:27Me too.
01:29It was Kanayama Kaoru.
01:31Kanayama Kaoru.
01:33That's why he's wearing big shoes.
01:35Wow.
01:37It's like Pierrot.
01:38You suck!
01:39What do you mean?
01:40I mean, that's normal.
01:43I didn't like that.
01:45I wanted to look like a suit.
01:47I didn't want to look like Pierrot.
01:48That's hard.
01:50So I made it Tatejima.
01:53Pierrot Tatejima?
01:55Pierrot Tatejima.
01:56The one with the red line.
01:59I wanted to look like him.
02:01But I was told it wasn't the right size.
02:03I was angry.
02:05So I made a suit that would fit him.
02:08It was too tight.
02:10So I made it bigger.
02:11But I was told it couldn't be bigger.
02:14And...
02:15Kanechika-san...
02:17He's under a lot of pressure.
02:19We went to make it together.
02:21At that time,
02:22I was looking at the fabric.
02:24I looked at four pieces and said,
02:25I'm done.
02:27When I was eating,
02:30I sat down and decided.
02:31I said, I'm done.
02:33I wanted to look at all of them.
02:35So I said,
02:36Are you sure?
02:36It's decided.
02:37I was like,
02:39I really want to eat what I want to eat.
02:42At that time, I looked at four pieces.
02:44I said, I'm done.
02:45It's Tatejima.
02:46I have to choose from Tatejima.
02:48When I chose,
02:51I was under a lot of pressure.
02:53I'm a junior.
02:55I don't say, hurry up.
02:58I say everything except, hurry up.
03:02I'm like, are you okay?
03:03I'm a little...
03:05I'm a little sleepy.
03:07I have to decide.
03:10It's too late.
03:11It's too late.
03:13I'm going to use it for the rest of my life.
03:16I'm going to use it for the rest of my life.
03:19It's too late.
03:21It's not something you can decide by looking at four pieces.
03:23It's too late.
03:24I wear it over and over again.
03:26I thought it would be nice to wear it once.
03:28That's right.
03:30I've decided.
03:32I'm never going with you.
03:35I made the second one by myself.
03:39I don't think I can go shopping with a woman.
03:42I don't think so.
03:44I often hear that men don't wait.
03:47It's a weird story.
03:48You should think you have a luggage.
03:51I can't do that.
03:52I'm going home.
03:53You're going home.
03:54I'm going home.
03:56Kanashika, which one do you think is better?
03:59This one.
04:01This one.
04:03I think this one is better.
04:04Then that one.
04:06Which one suits you?
04:08I said this one.
04:09You like this one.
04:09What are you going to do?
04:11Do you hate me?
04:13I don't hate you at all.
04:16Have you ever dated a woman?
04:18I'm going to hit you now.
04:21What do you think?
04:23I told you.
04:25That's right.
04:26It's not good to discuss.
04:27That's right.
04:33I see.
04:34What?
04:35Did I say something weird?
04:39I want you to find a good woman.
04:43When I'm with you, I think I'm impossible.
04:48But...
04:49I say it right away.
04:51Do you think I'm a woman?
04:53I think you're a woman.
04:56I think you're a woman.
04:58Really?
04:59Yes.
05:00Then it's not good.
05:01I've been learning more and more.
05:03It's not good at all.
05:04When I first met you, I complained just by looking in the mirror.
05:08When I first met you, I complained just by looking in the mirror.
05:11No one was looking at me.
05:12You said,
05:14What?
05:15You said that a lot when you first met me.
05:18It's not good at all.
05:19I didn't know you didn't like me.
05:21What?
05:22Of course, I thought it was a waste of time.
05:25So I said,
05:28It's not good now either.
05:30I didn't think so at that time.
05:33I don't know if you can see this.
05:35It's not just a matter of hurrying.
05:39There's one problem.
05:40He looks good.
05:43He looks good even if he doesn't do anything.
05:46It's annoying.
05:47I don't care if you look at me.
05:48This is too much.
05:50When I said,
05:52You can't help studying, can you?
05:54I was angry.
05:55I'm trying hard.
05:57You don't have to study.
05:59I'm trying to get an A grade.
06:02You don't say that anymore.
06:04You never say that.
06:06I learned it at that time.
06:07I'm getting better.
06:09I'm getting better.
06:10I'm being forced.
06:12I'm being forced.
06:15I'm getting better little by little.
06:18I think I can get along with women now.
06:21Not yet.
06:23Not at all.
06:24Really?
06:25I'm careful.
06:26It's okay.
06:27I'm getting better.
06:28I can change.
06:30No, you can't.
06:31It's okay.
06:32It'll take eight more years.
06:33I can change.
06:34I can't.
06:35It's okay.
06:36You...
06:37It's okay.
06:38Let's do this.
06:40It's a simulation of a date.
06:43It's okay.
06:44Leave it to me.
06:45Why am I being comforted?
06:49It's not because it's okay.
06:51In this program, we will focus on your concerns.
06:55Please post your questions on the program's official SNS.
07:02We look forward to your messages.
07:04Let's get started.
07:10This program is brought to you by Subdivision.
07:20It'd be great if we could really do this show.
07:23I think I've fallen in love.
07:27Hello.
07:29It's thanks to you.
07:30It's close.
07:31I won't stop you.
07:34Today's guests are Shota Masaki, Shinjiro Terada and Yasu Akimoto.
07:48Today has been hard.
07:51Yes.
07:52You've been working all day.
07:53I've been working from the morning.
07:54I've been working from the morning.
07:55I've been working from the morning.
07:56I've been working from the morning.
07:59That's what I'm trying to do.
08:01I'm going to hold a release event.
08:03Right now.
08:05Let's do it.
08:07It's already noon today.
08:09I'm so tired.
08:11But you're still laughing.
08:13It's amazing.
08:15It's so fresh.
08:17Let's do our best.
08:19We're going to do our best.
08:21We're going to do our best.
08:23We're going to do our best.
08:25I'd like to introduce SHOWA.
08:27SHOWA was formed in July 2023.
08:29SHOWA Revival
08:31The theme is
08:33Encouraging Japan.
08:3512 members participated in the audition.
08:37Former J.League
08:39Garbage collection worker
08:41Members with various careers, such as cooking researchers,
08:43SHOWA and Matsuri
08:45We are active in two teams.
08:47And finally this year
08:49SHOWA made its major debut.
08:51Congratulations.
08:53You went ahead.
08:57First of all, the group leader.
08:59What did you do for a living?
09:01I was a cooking researcher.
09:03I've been working for 15 years.
09:05I'm 41 years old this year.
09:07I joined this group when I was 40.
09:09I've been living my second life.
09:11I've been living my second life.
09:13I've been living my second life.
09:15I've been living my second life.
09:17Are you a cooking researcher?
09:19Are you a cooking researcher?
09:21I cook in the cooking corner.
09:23You've been doing that for 15 years.
09:25Yes.
09:27You were popular in the first place.
09:29I was on the media.
09:35But you still wanted to do this kind of work.
09:37I admired it when I was in my teens.
09:39I was doing various challenges.
09:41At that time, I gave up.
09:43You were trying to be a cook.
09:45I was trying to be a cook.
09:47I auditioned when I was 40.
09:49That's the perfect audition.
09:51I see.
09:53That's right.
09:56And Mr. Shiota is a former company employee.
10:00Yes.
10:01You're the youngest, 32 years old.
10:04You're the same age as me.
10:08What do you mean?
10:09There aren't many people in this generation.
10:11I see.
10:12It's my first time.
10:13We don't see each other much.
10:15It's like EXIT.
10:17That's true.
10:18You're 6 years younger than me.
10:21You're the youngest.
10:22I'm the youngest.
10:23You're the youngest of EXIT.
10:25You're the oldest.
10:26We're the same age.
10:28We may be close.
10:31SHOWA is EXIT.
10:34EXIT equals SHOWA.
10:36SHOWA equals EXIT.
10:38It's the SHOWA of EXIT.
10:40It's like a festival of EXIT.
10:42I see.
10:43From a company employee?
10:45Yes.
10:47You must have had a lot of courage.
10:50I did.
10:51I was on the road of stability.
10:54I threw it away and came to this singer's road.
10:58I had a lot of courage.
11:00You look like a student.
11:02Are you a joke character of MOOD MAKER?
11:05Yes, I am.
11:07I joke around a lot.
11:09So, today...
11:10What do you mean?
11:12I'll answer your questions.
11:17Please.
11:18The first question is from a comedian.
11:22She is a woman in her 20s in Saitama.
11:25Recently, she started going to comedy shows.
11:30The other day, she went to a comedy show.
11:33When she was about to leave,
11:36a fan next to her said,
11:39It's rude to leave on the way.
11:41You shouldn't leave on the way.
11:44I'm still a beginner, so please give me some advice.
11:47I see.
11:49You don't have a lot of experience as an artist, do you?
11:54Yes, but I have experience.
11:57Which side are you on?
11:59I'm on the side of going home.
12:01Are you on the side of going home?
12:02I'm sorry.
12:03Are you a customer?
12:05Are you a customer?
12:07Are you on the side of going home?
12:09No way.
12:10That's good.
12:11That's a good answer.
12:14You're a natural.
12:16I'm on the side of going home.
12:18So, you can go home when you're singing, not when you're a customer.
12:22Yes.
12:23So, you're a popular singer?
12:25Yes.
12:26Before I joined SHOWA,
12:30most of the shows were live.
12:32I couldn't get a lot of audience by myself.
12:36So, I had to work with a lot of artists.
12:39A lot of artists came to see me.
12:42So, I had to go home after the shows.
12:46I see.
12:47I see.
12:48I see.
12:49What do you think?
12:50He's ignorant.
12:52That's right.
12:53I think he's pretending to be ignorant.
12:55Wow.
12:57That's right.
12:58He's pretending to be a comedian.
13:01That's right.
13:02That's right.
13:03He's pretending to be ignorant.
13:05He's like, what do you want to hear?
13:08He's like, what do you want to hear?
13:09He's a perverted person.
13:12I think he's a fan of CUBAN GUY RETRO.
13:15I think he's a fan of CUBAN GUY RETRO.
13:16I'm sorry.
13:17I have a junior named CUBAN GUY RETRO.
13:20He got angry at fans who went home on SNS.
13:25I think that's why he's a fan of CUBAN GUY RETRO.
13:30But I think it's good.
13:36He went home.
13:37Yes.
13:38Because you pay your fans.
13:40That's right.
13:41That happened to us.
13:44Yes.
13:45I was well-received.
13:46Fans went home.
13:48It happened before that.
13:50Before it was sold, fans went home when we appeared.
13:54Yes, that's right.
13:55I experienced both.
13:56Yes.
13:57It's our job to stop them, isn't it?
13:59That's right.
14:00We have to think about what we can do to stop them.
14:04I think we can do that.
14:06I think it's fine according to the rules.
14:08But...
14:27Urusato is incomplete.
14:47I think it's fine according to the rules.
14:49But...
14:50I think it's lame.
14:52It's a waste to come to a comedy live and go home after seeing one person's pee.
14:59It's not a breath.
15:00It's interesting to see everything.
15:05And...
15:06I'm going to be hated.
15:09Your pee, too.
15:11If you go out, the group you're pushing...
15:16That's right.
15:16So when we sing after Showa,
15:20When I see people going out and coming back,
15:22I think,
15:23Showa fans can't read the atmosphere.
15:27That's what I think.
15:27That's right.
15:28So...
15:29Are you pulling the legs of the group you're supposed to be pushing?
15:33I think so.
15:35And comedy is especially about the atmosphere.
15:38It's hard to laugh.
15:39With a weird move.
15:40I can't take it anymore just by hearing the audience's voice.
15:44At that time, when the fans suddenly come back,
15:47The atmosphere is all broken.
15:49The flow that has been created.
15:51After that, it depends on the actor's skills.
15:54I'll do something about it.
15:56But I think you're good at breaking the atmosphere with your actions.
16:01I didn't think that far.
16:03So I was disappointed that I was being supported by such a senseless person.
16:08I've thought that people who support me don't have a sense.
16:13That's right.
16:13A comedian's story is 4 minutes.
16:1610 minutes.
16:18When you watch all 10 minutes, it's made to be the most interesting.
16:23So at the stage of the swing,
16:25You're trying to figure out if you need this word or not.
16:29But if you're shaking it and it's messed up,
16:32You can't hear it, and the people who come to see it are going to die.
16:36That's where it's going to be a disaster.
16:39There's a dish, right?
16:41The appetizer comes out and the main dish is the last one.
16:45But if you leave it at the time of the appetizer, it's a disaster.
16:50That's right.
16:52The main dish will come, so please put it out and put it down.
16:56That's rude.
16:57It's not done.
16:58Only when the main dish comes out, it comes in and says,
17:00Thank you for the meal.
17:02You don't talk about it because it's a course.
17:05The chef is thinking about it from the beginning.
17:09It's important to stand up.
17:13If you're going to leave, be careful.
17:15That's right.
17:17I want you to leave so that no one can find out.
17:20Or put the seat in the back.
17:22Or go home with your clothes on.
17:25I have to make fun of this side.
17:29Which side will go first?
17:32I have to say that.
17:34I want to say that it's a delicate thing.
17:37You can't laugh.
17:39I'm thinking about it with Mr. Rintaro.
17:42I don't know if it's the power of the song or the emotion that makes the audience turn around.
17:50I want you to listen to it a little bit.
17:52I want you to know it after a few meetings.
17:54I'm going to shift to that side this time.
17:57I'll support you.
18:03I've been watching it since I was a teenager.
18:08That's why I'm rooting for you.
18:13Thank you very much.
18:16Shin-chan, did you have any trouble with the audience?
18:20Yes.
18:21There was an audience member who asked me to look at him during the live.
18:27I found him during the live.
18:30I looked at him, but he wasn't looking at me at all.
18:33I was looking at him.
18:36I don't know if I'm a fan.
18:38I can see the audience's reaction.
18:41I can't see the audience's reaction.
18:44That's sad.
18:46I'm sure you said that.
18:48I've been watching it a lot.
18:50It's delicious for us.
18:52I think it's delicious when Mr. Rintaro looks at me.
18:59I usually say,
19:02I usually say,
19:05I often see Chihonman in this house.
19:09Chihonman?
19:11I'm not Chihonman.
19:12I'm Chihonman.
19:14What should I do?
19:16Can't you know the body mass?
19:19I'm a beginner, so I don't know.
19:21Please give me some advice.
19:23I don't know.
19:27You know it.
19:29You know it.
19:31You're a fool.
19:35I'm a fool.
19:39What did you do in the second period?
19:41I had to do something all the time in the first period.
19:46I didn't have a break.
19:48To be exact, it's the first period.
19:50No, it's not the first period.
19:53It was hell if I could do what I had to do.
19:58I got up at 7 a.m.
20:00I had to do it at 7 a.m.
20:02It was a good conversation.
20:04Hello.
20:05Hello.
20:06Hey.
20:07You shouldn't come in as an ordinary person.
20:09I didn't come in as an ordinary person.
20:11We're in trouble if we're sold.
20:13No, I didn't come in as a security guard.
20:15You came to sell something.
20:16No, I didn't.
20:17Let's go.
20:18F.O.D. present.
20:20What is it?
20:22You're going to sell something.
20:24Mr. Omoshiro?
20:25Are you Mr. Omoshiro?
20:26I'm here as Mr. Omoshiro.
20:28I'm not an ordinary person.
20:29I'm sorry.
20:30I thought you were going to sell something.
20:32I'm Murata, the world whale in charge of this corner.
20:35I'm Mio Imai, the cute girl.
20:37Nice to meet you.
20:40You're really suspicious.
20:42I thought you'd say,
20:43I don't need anything.
20:44I don't need anything.
20:45I don't need anything.
20:46In this corner,
20:47we're going to present the F.O.D. work that we want to recommend to Mr. Igujit.
20:53Here's the F.O.D. work we want to recommend this week.
20:57Lost, Human Disqualification.
21:00It's fashionable.
21:01It's fashionable.
21:03Good evening, I'm Michi Yamamura.
21:06The title of this work is a human drama that captures the delicate mind of the Korean love movie director Ho Jin-ho and actress Cheon Do-yeon.
21:19Giving up her dream of becoming a writer, she works as a housekeeper.
21:24She's a housewife who's lost without being able to become anyone.
21:29She's a young woman who's afraid of not being able to become anyone because she thinks money is the proof of love.
21:40Two people who live in a world where they can never meet, one day they meet and live their lives.
21:49It depicts the loneliness and love of a man and a woman.
21:52If we happen to meet somewhere next time, do you want to die with me?
21:57Life doesn't know if you can become who you want to be.
22:02I never thought I'd be able to meet you all in the narration of Exit TV.
22:08Life is interesting.
22:20It's a Korean drama.
22:23I'll introduce the highlights of the work we found.
22:28Here are the highlights I found.
22:32Desperate for acting ability.
22:34I was drawn into the world view from the first episode.
22:41It's not a bright work.
22:44It's a work that feels like you're at the bottom of the deep sea.
22:50Anyway, the actor's acting ability is amazing.
22:54It's Korean, but I think it can be conveyed without subtitles.
22:59That's how much I'm drawn to his acting ability.
23:03I fell in love with him from the first episode.
23:06Especially this young man.
23:08He's a young man who's far from his dreams.
23:12In reality, there are people who don't have light in their eyes.
23:18I think there are people like that.
23:20He's playing that role as it is.
23:26It's a cold, sad aura.
23:31He's playing it as it is, and I'm drawn to it.
23:37It looks cold, but there's a gentle side to it.
23:41There was a scene where I met Bujon on the bus.
23:46Bujon was crying.
23:48He gave me a handkerchief.
23:51He was so kind.
23:54Apparently, the handkerchief was expensive.
23:58I usually give it to him.
24:00But he said,
24:01It's expensive, so wash it and use it over and over again.
24:05There's a scene like that.
24:07It's a funny line.
24:08It's a funny line.
24:10It's a tone that says,
24:11Give it back to me.
24:12It's not.
24:13Please use it over and over again.
24:15He's so kind.
24:16He's used to being a woman.
24:19He's a character who can do it naturally.
24:22You can see that from the first episode.
24:25Bujon is also a woman.
24:29He said,
24:30I'm not qualified to be a human being.
24:32He's at the bottom of his life.
24:35It's like Dazai.
24:37He's not qualified to be a human being.
24:39It's like Dazai.
24:40He was looking forward to it.
24:42He said that many times.
24:46And he fell in love many times.
24:48It's Dazai.
24:50She said,
24:51I'm not qualified to be a human being.
24:53She's a woman.
24:54She's at the bottom of her life.
24:57When you're at the bottom of your life,
24:59It's impossible for people around you to say,
25:01It's okay.
25:02You can do it.
25:03You can do it.
25:04It's impossible.
25:05But he met Ganju.
25:08With his kindness,
25:10I think he'll be able to get out of the deep sea.
25:15I see.
25:16He's at the bottom of the deep sea.
25:18He's at the bottom of the deep sea.
25:20If he shows it up,
25:22He can't live.
25:23If he's at the bottom of the deep sea.
25:25It's a different pressure.
25:27I always think so.
25:28It's about the deep sea.
25:30I always think so.
25:32He always thought so.
25:34I think the bottom of the deep sea is different.
25:37He's in a dark mist.
25:40He's in a dark mist.
25:41That's good.
25:42I see.
25:43It's like it's clearing up.
25:45That's good.
25:46It's a work that makes me want to see the light.
25:52What do you think, Ganji?
25:55Well, there are some parts that I can't read the emotions.
26:00Is he just a kind person?
26:02But he's also cold.
26:04And he's rich, right?
26:06Well, if you look at that, you'll see.
26:10I think he's a person who can read people's minds because he's dating.
26:16I'm really curious about this.
26:18It looks a little interesting.
26:20It's so good that you can enjoy it without subtitles.
26:23I really want you to watch it.
26:25What is it?
26:27Here are the points I found.
26:30A work that all humans can sympathize with.
26:36As Mr. Imai said earlier,
26:41This work is a work that all humans can sympathize with.
26:54I think there are times when you want to give up your life because you think about the meaning of life.
27:01It's a relatively heavy work, but it's a work that's sympathetic and addictive.
27:10I hope you'll watch it until the end.
27:14By the way, Mr. Exit.
27:17What do you think the meaning of life is?
27:20I see.
27:22I think it's to know.
27:24What does it mean to know?
27:27What do you think it means?
27:29I see.
27:31I have to think about it first.
27:34It's to know.
27:36I see. It's to know that you can know a lot of people and be supported by a lot of people.
27:43It's to know and live.
27:45If that's what you think, that's the right answer.
27:48It's boring.
27:50It's boring.
27:52If that's what you think, that's the right answer.
27:57I think it's a journey to find it.
28:02I see.
28:04It's a journey to find the meaning of life.
28:07I think that's what life is.
28:09What does it mean?
28:11I don't know.
28:13What do you think?
28:15I asked you a question.
28:17Think about it.
28:19It means to find.
28:21It means to know.
28:23It means to find.
28:25It means to know.
28:27It means to find.
28:29It means to know.
28:31It means to live.
28:35Good job.
28:39It's boring.
28:41You're not going to do it at the same angle.
28:43Do it a little bit.
28:45Do it a little bit.
28:47Don't do it at the same angle.
28:49Don't do it at the same angle.
28:51Why don't you find the meaning of life?
28:53Have you seen this?
28:55Have you seen this?
28:57You passed.
29:05Let's move on to the next question.
29:07This is from Terada.
29:09What should I do if someone who is serious about being a singer says,
29:13What should I do if someone who is serious about being a singer says,
29:15I'm going to be a chef.
29:17I see.
29:19You're going to be a chef?
29:21I was a chef at first.
29:23I was a chef at first.
29:25I was a chef at first.
29:27I was often told that.
29:29I was often told that.
29:31You didn't like it.
29:33Who told you that?
29:35It depends on someone.
29:37It depends on someone.
29:39I didn't know who it was.
29:41I didn't know who it was.
29:43I've been busy with Showa activities.
29:45I've been busy with Showa activities.
29:47You're the type of person who doesn't work part-time while going to school.
29:49You're the type of person who doesn't work part-time while going to school.
29:51You're the type of person who doesn't work part-time while going to school.
29:53You're the type of person who doesn't work part-time while going to school.
29:55You're the type of person who doesn't work part-time while going to school.
29:57You're the type of person who doesn't work part-time while going to school.
29:59You're the type of person who doesn't work part-time while going to school.
30:01You're the type of person who doesn't work part-time while going to school.
30:03You're the type of person who doesn't work part-time while going to school.
30:05You're the type of person who doesn't work part-time while going to school.
30:13You're the type of person who doesn't work part-time while going to school.
30:15You're the type of person who doesn't work part-time while going to school.
30:17You're the type of person who doesn't work part-time while going to school.
30:19You're the type of person who doesn't work part-time while going to school.
30:21You're the type of person who doesn't work part-time while going to school.
30:23You're the type of person who doesn't work part-time while going to school.
30:25You're the type of person who doesn't work part-time while going to school.
30:27You're the type of person who doesn't work part-time while going to school.
30:29You're the type of person who doesn't work part-time while going to school.
30:31You're the type of person who doesn't work part-time while going to school.
30:33You're the type of person who doesn't work part-time while going to school.
30:35You're the type of person who doesn't work part-time while going to school.
30:37You're the type of person who doesn't work part-time while going to school.
30:39You're the type of person who doesn't work part-time while going to school.
30:41You're the type of person who doesn't work part-time while going to school.
30:43You're the type of person who doesn't work part-time while going to school.
30:45You're the type of person who doesn't work part-time while going to school.
30:47You're the type of person who doesn't work part-time while going to school.
30:49You're the type of person who doesn't work part-time while going to school.
30:51You're the type of person who doesn't work part-time while going to school.
30:53You're the type of person who doesn't work part-time while going to school.
30:55You're the type of person who doesn't work part-time while going to school.
30:57You're the type of person who doesn't work part-time while going to school.
30:59You're the type of person who doesn't work part-time while going to school.
31:01You're the type of person who doesn't work part-time while going to school.
31:03You're the type of person who doesn't work part-time while going to school.
31:05You're the type of person who doesn't work part-time while going to school.
31:07You're the type of person who doesn't work part-time while going to school.
31:09You're the type of person who doesn't work part-time while going to school.
31:11You're the type of person who doesn't work part-time while going to school.
31:13You're the type of person who doesn't work part-time while going to school.
31:15You're the type of person who doesn't work part-time while going to school.
31:17You're the type of person who doesn't work part-time while going to school.
31:19You're the type of person who doesn't work part-time while going to school.
31:21You're the type of person who doesn't work part-time while going to school.
31:23You're the type of person who doesn't work part-time while going to school.
31:25You're the type of person who doesn't work part-time while going to school.
31:27You're the type of person who doesn't work part-time while going to school.
31:29You're the type of person who doesn't work part-time while going to school.
31:31You're the type of person who doesn't work part-time while going to school.
31:33I've been thinking.
31:35I haven't noticed that I'm a commentator.
31:37I haven't noticed that I'm a commentator.
31:39I haven't noticed that I'm a commentator.
31:41I haven't noticed that I'm a commentator.
31:43I haven't noticed that I'm a commentator.
31:46I haven't noticed that I'm a commentator.
31:48I don't think it's out yet.
31:50I don't think it's out yet.
31:52I haven't got naked yet.
31:54I haven't got naked yet.
31:56I haven't got naked yet.
31:58I've got a job at Sasai.
32:00I'm running for a job.
32:02I'm running for a job.
32:04You're a funny guy.
32:06You're a funny guy.
32:08I see.
32:10I see.
32:12I see.
32:14He's naked, isn't he?
32:16Yeah, he's naked.
32:18He's running around naked.
32:20Oh, I see.
32:22He's been through a lot.
32:24We've been singing, too.
32:26Oh, yeah.
32:28Kane-chan, you said something.
32:30Well, at the very beginning, when we were ReRise.
32:32ReRise?
32:34No, that's not it.
32:36Neo-chan?
32:38At the end of Genesis.
32:40No, I've said it before.
32:42It's not funny anymore.
32:44Oh, I see.
32:46You don't want to do it
32:48because it's rude to your real job.
32:50To be honest,
32:52if I'm singing seriously
32:54to the song,
32:56I think it's good.
32:58But I'm kidding.
33:00I'm saying Neo-chan.
33:02Isn't it crazy?
33:04I'm saying Neo-chan in that jacket.
33:06It's a little funny.
33:08It's a featuring Deca-chan.
33:10It's funny, isn't it?
33:12I just realized.
33:14I'm making these two jackets.
33:16That's right.
33:18I brought it with the app.
33:20Did you write it yourself?
33:22Yes, I did.
33:24But you're doing it seriously.
33:26Of course, you're cooking seriously.
33:28You're doing it because you like it.
33:30You're doing it because you want to sing.
33:32I don't think that's a problem at all.
33:34I'm just kidding.
33:36I don't know why I'm doing this.
33:38I don't know why I'm doing this.
33:40I'm just kidding.
33:42I'm just kidding.
33:44I'm doing it seriously.
33:46I'm sorry.
33:48But I haven't heard
33:50that you're doing it half-heartedly.
33:52But everything is half-heartedly.
33:54But everything is half-heartedly.
33:56I'm invincible.
33:58I'm barefoot.
34:00I can't complain to anyone.
34:02You're not wearing anything.
34:04What should I say?
34:06Your fans understand you, right?
34:08Yes, they do.
34:10As I'm doing activities,
34:12I see that you're doing it seriously.
34:14I see that you're doing it seriously.
34:16I sympathize with you.
34:18I just want to bully people.
34:20I just want to bully people.
34:22I just want to bully people.
34:24I just want to bully people.
34:26I don't do anything usually.
34:28I want to find people who are doing their best.
34:30I want to find people who are doing their best.
34:32That's a good thing.
34:34You're imaging yourself like the girls do.
34:35You're imaging yourself like the girls do.
34:37You're standing out.
34:39You're trying hard.
34:41I'm trying, thank you.
34:43You're saying thank you.
34:45The younger are saying it.
34:47Raise me your youth, please.
34:49You guys name yourself
34:51like your name.
34:53I visit you often.
34:55You're trying hard.
34:57In this cooking program,
34:59there're cooking stories.
35:01There're cooking stories.
35:03It's been around for a while.
35:05It's pretty old.
35:07How many years ago was this?
35:09About 12 or 13 years ago.
35:11It was a time like that.
35:13I thought you were Mr. Itoda.
35:15You looked like Mr. Itoda who made hamburgers.
35:19You're Mr. Mokomichi, aren't you?
35:23Did you feel refreshed?
35:25Yes, I did.
35:27I was talking as if I liked it.
35:31It's okay.
35:33I'll do my best.
35:35Can you put it in the happy box?
35:37If you're serious about one song,
35:39you'll be told by SNS.
35:41What should I do?
35:43No, it's not good.
35:45Thank you very much.
35:57It's started.
35:59In this segment,
36:01a gamer, Kanechika and a beginner, Rintaro
36:03will play a game.
36:05By the way,
36:07Kanechika,
36:09I heard that if you lose in a game,
36:11you brag about your practice
36:13and don't let your opponent win.
36:15Is that true?
36:17Yes, I win with the power of money.
36:19You lose?
36:21Yes.
36:23After I lose in a game,
36:25how much do I earn?
36:27You earn a lot of money.
36:29You earn a lot of money.
36:31I earn a lot of money.
36:33I earn a lot of money.
36:37Do you want to win with that?
36:39I'm angry with the momentum of winning.
36:41That's right.
36:43Today's game is
36:45a new game released in the summer of this year,
36:47Mikan Seijin.
36:49It's called Mikan Seijin no Ana.
36:51Mikan Seijin no Ana!
36:55Mikan Seijin no Ana is
36:57a new game of Mikan Seijin
36:59based on the original character
37:01of Uogo Ruga,
37:03a children's program
37:05that was popular in the 1990s.
37:07The way to play is very simple.
37:09Tap the panel
37:11of Mikan Seijin
37:13that has become a ball
37:15and shoot it.
37:17Just put it in the hole.
37:19There is a limit to the number of balls you can hit,
37:21so be careful.
37:23Don't shoot too much.
37:27If you make a hole in the number decided,
37:29it's clear.
37:31On the other hand,
37:33if you run out of Mikan Seijin,
37:35the game is over.
37:37When you play the game,
37:39various stages and gimmicks
37:41will appear.
37:43It seems to be a habit
37:45when you enter that hole.
37:47By all means.
37:49Mikan Seijin is a game.
37:51This time,
37:53we will compete
37:55how far you can clear the stage.
37:57I won't lose.
37:59I don't want to lose.
38:01Start at the same time
38:03in 3 minutes from the time limit.
38:05We will compete
38:07how far you can clear the stage.
38:09It's rare.
38:11By the way, the staff
38:13went to stage 6 in 3 minutes.
38:15Ume-chan again?
38:17He is suspicious. He is practicing.
38:19He may be involved in development.
38:21I see.
38:23He is involved in this game.
38:25Let's start.
38:27What will you do if you lose?
38:29What will you do?
38:31How about teaching
38:33a female celebrity
38:35who has attracted attention
38:37such as DM?
38:39That's too much.
38:41I didn't think
38:43I would lose.
38:45Ready.
38:47Start.
38:49I will do it.
38:51Go.
38:53Go.
38:55Come on.
38:57All right.
38:59All right.
39:01Start at 4 minutes, right?
39:03Yes.
39:05Isn't it fast?
39:07How is it?
39:09Come on.
39:11Look at his practice.
39:13Is it fast?
39:21What is this?
39:23Where?
39:25What?
39:27What is this?
39:29What?
39:31What?
39:33What?
39:37I did it.
39:39What?
39:41How many minutes left?
39:43One minute left.
39:45You can do it.
39:47This is normal.
39:51Oh, no.
39:53I don't have enough time.
39:55What?
39:57What?
39:59What?
40:01What?
40:03What?
40:05Oh, no.
40:07What does this mean?
40:09What does this mean?
40:11Oh, no. I failed.
40:13What does this mean?
40:15Is there a way to do this?
40:17I got it.
40:19This is how you do it.
40:27Oh, no.
40:29I can't do it.
40:31This is hard.
40:37This is hard.
40:39What is this?
40:41What?
40:45This is hard.
40:47This is hard.
40:49I got it.
40:55Time's up!
40:59Rintaro, stage 5.
41:01Kanechika, stage 5.
41:03HIKAKIN!
41:05You can't help it.
41:09Rock-paper-scissors.
41:15Rock-paper-scissors.
41:17I got it!
41:19Yeah!
41:25I'm going to say the person's name.
41:29What should I do?
41:31Is it okay?
41:33I don't know if it's okay to say this, but...
41:38It's A-san.
41:40What?
41:41You're just going to say it?
41:43Where did you get the money from?
41:46I thought it was just right.
41:48That's pretty good.
41:49I asked him if he was in front of the Shinjuku movie theater.
41:53He wasn't there at all.
41:54That's scary.
41:55Maybe he was hallucinating.
41:59I shouldn't have asked.
42:03How was Mikan Seijin no Ana?
42:05It was fun.
42:07I want to play more.
42:09I want to play the 7th stage soon.
42:11I want to play the 7th stage soon.
42:13I want you to play it.
42:15We are looking for games you want us to play.
42:18Please send us a DM to the official program account.
42:21Everyone, try playing Mikan Seijin no Ana.
42:24That's it for Exit TV Gaming Room.
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