Al Fondo Hay Sitio Temporada 11 Capitulo 140 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 141 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 142 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 140 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 141 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 142 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 140 Completo HD
Category
🎥
Short filmTranscript
00:00I can't take it anymore.
00:04At least Felix is watching me like he never did.
00:07It's my chance.
00:25I can't help but feel guilty for what happened.
00:28I could have handled the situation better with Jimmy.
00:31I don't know.
00:33Preventing people from watching that show.
00:35No, no. It's not your fault.
00:37He's the only one responsible for all this.
00:42Yes, hello?
00:43Hello, I have a request for Miss Julie Flores.
00:45It's me?
00:46A permit here, please.
00:54But I haven't asked for anything.
00:56It's for Cristobal Montalban.
01:00They're laughing at me, not at me.
01:02I'm not used to that.
01:03I like to put them in the center.
01:04Don't put me in the center.
01:06I can imagine.
01:27Felix!
01:28Felix!
01:30Felix!
01:31Huh?
01:32Did someone come to make the delivery?
01:34No.
01:35No one came.
01:36Oh, okay.
01:37That's great.
01:42I'm going down!
01:43No, no. What are you doing?
01:44I don't want to.
01:45Why?
01:46I don't want to.
01:47I don't want to.
01:48I don't want to.
01:49I don't want to.
01:50I don't want to.
01:51I don't want to.
01:52I don't want to.
01:53I don't want to.
01:54I don't want to.
01:55I don't want to.
01:56I don't want to.
01:57I don't want to.
02:01That man over there is the Pope's tita.
02:04What's his tita?
02:07The boss of the beautiful.
02:20He took you like that out of the blue?
02:23Yes.
02:25Cristobal didn't talk to you?
02:27He didn't write to you? He didn't send you a message?
02:29No, no. I already checked my phone, my email, everything.
02:35Let's see, cousin. If something is clear, it's that he wants you to forgive him.
02:38He has taken his time doing this.
02:41Yes, of course. If not...
02:43If not, why would he send me something so beautiful?
02:46It's very beautiful.
02:48I can't deny that.
02:55Do you think I should forgive him?
03:03Let's see, cousin.
03:07I don't want to be the best counselor in the world right now.
03:12But if I know something, it's that you are wonderful.
03:17And you don't deserve to be mistreated.
03:19Or made fun of you.
03:26There is no night in which I think of that idiot kissing Lucia.
03:34But that idiot was also the one who made me the happiest woman in the world.
03:43Love is very complicated.
03:47It never turns out the way you want it to.
03:55I'm going to forgive him.
04:25I'm going to forgive him.
04:32Oh, what an elegant chair.
04:37Felix, have you already thrown away this chair?
04:40Yes, well, all this is recycling.
04:42Once a week they come to pick up the recycling, right?
04:46Oh, but it's still good.
04:48Yes, it's very good.
04:50That way the wealthy people, the people with money, throw away new things.
04:55No, where do you think I got my teapot for my little box?
04:59So, can I take it?
05:02Well, I had already thrown it away, but it's okay.
05:04You better take it.
05:05Yes, because it's like very attractive for my work as a watchman.
05:09Thank you, Felix.
05:16Oh no, Felix.
05:17Do you think you can help me by taking it to my house?
05:19What happens is that my hip hurts a lot.
05:21Oh, it hurts.
05:22Of course, I'll take it.
05:24They have already forgiven you.
05:25Oh, I'm doing my best.
05:27Of course, I can take it, do not worry.
05:38So much if they take, I'm not going to wait all day standing, right?
05:42No.
05:53They already took it.
06:06Oh my God, thank you.
06:07Nothing like a good blow in the morning to know that I'm alive.
06:12Yes.
06:18Hello.
06:20Hello.
06:23I received your gift.
06:25Look, I don't know how to tell you this.
06:27I took it by surprise and I was thinking ...
06:30Jolie, before you say anything.
06:32I sent that gift a month ago.
06:37How?
06:39Yes, when we were.
06:41And I have tried to prevent it from reaching you all day but ...
06:45It could not be done.
06:50Yes, it was just what I thought had happened.
06:56I came to give it back to you.
07:11And I learned that I can no longer be without you.
07:17I love you and I can't forget you.
07:22I feel alone thinking of you.
07:27And I learned that falling in love is not so easy.
07:32I'm sorry.
07:33I learned that I can no longer be without you.
07:39In other words, we demand better treatment.
07:42We ask for a little consideration.
07:45And this is your way of solving things, Mr. Director.
07:48Let's see, let's calm down.
07:50There is no need to oversize this situation.
07:53It is not so serious.
08:08Let's go, let's go!
08:38I love you.
08:48Cousin, what happened?
08:51He's an idiot!
09:09A month later.
09:21Cristobal!
09:23Stop bothering my cousin and send her gifts!
09:26I sent this gift to her a month ago.
09:28Oh yes, of course, and it arrives today!
09:30Look, if you don't believe me, I don't care.
09:32Why don't you get into your business instead of getting into where they don't call you?
09:35I get in where I want to, because it's my cousin!
09:38And what's wrong with you?
09:39Now you want to solve everything by beating.
09:41You hit Salvador, now you want to hit me too?
09:43I don't have a problem doing it!
09:44How does it show that you are an idiot?
09:46What?
09:47What?
09:48What were you going to say?
09:49Were you going to say that I'm a Gonzalez?
09:50A savage?
09:52Hmm?
09:53Go, go.
09:54Go out and tell him in the street or do you want me to come in?
09:56Hey, hey, hey, what's going on here?
09:57Why are you throwing me around?
09:59What's going on?
10:00Ask this jerk who has returned from Mexico wanting to hit everyone.
10:03You are not going to see the faces of idiots.
10:05Enough, enough, enough.
10:06Let's see, let's see.
10:07If Cristobal calms down, Jimmy enters the house.
10:09But this imbecile ...
10:10Jimmy!
10:11What?
10:12This fight ends here.
10:13You have taken the words out of my mouth.
10:14This fight ends here!
10:27Hello?
10:28Cristobal, please come.
10:29We need you.
10:30We are blocked.
10:32I'm coming.
10:34All good?
10:35How did it go with the gift from Julie?
10:37Bad, bad.
10:38I felt bad.
10:39I couldn't help but give it to her.
10:40No.
10:41And that's not the worst thing, sister.
10:42Jimmy's energumen came to want to frame me.
10:46But if it's not your fault ...
10:47And do you think he understood?
10:49He even wanted to hit me.
11:02Bandits!
11:04Our time has come!
11:07The bad guy is ours!
11:11Now we have control!
11:16Maca, Maca, Maca.
11:18I'm scared, Maca.
11:19We are going to die.
11:20There is a lot ahead.
11:21I'm still Chibolo, Maca.
11:22What am I going to do?
11:23Calm down, calm down.
11:24You are not going to do anything.
11:25You are not a monster, damn it.
11:26How can you be so calm, Maca?
11:27We are going to die.
11:28We are going to die.
11:29We are going to die.
11:30Do you understand?
11:31You don't like me very much, Macarena.
11:33Maca.
11:34What?
11:36I have my cell phone here.
11:37They didn't take it from me.
11:38I kept it in my thighs.
11:42I'm going to call the bad guy.
11:43Although the bad guy never answers.
11:45I'm going to call my uncle Pepe.
11:47You distract him.
11:48I need you to distract him.
11:49Do something to make him happy.
11:51Distract him.
11:55Hi guys!
11:56I know it's been a little tense,
11:58but I want to tell you something very funny
12:00because I look like a duck.
12:03Or a chicken.
12:07Uncle Pepe, Uncle Pepe, how are you?
12:08Are you okay?
12:10I'm not okay.
12:11I'm here with some dangerous criminals.
12:14They have caught Maca and me.
12:16We came to make them laugh,
12:17but now we are here crying.
12:20Uncle, listen to me.
12:22I...
12:23And we are also there.
12:25You always have them in your heart.
12:28Okay?
12:29And please,
12:30if my songs are thrown away somewhere,
12:33give them to the skinny dog and my wife.
12:36Now I really need you to please
12:40make them laugh.
12:42Guys!
12:43What are you doing?
12:46No, no, no.
12:48Do you think this is a joke?
12:49No, no, no.
12:50No, no, no.
12:52I have ADHD since I was little.
12:54I don't understand things sometimes.
12:56I need a doctor.
12:57Look, Manny, this is a revolution.
12:59And if you are not with us,
13:01you are against us.
13:03Yes, yes, yes.
13:04I understand.
13:06One more that you do, Mondonguito.
13:08Because I like coca.
13:09I like coca.
13:10And you don't count it.
13:12Neither do you.
13:14I'm healed.
13:16I love you.
13:17I love you.
13:18I love you.
13:34Look!
13:35Joel sent a video!
13:38Let's see.
13:39Uncle Pepe, Uncle Pepe, how are you?
13:41Are you okay?
13:42Well, I'm bad.
13:43I'm here.
13:44I'm here with some dangerous criminals.
13:46They have caught us.
13:48And me.
13:49We came to make them laugh,
13:50but now we are here crying.
13:52Uncle, listen to me.
13:54I...
13:55And clown Matanguel.
13:57Always.
13:59You have your heart.
14:00Okay?
14:01And please,
14:02if my songs are out there,
14:03vote for a gift.
14:05And give it to
14:06the skinny dog
14:07and my wife.
14:10That's good, Mondonguito.
14:12Now I need,
14:13I need,
14:14I really need,
14:15please,
14:16vote for Noni.
14:18Hey, that's funny.
14:19Gifts for your hits, he says.
14:21Yes.
14:22My brother will always be happy
14:23when I'm down.
14:24Down? Why?
14:26Oh, nothing.
14:28When are we going to have lunch?
14:29The chicken is getting cold.
14:30Okay, but what about Yuli?
14:32No, no, lunch.
14:34She says she's not hungry
14:35and she has a lot to study.
14:37It's an octave of chicken
14:38for each one.
14:39Oh, okay.
14:43Let's go.
14:53Maca.
14:55I'm dying, Maca.
14:57Maca.
14:58I'm hungry, I'm thirsty.
14:59What are we going to eat?
15:00What are we going to drink?
15:01I read that your brother
15:02can't stand three weeks without eating
15:03and three days without water.
15:04God, yes, without going to the bathroom.
15:05Oh, I'm distracted,
15:06so I'm saved.
15:07You distract me,
15:08but I don't drink, Maca.
15:09I flow.
15:10I go three times a day,
15:11at least.
15:12We're going to die,
15:13we're going to die of hunger.
15:14No, no, no, don't do that to me.
15:15We're going to die of hunger.
15:16No, no, no, don't do that to me.
15:17We're going to die of hunger.
15:18Don't get nervous, please.
15:19Calm down, calm down.
15:20Oh, Maca.
15:21Calm down.
15:22What's wrong?
15:23My nose is always hot.
15:24I got a fever, Maca.
15:25What's wrong?
15:26I got a fever, Maca.
15:27Calm down, calm down.
15:28I'm dying.
15:29Oh my God, I'm going, sir.
15:30Where are we?
15:31I'm depressed, I'm hot.
15:32Another, another, another.
15:33Another, another.
15:34Oh, people!
15:35Look how those people
15:36are grabbing their butts.
15:43I swear I don't recognize him.
15:45Jimmy has always been a calm boy.
15:47Someone calm doesn't get into trouble.
15:49Two different people
15:50in less than 48 hours.
15:52What am I supposed to do?
15:54You already did it.
15:56You broke up with him.
15:57But I love him.
15:59And I want to help him.
16:01I'm too stupid to think like that.
16:04Ale, sometimes there are things
16:05that you can't solve.
16:07I don't know.
16:09I don't know.
16:13Answer me something.
16:15Is this the first time
16:16you have serious problems?
16:19No.
16:21Have you broken up several times?
16:24Yes.
16:28The way I see it,
16:30he's not for you.
16:33And maybe you're not for him.
16:40Well, let's get back to business.
16:43How do we attract clients?
16:52Mmm!
16:54What a delicious chicken octave
16:55you've prepared for us, Juanita.
16:57Hey, hey, hey, hey.
16:58Hold your bus, compadre.
17:00I ordered the chicken.
17:02Oh, yes, yes.
17:03What happens is that Cheto
17:04offered to give me a hand
17:05because he saw me so attached
17:06to everything I had to do.
17:08This house is very big,
17:09even if it doesn't look like it.
17:10And to think that my mom
17:11kept it tidy
17:12for so many years.
17:13And Olinda too.
17:15And they both cook like gods.
17:17I have so much to learn in two days.
17:19And Juana will do it
17:20all her due time.
17:22It's what I want most in this life.
17:24And where did that pompous chair
17:26come from?
17:27Yes, right?
17:28Ah!
17:29I found it on the street.
17:30Oh, good luck.
17:31Well, let's see
17:32if Olinda likes it, right?
17:33And why her, compadre?
17:35Because that's her place.
17:36I mean, since Charo left,
17:38she's been the head of the mass, Pepe.
17:40Ah, but I don't intend
17:41to take her place.
17:42It's just that,
17:43since she's not here right now,
17:44in the meantime,
17:45I'll use it.
17:46And the new chair
17:47also makes you look
17:48like the queen you are.
17:49Oh, thank you, my king.
17:50What?
17:51How did you call me?
17:52My king.
17:53Oh, my queen.
17:54My son, my king.
17:55What's going on here?
17:56Do you tell him
17:57or do I tell him?
17:59Ah, it depends
18:00on what you want
18:01to communicate to the family.
18:03Wait a minute.
18:04Wait a minute, please.
18:05I have to stop, compadre.
18:06Family,
18:07I have decided
18:08to give love
18:09a new opportunity.
18:10And with the same stone?
18:11No, compadre.
18:12Sorry, Pepe.
18:13You know that
18:14my mouth shoots on its own.
18:15Well, Juanita and I
18:16are back
18:17in cotton.
18:18Oh, poor thing.
18:19Oh, Juanita.
18:20No.
18:21No.
18:22No.
18:23No.
18:24No.
18:25No.
18:26No.
18:27No.
18:28No.
18:29No.
18:30No.
18:31No.
18:32No.
18:33No.
18:34No.
18:35No.
18:36No.
18:37No.
18:38No.
18:39five, five, five, five.
18:40All right, people.
18:41Let's be great.
18:42You'll see.
18:43Another dream.
18:44Now it will be
18:45up to you
18:46to make the changing of the
18:47laws,
18:48so that not just
18:49these young
18:50women will get
18:51warrants,
18:52more waiting
18:53and more
18:54beatings.
18:55And this
18:56is the
18:56people
18:57that are supposed
18:58to be
18:59on the judge's
19:00carefully
19:01but not
19:03It's time to change the narrative of their lives.
19:09What do you know about what we went through here?
19:11They don't even give us decent food.
19:14More?
19:14Just in case, just in case, I wanted to tell you.
19:17I know a respectable criminal, Pepe.
19:20Oh yeah?
19:21Yes, yes.
19:21Who?
19:23Gaspar Goyoneche is his name.
19:25Who is that funny guy?
19:27Taita, are you sure it's another clown?
19:28Yes.
19:30But I also know another one named Koki Reyes.
19:33Really?
19:37What are you doing?
19:40Really, really, I know him.
19:42He's our friend and he's also our mayor.
19:46She's talking pure clownery.
19:55Oh, how nice, Macarena.
19:57You're going to the Philippines.
20:00You're going to the Philippines.
20:02You're going to Panama.
20:04After this, we could go to the room to rest for a while.
20:07What do you say?
20:09You don't know how much I want to, but I still have to clean the freezer,
20:13water the plants, attend to the winery.
20:15It's just that since Teresa moved, I've been left with everything.
20:19The winery.
20:23Pepito.
20:24What bank do you have your money in?
20:28What bank?
20:29None.
20:31Oh no?
20:31And where do you keep your savings?
20:34In a much safer place, but once I failed.
20:46Oh, but how mysterious, Pepito.
20:49No mystery, the money is kept under the mattress.
20:52But now I have nothing.
20:54Why?
20:55It's just that recently I had a strong expense with the micro, right?
20:57And you understand that my compadre has a daughter, he doesn't have to spend money on her.
21:02And well, you had to cover with all the expenses.
21:04Gentleman, no more.
21:06I totally understand.
21:11My king.
21:13Lend me this.
21:18I want to propose something to you.
21:20Oh yeah?
21:22It's just that...
21:25I don't think you work so much and you live so tight.
21:29What do you think if from now on I help you manage your money?
21:34You?
21:36Yes, we have to think about our future.
21:38And well, I've seen that you're spending on little things that I don't think are so necessary.
21:45Oh yeah, right?
21:47Yes, my king.
21:48Look, with some adjustments I can make you save a lot of money.
21:52And together we are going to save a lot.
21:54What do you say?
21:56I say that...
21:58It seems that with you I'm going up.
22:00Oh yes, of course.
22:03Oh, how cute you are.
22:06You are the best.
22:07That together we are a team.
22:08You win and I manage.
22:11And I beat him.
22:13Oh, how cute Pepito, how cute.
22:15What do you think if we start today?
22:17Let's see, tell me, how much did you win today?
22:25Change of card.
22:26No, they have nothing against food.
22:28The problem is...
22:29Come to La Chingana where they get beaten up.
22:31Literally.
22:34Let's see.
22:37What hurt us was a client who spoke badly of the restaurant.
22:43So what we need is someone who speaks wonders and has reach.
22:53What do you think of an influencer?
22:56That.
22:56That, that. I know someone who is dedicated to that.
22:59It's not a gastronomy account, but sometimes I upload restaurant recommendations.
23:03And how many followers do you have?
23:04Wait a minute, 10,000.
23:06No, no, it's very little. We need someone of weight.
23:09Let's look, let's look.
23:10Yes.
23:18Is this not more Pepito?
23:20It is for our work regime, but I assure you that it is more than enough.
23:25What regime is that?
23:26It's very simple.
23:27My buddy and I, after breakfast, we go out for a walk, right?
23:31And around there we stop a touch to rest.
23:33His bread with torrijas, his chelita.
23:35My buddy is half an hour in Genoa.
23:37And around there, if we are in the mood, we do a second round, but without haste.
23:41Ah, if you are in the mood.
23:44Yes, it is a differentiated regime to work relaxed, because working stressed is harmful.
23:51Well, bad, very bad.
23:54That way they won't get anywhere.
23:56You should be earning at least the triple.
23:59Do you think so?
24:00Yes, who works less than eight hours.
24:03For example, I, I work more than eight hours.
24:06You have seen that I get up early, I'm doing one thing, I'm doing another, and I'm not done yet.
24:12Pepito, if you want us to get through together, we're going to have to sacrifice ourselves.
24:18I think it's good, yes.
24:20Yes, and so we can quickly gather our money to build the third floor that you have told me so much about.
24:26Ah, our third floor.
24:28But we're going to have to put a lot of work into it.
24:32So no more breaks or chelitas at noon.
24:35Ready, ready, ready.
24:36Are we?
24:37Ready, ready.
24:38Today I talk to my buddy, this suits him too, right?
24:40Oh, that's how you talk, my king.
24:43What, what, what, how did you call me?
24:45My king.
24:46Oh yeah? Let's see, let's see, imagine.
24:48My king.
25:03Let's see guys, first things first.
25:05If you want me to talk well about your restaurant, my rate is ten thousand soles.
25:09Ten thousand?
25:11That includes a 20-second reel showing your dishes and a positive review from me.
25:1620 seconds?
25:17You don't need more.
25:19For my 500,383 followers, the word of Foodie King is law.
25:25This is a little more than we had estimated.
25:28Ah, correction, 500,384.
25:31Ah, and going up, 500,385.
25:34But if he's going to give us the exposure we need.
25:37How sweet. That's just my basic fee.
25:39Then come the, what's it called? Perks.
25:42I need 20 free dinners for me and my people.
25:45Why so many?
25:46Well, to evaluate them well.
25:48I don't want to talk without being sure.
25:50Eating here once is not enough for me.
25:52And neither does my team.
25:55They have to understand that I am an opinion leader.
25:58And as such, I must be responsible with what I recommend.
26:37On TV with Pepe and Tito, download and buy on Progresol Plus.
26:40More purchases, more options to win.
26:48Bonet your meals and give them this creaminess that your children love.
26:51And at the price you expected.
26:57We called for them to come and fix it, and they left us hanging.
27:00Well, Grandma, they haven't changed to Claro yet.
27:02Don't they know what Claro is?
27:04Did you know that if you have Claro at home and Claro on your cell phone, you are Fulcaro?
27:09Live Fulbeneficio without paying more and for life.
27:12Become Fulcaro by calling 0800 00200 or in claro.pe
27:22And in other news, blood and fire in the Penal Piedras Flacas.
27:25A riot broke out after the rioters felt offended by a show of two clowns.
27:31Two clowns.
27:32Yes, you heard right. Two clowns.
27:34They went to do a show to cheer up the prisoners.
27:37They inform us that their artistic names are Pallasita and Mondonguito.
27:42Mondonguito.
27:43What?
27:44It's Aguamendito, no.
27:45It can't be.
27:46It's Miss Macarena and Juelz.
27:48No.
27:49This is an emergency.
27:50Emergency.
27:52Emergency.
27:54What's up? What's up?
27:55What's up? What's up?
27:56What happened?
27:57What? What happened?
27:58A disaster has occurred.
28:00The rioters of the Penal Piedras Flacas have taken Miss Macarena and Juelz as hostages.
28:04What?
28:05Oh, I'm sure I did it because of the video you sent.
28:07I'm sure I've sent you another one, haven't I?
28:09Of course, this video is a joke. Don't take it seriously.
28:11No, I haven't seen any video.
28:13I've heard the news on the radio.
28:15Yes, a riot has broken out because of the clowns.
28:18So it's true. They're kidnapped.
28:21We have to tell Mondalva.
28:22Let's go.
28:23Yes, yes, let's go, let's go, let's go.
28:25Pepita, Pepita, Pepita.
28:26What?
28:28It seems prudent to leave the house alone.
28:29You know, there are a lot of bad people who can take advantage of our misfortune to get in.
28:32Oh, I hadn't thought of it that way.
28:34Yes, yes, you're right.
28:35See you later.
28:36Good luck, my king.
28:38What? How did you say?
28:40My king.
28:41Very true.
28:44Good luck.
28:49I told you to wait at the door.
28:51Claudio, please, it's an emergency. Call everyone.
28:53Which is everyone?
28:54What happened?
28:55Hey, hey, hey, calm down. Don't do anything to him.
28:57Oh, oh, hey, what? Now you defend him.
29:00I understand. Now I work for him.
29:02What a lot of soap operas if we are not going to do anything to the vampire.
29:05Have you done something again?
29:06No, no, I haven't done anything, Uncle Pepe.
29:08And what am I going to do if we're done and there's no possibility for us to come back?
29:19Then why did they come in like a herd?
29:21The prisoners have kidnapped Joel and Macarena in jail.
29:26Okay.
29:27I'll give you 20 free dinners.
29:29Anything else?
29:30Yes.
29:31I want to close the restaurant for my birthday next week.
29:34Isn't a table enough for you?
29:36Darling, look at it as a benefit.
29:40My friends are going to take a thousand photos for their networks.
29:42They're just going to take pictures, they're not going to eat.
29:44Of course they're going to eat, but I don't pay, you invite.
29:47With all due respect, Fuli King, I think you ask too much.
29:52I'm just starting.
29:53I want 10 vouchers of free dinners for my followers.
29:57In other words, in addition to the 10,000 soles, you also want ...
30:02Did I say soles?
30:03Pardon me.
30:04Dollars.
30:05Ten thousand dollars.
30:07In addition to that, you want 20 free dinners for your team.
30:12Close the restaurant for your birthday and 10 vouchers for your followers.
30:17Look at it as ...
30:19Another benefit.
30:20Exactly.
30:21I raffle the vouchers on my networks, so more advertising for you.
30:24Yeah.
30:26What do you say?
30:27We close the business?
30:31I think I have to tell you no.
30:35What do you mean no?
30:36I'm Fuli King, baby.
30:38The most important gastronomic influencer in this country.
30:41I can put them on the map or delete them with a post.
30:45Are you threatening me?
30:48For better or worse, no.
30:49No, no and no.
30:51And the only perk you're going to get from me is that glass of water.
30:54Amateurs.
30:55Mrs. Ali?
30:57Yes?
30:58Please, give the gentleman his fortune cookie.
31:03What? Fuli King! Fuli King!
31:04Hey, what's going on?
31:05I don't know who I am.
31:06Please, respect.
31:07I don't know who I am.
31:14Well, and now?
31:18Look, here's some news.
31:20We are fed up.
31:21This is not a whim, just in case.
31:23It's a protest.
31:25We are people.
31:26And we want what is fair.
31:28We want rich food.
31:30Full, abundant.
31:32And I'm not going to let anyone go
31:34if he doesn't do what we ask.
31:36Is that clear?
31:44Help!
31:45Help us!
31:46Help us, please!
31:47Free us!
31:51There they are!
31:53Well, if we want to help,
31:55we have to act all together,
31:56leaving aside our differences.
31:58Yes, yes, we will do that.
31:59We all want Juan and Macarena to return safe and sound.
32:02But we are seven.
32:03They are a hundred.
32:06Oh, I know.
32:08We have a chef who has won the Chevolín Award on our side.
32:11Yes.
32:12Yes, that, that.
32:13Well, we can offer you to let Fecheja cook for a while.
32:15What a good idea.
32:16Yes.
32:17Well, I have the general's phone number.
32:18If Alessia agrees,
32:19I'll start coordinating right now.
32:23Oh, what can I do with this?
32:27It's not much, but something is something, right?
32:32Let's see.
32:33How?
32:34I didn't know, I doubt it.
32:37There it is.
32:38Good morning.
32:40Can you give me the list, please?
32:42Oh, of course.
32:43Oh, no.
32:44I forgot my wallet.
32:46Oh, do you think you can trust me, please?
32:48Look, I work here for the Benavides.
32:50A few houses from here.
32:51Don Gilberto already knows me.
32:52He already knows who I am.
32:55Of course, I can trust you.
32:57But I'm going to have to calculate a small interest.
33:00Interest?
33:02Yes, it's just a little one.
33:04These are the new rules of the hotel.
33:07Yeah, well.
33:08Yes?
33:09Yes.
33:10Perfect, of course.
33:11Let's see what's on the list, okay?
33:13Let's see, rice, sugar.
33:15I'll bring it to you right now.
33:16Yeah, please.
33:19Listen to me carefully.
33:20This is not just cooking.
33:22It's saving lives.
33:23It doesn't matter if you haven't touched a chicken in your life,
33:25I'm going to guide you, okay?
33:26You need all the hands and every second counts.
33:30Joel and Macarena's life depends on us.
33:33So focus, follow my instructions,
33:36and give your best.
33:37I trust all of you.
33:39Yes.
33:40Let's cook those 100 dishes now!
33:42Good, good!
33:43Let's go!
33:44Let's go!
33:47But, but, Teres, have you been given the voice?
33:49I called her, but she doesn't answer.
33:51How strange, what is she doing?
33:54How delicious my rice!
33:57It's good, it's good!
33:58How delicious my rice!
34:01It's good, it's good!
34:02And how delicious my chicken!
34:04And how delicious my chicken!
34:06And how delicious my chicken!
34:07And how delicious my chicken!
34:09It's good, it's good!
34:11It's good, it's good!
34:13It's good, it's good!
34:15It's good, it's good!
34:18How delicious my rice!
34:27Hey! Cut the chicken!
34:29What are you doing?
34:30You have to cut the chicken!
34:32But it's very thick!
34:34It's very thick.
34:35Give me a nice cup of coffee!
35:05I want you standing at the door.
35:07If the goons come in, we'll pour hot oil on them, whatever it is, but don't let them in.
35:11Is that clear?
35:12Mr. Taitita, Mr. Taitita.
35:14Don't say anything.
35:15Don't make it worse.
35:16Mr. Taitita, one thing. I just want to make a comment.
35:21You, your person, with all your serious drumming.
35:25You haven't recognized me because I'm wearing makeup.
35:28But I'm a singer. I don't know if you remember me.
35:32We had a musical duo here with my partner, the clown.
35:35It was Mr. John and the legend.
35:36And the girl.
35:38Let's see, guys, guys. Here people say they are famous.
35:42Do you turn them around on one side or not?
35:44No.
35:45No.
35:46No.
35:47No.
35:48No.
35:49Have you recognized me?
35:51Yes.
35:52Sing.
35:53Sing.
35:54This one, this one.
35:56Listen.
35:58I would take you to the moon if you asked me.
36:01I would give you everything, everything you want.
36:04One night on a deserted beach.
36:06You and I alone with the stars.
36:11Tonight we don't sleep, we lose control.
36:17We forget everything and love flows.
36:20It's that with you everything can happen.
36:22And I kneel to be my wife.
36:25It's that you know that you make me happy.
36:28That with just seeing you I die for having you.
36:31We are one for the other.
36:34I know we are crazy.
36:36But we still give everything.
36:42And?
36:43At least I've killed more people.
36:45No.
36:46Goodbye.
36:47No.
36:48No.
36:49Mr. Tahiti, listen to me.
36:51Listen to me.
36:52I'm also a singer.
36:53I'm an actor.
36:54I'm also an actor.
36:55I'm a producer.
36:56I'm a director.
36:57I'm an editor.
36:58And suddenly I can produce it, right?
36:59I don't know.
37:00Here with your people, with your drums, we make a work.
37:03It can be a musical.
37:04No, no, no.
37:05With high standards.
37:06What are you talking about, clown?
37:07A musical work.
37:08With music, with songs.
37:09And you can act, right?
37:10You can act.
37:11And it can be a cool theater.
37:12A beautiful one.
37:13Like the great national theater.
37:14It can be too.
37:15What an idiotic idea.
37:16Let's go to bed.
37:17Let's go.
37:19Minced stones.
37:25Musical.
37:28It is not a bad idea.
37:32Sure.
37:35Be careful.
37:36That's it.
37:37Don't turn the head, right?
37:38Listen to me please.
37:39The commander needs to hide this microphone.
37:41But it has to be in a very safe place.
37:44Seguro este aparato de espionaje. Es muy moderno y de última generación
37:52Es el único que existe en el país y emite una señal de hasta 500 metros
38:01Y donde se lo van a meter
38:05Tendrán que meterlo en sus ropas lo primero que van a realizar los delincuentes son sus ropas
38:09El jefe y es indispensable que usamos el micrófono afirmativo
38:16Necesitamos que nos den una información detallada de todo lo que ocurre dentro del penal
38:21para así poder armar un mejor plan de rescate
38:26Ya sé vamos a armar una empanada especial
38:40Que bueno que por fin la casa está sola prefiero estar sola que mal acompañada
38:52Ya va
38:59Su pedido señorita
39:03Gracias
39:06Muchas gracias que tenga un buen día
39:09No me molesta lo que dice la gente, me di cuenta que soy diferente, bailo en la calle, bailo en la disco
39:39¿Que pasa?
39:41pasa pasa
39:51cierre cierre
39:53guarda guarda
39:55Ahí están mis sobrinos
39:57¿Por qué no por nosotros?
39:59¿Ahora que hacemos?
40:01Tranquilos déjenmelo a mi
40:03I don't know what you're talking about.
40:04I don't know what you're talking about.
40:05I don't know what you're talking about.
40:06I don't know what you're talking about.
40:07I don't know what you're talking about.
40:08I don't know what you're talking about.
40:09I don't know what you're talking about.
40:10I don't know what you're talking about.
40:11I don't know what you're talking about.
40:12I don't know what you're talking about.
40:13I don't know what you're talking about.
40:14I don't know what you're talking about.
40:15I don't know what you're talking about.
40:16I don't know what you're talking about.
40:17I don't know what you're talking about.
40:18I don't know what you're talking about.
40:19I don't know what you're talking about.
40:20I don't know what you're talking about.
40:21I don't know what you're talking about.
40:28I don't know what you're talking about.
40:35I don't know what you're talking about.
40:41I don't know what you're talking about.
40:46I don't know what you're talking about.
40:49I don't know what you're talking about.
40:50I don't know what you're talking about.
40:51I don't know what you're talking about.
40:52I don't know what you're talking about.
40:53I don't know what you're talking about.
40:54I don't know what you're talking about.
40:55I don't know what you're talking about.
40:56I don't know what you're talking about.
40:57I don't know what you're talking about.
40:58I don't know what you're talking about.
40:59I don't know what you're talking about.
41:00I don't know what you're talking about.
41:01I don't know what you're talking about.
41:02I don't know what you're talking about.
41:03I don't know what you're talking about.
41:04I don't know what you're talking about.
41:05I don't know what you're talking about.
41:06I don't know what you're talking about.
41:08They're armed with sticks and knives.
41:14I think they're coming soon.
41:15What if something happens to him?
41:17We have to wait.
41:18If we don't have news in 10 minutes, we go in.
41:22No, 10 minutes is a lot of time, boss.
41:24Calm down, the police are ready to act.
41:38I have a knife.
41:39Yes, yes, yes.
41:42You're welcome.
41:44Thank you, little girl.
41:46Thank you for the wig.
41:55Just one.
42:01What is that?
42:02It sounds like a bubble.
42:05It sounds like a dog barking to me.
42:07Yes, yes, it sounds like a sound produced by a wild animal.
42:13The empanada was delicious.
42:16It was a little hard.
42:17I think they didn't take the lemon out of the lemon.
42:19But it was good.
42:23And the next one!
42:25Come on!
42:26Yes!
42:31I don't know, but I've wanted to spend more time here.
42:34Really?
42:35And why is that?
42:36I don't know, you tell me.
42:38You don't talk to me like that, honey.
42:40What do you want?
42:41I'm talking to you naturally, normally.
42:44You see how you put on that makeup.
42:47Okay, calm down.
42:51Active pause.
42:52I'm going to check my phone.
42:57They may have called me out there.
43:02No.
43:03Don't worry.
43:04They won't see that Joliet's coming.
43:06No, on the contrary.
43:08It's going to take a while.
43:10How do you know?
43:12The prisoners just kidnapped him.
43:14What?
43:16Enjoy, enjoy.
43:17It was delicious.
43:18It was a little hard.
43:19Where is the empanada?
43:20Where is the empanada?
43:21Where is the empanada?
43:22Where is the empanada?
43:23Where is the empanada?
43:24Where is the empanada?
43:25Where is the empanada?
43:26Where is the empanada?
43:27Did you prepare the empanada?
43:28It was hard.
43:29No!
43:30No?
43:31But I thought you had prepared it because it had your taste.
43:32Very good, guys. Now you can start.
43:37Now we're going to eat something good.
43:39What?
43:41What is this?
43:43What is this?
43:45What is this?
43:47This is not even a canary.
43:49Are they taking our hair?
43:51So much for a little of this?
43:53No, no, but it's good.
43:55Try it, try it.
43:57What was that? Are they making fun of us?
43:59No, no, no. Those are the dishes of our menu.
44:02Blanquito.
44:04Taita, Taita. This is your fault.
44:06You should have asked for a helicopter
44:08so we could escape.
44:10And not for this crap.
44:26General, it's been a long time since I heard from them.
44:28That hellish noise doesn't stop.
44:31I think they're gone.
44:33I should have gone with them.
44:35I think it's better to order the tactical team to come in.
44:43What's going on with you?
44:45What's going on with you?
44:47You're ugly!
44:49Divide and conquer!
44:51Calm down, calm down, calm down.
44:53Mr. Taita, are you going to let them talk to you like that?
44:55Mr. Taita, if he leaves once, they'll always do it to him.
44:57No, no, no. I'd like to put a tag on him.
44:59Totally.
45:01Are you going to let him?
45:03Get him!
45:05Hey, hey, hey.
45:07That's what I said.
45:15Where do you think you're going?
45:19Hurry up!
45:21Why don't you help us?
45:23I liked the idea of the music. Can I use it?
45:25Yes, yes, yes.
45:28I hope you like it. I'll call you.
45:48The hostages are coming out.
45:50Everyone is fine.
45:53I'm so happy.
45:55Don't look at me like that.
45:57You don't learn, do you?
46:03Hey, stop it.
46:05He's not going to do anything.
46:13Good morning, Mr. Director.
46:15My name is Jaime González Flores.
46:17I am a student of your prestigious university
46:19thanks to a scholarship I obtained in Peru.
46:23First of all, I wanted to apologize for my absence
46:25and see if I could reintegrate to...
46:29My God, we're ruined.
46:53The truth is that it's impossible to forget you.
46:55How can I explain to my heart that I can't live without you?